#baby i am sad

[astheos]

i truly hate the fact that i am not in my dr atm & it sucks 🤕 like what do you mean i can’t hold my baby?

[kinslxyers]

🦇🐞

this thang.

[crustyfloor]

A new pop-up store dropped for ALIEN STAGE's 2nd anniversary and wow. It's so sick.

It's Interesting what exactly these experiments are focusing on and monitoring.

Instrument practice

I found it interesting earlier that Till was so tame, more so than he usually is when he's going through experiments, but music, and making music is what he loves doing, So he was fully in his element here. This was probably the only thing he was made to do by the aliens that he at least tolerated.

(Additionally, judging by his collar (orange), he was at least calm. maybe he just isn't fazed anymore.)

//Side note, that head contraption looks familiar BUT this most likely isn't related at least i hope

(It puts me at ease, at least..)

Dance practice

This surprised me, but I suppose Mizi needed more skills.

She looks very startled here, and nervous(?) +It looks like she's doing this while singing. And with that face covering I assume this was a test monitoring her dance balance, precision, etc. At first, I did think it was odd, "Why would Shine put her through that" But alas I was reminded that even though Mizi is the flower of the group she was never untouchable, to Shine, this was the equivalent of teaching your dog to sit and stay.

(seeing this it reminded me of those scenes in movies where the people are dancing, and the music gets faster and faster until they fall. I wonder if she was doing through something similar to that)

Singing practice (?)

Similar to Till she also looks quite calm outwardly, if the machine around her neck is an iteration of the collars they have, then this process wasn't something she liked, or given how intense this experiment looks, this was a test of high-pressure to ensure she always stayed calm during performances (?). Then again this could also be a posture practice given all the structure focused on maintaining her position.

(What I believe was another form of this test was shown before so I think so)

(With her hands in a praying stance I wonder if she was praying to herself or singing a religious song (sweet dream?) It's also interesting that the machinery around her looks like a halo, and she looks so...angelic? holy?)

Image making practice

By image making, I think they made Ivan replicate expressions with his face. Whether this process was painful for him or not...I'm not sure. But it looked visibly uncomfortable, maybe that was the point. (His expression, even in this circumstance is so dubious..)

Ivan, among other things, needed to have a spotless appearance to be successful, his image was a priority given his skills were certainly guaranteed.

I assume the aliens eventually took note of his lack of expression, in the real world this can be a detriment to one's career, so the Aliens had to ensure quality was perfect. (To a more...dedicated level)

Superiority test

'Superiority test' Is very vague.

HyunA is very calm here too, likely sedated in that water with all the tablets on her. I guess this was a test to get an idea of a pet human's strengths and weaknesses, endurance, and temperament to compare and contrast them with others, testing who is more viable for Alien stage?

Another interesting, and sad part about this is that HyunWoo was there, watching his sister through her experiments.

(Also, it looks like both of her legs are normal, no alien leg yet.)

Heart rate variability

And finally, the most visceral of them all. The wording 'variability' makes this all the more sickening, the Aliens were testing his heart hours, testing it at different rates, speeds, and states. And he was in agony the entire time. Even the way he's clutching his chest, it gives me chills. This would've been a completely harmless test in a normal setting, as something quite similar to this can be performed efficiently in real life. But he's being tortured in the process.

This is one of the first times we've ever seen Luka's face so truly clear and unprotected, (understandably so.) He's even crying.

[hinamie]

cleaned up my favourite !

[beanghostprincess]

I understand Garp, I truly do. But personally if my grandson were about to be executed just for existing after years of asking himself if he deserves to live, idk, I think I would've gone on a fucking rampage and had killed everybody

[courfee]

“Regulus would be proud of us,” James whispered quietly to no one in particular, still gripping onto the painting like a life raft. 

— Tender Curiosities, Baby!  @otrtbs

[artkaninchenbau]

REACH HEAVEN THROUGH VIOLENCE

[cashweasel]

I’ve not seen anyone talk about Julia Belmont yet which is crazy because,, she looks like this?! My honest reaction seeing her on screen was “damn boy that’s your mommy??” Can she be my mommy too? She’s stunning. I want her so bad rip tho queen

[ivypond11]

it's been a week and i still haven't recovered </3 so i did a little sketch with this scene between normal and scary because it fucked me up and i need more moments of them comforting and caring for each other

[leviraaaaaa]

It'd been years after the war.

You no longer had to fight anymore.

The ODM bruises had started to fade as you don't have to tighten the straps anymore, so hard that they dug into your skin. You don't miss the familiar weight of the gas tanks and thunder spears around your waist.

No more recovering only the remains of your dead friend. No more running for your life. No more corpses, no more blood.

You don't miss that life.

You've found your peace, a life with Levi.

You would have never thought it was possible. Not just you and him, but the whole concept of it.

That finally, you can sleep peacefully, without being scared of an urgent call that a wall was broken through. Though you'd still have nightmares but still. And even then it was fine because you had Levi now, to help you get through it. You no longer hard to curl up to yourself and try to calm yourself down, hug a pillow and sob silently so none of your dormmates wake up. You had Levi now.

Or the mornings, you think. The odd sense of peace, the feeling of safety. You can wake up beside him and stay in bed for as long as you want. You don't have to get up and search for your uniform. There's no training to be late to. You just curl yourself around him and watch him sleep, peaceful. And you get to watch when he'd woke up, sleepy sleepy eyes peering through and then arms wrapping around you tighter. He looks so vulnerable then. But you're glad, you think. That he can sleep like that now. That he feels safe enough to, safe with you. His dark circles aren't so visible anymore and he doesn't look as tired as he used to. He still can't get a full rest, but the insomnia isn't that bad.

Life had changed. And for the best. Peace for him and peace for you.

But try as you may, and oh dear God did you try, you can't actually forget. Can't actually leave the life you had spent so many years living behind just like that.

No, the scars never faded.

Souvenirs, you think. Reminders etched into your skin, reminders of who you were and what you've done and all that you pray to forget.

Yours stopped bothering you at one point. It used to. Once. Severely.

You'd stare at the bruises on your thighs for hours or the livid pale slashes along your arms or your stomach. Rough knuckles and calloused fingertips, the constant usage of ODM had left marks there too.

It's more the memories than anything that comes with it.

You used to think, how could anyone possibly look at this marred mess you were and still love you?

Oh but Levi.

He never told you but you knew.

He thinks it's not enough. That he's not enough. That surely you deserve someone with all their fingers, and both their eyes.

And you think it's ridiculous.

But even now, after so many years, you'd sometimes catch a glimpse of him staring at himself into the mirror, fingers grazing his face.

The world had been so cruel to him. And he didn't know how to be kinder to himself.

Unlike you, who cried it out, he never learnt how to actually handle his emotions. So when it's one of those days, he merely shuts himself out. In his own dark little mind. And those days, you leave him alone, because he only curls into himself deeper if you try to get him out. And you learnt to give him space, for him to come out on his own. Though every inch of you wants to help him, but you don't know how.

And it was one of those days, you realized when you walked into the bathroom.

He was staring at the bathroom mirror, arms braced on the counter. So focused he didn't even hear you coming.

"Levi?" You called out gently.

He didn't answer, but his head tilts towards you, eyes shifting to meet yours. He only gives a slight nod.

"You... okay?"

"...yeah." He takes a moment but nods. "Fine."

And it was then you noticed how hard his fingers gripped onto the counter. And you noticed his expression, the look of guilt there. How he wouldn't even look at you properly.

Your heart hurt.

If only he understood.

You didn't say anything but walked towards him. And without a word, you slide on top of the counter, shifting so he was standing between your legs. You locked your legs behind him, pulling him closer. He was startled but he didn't say anything, his eyes downcast.

There was so much pain inside those gray eyes.

"Levi." Your voice gentle, soft. "Look at me."

At that, he only tilted his head, looking further away from you, eyes darting sideways.

"No, look at me." You held his chin, turning his head towards you. He flinched at your touch, but you could see the resistance breaking under your gaze. The walls coming down.

With that, you held up your hair, tilting your head to show him a slash that went up to your neck.

"See this?"

He looked at you, confused. And without a word, you tugged on your t-shirt, taking off the clothing in one pull.

"What are you... doing?" He asked, warily. Eyes on your face. Even after so many years, he still got shy.

"No, eyes here lev." You said firmly. "See this?" You pointed at a scar along your elbow, then towards the bruises that ODM had left on your chest. " And this?"

He only stared at you, expression hard. His jaw tightened.

"Tell me Lev." You sighed.

"Does these repulse you? Creeps you out? Do you think they're ugly? Do they make you love me less? Or not at all?"

Levi looked horrified. He was immediately shaking your head, desperate to deny the words. How could you even think that?

"No." He said hastily, eyes wide. "No, what are you saying? Of course not—"

"So why on earth," You gently cupped his cheek, shushing him down. "Do you believe that yours makes me love you any less?"

Your thumb pressed along the scars on his cheek. They were white now, no longer blood red and livid on his skin as it was back when Hange stiched them up. You swallowed, pressing your forehead to his.

"What made you think," You whispered. "That these makes you worth any less levi? "

He didn't pull away, but he stiffened. His face hardened but there was a look of despair beneath his eyes. "That's not the same—''

"How is it any different?" You cut him out, your voice firm. "You tell me, I'm waiting."

He hesitated, staring at you. And then he looked down.

"...I'm crippled."

"Your point?"

"You deserve someone younger. Someone whole. Someone who's more than me."

"There's no one that's more than you levi."

"I'm damaged. "

"We'll fix it. I'll fix you. So, help me fix myself."

"I'll hurt you. I've already hurt you. I don't know how to be better than this. I don't know how to love someone. "

"You're the only person who have never hurt me. You make me feel more worthy than anyone else in this world ever could. And holy shit, if you can't," You whispered. "If you can't, let me. God, I'd love the shit out of you if you'd just let me. So fucking let me in Levi, don't push me away. Don't shut me out. You've done that enough in your lifetime."

And Levi was still. He was made out of stone. So hard, so rough, the edges so sharp. He tries to soften himself for you, but it goes against everything he ever taught himself his whole life and he doesn't know how to do that. He tries, but somehow it never feels enough. Not enough for you. And he wish he could believe that you didn't love him because you do and he could feel it. He can always feel it . Like the way you were looking at him and he felt so, so exposed.

It makes him feel guilty. Someone like you doesn't belong with someone like him. And he wishes, for once in your life, you'd stop looking at him like that so he could convice himself that you don't want him and he could walk away.

And he knows he makes you feel like you're not good enough, because he sees your sad expression when he locks himself out. But it's not you, he wants to tell you. God, you're fucking perfect and it's never you. It's him. He's the fucking problem. The space inside his head was so dark he was scared that just might be enough for you to leave.

But you. The tempt of it.

The warmth of you. You were all softness and gentless and goodness, so so kind to him and it makes him want to hold you tight and never let go again.

But somedays it gets so hard.

He isn't used to this. To show his feelings. To feel so bare in front of someone. Instinct doesn't let him.

He isn't used to feel so loved.

But he thinks he'd try. For you.

Because now that it's you, he doesn't know how to go back to a time there wasn't you.

"Levi?" Your voice pulls him out of his mind. Like you always did. His saving grace, his angel. You wrapped your arms around him, pulling you closer and he can hardly breathe.

"Don't give up on me, Levi." You whispered to his ears. "On you. On us."

@sad-darksoul @anxious-chick @raginginferno267

[spacedace]

Hey was anyone gonna warn me that Call the Midwife has Jane Austen levels of quiet yearning between a widowed doctor and a nun and that now when they're just on the verge of telling each other how they feel the nun got sick??? How am I supposed to cope with this??? 😭😭😭

[valiantpoisonart]

💕 iwatex loves love bb

[poorly-drawn-mdzs]

Leave wildlife alone. He probably bites.

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[wavesoutbeingtossed]

I know you don't like discussing the muses but i love your takes and perspectives and i had to ask you about this. after listening to ttpd, did you have the impression that she really loved matty more than any of her exes/previous relationships?. And listening to the whole album as a whole would you call it the ''matty album'' or do you think there are more prominent themes in there than their period together?. (hope this doesn't bother you, feel free to delete if you don't feel like answering it)

hey anon! You're right, I don't really like to get into the muses as I don't really think there's anything to add to the conversation at this point, and ultimately I don't think it matters.

That being said, and with the caveat that I am not Taylor and I do not know Taylor so I cannot speak to her thoughts and can only make relatively educated guesses based on being an avid consumer of her work and a student of the human condition (lol), no I do not think Taylor loved Matty more than anyone else. I think there was maybe a brief period in the thick of things where she *thought* she did because she was not thinking clearly and was in full-on denial, but to me the message that is loud and clear in the album (and more or less explicitly stated in the epilogue) is that it was not any kind of real love affair. It was certainly infatuation and lust and the promise of something more, and there may have been some love as well, but he was in no way the love of her life by any measure.

I would call it a "Matty album" insofar as they're about events in which he was present, sure. But I feel it much more as a Taylor album, if that makes sense, even though I know that's a cop out because every album is to a degree. I can't explain it well, but I don't see TTPD as a Matty (or Joe) album in the way that I would maybe say Red is a "Jake" album or 1989 may be a "Harry" album or even Lover being a "Joe" album whatever, because even if they don't figure in all the songs, that kind of heartbreak permeates so much of the material.

The thing about TTPD and the Matty situation is that the Matty situation is really a Joe situation (which in some ways is actually partially a Jake situation). I always say I hate treating Taylor like a character so I hate speaking about her and her work in this way, but you don't get the Matty situation without the Joe situation precipitating it. It's @taylortruther's now-infamous donut vs. hole analogy. The reason Taylor makes the choices she does with Matty is directly tied to what happened with Joe that made her feel she needed to. Which is not to say Taylor isn't responsible for her own actions or doesn't have agency in her own life, but I mean it in that the situation in which she found herself with Joe, and the pain it caused, is what made the alternative so comforting and perhaps even necessary in her mind. It's why it makes it so hard to "paternity test" the album, because the stories are inherently intertwined and you don't get the former without the latter.

The major "theme" of the album to me is the loss of a very specific, very personal dream, and the way in which she lost it, and the way in which grieving that loss drove her to make the choices she did. We're all talking very delicately about it because it's a sensitive topic, but it's late on Friday and few people are going to see this, so I'm going to say it: it's the give you my wild, give you a child of it all. The yearning she expresses both overtly and sub-textually for having a family in the album is palpable in a very iykyk kind of way, and it's the realization that those plans are not going to come to fruition in the way she had once imagined that drives a lot of the pain she experiences, and makes her jump at the chance to find that again with someone else.

I started a draft post about the theme of womanhood and motherhood on TTPD three months ago that I never finished because I ran out of time and ran out of steam, but it was the most striking thing to me on the album, not because I didn't know that she wanted those things because that's been obvious for years (definitely since Lover, and again, peace put it all on the table), but because the vulnerability she expressed about it on the album is incredibly moving, and it's so generous of her to trust listeners with those feelings and experiences.

Again, it's the thirtysomething of it all.

She is in relationship A which she at one point believes is forever, one which she at one point believes is going to lead to marriage and children. She is so committed to that dream that she either ignores or tries to fix serious issues that may otherwise lead others to think the two people in the relationship are incompatible, both because she loves the person deeply and because she feels that this is meant to be the way she achieves that dream. She gives it her everything, and it still dies a slow, painful, onerous death, and she feels like it may take her along with it. The dream of getting married and presumably having a family gets taken off the table: how we don't know and will likely never know because that is private between the parties involved. All that matters in the context of the album is that those plans never come to fruition and never would.

Then you have relationship B, an old flame who knows just enough buttons to push both to trigger and to flatter. A person who she presumably trusts with very sensitive, personal information as her life slowly crumbles, and this person is telling her all the things she wants to hear because he knows about what is happening in relationship A because she's told him. Person in relationship B doesn't get an "in" with her and sell her this dream unless what happens in relationship A precedes it. It's not a grand love affair for the ages, it's not a mutual decision on building their own dream together. It's Person B learning about what is happening with Person A and saying "I can do that!" even if he can't or doesn't. The dream he sells her is a rental car; it's not his own, he's just borrowing it from someone else and selling it back to her.

And the reason she falls for it is because it is what she aches for the most in her personal life, and she is grappling with it disintegrating, so she (unfortunately for her) falls for the easy way out, and in turn sells herself a story about how this must be fated, and this must be meant to be, because this person wants all the same things she does and she didn't even have to bargain for it! Well, yes, because she fed him the dream in the first place. (Like a mark falling for a sleeper cell spy.) It's too good to be true because it isn't true. IMO Person B doesn't come running out of the gate with the marriage/baby/dream life promises unless he knows that is what she most desires. But what's left unsaid out of all of it is that: those dreams were her dreams because they were her dreams with Person A. It was a whole life they had together, and a whole life they had planned for in some fashion, and a whole life that has to be dismantled in the aftermath.

So all this to say, yes, on the surface, Matty is a "main character" on the album, but truly he's a side character to Taylor as the narrator and person experiencing it and Joe as the ghost bit-player-who-haunts-every-scene. (Again, I hate referring to real people as characters, it gives me the absolute ick, but in this case it's the only way to answer the question.) I jokingly call it the Matty album for shorthand or when I want to say something out of pocket, but really, it's a disservice to the album to say that because it's not a muse album as in it's about the romance (like, say, Red often is), it's about a soul-crushing heartbreak that goes beyond it. The romance is the symptom, not the cause.

The loss of youth is tied in with all this: she's not 22 anymore. She isn't even 32 anymore. She had a very specific idea of what her life was going to look like at this point and had planned for that life, and it goes up in smoke. But again, to bring the womanhood into it all: there is, unfortunately, a deadline for these things. You're with someone for over half a decade you think is going to be your life partner and father of your children and and then he's not. You spent half a decade building this relationship for it to crumble, but now you're in your mid-30s and you don't necessarily have another half-decade to build that trust and faith in someone else before being ready to start a family. And maybe you're scared that anyone else who may become your partner will need that much time to build that trust and faith, because that's kind of all you've ever know in relationships. But lo and behold, someone comes into your life you once had feelings for and maybe now do again and is offering you everything you want and thought you'd have by this point in your life right now. It feels like an elixir that as we find out is actually poison.

That youth is not just the chance for motherhood, but it's also the hopes and idealism and belief in the future that often gradually erodes as we age. But for Taylor as well, it's also tied into the trauma of what she went through particularly in 2016, which kicks off a lot of things on the album as well (her retreat, her relationship with Joe, the pivoting in her career, etc.). That event caused a pretty clear before/after in her life (like a few other events, I suspect), and another major theme in the album is her finally grappling with the full weight of that. They're all different branches of the same tree of the story of TTPD and her life.

I could talk about this stuff forever, but I'm going to stop here because it's long enough and I should save stuff for one of the dozens of drafts I have half-baked lol. But this is just something I needed to get off my chest perhaps.

[thelandswemadeofpaper]

My favorite scenes in season 2, I am done with the men in their lives

[iguessyouregonnamissthepantyraid]

the deadpool and wolverine movie was an action-packed comedy that almost felt like it was designed in a lab to be the perfect fodder for some absolutely choice smutty gay fanfiction, which is why i'm writing uhhhhh [checks notes] ten thousand words of logan struggling with alcoholism and depression