#based on a lot of theories and my own interpretations!

[cherrydistrict]

to the beginning where the end waits.

another loonaverse piece for orbitober 2022 on twitter

[sharkieboi]

rereading through other Fairy Tales writing assignments that I did and i forgot how much i fucking hated Bettelheim lol

[grunckle]

I think something that gets misinterpreted a lot in the Rain World community is what purposed organisms actually are. Theres a common interpretation that they were like “beasts of burden” and looked like or were the creatures we still see today. But this isn’t what Moon tells us, here’s what she says.

“Most purposed organisms were considerably smaller than me, and most barely looked like organisms at all. More like tubes in metal boxes, where something went in one end and something else came out the other…When I came into this world there was very little primal fauna left. So it's highly likely that you are the descendant of a purposed organism yourself!”

This dialogue paints the picture that most purposed organisms were closer to machines, or machine cogs, with biological parts than actual animals.

Of course most people are aware that creatures like leviathans and miros birds have mechanical aspects, but I think that most if not all creatures have some sort of blending of the biological and mechanical; it’s more of a spectrum than a dichotomy with cyborgs in between.

This idea is also based on some of the old Rain World concept art by Joar.

Here, it looks like melting globs of flesh, (or fleshy rubber and plastic) mutate over a metal “skeleton”. I think this can show the possible intention for purposed organisms and evolution in this world. Organic and mechanical transition seamlessly, and organic parts grow rapidly. I believe most purposed organisms started off on the more mechanical side of things, but evolved their organic “cover” in this way. Maybe everything we see, including us, have some mechanical components that are hidden by the flesh exterior.

This sort of, life overabundance and rapid growth is shown through Five Pebbles’s rot in game. His rot globs are able to grow legs and become mobile in an incredibly short amount of time, and even proto rot grows from innocuous metal walls.

My friend over at Darthzz-Ploo-World really coined this interpretation (and many others) in my opinion and did a wonderful art piece showcasing it.

My friend Re also did some great art showcasing a theory on orange lizards evolving from those computer boxes in Sky Islands and the exterior.

I also did some doodles on my own theories in the same vein. This time on the origin or Shoreline leviathans from Moon’s collapsed iterator components.

But yeah, I think Downpour leaned more into the “beast of burden” interpretation, but I also don’t think the two are mutually exclusive. Not everything needs to be a tube-box descendant I suppose.

[nothorses]

I came across this paper:

https://www.academia.edu/71372307/Trans_masculinities_embodiments_performances_and_the_materiality_of_gender_in_times_of_change

I'm not well-versed in academic language so I can't really understand all of it, but it seems kind of gross and condescending, especially when it's using testimonials of transmasc's desire to be seen as men to, idk, prove that masculinity isn't really queer or something? I'm curious how other (smarter) people would interpret it.

I mean, your understanding of it is just as important as mine! I'm happy to add my thoughts, though.

My understanding is that their thesis is essentially "masculinity is related to maleness and the male body specifically, and we know that because transmascs want to have male bodies". They allow for some nuance here in references to other literature, and I agree with that angle of their argument overall, but their premise is fundamentally flawed in the exclusion of trans theory and trans narratives.

Like, yes, masculinity is in some way related to appearance and the "male body", and there are a lot of reasons for that! But is the dysphoria of trans people really ironclad "proof" of what maleness and masculinity are? And why don't they spend any time talking about what dysphoria actually is, what trans people think it is, why trans people think they feel the way they do, or what trans academics have to say about any of this?

I have a lot of other issues with this paper as well, and I could probably write a paper just as long as theirs going into all of the reasons for that. But I think that answers your biggest question; what they're trying to prove, how they're trying to prove it, and why that comes across so weird.

To your other question ("is it condescending?"): I think this is kind of subjective overlay, but the way they go about analyzing their data is pretty condescending, in my opinion. They tend to frame their participants' responses as kind of misguided or ill-informed, particularly Diniz- who they definitely discuss as "trying to justify his choices" to identify as nonbinary while also seeking medical transition, like this is inherently contradictory and must therefore rely on some kind of delusion or desperation. It's weird!

I do also want to point out, briefly, that they also really cherrypick which claims they bother sourcing, and how they try to back them up.

They argue that trans men have male privilege based on the opinions of, like, three of their 30 total participants- and then carry this as "fact" through the entire paper, uncontested. That's extremely fucking weird and super suspect in a paper like this! I just wrote my own qualitative research paper based on interviews (which is what this is), and it's pretty standard to acknowledge the limitations of your research, and to position your results as non-definitive. Like, that's been a major part of every discussion with everyone I've talked to about my research. I would not have been greenlit to receive my degree if I hadn't been careful to avoid framing my research the way these people frame theirs.

The other weird thing they do is cherrypick statistics- or rather, one single statistic- to "prove" that transmascs do not suffer as much as other trans people, or possess some kind of privilege. They only cite murder statistics from one source; apparently that's the only relevant metric for quantifying all oppression? They also fail to acknowledge any possible shortcomings of this statistic, like the issues of under-reporting and misgendering of transmasc victims.

I could go on; I have a lot of gripes. But I think your criticism is totally valid, this was a weird and frustrating read.

Also curious if @genderkoolaid has thoughts- you tend to talk about gender studies from an academic position more, and you probably have a lot more field-specific expertise than I do. I'll boost other additions too, I love a good academic discussion!

[klaunee]

Edit 2/12/2024: I wanted to add a disclaimer to my redesigns! I really appreciate all of the likes and comments that these have garnered, but I just want to add that these aren't intended to be "improvements" or "fixes" of the original designs in any way and were done as a character design exercise for my own entertainment. Looking back on them there's a lot I'd like to change about them and I'd never claim to be anything more than an amateur/hobbyist character designer messing around with these character concepts. ------------------------------------------------------------------------------ Redesign of most of the main cast of Hazbin Hotel + Lucifer for fun and all that. I enjoy seeing other people's interpretations of these characters and wanted to try my hand at it. Elaboration below the cut.

(warning for some potential spoilers for Season 1 below)

Charlie

As you can see, the gist of my redesigns is exaggerating the qualities of whatever the character is supposed to be. In this case, I thought Charlie lacked qualities that identified her as a demon, and so I gave her permanent horns and a more goat-like appearance. I also gave her angel wings for a unique look and to identify her as Lucifer's daughter. Realistically these could be bat wings instead, since Lucifer was historically depicted as having said wings, but I thought the angel wings combined with demonic features would give her a unique appearance. Her outfit is inspired by bellhops and magicians. I wanted her to be based on a type of performer in the same vein as her parents, with Lucifer's supposed ringmaster theme and Lilith being a diva. This is also why I gave her red nose paint, because to me, her red cheeks and white face make her look clown-like. I gave her round shapes to represent her sweet personality while her overall body type is lanky in a somewhat awkward way, trying to depict her as a bit dorky. I made her hair a bit more prominent for a princess-y look.

Vaggie

Vaggie's moth qualities have been exaggerated here. I'm aware of the theories that she's actually not a moth demon but rather a fallen angel, but I wanted to disregard that because I really like bugs. She has four arms, black eyes, antennae, and her hair is actually a pair of functional wings. Her hair-wings have four "eye spots" on them that are actually functional eyes similar to Sir Pentious. Shape-wise I wanted to show her as a more combative, assertive character, with blocky arms and a shorter and wider physique compared to Charlie. I gave her a modern outfit with a fluffy jacket reminiscent of a moth's neck fluff.

Alastor

I gave Alastor a complete overhaul. My biggest gripe with his design is that he's not intimidating in the slightest and yet we're meant to interpret him as fearsome. Although I enjoy the idea of a character who is not physically intimidating while still being a powerful force, I wanted to depict Alastor as outwardly frightening while retaining the idea that he's underestimatable because... his entire body is shadow! Rather than having that Dr. Facilier expy (/j) shadow companion he has, I decided to make it so Alastor is actually the shadow himself. This grants him a plethora of abilities like a greater range of movement, intangibility, etc. I imagine he was disoriented when he first spawned in hell as nothing but a shadow, but slowly found that this could be exploited and became extremely powerful. His staff is based on a vintage style of microphone with the center modified to look like an inverted pentagram. No Voodoo iconography here. The skull itself does not move, rather the red light in his eye flickers in time with his voice. Outfit-wise, he's wearing a basic vintage suit with a boater hat to identify him as being from the 1920's. Of course, the most significant part of his design is his antlers, which are greatly underwhelming in his canon design (disregarding his "true form" which is still weak in my opinion). In addition to giving him a dramatic silhouette, these antlers can be manipulated by him as a pair of appendages similar to hands.

Angel Dust

I didn't change much about Angel Dust. I think he has a nice design. I just tried to make him a bit more spider-like, with pedipalps, extra eyes, and an abdomen. I tried to make the abdomen small so it's essentially like a cottontail. I modified his legs a bit like I did Vaggie's so they're bent in a way similar to bug legs. His suit has a bit more dimension to it as well. I initially wanted to make the stripes vertical for a true pinstripe suit, but the horizontal ones ultimately won out. The most notable part of his physique is his legs like it is in his canon version, but I tried to make all of his limbs longer as well.

Lucifer

This one was very self-indulgent. I wanted to make Lucifer more father-like in appearance to try and diversify the shapes of male characters in this show, similar to how I gave Alastor a stocky build. With a stouter appearance he is simultaneously less and more imposing depending on how he's depicted. I think it'd be nice if his wings were a permanent element of his design. I gave him a broken halo, which he obscures with his top hat. I modified his outfit while still retaining the ringmaster appearance, giving him a long, flowing cape for a dramatic look. He has a cane in the shape of a golden snake which can actually move freely if he wills it. I based his hair a bit on famous carnie P.T. Barnum, and I think he'd have a similar characterization as Barnum too, being an outwardly magnanimous and lovable leader while in reality wanting nothing more than to encourage hedonism, chaos and sin in his subjects. His pointy beard and moustache come from depictions of Mephistopheles. Like Charlie, I gave him red nose paint because like I said, they've got clown vibes. Charlie inherits her goat features from Lilith, who I did not draw (yet).

Thank you for reading!

I'm not 100% on these redesigns but I enjoyed the exercise. I may redo them eventually.

I'd also like to do more of these, especially Adam.

[indigovigilance]

Baraqiel and Azazel

Disclaimer: DO NOT ask Neil Gaiman to confirm or deny any of this. He doesn't want you to ask. I don't want you to ask.

SO DON'T ASK.

Edit: Neil confirmed this theory and it's not my fault: see the reblog

Now, on with the meta.

Thesis and evidence below the cut:

Dominion...

Angel of the Sky...

Hair an eye-burning ginger, eyebrows like grisly slugs, often draped in red…

Occasionally damp...

Most likely singed…

Most likely singed…

Most likely singed…

Most likely singed…

So that's everything from purely within Good Omens canon.

Baraqiel is described, additionally, in the Book of Enoch as:

Lord of Lightning

Who taught the forbidden knowledge of astronomy:

He is also the overseer of the Second Heaven, wherein lies the prison of Fallen Angels. More on that later.

The story of Baraqiel’s ejection from Heaven is contained in the Book of Enoch, but he’s not a main character. In fact, he’s only one of twenty major fallen angels, specifically, the ninth. The tenth is Azazel.

Who, then, is Azazel?

Firstly, Azazel is a fallen angel:

Who is damned because he introduces humans to forbidden knowledge, specifically, the knowledge of swords [and other devices of warfare]:

And also the knowledge of adornment, specifically, “the art of making up the eyes, and of beautifying the eyelids, and the most precious stones, and all kinds of coloured dyes.”

And insofar as Azazel is synonymous with Azzael, he denounces the authority of the Metatron:

In fact, Azazel is given all the blame for revealing the secrets of Heaven: “​​the whole Earth has been ruined by the teaching of the works of Azazel; and against him write: ALL SIN.”

and God orders Raphael punish Azazel: “And further the Lord said to Raphael: "Bind Azazel by his hands and his feet and throw him into the darkness. And split open the desert, which is in Dudael, and throw him there.””

We never learn in the Book of Enoch that Raphael actually does this (based on my reading), but it was commanded. In fact, Raphael would have had to throw Azazel into that prison which was in the domain of Baraqiel.

This puts Baraqiel!Crowley and Azazel!Aziraphale among the ranks of angels that went to Earth and delighted in Earthly pleasures, which caused them to be “fallen,” that God refused to speak to from then on, that Enoch!Metatron was ordered by God to tell that they were unforgiven and would never be forgiven.

It’s worth noting that there seems to be some disagreement among rabbinical scholars over whether Samyaza, Azza, Azzael, and Azazel are separate entities or if these are different names for the same entity. We should also remember that in the universe of Good Omens, entities change names when they ascend to or fall from Heaven.

Tying this all back to the Metatron: In 3 Enoch, the book which describes the ascent of Enoch the man to Metatron the angel, we learn that the overseer of the Second Heaven is Baraqiel, angel of lightning. The description of the prison in the Second Heaven and the angels trapped within it is terrifying, but not more than Enoch’s own actions when he is there.

At this point Enoch has not been transfigured into the Metatron yet, but when he passes by, the angels ask him to pray for them to the Lord; and he refuses, for “who am I, a mortal man, that I may pray for angels?” He is told about them again in the Fifth Heaven, about their sins, how they followed Satan, and that they will be punished on Judgment Day.

So we have a lot of reasons here to see that there would be enmity directly between the Metatron and Azazel, for questioning his authority before God, and between Baraqiel and Enoch!Metatron, for either Baraqiel was guarding the prison or already in it when the human who would become Metatron was supplicated for prayers of redemption and refused. Either way, the Metatron is responsible for Baraqiel’s fall, most directly because he refused to take the petition of the fallen angels before God and instead relied on his interpretation of a dream.

There’s been a lot of implication and even exposition throughout S2 that memory is vulnerable to erasure. We’ve gotten some direct hints that Crowley doesn’t remember all of his past, but I would venture to propose that Aziraphale has a very troubled past that he does not remember, that the Metatron (and possibly Crowley) does, and that further, because his memory was [partially] removed, his name was changed to Aziraphale, for which we see precedent in Jimbriel and all the demons.

My absolutely unhinged, unsubstantiated S3 prediction is that Angel!Crowley sacrificed himself to rescue Azazel from damnation, and the price of Azazel remaining an angel was losing the memories of his transgressions, including (and especially) those he formed with Angel!Crowley. That at the Garden of Eden, Crawley!Crowley knew that these things had been erased, and that he was probably talking to a husk of his former friend, the way that Jim was a husk of Gabriel, but that when he learned that Aziraphale had given away the sword, realized that the soul of the person he loved was still in there.

Partner post: For a meta on why we should believe that Enoch!Metatron aka Human!Metatron is a possibility, go here.

Edit: I read the Book of Enoch from front to back, twice, but if you want to check my work (or write a response meta!) you can find the source material here and here.

If you liked this husbands-centric meta, you may like A Nightingale Sang in 1941

If you liked this historic event speculation, you may like Sodom and Gomorrah

[yanderespamton78]

sometimes i feel like toby fox made spamton and the addisons especially for people to hyperfixate on. everything about them seems so perfect for people to go rabid about its insane to me

for one, spamton himself pretty much counts for 4 people, those being addispam, big shot spamton, in game spamton, and spamton neo. now sure you mostly see people going rabid about in game spamton but ive seen plenty of people who are obsessed with a version we dont get to see on screen

secondly, even the main in game spamton himself is kinda up to interpretation. loads of people characterise him differently. if i compared two aus to eachother theyd often be very different and depending on the ones i chose could be almost like 2 different people, and then if i compared those to in-game spamton, theyd still be very different. also since you dont see addispam and big shot spamton on screen you dont even know what they acted like so again basically you can make your own guy to fixate on with a few prompts as to what he was like

dont even get me started on the addisons. now im biased as fuck here seeing that ive been fixated on the addisons for like 6 months now (send help) but toby fox basically gave us 4 templates for us to have fun with. sure based off of in game dialogue you have a bit to go off of when it comes to their personality (pink being an asshole and blue being caring for example) but even then every addison in every different au is slightly different and i have never seen two addisons turn out exactly the same. ALSO you dont even know the relationship these characters have to spamton meaning you can have them be siblings, you can have them be friends, or you can ship them based off of what you enjoy. OR you could just ignore them altogether (which a lot of people do lmao)

also another thing is the fact that you dont necessarily need to have your addisons' personalities just reflect off of spamtons. I mean the main 4 addisons give you enough to go off of to make your own, and you are given cyber city, an entire fantasy world for you to put them in. cyber city again is up to interpretation, some people have it be like a normal city, some people make it a utopia, some people make it a hellscape. the choice is yours!!

and even then in game spamton is so versatile. he is perfect for angsty stuff, fluffy stuff, or jsut silly stuff, and none of it is out of character. you couldnt really make an angsty spongebob edit could you, itd be weird and out of characer and no one would take it seriously. but also you couldnt make a silly walten files video, sure people do but its out of character and wouldnt actually happen canonically. but spamton on the other hand. hes the kinda guy who you can draw holding a wallet in his mouth like a cat and generally being silly but also you could draw him sobbing at the bottom of dumpster and neither would be out of character!! AAAA

also extra thing i thought id add but his backstory is also very up to interpretation, like i dont think ive ever seen two people who think spamtons rise and downfall went exactly the same. sure everyone has the same general idea of how it went but some people believe in acid theory, some people believe in puppetification theory, some people have a mix of both, some people have their own idea of how it went down, and with that you can project different parts of your own trauma onto whatever happened to him.

ok sorry that was so long thank you for reading my very biased ramble about why spamton is perfect byeeee

[windvexer]

Using tarot to read on magical events in your own practice: quick theory, new card meanings, and spread ideas

this post is OC based on my personal tarot practice; the examples given are hypothetical for the sake of this post.

Well-meaning guy: "If you think that event was a bad omen, why not read tarot to clarify?"

Person who learned tarot from popular online resources and introspection-focused art decks: "I drew the 6/Cups, so I guess my ward falling off the wall is about my inner child?"

Tarot meanings change and evolve over time. Historical meanings are often not the same, or even contrary to, modern meanings. (Consider, 6/Pentacles: the French present moment was misinterpreted to mean presents, gifts).

By acknowledging that many modern meanings available for tarot cards are modern interpretations for modern concerns, many of which have fuckall to do with witchcraft, we can also acknowledge that we can apply our own sets of meanings to tarot to achieve personal interpretations in pursuit of personal goals.

I call this concept symbol sets, and you can apply your own symbol sets to certain tarot readings in order to rapidly obtain information about magical events in your life.

Symbol sets can be swapped out for each reading. You can intend to operate on your "normal meanings" for a typical reading, and then intend to operate with "magical omen meanings" for another reading.

There are no such things as universal tarot card meanings; there are some traditional meanings, some historical meanings, and many modern meanings. Adjust what each card means to you to your heart's delight.

The more symbol sets I've developed and practiced with, the more versatile and accurate my tarot reading has become. Working with custom symbol sets might be the single biggest leap in my reading ability in 16 years of practice. At least, it feels that way!

Quick n' Dirty Symbol Set for Magical Omens, Appropriate for Everyday Use

1. Apply general portents to each suit which matches your magical practice.

Here is one set that could be suitable to troubleshooting potentially magic events:

Swords, or Air: Misfortune, betrayal, malefica, ill-intent, adversity, due to harmful (even if unintentional) spirit action, pointless or wasted effort. Sometimes, banishing, binding and hexes.

Wands, or Fire: A lot of power, excessive power, due to your own actions, uncontained energy, something you did was very much overdone. Sometimes, protection and empowerment.

Pentacles, or Earth: Mundane, physical and normal reasons, an everyday occurrence, mundane but natural growth and change. Sometimes, unlocking and unblocking.

Cups, or Water: Blessings, magic working as intended (even if unexpectedly), the normal course of magical events, magical growth and change. Sometimes, cleansing and purifying.

Major Arcana: Guiding spirits and gods; their behaviors, guidance, or messages.

A spirit worker might like to add an additional layer of complexity, which modifies the prior set:

Court Cards: The actions of another being, such as a practitioner, god, or spirit, whether they acted intentionally to bring about the event or not.

(Further breakdown, as an example: Swords courts are beings intentionally acting badly; Wands courts are the most important spirits of your path; Pentacles courts are mundane folk or spirits unrelated to your path; Water courts are other practitioners, or spirits related to your path without being in your "inner court.")

Interpret any card drawn within these principles. Here are a few random examples. Let's say, a money spell has failed to produce results, and we'd like to know why.

5/Cups [disappointment, failure]: This is the normal course of magical events; the spell wasn't cast well, and so nothing is happening.

9/Wands [determination, boundaries]: A lot of energy was raised, but incorrectly targeted or released; the energy is cooped up.

Judgment [judgment]: An important spirit in your path wants you to deal with what you have been avoiding, and will interfere with your magic until you face them.

Spread Ideas

"What's going on with that thing?" | 3 cards

Card 1: The source or cause

Card 2: The current state of affairs

Card 3: Suggested action

Example; the money jar doesn't work: Card 1, King/Swords: The source of failure was the person in the discord server who promised to curse you for not feeling the same way about Destiel as they did. Card 2, Page/Pentacles: The current state of affairs is that as a symptom of the curse, an unaware person or spirit is blocking the prosperity you seek. Card 3, Queen/Cups: Ask a benevolent spirit or helpful practitioner friend to assist you in unblocking the situation.

Determining responsibility | 2 cards

Card 1: Why this thing happened

Card 2: Why it didn't happen; one thing that wasn't the cause at all

Example; the ward fell off the wall: Card 1, 10/Pentacles: This happened because of random happenstance in the home; it was not a magical event. Card 2, Ace/Swords: This action was unrelated to malefica or bad spirits or things like that.

Foresight Before Acting | 4 cards

Card 1: The current state of affairs

Card 2: The outcome of your intended plan of action

Card 3: Recommended plan of action

Card 4: The outcome of the recommended plan

Example; the spirits did not seem to appear during a spirit petition spell: Card 1, 3/Wands: Sufficient energy was raised to attract the attention of spirits, but they may not have been properly called to action. Card 2, 6/Swords: Your plan to call the spirits back and re-cast the spell is a fruitless attempt at a transition into a new plan. Card 3, Empress: Communicate with your primary goddess or powerful spirit of the earth and obtain input and guidance. Card 4, Magician: This plan will result in obtaining important magical information about this type of summoning spell you are trying to achieve.

[lukolabrainrot]

Calm theory anon here.. I've been busy with life but I checked in and I want to share some thoughts I have been having. Pictures are just a moment in time. I can look at a picture and think wow this couple really looks happy and you can look at a picture and say 0h wow there is sadness in their eyes I wonder what happened. People interpret differently and that's the beauty of everybody having their own mind. So you've seen a lot of photos, right with Nicola and Luke this summer. And we've seen twice now where people have misinterpreted situations. One pate gate people assumed that Luke didn't mind the photos, and that was due to the pictures we got. Later on someone put the photos together and a different story was told. Another circumstance the Nicola and JD picture we didn't get the photos in order and what happened assumed that she was just hugging him. As More pictures dropped we seen that they were actually taking a photo together. That's two times now that we've misinterpreted a photo. And that's fine because we all say this is theory. No one knows what actively going on. Not any of these big creators on Tumblr not any of these big creators on TikTok not any of these big creators on Instagram not any of these creators on Twitter. Not one of these people actively know Luke or Nic. All they're doing is taking a set of photos and likes and assuming situations. But as we've already established, there is something called misinterpretation. so anything you see or read can be a product of misinterpretation. Guys feelings and love aren't easy things to understand. Think about the last time you were in love. I was so confused and the feelings were scary. It was the best and hardest thing I ever dealt with. But imagine someone from the outside that doesn't know you trying to understand your feelings for each other. That's just impossible. Luke and Nic are people. They are dealing with feelings most of us have never dealt with seeing as I believe they are soul mates. I truly feel they will find their way.

💯

Ok I am going to say a few things, and I know my comments are going to blow up probably, but I need to get this off my chest:

Me, and NONE of the other creators on SM, actually know L and N, or any of the people in their lives. We are all coming to our own interpretation based on PUBLICLY AVAILABLE INFORMATION. None of us have some special inside scoop into L or N's life, and no one should take our word as gospel! I share my opinions on what I am seeing, but I can't definitively say what is going on BTS, or predict the future. I think because we have a lot more questions than answers, we just want to know what is going on BTS. But we are never going to know that full story, and we have to be okay with that. We need to just let them cook, and see what happens.

I have mentioned this multiple times, but my background is in psychology and studying human behavior. I have also mentioned how ~70%-90% of human communication is non verbal. And L/N's non verbal cues speak VOLUMES and is the reason a lot of us are still here. I've talked about this a LOT on here, so feel free to scroll through my page and see my thoughts.

But it was all PR, right?? It wasn't. IMPOSSIBLE. The end.

I try to look at the FULL picture of ALL the publicly available information I have before coming to my interpretation. Yes, I have had a few little freak out moments, but I try not to fixate on a single moment in time, or a single post or interaction on SM. I try to look at everything in context of the bigger picture. And if you look at the larger picture, a lot of the information is pointing to L/N being a lot closer to getting together and going public at some point in the near future. This is my opinion though of course, and it is alright if some of you don't share my opinion.

I think a major reason I decided to start this blog is because I was having a lot of thoughts that I wanted to share around L/N and try and put a psychological lens on what might be going on BTS and what we saw during the PR tour. Another reason I started the blog though is because I have NEVER seen a connection like L/N, or seen people respond so positively to two people just interacting with each other. I am a VERY jaded person, and do not think super highly of the human species. I also have never believed in soulmates, but L/N are the closest example I have ever seen in my life. Yes I don't know them. And yes, I KNOW it sounds sappy. Trust me. I NEVER thought I would end up here today shipping two celebrities I have never met. But watching the way these two publicly interact almost felt like I had run into a unicorn or fairy in the wild. And by THAT I mean this. It is SO rare to see two people publicly show their affection and love for each other the way L/N do. Humans aren't great at it. Period. So I think we fell in love with the way they love each other (at least I know I did) because it is so rare to see, and makes us a little more hopeful. And that, and ALL the other publicly available information I have seen, is why I am firmly sat. I want to see how this movie ends, because I feel like when the PR tour ended, the movie stopped partway.

Lastly, if you do not ship Lukola, MY BLOG IS NOT FOR YOU. Also, if you find yourself spiraling over every new piece of information, this shipping space is probably not the healthiest thing for you. I feel like ultimately, shipping should be fun and not taken too seriously since we're just fans and we don't actually know these people. If you find that you are getting really stressed and not having a lot of fun anymore, it is definitely valid to take a step back. And it is fine if you have a different opinion than me or someone in the comments, BUT PLEASE BE RESPECTFUL. I am going to start blocking more people who are trolling in the comments. Ya ain't slick, people can see you 👀

[chiscribbs]

Updated Future Donnie Concept Art!!!

So, I've been hesitant to try my hand at designing an Apocalyptic Future version of Donnie for a while, for a number of reasons - mainly that I just didn't have a clear idea of him in my brain yet and the thought of attempting to update his already pretty perfect design was highly daunting - but I finally caved and decided to take a crack at it. A couple months and several revisions later, I'm actually genuinely happy with the result. I'd still consider this "concept art" more so than a final design, elements of it could definitely be improved, but I really do like the concept as a whole - I think it could work!

The main goals I had in mind while working on this were: A. Must fit the character/look like something Donnie would canonically wear and still be easily recognizable. B. Must work in the Rise world & style (i.e. not be overly detailed or have too complex a silhouette.) C. Must fit in with the other (canonical) Future Rise designs.

I was also thinking about what problems Donnie might be trying to solve, which is what inspired the belt (more info on that below). All-in-all, although there might still be a few kinks to work out, I think I managed to come up with a pretty solid base design for my favorite Warring Warrior Scientist (Jr.)

Some additional character tidbits under the cut.

Also, I can't draw mechanisms to save my life, so just pretend those vague ninpo-gun-things make sense lol

Donnie has a mechanical prosthetic leg. How'd he lose that leg? Up to interpretation - my working theory is that it was a minefield accident that occurred when he was trying to blow some Krang dogs to Timbuktu. Naturally, since it's Donnie and they are in the midst of an alien apocalypse, he designed the leg to do a whole lot more than just help him stand without falling down. It's a multifunctional tool that contains a plethora of secret uses - including, but certainly not limited to, sawing off ugly Krang faces. It's essentially his new tech bo.

Bonus leg tidbit: Casey Jr. saw him deploy the saw blade in battle once when he was little, he then proceeded to beg for a saw-leg of his own to fight the Krang with. Donnie, realizing that amputating a perfectly healthy child's leg is probably not that most morally acceptable option, instead made him his own "sawing stick"(AKA, his motorized hockey stick)...which the others then made him wait until Casey's 10th birthday to give him.

The belt that Donnie's wearing here is a prototype of his latest invention. Its intended purpose: to deflect the Krang's mystic-blocking attacks, allowing them to use their ninpo in close combat. It took a lot of risk-taking to collect the necessary information to create such a device, and he experienced a number of way-too-close calls (one of which may or may not have resulted in that large gash across his plastron), but he finally managed to crack the code and pinpoint the frequency of the Krang's sound waves. He's testing it out right now to make sure that it works and is safe to use, but once it's out of beta, he plans to mass-produce them for every mystic-wielder in the Resistance to use in battle. He believes it could turn the tides of the war...unfortunately, the device never makes it out of beta, as he dies before its completion.

Donnie's gloves are fashioned after the ones his dad used to wear in his Lou Jitsu days (with some modifications, for comfort and to make working with screens a little easier and less annoying.) The material they're made out of is far more durable, of course, since he's working with them near-constantly and under varying conditions. But maybe he designed them to look like this as a way of keeping his dad's memory close, similar to Leo's sword hilt?

Ironically, Donnie uses his ninpo probably the most consistently out of all the brothers (even though Mikey uses his to the greatest extent, hence his rapid aging). He's constantly using it to check on the base's security status and multitask while working on other projects. Because his ninpo takes a good deal of brain power to operate, it puts a significant amount of strain on his nervous system and this causes frequent complications. Seizures, spasms, and blackouts become a semi-regular occurrence - especially in the latter part of his life. Donnie does his best to manage them, but the workload makes it almost impossible to do so properly. Mikey is able to help with these attacks when they happen, but Donnie - not wanting his brother to overuse his powers any more than he is already - usually opts to just ride it out and save the mystic healing for people who need it. The exception to this rule being when he's in the middle of an extremely important procedure and can't stop long enough to let the attack pass naturally, then he has no choice but to accept Mikey's aid.

This is probably needless to say at this point, but much like Leo and his other brothers, he is a giant. Equal in height to Leo (if not slightly taller, even without the goggles.) The doodle in the top-left corner of the sketch page where he's next to April is meant to be them sitting, so don't take it as anywhere near an accurate representation of their height comparison. It is not, he dwarfs her by several feet, lol.

[andy-wm]

https://x.com/jmnberries/status/1817503692083396934

LOUD AND CLEAR

Said by Jimin himself. He's searching for the person he's meant to be with, the one his heart is waiting for. He passes one person after another thinking is it you or you. And guess what ? IT WAS ALWAYS A WOMAN.

You and your theory about WHO proven wrong for 975939488848th time 😛

My goodness Anon, are you telling me my theory has been discussed that many times? That's quite an achievement! I didn't know my theories - or I - had such a far reaching impact.

[basking in the glow of this proud moment]

Ok I'm done basking, now back to the ask:

For those of you playing along at home, here's the tweet Anon sent in, for context.

Anon, I'm going to quote you, since you said it so succinctly...

"He passes one person after another thinking 'is it you or you'. And guess what ? IT WAS ALWAYS A WOMAN."

Absolutely correct Anon!

It WAS always a woman

I'm glad we agree on this.

You also said "He's searching for the person he's meant to be with, the one his heart is waiting for."

Yes! We agree on this too!

He's definitely working hard to find the one his heart is waiting for - you said it yourself, he's searching. He's actively looking for them.

We're doing well so far...

Oh but context is important here, right??

We should probably clarify that he's actually describing the last scene of the MV - the one he's about to film. He's not describing himself or his own life.

Yes, to be totally transparent, Jimin is describing a scene he's shooting for the MV of a song - a song he asked Jon Bellion to write. A song he himself didn't contribute to beyond that. He didn't write the visual narrative for the MV either, that was the creatives at Lumpens. No doubt he gave a lot of input but he didn't provide the material.

Did you forget that part, Anon? Or did you think he was actually describing his own life? Or... were you sneakily pretending he was talking about his real life when he said those things, because that suited your argument?

If you were trying to make it sound like he was talking about his own personal lived experiences, that kinda sucks. Because we love Jimin for WHO HE IS. We don't need to make shit up about his life and pretend things are real when they aren't.

We don't need to pretend, Anon, we can just observe, write about what we see - honestly and objectively and without judgement - and then step back and look at the situation.

I guess you might be wondering how come I'm analysing everything if I think we should just be talking about what we see. Fair call. I don't mean that we can't read between the lines or make educated (substantiated) guesses that we can back up with facts (and cite our sources - I am a librarian after all). I also don't mean we can't look deeper than the surface. There are always layers of meaning and hidden messages in the art produced for BTS. I get right into it because I enjoy it - my background is in visual arts analysis so it's kinda my jam - but I'm not just making shit up. I have a wealth of learning and experience I'm basing my analysis on. I'm also not claiming that it's fact - it's an interpretation - It's my interpretation (and just quietly I am pretty good at this stuff so it's a justified and plausible interpretation).

What I'm saying is don't purposefully misinterpret what you see to mislead, or to fuel an opinion or argument that doesn't stand up otherwise. If you have to bend the truth to back up your argument, you might want to reconsider that argument. Theory is built on evidence, not the other way around.

But back to Jimin...

Of course it's perfectly possible that he did spend several years thinking he would one day find true love with a woman. Maybe he dated loads of women. Maybe he came close to finding a deep love with one or more of them. And if he did, I hope those were happy times for him (or at least meaningful times if happiness was elusive). I would never think of denying that if I saw evidence of it, or judging him for who he loves (or loved). I don't think there's any wrong or right here - whether it's heterosexual or bisexual or asexual or gay or queer or into kink or poly or whatever else he is or does. Who he fucks or who he loves or who he feels emotionally safe with - and for many of us humans those are not necessarily even the same people - that's his business.

His life, his body, his business.

I don't judge Jimin. I just admire and celebrate him for who he is.

And I wish him happiness.

I wish them both so, so much happiness.

That's the whole point of all of this, really.

That's why I watch Jimin and Jungkook together, Anon. Not because I want them to be together or because I think they should be, but because I see real happiness when they are together.

True happiness and true love are rare and beautiful things.

I think that's why most of us Jikookers are here, Anon. Because the joy we see and the delight we feel, just from witnessing these two beautiful people being happy, is real.

I'm not saying ALL of us are altruistic. Some Jikookers are full of shit. They covet one or both of them and they think supporting Jikook's relationship entitles them to make judgements or assumptions or claims about Jimin and JK. They get possessive, they objectify, they demand things. Some people who claim to support Jikook have spite and hatred in their hearts... yes, we have our share of nut jobs too.

But the majority of genuine Jikook supporters I encounter are simply here to celebrate the greatest love story we've ever seen. We're here to get behind two beautiful men who clearly love each other despite the odds against them. We're here to bask in the reflection of their glow and it's bloody wonderful.

But, I digress....

Let's go back to the making of the MV for WHO...

<and here I go again with the analysis>

Here Jimin describes the MV, just like when talking about the final scene. He says it's like a musical movie.

"Right now we're filming one of my favourite parts. It's like a musical movie." There's definitely a narrative here, it's the part where he joins 6 other male dancers, an obvious nod to BTS.

We already know there 's a narrative, but Jimin confirms it for us here.

So let's look again at the narrative:

Throughout this production we can see that the dance (not choreographed by Jimin) and the lyrics (not written by Jimin) have been created/chosen to show /tell us that Jimin (the performer) is searching among all these women for the love of his life.

THAT'S *PART* OF THE STORY THEY ARE TELLING.

But it leaves out a pretty big development ...

He was searching for love, looking at every woman just as he was supposed to, but someone (WHO?) crashed into his life and stopped him in his tracks. Yes, that someone fell directly into his path in a way that couldn't be ignored.

Jimin said

"I try to see WHO I'm meant to be with... is it you? Is it you?"

It doesn't sound like he was giving anyone much of a chance, does it? It sounds more like he was searching for someone in particular.

Maybe it was no accident. Maybe he was searching for WHO all along and he just didn't realise, until he found him.

Ok I am done talking (finally)

I'll finish responding to this ask so we can all go on with our lives.

To respond to your specific query, Anon:

Jimin doesn't say he's searching for a woman himself, does he? Not even in that quote you supplied.

He could have said "women walk past me" but he said "people walk past me".

He could have said he's trying to see which of these women he's meant to be with, but instead he said "who I'm meant to be with"

We can't ignore him saying WHO, Anon.

The song isn't called Which woman?

The song is called WHO

Anon, if you stuck with me all the way through this post, I commend you.

And yes, I was a bit facetious in the beginning, in my defence I had a shitty day at work. But I responded to you as the adult I imagine you to be, even though your language was a little on the childish side. I assume you were intending to piss me off but I enjoyed answering to your ask, so thank you regardless.

If you are still here I want to ask you a few genuine questions in return... I'd love to hear your honest answer.

Why, in the face of all the evidence, it's so difficult to accept that Jimin and Jungkook have a bond that goes beyond friendship or brotherhood?

They look like they're vey happy together, so why do you want them to not be together?

Why is it a problem for you if they love each other? Homophobia is learned behaviour. Who did you learn it from?

And probably my most burning question:

Have you ever experienced true, deep, lasting love?

[lilithtransrights]

I don't think we talk enough about how stupid the demand for apolitical media is. I'm not just talking about the right wing idiots that call every piece of media woke for even daring to include a character that doesn't fit their small group of people they tolerate but also the idea that media can be apolitical.

I do and have always believed that it's nearly impossible to not include your own personal beliefs and world views in your art. Most of these views are just so commonly accepted that we don't really think about them. For example sharing and taking care of those in need is seen as the moral correct thing to do by almost every human, or well at least it is theory. To some degree you might even project your own views on the media you're currently observing and might interpret things differently from someone with a different view.

I've always loved that part of media discussion. Looking at the little things an author, director, musician or artist would include in their art and thinking about why they did it in that specific way. Why did they design the interior of this character's office in this way? Was it coincidentally? Does it reflect the personality of the character? Why did the musician pick that specific cord progression? And don't tell me they just did it because it sounded good, there was a way they wanted you to feel when you heard it.

My favorite example of people going all the way in recent years is the movie Pig. Nothing in that movie feels coincidental. It feels like Michael Sarnoski and Vanessa Block put a lot of thought into their character's personalities, how they would behave in different situations or what kind of car they would drive. And that movie perfectly highlights how pretentious the food industry has gotten.

And fuck it I'm going there, the creator isn't the final authority on how their work is interpreted. Like I already said your work is influenced by the world around you, your personal beliefs and your morals. Stop trying to tell your audience how your work was meant and make sure you put enough thought into it so that they'll realize it themselves.

In the same motion stop looking for validation from the creator for your theories. Your theory might be based on your personal experiences or your expectations and the way you therefore view their art and discussing this with others is some of the greatest joy in my opinion.

Also include more trans people in your work and make them kiss. That's my final message.

[bc-jpeg]

so uh- I didn't see if this theory already exists in the fandom, or no one really touched on it, but after a long time in both fandoms, one funny pattern is noticeable. I’m so obsessed with watchers lore so much, which is why I started to go beyond only one universe, and this gave the result. so the theory is that dreamxd is a watcher. after digging into the dsmp lore, I found several points that may indicate this. dxd’s nature may differ from the canonical nature of the watchers that we see in evo smp and in the life-seasons in martyn’s lore, but we also already have a watcher!grian, whose watcher's nature also differs in its own way from that very canon, he has his own lore, so this will also work here.

now this will be only my personal version of watcher!dxd lore, there may still be holes in it, but this is only as a possible base:

presumably dreamxd is an ex-manhunt!dream, who could not get out of the world and stuck in the spectator mode of the game, becoming a watcher. in the initial attempts to escape from such a fate and get out (I don't think dream would just accept such a fate), he was crippled either by other watchers or by himself, having lost his "eye". this explains the basic visual interpretation of the dxd, where the place where the eyes should have been is now a familiar cross pattern.

isolating himself from other watchers, dxd created a time loop from the existing world, from which he initially could not get out, closing access to the end dimension for players, preventing both the players themselves from escaping, and the possibility of capturing these players to other watchers for their own time loops. the world with the manhunt seed was restarted, defaulting almost everything to zero, which eventually became the dsmp server. all interactions between players and server events began to give dxd so much energy and power that eventually the essence of the watcher completely absorbed him, dxd himself began to provoke events, interact directly with players, and all for the sake of energy, emotions, deaths that made him only stronger. dsmp became an excellent loop-feeder for him only, in which he completely lost his original humanity, becoming a monster, creating only chaos.

one of the risky but effective dxd’s moves of was giving the revival book and the book of death to players inside the time loop, which in a peculiar way gave them access to part of dxd’s powers. he realized how unpredictable players can be in their decisions and actions, which gave a ton of events possibilities. he wouldn't have to provoke events himself, when players can do everything for him, giving the same amount of energy.

so in the final of the dsmp, after that nuclear explosion, dxd simply restarted the entire time loop, as it was shown. the players don't remember anything that happened, they don't remember each other, the whole world was defaulted to zero, where they started all over again.

it’s also interesting that the concepts of limbo and dreams/illusions exist both in the dsmp lore and in watchers lore in life-seasons. limbo is the space where players end up with the loss of all their canonical lives, and there is no return from there, only at the whim of mystical powers (dsmp — the revival book, as part of the dxd’s powers, life-seasons — the watchers, more specifically watcher!grian).

both concepts somehow intersect with each other:

> in the dsmp, they intersected in the c!george’s lore, he had partial access to limbo through his own dreams, where dxd himself was also often present. someone also had the opportunity to watch server events from limbo.

> in life-seasons, according to cc!martyn, limbo is the space where all players get to after the final death and are there between seasons in a state of sleep, in which they see their own smps/universes.

again, this is just a possible version of how exactly this theory/head-cannon can work, there are a lot of things that I could not explain yet, because there is too much information from different dsmp povs. some things I remember, some not at all, but I left a hint of their possible intersection visually in the diagram. the theory of the smps-multiverse is here simply by default, all the other main points are indicated in this diagram. all of this will be easily editable at any future time, my job is just to throw in the base for this theory :D

[she-posts-nerdy-stuff]

I’ve been thinking a lot recently about Jesper Fahey and religion.

Whilst we know that Matthias follows Djel, Inej follows the Saints, Nina was raised with the Saints but is atheist because of her understanding about Grisha, and that Kaz and Wylan adopted atheism based on their childhood experiences, we don’t get a lot of information about how Jesper feels about religion. We know he was raised with the Saints and that when he swears he says “Saints”, as does Nina, where Wylan says “Ghezen”. It’s notable to me that Matthias and Inej either rarely or never invoke a name in vain; I think Inej may say “Saints” in that context the odd time I can’t remember, but I’d argue in that case it’s probably because she isn’t specifically naming them to do so whereas Matthias would have to but I’m working off memory there so please feel free to correct me. But Jesper’s actual relationship with the Saints is arguably quite ambiguous, with no particular passages that point us in either direction. (Show!Jesper is highly implied to be atheistic in season 1 when Inej asks him what he thinks about Alina and he says he doesn’t care whether she’s real or not so long as they get paid, but there isn’t really anything like this in the books to my recollection) I think that might be because he has a far more complex and painful relationship with religion than we see on the surface level, and this has particular links to Nina’s belief that the Saints were possibly real people but were simply powerful Grisha not religious saviours/martyrs.

When Jesper was a child, his father would read him bedtime stories “from his Kaelish book of Saints”. At the same time, Colm was unintentionally damaging Jesper’s view of Grisha power and of himself by forcing him to hide it and telling him “that’s what killed your mother. That’s what took her away from us”. Alongside the self-hatred this cultivates in Jesper, seen mostly in Crooked Kingdom since he’s most open about it in the beautiful, heartbreaking chapter 24, I think it may have also impacted his relationship with religion. To be told as a child that these people are worshipped and valued for the things they could do, the same kind of things he saw his mother do and that he could be capable of, but that his power is a curse and a shameful secret that has to be hidden from the world is so damaging. It effectively raises the question: If it’s different for me than it is for them, what’s wrong with me? Why am I less worthy of love?

When Jesper already had these feelings growing inside him, feelings that went on to massively impact all the relationships in his life (most notably his relationships with Kaz and Wylan but I would also argue his relationship with Inej is affected by this as well) and actively endanger him when he began to try and fill the void he felt with gambling, to emphasise these emotions with something that could have been so beautiful and given him so much comfort by turning it into something that can be used against him by labelling him as less than others is so heartbreaking and honestly painful.

Obviously this is just an interpretation or a theory but this is how I feel about it when I reread, if anyone else has thought about this please feel free to add anything or contradict it with your own interpretation I’d love to read it.

[torchstelechos]

sometimes i think about the scene where Siffrin has a momentary breakdown over the Universe watching and clapping and not doing anything to help, to lead, and i wonder about an interpretation where the Universe is helping, is leading, is telling them what to do. where the Universe is favoring one of the two people from the Country like the King calls out. its us, the Player, the ones that 'create' their universe in a sense by installing and playing the game and leading Siffrin around through it

i wonder if it'd make it better or worse for him in that moment if they could look through that glass window to the stars above and see a glimpse of how helpless we, the Universe, were in that moment too, trying to guide him and failing just as much as everyone else

do you get me. does this make any sense.

Okay Bell, you do not fucking get how much this means to me. I have been on the theory of “the universe is actually the players” since I started wandering about this fandom. I do think ALL the players are part of the universe, but are not the universe as a whole. Like, one player is one star and yes, they are part of the overall universe, but there are more stars to see in the same universe so they aren't the universe specifically. My reasoning for this is actually part of how I see Loop’s wish, and thus I get to discuss how I think wishcraft works alongside Loop’s wish and how it affected the timeline. >:3c 

First, I will be using a general assumption of 1.) The looping only affected Vaugarde like The King’s “curse” 2.) There is only one Timeline and 3.) The theory Path of Least resistance (will be explained in conjunction with wishcraft).

As I have mentioned in a previous post I do think that Siffrin’s wish piggybacked off the King’s wish and used it as a blueprint for how far the Timecraft went, which meant that it only turned back the time of Vaugarde. The King says, when asked about wishcraft: 

He says that the country is skipping, stopping, rewinding, restarting, and how that must look from the outside. Which! I would like to point out that the king is NOT a reliable source of information because the King will lie to get you to lower your guard, however! It’s corroborated by the change god, even if they don't implicitly state it, during the Who’s on the Phone event they say: 

“Dormont, repeating! Dormont, Unchanging! Stagnating!” + “In this bubble, where everything stays the exact same…” The Change god also acknowledges that the extent of Timecraft is smaller than the whole world and specifies Dormont, which is the last place affected by the Time Curse (and thus the last place to change in all of Vaugarde). I would take this to mean that the whole world is still going on while Vaugarde is, well, glitching like a DVD with scratches. 

Next, which I think a lot of people tend to skip over, is that there is only one timeline! This is confirmed by Insertdisc5 (Adrienne), on Tumblr on their ISAT spoiler Q&A: 

Which has such interesting implications, but it does help explain something that I want to connect with the third assumption!

Now! The path of least resistance theory! Craft is an energy based magic, which uses the users energy unless powered by an outside force (however it appears to still take energy to direct the craft). This means that it has rules and if I had to guess, is very similar to electricity. Electricity doesn’t actually only go down one path when we apply this theory, instead it has an inverse in output depending on the resistance of the path. So if one path has less resistance then it will have more energy go down that path with more output, if the other has more resistance than that path will have less output/energy. We can apply this to wishcraft and how it affected the outcome of the two wishes that directly went against each other, the Kings and Siffrin’s wishes. Since Siffrin had a lot of energy behind his wish and the king less, Siffrin’s wish went above the King’s own in regards to who ended up with their wish “granted.” (the output was greater due to the fact it was less resistant to the whole of Vaugarde’s wish + Loop’s wish)

So, with all this written out, how do we the Players come into this? :3c well… We are a self contained paradox wish! Siffrin’s initial wish was to (insert one of the initial options) and “You want to stay with them!” which is the wish that caused the Timecraft ability for Timelooping (if I wanted to be pedantic I would actually say Siffrin can Travel time and isn't looping but that's a whole ass other post). This wish DID NOT bring us to the loops nor did it give Siffrin a guide, it was just a wish made to stay with people already in this timeline/universe. This made it impossible for outside help as it was VERY specific to only this universe, “stay with them.” But when Siffrin gave up, they made a secondary wish, 

(Loop: For someone… Anyone, to help me!!!)

This wish let us, The Players, directly able to interact with ISAT and SAAP. As they reached out into the universe and called for help, the Universe answered by letting outside help interact with timeline by guiding the new Siffrin. We are only able to help out by Loop making this wish! But, now, how does that make us a self contained paradox wish? Well… Thats because in order for the wish to happen, we needed to help Loop make the wish in the first place! By playing the SAAP, we helped Loop get to a position in which they made the wish which allowed us to help them which allowed them to make the wish etc etc. 

Thus we the players are now able to continue helping out when the timeline goes forward into ISAT, alongside Loop who’s wish allowed for a second try (a Start again if you will). 

The reason I also added the other information is because I think its important to remember that craft takes energy, and what Loop says about their wish is that they “destroyed” themself rather than “destroy the world” which… I think it means that Loop basically blew up like the Big Bang rather than become a Black Hole like Siffrin did. This “restarted” the timeline as a whole rather than just Vaugarde as we can see differences in Loop’s timeline and Siffrin’s, and if they’re the same timeline why are there such big differences? Well, yeah,,, Loop remade the entirety of the timeline rather than just Vaugarde… Oops! Big Bang, yaknow? Its still a singular Timeline, it’s just that it restarted the timeline’s progress pretty far back as a whole rather than specific segments. Also, Loop doesnt appear to help until after the initial ISAT wish, so we can just assume that the Universe plucked them from their wish making directly into this timeline section. 

As for why I added the whole Path of Least Resistance Theory for wishcraft… that’s cause Siffrin having Loop’s wish actually helped guide Vaugarde’s wishes into an easier path which allowed them beat the King easier <3. Without Loop’s wish, it would have been impossible for Siffrin to actually progress and get out of the loops alive. Lol. ANYWAY, this is all to say, I do think the Universe is a separate entity to the Players BUT by virtue of how the Players interact with Siffrin I would say we are part of the universe via proxy measures. :3c

This really got away from me,,, hope this is all good and understandable I had to use a google doc to write this all out,,,,

[redvelvettecakes1]

CAINE ANGST / LORE THEORY 🎩🎪 !

hey guys, just before I get into the theory, you may think this is a bit of a stretch or overboard, and that’s okay, if you don’t believe the theory you can scroll or maybe interpret this as just something to think about instead 🙏

Alright so, this whole theory kind of came into my mind as I was just watching TikTok, and I came across this edit of AM from ihnmaims which apparently, gooseworx took inspiration off of for Caine, except the evil part, gooseworx confirmed that Caine isn’t really evil, he’s just oblivious

I’m gonna take the following quote to base this post on, as this quote was what got me thinking; “because in all this, wonderful, beautiful, miraculous world, I alone. Had no body. No senses, no feelings, never for me. To plunge my hands in cool water on a hot day. Never for ME, to play MOZART on the ivory keys on a (?) piano, NEVER FOR ME. To make love. I.. I.. I was in HELL, looking at heaven, I was machine. And you, were flesh.”

So, taking from this, 2 lines specifically stand out to me the most here “I was in hell, looking at heaven”, you can tell the circus means a lot to Caine, which means he must view the circus as heaven, and also the line “I was machine. And you, were flesh.” It’s not a secret that Caine is AI and the other circus members are all human, as it is stated multiple times in the pilot episode

I know you all are thinking “but bubble, the moon & the sun and NPCS are all AI too?” well yes, they are, but if you think about it on a deeper level, they aren’t real, they aren’t real people, they’re all just caine’s creations, Caine made them by himself, so really, that just means Caine must’ve been lonely and decided to create them 😕

To back this up, you can notice how majority of the AI / NPCS just praise Caine and tell him things to make him feel good about himself, like the moon when she says she loves him (I don’t ship them btw!), princess loolilalu who calls him god, and bubble who consistently encourages Caine, majority of them all just seem to praise Caine

Which led me to thinking, Caine had obviously created all the other AI before the human circus members entered the circus, meaning he was entirely on his own before they appeared, he must’ve felt so lonely that he decided to create AI / NPCS that mimic other humans, NPCS & AIS that make him feel loved, and special, since they all seem to, well majority of them, praise him in some sort of way ☹️

What if he just doesn’t know what real love feels like, what if he wants to feel loved, what if he just programmed these AIS & NPCS so he could feel loved in some way, Gooseworx has also hinted at possible Caine angst in the future episodes too, as when Gooseworx, pomni’s va, and caine’s va were at momocon, alex, caine’s va was saying how he can sympathise with Caine, which gooseworx replied back to him saying “I hope you guys are ready for that..” also, on an older post gooseworx made, someone asked if Caine can feel loneliness, which gooseworx replied to them with a picture of jax smirking, hinting that Caine can feel loneliness ☹️☹️

THAT IS ALL I HAD TO SAY THOUGH REALLY, JUST A THOUGHT, I mean to me personally, it does make a lot of sense, and it’d be interesting to see how Caine angst will unfold in the future episodes, this theory may seem a bit of a stretch, but again, it is just my thoughts, it doesn’t mean I’m necessarily right, I just think it’s interesting to think about in my opinion 😭🙏 it got me thinking after seeing the AM edit, as I’m aware that Caine is inspired by him, he’s just not as evil as AM

NOBODY CAN EVER MAKE ME HATE CAINE, GUYS, I AM HIS #1 DEFENDER. 😞