#basically they both parallel and mirror each other

[ridiasfangirlings]

What makes Yata and Saruhiko so good for each other, romantically and platonically?

The two of them were designed as parallels to each other and I think a lot of that is why they work so well together, both as friends and romantically. A lot of these kinda blur together between both platonic and romantic but just in general as partners, I think the fact that they manage to be different and yet have similarities makes their dynamic work. For example, Yata being loud and impulsive and not the smartest, compared to Fushimi being generally more analytical and cool-headed — Fushimi makes the plans and Yata carries them out. You can see this in LSW with the jungle surprise party (even though they fail, but they had no way of knowing at the time that they were up against a King), Fushimi is the one coordinating things while Yata is the person on the ground. They’re basically a good team in this way, where one can cover for the other’s weakness. They both have a similar sense of stubbornness and not wanting to lose which leads them to work well together, they’re very attuned to each other’s movements and style. Even after being apart for so long they still manage to work together perfectly in ROK to take down Sukuna, they don’t need to even discuss their plan because even in this situation they both know how the other fights (compared to the earlier fight at the beginning of the season, where Fushimi in particular is not even trying to be in sync with Yata, and I think the fight at the end shows that even after all that time Fushimi absolutely could have teamed up perfectly with Yata if he’d been willing to let himself do it).

Emotionally I think they also work well even though they’ve had communication issues, because again there’s a lot of covering for each other’s ‘weaknesses,’ so to speak. Fushimi is intellectually mature where Yata’s not that bright but emotionally Yata’s considerably more mature (not without his problems, of course, but we see throughout the series how he’s growing in that aspect) while Fushimi has the emotional maturity of a kitchen knife. That Yata’s so honest and wears his emotions on his sleeve is I think something that works really well with Fushimi particularly in a romantic aspect, because Fushimi is not at all versed in reading things on an emotional level that aren’t said and I think he’d struggle with a partner who doesn’t show affection strongly because Fushimi can’t help but read lack of affection as rejection. That Yata is very clear and open with his feelings is something Fushimi needs, even in middle school I think Fushimi himself would never want to admit just how much good it did him that Yata would touch him casually, and of course he’s always been clear about that ‘look at me with shining eyes.’ On the opposite side while Yata does struggle to understand Fushimi it’s something he’s willing to work on because Yata’s a stubborn person who won’t give up on someone he loves, Yata knows that Fushimi has prickly parts of his personality but Yata also knows that Fushimi is amazing so he has a lot more tolerance than I think many people would have when it comes to Fushimi being sharp-tongued or gloomy.

Similarly Yata’s bright personality compared to Fushimi’s gloomy one works in their favor. I think having Fushimi there to help balance him keeps Yata from becoming overbearing at times — contrast Yata’s experience with the Yata Team in middle school, where Yata is dragging them around even though they don’t like him, versus how he talks to Fushimi, I think he’s able to keep himself in check more around Fushimi because if he does start running off to do what he wants Fushimi will click his tongue and basically pull Yata back down. For Fushimi, I think it helps that Yata’s so willing to go with Fushimi’s flow and fill silences on his own, not expecting anything from Fushimi other than what Fushimi wants to give. In Side Red there’s the whole scene at the amusement park where Fushimi ends up next to Mikoto and is all uncomfortable and awkward, feeling like he has to say something and hating it because Fushimi can’t stand not knowing what this person wants from him or what’s expected of him. But Yata’s always nothing but clear when it comes to that sort of thing, if the two of them were sitting together Yata’s perfectly willing to keep the conversation going on his own while waiting for Fushimi to chime in with something Yata knows will be amazing. The two of them are just clearly so comfortable together when they’re not at odds, like despite their differences they both fit together perfectly.

[reanimatedgh0ul]

in my mind they'd be besties specifically little brother older sister coded and their team name would be ghost petals

[biillys]

a c in english and a c- in spanish. yeah. well, that's not normal for you. if you say so.

STRANGER THINGS — 4.01: the hellfire club

[sweetandglovelyart]

Are there any other Kirby fans on here who are also fans of Star Trek? I know of a couple people already, but I’m trying to see if there’s anyone else. I personally see a lot of parallels between Kirby and Star Trek, and some of my Kirby fanart is Star Trek-inspired, so that’s why I’m asking.

[foervraengd]

Mirre’s “How i render gemstones” tutorial!

(note: image above is not what is shown in the walkthrough. It is an example piece)

Ingredients:

Art program that has layers and selection tools

Patience (hubris or stubbornness is fine too)

(recommended) photo references of gemstones and/or prisms

(Optional but very helpful) Knowledge on how to use Reference layers and anti-overflow in Clip studio Paint

For this tutorial i am going to use clip studio’s “anti-overflow” feature. This post is not going to explain how to use that specific setting but you should be able to find guides on how to use it on clip studio’s official website or on youtube.

Please Note: The result of this technique will not 100% represent real life gemstones. These are more simplified but should still make an impression of the brilliance and appeal of gems, crystals and diamonds.

If you don’t work in CSP: the best workaround is to use the polygonal lasso selection tool for the same purpose.

This ended up being a long post so I am putting it under the readmore:

First off; Basic idea on how the light refracts inside a solid transparent object:

Wether it is acrylic, glass, water or crystal, the way light pass through more or less should behave the same as long as it is solid and not hollow inside. Pay attention to how the darkest parts of the stone goes along the inner edges, leaving a ”mid tone” sort of in the center. However, this might vary depending on the light setting. But it is a generally good rule-of-thumb to follow if you’re drawing something not based on a photo. Another thing to pay attention to here is how the placement of the highlight will lit up the inside of the gem in a parallel line. It also shows through on the cast shadow.

Light refraction on a cube:

I have already made two posts on this, so definitely go through them:

CUBE BREAKDOWN POST HERE

But a rough summary from those two links would be: Every side/facet of a gem or a cube etc refracts the light individually and not as one entity (that would make it look hollow and not solid). Think of it like how each piece in a broken mirror individually reflect your face back to you. Like a weird patchwork!

Putting this into practice:

For this tutorial I’m going to be nice to myself and not try to draw perfectly accurate gemstones. Instead I’m gonna draw them with a more ”natural” looking set of facets. Which actually isnt as common in real world as video games makes us think. Some crystals have geometric shapes naturally, but a lot of other stones are not as fancy. Anyway, im taking artistic liberty on these example stones because the technique I’m going to use will work for these just fine.

So, in clip studio paint, I first draw the stones on a vector layer. I give them facets for the front side. Then I duplicate the layer, remove the front facets and replace them with the facets on the back of the stone. The third image here shows both layers visible on top of each other. I now put these into a layer folder and mark the folder as ”reference”.

Now, on a layer below the lineart folder, fill with your base tone. Then make a layer on top (if you can clip it to the base tone, do that), this layer is where you decide where the highlight will be placed. In some cases the highlight is only lighting up one single facet - it really depends on the design of the stone. You can also blend and soften the highlight here if it looks good for you, just make sure not every facet is highlighted. The highlight layer should be on top of all the other layers clipped to the base tone layer.

Now it is time for the juicy juicy stuff! Turn on both lineart layers so they’re both visible. I hid the hilight layer here because it was in the way, but might not be needed in your case. Make a layer clipped to the base tone and paint in the darkest tone. This is where anti-overflow helps me out, because when i run my brush over all these crossed lines it will make the stroke pop in and out for each facet. If you dont use CSP, this is where you can use the lasso tool and select every second facet. It will take a bit more time but it should work similarly.

After the darkest tones I then make a layer for the inside light that the highlight has lit up. Here i keep it inside the darkest tone but this might vary depending on the light setting. If it looks good to me, then that’s what i stick to.

The way I approach rendering the facets here is like the grid in the example images above, every shade and tone appear more or less in each facet but the amount is relative to their position. So a gradient wouldnt have a smooth transition; it would be slightly scewed in each square on this example grid. Essentially like how some bathroom window glass panes look like.

Now it’s time to hide the lineart layer folder and check if the gemstones look decent to you. If not, then you can look up some reference photos and analyze where the values group together the most; be careful not to focus too much on the photos 500 million sparkles. Squint your eyes or blur the reference and try to see how the overall values behae.

I, personally, am satisfied with these rocks so I slap on a gradient map (you can manually color in them too if that’s your thing) and call it a day. The lit up inside of a gemstone tend to have a brighter and more saturated color than the mid tone.

Other Examples with this technique:

If you look up ”gemstone types” you can often find images displaying various facet types from more than just front view. These can serve as useful base templates for practicing this rendering technique. The backside of a gemstone is called the “pavillion” and is really useful to have at hand when it comes to painting the inner refractions. You can probably also use 3D models and convert the wireframe into lineart. But that is slightly out of my pool of knowledge.

Applying this knowledge without using a base lineart layer is of course possible. In this painting I followed a simplified summary of how the facets sparkle: Keep the highlight shape to match the front facet design, and all the inner refractions should be more scattered and split up but face a direction towards the center of the gem. Now don’t you think this sort of makes the gems look like eyes? That’s right! You can, and absolutely should, apply this on eyes to create the most sparkly anime eyes ever.

Now, refracted light that lands on the surface surrounding gemstones varies depending on the material - and if the gem is inside a metal frame it usually doesnt create this much refraction around it. But I want to have fun so i decided to break this rule in the name of pretty sparkles. :)

[ironunderstands]

All of Aventio’s implications that I can remember because someone has to compile them 

Massive disclaimer: the purpose of this slideshow is not to prove that Aventio is canon (even if I personally think it is), but rather to demonstrate the relationship these two have in canon, as well as disprove the misconception that they hate one another, because no, they absolutely do not. This list is also in no particular order so expect a lot of jumping around in the story. I hope you enjoy reading! 

Dr. Ratio added gambling to his update for the Simulated universe, and said a certain gambler would enjoy it, despite Ratio’s known dislike of gambling. 

He put his all into carrying out Aventurine’s betrayal plan, and Aventurine trusted him to execute it correctly, despite the plan/going to Penacony having no obvious gain on Ratio’s end.

Dr. Ratio gave Aventurine this note urging him to keep on living despite the pains of his past and the agony of the present, wishing a man who is already known for his luck the best of it, something which helps Aventurine survive the manifestation of IX. I am insane about this note and could yap on and on about it, but I will spare you the delusions for now haha. 

Dr. Ratio wears his headpiece around those he finds to be unintelligent and not worth his time, but he has never once on screen worn it around Aventurine, signaling that he finds the man to be both intelligent and worthy of his attention. 

Aventurine doubts his own intelligence and worth in his voiceline about Dr. Ratio, believing that the scholar doesn’t care for him. However, in Ratio’s voiceline about Aventurine, he commends Aventurine for his competence and skill, pointing out that his success is not in-fact just due to his luck, and if he keeps doubting himself he will meet the fate of those praying on his downfall.

Aventurine is also the only person to actually have voicelines about Dr. Ratio so far, despite Ratio having interacted with many others, meaning he’s the closest in canon to Aventurine, seeing that he’s the only one who talks about him. (Hopefully Screwllum has a line on Ratio when he comes out bc I am starving for Ratio content lmao). 

Aventurine’s first eidolon name is Prisoner’s Dilemma, which refers to a game theory in which two people can only achieve the best outcome of their situation if they put their faith one another while being unable to communicate/physically separated, and it mirrors the dynamic Ratio and Aventurine had on Penacony while acting out the betrayal plan. Which could mean nothing. 

His 6th eidolon name is Stag Hunt Game, which refers to another game theory based on trust, and is again, reminiscent of Ratio and Aventurine’s plan. Basically, they trust each other a hell of a lot, to the point where his eidolons are named after similar games of trust, which is no accident, as well, there’s countless game theories, and hoyo went with the ones specifically centered around trust between two people. For example his E4 is another one of those theories, but has nothing to do with trust, so they specifically selected his first and last eidolon to be about it, interesting.

The name of the 2.1 quest that just involves Ratio and Aventurine is Double Indemnity, which not only refers to the legal matter but also a famous romance and thriller movie in the 1950s by the same name. Notably, it shares a lot of plot points with that of the 2.1 quest as a whole, and the fmc is always portrayed as blond, just like Aventurine. 

There is also a scene within Double Indemnity that shares a lot of parallels between itself and the Final Victor lightcone. However in the movie scene she is holding the gun, whereas in the lightcone Ratio is, even if Aventurine is holding it to his chest.

Also if you want a more in depth analysis on how this movie relates to them, this person made a great one on tumblr :@anominous-user. (without the period, also it’s long as hell though be warned). 

You receive the track “Spellbound” after completing the Double Indemnity mission.

It is also the name of a 1945 film by Alfred Hitchcock, which is a Thriller, Noir and you guessed it, features romance as a major part of the plot. Its story also seems to have parallels to Aventio’s, but I’m not gonna get into that for now.

Notably, spellbound also means to hold the complete attention of someone, which is more often than not romantic, as only people you love/admire can captivate you like that. 

The bathtub couch Aventurine gets Ratio during his demo (and is the only time the seating ever changes in demos) is reminiscent of the bathtub couch from Breakfast at Tiffany’s, and you guessed it, its another romance.

He constantly flirts with Ratio in the pinball section of the Double Indemnity trailer, even going so far as to a) have the “Doctor you’re huge” line become a massive meme in the community b) he literally says the view is breathtaking when the only view is the giant Ratio he’s staring at. Honestly this entire section is so chock full of romance tropes (seriously what writer let their size difference kink into the story) that I have no idea how it passed censorship.

Aventurine also flirts with Ratio in the 2.0 scene by asking where his alabaster head is, which means he’s seen him wear it before. However, even when Dr. Ratio is acting, supposedly yelling at Aventurine for being a useless fool, he doesn’t wear the mask meaning he doesn’t truly feel that way.

They also have designated nicknames for one another, that are exclusive to them only. Dr. Ratio only ever calls Aventurine “gambler” while in his presence, and although Aventurine calls him Ratio sometimes, he often refers to Ratio as Doc/Doctor (Professor too in the CN) when talking to him. What’s interesting is that nobody else seems to refer to either of them with these names, meaning they made them for one another.

Despite the fact that throughout Penacony, Dr. Ratio’s job is to sell the betrayal plan, he still apologizes to Aventurine in the 2.0 argument scene, and looks away during Aventurine’s sentencing presumably out of guilt/to not break his poker face when the other looks at him. He also not so kindly tells Sunday to visit a shrink (therapist), which should tell you how much his actions concern and upset Ratio.

He also breaks his act again to check in on Aventurine. Hmm. 

Anyways time for the Aventurine keeping up with starrail speedrun because OH LORD, I’m gonna number these by image so I don’t exceed the count LMAOO. The first few are numbered by image, and the next are numbered by the columns of images, and I can clarify in the comments if you’re confused!

1) Owlbert calling them good friends (which Mr. Tsundere denies, although he says Aven isn’t awful to work with) 

2) PRAISE OWLBERT

3) This line is very significant because only 3% of Dr. Ratio’s students ever pass his classes, in which they become experts in their fields. So, if Aventurine earns a passing grade in Dr. Ratio’s book, that means he’s exceptional to him as almost nobody does. 

1) Ratio says his flashy outfits just make his job harder which ??? What do you mean by that sir do you not like seeing other people lay eyes on Aventurine serving cvnt? Why are you so worried about how his jobs go? Hmmm? Throughout the whole video he also keeps saying Aventurine shouldn’t take up fights in the first place, and the more logical thing to do would be to run away. Worried about our dear gambler Ratio?

2) How well do you know this man that you know his personal motto 😭 look genuinely idc if you leave this shipping them or not, how the hell are you gonna deny their friendship after this at the very least. 

Ok homoverse/j Anyways basically what’s going on here is that the little showcase of Aventurine’s kit ended and Ratio gave him a compliment. Owlbert says it seems like there is some mutual respect between them. Interesting, instead of denying it, Ratio asks, “What did he say about me?” implying that Ratio respects Aventurine, but he did not realize the other respected him back. 

1) Which causes Owlbert to spill this, which speaks for itself, Aventurine believes Ratio is the person who knows him best, so he invited him to be on the show. 

2) Which results in perhaps the greatest display of Ratio’s tsundereness to this day, also Owlberts face I can’t 

1) It seems Ratio didn’t think Aventurine knew him so well, but oh boy it gets better (worse for Ratio though LMAOO)

2) Caught your ass in 4k, also please just go and listen to this demo again I don’t think Ratio could sound more flustered if he tried. 

Apologies for the fuckass title card getting in the way no I don’t know how to remove it, but if you look closely in the first one, you can see a little sweat drop by Ratio’s face, which is again, another common trope with Tsundere’s when they get called out on their bs. “I really can’t tell what the deal is between you two,” me too Owlbert, me too.

Aventurine knows Ratio is in the council of Mundanites, information that is only a rumor to the rest of the galaxy, and Ratio trusts him with this information.

Acheron calls them friends, thank you Queen louder for the dumbasses in the back! Apparently there’s also a note somewhere in Penacony that talks about her, Argenti and of course Ratio being the ones to save Aventurine, so if I can find it, I’ll include it in the next part. 

Oh and don’t you think I’m done w this ridiculous lightcone for one second. I’m  well aware it’s a display of Aventurine’s su1c1dal tendencies, hell I was and still am the biggest supporter of that, however I also have eyes and yeah this fucking thing is really h0rny oh my god. “He provocatively looks at the man before him,” ok, could have picked any other wording but you picked that one 😭.

Also, a key detail of this lightcone that people miss is that it’s, well, a lightcone. A lightcone we get in 2.0 as soon as it drops, and since lightcones are canonically condensed memories, this happened way before the events of 2.0, and is likely how Aventurine convinced Ratio to join him jn the betrayal plan. 

Moreover, Aventurine says “remain amicable,” meaning this isn’t their first meeting, and him and Ratio had at least been talking to one another for some time before this, which could mean their friendship/partnership/whatever the hell this is has dated back to perhaps even prior to 1.6 when we meet Ratio for the first time, but ultimately that’s just speculation. 

Lastly, for this mini lightcone rant: the animated version of it. Oh lord. 1) Camden and Jordan put their all into it istg 😭 2) Ratio pulls the gun back but Aventurine stops him, meaning that a) Ratio didn’t want him to get hurt, but he b) accepted Aventurine’s provocation, 3) Aventurine LEANS CLOSER to him while teasing him with his whole “why not doctor~,” sh1t and 4) if you look closely at both the animated and still versions of it, there’s a tiny spark of light in Aventurine’s normally dead eyes, which is just, yeah. 

Ratios party voiceline for Aventurine. This is a complicated one because it is meant to be b1tchy in both languages (this is a tumblr post on it by @devxoid which goes over the nuance surrounding it. The TLDR is: directly translated, it means “take care of yourself, gambler, I need not your worry/concern,” but its actual meaning is far closer to the “fuck off” vibes in the CN. However, two this complicate this, 1) he sounds far calmer/neutral in the CN and 2) Ratio is the biggest goddamn tsundere on this planet, so even if he sounds mean, he does genuinely want Aventurine to take care of himself, as Ratio’s tried and true method of getting people to better themselves is by being rude to them, so it’s actually fairly in character, it’s just I think the way the line was directed in EN was a bit too harsh and threw some people off 

Finally, here’s some more silly ones that don’t really mean anything on their own until you put them into the context of everything else:

Their status as package deal do not seperate in both the data bank and the profile pictures is extremely funny because they have no reason to be next to each other like that, they just are.

Their kits are also designed to synergize perfectly with one another, and in the livestream Ratio was put in the team to demonstrate Aventurine’s kit because well, they are made to work together. Aventurine is by far Dr. Ratio’s best sustain unit due to the debuffs he provides (alongside everything else) which only gets better with eidolons + his signature lightcone, and if you have ever played Ratio you know how much he likes debuffs. As for Aventurine, his arguably  best team is the FUA one with Robin, Topaz and well, Ratio, who is the main dps of the team. Honestly besides trying to zero cycle MOC there is no reason as to why you would run Ratio with any other support unit if you have Aventurine. 

I hope you enjoyed reading! Also, this is absolutely not everything, just all the stuff that’s easy to point out, and I’m not even getting into an actual analysis of the plot and how that demonstrates their relationship. Moreover, I don’t expect you to leave this shipping them if you don’t already like them, but I at least want to demonstrate that they are without a doubt close friends in canon, and there’s no denying it. I definitely missed some so feel free to point out more, as I might make a part two, as these are just all the ones off the top of my head. Continually, for the people who like Aventio, hopefully this serves as some sort of guidebook/reference to their implications/interactions, and if you have any moots who love this ship, I’d recommend tagging them in this bc I think they would love it! Have a good day :D

[alexiethymia]

I’ve always thought it but Gyokuyou’s line, “If I said I was jealous of Concubine Fuyou, would I be a terrible woman?” seemed to point at two things, her jealousy of her being free to finally leave the inner palace, and secondly, the freedom to love and be loved in return.

I mean though she may be the Empress, and though she may be the most favored by the Emperor, I’m sure she’s clever and shrewd enough to think that she wouldn’t actually ever have his love. And that is what makes her so intriguing in that regardless of her own feelings, she can still be human and feel some sort of sadness about it, at the what-ifs.

Considering the latest chapters in the web novels, the parallels and contrasts between The Emperor (Yang) and Aduo, as well as Jinshi and Maomao being driven so hard just hurts so good.

That conversation between Jinshi and the Emperor revealing their chosen actions regarding their ‘one cherished flower’. The Emperor choosing to bind her to him, and cherishing her and protecting her vs Jinshi’s decision to let her go rather than trap her in the inner palace, such that it drives Aduo to tears because she sees in Jinshi and Maomao what could have been.

It’s so painful precisely because the Emperor and Aduo were where Jinshi and Maomao were ending up toward if not for the development they underwent. Contrast the Jinshi of earlier volumes who I think, in his desperation, would have chosen the same course of action the Emperor had in regard to Aduo and the Jinshi of now, who has matured.

But in the same vein that none of these characters are perfect, and are intriguing in their flaws, I think Aduo is the same as Maomao. Except that Maomao now finally was able to accept and let herself love, whereas Aduo used and still uses that ‘familial’ tie and even Yue as the reason why she still chooses to stay with Yang.

This just may be my own interpretation, but I think Aduo truly loved (loves?) the Emperor in her own way, as more than a ‘sibling’ or a ‘friend’ and that she is an unreliable narrator in her own right, same as Maomao. But alas, I don’t think Aduo and the Emperor managed to communicate properly on this part of their relationship, unlike other aspects where they can be free with one another. And now it’s too late, because the Emperor in his foolish youth made that irreversible choice and clipped Aduo’s wings.

That four way conference was perfect in that it was basically both pairs seeing mirrors of them in each other, of the past and the future, of what was and what could have been. And though the Emperor made mistakes, I can’t find it in myself to judge him too harshly because, as one analysis puts in, he didn’t have the same freedoms Jinshi has now, nor did he have the same people around him who could have guided him on the right path. Suiren and Gaoshun who were there to see what happened with the Emperor and Aduo, are probably doing their best to nudge Jinshi and Mamao in the right direction such that they wouldn’t repeat past mistakes.

It’s that one post you know? The love was there, it was always there. But perhaps, even then, it wasn’t enough.

[sky-fire-forever]

One thing I've actually been thinking about for awhile is the parallel between Mary Bonnet and Izzy Hands and, more specifically, how Ed and Stede are treated in their abandonment of them.

Izzy and Mary are mirrors of each other. Izzy is to Ed as Mary is to Stede. The one the captain is duty-bound to. The one they made a promise to stand by. Stede and Ed fail to communicate with them and when they do, they choose the wrong times and method (Ed talking around his boredom with his way of life while they are under threat of death, Stede surprising Mary with the boat). They don't listen to their respective partners (Ed basically ignoring Izzy while Izzy begs for a plan on how to not die, Stede not remembering that Mary hates the ocean). And Izzy and Mary are the caretakers for the people they're responsible for, with Ed and Stede only giving them attention when it's time to play (Ed choosing to stay in his cabin and making Izzy do most of the actual managing of the crew until Ed finds something new to be excited about, Stede being shown to ignore his children until it's time to play pirates). They also both lie to their partners about their plans when confronted (Stede claiming he'll "have it stopped" when referring to the boat before lying about having it made at all, Ed claiming he's planning on killing Stede even though he never wanted to). They both abandon their partners' plans (Ed deciding not to kill Stede, Stede running out on Mary). Izzy and Mary are both shown to be unhappy with their respective partners, but stay with them out of a sense of duty or responsibility (Izzy's threat to resign comes after he's been struggling to manage the crew and his life for some time, Mary saying straight up that she knows this isn't the life she or Stede wanted). There's like a million other things, but other people have made better posts about that

The point is that Discomfort in a Married State is about both Stede and Mary being unhappily married, but also Ed and Izzy being unhappy in the same dynamic. As much as they try, no one in either party are actually HAPPY with the way things are. Ed is bored out of his mind and feels like life is flat and has nothing to look forward to. Stede feels the same way about his life with Mary. Mary is dealing with an impulsive husband while taking care of her children and struggling to manage Stede's mood while still living her life in a way that doesn't make her miserable. Izzy does the same. Even though Mary and Izzy are upholding the relationship and staying true to their bond, they are obviously unhappy too.

What I'm interested in discussing is the way both Stede and Ed are treated by the narrative as it regards their betrayal of their partners.

Stede is shown to be in the WRONG for abandoning Mary. She's happier without him, yes, but it's pretty clearly stated that him just up and leaving her and their children was a DICK MOVE and he has to deal with that. He's made to come back to a world that no longer has a place for him in it. His children have forgotten him or resent him, his wife has found actual love with someone else, and he's no longer fit for the life he abandoned (not that he ever was, really). Stede is shown the consequences of his actions, how he hurt people by leaving and also how people are better off without him. He's punished by the narrative, made to feel uncomfortable and guilty. This makes sense!

Stede being depressed in his life is not an excuse to just... run away from it. We're shown that him leaving was a good thing, but him playing with the emotions of the people in his life by deciding when and if he wants them to be in his life at all and trying to dictate that just isn't the responsible thing to do. It's not until he finally sits and has an actual conversation with Mary where he listens to her that they're both able to move on fully. They're able to agree on an outcome, they Talk It Through and are both happier for it.

Ed imo is never treated the same way as it concerns his betrayal of Izzy. He lied to Izzy and then went back on their plan, doesn't say a word when Izzy is banished from the ship (doesn't even try to stop him from dueling Stede in the first place), and emotionally abandons him pretty much immediately after meeting Stede. Izzy is shown looking for direction and guidance from a man he trusts and who is supposed to be looking out for his best interests, only to be dismissed and mocked. Izzy repeatedly goes to Ed for direction, asks him "what do we do" or "you told me you would do this, so let's follow through" only for Ed to turn around and do something completely different. And then with the Act of Grace, he plans on running away and leaving Izzy behind entirely. Ed's betrayal of Izzy SHOULD mirror Stede's abandonment of Mary.

But Ed is never punished for it. The way Stede goes back to Mary in a time of crisis and the way Ed goes back to the crew (and Izzy) is the same situation. But where Stede has to deal with the consequences for his selfishness, Ed just... doesn't. He has to deal with his breakup, yeah, but not how he really was just going to leave the crew behind. He tortures and hurts his crew and specifically Izzy, but he's allowed back on the ship as long as he wears a cat bell. He doesn't even appear bothered by it. He never has a moment like Stede and Mary get where a conversation is had and faults are acknowledged on both sides.

Where Stede had to recognize his mistakes and grow, Ed gets off with a slap on the wrist. Mary gets better without Stede dragging her down, but Izzy falls apart without purpose until the crew give him a new purpose in being their unicorn

I don't necessarily think this is a bad thing or even poor writing if it was explored more. It mostly just perplexes me. Why make these connections between these characters at all? It fascinates me

I really wish we could see Mary and Izzy interact. Just once. So Izzy could meet someone who understands

[sealedterror]

Stellaron Hunters and Astral Express Parallels

So, I've noticed that the Stellaron Hunters are basically a darker, murdery, and morally grey parallel version of the more heroic Astral Express, with every member mirroring another from the other group. Two sides of the same coin, if you will. First thing I'd like to point out, both factions don't really follow any current aeon. They "follow" (very loose term here) the missing-in action Akivili and the "Destiny" that Elio forsees. Both factions also are deeply involved with Stellarons(we encounter a stellaron on every planet, the Stellaron Hunters hunt them. Obviously) Here's some similarities I've thought of between the members and some theories based off each other: !!SPOILERS AHEAD!!

Dan Heng and Blade:

Both from Xianzhou,

Immortal in some way(Blade's self-regenerating and Dan Heng's reincarnations)

Same gender

Dan heng's five star form enhances his basic attack, like Blade, who I BET was ALSO a four star before the mara and Jing Liu incident

Similar age? Don't really know exact timeline between them

Both feature flowers in their gameplay(lotus flowers and spider lilies)

Himeko and Kafka:

Both intelligent women

The pseudo-moms of their faction.

I might be pulling out of my ass here, but I'd like to point out that both of them use both a ranged weapon(Himeko's laser and Kafka's gun) and also a melee weapon(Kafka's katana and Himeko's grator).

Since they are each others parallel, I'd like to make the assumption that since Himeko was the first one to join the Astral Express, that Kafka was the first one to join Elio. It just fits with the known info we have and clears up any ambiguity, but you don't have to strictly adhere by it lol.

Pom Pom and Elio

"Animals" yeah right

The being who leads their group in the direction wanted(conducter, scriptwriter, best destiny, best path to blaze)

You assume they are the cute mascot at first, but then there is something...exceptional about them, that you can't quite pin down.

Both are sentient and can presumably talk(Elio might just write to communicate, how would that work though? Toe beans? Meow to text? Lmao)

Wait....with synestheia beacons that's actually very possible. Oh god

March 7th and Silver Wolf(HEAR ME OUT)

The trendy, youthful girl of the group

....Use of technology?

yeah i got nothing BUTBUTBUT

March 7th's mysterious pasttttt. Like, the similarities between Danheng and Blade weren't revealed until his five star form was revealed and I'm making the theory that when March 7th's mysterious past is revealed, the similarities between her and Silver Wolf will appear!!!!

So Silver Wolf is from Punklord, is extremely accomplished and powerful, chaotic neutral with a sense of wanderlust. I don't know much about her(don't have her character/character story) so I can't say much more, but what I do know seems pretty plausible for March's former self.

It supports my theory that March 7th's five star form will be Nihility. Imbibiter Lunae was Destruction, like Blade. The memokeeper in March's quest said her past would "only bring her pain". How nihilistic is that? Either way, I'm definitely pulling xD

Stelle/Caleus and Firefly/Sam(the best for last ;)

So this is the one that really cemented this theory into my mind. So far, you might have noticed that every member's mirror image is the same gender(with the exception of Catlio and PomPom, I'll talk about it in the comments). But Trailblazer has TWO genders/personas. You know who ALSO has two genders/personas?FIREFLY/SAMMMM!!!!!!!!!!!!!!!!!!!!!

Some theory and more similarities between them

They both are the explosive power powerhouse of their group(Stellaron and Sam's firepower)

Both pretty smart(dubious) and funny(hilarious, the both of them)

They both eat questionable things...Trailblazer's trash consumables and Firefly's woodchip Oak Cake(seriously, read the description, do they have iron stomachs or something??)

...So they might have iron stomachs.

Both were presumably artificially made. We know Firefly/Sam is(born to fight in a war) and the Trailblazer is a vessel of a Stellaron. There has to be some funky, wonky, genetic/biological makeup for that.

Welt Yang and no one lmao

Lonely ass old man, no ship?(making the no bitches face)

Anyway, I presume he doesn't have any parallel bc he's from another universe. I don't know much cause I haven't played Honkai Impact. Something about a comic and "herscherr"? Idrk but. I suppose Luocha could join the Stellaron Hunters. That would be crazy as hell and if it happens I CALLED IT, but it probably won't. Probably.

There is also the theory Sunday joined the Stellaron Hunters. It's honestly really interesting and if that's true.....Welt Yang and Sunday don't have any similarities so that's tossed out the window. So, that only leaves the possibilty that we will have a mirrored someone of Sunday joining the Astral Express in the future. That would be INSANE but fun as hell like, can you imagine?

On another, slightly less speculative note, I'd like to point out that the five stars of the Astral Express have the same paths as the Stellaron Hunters. DHIL and Blade, are both Destruction. The Trailblazer started off as Destruction and Firefly/Sam is Destruction. As I theorized above, March 7th's five star form is likely Nihility, just like Silver Wolf. Except for Himeko and Kafka. Hmmmm

It is also my theory that Kafka was supposed to be Erudition, like Himeko, but the Stellaron Disaster on her homeplanet altered her path to Nihility. We know how smart Kafka is and we've seen paths change, Dan Heng changed to Hunt after doing away his vidyadhara features, and we have switched paths multiple times now. But we know we and Dan Heng can switch between paths anytime. I think Kafka's case is different, in that she can't switch and the Stellaron permanently altered her, removing her fear and switching her Path.

So this concludes my rant, are you convinced yet ;)? It's really interesting that the two factions mirror each other so deeply. I am getting the message that, whatever our fates are, they are deeply intertwined.

Thanks a bunch for reading this far and please, let me know what you think! May the Trailblaze be with you....or something lol

Edit: AAAAAA, Firefly's pool cutscene!!! She said, and I quote "The Astral Express and the Stellaron Hunters are like light and shadow. We walk on different paths, intertwined, moving forward and growing together...Maybe the end is predestined, but, it is not today."

Idgaf, I'm taking this as confirmation!! My theories are becoming true!!!!! *high pitched squealing* Show me more, Honkai Star Rail!!!!

[rayroseu]

Some Crowley and Lilia Parallels(?)

?? am i reaching here but doesn't "Crowley searching for a way for Yuu to go home" similar to "Lilia searching for a way for Malleus to hatch"?lol

like they both travel to far away places to search for clues to solve their younglings' problem and both Malleus/Yuu are frustrated whenever they're gone for their travels, Crowley/Lilia can't find a logical explanation why they're taking so long solving their problem too (like how Lilia foolishly trust wishes to make a dragon egg hatch bcs its just impossible to find another dragon and how Crowley seems like he's being lazy because he truly doesn't know how to transport a human back to another world) even though they're the person best suited to solve Malleus/Yuu's problem (crowley being the manager of orientation so he definitely must know(?) where the students came from and lilia being the only person Meleanor told that he'll hatch Malleus) also both of them are quite detached by how much Malleus/Yuu depends on them (by that i mean they leave them alone too much and lack communication with them even though theyre the person who took them under their wing)

They also have a habit of surprising people by falling from the sky (like Crowley's animation during special lessons and how Lilia always appears upside down to scare people)

and the difference between their serious and goofy personality is striking (like General Lilia with his mean attitude and deep voice vs Peepaw Lilia and then Prologue Crowley w his ominous vibe and again deeper than usual voice vs Weird Headmage Crowley).

Also idk if this means anything but they're also the characters with the most unique voices in-game, and im unsure about this too but i think their speech patterns both uses old english phrases yet still maintaining a modern pattern (to fit with the youths yk) and they both have "groups of bats/crows" surrounding them and serving as their only motif-- which makes me think both of them have familiars????

also both of them have "minimal magic usage"..... Crowley really doesn't casts any magic atleast in-game (but in other TWST media Crowley casts basic magic) and we know how Lilia is losing his magic because he exhausted it for hatching a dragon egg- Both of their (potential) twisted Disney characters (Bat goon and Diablo/Diaval) have a role in searching for Aurora too (I remember the Bat goon and co. was originally the ones tasked to search for Aurora but he failed so the task was passed to Diablo instead, and Diaval bcs he discovered that King Stefan had a daughter which raged Maleficent in the live action-)

I'm pertaining that if Crowley is Levan,,,, then these similarities would point out to the fact that [Lilia and Levan were always together](than Meleanor did) to the point where they kind of adapted each other's qualities, even if centuries pass-- Also TWST likes mirroring the "knights" of this game (i.e Silver and Sebek, Deuce and Ace), Lilia and Levan were Right and Left Generals (knights), so it kinda explains why they're having similar struggles and similar life pattern(?) (like babysitting an unprecedented child amidst their independent life and being hit with an important problem that is "impossible to solve")

so In conclusion?? did Meleanor cursed her generals to be eternally struggle babysitting troubled children?? XD

totally reaching here-- if Crowley is Levan and his life truly is similar to Lilia's,,, then then does that mean he cut his hair like Lilia's ???? 😳 bcs think about it,,,, all the Briar Valley characters we got has long hair (Meleanor, Baul, and Gen. Lilia) so does that mean if we do get a reveal of Crowley/Levan,,, we'll see Crowley with a longer hair as Levan- ✨🙏

If that's true,,, atleast Levan's hairstyle as Crowley wasn't a chaotic job like Lilia's,,,, LOL it kinda matches their description that Levan is more prim and proper KDHWKHD atleast as Crowley, Levan is actually attempting fashion instead of randomly matching whatever like Lilia 😭 also didn't Crowley had a tangent about his very specific food taste when asking for souvenir(GloMas Event)?? which hits the nail about Lilia's complaint about Meleanor and Levan being picky eaters lol

[drconstellation]

First-Order Archangels

Part 1: Maybe You'll Spot An Archangel

GABRIEL: I told you you could ask. However, I am the only First-Order archangel in the room, or, you know, the Universe, so I'm not gonna answer so much. But you feel free to knock yourself out with all the asking.

While I was writing my meta series The Passion Of Jimbriel it became fairly obvious to me there was something more going on between Crowley and Gabriel in S2 than just the numerous pointers to Crowley's pre-fall angel status. They are acting as both parallels and foils to each other, and in places you can swap their characters and get the same story at a different time – and that just opens up a whole new window of context and insight into things. For pre-reading, see this meta from @vidavalor that nicely lists some obvious parallels. It doesn’t mention everything though, so I’m going to discuss parts in more detail.

A foil is a character who contrasts with the protagonist, to highlight or differentiate certain qualities between the characters. Crowley and Gabriel do this because they have come from essentially the same place, and share some story elements, but they still end up in different places.

There is a lengthy original discussion about Crowley's pre-fall angel status here, for pre-reading. It points out the obvious and some not so obvious points that ops have noticed in S2 telling us about Crowley's pre-fall status. Rather than just go through them all again, I'd like to look at some other scenes in S2 that also tell us something about both the similarities and the differences between these two high-powered entities as I go along. In addition, I’ve done a series of posts looking at Gabriel as a shoulder angel (links at the end of post,) because quite often he’s on the demonic left-hand side – which makes sense when you realize he’s a Crowley parallel.

Take the arrival of Gabriel to Whickber St and the bookshop. I’ve already mentioned this parallel story line a couple of times now, but lets look at it again in more detail. It mirrors the opening of S1E1 where the serpent climbs the wall of the Garden of Eden, morphs into a demon and starts to converse with the angel standing on the wall.

Back in the present day, we have a Gabriel, who also tends to present on the sinister-side, walking up to the gate of the present day Garden (the bookshop), which is still guarded by the same angel as it was 6000 years ago, and basically tells Aziraphale he has “fallen.”

How to we know this? It is a reference to the Fall of Man, when Adam and Eve ate the apple the serpent offered them, they suddenly became aware of their nakedness, and hid from God. Gabriel has already upset the love-apple tomato cart on his way to the door of the bookshop, its a sign of the chaos to come.

The fallen angel is not sure of his name, so he prompts with a question…

And asks for shelter under the (reluctant) angel’s wing..

But there is one thing he does know, the one thing that drew him to Aziraphale in the first place:

AZIRAPHALE: Then why did you come to my shop? GABRIEL: I don't know. I just thought I should. You know what it's like when you- when you don't know anything at all, and yet you're totally certain that everything would be better if you were just near one particular person?

Later, Aziraphale realizes that he must give Gabriel a new name to hide him – because fallen angels take on a new name, don’t they? Just like Crowley did.

Then we get a confession:

Which is what Crowley loves about Aziraphale as well - that bit of unpredictability, because you know how humour kind of works? It throws the unexpected at you.

Early on in S2 we find out they are both in trouble: first His Royal Smugness, then Our Hero himself. Our view is turned upside down, with the angel made the bad guy and the demon the good guy who needs to win. But both of them are being hunted by Shax.

Then we get one of the early clues pointing to Crowley's high status as an angel:

SHAX: A miracle of enormous power happened last night. The kind of miracle only the mightiest of Archangels could've performed. CROWLEY: Mm? SHAX: Somewhere very close to your friend's bookshop. Are you telling me you don't know what caused it? CROWLEY: How'd you know I didn't do it?

Shax stalks and threatens both of them, sometimes at the same time:

Another parallel Gabriel and Crowley shared in S2 were associating their identity - no, lets rephrase that - "essence" was one description I've seen - with boxes.

Gabriel arrives with a box that strategically covers his front, and quickly tosses it aside once Aziraphale opens the door to the bookshop. It lies forgotten until Gabriel mentions it a while later. Inside it is the fly from Beelzebub - an object from Hell - so it really needs to be 'invited' across the threshold of the bookshop by Aziraphale to be able to enter. The box initially appears to be empty, Once inside, the fly is free to roam. It has a message written on one side of it.

The same goes for the matchbox. Message included.

ah, wot? you say. Yep.

The matchbox represents Crowley, probably in more ways than one, but I'll just go through the stuff relevant to this meta here.

I notice I'm not the only op to connect the line from the Book of Job on the side of the matchbox with Crowley. The line is from Verse 41, which talks about Leviathan. Among the various shapes it is described to take is a great sea serpent. This deserves its own meta for further discussion, which I plan to do after this one, because yes, Crowley is Leviathan in disguise, but there is much more to it than that. But for now, just know that the matchbox is Crowley.

Once you know this, it makes sense that Muriel finds it - a discarded cardboard box by the front door to Heaven - and deals with a material object that shouldn't by rights exist in Heaven. Then a certain demon finds Muriel lurking outside during the siege on the bookshop at the end of S2E5, and talks them into letting the certain demon be escorted up into Heaven where he doesn't belong, where he's free to roam around - only he needs a guide because he's not sure where to go. Ah Muriel, you poke the Serpent, he's going to poke you back. Good thing he likes you, and it just was a gentle nudge.

Two empty boxes, two cases of memory-loss. That is what S2 seems to suggest to us at first glance.

Gabriel's seems to be the most straight forward in hindsight - find the fly and restore Gabriel to his original "Gabriel-ness." But its more complicated than that. When pushed to remember, his lilac eyes return and another voice can be heard speaking through him of the past. This happens twice, with the second one being part-prophecy. What is really triggering these episodes of channeling? Is it God or someone else speaking through him? We really aren't sure at this point in time.

Then there are questions around Crowley's memory. Did he have his memory wiped when he fell? Was it wiped repeatedly? Was it not wiped at all, and he just pretends he doesn't remember? Neil has even said he is an unreliable narrator about his own Fall, so who are we to trust at this point? Crowley does seem to understand in the end some of the problems Gabriel is having with his absent memories and that brings them to a temporary truce.

Both Aziraphale and Michael inspect their respective "empty" boxes, and neither notices anything obviously amiss. Gabriel's box just seems empty to Aziraphale, he takes no notice of the fly container in there, and archangel Michael tentatively inspects the matchbox brought to them by Muriel but nothing seems out of place there either.

Crowley's change in costume in Heaven during his little infiltration caper with Muriel is also another clue to his past status as an archangel. He has a silvery-gray suit, similar in style to Saraqael's to reinforce the link with them, but at the same time he is also mocking the other archangels and their elite status. We've assumed for a while now that the appearance of the tactical turtleneck signals that Crowley is up to something sneaky or spy related, but I'm starting to think it also relates to a bit of a power play (and Crowley certainly laid the power on for Mr Brown in the pub!) Looking back at S1, Gabriel's not adverse to wearing one either when he needs to be at his worst (or best. Your choice.)

The way one dresses is a way of expressing and reinforcing authority, and its something both Gabriel and Crowley do without much thought. They have been used to being in a position of power and/or independent authority for much of their existence, and I would say that even if Crowley is a few steps down now from where he started, and he's more cautious around those higher ranking than him than he used to be, he still retains that knowledge of what its like to be at the top.

Crowley's usual near all-black costume is a form of power dressing in itself. Whether is was in the past, when black was an expensive color to buy and maintain in clothing, or in the present day, we are still respectful of those in a stylish cut of black.

Gabriel's impeccable tailoring as Supreme Archangel also commands respect. So it's no wonder that one of Gabriel's first requests on regaining his memories was to ask for new clothes! He wasn't just being the vain archangel we believe him to be (although, I think there is still some of that) you also need to consider the elements of the reference characters that went into his shop assistant character: Granville, the belittled shop assistant nephew from the sitcom Open All Hours, who got stuck with all the shop duties from his uncle and felt like life was passing him by, and the silly Monty Python gumbies, that complained of hurting brains - lovable and much loved characters, but not ones you'd really want to be forever. We all want to be loved, but we want to be respected as well.

For all his fierce posturing around Gabriel, there is a brief moment in S2E3 where Crowley backs down and treats Gabriel as an equal - and that is reflected in a change of dress as well. His outside jacket off and sleeve-garters on, Crowley sports a look we haven't seen since S1 when he was home alone in his Mayfair flat. He patiently explains gravity to a curious Gabriel and then describes his "Operation Lovebirds" plan to his puzzled companion. He admits he hasn't "done weather in ages." It's just a quiet, charming moment, watching two ex-archangels get along together.

You're smiling, aren't you?

This meta continues in Part 2: Foils of War, where the differences between Gabriel and Crowley get explored in more detail, and how Aziraphale and Beelzebub act as mirrors to each other a few times as well.

This meta is part of a series on Gabriel: Gabriel as a Shoulder Angel: S1 Study S2 Study Part 1: Ep.1 The Arrival and Ep. 2 The Clue S2 Study Part 2: Ep.3 I Know Where I'm Going and Ep. 5 The Ball S2 Study Part 3: Ep.6 Every Day

First-Order Archangels Part 2: Foils of War

First-Order Archangels Part 3: Seeing Eye to Eye

[sol-thorne-shitpost]

I am once again having a thought™ and I just went on a full-on rant to a friend, thought I'd share my thoughts with y'all to see if anyone agrees.

Yes, it's about Hadesgame Patrochilles, buckle up.

Currently reading the Iliad, I noticed that not only are Achilles and Patroclus extremely well-written in Hades (that we're all aware of, I think), but also that there are many many layers to their relationship and the one they have with Zagreus.

First thing that hit me while reading the og Patrochilles and how they're written is how drastically different they are in Hades compared to their original alive selves. They're basically each the complete opposite of what they were when they were alive: Achilles, once prideful, arrogant and impulsive, once his rage was appeased, now became wise, patient, calm, an actually good mentor to Zagreus, in whom he must see a lot of his younger self. Patroclus, on the other hand, once famously gentle and kind, became bitter and dismissive. That can easily be explained by the fact that decades and decades alone after death can drastically change someone. Achilles, so guilty about what his pride did to Patroclus, matured and became wiser; and Patroclus, because of years alone abandoned, lost his faith in the glory of war (and in Achilles).

They basically became the opposite of what they were when they were alive, because of years of loneliness and longing and reflecting on this war they were a part of.

BUT THAT'S NOT ALL GUYS. When you dig a bit (mostly by chatting with Achilles and listening to Patroclus ramble to himself), you learn that what made them mostly change, aside from the circumstances of their deaths, is their longing for each other, and that despite all that change, they both retain the ONE TRAIT that caused their deaths.

Achilles, even in death, remains unbelievably stubborn, unshakable in his decisions (or in this case, his decision to stay away from Patroclus so that he can rest in Elysium) until Patroclus (through Zagreus) manages to shake him out of it.

And Patroclus, ever so bitter and depressed Patroclus, remains deeply kind and generous. He broods there in his glade, but when Zagreus shows up, polite, just passing by, in need of help, Patroclus offers him what little he has to keep going.

It drives me insane to see that after dying, Patroclus is the one who became impulsive and ready to 'risk it all', because he simply has nothing left to lose. Meanwhile, Achilles, so scarred by Patroclus' death (caused by him and his hubris and his pride), is terrified of risking anything, because the one thing he has left to lose is Patroclus' place in Elysium, and he simply can't bring himself to understand that Patroclus wants to be by his side anywhere rather than alone up there.

And they could have never reconciled without Zagreus' intervention. Because somehow, Zagreus is a mirror of both of them, in his own way.

And because on top of being impusilve and stubborn (like Achilles) as well as kind and caring (like Patroclus), Zagreus is the one guy down here, the only one who fights against his fate with all his goddamn might.

Because he wants to see his mother. He wants to find his place in this world. He wants to be acknowledged and respected. So he fights, against the Fates themselves (by just being alive, he does, I'll remind), against Hades, to get what he wants. Achilles and Patroclus both succumbed to their own destinies in the worst way. Of course it would resonate with them.

Maybe I'm thinking too hard about this. But there are so many parallels to draw here! Think about Achilles, who practically raised Zagreus, instructed him in myths, history, combat and arms. Seeing this kid, a prince, gifted for combat, craving for recognition and respect? That would ring a bell. And Zagreus is already a dual kind of person, he's the red eye and the green eye, he's the Olympian and the goddess with a mortal father. He's rage and fierceness (Achilles) and he's kindness and generosity (Patroclus).

And Zagreus hates the status quo. In his own life, and in the one of others. He does this for multiple people in Hades (Sisyphus, Orpheus and Eurydice, Hypnos and Thanatos, Nyx and Chaos...), he just can't stand people suffering when he knows there is something that could be done. He rattles the house and wreaks havoc in his father's well-ordered world, because he knows damn well he's the only one with enough balls to do it.

The thing is that if Zagreus had never intervened, Achilles and Patroclus would never have seen each other. Achilles took the first step toward redemption by giving up his place in Elysium (his glory, his pride, what he fought so hard for) so that Patroclus could stay there instead, as a way of apologizing for what he did to him and atone for his mistakes; but after that, he was left frozen in his own guilt, refusing to try and think of a way to see Patroclus again. And Pat, well... He's given up. Like how he gave up on reasoning with Achilles back in Troy. So he just waits there, even he doesn't know what for. It takes this bisexual disaster of a god to barge in and shake things up, until Patroclus finally reached out to Achilles, gives him that message (risk it all), the last push Achilles needed to finally move.

So yeah I just think they're neat-

This concludes my thought™.

[seventeenlovesthree]

Digimon Adventure subtext analysis: The other family angle

Years ago, I had already tried to conduct an analysis on how Taichi, Hikari and Koushirou were set up in a way that displayed the importance of family within their bond [I, II, III]. The conclusion there was that, by closing his own family-related arc, Koushirou was capable of supporting Taichi and Hikari's (also indirectly family-related) struggles in the Dark Master's arc as well. In a very similar vain, it can be argued that Sora, Yamato and Takeru were set up similarly. The hypothesis here is that, by mirroring Sora's and Yamato's (and Takeru's) familial issues, they're capable of supporting each other in the final arc as well.

Let's see how these familial parallels and similarities play out:

While it can be argued that the majority of the characters keep their family-related trauma to themselves, in Sora's and Yamato's cases, it has the biggest effect on the group dynamic as a whole. Because while Taichi, for example, starts to get reckless in order NOT TO get reckless and protect everyone he loves, Sora's and Yamato's instinct is to pull away from everyone and everything to protect them, even if they may declare the opposite to be true. (Mind you, that is actually some kind of behaviour Taichi will adopt in Tri onwards as well, but that shall not be the point of this analysis.)

The most obvious parallel between them is that they have rather disruptive family lives. While Sora's parents aren't divorced, they're still not living together and her relationship to her mother is rather rocky, filled with misunderstandings based on expectations and different views on life. Yamato's and Takeru's parents are divorced and Yamato has a rather difficult time approaching his mother himself, telling her how he really feels about it all, etc. He tends to surround himself with an aura of coolness and aloofness, even though the viewer quickly learns that he is very emotional and is just trying to bottle it all up.

In the novels it is implied that Sora may have known that Yamato and Takeru were brothers from the very beginning - so her deflecting or not prying further into their lives at the start of the series, especially when Taichi and Koushirou are speculating about their relationship, makes sense. Because she understands that they need space.

And Yamato returns the favour later on, letting her cry it all out; when Sora is experiencing her outburst of emotions in her Crest episode, the viewer learns that she has been doing the same thing as Yamato: bottle it all up. In the same way, they are both prone to wanting to figure out how to deal with their "inner states" by themselves, they're both not particularly good at talking it all out - and so it shouldn't be surprising that they understand that aspect about the other and give each other time and space to breathe. It's not something everybody in the group understands, but it is a very distinctive parallel: Sora basically explains to them that she kept away from the group because she hadn't figured herself out yet. Thus, Sora explaining Takeru that Yamato needs time to do some soul-searching himself is a direct follow-up response here. She sensed Yamato's need to do this on his own and followed it up by the promise that Takeru would be safe in his absence.

Takeru is a good keyword at this point as well, because similarly to how Hikari was a focal point in the other analysis, he is the key factor that makes the family angle so apparent. Yamato may be the one to give Sora space - but Takeru is the one who tells Sora what she desperately needed to hear. He wants to keep the family together at all costs, he is fed up with separation scenes, so he doesn't want her to leave again, sees her as "family", wants her to know how valued and loved she is - and so, Sora is the one who reassures Takeru when Yamato is on the brink of leaving himself, believing that, eventually, everything will turn out fine. It may look like nothing more than repetitive behaviour at first - but it is a circle of learning and trust instead, to rekindle and have better family dynamics in the future.

It's due to their strained relationships with their parents, their masks, their coping mechanisms that Sora and Yamato think they don't have what it takes to activate or even deserve their respective Crests. Love and Friendship - they don't know what it means for them personally. It's why they're so prone to being engulfed by darkness, why their dark caves are dangerous manifestations of their declining mental health, self-doubt and fears.

That is why the soul-searching is needed, repeatedly so. It's why they understand each other's need to be left alone - which is something we will see throughout the entirety of the Adventure series for both of them. But it's also why they need Takeru's softness and Taichi's persistence (as well as Jyou's support and Mimi's reassurance at different times) to get it back together again. They have to be reminded that they don't HAVE TO be alone in all this (even if they often choose to).

They know, deep down inside, that self-pity and giving in is not an option. They do ask themselves why they got into this situation, why they were chosen in the first place - but they also learn, through their experiences (and their respective bonds with and urge to support Taichi) that they're the ones who have the choice. To fight or to stay away - it's going to be their choice, again and again.

In the novels, the sight of Sora and Takeru together, right after he broke out of his own cave of darkness, even reminds Yamato of his mother, indicating that the entire journey is helping him to come to terms with slowly wanting to reconcile with her.

In general, Sora's role in the Dark Master's arc is mirrored by Koushirou's - they're support systems for the Yagami siblings (and Taichi and Yamato in combat), but Sora in particular is also often put together with the younger siblings, protecting them (enforcing her motherly role) or actually fighting alongside them (in more equal matters). In addition, she is acting as a bridge between the Takaishida brothers, especially in the final arc in which she is the one who throws Yamato's keychain at Takeru, thus helping him to overcome his own insecurities as well and eventually activating his Crest of Hope himself.

Long story short; Sora had already been on her way of reconciliation with her own mother and, after everything she went through, was able to reassure Yamato that he could go on to find his own path as she did hers before, believing that he could do it too. In return, Yamato had been put - and eventually also put himself - in the position to pull Sora out of her own state of darkness as well. Because he had been there himself, he was finally able to put things into words. Because, at this point in time, they're both incredibly similar - and may have gained what it takes to make up with their mothers.

[canonicallyobserving911]

Buddie: Has Eddie realized the Buck and Kim parallels yet?

Buck and Kim (Shannon's doppelgänger) are MIRROR IMAGES of each other! Also, Buck's right in front of Eddie and Kim was positioned to be the mirror so he could see who he's been wanting since he moved to Los Angeles and the person he wants is Buck.

There were a lot of references to season 2 in 7x9 and I might expound on all of them at some point but this post is solely about the similarities between Buck and Kim and the familiarity Eddie sees when he looks at her since he's already found everything he wants and needs in Buck but won't allow himself to have.

Full disclosure: Before I delve into this, I must admit how much I hate this "Vertigo" BS storyline they gave Eddie and I've posted about it many times because IMO he deserves better than an emotional cheating arc. But since TM (showrunner) is hellbent on incorporating DK into these episodes, it doesn't appear there's anything that can be done except fast forward through them like I did early this morning when I finally watched the episode. One more thing, I HATED the way they let Chris see Eddie with Kim. He's traumatized enough and I don't know if it was done for shock value or WTF but that was low for 9-1-1 standards and it shouldn't have been included.

Now back to the regularly scheduled program...

In 7x9, the scene with Buck and Kim at the firehouse allowed Buck to come face to face with a doppelgänger version of the person (Shannon) who still haunts both Eddie's and Chris' lives. Also, she represents the person Buck believes will always stand in the way of him stepping all the way in with Eddie so he can become his husband and a second father to Chris.

Now, I'll be honest, I watched the scene with Buck and Kim three times for several reasons but mainly because I noticed the show was trying to illustrate more than just Eddie's cheating. The truth is Buck's and Kim's scene should have DEMONSTRATED TO VIEWERS how Kim is a direct reflection and a representation of everything Eddie's already found and built with Buck, i.e., future spouse, lover, coparent for Chris and the family he chose. Basically, Buck's his everything but Eddie won't allow himself to feel it (believe he can have him).

When Buck came face to face with Kim, he stopped in his tracks and his breath caught in his throat because he thought he was looking at a ghost. Kim reminds him of the woman he believes Eddie will NEVER let go of/get over so they can be together and I can prove it with the images of them facing each other.

Ever since the BTS pics were released of Kim/Shannon, I wondered why her hair was blonde instead of brown. I figured it might be related to something but at the time I didn't know what. Now, IIRC, in the early part of season 1, Buck's hair was reddish blonde but for some reason, he dyed it and it's more of a dirty blonde now. Some people debate over the color of Buck's hair; however I'm not doing that here since it's not the point of this post. Furthermore, several Buddie shippers have commented on the gray/white streak in Kim's hair and they did the research that it's a birthmark. There have been several posts on it and the authors of them have commented that it's on the wrong side for her head for it to mimic Buck but I beg to differ.

When they faced each other (reminder Buck was never shown talking to Shannon in season 2; he saw her but they never interacted in CANON) their birthmarks were aligned. His is on the left side of his head and hers is on the right side but when they're facing, they line up. Additionally, Buck's lips are pink and IIRC, Shannon never wore bright red lipstick but Kim did. Buck and Kim (Shannon) all have blue eyes and everyone who watches the show should know Eddie loves looking at Buck the same way he said he liked looking at Kim. If these aren't parallels that show Eddie has found everything he wants and needs in Buck, then the writers should be replaced because they wrote it like this.

Why are these things important?

They're important because for the entirety of season 7, the show has gone above and beyond to show viewers how Buck, Eddie and Chris are ALREADY a family. Additionally, their screentime also illustrates how Buck is already one of Chris' three parents and it began in 7x1.

The three pictures above show Buck, Eddie and Shannon sitting on the same spot of Chris' bed. Please note: this is not an illusion for Buddie Shippers, it's all right above in the photos and the show orchestrated this the same way they did Buck's and Kim's similarities.

Did the show do a good job of illustrating how Eddie wants to be with Buck instead of Kim? It's debatable especially for those who are CHOOSING not to see it but the intentions were crystal clear. Buck being face to face with Kim was INTENTIONAL and the show didn't do anything to deter the parallels and similarities between them, as a matter of fact, they highlighted them.

While Eddie and Kim were in the boat, he said, "Maybe I just like looking at you" but who has EDDIE ALWAYS GIVEN "HEART EYES" TO? BUCK!

Other than the pictures of Eddie and Shannon that Eddie keeps gazing at with longing, he rarely looked at Shannon with heart eyes.

The additional pictures below show how Buck and Kim mirror each other. When they're facing their birthmarks are on the same side. Also, Kim's even wearing a striped shirt which is reminiscent of the striped shirt Buck wore during the shooting but the differences are his stripes were vertical while hers were horizontal and her stripes are bolder/thicker. (Please note, she was wearing like three shirts/tops so it must have been intentional and her shirts were navy-blue and blue which is the same color as the Buckley-Diaz family color.)

Eddie loves everything about Buck and he loves him so much that he put him in his will and named him to be Chris' legal guardian. He gave Buck his heart years ago because he believes Buck wont break it like Shannon did. In 3x8, he told Bobby, Shannon broke Chris' heart (Eddie's heart) when she left but just like always, Eddie's choosing to see the good while ignoring all the bad stuff that was included in their relationship. She literally asked him for a divorce but after all these years, he's still searching for the perfect "woman" to fill Shannon's shoes when he already has everything he's searching for in Buck.

Some viewers think Eddie doesn't know he's in love with Buck but I beg to differ. I believe he does know but due to his religious beliefs, he won't allow himself to want him. Also, Buck believes Shannon will always be the person who blocks/prevents or stops him from being with Eddie since after all these years, Eddie hasn't moved on from her. However, Buck knows the truth about Eddie's relationship with Shannon because Eddie told him about it in 2x10 and it's evident Buck knows she abandoned them by the way he apologized to Eddie in 3x9 for abandoning him and Chris during the lawsuit.

The point of this post is to illustrate the way 9-1-1 allowed Buck to come face to face with Kim in an episode that's all about ashes. Also, the haunted look on his face (Shannon reappeared in Eddie's and Chris' lives in 2x7 Haunted) showed how Buck's not sure if he'll ever be able to be who Eddie wants since Eddie hasn't moved on from the woman he dated when he was 18 years old.

One good thing that happened in the $hitshow that's this raggedy ass storyline is, Kim/Shannon told Eddie he needs to "Let her go" and hopefully, he FINALLY WILL!

Before I end this post, I have to include my continued belief in my Buddie Crack Theory because there were even more things in 7x9 that furthered my belief in Buck still being in his coma dream. I haven't decided if I'll post the details yet because there are a lot of them and I don't want to do a long post, so I'll have to determine how I want to proceed with it.

[fernlessbastard]

ok so as a tntduoer i aggressively defend ctntduo to haters that rhey absolutely could have a healthy relationship and i dont need to explain y to U ofc but i also acknowledge that they were bad for each other in canon and it would take a lot of time for things to work

basically imo i see that quackity would be the "vampire" in the duo for sucking the relationship dry initially. quackity had the worst most bloodsucking relationship with schlatt and then felt like karlnap didn't care and think and remember abt him enough.

with his rivalry with wilbur he'd absolutely lash out at any chemistry and infatuation they have initially, bc he'd want any new attempt at a relationship (especially with wilbur) to have the other person prove themselves worthy by being willing to sacrifice everything for cq like quackity had in his past relationships (see: cquackity proposing wilbur becomes his vice president, a mirror to his relationship with schlatt) he'd repeat patterns by schlatt repeatedly convincing himself that it's a defense bc wilbur was a man of power like schlatt too- who rlly did spit at the mere suggestion of being a vice president- i know it's canon that he's a mimicry of all those who have harmed him n the server in the past but god is the reflection with his relationship with wilbur neat.

oh there's definitely lots of parallels between tnt duo and Q's past relationship

both these bitches need constant reassurance ngl they're very mentally ill - Q would definitely push Wilbur to see if he actually cares about him (not just his ass/hj), but also Wilbur definitely would "act out" and be insufferable as a desperate, silent cry for reassurance that he is in fact loved and he isn't too much

idk i think there's a case to be made for either of them initially being a "vampire" in the relationship, so I'd say it's probably mutual, fluctuating depending on the day or hour

THAT BEING SAID they have a type of relationship where they definitely would stick together despite all that - they're like, literally obsessed with each other, and they're the closest to a safe space for one another - and i do think they'd just almost accidentally end up developing a pretty healthy (if you ignore codependency lmao) relationship over time purely cause they just cling to each other and actually care

[jeankirsteinsgrlfrnd]

Their reaction to reader having the exact same personality as them

the aot men when they realize you're just like them

eren jaeger finds you high-strung on most days but there are days where you two get along. he never realized how alike you two were until mikasa had pointed it one day. he insists he doesn't see it but he wonders if maybe that's the reason you bash heads so much.

armin arlert finds being around you incredibly peaceful. he enjoys your company over eren's and mikasa's, which is incredibly surprising to him. armin likes talking about everything and anything with you. his friends are glad he's found someone just like him.

connie springer and you...it's like an unstoppable force met an unmovable object. he thinks you're the funniest person on the planet, besides himself. he calls you his 'mini-me.'

jean kirstein thinks you're an angel. he thinks that you're smart, strong, and confident which are all traits he sees in himself. he wants you on his team for anything. there are days you two go at each others throat but you always end up making up a few days later.

reiner braun basically fell in love with you. he thinks very highly of himself so, of course, when you come along, he's immediately taken by you. he does have a few mixed feelings towards you and isn't quite sure just how to navigate them.

bertholdt hoover doesn't notice the similarities between you two. he just knows he enjoys your presence. you two don't ever butt heads because of your gentle natures. you enjoy parallel play.

levi ackerman just adores you. despite having the same personalities, he finds you to be a better person than he is. you, being his mirror, help him understand that he is deserving of love. he truly has a deep affection for you.

erwin smith's the type to take advantage of the traits you have. both in a good and bad way. he thinks you're strong, brave and a perfect soldier. in canon-verse, you'd be his favorite soldier, right next to levi. ultimately, i fear he'd lead you to your death.

zeke jaeger makes you his new best friend. he finds you incredibly interesting which isn't that surprising considering he impresses himself everyday. he likes taking walks with you and having intellectual conversation. he calls you his best comrade but i think there's always room for a potential romance.

porco galliard doesn't really care one way or another. he thinks you're alright as a person. he treats you the same as he does everyone else.

my jean fanfic

my ko-fi