anyone else have multiple traumatic memories associated specifically with holidays/family vacations? because that is a topic I never see discussed in all the So You Had A Shitty Childhood, Now What? self-help books i've been reading. but for me, it was a significant thing. and the more i think about it the more it seems like this would be an (unfortunately) common experience. would be grateful to hear if this matches other peoples' experiences...
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listen i don't think edward little was actually a bad first lieutenant. when we see him in the first episode he's calm and confident. he does not say much but he's amiable enough. crozier likes him, and i don't think crozier would like anyone he doesn't think capable in some way. generally he's dependable and knows what he's doing. however unfortunately for edward he has these qualities because he has a major case of eldest daughter syndrome, which means he both wants to please his mum (crozier) and has an overdeveloped sense of responsibility for his younger siblings (crew), so when they get stuck in the ice and crozier starts going (more) alcoholic, he enables his mum bc he doesn't want to disappoint her even if he doesn't agree with her, and he has to pick up the tasks and care for his siblings she's not doing, but he can't let his siblings know about their mum's situation because they'll get worried and restless. and like a true eldest daughter he has to bear the brunt of mummy's anger for being a disappointment but he also doesn't want to seek refuge with the man she divorced (fitzjames) because that feels like a betrayal. also while this is going on there is a giant bear who hunts his siblings for sport so they're dying left and right and also a changeling master manipulator who's making his siblings mad at their mum and who wants to fuck said mum before eating her like some sort of praying mantis. anyway i think i would start being miserable and anxious too.
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there is something just so amazing about jason coming back to life, seeing how the world remembered him and hating it. coming back to life and telling the people who loved him that they grieved him wrong. people worry if they’re doing the right thing x person would’ve wanted them to after they died, but no one has ever experienced something like that.
someone who you loved and mourned and who loved you back came back and was disgusted by what grief made of you. they didn’t want anything to do with you. how do you deal with the loss of someone you loved a second time around when they’re standing right in front of your eyes, breathing and alive again?
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Thinking about Jason's outward expression of emotions. He tends to only get angry as a response to perceived injustice (the same way Bruce, Dick and most of the others do). But unlike some other characters, Jason rarely every gets wound up in it, nor does he get angry even when he sees injustice if the situation doesn't call for it. Some characters get angry first and then manage their response to whatever's more appropriate, but my interpretation has always been than Jason doesn't need to because he doesn't often begin with the rage. It's not a default, instinctual response for him in most situations. It seems to be that he becomes angry when there is a perpetrator (and specifically, of a crime that hurt people with less power than the perpetrator has, in some way) towards whom he can direct that righteous anger (righteous as in the cause is his drive for justice. I'm not discussing the rightfulness right now). Can he hurt the man who was about to hurt a woman enough that he doesn't dare to try imposing his power over another woman again? Can he do something, anything to stop a serial rapist who has already caused the suicide of at least one woman? But he doesn't possess the sort of blinding anger that could become a driving motivator for his actions outside of someone in front of him to punish. He doesn't need the anger (mostly because he will instead fixate on the crime without rage to fuel him).
The notable exception to this being his behaviour preceding his death (which is explicitly referred to as atypical for Jason by both Bruce and Alfred. The whole reason he's forced to take a break from Robin is because that anger is so unusual for Jason that Bruce and Alfred are worried about Jason's mental wellbeing).
We see in Lost Days that Jason’s default state has become (to the concern of Talia and Ra’s) seemingly unfeeling, and he shows signs of a persistent flat affect throughout Lost Days, with exceptions for when he sees injustice (which is responsive, as compared to the aloofness he uses as a constant state of defence -> see: his and Talia’s conversation after he killed for the first time, Talia being glad that his sense of empathy and justice were able to overcome his general coldness). Jason's aloofness was entirely a conscious defence, but at times he was consciously exercising it (his reaction to Tim in front of Talia vs alone).
We see him cry for himself a few times, which tends to be how Jason first reacts to what hurts him deeply. Then there's his cold hatred for Bruce, which can be taken as anger in the face of heartbreak and perceived betrayal. But that anger never goes very far: Jason couldn't even make himself blow up the batmobile. In the end, it's Jason's belief that he hates Bruce and must make demands of Bruce to force him to redeem himself in Jason's esteem that fuels him. Because Jason wants Bruce to redeem himself, even if it's unlikely that he will.
All throughout Lost Days and UTRH, Jason uses teasing/biting humour in a very Robin manner to direct attention to whatever he pleases, whether that be pulling attention away from vulnerabilities or drawing attention to distortions of the truth. This habit returns to Jason strongly around times when he breaks out of his apathetic state (when he’s killing people who hurt others, pretty much), but the undertones of coldness and derision even with that humour don’t leave. We can see in this habit especially how Jason's become a distortion of who he was as Robin. He's still witty and he still teases people and you can hear the humour in his voice. But now he's using that wit to say cruel things to Batman, deceiving him constantly, and his voice no longer has a youthful kindness to it.
One of the most Helena-esque character traits that Jason’s picked up (in fanon and reboot canon) is anger as an initial defence and reaction, actually. It’s nearly the opposite of Jason’s pre-flashpoint defensive state but is essential to Helena’s. It’s actually not surprising that this happened (even ignoring reboot kicking Jason’s character into a closet and superimposing much of Helena onto him) because of how DC pushed “angry” as Jason’s defining trait, and how fans have believed it for so long. It seems almost natural for a misconception this severe to happen, even in the face of evidence to the contrary, because every action of Jason’s is misconstrued as proof for an angry temperament.
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I'm having incoherent thoughts about clone danny again from the clone/clone^2 au (when am I not?) but more specifically I'm thinking about his reaction to finding out he's a clone. The standalone clone au digs into that a little more than clone^2, which is more focused on Danny and Damian's relationship. But neither (so far) really get into Danny's issues about finding out he's a clone after 15 years of thinking he wasn't.
Because he resents his parents for not telling him for so long. He resents the way he found out; through a trivial school project rather than a sit-down talk. He resents the fact that, apparently, they had meant to tell him sooner. But forgot. He resents the fact that they never told him because finding out feels like something was stolen from him when it had the chance to not be.
Danny Fenton, just fifteen, cloned not even half a year ago, knows what that personal violation of autonomy feels like. He knows what it's like to be cloned and while he loves Ellie, he does, she's his sister, and in this au his twin. But he is still left with that feeling of unsafety after realizing he'd been cloned. Being cloned is violating. The onset realization that it's so easy to get DNA without the other party noticing, and that what was stopping someone from trying to clone him again?
Followed only after with the rest of the inexplainable mix of feelings of being cloned, the rest of that inner conflict and panic that's an ugly mocktail of emotions that range from horror to fear. Trying to imagine what it's like to be cloned from the cloned party, and I imagine that it leaves you with the feeling of needing to crawl out of your own skin with discomfort.
And then he gets put on the other side of it. Danny Fenton, only fifteen, was cloned not even half a year ago, finding out he is a clone. And reactions, I imagine, can vary from person to person. But to him, it feels like something got stolen from him, like someone took a hole puncher and stuck it right into his chest and stole a chunk of himself from him.
It changes nothing about him and yet it changes everything. It's a betrayal on it's own to just find out he was a clone and they didn't tell him for fifteen years -- it shouldn't mean anything, because he's still Danny, and yet it means everything. It's him, it's him, it's about him. It's his personhood. It's about the fact that a load-bearing rock in his identity just crumbled beneath his feet and now there's a rockslide.
Because then he finds out that they used the wrong DNA. Its like pouring salt in an open wound. He's not even related to his parents or his sister, when for years he thought he was. It's the fact that pieces of his identity that he's been so secure in for so long just got ripped away from him in an instant. Then they tell him -- only through his own horrified prompting -- that the person whose DNA they used -- Bruce Wayne -- didn't even know he existed. That they accidentally used the wrong DNA, then didn't tell the person whose DNA they used.
The betrayal of being lied to for years turns really quickly into horror at his own existence. Something very similar to the horror he felt at being cloned and the skin-crawling discomfort that made him feel like his own skin wasn't really his. And then its not. It's actually not. Nothing but his own name feels like it belongs to him anymore -- not his hair, not his eyes, not his heart or his lungs, nothing feels like his anymore and he didn't know what that felt like until it was gone.
It's a question of Nature Vs. Nurture -- where does the line of "nature" begin and where does the line of "nurture" end? What of him is actually his? What of him is Bruce Wayne's? It's not logical, it's not supposed to be. It's a load-bearing wall on the house of his identity being destroyed and now everything else is caving down in on him. What belongs to Danny, what belongs to Bruce Wayne?
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just a little tip for fellow autistics: if a doctor asks “can you do x?” what they really mean is “can you do x without pain?”
Generally, if you just say “yes i can do that” they will assume you can do that thing painlessly and without issue at all times. you need to clarify “i can but it hurts a lot” or “i can only do this sometimes when x and y” etc.
They will also generally assume you won’t do things if they hurt too much, but a lot of us deal with pain very differently than an allistic person might. Even if some pain doesn’t stop you from doing something, you should still tell them you have it, it still “counts.” If you are not visibly (to them) showing signs of pain, they will almost always assume you don’t have any and you need to tell them otherwise.
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goodmorning
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:flips table:
:stomps on the table until it's broken:
:points at Fyodor:
Y O U.
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anyways i do think analysis of the sexism that steph faced in 90s and early 00s comics and highlighting comparison of her treatment with that of tim's as a result of the sexism inherent in the writing by the writers is important & i've done it myself.
however. however. hm. despite this, i do think it's important to remember that by *limiting* it to a 1:1 comparison of stephanie's chances to tim's, of *course* steph is going to come out on bottom & a lot of that has less to do with sexism than one would think (it does definitely have *some* to do with sexism, i won't deny it). because the problem is that steph is a *side* character. a very important one, mind you. and dixon was doing his damndest post NML to try and elevate her to a main/core character. but she has been, since her very inception, a side character. and it's that, more than anything, that truly stymies her character chances. if the third robin had, by chance, been a female character and steph had been introduced/created to foil off her, steph *still* would have come out on bottom. if the third robin had been lonnie and steph had still been created, steph would have come out on bottom. steph coming out on bottom has suprisingly little to do with tim doing well. tim does well & is given endless chances because he's a main character. steph doesn't because she's a side character in that era. if there were a 'spoiler' title written by dixon that was allowed to make her a main character, he absolutely would have had her do well & become one of the best fighters in the dcu, of course he would have. it's why he wanted to make her robin, and not just that, an absolutely amazing robin. but since dc didn't want to elevate her to main character at the time, a side character she remained. and side characters. hm. i get it. it can be tough to like side character because you want the world for them! but in the end, side character are going to be treated as side characters.
so like. if you really want to interrogate steph as a female character of the 90s it's important to compare her not just to the male main character of the work she's in, but also to the treatment of other female characters *in her position of being a side character* at the time when evaluating whether she was treated fairly as a character. was she treated with more care and thoughtfulness to her characterization than other side female characters in the 90s? was her characterization unique to her and consistent? was she the token girl or are there other girls in the narrative? did it seem like the writer cared about her as a person? was she allowed to have interiority? was she allowed to be *more* than just a love interest? was she allowed to have meaningful and complex relationships outside the love interest? she made a lot of mistakes, but was she ditzy or airheaded or dumb? there's so much sexism surrounding steph's treatment, yes. but for a 90s female side character she makes out like a bandit on so many levels, even if she's never allowed to be as good as everyone else. idk.
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incredibly low quality Anaya appreciation post bc i think he’s adorable.
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I feel bad for Starlo.
Star has a point, idk what the four were ticked off about, there is like 99% chance everyone willingly participated in the trolley problem, based on what we've seen of his behavior thus far it's not like Starlo to be that big of a jerk/drag them by force/yell at them to do it. Ed's words:
he does it because Star asks NICELY
clearly jealous
It genuinely seemed like a fun time/fun roleplay, especially since every day is the same. Like, the five are supposed to be a rowdy and adventures bunch, what exactly did Starlo do wrong, I'm genuinely confused and curious. Except taking a big liking in Clover (his posse should know that this is a big moment for him, according to Blackjack they've known each other since high school and had the same liking for westerns. So they were basically a nerd gang.) Starlo was kind, patient and considerate towards Clover the whole time, even warned Mooch about them not being bandits, taught Clover gun safety, wanted to bring his posse along for a fun time, thanked Ace for telling him about getting Clover a new hat...
Sure, at first he only liked Clover for being a human, but as Ceroba says, that changed and he grew to genuinely care about them, plus I can't help but think Star saw himself in Clover and that's part of the reason he was so proud of them all the time even when they messed up (I'll talk more about this at some point)
What exactly made Ace want to leave the gang? He even said how he doesn't mind "getting run over by the fake train"
he's so nice. says sorry for forgetting the safety goggles even when he was scatterbrained due to his excitement. I love him so much
The only real "faults" (I'll call them temporary faults) I saw in Star during the Wild East section was that he was even more enthusiastic and more proud than usual. But how couldn't he be when he met a member of the species that he has admired for so long because they have real cowboys and sheriffs on the surface (who are seen as brave heroes who deliver justice, while Star canonically feels like a nobody farmer). His posse should have realized Clover wouldn't be there forever and just let their boss enjoy himself with his "deputy who'd have to leave sooner or later anyway"(or be more patient with him/ask him why he feels this strongly towards Clover/if there's a deeper reason for that). His friends including Ceroba just turn their back on him so quickly instead. The moment he's gotten the chance to feel valued for once and put himself first and not have to take care of this whole town and everyone in it and live his dream of meeting a real human, suddenly "his personality is damaged?"
Star's literally built this whole town, organised everything, he worries about everyone, Ceroba (plus was the one to give her emotional strength before and after Clover's sacrifice), Kanako, the monsters, his family, struggles with feelings of worthlessness yet never wipes that smile off his face, always does his best to be hopeful and optimistic and make others laugh, gave his posse a nap time so they don't become exhausted, gave Ceroba a free home, didn't act upon his feelings towards her and was a 110% supportive, caring friend instead. THAT'S who he is. He's the papa bear of this friend group, the glue holding everyone together.
He was just *really* excited. Y'all know he's insecure and just wishes to escape who he is and yet y'all blame him for liking Clover so much. Yeah, the four are very clearly jealous. But why won't the four of you control your feelings for a while? As mentioned, Clover WILL HAVE TO LEAVE EVENTUALLY. They won't be Star's "deputy" forever (the kid who's just as into westerns as he is, who values justice just as much, who also values doing the right thing. Someone he clearly felt understood in the presence of, whom he loved; just look at the way he talks about Clove during Showdown). Star seems genuinely confused of what he did wrong poor guy just wanted to live his fantasy for once and feel important:
Even at the beginning Moray's like "oh no Martlet is upset" Mooch replies "don't be a buzzkill nothing exciting ever happens around here" and Ray's like "Yeah you've got a point"
If you all agreed to have a little fun with a human who will very soon leave forever why is Starlo's enthusiasm such a big problem? If the posse weren't into this after all (unless they were simply too jealous which could have been solved with a honest talk and a little patience) why are you doing this "rowdy" job with Star in the first place? Do you want your boring routine day to day life so much back? Or just for Clover to leave (which they will soon enough)? You, western enthusiasts, literally met a real human, A HUMAN FROM WESTERNS YOU ARE SUPPOSED TO BE PASSIONATELY INTO (clearly not as passionate as Star but passionate ENOUGH to understand where he's coming from).
... okay.
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sorry for liking davejade in 2023 btw its in a cool way though
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bylers when over 350k people don’t have the exact same thoughts and opinions as them
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