#because I think a lot of that is coincidence

[not-poignant]

I was surprised to hear that Ice Plague is a lesser read story from you! It’s one of my favorites and something I re-read often. I treasure that little family. I’ve never loved these particular characters more, they’re all my favorite versions of them. It’s such a beautiful and brilliantly plotted book!

Oh thank you anon!!

Tbh I think there were a few things working against it:

It came at the end of an already long series and there's more drop off the longer a series goes for, because it can only keep the people reading it, and doesn't attract new readers (though it attracted a few who didn't like Gwyn/Augus!)

A lot of people just didn't want to leave Gwyn/Augus behind and/or didn't like Mosk/Eran (I learned my lesson there)

It was actually written a lot more like a book series because I was writing them with a view to publishing down the track, which means of the whole Fae Tales Verse series, The Ice Plague is the one most ready to go directly to paperback/hardback etc. But I actually think that style of like epic fantasy storytelling is a bit less compatible with AO3 serials.

I wrote less cliffhangers. I now write a lot more cliffhangers (for all people hate them, they just do create more connection to a story as long as they're breaks and it's not constant).

I still love The Ice Plague. At the time I got really disheartened with it, and then I reread it and I was like 'wait this is fucking good though???' - I also think this and the final epilogue give Gwyn and Augus the happiest ending they could ever hope for.

In terms of writing quality, it's the story I'd publish first in the Fae Tales Verse even if it's out of order. It was the thing that was like 'shit, I can do this, and I can do this pretty well actually.' But I didn't know that at the time, because I was watching like... every metric of engagement dwindling over the years.

I'm afraid of this happening again with Underline the Red and Underline the Silver, but...I'll just have to suck it up and figure it out if it does happen! And in the meantime, I don't regret writing those stories, I'm just sad that it all fell out the way that it did. There are some of us who really love TIP, and I toast to like all of you, because whether you found it during the series or after the series, it's kept me going! <333

[mattscoquette]

people are claiming you copied rose in your newest fic :/

i’m saying this once here and one time only. this is absolutely no disrespect towards rose, or any other writer recently who has had their work copied. however, i feel like it’s unfair to go around claiming people are “stealing” and “copying” peoples fics when sometimes it’s just a plain coincidence. just because one person made a fic and another person used the same idea does not mean they copied it at all. not everyone on tumblr sees these people’s fics. especially with how long fanfiction has been a thing, most of the ideas, tropes, storylines, etc. used on the sturniolo side of tumblr have been around a while.

with that being said, i didn’t copy rose’s fic. i didn’t know she even wrote anything about the reader having an eating disorder. just because someone did it after her does not mean they got the idea from her. if i ever have been inspired by a post, fic, or anything, i always will credit the person. i don’t like to be involved in drama on this app, i come on here to write my silly little stories and talk about the triplets. i don’t want people going around accusing me of stealing peoples ideas or fics when i truthfully had no inspiration from them at all. i don’t think it’s okay to copy people’s ideas, but everyone needs a reminder there are a lot of people on this app and not everyone interacts with the same accounts. if two people posted similar fics, there is a chance that it was a simple coincidence. there are really only so many plot lines to go around before the same stuff gets used over and over again.

i really don’t want any trouble with anyone. i’m only posting this so people will stop talking about it because multiple people have brought it to my attention. again, i don’t think it’s fair to anyone to get their ideas and work copied and stolen, however not everyone who writes fics w the same concept are necessarily copying.

[atamascolily]

Sometimes I forget that Madoka's magical girl bow is literally a rose, and that we see it sprout and grow into its final form in its first appearance.

Homura also gets a bow in this episode, which I have always interpreted as the manifestation of her wish to remember Madoka's existence (since her old wish was rendered invalid by Madoka's becoming an eternal concept), thus becoming "Bowmura Akemi". However, it's not until it manifests in Rebellion that we see it isn't merely evocative of Madoka's bow, but its mirror.

Is the height difference between the bows significant here? I have no idea. Ditto for Madoka's bow being in bud while Homura's is in full flower.

Okay. So you remember Walpurgisnacht's trees, right? Those weird things that are mostly in the background and which are never directly commented upon or explained, but which are juxtaposed with Homura an awful lot? There's a common trope in myth, literature, and fairy tales about planting a staff into a ground and having it grow and magically turn into a tree, and now I'm wondering, Is this where Walpurgisnacht's trees come from? Because what is a bow but a curved wooden staff tied to a string....?

And yes, the bow is a rose bow (or a black rose bow), and the trees are almost certainly cherry trees, so the botany gets a little mixed, but it probably doesn't matter since a) magic and/or metaphor, and b) Madoka is associated with both pink roses and pink cherry blossoms, just like Homura is associated with black roses and bare branches, so the symbolism still works out.

This is all highly speculative, and I have no idea if this is where SHAFT is going or if it's just a coincidence, but I can't look at the bow anymore without wondering what would happen if someone stuck it in the ground, and what it might become. Especially since we may end up seeing that bow again in Walpurgis no Kaiten.

Meanwhile, back in Rebellion, Homura and Madoka appear to be doing some kind of Connect (or proto-Connect, since the Magia Record concept hadn't been fully developed yet) akin to Madoka and Mami's Tiro Duet attack earlier in the film. What's interesting about this shot is that there's no sign of black roses anywhere, which is not how Connect usually manifests in Magia Record, where the nature of the fusion is more obvious (i.e., Kyouko's spear + Iroha's crossbow becomes a giant crossbow that fires spears instead of arrows in the MR anime), but which may symbolize how Homura "blooms" in Madoka's presence.

In addition, the bow is now huge and I think it's not only what they're holding in their hands, but also the entire structure that's supporting them (which has wings!!) because you can see two sets of purple and pink jewels on either side. Maybe it's just me, but the "branches" of the structure are awfully tree-like and I can see what might be a few leafy shoots by their feet.

Also, they appear to be standing in the canopy of the cherry tree that has blossomed in Homulilly's skull with no transition whatsoever, which is why the background is abruptly pink. Which raises a question I had never considered before: is their combined bow the cherry tree itself (or a part of it)??? Is that what's happening here??

And if that's truly the case, then maybe my earlier thought about Homura's black bow somehow becoming one of Walpurgisnacht's trees isn't so far off base after all...

[spaceorphan18]

In defense of Season 2 Polin

@somedayillbepeterpan I hope you don't mind, I'm responding to your post, but also making one of my own, because I'm diatribing a bit.

I think -- season 3 makes way more sense after watching season 2. I mean - I enjoyed season 3 without remembering anything from Season 3, but I think Colin's story, in particular, works a lot better with the foundation that Season 2 gives it. Because it's there. (Did I want more of it in season 3 -- yes, yes I always want more, but they had limitations.)

But I mean, Pen and Colin's friendship is solidified in Season 2, in a way that it wasn't in Season 1. Season 1 they had a connection, yes, but it was a lot more like the book(s). There's a distant familiarity there. There's a kindness and respect there. But Season 2 really dug into the friendship, and thus a friends to lovers story. The fact that Pen wrote Colin while he traveled? Huge thing (that wasn't in the books). The fact that they discussed their life ambitions? The fact that they showed character growth in both their individual story arcs? All of this is the foundation for Season 3. Season 3 doesn't work without Season 2.

And it's one reason I really, really love their story because it's not - bam, struck by lightning, now we're in love. It's an evolution. The characters have spent time developing together and on their own. They've grown and matured and had experiences and have learned from those experiences. They've developed a relationship that's built around more than sexual arousal but eventually managed to figure out those romantic feelings on top of the friendship ones.

There's a complexity and multi-faceted story there that is working on a lot of different levels. And Season 2 just does so well to portray that. And honestly, I'm looking forward to Season 4, because we'll get to see a different side to these characters in a post-center piece world. Their romance didn't start in season 3, and it doesn't stop in season 3 either. Something that is unique to just them is that they'll (most likely) get the opportunity to have their story shared over a multitude of seasons. Because (and I mean no disrespect when I say this - the other romances are unique to those stories) their story is not just one story, but does what TV shows do best, and is an arc where the characters have been growing and developing since day one, and will continue to do so until the show ends or Nicola Coughlan pronounces she's done (and hopefully the two will coincide.)

[cumaeansibyl]

The Substance

short version: five out of five stars, I had so much fun, for God's sake read the CWs. there are so many needles in this.

further thoughts: I think the viciousness of this movie rests on Elisabeth (Demi Moore) having built her career on promoting the very same unattainable beauty standards that she finds herself in conflict with. It's no coincidence that she's not just an actress, she's a celebrity fitness instructor. Going on TV every morning to tell us all that our bodies aren't good enough. She threw her lot in whole-heartedly with the beauty merchants, she preened and profited, and then she was shocked -- shocked! -- when they inevitably, predictably turned on her.

It's also telling that once she's injected the titular Substance and generated a new, young, beautiful version of herself, what does she do? She goes right back to the same business as before. Being sexier, fitter, more desirable than anyone else. Telling everyone their bodies still aren't good enough. Well, why not? Even her own body wasn't good enough for her anymore.

Coralie Fargeat has zero fucking sympathy for her and I feel the same. Oh, is it hard now? Is it alienating and dehumanizing and humiliating? Did you never bother developing yourself as a person because you were too busy peddling feminine oppression for Dennis Quaid, of all people? Fuck you! Suffer harder! You are complicit!

I would love to know how this lands for conventionally attractive women -- I never put in a sustained effort of this kind because it was made quite clear to me from a young age that the "right" kind of beauty would not be available to me. That comes with its own pain and its own fantasies about a "perfect" version of myself, but I suspect it's a different set.

I also wonder what trans women think of it, because while it's a very cis woman story (in that Elisabeth has always been a conventionally attractive girl and woman) it's also like... about transforming into a more desirable version of yourself, which, come on.

Finally, I feel like there's some disability commentary to be had in here, though that's not a subject I'm well versed in. I did find myself thinking, from time to time, that to many people it would be very tempting to have a body with no pain, a body that always moved easily and performed all its functions with no trouble. Even if only sometimes.

[twelvedaysinaugust]

to be honest i think even if they weren’t together this kind of marketing would still happen. their teams know larries are a huge part of their fanbase and appealing to them is very beneficial from a finance pov.//

Was there a time in the past where Larries were almost going away? Maybe 2018ish? I think the number of Larries rose from the pandemic on and especially last year. I see a lot of people saying, I'm new here.

If you found out Harry and Louis weren't together anymore, but still used Larry for marketing what would you think and feel? I feel confused about it, but I don't think I would be surprised.

There is a lot of coincidences between them. Most of it could be attributed to marketing and therefore wouldn't feel personal to Harry or Louis, but some small bits are done directly by them. If they aren't together, that must feel weird and I would think would get increasingly weird the longer it goes on.

Maybe I'm too cynical. I try to talk myself out of Larry being together all the time and something happens and I'll be right back in it. Maybe it's like that for them too. Like you said, human relationships are messy.

I don’t think I’d be terribly surprised if I found out they weren’t together but still used Larry for marketing. I mean, I do have all sorts of complicated feelings about this. On the one hand, I totally empathize with Harry and Louis resenting Larries, whether they’re together or not. And tbh sometimes I feel like that, too, and I’m not even them. On the other hand, I do think it’s kind of hypocritical to say it’s bothersome and disrespectful and then play around with it (and allow their teams to play around with it). And on the same note, it’s also my observation that a lot of Larries are (often times) young queer and closeted people themselves for whom the story resonates. And… eh. It kind of doesn’t sit right with me overall.

Now, I’m very content with the possibility that Harry and Louis’ relationship and their feelings about the fandom around it are very messy. And that, for me, feels like the best way to navigate fandom.

[feroluce]

Had the cutest realization last night- so there's a saying we have in English meaning to get something done by any means necessary. It specifically includes dishonest methods, such as violence or lying. So when you're willing to resort to that kind of thing to achieve your goals, you say you're going to do something

"by hook or by crook"

[st4rstudent]

i'll bring these out to the public actually

[heyclickadee]

Slightly unhinged Tech theories brought to you by:

1. How stupidly open Star Wars canon is.

2. An extremely stubborn form of optimism.

3. That red herrings only work if the real answer is more satisfying than the distraction, and the fact is that not only did we not get any answer AT ALL, but no one involved will actually straight up say it was a misdirect or what we were being misdirected from or even acknowledge there being any direction at all, meaning it was either the world’s most badly executed red herring, or it wasn’t a red herring at all/we just don’t have the actual answer yet.

4. The fact that Tech isn’t a real person, he’s an idea, meaning I don’t have to accept jack shit. Especially when canon has done so little to actually convince me he’s gone for good and it’s so markedly different than every other loss in the show.

[zefforuins]

Batman (1940) #426 // Batman: Arkham Knight (2015) - Arkham Knight Audio File #2 // Batman (1940) #650

[retributory]

when you think about it clive and flora are actually perfect narrative foils on complete accident. like what's up with that. professor layton and the completely imagined literary devices

[valyrfia]

no actually ur so right. as someone who have been in primarily mlm fandom spaces as an afab person the rampant feminization that goes on with charles especially is crazy. ive been pretty public on my dislike of this characterization if charles because of like exactly what you said (which is excluding my own experience being feminized and treated poorly because of my more masculine gender expression). it makes me pretty uncomfortable to see this in specifically fandom spaces and incredibly uncomfortable so see outside if those places.

just to add, im not against feminization (i actually enjoy it a lot when its like niche kink stuff) but the way it is in formula 1 rpf is unlike anything else ive seen in other fandoms.

I agree, it is CRAZY to see how this has somehow become the default characterisation. I agree with your not being against feminisation as an entire concept and when done well it's fun but rather just....why does it seem to be the default? It's bizarre. On a note that I'm sure is entirely unrelated, someone pointed out to me the other day that (although a small valiant group of us are trying to change it) F/M genderbend is far more common than F/F genderbend in F1 RPF....I'm just going to leave that stat there and you can make your own conclusions but considering I got this anon when I posted only F/F Lestappen stuff for a couple of days like two months ago....

Yeah, it's a little disheartening and is part of the reason why I think I'm so anti the feminisation of Charles as a default characterisation. Fanfiction can be whatever you want it to be, but it has always been a queer space but I've seen it time and time again that when a queer ship becomes popular, people are more desperate to consume it within a hetnorm structure. I haven't just seen it with F1 RPF, there's been a big rise of this over the past half a decade or so which I think is due to the consumption of mlm content becoming widely accepted amongst gen z, but in a way that almost straightwashes queer relationships. I remember when RWRB came out and I watched it when I was home for a bit in the summer with a group of girls I knew from high school as part of an effort to be social, and it was so bizarre. Not only did I witness first hand them obsessively rewinding to watch the kiss and the sex scenes, while exclaiming "that's so hot", but they were obsessed with trying to guess which of them would top and which of them would bottom, and for me most damningly, I made a throwaway comment about Uma Thurman in a suit being very hot (tame compared to what they were saying) and I was met with silence and weird sideways looks or a retort of "Alex in a suit is so hot!". It was a little bit of a humbling experience, to see them root for LGBT acceptance for the hot characters on the screen but be blatantly uncomfortable by actual queer expression in their presence.

I'll be honest I've experienced similar things when I talk about F1, and I think that that's because F1 as a fandom space has really exploded in growth in the past couple of years and thus the newer mlm ships within it, especially the popular ones like Carlando and Lestappen, have been subject to this straightwashing more strongly than other older fandom spaces.

As you said I have zero issue with it when it's a conscious choice on the behalf of the creator, but when it becomes the 'norm' within fanon and people complain when roles are reversed, well, it really rubs me the wrong way. I'm interested to hear your continued thoughts if you have them!

[its-ezraaa]

Mom, can we have the next Fence volume?

No, we have the next Fence volume at home.

[lloydfrontera]

i think it fucks immensely that bk moon went out of his way to 1) establish rakiel wished to live a long life and eventually pass away of old age, 2) have him very briefly envy an immortal being only to be told very clearly to be careful what he wishes for by that very same person because living forever isn't all it's cracked up to be, 3) make the main antagonist be another immortal being who is so desperate to die he's willing to destroy the universe just to finally rest and 4) have said antagonist psychologically torture rakiel with the threat of making him live for a thousand years as everyone he loves and knows eventually grows old and dies and becomes nothing but forgotten memories.

only to then end the novel by making rakiel also immortal

like. god. it's so fucking good i love it. i'm not being sarcastic i genuinely think it fucks and it's one of the best ways bk moon could've wrapped up the plot.

it's a happy ending by all means but it has consequences and through the entire novel we've been shown and told over and over again just how heavy the consequences are and/or will be on rakiel.

he got his happy ending but it was at a price and by the last time we see him he's only just starting to pay for it.

it's great i love it

[aroandawkward]

It feels kind of magical to happen across other aspecs in the wild. Once I heard a friend of a friend talk about aesthetic attraction so I tentatively asked if she was aspec and her face lit up with a "Yes!" Another time I was chatting with someone that I'd sat next to in the first lecture of a new course and (because they were talking about queer stuff) I mentioned that I was aroace and they exclaimed "No way - me too! I've never met another one!" and we were both so excited. Even just learning through the grapevine that an acquaintance (e.g. a family friend I played with when we were kids, and a girl I was in a writing group with six years ago) is ace and/or aro makes me feel so warm and happy. It reminds me I'm not alone. It reminds me that other aspecs don't just live on the internet. They are out there in the world, living their own full and rich lives.

[volfoss]

it is beyond infuriating how anne rice seems to insist on marius being a positive force in anyone's life ever. like she can't fully commit to exploring the fact he groomed armand and has repeatedly taken away his consent for what marius thinks is best (take the end of TVA as an example) and just kind of flatly puts it in the narrative. there's not really much interest in how these horrific events make marius come across as the worst because EVERYONE loves him. for gods sake, lestat learns from armand exactly what marius did to him in TVL and then proceeds to go find marius and be super friendly to him in the same fucking book. even armand and pandora, two of the people who have MORE than enough right to hate him, do not. it doesnt feel like shes trying to explore the toxicity of the abusive dynamic he traps them in, it just is there. and like yeah ofc the toxic vampire romance series but i think that this should be handled with more care. and it is not ever really framed in a way that she is interested in exploring how marius should easily be one of the most horrific characters in this series because it kind of feels like sa/rape/grooming/other things of that sort are just put there to further plot and not to really get the respect that they deserve in a medium.