#because it might make sense from this one clip

[ghostdiva]

ok so the new trailer for episode 3 just dropped. big hype. here are some theory's, notes, and observations.

also I took a lot of screenshots...

anyway here we go.

so the adventure is set to be "The Mystery of Mildenhall Manor". Now, I do think that Caine is gonna be the quest giver this time, sending the gang to find something inside the spooky, probably haunted manor.

small guess is that they gotta find Matilda, one of the ghosts haunting the manor, and trap her in a vacuum. idk why, it's literally just a hunch.

Jax also takes a moment to harass Pomni with a vacuum, which just makes me think of Luigi's Mansion.

anyway, the gang (minus Zooble) are gonna go in the manor and try to find whatever they're looking for, and either by agreement or random set of events, the gang is gonna split up, Pomni and Kinger being paired up. I don't really know if Ragatha, Gangle, and Jax stick together or not, as they're not really shown much in the trailer.

I am inclined to believe it is a set of events that separates the gang tho.

it's the one of the reasons I can think of that'd make Pomni climb on the door like that.

I mean... outside of the very spooky decorum.....

which Pomni has a pretty reasonable reaction to

btw, I fucking love Pomni's cartoon physics with the squash and stretch rubber-hose animation. it's so expressive and fun to watch.

anyway, it seems Caine is determined to have Zooble go on adventures. so he literally sits them down and tries to therapize them.

though with Caine being an AI with very little knowledge of how the human mind works, this goes predictably horribly.

I imagine Zooble tries on some level to convey to Caine the ludicrousness of their situation. stuck in a digital world getting repeatedly traumatized by meaningless adventures that seem to do more harm than good. though I get the feeling Caine would miss the point, leading Zooble to correct him, and/or get upset at him for not understanding. watching this verbal fight happen between these 2 will probably lead to us, the viewer, understanding more about Zooble.

anyway, back to the manor with this cute little guy.

look at him, he's so cute and squishable. unfortunately this guy is the only cute and squishable NPC here because Pomni and Kinger seems to really be going through it.

they're mostly poking around, opening drawers and stuff. maybe they're looking for a key to get back with the others or something? who knows.

they both probably stumble around in the dark for a bit, both figuratively and literally.

they might end up stumbling into an antagonist NPC, which is the only way I can explain some of these screenshots.

it looks to me like Kinger is facing something. I mean, He's missing an eye in the first one, smacking something with a gun in the second, and looking really worried in the third. Plus the fist 2 have similar lighting so I'm inclined to believe those 2 pics come from clips in close time frames to each other.

there's also another image that has similar lighting...

now... this may sound weird, but I think that either Pomni got Possessed somehow, or something tried to take her shape. Possession seems more feasible since we know at least 2 of the NPC's in this adventure are ghosts, and at least in media ghosts are known to possess people. seeing as digital circus seems to love pulling from video game mechanics, this wouldn't surprise me at all.

this would also kind of explain why in the "POMNI WAKE UP!! IT'S TIME TO GO ON AN ADVENTURE" video, in the "Kinger with a shotgun" clip, he seems to be hitting Pomni with the gun. it makes a lot more sense if Pomni ends up getting possessed somehow, forcing Kinger to hit her in order to defend himself from the ghost.

this also could tie back to the worried look on Kingers face in the screenshot before Possessed Pomni. Cause he'd know what he has to do, even though he doesn't want to hurt Pomni.

Hell, I'm pretty sure Kinger even openly protects Pomni in this episode.

because of the shot in the trailer taken from this hole's perspective

not only is Pomni hiding behind Kinger, but he has one of his hands out in front of her, as if to protect her from whatever is in that hole.

also in regards to guns, Kinger isn't the only one who gets to have a gun.

Pomni gets to wield a shotgun too, and it's likely to help both herself and Kinger fight off whatever was after them in the hole.

Ghost possession and gun-slinging aside, I do think that Pomni and Kinger have a little heart to heart in this episode.

boy doesn't that screenshot look familiar. reminds me of episode 2 with the blue lighting and concerned expression on Pomni's face. That scene in the test room where Pomni comforts Gumigoo. this time tho, she's comforting Kinger. it almost makes me wonder if this will be a reoccurring theme, with all the other characters eventually having a heart to heart with Pomni, and Pomni comforting them.

it'd really make her live up to her quote in episode 2 "I guess I just don't want you to feel like you're nothing. I don't want anyone to feel like that".

the only thing I do still have questions about, is wtf is Kinger looking at here?

I mean, it looks like the eyes of a ghost, if they could make their eyes glow like that.

ya know what, maybe he's looking at a mound of pillows or something.

yeah, like that.

[akookminsupporter]

ARE YOU SURE?!: MY THOUGHTS ON THE EIGHTH EPISODE AND THE SHOW IN GENERAL

I know I might be sounding a bit repetitive, but I seriously can’t believe AYS is over. When it was announced and we saw it would last for weeks, it felt like such a crazy long time, but now it seems way too short. It’s just not fair! I want more!

The last episode was the perfect depiction of that final day of your holiday—one you don’t want to end for a million reasons. For Jimin and Jungkook, that last day was their last ‘Freedom Day’ (dramatic, I know!), so it makes sense that it felt a bit melancholic.

I have no doubt that Jimin and Jungkook are just like they were in AYS in their private lives. Even with cameras around, they felt more natural, more themselves. AYS didn’t feel like a show made for us; it felt like they were entertaining themselves and just decided to share it with us.

I loved the last episode because, as I’ve said non-stop these past weeks, I adore how relaxed it was. The slow pace of everything they did, the lovely domesticity—it’s honestly the main reason I love AYS so much. In this last episode, they seemed more laid-back, and Jimin appeared a bit more melancholic, which is totally understandable. I loved that they got to watch the first episode of the show and laughed as much as we did watching them have fun together.

They really tried all sorts of food on the show, and honestly, I hope they paid for it all with the agency's card, haha!

Jimin and Jungkook are incredibly similar in so many ways, yet also different—they’re uniquely the same if that makes sense. They get each other’s jokes, meme references, video clips, and songs. They understand each other's looks and unspoken words; it’s amazing to see. AYS showed us why they never get bored of each other and why they often say they spend hours talking. While others take a break or rest, they’re off playing, chatting, and laughing together. That’s why AYS didn’t feel forced or like just another job for them. It explains why they obviously enjoyed making the show and why they decided to keep filming after they wrapped in the US, even though that wasn’t the original plan. It also explains their comments about wanting to do something similar in the future—12 more seasons, according to Jungkook!

AYS didn’t confirm that they’re a couple or that they’ve been married for 40 years with 30 kids, but it definitely reaffirmed just how close Jimin and Jungkook are. It showcased how different their dynamic is compared to their relationships with other members, especially when Tae was around. If there’s one thing that should be clear after this, it’s that. The fact that they chose to enlist together should be the biggest confirmation of all, but I know for many, that’s still not enough.

AYS was perfect in every sense, from start to finish. I would’ve loved for them to talk a bit more about their decision to enlist together and even about making the show, but then again, it’s Jimin and Jungkook, and there are things they’ll never discuss. It’s frustrating, understandable, and a bit funny all at once.

I’m really going to miss waiting every Thursday for a new episode. I’m going to miss seeing all the different reactions to the same clips on my timeline. I’ll miss the comments on everything new they did and the joy of discovering another layer of Jimin and Jungkook’s relationship. But most of all, I’m going to miss Jimin and Jungkook. I reckon unless they’ve got more things planned, we won’t see them until June 2025. Sure, there are the behind-the-scenes bits and the concert DVD from Seoul, but…

The last clip we saw in the episode, the day they enlisted in the army, was a bit of a shock, and I felt it was a bit cruel of the editors to do that, haha! But at the same time, it was a realistic way to end the show because that was the conclusion of it all, right? The final destination for Jimin and Jungkook. The lovely thing is, they made that journey together, and even after that ending, they’re still together.

I can’t wait to see Jimin and Jungkook in 2025. I’m so curious to see how their dynamic changes after military service. I feel like if they were unbearable together before, they’ll be even more so after!

All I can say is thank you. Thank you, Jimin and Jungkook, for such a beautiful gift. AYS confirmed that seeing you happy makes me happy, and while that just highlights the parasocial relationship I have with you, I also know I’m in this for life.

I can’t wait for 2025!

Note: Here's my list of favourite episodes with links to the posts with each reaction and conclusion:

Second Episode

Sixth Episode

First Episode

Eighth Episode

Fourth Episode

Seventh Episode

Fifth Episode

Third Episode

[art-ember]

OKAY SO THE RANSOU TEASER CAME OUT

And as cool as seeing the Kiyama and Bel is, I'm more focus on this scene:

Basically Bel interupts Ransou's diary to say "What are you doing Ransou? Pri is almost here and she--" and then proceeds to demand to see the diary.

However this raises multiple questions

1) Why did Bel call her Pri? Is that a nickname? Is that maybe her real name? If it's her real name, then I guess the siglings would be Pax and Pri which sorta matches a little

2) If it's her real name, why does Bel know it? If it's a nickname, why that of all things?

3) The way Bel speaks sounds less like a "My next opponent is here to battle!" And more like a casual "The person I was expecting to visit is here". And that coupled with the fact that Pri has a backpack is making me suspect she might be staying with Bel.

Either way, I'm still very excited for this!!!

[meamiiikiii]

silly comic based on a time i struggled to read live on stream :thumbsup:

context clip compilation below ASDASDFASA

(cw for brief mention of hospitals/strokes)

[fisheito]

SCREMS my snautsticic child he is trying ok!!!!!! one tiny snake human hybrid built from the cave-ground-up, , attempting to learn all the implicit rules of humanness?! as if it isn't already tough enough out here!!!!

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[wcters]

𝗖𝗛𝗥𝗜𝗦 𝗪𝗜𝗧𝗛 𝗔 𝗚𝗜𝗥𝗟𝗙𝗥𝗜𝗘𝗡𝗗 𝗪𝗛𝗢 𝗡𝗔𝗣𝗦 𝗔𝗟𝗟 𝗧𝗛𝗘 𝗧𝗜𝗠𝗘

pairing: chris sturniolo x fem!reader

summary: chris with a girlfriend who is obsessed with naps/naps all the time

warnings/notes: established relationships, i love naps, my favourite things

- you love naps, you’re obsessed

- always down for one

- you can nap anytime, anywhere

- cars, planes, beds, couches, you name it

- you probably have an iron deficiency

- #hot girl shit

- you can and will fall asleep in the most uncomfortable positions and in any positions really: crisscross, curled up, head leaning on your knees, on your back, starfish, etc

- you could call yourself an expert 💅💅

- you look two ways when you’re sleeping: peaceful . . . or a victorian child dying on the plague

- that tiktok trend? that’s you, and you own it

- and chris had definitely posted you to that

- if not him, either nick or matt

- you also look like that polar bear waking from hibernation when you wake up

- or you went through a tornado

- dorothy from the wizard of oz who?

- so many pictures and clips of you alseep in the background of a video, tiktok, livestream, etc

- the triplets were filming a walk though of the tour bus and you’re just fast asleep in chris’s bunk wrapped in your blanket

- a lot of your friends bereals are you sleeping

- have a humidifier in your room at your house/apartment

- sleep with rain sounds on

- a shit ton of stuffed animals

- and that will be the same for chris’s bed

- they’ll take up most of the space on the bed and he will have a leg hanging off

- you refuse to take them off unless he begs

- you feel bad 😭😭 they’re you kids, you have to care for them

- spend a lot of money on stuffed animals, pillows, and blankets

- comfy fit 24/7

- uggs, sweatshirts, sweatpants, like a living and breathing fresh love ad

- everyone’s jealous

- chris loves you for it, but also dislikes it sometimes because it’s his clothes and he’ll want to wear them

- slippers 24/7

- naps with him!

- most cuddle sessions will end up as nap sessions

- or you alseep on top of him while chris is stuck sessions

- he says he hates it (he secretly loves it)

- a lot of the time even watching movies or hanging out will end up with you alseep in his lap because he likes to run his fingers through your hair (if it won’t mess it up and it’s not styled, scalp if he can) and your skin

- will carry you to bed

- you always wake up disoriented and covered in marks from the bedsheets pressing into you (signs of a good nap)

- you react to the word nap like a dog does to the word treat

- always excited for bed

- definition of snug as a bug in a rug

- you were an avid after school napper

- one of the only consistent things in your life

- you’re fighting a literal WAR between two and five pm to stay awake

- you fully expect (and deserve) a medal for staying awake 🏅🏅

- and you’re grumpy if you don’t have one. you were rude? you were acting like a bitch? didn’t have your nap.

- someone comments on how you sleep to much? immediately dislike

- like sis . . . what’s it to you?

- unless it’s a health concern, and even then, mouth. shut.

- if you’re sick, you’re napping/sleeping even more than you already do

- you’re the first one asleep at all nighters

- nick jokes that you might love sleeping more than you love chris

- . . . don’t tell him that.

- just kidding! . . .

- some of your favourite tiktoks are the ones where you get to choose where you’re sleeping

- you sleep talk sometimes (mostly gibberish) but not a lot, maybe like once or twice a month

- but you absolutely have had full on conversations with people and your answers make sense, and you will not remember them at all

- “hey, do you remember when i told you about that idea i had?” “no, when was this?” “last night.” “oh.”

- NAPS WITH TREVOR

- that dog lovesss you

- and loves taking naps with you

- will also nap with you in the car if you’re going on a road trip with chris and his family

- you love the feeling of his weight in your lap

- you’re a MENACE to wake up

- there have been times where chris just gives up and let’s you sleep if it’s not important because it’s taken him too long (he also gets lazy)

- a lot of the time it’s on their couch because you love their couch

- it’s so comfy, you’re favourite thing

- PISSED if you’re woken up by something stupid

- like one of the boys will make a loud noise and then they’ll all stand there like ‘oh shit’

- if you wake up and chris isn’t with you but he’s in the house, you’ll make a beeline to him and just hug him

- probably fall asleep in his arms standing up

[orteil42]

some undifferentiated thoughts about my Starfield playthrough as i have them. i am a game developer with a strong interest in procedural generation and i've enjoyed a bunch of other bethesda games so this might get pretty mean sorry

(this is a long one)

starfield dialogue is already exhausting me "oh you must've been living under a moon rock ;)" get it! because they're in space! this would've been too corny for the Jetsons

there's a kind of cheap dusting of space theme over everything. the food isn't salmon but alien salmon. it's not seaweed but alien seaweed. cooking alien stir-fry. come on

cannot get over how clumsily the theming is handled. books, board games, weapon names revolve heavily around space. these people have been living on alien planets for hundreds of years yet have this unending sense of novelty about it. the game takes itself completely seriously but feels like it's attempting to parody itself

people's EYEBALLS are CLIPPING THROUGH THEIR EYELIDS

a woman is speaking to me in french. her accent is about as believable as her haircut

these are some of the worst reflection maps i've ever seen

next to nothing is interactive. you can sit in chairs and sleep in beds and that is about it. can't even drink from people's toilets. disgraceful

game helpfully crashes 5 seconds after i decide i should get some sleep. very handy!

my character has not said a single thing since i started playing. not one peep. this is an unmitigated improvement over Fallout 4 i'm so glad honestly

the more i poke around the big city the more the NPC quips feel like something out of gen-1 pokemon. can't get enough of this coffee :) this city is where it's at :) spacesuits are comfy and easy to wear

very strange sense of altered reality from the quest dialogue too. has anyone at bethesda met a person before? i move on to some mission that has me scanning wildlife on a faraway planet hoping this will, somehow, feel less alien than human conversation

just as with No Man's Sky, every planet is uniformly dotted with equidistantly-placed points of interest that you slowly make your way to (no vehicles besides your jetpack) which always turn out to be some cave or building identical to those you've cleared before

unlike with No Man's Sky, the seamless exploration is faked and the biodiversity is nil. you do get an impressive amount of raw loading screens however

the prefab bases and power stations found everywhere on planets seem to have very sparse, very specific slots for spawning consumables, which results in encountering some giant industrial installation in the middle of nowhere with, i don't know, a loaf of whole-grain sandwich bread just casually sitting next to it all proper. there is no breathable atmosphere here. who is eating this

planetary traversal is a CHORE. i am saying this as someone who loved Death Stranding

heinous "hold to confirm" buttons sprinkled in various flow-breaking places throughout the interface

enemy AI is abominable. nobody is pathing their way to get my ass. "must've been the wind" taken to the next level. an infant playing peekaboo has more object permanence

hoisting yourself up on ledges when jumping is…nice

companions randomly nowhere to be found. persists through multiple fast-travels and loading screens until, just as randomly, they pop back up

storage space is now limited! unlike in Fallout 4 and virtually every other bethesda game, your containers now hold a finite item capacity. god forbid we let the player have fun

baffling inventory UI. i imagine there's a mod out there that completely overhauls it the way SkyUI did for Skyrim. this should not be needed! how are your UIs getting worse a decade later!

scanning the precious few species inhabiting some dusty planet; one of them is this arching red root i've already seen several times before. my job done in this biome, i travel (read: teleport with a loading screen) to the polar region to find some other species. the first one i catalogue is the exact same red root again but this time it's named "boreas root" todd howard is a genius

some alien horror comes at me full fangs out. i hop on a pebble. obscenely, i am safe

procedural terrain generation beyond dull, impossibly unimaginative. these people have not had one critical thought on what makes a procedural world interesting. beginning to feel validated in my belief that only i should be trusted with proc gen. along with perhaps tarn adams

jokes aside this is making me feel genuinely insane. there have been excellent procedural generation techniques that produce compelling explorable maps for decades now. bethesda absolutely has the budget and know-how to do miles better than this yet somehow they just…do not? the same way Pokemon has decided to just no longer bother with their mainline games despite being the highest-grossing media franchise in history? hello? what is for real going on

some of the most cynical breadcrumbing i've seen in years. approaching some random cave and this person in space gear, who in the vast immensity of the infinite cosmos just happens to be snapping pictures right here, tells me more-or-less verbatim "if you like this place, you should see this other place" [other random cave has been added to your map.]

i do not like how good this makes No Man's Sky's gameplay look. it depresses me how much i have to hand it to No Man's Sky for at least not fucking up this bad. please stop making me wish i was playing No Man's Sky instead this is grotesque

i think i've exhausted my interest and patience for this game at the moment. i'll get back to the main story at some point and try some other systems ie. crafting and base-building to see if there's any engagement to be found but so far, my god. my god

[yearning-for-autumn]

So, here is my humble request 👀:

Reader is afab Illyrian, got her wings clipped (because we hate this tradition that’s why and because I am too much into enemies to lovers) and the Bat Boys consider her something close to a little sister.

When Eris was making a deal with the NC to get their help to kill Beron and that shit, his bond snapped with reader.

Obviously problematic for him because he has been insulting Illyrians since his mom popped him out about 500+ years ago.

So…bonus points for: smut obvs.- go as filthy as you like, Lucien absolutely mocking Eris for FUMBLING desperately to get his charm going, reader being oblivious.

I hope this sparks some ideas and creativity 🥰🤞🏻

Would That I -- Part 1

A/n: This was too good not to make into a multi-part fic, so expect more soon. Smut will be coming!

Pairing: Eris X Illyrian!Reader

Warnings: Allusions to smut, pining, mentions of mental health

Word Count: 3,638

Summary: You hate him. You hate the very thought of him. And yet he's your mate. The Mother has a cruel sense of humour.

Part 2 Part 3

Fury rippled through your body like a forest fire. You were livid. And Cassian had the nerve to laugh at you. Well, stifle a laugh. Rhysand was watching him with a worried look as he tried to give him a silent warning to stop. This progressed to warning him mind to mind when you got up from the sofa, flinging a pillow so far it almost landed into the fireplace. Azriel flinched.

“Him!?” You seethed, finally breaking the silence you had kept since your return from that damned High Lord meeting. Cassian snorted softly and you rounded on him with a deathly calm. Rhys made a small noise in the back of his throat.

“Is this funny to you, brother? I’m shackled to that evil, pompous, ginger-haired freak and you’re laughing?” His smile had dropped and a look of fear was quickly overcoming his rugged features. You stepped closer to him, your finger in his face. “Don’t sleep too deeply tonight.”

Rhysand cleared his throat.

“Look, this doesn’t have to be the end of the world. You don’t have to accept the bond. We can make sure you never see him again.” The bond snarled through you at that and you growled.

“Sure Rhys, because you were so calm when you found out Feyre was your mate.”

His brow furrowed.

“So you want to be with Eris?” The name seemed to physically disgust him. Azriel scoffed, abruptly rising from the sofa and marching out of the room. Cassian eyed the doorway in his wake. You turned to Rhys.

“No!” You groaned in frustration, pacing up and down on the carpet like a caged animal. Cassian’s eyes darted between Rhys and you. Finally deciding to break things up he manhandled you into a hug. You fought it for a few moments, before giving up and collapsing into your brothers embrace, hot angry sobs wrenching through you. Rhys took this as his cue to leave, and winnowed—probably to his office—out of the room. Cassian rubbed soothing circles on your back, careful to avoid your wings that were ever more sensitive after the clipping.

You were clipped at thirteen, which is how you had come to live with the three brothers. In Windhaven, they clipped your wings the day you started your cycle. Once grounded there was no escaping your duties, nor any chance to leave the camp. Unless, of course, you had grown close with the High Lord’s son, who had a mother with a habit of collecting strays.

You were there through all of it, the highs, the lows, and Morrigan’s tumultuous relationship with one Eris Vanserra. The male you were now mated to.

---

In the Forest House, Eris was pacing. His throat was still sore from the memory of Azriel’s scarred hand, and his cheek burned from the slap that had earned him from his father. But all of that had been overshadowed. He knew as soon as he saw you. His heart had lurched in his chest so hard he had thought he might throw up. You were the most beautiful female he had ever laid his eyes on. And of course, you were from the Night Court. The Mother truly did have a cruel sense of humour.

You had walked in, looking as arrogant as the rest of them, sharing a secret smile with the shadowsinger before sitting down next to the High Lord. Eris, next to his mother, couldn’t rip his eyes from you. Your doe eyes, sharp and intelligent captured his attention first. He wanted nothing more than to get lost in them, to find out everything about you: What you liked to read, your favourite food, how best to pleasure you and have you screaming his name. He was pulled from his fantasies by your wings. Cauldron, your magnificent wings. Their beauty stole breath from his lungs as they unfurled, getting comfortable on the chair. You had smiled at Feyre, warm and supportive, and Eris knew he was utterly lost.

He finally stopped his pacing, locked inside his room, and sat down on the edge of his bed. He sat there, holding his head in his hands until he heard the scratch of claws at the door. Getting up with a weary sigh, he opened it only to be knocked to the ground by his oldest and most loyal smokehound.

“Cheddar.” He chided as she licked his face excitedly. “Cheddar Biscuit.” He said, sternly, and she leapt off of him, waiting by the door expectantly.

“Yes alright, I suppose it’s time for a walk.” Cheddars tail thumped faster against the door frame and Eris couldn’t help the smile that grew. “Go and fetch your brothers and sisters then.” He said, grabbing the leashes off the wall. A walk was one way to clear his mind.

---

As you had predicted, Rhys was holed up in his office when you went looking for him. He barely looked up at you as you entered.

Rhysand’s office was always meticulously organised, but as you came up behind his chair you noticed how messy his desk had become. Letters and notes were piled on every inch of space, his childhood stuffed bat sitting atop one pile as a makeshift paperweight.

He loosed a breath.

“We are going to war, Y/n.” He said quietly, and any thoughts of Eris Vanserra eddied from your mind. Rhys looked up at you with bloodshot eyes. Guilt coursed through you for ever caring about something as trivial as a mating bond when you and your brothers were set for battle. You had only just got Rhys back from under the mountain, only to potentially lose him again.

“Is it certain?” You asked, leaning down to rest your head on his shoulder.

“Yes.”

“Is Cass--?”

“Leaving for Windhaven by first light.” He answered.

“Ok.”

Rhys turned, pressing a soft kiss to your forehead. He knew what you were thinking, though you wished you weren’t.

“Eris is an awful male, Y/n. You know I could never support the bond between you. Azriel is...well, I’m sure you already know.”

You did. The moment he had stormed out of the room you had known this was the beginning of a negative spiral for Az. Not to mention the upcoming war. You stood up straight.

“That being said.” Rhys continued. “Eris is ensuring Autumn allies with us against Hybern. There is a certain political advantage to the match.”

You scoff.

“Like there was with Mor?” Rhys turned green. “What did Eris bargain for in return for Autumn’s support? What did you trade away, Rhys?”

Rhysand looked every bit five centuries old when he turned to you.

“Our support in his bid for the throne. Whenever that may be.”

Hatred for the male burst anew in your gut, fiercer still now that you were mated to him.

“That power hungry bastard.” You spat.

Rhysand sighed.

“He could never deserve you, starlight. I will make sure that he never sees you again. I will not lose another sister.”

---

It wasn’t until midnight that you saw Azriel. The last of your brothers to approach you. He let himself into your room, waking you, tattered blanket draped around his shoulders. Rhys’ mother had sewn it for him years ago, before you had come to live with them. It had helped him through many hard nights. So much so that it was threadbare and faded. Rhys had enchanted it not to break further as a solstice gift one year.

You sat up worried.

“Az? Are you ok? You didn’t—”

“No,” He assured, and you relaxed against the pillows, “I’m ok.”

You shuffled over in your bed to make space for him, and he laid next to you, blanket over the both of you.

“I hate him.” He said into the darkness. “I hate what he did to Mor. I hate everything he stands for. I will not let him have you.” He declared.

You snuggled up to your eldest brother.

“I don’t know why you all seem convinced I’m going to somehow fall for this prick.” You said, and he snorted. “I hate him as much as you do.”

Azriel tucked you under his arm.

“I know.” You smiled tiredly, somehow understanding the words Azriel left unsaid. The words Rhys had been able to express. Azriel’s shadows settled over your heart, confirming, and the two of you fell asleep.

---

Months later, Eris sat in a tent, head between his legs to stop from throwing up. Thousands were dead. Thousands more were surely destined to die. Two of his brothers, and his mate, fought on the battlefield.

He only had a moments warning before he was violently sick into a bucket.

Asher, his youngest brother before Lucien, chose this moment to enter his tent unannounced, scowling at the sight of Eris hunched over and retching.

“Can’t handle the bloodshed, brother?” He teased, though he sat next to Eris and put a warm hand on his shoulder. The gaping wound on his neck was healing quickly, as it should with the High Lords power coursing through his veins, but the sight of it set Eris off again. He heaved into the bucket, choosing to ignore the gagging sound Asher made.

“Eris you need to pull yourself together. Father is only a tent over.”

Eris rolled his eyes.

“Just show me your plans, Ash.”

“I don’t know, maybe I’m better off keeping them to myself, seeing as you’re battlesick.” Asher grimaced when Eris finally sat up and pushed the bucket away from him.

“Asher.” Eris’ voice held all the command of General, and eldest brother. Asher groaned petulantly as he handed over the plans.

In Eris’ opinion, not that Beron took any heed, Asher should never have taken on as much responsibility in this war. After Ceres had died, Ash had taken over as Eris’ right hand. Ceres had been more naturally suited to the role, Beron’s bloodlust had run as deep as his bones, and he had a sharp mind for strategy. Eris still mourned the boy he had raised—a quick witted, chess loving, boisterous child—but he had to accept, he had lost Ceres long before he had died. And Eris wasn’t keen on losing anyone else. Asher wasn’t comfortable with a sword, the gash in his neck clear evidence, and he had a wife and child that weakened his resolve. This is what Eris had to work with. And he had a job to do.

He let Asher discuss his plans, though he was unable to rip his mind from providing a hundred different ways that he could die, that Ash or Lucien could die, that you could die.

It took every ounce of training ingrained in him not to falter in his attack the moment he had caught sight of you, fighting your way through the onslaught, Mor by your side. Cauldron, you were ethereal. Your silken wings were spread as if they could carry you into the air, though he had long since guessed that they could not. You cut through your enemies with a frightening ease. Catching his eye, you hesitated just a second, then your face had turned to rage and the next Hybern soldier to cross your path had been beheaded so brutally that even he had to avert his gaze.

When he had looked back up, you were gone, lost in the chaos.

Asher sighed,

“You’re not listening.” He said, and Eris had the decency to feel bad. He looked at Ash wearily.

“Come back in the morning. I’ll be more attentive.” Ash just peered at him over his notes.

“It’s her isn’t it. It’s Y/n.”

“Yes.” Eris said, lacking the energy to lie.

“She’s Night Court. She’s not one of us. One day you’ll find a nice Autumn girl to marry and when you’re High Lord she can pop out a few Autumn court babies.”

“She is my mate.” Eris growled.

“Mate’s aren’t always meant to be Eris. It’s only a biological match, not a political one. When you find an Autumn Court lady you’ll wonder why you ever spent time worrying over some Night Court harlot.” Eris snarled, despite himself. His brothers words were wrenched straight from Beron’s throat and he wouldn’t stand for it. Not from Asher. Not from his kind, loving Ash.

“Get out.” He said. Asher looked surprised, and—Eris was pleased to see—ashamed. He made no moves to leave, so Eris repeated himself, sharper this time.

“Get out.” He snapped, “Come back in the morning with more sense.”

Asher, chastised, fled from the tent, and Eris buried his head in his hands. What use was there protecting you from his brothers when it was certain your own said the same about him. There was no denying the cruel twist of fate the Mother had pulled on the both of you, destined to crash and burn. He imagined you in your own tent, laughing at the thought of him speared on another males sword. Mor sat next to you whispering all the terrible things he had done that day, terrible things to twist your mind and poison the very notion of him. He was too late, he was nothing but soot in the deep pit of your heart, choking the both of you.

He felt blindly for the bond, and found it, rotten.

---

The war was over, but the scars it had left were red raw and bleeding. Rhys had died. Your brother. The one who had sheltered you, loved you, given you a home and a family for a few agonising minutes had been gone. Gone. And yet that Cauldron damned bond had been chafing in the back of your mind. You sat in your bedroom riddled with guilt as it plagued your mind. Eris. Eris. Eris. He infested your mind, your senses, you were consumed by the very thought of him.

Walking through the streets of Velaris had started to feel claustrophobic, being around anyone beginning to suffocate you. You felt safer on your own. Recently you had taken to sheltering in your room, only emerging to eat. Your brothers eyed you with poorly concealed worry every time you walked, ghostlike, through the house, shuffling to the kitchen to fix a plate of leftovers then retreat hastily to your safe space.

Nesta was struggling too, after the war. It had left its scars in all of you. You could feel Cassian’s heart breaking the day Rhys sent her away with him, but all you could think about was whether your brother would do that to you. You thought you knew the looks he gave you.

Disgust.

What use was a flightless Illyrian female, who couldn’t train, couldn’t talk, couldn’t think. He was dead. Rhys was dead. And then he wasn’t. Why were Seren and your mother not afforded the same luxury. You grieved, and cried, and screamed. It truly was a sick thing, to use to the miracle of Rhys’ living to guilt yourself into believing there was hope for them. But then, everything in your mind had twisted of late.

Nesta began training. Nesta began healing. And you were stuck in your room.

Every morning without fail, Azriel came to check on you. He stroked your hair until you woke up, then retreated when you once again rejected his invitations to join them. The Valkyries, they were calling themselves. You would have been proud of Nesta if you could feel anything anymore.

Occasionally, you could feel a light tug on the bond, on the shackles that kept you bound to Eris. The first few times you had thrown up. Now it was little more than an annoyance. You were his dog, disobediently pulling your leash as you fell further and further into nothingness. His face in your mind was as cold as it had been on the battlefield as he yanked you back, choking you. You spluttered. Standing weakly, you made your way down to the kitchen, setting water on the stove to boil.

“Sister.” Cassian’s voice rang out behind you and you flinched, dropping your teaspoon. He bent to pick it up and set it down on the counter. “Azriel says you’ve been ignoring him. You’ve been ignoring all of us.”

You shrugged, the familiar pang of guilt squeezing your chest, making it difficult to breath. You braced both hands on the counter top, taking a ragged breath. Cassian was beside you in a heartbeat, holding you in his arms.

“Y/n, I’m worried about you. We all are.” He squeezed you closer to him, closer than you had allowed anyone in months. “Come and stay with Nes and I. Az is a terrible chaperone, and I need to see you. You could be wasting away down here and I wouldn’t know until it was too late.”

You shook your head, though you no longer knew why you resisted him. Your body melted against him, muscle memory taking over as he enveloped you in his wings. You swore you heard him sniffling as you hugged him back.

“Please, y/n.” He said, voice shaking. It didn’t take much more convincing.

A few days later, Rhys was helping you unpack your bags in your new room in the House of Wind. You took the room next to Azriel, who—Cassian had explained—was falling into bad habits again: Not eating, not sleeping, waking up in a cold sweat when he did finally drop off. Cassian wasn’t doing as well as he wanted you to believe, either. Twice in the following week you woke up to find him taking things from your room. And once, when you had floated downstairs in a miserable haze, you found him throwing up in the kitchen sink, an empty plate that had once held a batch of Elain’s cookies sitting on the table.

Nesta had dragged you to Valkyrie training a few times, and whilst you were beyond their current skill level, it had taken your mind off of things. Cassian’s eyes gleamed with pride everytime Nesta mastered an attack or a block. He touched her affectionately, he teased her, he lingered as she passed to breath in her scent. Watching them together was as painful as it was sweet. How simple love could be.

Would that you could be half as lucky.

Slowly you were emerging from your shell. You could smile again. Nesta invited you to read with her and the Valkyries, and in the silence you found firm friendship. Emerie was a gift from the Mother herself. You bonded instantly, both of you clipped, grounded, but neither broken. Many late nights were spent talking, about books, your brothers, or about Eris. Nesta, Emerie and Gwyn knew little of the Autumn prince, but you appreciated their outside perspective on the bond. It was still a bitter taste in your mouth, but it was becoming more bearable with each passing week.

---

There was a ball approaching in the Hewn City and Rhys had asked Nesta to attend. Not long after, she asked you to join her.

“I can’t do this alone, Y/n, please.” She said one night, sitting at the end of your bed. You bit your lip, unsure.

“Eris will be there.” You said.

“I’ll be the one dancing with him. Rhys wants him falling madly in love with me. He won’t look your way, I promise.” Nesta said. You knew she meant well by that. You had never wanted him anywhere near you before. But something about her oath left a sting. You frowned, which she took to mean you were still unconvinced.

“Please, Y/n. My sisters will be there, Rhys will be there. I’m not ready to face them all on my own, not yet.”

And so you found yourself stood atop the stairs the following week, draped in a black dress with a slit so high up one side your whole leg was practically exposed. The back scooped so low the dimples at the bottom of your spine peeked over top. You were devastating. Death in midnight silk. Rhys’ smile was that of pure brotherly pride as you walked down the steps, your hair pinned in braids and curls.

Nesta stole your breath away as she appeared in the hallway, but it wasn’t your gaze she sought out. You looked towards Cassian and could have sworn he was drooling. Eris would be blind-sided by her, of that you had no doubt.

In the Hewn City, they danced like lovers. Nesta as dangerous in the ballroom as she had become on the training grounds. Every move was calculated, every parting of her lips a dance of the mind, designed to ensnare Eris in her dastardly web. Eris was caught. And you burned.

Standing next to Azriel, heat rolled off you in waves. He took a step towards you, perhaps to offer you a drink, but found something in your eyes to make him change his mind. You hadn’t taken your eyes off of Eris all night. He was sinful. A courtier and a Prince. His hair pooled over his shoulders, one strand to the front neatly braided. You reminded yourself that this was the male that left your cousin for dead at his Court border. Biting your lip, your mind wandered to see yourself lying prone beneath him as he stood, smile widening, cock hardening in his—

“Get me a drink.” You ordered Az. He raised an eyebrow.

“What’s the magic word.”

“Azriel.” You growled, and he turned on his heel. Your eyes stayed pinned on Eris as he led Nesta across the dancefloor in a tantalizing waltz. His gaze finally met yours, and you saw a fraction of surprise before his emerald eyes darkened. He licked his lips, eyes locked with yours as he leaned down, and pressed a kiss to Nesta’s neck.

A/N: I have to thank @fandomsmultiverse for talking to me and giving me about 100 ideas to flesh this story out, I really hope you like it! There will be a part 2 coming soon! I wouldn't just leave you on a cliffhanger like that. We will see more of Eris and Reader interacting, and maybe.....some smut...

[spiderbeam]

lil rant about franco & a recent clip i stumbled upon of him in monza:

in monza franco was interviewed by a journalist and basically said: “x journalist has been going around saying i’m italian-argentinian i’m not. i’m just argentinian. i’ve read more than once that they’re saying i’m italian-argentinian. i have an italian passport but that’s it—i’m argentinian. just argentinian”

and maybe i’m reading too much into it, but i feel this means so much more than what people might think. because franco’s trajectory as a driver has truly been powered by argentinian support. and i don’t mean this in a “it’s great to be cheered on” way. i mean it in a franco needed help during his career and argentina came to his aid.

here’s a little background for those unaware: franco did amazingly in f4 with even fernando alonso backing him in drivex team. he won f4 by a margin of nearly 100 points, with 11 victories (out of 21), 14 podiums, 9 pole positions and 10 fastest laps. by all accounts, he was ready to move onto f3—but he couldn’t, because he didn’t have the money. there’s actually a story that franco had to sleep in a factory to cut costs.

and so, instead of moving onto f3, franco instead participated in other series like formula regional european championship and lemans. eventually, his performance got him enough monetary support to get into f3, where he eventually got signed by williams into their academy. however, williams was only going to fund his move into f2 if he placed among the top three—but he ended up ranking fourth. this meant williams would not be funding near entirety of his f2 move, and that the jump from f3 to f2 would be near impossible for franco to cover on his own.

now, during 2023 a campaign started in argentina twitter under #francolapintoaf2 (“fran colapinto to f2”), where argentina literally stood up to get franco sponsors to get into f2. if it hadn’t been for the enormous support franco got from argentinian people, he wouldn’t have been able to move up to f2 when he did.

bizarrap (very very famous argentinian producer/singer who is now a friend of franco’s & one of his major sponsors) actually said that the only reason he found out about franco was because he was messaged a screenshot of the campaign and he decided to reach out and basically ask “what do you need and how can i help you get it?”

so. yeah. franco’s career has always been backed by the support of his country, and he’s always been vocal about his love for argentina. i guess it just makes total sense to me that he would be slightly pissed at a journalist calling him “italian-argentinian” even though his mom is technically italian. because yeah!! there’s one country that’s been standing behind him this whole time, that’s been cheering his name the loudest, that has supported him every step of the way. and it’s not italy.

[charliemwrites]

Bark bark bark awoooo

No content warnings

You’re gonna fucking combust.

Somehow, someway, this is Johnny’s fault. You’re not sure how yet, so he it isn’t fair for him to be in trouble, but you know it.

“This is your fault,” you tell him, pouting in bed — bare ass naked, but that means nothing to him, he’s a dog. He cocks his head, and you wave your (broken) vibrator at him. “I don’t know how, but it is. Is this because I wanna chop your balls off?”

His mouth closes, eyes big - like he actually understands you. In your horny delirium, you almost believe he really does.

You flop onto your back with a sigh, eyes a little wet with frustration.

It’s been two months since you last successfully got off. Your vibrator (and its replacement… and its replacement’s replacement) keep breaking, or running out of battery. The plug is defective or falls out of the socket.

Once you successfully got right to the edge - just for it to die. You almost did cry that time.

Sure, there’s your hand. But every time you try ol’ reliable a certain four-legged roommate interrupts one way or another. And when you tried to kick him out of the room, and then ignored the howling, scratching, and general drama - there was loud and rapid knocking at your door.

Like fucking clockwork. If you get anywhere at all, you never get to finish.

It wouldn’t be so bad, either. Your libido isn’t anything crazy, you don’t think. At least it wasn’t before. But now there’s Soap.

Soap who you should not be so attracted to. Who has no sense of propriety or boundaries, who murmurs the dirtiest things to you in the most public and otherwise mundane places. And he just keeps. Showing. Up.

Like he’s got a tracker on you or something. (You’ve checked, he doesn’t.)

He’s like every guilty fantasy you had as a good, studious girl back in high school. The kind of guy to grab your thigh under your parents’ dinner table and take your virginity in the back of his car. Maybe corner you by the lockers between classes to kiss you silly and drive up your absence record.

You never actually went for those boys — and perhaps gratefully, they never went for you. In romance novels, it would be a quaint little coming of age story. The stuff to swoon over. But reality was a lot scarier for you, especially with your older sister always keeping an ear out to report back to your parents and… well, yeah.

You’ve always been a firm introvert, anyway. That’s why you live out in the woods with only a dog for regular company.

But Soap. Soap is some unholy amalgamation of those innocent, shy girl fantasies turned R-rated. Like the grown-up version of those cute YA novels.

And you have no defense for it — except distrust, that is.

Soft-hearted as you are, you know you don’t do casual well. And you know that guys like Soap just like to spin you up and up until you finally give in, think the dreaded words “maybe it’ll work out” despite that rational voice in your head saying, “don’t bet on it.”

Doesn’t stop you from secretly wanting him though.

Fear is the only thing keeping you in check now. Some of it for you own feelings; of getting invested in a guy that has done nothing but treat you like a prime cut of meat. The rest of it is a genuine concern that he might be a bit dangerous. He’s so much bigger than you, visibly stronger. Has gone out of his way to make you uncomfortable (doesn’t matter that a very dark and slutty part of you liked it) and ignored your attempts at brushing him off.

Fear, unfortunately, is beginning to add to the temptation.

“I’m not going to do it,” you tell yourself, or maybe Johnny. Soap’s contact is on the screen. You don’t remember putting it into your phone, but you must have at some point. “Nope. No way.”

You slide a sideways look at Johnny, tail wagging at a steady clip.

“He’s probably a former frat boy or something, right?” you muse.

Snort.

“No, you don’t think so?” you question, sitting up. He happily crawls into your lap when you pat your thighs, chin resting on your tummy. “Nah, you’re right. Could almost imagine him beating the hell out of one for pissing him off.”

A little grumbly noise. You smile and start petting absently over his head and ears, phone forgotten now.

“This is dumb anyway,” you sigh, head tilted back to the ceiling. “You don’t like men. I couldn’t bring him back here.”

Johnny’s ears flick. You giggle and start flopping them around, making airplane noises. Eventually he huffs and starts licking at your face until you stop, complaining that you’ll need to wash off now.

—

“Fuck it.”

Johnny picks his head up, staring at you as you run a hand down your face.

“Fuck it all. I’m going to a bar. I’m getting… I dunno. Laid or something.” Thank god it’s only Johnny here. You don’t think you could live with the embarrassment of someone else hearing the way you talk.

You set your hands on your hips, nod to yourself.

“And if it happens to be Soap, then… sign from the universe, right?” You grimace a bit, striding for your bedroom. “Please don’t let him be a murderer or something…”

For once, Johnny is perfectly behaved as you get ready. He doesn’t try to lick at you when you come out of shower (freshly shaved and lotioned and everything). Sits patiently on the bed as you pick through your closet, even noses at a pretty pink dress you rarely wear but were considering for this.

He doesn’t try to bump your arms or hands while you do your makeup, just watches attentively. You choose a pretty, matching bra-panty set, apply a light spritz of perfume. Hesitate over jewelry.

“Is it normal to wear jewelry when you plan on fucking?” you wander allowed.

A little “boof” from the bed. You’ll take that as a yes.

You decide on a set of faux pearls with a gold heart pendant in the center. Not quite a choker, but high enough on your throat to suggest one. A delicate bracelet, a pair of stud earrings, and you’re just about set.

“Christ, I hate doing this alone,” you mutter, fumbling with the zip on the back of the dress.

Lastly, the shoes.

“Fuck it,” you say again. Your mantra for the evening, apparently. Wobble into a pair of heels, a bow on the outside of each ankle where you buckle them.

You pause when you’re done, giving yourself a once over in the full length mirror. Pleased with what you see. Coquettish and pretty, not necessarily bombshell sexy maybe, at least not on first glance. But the necklace, the heels, the cutouts at the waist of your dress… it’s all exactly what you wanted.

“Alright,” you breathe, tummy swooping with excitement. “I can do this… right?”

Johnny’s gotten down off the bed, is keeping a respectful distance. You appreciate it, don’t want to have to lint roll hair off yourself.

“Oh, god. What if he’s bad?” You ask, giving him a horrified look. “What if he’s been, like, compensating?”

To your shock, he stomps his paw and starts damn near howling. Carrying on and on like he’s bitching you out. You blink in shock, almost laugh — then check the time.

“Oh! Don’t worry, baby. I won’t let you starve!”

You toddle off to the kitchen and prep his dinner, scrunching your nose at the raw chicken and beef liver. He grumbles and fusses the whole way, making you laugh as you pretend to have a whole conversation about the economy with him.

“Okay, bonnie Johnny,” you coo, setting his bowl down. “Be good, okay? If I bring someone back here please don’t eat them, okay?”

More grumbles and whines and growls. You roll your eyes, blow him a kiss, and slip out the door.

You tell yourself you just need action with someone. Don’t admit to yourself that there’s really a specific someone you’re hoping to see.

First | Previous | Next

Masterlist

[natalievoncatte]

It wasn’t Kara that destroyed her.

In her secret heart, Lena craved that. She wanted Kara to give back everything Lena had thrown at her. Defeat her. Crush her. Cast her down and treat her like a villain. After all, why had Kara lied? Conspired? Tricked her and manipulated her? Why do all that if she wasn’t a villain?

In her quietest moments with Myriad in her hands or staring at the twisted visage of an alien murderer, a quiet voice from deep within her whispered the truth she could never let herself feel:

This is what you are. It’s in the blood.

If Kara would just treat her like a villain, it would all make sense. There would be no more nagging doubts, no more questions, no more hateful longing. Lena has done everything she could to carve it out of her chest, but it gave her no relief, only the raw throbbing pain of a ragged wound that wouldn’t close.

Then she had been at L-Corp when Jess ran into her office in a blind panic, shouting that she had to turn the television on now, that something terrible had happened.

Lena stared at her dumbly because she already knew. She could feel it somehow, a wash of graveyard chill that enveloped her from nowhere and froze the rotten lump where her heart had been. Her hand shook as she lifted the remote and turned on the screen.

The news chyron stuck her like a hammer blow to the chest and her pathetic excuse for a last meal -a cold half of a Big Belly burger she’d eaten the night before- leapt into her throat, trying to escape.

Supergirl Dead?

They hadn’t called her, and why would they? Why seek her help after all she’d done?

Lena pushed to her feet, almost tumbling to the floor in the process. The news was repeating a ten-second clip, showing a red-white beam slicing through the midday air, so bright that it distorted the image as it struck a tiny blue and red blur and knocked her out of the sky as if a giant hand had swatted her to the ground.

She was moving before she realized she’d taken a step.

“Cancel all my meetings,” Lena snapped.

“But the Japanese investors,” Jess said, lamely.

“Fuck the Japanese investors, cancel all my meetings!”

She pushed past Jess and stormed to her private elevator, twisting the key so hard it nearly snapped. She paced the full two minutes it took to to descend to the garage. There would be no summoning a driver. She ran barefoot across the parking garage floor to the Bugatti and threw herself inside.

When she arrived at the DEO, there was chaos. It took a moment before anyone noticed a barefoot, red-eyed Lena Luthor running into the lobby in a blind panic. When they did notice, she was immediately tackled by two of their goons and handcuffs slammed on her wrists.

“What the hell are you doing?” she demanded. “I’m here to help!”

“Shut up,” the agent growled.

They sent jolts of pain up her arms as they took her in. She thought they were going to take the handcuffs off, but instead they cuffed one hand to a chain locked to a ring in the middle of a concrete table in an interrogation room.

“What the hell?” Lena screamed. “I’m here to help her!”

The door slammed heavily shit and Lena raged, yanking at the handcuffs in a futile gesture that only left her wrist raw. She thought about trying to pick them, but at this rate they might shoot her if she looked to escape. Her stomach sank and she began to spiral.

She’s dead. She’s dead and they’re going to blame me.

Hot tears burned in her eyes and she willed them not to fall, holding them back with all her might, but it was inevitable.

Finally, after what felt like half a day, Alex walked in. Lena knew at once that something terrible had happened. Kara’s sister looked like hell, with dark circles under her eyes and a pained look. She regarded Lena as if she were some ugly thing that crawled out of a crack in the foundations.

“What are you doing here?” said Alex.

“I told your thugs, I’m here to help. You’re wasting time, I need to see her now.”

“Why,” Alex said, “why on God’s green earth would I let you anywhere near her?”

Lena blinked. “At least tell me what’s wrong. I might be able to…”

“You locked her in a kryptonite cage. You talked her into breaching her morals to carry out your sick schemes. You aimed a kryptonite cannon at her face.”

“I…”

“You what? You didn’t mean it?”

“Alex,” Lena began.

“Shut up. You had me fooled, Luthor. Kara always believed in you. I didn’t. I tried to convince her to be as afraid of her as I was. I just want to know, why now? She left you alone like you wanted. You’ve been quiet. Kara insisted we give you a chance and let you be, a choice I now deeply regret. So why now? What did she do to deserve this?”

The cold fury radiating from Alex choked Lena up for a moment. Her mouth worked silently.

“You think I did this?”

“Why not? You’ve hurt her twice already.”

“I didn’t. I would never. I didn’t want her to die. I just wanted to…”

“To what?”

Lena swallowed hard, speaking before thinking.

“I wanted her to feel what I was feeling.”

Alex’s eyes narrowed and her expression went dark and hard, something vicious twisting her lips. Her hand twitched towards the bulky alien gun on her hip.

With her other hand, she pulled out a phone and turned it to Lena.

Lena’s stomach flipped when she saw Lex’s grinning face.

“I hope you enjoy your new present,” he said into the camera. “A Kryptonite particle beam enhanced with a high-powered laser tuned to a wavelength that will instantly negate her powers.”

Lex’s grin widened.

“Lena sends her regards.”

Lena blinked a few times. She wanted to thrash, yank her chain, accuse, scream.

“That’s impossible.”

“Why, because you wouldn’t?”

“I killed him,” Lena breathed.

“What?”

“Lex. Lex is dead. I killed him. I killed him!” she was almost hysterical. “I put two shots in his chest and one in his head like he taught me himself. After he escaped last time I killed him.”

Alex’s expression faltered.

“You think I’ll believe that?” she said, but sounded unsure.

“When I was twelve and Lex was away at school, Lillian got drunk and threatened me. I was scared to death she meant it. Lex gave me our father’s gun and taught me to shoot.” A brief, weak smile cursed her lips. “I didn’t realize until a lot later how fucked up that is, but it’s one of my favorite memories of him.”

“You’re telling me you killed him,” said Alex. “After you went behind our backs and used the Hardin-El to heal his ‘cancer.’”

“He was my brother.”

“And you say you killed him.”

Lena looked down, away from her. Tears fell on the table with a soft patter and she choked back a hitching sob.

“She became his new fixation. He was never going to stop. I did what I had to do.”

Alex went silent. Her hand hung by her hip and part of Lena hoped she’d make it fast, the same part that flinched when Alex moved.

The key twisted in the lock and the cuffs ratcheted open. Alex gave her arm a sharp tug. “Get up.”

Lena wobbled to her feet.

“What are you doing?”

“Shut up and walk.”

Alex led her to the elevator, and down a corridor. Kara’s frail form lay behind a layer of plastic curtains, bathed in brilliant light from sunlamps.

“If she comes around,” Alex said, her voice flat. “You can never tell her. She’ll blame herself.”

Alex parted the curtains and led Lena inside. Kara lay n a stretcher with a layer of bandages wound around her bare torso, looking pale and drawn. Her skin shone with a cold sweat and there were dark circles around her eyes. She lay in a nest of wires and was on oxygen.

“My God,” Lena whispered.

“It was like he said. Some kind of particle beam combined with the laser. It’s like she was impaled through the chest with superheated Kryptonite. If Jon hadn’t caught her, the impact would have been fatal.”

Alex rattled it all off with a cold, medical detachment, except for the tension creaking in around the edges of her voice and the way her shoulder hitched.

“You’ve hurt her so much,” Alex whispered. “I don’t think I’m ever going to fully trust you again. But for the love of God, if you can fix her then fix her.”

“I will,” Lena said, the CEO creeping back into her voice. “I’ll need materials from my lab. I’ll give a Brainy a list. I’m not leaving her.”

Lena did not sleep for another thirty-six hours. She worked tirelessly alongside Brainy, who regarded her curiously as she hunched over lab benches and uploaded instructions to nanites.

Finally she said, “what? Why are you looking at me like that?”

He turned back to his own task without answering her.

An hour later, Alex stormed in.

“She’s getting worse. Whatever you’re doing, you have to hurry.”

Brainy turned from his lab bench and took Alex’s arm. He led her into the hall and they had a clipped, quiet conversation that Lena could not hear, except for Alex’s startled cry of “WHAT?”

It didn’t matter, she was finished. She took the devil in her hands and rushed through the door.

“Let’s go, we can’t waste anymore time.”

Alex openly gaped at her, then looked at Brainy. The expression of utter shock on her face arrested Lena in her tracks.

“What?”

“I,” Alex began, but Brainy grabbed her arm and squeezed hard.

“Let’s go,” said Alex.

Lena swept into the lab carrying the module in her hands as if it were made of precious gold.

“Turn off the sunlamps,” Lena ordered the technicians. “If the poisoning progresses, they’ll kill her faster than they heal her.”

Once they were off, Lena placed the device on Kara’s chest and stepped back.

Its sensors detected the Kryptonite and the system deployed. The pod unfolded like a delicate composite flower, and a wave of nanobots poured over Kara’s skin, instantly devouring and reprogramming the nanites in the wreckage of her suit while consuming the linens and bandages to grant the system more mass.

The entire process unfolded in seconds. It ensconced her in a protective layer and expanded, rapidly building an entire protective pod around her body. Dozens of tiny needles inserted dozens of cannulas into her arms and legs and began pumping her full of nanites, sending them storming through her bloodstream.

Lena bit her lip: there was nothing to do now except watch as the system’s AI administered rapid pulses of red and yellow light to balance the speed of her healing as the nanites in her bloodstream identified irradiated particles and consumed them, using them to make more of themselves.

She sat down. She knew this would take hours.

It ended up taking three days.

Lena slept in the side chair by the bed until someone brought her an uncomfortable recliner. Alex came in and out, as did Brainy and Nia, all of them looking at her oddly.

Finally the pod made a pleasant tone and unfolded. Kara lay on her side within, the nanites having formed a new suit top around her to preserve her modesty. She still wasn’t awake, but she was breathing normally and looked for all the world like her usual beautiful self. Lena was alone with her when it happened, and was glad of it. No one saw her brush the loose strands of gold from her face, and no one saw her rest her palm on Kara’s warm cheek.

They all piled on eventually.

Kara did not wake up.

“Why isn’t she coming around?” Alex demanded. “Why doesn’t she wake up?”

“She’s in a Kryptonian healing trance,” said Brainy. “It’s part of the healing process. She will wake when she is ready.”

“When the hell will that be?”

“We should give Lena the room.”

“What? Why?”

“Trust me,” Brainy said firmly.

Lean was as bewildered as Alex. What was she supposed to do?

When they were gone, she caught herself reflected in the monitors around the bed. She looked like shit, with barely one day’s sleep in four. As haggard as she looked, she didn’t care.

What the hell? It couldn’t hurt.

Lena bent over the bed, leaning on one hand, and took Kara’s in the other.

“I don’t know if you’re in there, but if you can hear me, it’s safe now. You can wake up. We’re all here for you. I’m here.”

It might have been the exhaustion, or the desperation, or the sorrow that filled her to bursting like a molten pain, but something happened and Lena let slip something that she’d held so tight she was sure her heart had long since crushed it.

“I love you, Kara. You don’t have to love me back. You don’t even have to like me. But I need you in the world. I need you. I need you, not Supergirl. I need Kara. I need my Kara. Please, if you’re in there at all,”

Kara’s eyes fluttered open. “Lena?”

“I’m here.”

Kara blinked a few times, and her hand closed gently around Lena’s.

“I had a bad dream,” she said. “It hurt so much, it felt like my heart was ripped out and I was in a dark place, and then I heard your voice leading me home.”

Lena grinned in spite of herself, tears stinging her eyes.

“I’m sorry, Kara. For everything.”

“Hush,” Kara whispered, her angelic voice full of quiet wisdom. “We can do that later. You’re tired. Lay down.”

Lena hesitated for a bare moment and then kicked off her shoes before climbing on next to her. Once she was lying down, sleep came crashing down on her like an avalanche as Kara threw an arm over her and tucked in close.

As she drifted off, Lena heard Alex, somewhere in the hall, snap, “Brainy, you knew this entire time?!”

[endless-ineffabilities]

I will never say that I am in love (18+)

{ alternate title: you are the love of my life }

Aemond Targaryen x f!reader

When the one-eyed prince falls, the realisation comes to him in the scent of flowers. In his nephew's laughter. In his dreams.

themes/warnings : just pure sweetness, our emotionally constipated and repressed Aemond Targaryen, he thinks some *impure* thoughts in this one (how dare he!!!), he does NOT want to even think about falling in love (what a stupid distraction, he is not weak, you all should know) - also, he is DOWN BAD for the reader.

all my other works

a/n : this is the first fic I'm writing completely in the male lead's, in this case Aemond's perspective. Complete train-of-thought type of storytelling. (also, this is not in my scheduled works, the idea came to me after watching the new promo clips for s2... never in a million eons did I ever think I would hear Ewan Mitchell utter the word "cheugy" but oh well) - Enjoy! 🖤

{ I. flowers ▪︎ II. innocence ▪︎ III. dreams }

I.

Aemond decides that he finds pleasure in your scent.

The thought comes to him as he strolls through the halls of the Red Keep. Not a strong one, not a revelation by any means. A mere inkling of something he favours.

It is innocent. It is nothing.

He had spied some flowers peeking from just beneath a window. Roses, peonies, or some other, he did not bother to truly look. He glanced them out of the corner of his eye.

And he thought of you.

You smell something rather akin to those flowers - blooming and enticing and sweet.

A simple observation, rising to him now from his memory.

That is all.

Your scent reminds him of springtime in the gardens. You are pleasant, there is no doubt, but that very sweetness can only be construed as sickly if divulged in for far too long, too often.

Besides, his icy disposition does not really take well to flowers in the spring. They are more like to whittle under his boot, and shrivel from the coldness in his gaze.

You are not for him. No.

Flowers. Sweet things. The gentleness in your voice when you call him 'my prince'. Aemond scoffs at himself as he walks on.

It is no transgression to be distracted. It is a natural thing.

You are a distraction, and Aemond decides to think of you no more.

II.

Aemond comes to Helaena's chambers to visit with his niece and nephews. It is only by coincidence that you are almost always there too.

"Prince Aemond." Your voice resembles a song in greeting him. "Queen Helaena has just left to speak with Lady Alicent, but she should return shortly."

"Hmm." You are not a lady-in-waiting to Helaena, but more of a companion, a friend. Yet you do not mind looking after Jaehaerys, Jaehaera, and Maelor when their mother is indisposed.

This is where Aemond finds you, most mornings. Were it anyone else, he might have sent them away, so that he can spend time alone with the children.

But he lets you stay, because, of course, Helaena would prefer it so. She dotes on you so dearly, Aemond has noticed.

In these instances, he lets you stay only because it is what Helaena would want. Why else?

He settles on an upholstered stool and beckons to the children. They eagerly waddle their way over to their beloved uncle.

You watch the interaction with a smile, as you always do. With your legs curled underneath you, comfortably seated on the floor a few feet in front of him.

Aemond used to pay you no mind, but increasingly it has been nagging at him that you are observing, taking him in.

It is inane to be self-conscious; there is no reason to be. He is the Prince - being perceived has been a constant all his life.

He is the Prince, and you are merely a lady companion.

But when you say things like, "They are very fortunate to have you as their uncle, my prince," it makes him feel a sense of pride. Like it is some accomplishment to be complimented by you.

He knows this. He knows he is a good uncle.

Perhaps it is just that. Vanity.

You pointing it out has nothing to do with anything.

Jaehaerys crosses the many strides it takes for him to reach you again, and he pulls at your hand.

"Come," he giggles.

"Where, sweet boy?"

"Come, come here, come here," he mumbles mostly to himself, grunting when you are unmoving and his three-year old form is unable to magically transport you as he wishes.

"Okay," you laugh once, getting on your feet with your body bent to his level, and you let him pull you to where he wants.

Which is... right next to his dearest uncle Aemond.

"There." Jaehaerys claps his hands in glee, as you curl up on the floor beside Aemond's outstretched legs.

"He has a sense of humour, that one," you grin, looking up at Aemond.

Aemond sees your expression up close and you look okay. Comely. Fine. You are not bad-looking, by any means.

You are the most beautiful lady in the court.

You are fine, just fine.

Aemond would not mind seeing your face everyday; he already sees it every night in his dreams.

And it is just fine.

"Is something the matter, my prince?"

Call him that. Do it again. Or better yet, replace prince with his name. Call him 'my Aemond'.

Aemond desires nothing more than to hear it.

Because... because he is vain. Nothing more than that. It would take a high degree of devotion for someone to utter the words 'my Aemond' to him. And who would not want to be at the end of such idolatry.

Perceive him. Worship him. Consume him.

You already consume him.

Aemond stands abruptly, and you scramble to follow suit.

"Aem... Aemond," you stammer. "I mean, forgive me... my prince, what is wrong?"

Aemond looks down. Your delicate hand is gripping his arm, the sleeve of his tunic doing nothing to mask the heat of your skin.

He is of dragon, he is of fire.

But your touch burns.

The clacking of wooden toy horses ring in the background, the children lost in their imagination.

"Nothing," Aemond clears his throat, and folds his arms behind him so your hand falls. "I am alright. I must go."

The smell of sweetness lingers in his nostrils. Your sweetness. He is growing weak.

He steps away, "I bid you farewell, my lady."

"My prince."

Call him Aemond. Call him by his name, title be damned. By the gods, call him yours.

Aemond nearly rushes out of the chambers, his gait sure and his footsteps heavy.

Tonight, in his dreams, he will finally release his foolish desires and that will be the end of it.

Behind his eyes, he will touch you and taste you and watch you crumble underneath him.

And he will be your Aemond.

That will be the climax of this passing fantasy.

III.*

Aemond has stripped down to his undergarments, supine above the silk sheets of his bed. He runs a hand over his face, and he sees you.

All the better for it, he supposes, that he gets rid of it now before it ruins him further.

It is a memory, from only one moon ago, but he sees it clear as day.

You had let your hair down that day, and it flowed freely, following the gentle breeze. Nestled in what Aemond found out to be your favourite spot in the gardens, needle and thread in your dainty fingers, you tell him that you are embroidering a veil for your dear mother.

You request for him to sit with you, and Aemond obeys.

Pleasantries are exchanged, about the weather, your duties, his training. All the while Aemond watches the contour of your lips, how it stretches back to reveal your smile when he says something that could not be the farthest from amusing, but you find it amusing anyway.

He stares you down questioningly.

You blush then, turning your focus back to your work, "Apologies, but I... I admire the way you speak, my prince. As if every word is deliberate, carefully chosen. You are intelligent, and you care what you say."

"Hmm," he said then, but now...

In his mind, he lets you know just what he wants, "Have you ever been bedded, my lady?"

You look at him in shock, of course you do. Those rosy lips part, and Aemond wonders whether your lips below possess the same shade.

In his grand chambers, Aemond lets his hand drift down, down from the planes of his stomach, to his hardened cock. He licks his lips, and imagines the softness of your own. He strokes the leaking tip with his thumb. The picture continues.

"Do you not ever wonder about the deed?" Aemond asks.

"M-my prince...I do not... I - "

"You must," he sneers. "You must, as I do, and when I do, it is you who floods my very thoughts, and consumes my very being."

"I do not know what to say."

"Say you want to kiss me."

His grip tightens, drawing down and up his cock, covering it with the milky white that has leaked from his tip. He is pained, teeth pressing down on his lower lip. He imagines your hands on him, your dress undone as you watch him come undone.

"We mustn't," you look down in shame. Your legs clench together to keep in the warmth.

"Come here, my sweetness," he leads you to sit atop him, and your work clatters to the ground.

You try to look away, try to hide just how much he is affecting you.

"Kiss me," Aemond pleads.

You comply. He slips his tongue past your lips.

Faster, wetter, he gets harder and it is unbearable. His hands are not enough, he wishes to plunge his aching member right into your soaking folds. Wishes to watch beads of his sweat fall on to you as he pounds you without mercy, his cock squelching deep inside your cunny until it is sore. If only you will ache as he does. Come as he comes.

Aemond lifts you up and the two of you end up stumbling down on the grass. He does not relent. His fingers make quick work of the strings and ribbons holding you together. Your breasts come free and he latches his mouth on one, his tongue swirling against the nipple.

"Oh Aemond!" you moan, and it is a scandal. It is everything unholy. It is every dirty thought nestled in his mind.

Soon he has you bare, your skin practically glowing under daylight. You are perfect, and you are his.

"Take me," you say, practically begging. "I want you to fill me with your cock. Fill me with your seed, my dragon prince. Please."

"My sweetness," Aemond reveals himself to you, undoing his breeches and slipping out of his tunic. How could he resist?

"Do you want me?" he asks.

"Yes."

"Say it."

"I want you, my prince," you affirm, squirming under him, you hips bucking up with desire, hopelessly attempting to rub your cunny against his skin.

"My Aemond," he corrects you. "Say it."

"I want you," you say, "my Aemond."

Aemond rubs his cock faster and faster, the thick green veins in his hand and arms straining angrily under his skin. He feels you, he sees you in his mind so clear. You are his, and he is your Aemond.

He plunges his cock inside you, and you are left mewling and writhing as he quickens his assault.

He groans loudly. The lewd squelching of his cock turning sloppy, hasty, mindless. A few more strokes and he comes all over himself, hot white streaks decorating his torso. His silver hair in disarray on the pillows, like a broken halo. Beads of sweat falling from his temple. His mouth parted as he whispers your name.

He gives himself a few more tugs, emptying out. You would do him so much better. Touch him so well.

In his mind, he still sees it. Fragments of his memory bleeding through his fantasies. He does not know anymore what is real and what is not.

He cleans himself up with warm cloth afterward, feeling shame at his actions.

This is enough. Now he has released you from his being. The desire he holds so closely to his chest must have dissipated along with the lewd act he just committed.

"My Aemond," you whisper from behind him, wrapping your arms around his torso.

Enough. No more of such useless musings.

"I love you, Aemond."

I love you too.

🌸🌸🌸

* In III, reality is fully italicized, and his memories + fantasies are typed as normal.

this was meant to have more sections ( IV to VII )... maybe I'll come around to it eventually.

Let me know what you think of this sort of writing from Aemond's perspective!

To be tagged in Aemond or Daemon fics, comment on this post !

[inbarfink]

Okay, so here’s the thing….

We are still at a very early point in the narrative of ‘Fionna and Cake’ and therefore at a very early point in Simon’s character arc. It’s pretty clear that “I need to become Ice King again” is not the end point by any meaning of the word. But I am wondering where we’re going to go with this, cause… The series has yet to really tackle how miserable Ice King himself was a lot of the time. And how often he hurt people. 

Like, yes, I was an advent advocates for 'trying to bring back Simon Petrikov was a really really Bad Idea on Betty's part, it was more healthy to focus on making sure Ice King was as happy and healthy and harmless as he could be', but I am also fully aware that he started the show being both extremely lonely and extremely sad and also a serial kidnapper who was very much a danger to those around him. And as much progress as he made during the show, getting Ice King to that point was a very serious struggle with a lot of backslidings and problems.

'Friends Forever' is, for example, an episode that stuck with me for a long time as a really heart-wrenching demonstration how even in that late stage, when he has buddies and people trying to seriously take care of him - Ice King was still very capable of seriously sabotaging his own relationships and hurting others and himself.

And it does make sense narratively that, like, characters like Astrid and Fionna and Cake, all of whom lack the full context of what Ice King's life was like (Fionna and Cake really just saw Simon at his worst and only got snippets of clips of Ice King and since Astrid was born after Humans came to Ooo that means she was also born after the events of ‘Come Along With Me’) all see Simon as a downgrade. Because they really don’t understand how bad Ice King was beforehand. 

And thus is does make sense that with Simon's current mental state, and how he is surrounded lately with these kinda people who never really knew Ice King and don’t really understand how terrible and miserable he could be, and now hearing that his ‘sanity’ just took away magic and whimsy from some else’s whole universe, and how it feels like the actual gods of the multiverse are telling him that he should be Ice King, that he's supposed to be Ice King....

It makes sense that he might start kinda... romanticizing that time in his life again. 

You know, the big thing about the outlook that Betty should’ve accepted Ice King as who he is rather than basically destroy herself to bring Simon back wasn't about whatever Ice King or Simon Petrikov were better or 'cooler' than the other. It was about, like, embracing change. Not obsessing about a past where things were ‘Better’ but seeing what is the best you can do with things as they are. Moving forwards.

And we all know how Simon feels about moving forwards right now…

And obviously that's a pretty bad mindset, even if it's understandable how he got there...

And honestly, if we do explicitly acknowledge that, hey! Ice King’s life was often just as much of a depressive spiral as Simon's is right now! There might be an element of… resignation in Simon’s decision. 

Because Simon's downward spiral since getting cured is not a demonstration that he was better off under the Ice Crown's curse.... But, to him, more a demonstration that he doesn't need the Crown to screw up his own life anymore.

‘Cause as both as Ice King and as good ol’ ‘sane’ Simon Petrikov he is just as capable of being lonely and depressed.

And just as capable of losing his own identity.

And just as capable of pushing his loved ones away and ruining his own life.

And just as capable of becoming a weirdo obsessive.

And just as capable of making little girls cry.

He even started kidnapping people again! That’s the Ice King Classic!

So on some level, maybe Simon is resigned to the fact he’s always going to be SOME sort of screwed up lonely sadman who hurts others. And if that is his fate, he might as well be the screwed up lonely sadman who is mostly oblivious to how sad he really is and can shoot ice from his fingertips. And his arc is going to be about realizing that, whether he is Ice King or Simon Petrikov, healing and change ARE always possible for him.

But we’re gonna have to see where it goes…

[bookishbrewer]

Cyn - The Disabled Neurodivergent Sibling:

⚠️ WARNING: this post will include discussion of bullying, ableism of numerous kinds, abuse, trauma.

First, let's establish 2 important terms for this post:

Zombie Drone - a state in which a worker drone is improperly disposed of. The WD enters a state of self-reboot as a result of: their core not being properly disconnected, the hardware not physically destroyed or a 606 error is interrupted. In a 0.7% chance, there's the risk of said WD rebooting with a "potential hazardous mutation".

The Absolute Solver - an incredibly advanced monstrous code and supernatural artificial intelligence that mutates in damaged forms of lesser AI.

Neurodivergent:

Cyn is first introduced in a flashback in episode 2, when she is scavenged & brought back to the Elliot mansion by Tessa. Right at the beginning, we the shy drone do something that may be interpreted as neurodivergent - imprinting:

Yes, I may be reading too deeply into this, but the fact that Cyn immediately focuses on the drone with the least threatening position & expression makes me think she may interpret him as the safest person to be around.

Just before this scene, we as the audience got to see the relationship between the main 3 drones Cyn will interact with in the mension:

1. N & V - they are the more meek & submissive types. They're both portrayed as sensitive, and have something of a crush on each other.

2. J - she's more of a mean 'older-bully-sibling' type. Not hasitating to command her peers, even using verbal & physical violence to do so.

So, in a sense, Cyn was right.

In ASD, for example, neurodivergent people might rely on siblings for interpreting social cues, deepening their connection. In addition, siblings may become key figures in routines and shared interests, leading to strong bonds (see for example how N reacts to Cyn showing him "those eyes" referring to her putting a picture of a golden retriever on her visor to convince him to go ask Tessa if they can attend the gala together. Or N suggesting the both of them will watch a movie together).

For another example, ADHD, siblings might help manage impulsivity & help with conflict resolution. We see an example of this in this clip:

After Tessa's abusive mother tells her off, Cyn steps in & exclaims that "they are not broken. We can no longer be thrown out", in direct reaction to the mother threatening to throw out all of Tessa's "dumpster pets".

This, clearly, triggers Cyn's trauma we see a glimpse of in episode 5:

She wakes up in what is essentially a pile of dead bodies, deeply woulded, hurt & terrified. This is what she is referring to, this is what 'no longer' means. It means 'not again'. She doesn't wish what she went through on anyone.

Even though N, Tessa's favorite, protects Cyn, it does not shelter her from Tessa's abuse. Now, let me reiterate, I know that Tessa is an abused child. She suffers from emotional, physical & verbal abuse from both her parents (& maybe other caretakers) and is also just a kid. My point in mentioning said abuse is to merely point put that this is an example to the cycle of it continuing, creating more victims.

Tessa inflicts on Cyn the exact same abuse she suffers at the hands of her parents & more:

She displays blatent favoritism towards certain drones (N & J) over others (neglects V & treats Cyn badly).

She threatens Cyn that something might happen to her if N is hurt for defending her from her mother.

She chains & locks Cyn in the basement with the use of one of her favorite drones (J):

Another example of Cyn's implied neurodiversity is her misunderstanding of Tessa's words. When Tessa threatens Cyn that something might happen to her if N is hurt "because of her" she simply replies:

Cyn does not exactly understand that Tessa is worried that N might die. To her, it is meaningless, because she (or rather, the Absolute Solver) has backups of Ns personality (which is displayed in future episodes, when it is revealed that she is the one to send the murder drones to Copper 9). This is very similar to how people with ASD (& others) may take a statement too literally or misunderstand it at first.

Another tidbit that I like about Cyn, is that she doesn't like being condescended to. She talks back to those who belittle her because of her being 'different'. Not only to Tessa & her mother, but also to her fellow drones:

Cyn: it seems that J forgot to let me out of my basement time-out again.

J: yet here you are.

Cyn (turning to N): annoyed expression.

She also does it to N in her eldritch form:

Another thing I'd like to add is Cyn being quite quirky & unique in her peaceful days, before the Solver took over her entirely:

Physically Disabled

We know that Cyn was sent to be destroyed for some reason before the show began. Her almost being destroyed caused numerous disabilities, some of them were cured (for example: her cracked visor was fixed) but some remained as lasting effects:

Linguistic differences/disabilities -

Cyn cannot talk in a more "smooth" way like her fellow drones. Her voice can be interpreted as robotic & distant (a characteristic some neurodivergent & disabled people may have or may be precieved as having).

Instead of just doing, Cyn says her actions out loud, for example: "sheepish nod", "shuffle, shuffle, shuffle", "tantrum", "jumpscare", "light sip". Some neurodivergent individuals, such as people diagnosed with ADHD may express their thoughts or describe their actions out loud as they are doing them to help with focus, brain fog & organization.

Bodily impairments -

Cyn stands a bit crookedly & doesn't get much support from her limbs to hold her body.

Her head cannot be held straight & has to be supported by something (she usually uses her hand to do that. Even in her eldritch form, before committing the massacre in Elliot mansion):

Though there are many voices of people, both disabled & otherwise that speak against disabled characters being portrayed as villains, I believe Cyn is in no way a disrespectful character. Before she is entirely lost to the Solver her trauma is explored, validated & expended on. She is portrayed as sweet, charming, complex & loving. She is also shown as being bullied, discarded, hurt & abused.

Her disabilities are not the cause of her fall to evil & are not her "trademark" when it comes to her definition (similarly to how, let's say, Darth Vader is mocked for his suit & is known & feared partially because of it). They are a part of her, but they are not the only aspect in her life that define her.

I think Cyn is a pretty good example of what a disabled person may go through in different stages of their lives. As a new sibling, as an unfavored child, as a server/worker, as a friend, as a hero & yes, as a victim of circumstances beyond their control.

I love Cyn, she's very special to me & I can't wait to see where her story will go.

Thank you for reading 🙏💜

[actual-changeling]

i have taken apart the kiss several times now for different reasons. today, though, i am reaching a new low. or high, when talking about the level of insanity i am about to present.

the question i will attempt to answer is the following: did they kiss with tongue?

alex, you might ask, why? and to that i respond. i don't know. i wish i did. i tried to get this out of my mind but it did not work so here we are. as always, keep in mind that this is just speculation. i swear i can write intelligent meta too i just need to get this out of my system

i slowed down the parts of the kiss that show us their lips/mouths, so here goes evidence piece A. the left picture is from the very beginning of the kiss, the second one from the middle/early end part.

now, on the left the kiss seems quite chaste to me, which makes sense, since aziraphale is still in shock and not kissing back yet (if you missed the post on him kissing back, you can find the meta here). on the right, the angle and position of their mouths have changed and look to be slightly more open than before.

this is where i present evidence piece B, both pictures are from the same scene the one on the right is from. if you compare these to the very first one, the difference in how open their mouths are is pretty visible.

aziraphale is kissing back at this point, and he is kissing back properly. even their jaws look more open than at the beginning of the kiss, and with how long it went on, i think them kissing with tongue is not even too much of an insane conclusion to come to.

lastly, i will show you evidence piece C, which is a small chronological collection of frames after the kiss, right when crowley lets go and aziraphale stumbles back a little. there has been speculation about why he makes the face he does, and i would like to give you my thoughts. not only is he about to cry, his mouth is also open because the kiss ended quite suddenly and he did not expect it.

his mouth opens a bit more and he pushes his tongue slightly forward, but it was already open. now, i don't know about you guys, but i don't think it's common to open your mouth and stick your tongue out after a kiss, with your eyes still closed.

that is the kinda thing you do when you are kissing someone with tongue and are not expecting them to suddenly pull back.

listen. i slowed these clips down. i zoomed in. i watched them over and over and i cannot find another explanation for why his mouth would be open, especially because he then closes it once he opens his eyes and realizes crowley has let go.

so in conclusion: yes. yes they did kiss with tongue. and i really need the therapy appointment i have scheduled for next week because this feels like an entirely new mental illness.