#because they fit the vibe even if the lyrics don't and also Let Me Get A Little Silly

[copiasblair]

if you had life eternal... - a copia x blair vampire au playlist

nightporters - japan | vampire - versailles | stay - palaye royale | life eternal - ghost | hunter's moon - ghost | fangs - snaggletooth | marian - the sisters of mercy | die for you - black veil brides | wuthering heights - pat benatar (originally by kate bush) | eternally yours - motionless in white | fever dream - palaye royale | burn - the cure | respite on the spitalfields - ghost | the house is haunted - the phantom chords | it's you i'm thinking of - sally dige

[okay to reblog! don't interact if you ship romantically with papa emeritus iv]

[m1ssunderstanding]

Let it Be Close-watch

Paul, sweety, it's beautiful, but it's killing the vibe.

Ringo looks like a very old, very tired lab rat whose been put through the maze a few too many times

Somehow the air-brown mostly eaten apple is very appropriate.

She looks far too sweet here to ever let John down. Yoko has very kind eyes.

I love how it makes it seem like Paul and John are calling Maxwell “the corny one” but really we know from Get Back that they're talking about a particular arrangement they were trying out for Don't Let me Down.

I swear he's saying “John” there, not “Joan” and also he said “came down upon His head” so… Oh! And Max died in the end in this version? “Sure that Max was dead” Okay. So Paul kills John and then himself. Murder suicide story. Yeah, Paul, you're doing great mentally, we can all tell.

I love how George getting electrocuted was important enough to make the cut for both films. Poor baby. “If this boy dies you're gonna cop it” from the guy who was just singing about a serial killer.

They're so silly

Yoko does not agree with me

Paul: stealing your man, sweetheart. John: oh no I'm being stolen teehee!

They're so silly

Oh wait, were those bitchy looks at George??? Because there he is. Idk could easily be him or Yoko.

this poor autistic baby trying to use words (not his language) to explain music (his language)

“Good MoOornin! Wooah!” I think I just … You know how Mike said people were booing Paul in the theater watching this? Yeah it's because they were pissed he didn't step out of the screen and onto their necks.

Oh Michael put himself in his own movie too? Huh, cool.

They are always in my heart

The way Paul says “get on the mic” to John??? I would've thrown something, that was so fucking bossy! Just his tone and his face and his angry pointing fingers. So mean. And John just goes “okaaay”. Oof.

Ringo covering his eyes like a little kid watching a scary movie during the orange sweater fight. Same, babe.

Sounds like the original lyric John's going for is something long “All I want is you. Nothing else is gonna do.” But that obviously didn't fit with the tune. I wonder if there was a particular conversation with Paul being controlling that made the “everything has got to be the way you want it to” line click in.

Oh my gosh! So George is showing I Me Mine to Ringo and Paul and he says the “I don't give a fuck it can go in musical” line before he even plays it. Not after John's making fun of him like he does in Get Back. Nagra reels experts: which one is correct??

George: it's a heavy waltz. Ringo:*claps hands angrily and punches the air to a ¾ beat. I love him, he's like the core of “Beatle humor” to me.

Woah there! Okay this is the John/Yoko pda Peter Jackson cut, I see. I wonder if there's a lot more footage of them swapping spit that might make the “oh John was just so in love” theory more reasonable.

It's extremely impressive that George just wrote this whole thing last night. You know? John and Paul have brought in all fragments from what I can tell. He's the only one to come in with a basically finished product.

LMAO and we're just going to Apple now. No reason. Nothing happened. Nothing to see. Moving on.

Ringo is so so cute pretending to hide from the cameras. Really he should've been the cute one.

Is it just me or does Paul drop the sillies and get sad when he sings “always be mine” at John? It's his regular voice, too, for a minute, if I'm not mistaken.

Silly cuties. But John's grin and little sexy tongue action happens the second time Paul sings always be mine, so…

What friendly artistic collaboration looks like when it's not psychosexual

Paul: have you played the dubs? George: yeah. Terrible. Paul: Great! Ringo: terrible. John: laughs Paul: (sarcastic) oh, so dreadful. …. John: where's my guitar? Paul: (still sarcastic) well we're just the greatest band ever. Idk I just like this dialogue. It's very them, you know?

This is adorable.

But I also love how they're already communicating with eyebrows, you know? They just bonded so fast and I find that beautiful.

And then Heather ups their game from taking turns going “chchchchch” into the mic to meowing into the mic. She looks at Paul like “okay your turn” and he sets her down lol he's thinking ‘if I meow into the mic right now after John already had a sex dream last night about me, he might actually cream his pants and we can't have that on camera’

Lol Billy just magically appeared!

Paul you're literally so annoying. You started the goofing off and now you're like “alright lads, that's enough.” Mkay.

He is unbelievably sexy and talented though so you know he does have those little things going for him. Someone write me a Paul/Billy fic please!!

Kinda crazy how they all four just slide straight from “Kansas City” to “Miss Ann” to “Lawdy Miss Claudy”. Makes me think of something they might've done in Hamburg.

I'm sorry but Paul finishes “please don't excite me baby. I'm down in misery.” And John's immediate answer is, “well you can get it if you want it, and if you want it you can get it!” And Paul ends up singing “I want it I want it I want it I want it”. Nice. Very subtle, boys. And that's before John gets kinky.

I love how Heather just forces a hug from George and then immediately runs away. What a cutie.

But really. How did anyone watching this get the idea that John hated Paul? Just confirmation bias I guess?

All the cut off conversations kill me but especially the one where John's working though Paul's anxieties. They're just in the middle of it and then cut. “two of us Sunday driving…”

Someone should do a study of whistling in their songs. I feel like it's another one of their tip offs that “hey this one is about us” Anyway I love John's whistling here. He's so good at it. I can just imagine him as some farm boy picking apples, you know?

Imagine booing this poor stay puppy though, like. What? I mean, what if Johann Weiner was wrong and John wasn't crying at the sight of him and Paul playing triumphant together on the rooftop, but at Paul playing his little heart out about their doomed love. Idk it's probably both. Let's be real, John was bawling through the whole thing.

What is George laughing at? Picture quality is garbage because evil corporations don't let you take screenshots of their content, but he looks like that one kid in your elementary school class that just dumped Cheetos all over his crushes desk and thinks he's a criminal mastermind.

Also I do appreciate all the attention given in the chosen shots to the musicianship. I bet they liked that at least if they had the heart to like anything about the movie at the time.

I'm sorry but I love how in sync Mo and Paul are. With this ducking and later the shimmying. I know it's wrong to ship Ringo’s wife with one of the Beatles she didn't sleep with, but… idk I really want her to have bedded all four at one point, you know? She deserves it, being an og.

Okay but yeah I'd be having a public meltdown if I fumbled that too holy fucking shit

Ringo feeling himself as he should

George just looks like he smells nice. Unlike the others. You know?

John has such a beautiful smile. If somebody looked at me like that I'd put him up on a giant screen behind me on my world tour after he'd been dead for forty years too.

That pleeeaaaheeeaaase though. Looking at Paul. How did he survive I'll never know.

The cut from screaming Paul to grouchy nap lady is extremely painful.

John was so cool in this concert. Like the epitome of cool.

Kevin, my love, thank you for your service

I love Yoko leaning so far and craning her neck. She's like a mom at a school talent show. Like “I only came to see my baby.” Type vibe. Which is exactly what she's doing, unlike Mo, and honestly I find both of them extremely valid

You know in movies where the romantic leads are never looking at each other at the same time?

I think I watched George and John switching back on their amps like fifty times because I just love it so much. And from this angle, you can see John's saying something to Paul about it. He looks serious and he's shaking his head. I wonder what he's saying.

Mal Evans I love you forever for this. Look at his hand on the rail, just blocking them off completely, so protective.

Them turning to each other at the end always gets me. It's automatic, like second nature, and it's the last time ever. They deserved better.

Oh Darling duet in the credits are you fucking kidding me??? Was that in the original? “Believe me, when I tell you.” “Oh I do.” That's the second time that they gave away in this footage that they know they're talking to each other in their music.

Alright, that's it, I guess. And then MLH is haunted by this experience for forty years until he makes Two of Us to purge the demons.

[literalite]

mistki's the land is inhospitable and so are we (2023)!! as edits featuring mine and some of my friends ocs 😁 had a lot of fun with this project... rough explainer of how/why each song corresponds to each character/s under the cut because i love symbolism and talking! sorry it is long

bug like an angel - sapphire

without spoiling too much of her story and arc... sapphire's life is not easy. she's hurt by people she cares for and who care for her, although inadvertently, and in turn hurts people who she cares for and who cared for her, also not by her own volition. it's kind of a terrible truth that you will harm and be harmed by the people you love, even when you and they truly don't want to. it's up to you how much you're willing to take and deal. you can't keep every promise you make and you can't right every wrong. but you have to keep trying anyway. that's sapphire's strength, and the core of her goodness and why i personally consider her one of my favourite ocs. i chose to depict bug like an angel in mitski's more positive interpretation here and in that light i think it works best for saph

buffalo replaced - heiya

well first and foremost the vibes of the song fits heiya perfectly fhgjk but also lyricism and tone... yep. quick breakdown of heiya's background since i doubt i'll ever be able to do it properly she's an interesting character for me because she like a lot of my other characters has lost. everything. she had a wife and a child and they were both killed and she had to leave her home again and again and unlike how some of my others would have taken this she has never flagged in her unwavering dedication to preserving hope. for herself for her people for the future etc etc. which is a very fucking difficult thing to do! the world changes faster than you can keep up with it sometimes but for heiya she will not let herself tire and be swept away in it all. people rely on her. she's a guiding star as much as she is a woman. she's a lover and a fighter and thats what buffalo replaced means to me! so

heaven - vinny and caleb

i feel like of all my oc couples so far they have like. the sweetest most kind of simply mutually trusting dare i say straight forward love. they just love each other so much and thats all. the world could end around them when theyre together and it'd be okay truly. also yeah vinny is ostensibly in heaven now bye angel i feel like this one was pretty self explanatory. me and who WHEN

i don't like my mind - sunny

he just like me fr (said in denji voice) anyways wow ha. unstoppable unending guilt due to past actions that haunt your every waking moment? throwing yourself into any and all distraction just to take your mind off it, filling your time with other shit so that past sin doesnt for once echo in your awful and hollow brain? this song is perfect for sunny honestly just that sentiment also the "please don't take this job from me".... sometimes the coping is worse. you can be proud of something because you can do it better than anyone else even if that thing is terrible

the deal - wolfgang munch by @gunthermunch

Wolfgang Amadeus Munch. umm this will make more sense later on but it still kind of makes sense now i think. he doesn't want to be himself he keeps . leaving and moving and running away from his own memories his own self in reaction to others. if he could pawn it all off he would. if he could be better in an instant without having to feel every agonising second of change he would! but thats not how the world works. or is it. read munch by gunthermunch thats an order

when memories snow - lilian

i feel the older you get the more your past kind of swells up and trails behind you... at least for lilian that is shes very linked to the different versions of the girl/young woman she used to be. for her its a double edged blade, a lot of her own strength is drawn from who she was and what happened to her throughout her life. they haunt her but she's haunting it back in her own way

my love mine all mine - saige, bellona, ari

stares you down okay so usage of this song very much almost verges into spoiler territory but uhm. uhm. starts twitching basically the whole dynamic here is . sometimes when you love you will sacrifice. and while that is usually a good thing sometimes it is not but sometimes it still is. sometimes you pay your dues for love and sometimes someone else has to pay for your love as well. and whether that is worth it to them remains to be seen. but it's all about love still. whether that's a worthy cause is up to you i suppose

the frost - yoshiki and hikaru from hikaru ga shida natsu

fun fact (or not so fun fact since i had it listed as such) this slot was originally meant to be taken up by a gojo/geto edit and while it still works for them frighteningly well i swerved to do another black and white haired doomed gay pairing gfhjkl; i really recommend yall to read hikaru ga shinda natsu/the summer that hikaru died because honestly it speaks for itself! it's SO good i love it so bad

star - ari and luca by @anjitrait

wow these two did not deserve the horrors the narrative (me) slammed down onto their heads. they're kind of the most married of all time to me but like of course under pressure even the strongest most loving of bonds will warp. they've been together for roughly a decade and a half now. they know and love each other as totally as you could possibly imagine. despite it all i am yours, no matter. are we picking up what i'm putting down chat

i'm your man - nayef and sióar by @lucidicer

after the album dropped like at least 3 people swung into my dms with a ?this you?? about this song which. i mean the fucking dogs that start barking halfway through the song. are you kidding me. but anyways sioyef and devotion. sioyef and putting yourself in your lover's hands and looking to them like they are a god. this is super self explanatory. you know

i love me after you - redacted and ophelia

HM.... all i'll say here is that sometimes the homoerotic tension filled high school friendship where both parties have something very wrong with them but in totally different directions can be. scarring. bad. sometimes love just isn't enough when you don't know what you're meant to do with it and when you've lived in survival mode all your life. but that once the dust clears you can scrape yourself off the ground get up keep going and that isn't gonna be the end for you there. or for love, even. sometimes shit just ain't meant to be and thats ok

[king-krisu]

SAME IN INGLIS - Mic Mac

Yes Hello you ask and you shall receive: a series where I take one song and explain some of the slang or any references that might get lost in an ordinary translation. Usually I or any of the other mains doing translations don't want to make posts too long by adding footnote after footnote, so some stuff might be lost intentionally. I'm using this series to dedicate my time specifically for all the stuff I usually don't comment on. I'm gonna include everything in here, even some of the "obvious" things. So up first by popular request:

MIC MAC

So firstly, the name. Mic Mac was a Finnish youth clothing brand between 1972 and 2013. They were particularly known for their provocative and shocking ways of advertising especially in the 1980s. They had their own brand of jeans that were extremely popular, but they also sold other brands in their stores like Levi’s or Wranglers. From what I know they only had stores in Helsinki/Uusimaa but correct me if I’m wrong on that. For a lot of us Mic Mac is a very 80s/90s brand, their peak was during those times as well.

Jere has a lot of other interests that are very reminiscent of a childhood in the 90s. Even the name Jere was very popular in the 90s, it’s the equivalent of Justin or Jake in english. In this song he talks about Pokemon cards, which I’m sure a lot of 90s kids will remember being very popular. In the same breath he mentions Habbo Hotel, a Finnish online virtual world game and chat room founded in 2000 that’s still active today. in Viulunkieli he references Bomfunk MC’s Freestyler which is like the most 90s song in this country you could play. He also grew up listening to other artists that had their peak in the 90s/early 2000s, like Eminem or Finteligens. My point here is that it’s clear he has a lot of fond memories of his childhood, and he lets them influence a lot of his music and lyrics. Mic Mac in particular feels almost like an ode to that time in his life and in Finland generally.

Now, to the actual lyrics. I’m gonna copy paste the entire verse/chorus and highlight slang/spoken Finnish, and I’m gonna take a few particular words from each part and explain them. The cursive words are just slang with a parenthesis of “official Finnish” next to them, and the bolded ones I’m gonna explain.

Meen (menen) ajassa taaksepäin

Mutta onneksi ne ajat taakse jäi

Olin merkillinen enkä esimerkillinen

Käyttäytymisen alkeet jäi hei

Oli rasavillin elkeet, katoin (katsoin) Smackdownii TV:st

Ja otin mittaa mun isoveljest (minun isoveljestäni)

Meno epäterve

Tuolit lens (lensi) minkä kerkes (kerkesi) kavereiden kesken

Olin pieni ja paskiainen, alakoulun penkillä laiskiainen

Poden vielki morkkist ja henki haisee siit tupakin (tupakan) maistiaisesta (Hyi!)

Ja niist muutamast katkonaisest (katkonaisesta) muistosta ne vielki hävettää

Ei muisteta pahalla ku tuut vastaa unohdetaa menneet ja halataa (halataan)

Rasavilli is a word derived from swedish (rasvill), which is extremely common especially for Finnish slang. It means an unruly, mischievous child, willfully causing chaos

Meno epäterve I decided to highlight this because the word meno in this context is used in a colloquial way to describe the atmosphere of something, so for this instance the vibe was crazy or something. Officially it means an errand or plans, or financial expenses, but a lot of us also use it as a descriptive word

Morkkis I’m sure you remember from his song Morgan, but it just means being badly hungover and having anxiety. It can though also be used to just in general feel regretful over something in the past

The chorus actually doesn’t have any spoken/slang Finnish except one word from what I can tell so I’m not gonna include all of it here

Menin olohuoneeseen odottaa (odottamaan) tuoretta pullaa uunista

-

Jolloin meil (meillä) oli päällä Mic Maccii, oltii (olimme) Mic Macci jätkii

Ei ollu (ollut) värillä väliä kuhan (kunhan) fit oli fättii

Fätti I chose to highlight this just to show that often we’ll take English words and add ä/ö to them to make them sound Finnish. Like here the word is Fat, but because the -A sounds like our -Ä we just type it out like that. Another example of this would be how a lot of the times you’ll see the word rap written as räp, even though officially we just use the english word (although as a verb I think even officially it is räpätä with the -Ä)

Taas ajassa taaksepäin

Mun (minun) suuri suu sai isommat pojat ravistelee (ravistelemaan)

Olin pihapelien Jarkko Ruutu

Leuka tummu ku (tummui kun) pojan nassikat taistelee

En alkanu aristelee (alkanut aristelemaan)

Jos piti frendi tempun takii (takia) tuikata tulee

Enkä astella heikoil jäillä

Jonka johdosta mummo sai kuivata kuteet (slang: vaatteet)

Jotain samaa on faijas ja mussa (minussa)

Ei omena parka pudonnu (pudonnut) kauas puusta

Mutta sillon ku (silloin kun) putosin, ni tuhosin mun (niin tuhosin minun) ranteen ihan tuusannuuskaks

Vielki Habboo on kiinni portit

Mä palautan pöllityt Pokemon-kortit

Jarkko Ruutu A Finnish former ice hockey player who went all the way to the NHL, who was known for his particularly aggressive and rough playing

Pojan nassikat Nassikka is an older, almost colloquial descriptive way to refer to a little boy

Frendi/faija/pöllityt These are all slang words derived straight from other languages which we do a lot, especially with swedish or russian. Frendi comes from the english friend, faija comes from the swedish far (father), and pölliä possible comes from the swedish bälla (to steal/use)

Astella heikoilla jäillä So this isn’t like fully clear BUT there’s this children’s TV infomercial that has run every autumn/winter since 1986 and probably does today as well, that warns children not to walk on ice as it can be deceptively weak. It is ingrained into everyone's memories because the bear that falls into the ice looks so miserable and terrifying as he says “Watch out for weak ice”, and since this song is about his childhood I’m gonna go out on a limb here and say it’s a reference to that

Tuusannuuskaks This is a colloquial term used to describe something shattering into a thousand pieces. I honestly couldn’t find the full origin for this but most likely it comes from the swedish word tusen (thousand) and the rest is beyond me lol (except that nuuska means snuff so maybe it’s about snuff being easily spread in a thousand places)

Ja ku mentiin liian pitkälle läppien kaa (kanssa)

Istuttiin jälki-istunnossa Mic Macci jätkien kaa

Läppä means a joke, but the official word for it is vitsi. I’m not sure of the origin but some researcher said it comes from the swedish word läpp, meaning lip, and heittää huulta is a way to say someone is joking (Throwing lip), and in a colloquial way you say heittää läppää, which means the same thing

Jätkä means a young man, either in a neutral way or depending on the context a condescending way. The english equivalent would be a guy. It’s also what we call the card Jack in a card deck lol

So that’s finally all the lyrics done. As you can see from the cursive words, when comparing them to the “correct” or official word, we often just get rid of the last letter in a word when speaking. We really are a lot like the french in that way, we tie words in a sentence together by matching vowels with consonants, get rid of vowels if they seem to obstruct the flow of a word or just change a word radically to make something easier to say quickly (like minussa -> mussa).

I hope at least some of this was interesting, I’m very passionate about slang and word origins and there’s a lot of Käärijä songs that have even more crazier slang that I can’t wait to get into (like Alaks Olee or Koppi Tules). Until then, hope this was informative/entertaining <3

[fuyuu-chan]

Hi bestie! You told me to drop in so here I am. I'm gonna leave a request while I'm at it hehe Hope you don't mind.

Can I request a Neuvillette fic inspired by Taylor Swift's "Anti-Hero"? I particularly like the lyrics "Hi, it's me. I'm the problem, it's me. At teatime, everybody agrees." It gives me the vibes of a reader who is shunned by society, y'know? Perfect for some angst if I do say so myself 🫣🫢

Anyways, do whatever fits your vibe. I just love the way you write our dear Iudex 🥰 No pressure though! If it's too much, then just consider this as me dropping in to say hello to you and your lovely readers. Have a good day!!!

Love,

Mayaree

It's me. Hi. I'm the problem it's me :)

Fuyuu-chan: Hiiiii beshy hahahaha thanks for dropping in lol 😆🫶 also for being the first to request 😚

Pairing: Neuvillette x Reader

Summary: Everyone doesn't like you and thinks that you're not worthy for Neuvillette, and so they make fun of you, some even ignored you. By the way people in Fontaine treat you it makes you feel insecure and question your relationship with him.

Warning: Mention of break up, a bit of yandere ish at the end?? It might not look like it for some of y'all but just in caseee hehehehe (Not Proofread)

✧⁠◝⁠(⁠⁰⁠▿⁠⁰⁠)⁠◜⁠✧

The moment everyone in Fontaine knew about your relationship with Neuvillette would probably the worst thing that happened in your life, because of what people think about you, for not being worthy as the Ludex beloved partner.

And the worst part is that Neuvillette didn't know about any of this, they only talk about it when you're the only one around, when you're not with him. You consider to tell it to him but of course you don't want to bother him, especially since he's busy with his duties as the Chief of Justice.

Now, you got invited to one tea party held by one lady that has been "kind" to you, so of course you accepted it... 'I shouldn't had my hopes up, of course she is gonna be like the others' you thought. Who would've thought that she would be like that? She appeared to be kind to you the first time you met but when with everyone, with her friends and some other ladies, she had just embarrassed you.

She told everyone that (name) is just a common girl, basic, and compared to Neuvillette she's not on his level. She even told everyone that "She's just a problem to our dear Ludex, only a burden for him" she chuckles and everyone at that tea party laughed agreeing to what she said.

Feeling embarrassed, angered, saddened, you just excused yourself saying you'll go to the restroom but after you left you never came back but one thing's for sure, everyone hated you, talked behind your back while laughing. You can't handle it anymore, everyone is insulting you and the fact that you may be ruining Neuvillette's reputation, you feel furious but at the same time what can you do? I mean they're all right aren't they? You're just a problem.

Because of everyone saying things about you, spreading rumours around Fontaine, it's hard for you to go outside because once you do people would look at you and whisper to each other.

Some even threatened you, saying you should stay away from Neuvillette or you'll regret it. You thought it's probably just his admirers that's going way too far, but to be honest it's already affecting your mental health.

Well you did distance yourself from him, like when he ask you out like go to dinner, or have some date you would decline saying you have something to do or you're currently busy. But let's be honest you really wanted to spend time with him. He was at first: "It's alright, next time we could go." But as time pass he was getting worried and confused as to why you were not seeing him anymore.

Always rejecting him. 'What happened?' He thought. You two aren't like this in the past, you two would even date every time there's a free time like after work or weekends. But why are you distancing yourself from him?

This thoughts always bother Neuvillette and the way you act. And now he found himself walking towards your house to talk to you and ask you.

Once he arrives, he knocked on your door. It took you minute to open the door which definitely isn't like you at all since you always open the door immediately when it comes to him (he have like a pattern when he knocks at your door so you know it's him).

You were about to ask him but he just got in your house and closed the door. Now you two are just standing looking at each other, the air seems tense.

"...so uhhh...why did you come here?" You said finally breaking the silence.

"Am I not allowed to come here anymore?" He asked.

"That's not what I meant, what I mean is what's the reason for your sudden visit here?" You clarified.

"It's about you...us...why are you distancing yourself from me? What happened?" He asked.

"What do you mean?... I'm just busy that's why I can't really spend time with you..." You trail off hesitating.

"Don't lie (name)..." He said as he looked at you worried.

"Did I do something wrong that makes you distance yourself from me? If I did I'm sorry... but please tell me so I can fix it." Neuvillette asked as he looked at you in the eyes.

"You?.." you asked as you scoffed a bit. "No it's... it's me Neuvillette, I'm the problem..." You continued as you try not to tear up in front of him.

You can see how Neuvillette's furrow his eyebrows as he heard you speak.

"What? You're not the problem (name), what are you talking about?" He asked as he stepped closer to you.

"So you still don't know?" You asked.

"What do you mean?" He looked at you confused on what you mean.

"People in Fontaine don't like me, they hate me the moment they knew about us, they said I'm not worthy...for you... I'm just a problem...and a burden for you" you said as your voice is starting to break, you didn't even notice that you were now crying remembering everyone's word, insults, threats.

Neuvillette was speechless the moment those words left your mouth. How could he not know about any of this? Did all of the people hurt you like this everyday? He thought that everything was alright but it turns out it's not, how could he let this things happen to you?

Neuvillette wanted to comfort you but when he was about to approach you, you step back and said "I think we should... separate ways, I don't want you to get ruined or people thinking bad things about you because of me" you said as you try to look at him.

He stood there, frozen in his place. He was processing your words inside his head. "W-what?..." He finally get to asked after a few minutes.

"We should break up" you said.

"...But why?"

"Because of me...I was causing you problems, I might ruin your reputation in the future and I don't want that" you answered as you finally looked at him teary eyed.

Neuvillette then approached you as he pulls you closer to him, he held you in his arms. "(Name) please...I don't want to break up with you...Besides you're never a problem, people is just jealous of you and that's why they did that. Besides you will never ruin my reputation because when you came into my life, you taught me how to understand people, how to be considerate and many more. My reputation became much better with you."

You lean on him while you tear up, even if you don't want to but his warmth that enveloped you, you missed it.

"B-but.." you stutter.

"Sshh..." He hummed as he pat your back in order to comfort you just like what you did when he was crying. "I'm sorry I didn't know any of this, I'm sorry you have to go through all of that alone, I'm sorry that I turned a blind eye...and I'm sorry that I'm not there when you needed me the most." He apologized.

After you calmed down you replied to him. "...It's not your fault...so don't apologize" you sniffled as you finally looked at him for him to only wipe your tears away. "No love...it's my fault too for not knowing any of this, for not seeing how much you suffer everyday."

You kept silent as you just let him comfort you. Eventually you found yourself apologizing "I'm...sorry Neuvi...for saying we should break...up".

Neuvillette only shake his head "Its alright... I know you dont mean it, you might had said it but at that moment I can see in your eyes that you do not mean those words" he said as he smiled gently at you. "But...I hope to not hear those words again...I must say my heart ache when those words left your mouth." He continued as he looked a bit sad.

"I'm..sorry, its just that...that was the one I thought would be better for us..for you" you said as you looked down only for Neuvillette to grab your chin gently to make you look at him.

"Its alright...you dont mean that anyways right?" He asked and you nod and that was enough for him to smile again. "It's those people that made you think that...I cannot believe they had the audacity to say those vile things to my beloved, to my partner, who I love dearly from the bottom of my heart. I serve them for so many decades, I protected them yet they return all those things I did with this?" he said as he tucked your loose hair behind your ear. "They didn't even repsect the person I chose to be with me forever" he looked so mad that he let these things happen but you hugged him to calm him down a bit.

"What are you gonna do?" You asked while you lean onto his chest, he reciprocated your hug as he wrapped his arms around you waist.

"Don't worry love...I will handle it all...you just rest here and relax while I fix these, alright?" Neuvillette said as he rubbed your back. "It would also be nice if we could leave Fontaine for a few days to have your mind forget this for a while, don't you think?" He asked as he looked at you.

You hummed and nod. "I guess that would help...but how about your work?" You asked as you now looked at him to meet his gaze on you.

"I'll take a few days off, I'm pretty sure the others could handle the court for a while. Especially since there's no big cases as of now." He explained and that's enough for you to relax a bit.

You finally smiled and that made Neuvillette happy, seeing you smile again made his heart finally calm down and his mind to finally rest. For now he let himself relax on your warm embrace and for later...he would deal with those people that dare hurt his beloved (name).

ฅ⁠^⁠•⁠ﻌ⁠•⁠^⁠ฅ

Please do not copy, translate, repost to any other social media, Thank you.

[risathefairyofshampoo]

What kind of an it-girl would you be in the Kpop-industry?

Pick a Pile

1st Pile 2nd Pile

3rd Pile 4th Pile

Take a breath and close your eyes. Then pick the pile you find the most appealing/which catches you first and feel the most connected to! Tarot should be taken lightly! Let's go! ;)

1st Pile

Nine of Swords R, Ace of Wands, The Star R, Seven of Wands R, Eight of Pentacles, Page of Cups, Ace of Cups, Page of Swords, Eight of Wands

So first of all, I'm getting a pretty young vibe!! A really young and hard-working soul. You would be pretty happy and exploring. Being open to new opportunities and new people. Trying to reach your goals, and you would always be active! I think you wouldn't have much luck. You would have to work for your position and therefore you would be working 24/7. No rest. Just working, working, working! Especially if you get hate/ criticism. You wouldn't say anything. You would take that and work even harder on yourself! I also see a lot of creativity. You would be known for your hard work, that is also really creative and that fits the industry really well! Like I see you composing your own songs, writing lyrics, designing albums... Your solo career would be 100% be made by you! You would be such a positive figure. You would be known for your positive aura and image.

❝ ❞ ✧ ೃ༄

2nd Pile

Nine of Swords R, Judgement R, Queen of Cups, King of Pentacles, The Hermit, Five of Cups R, Seven of Swords R, King of Cups R

Wow! So I would say that as an It girl you would have many bran deals! Like a lot! You would have a lot of money and financial success! You would be known for your model jobs. I see you being on a lot of magazine covers. Working with a lot of big companies together! And engagin with many festivals, fashion weeks and so on. You would attend a lot of social events. But I see you getting a lot of hate, and the general public would always have an eye on you! You would also doubt yourself a lot! I think you are someone on the more introverted side. Someone who has problems with anxiety. You would always think how others view you and how you make everyone like you! I also see something coming out from the past (?). Maybe something you did or you would be involved in a lot of scandals. Even though they aren't true. I really think you would be the topic of the country and the K-pop industry. And because of your sensitive and anxious nature, you would worry a lot. But you would enjoy all the success.

❝ ❞ ✧ ೃ༄

3rd Pile

Ten of Wands, Ace of Pentacles R, Four of Swords, Three of Pentacles R, Queen of Swords H (horizontally), Six of Swords

You are giving me Cha Eunwoo vibes. I see you as a K-pop idol that has a lot of solo schedules. Like a solo career, modeling & acting. But I don't really see you being a "big" it girl. Like you are known and praised by a lot but you're actually not that important. I'm getting a lot of negativity. I also think that you or your company would react really weirdly when it comes to scandals. I see you being very talkative and opening up, saying your opinion but in the next moment you're like. "Hm what did you just say?", "Ohhh, hahah" like not caring, laughing things of and then leaving. You would maybe be in a group and after the disbandment you might not be that important anymore. And I see you moving on from the kpop industry... pursuing maybe acting or modeling. But you would simply just give up because of all the stress and your interest for your other career and then your fame wouldn't last anymore. This was kinda hard lol. Everything is messy and chaotic so I'd say that would be your life and career.

❝ ❞ ✧ ೃ༄

4th Pile

Ten of Swords R, Eight of Wands, Ten of Pentacles R, Four of Wands R, Five of Cups R, Knight of Swords R, Three of Pentacles, Queen of Cups R, Seven of Wands

I feel like you would be an idol that goes through many phases. You would always rebrand yourself. You are someone who has some mental health problems; I'm sensing a lot of anxiety and stress. I think you would try to always work and make yourself interesting for the general public. But you wouldn't have many opportunities. You might get some brand deals, but then out of a sudden, they cancelled everything, and here you are having no success when it comes to finances. But you wouldn't wrap your head around it and move on quickly. But you're tactless. You would get pretty hard after some years. You would get really toxic, aggressive, and just not nice after some time. You would always stand up for yourself and always try to get back into the industry and into the minds of the people. You would work really hard on yourself and would improve your skills so more people see you. You are giving me Hyuna vibes. Trying to rebrand yourself whenever something comes out, and I can imagine that a lot of things would come out and that there would be a lot of scandals. And in regards to your love life, I feel like you would always try for love, but it wouldn't work because of your image and your career.

❝ ❞ ✧ ೃ༄

[torturedpoetsdepartmentemployee]

I have an alternate universe Buggy that's been ratallng around in my head. A female Buggy that's like Taylor Swift, so she got into music and wants to be a singer. She spent most of her time on the Oro building up her guitar and piano skills. She stole the guitar from the musician(was aware but let it happen) and begged Roger to get a piano. She didn't inherently have the greatest vocals and got teased, specifically by Shanks. Dreams of being in front of a crowd cheering her on and singing her songs. Those dreams are what drive her. It goes hand in hand with canon Buggy’s inferiority complex and constantly seeking attention to be a star.

The reason I can imagine it is because Buggy would be the kind to right the most unhinged lyrics that TS is known for. Also a lot of her lyrics reflect Buggy.

Mirrorball - And they called off the circus Burned the disco down When they sent home the horses And the rodeo clowns I'm still on that tightrope I'm still trying everything to get you laughing at me I'm still a believer but I don't know why I've never been a natural All I do is try, try, try I'm still on that trapeze I'm still trying everything To keep you looking at me

Me! - I know that I'm a handful, baby, uh I know I never think before I jump And you're the kind of guy the ladies want (And there's a lot of cool chicks out there) I know that I went psycho on the phone I never leave well enough alone And trouble's gonna follow where I go (And there's a lot of cool chicks out there)

Karma - ‘Cause karma is my boyfriend Karma is a god Karma is the breeze in my hair on the weekend Karma's a relaxing thought Aren't you envious that for you it's not? Sweet like honey, karma is a cat Purring in my lap 'cause it loves me Flexing like a goddamn acrobat Me and karma vibe like that Ask me what I learned from all those years Ask me what I earned from all those tears Ask me why so many fade, but I'm still here (I'm still, I'm still here)

peace - Our coming-of-age has come and gone Suddenly the summer, it's clear I never had the courage of my convictions As long as danger is near And it's just around the corner, darling ‘Cause it lives in me No, I could never give you peace

long story short - Fatefully I tried to pick my battles 'til the battle picked me Misery Like the war of words I shouted in my sleep And you passed right by I was in the alley, surrounded on all sides The knife cuts both ways If the shoe fits, walk in it 'til your high heels break

Never Grow Up - And no one's ever burned you Nothing's ever left you scarred And even though you want to Just try to never grow up

So here I am in my new apartment In a big city, they just dropped me off It's so much colder than I thought it would be So I tuck myself in and turn my nightlight on Wish I'd never grown up I wish I'd never grown up

Endgame - I hit you like, "Bang" We tried to forget it, but we just couldn't And I bury hatchets but I keep maps of where I put 'em Reputation precedes me, they told you I'm crazy I swear I don't love the drama, it loves me

The whole of Dear Reader and most of Anti Hero. New Romantics just sounds like a pirate anthem. So definitely something Buggy would write.

Here are the albums that would be about different exes. The exes that had a lasting impact on her.

Red Hair Shanks - Debut, Fearless, and Red

Donquixate Doflamongo - Speak Now, a little of Fearless and Red.

Charlotte Katakuri - Speak Now

Sir Crocodile - 1989

Sakazuki/Akainu -folklore, evermore

Dracula Mihawk - reputation, Lover, folklore, evermore

Midnights is a mix of them. Also she falls back in love with Mihawk and Crocodile after they form the Cross Guild.

Her exes have a hard time forgetting her and its made even worse by their enemies using the songs about them to torment them. It also doesn't help that their subordinates and families listen to her songs too. I'm still figuring out the timeline. Akainu happens before Mihawk but she is so hurt by him that she wasn't able to write any songs about him until much later.

None of this is a commentary on Taylor Swift or her personal life. Just my interpretations and how they'd fit.



[twst-rose-prisms]

Twst boys and their respective Vocaloid songs

Part 2 of this post!

Characters: All NRC students Warning: Some of these songs contain angsty/dark themes or imply self-harm, however it's nothing too much as that's the nature of Vocaloid songs in general and I recommend you checking them out if you guys can!

Part 1 | Part 2

🕌 Scarabia 🕌

Kalim: Tondemo-Wonderz

This song is full of fun, excitement and upbeat, colorful beats that make you want to smile and dance along, just like the ball of sunshine Kalim he is! The song talks about embracing the unknown and excitement the world offers to us while also having fun, encouraging us to have faith in the wondrous possibilities, while also embracing the failure and mistakes with laughter and positivity. I’d say it’s a perfect song for Kalim, from the vibe to the lyrics!

“Even in this sort of era, We still believe in "wonders," no, no, no? Know! The adult's sharp, money-making memories Make us worry too much! I'm gonna go cross-eyed!” "Why?!" "Do it like this!!" I love everything! That's fine, isn’t it? In this plot to make everyone laugh I can call them rival monsters, right?! We live in a wild, awesome world.” “I reckon it's fine to have troubles you can't do a thing about! I make a pose like I'm gonna save everyone. How about this smile, it's not gonna crumble at all! Even if I fall 100 times, I'm like a phoenix. I won't get upset! Wan wan, too quick, three four! Everybody, showtime!” “Come on professor! This exam is so tough! Agh! Alright, done? Is it final? If I don't get 0 points, it's OK! Let's rain a shower of arrows on those true and false questions! Right and wrong answers are important memories." "There are days when I fail too. You still deny "wonders", no, no, no? Know! Before I'm taken to pieces, listen, wait! This slanted society is too on edge. Charge in, leap in, one more time! Are you ready?!”

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Jamil: Ghost City Tokyo

Like a ghost who is almost invisible to other’s eyes, Jamil used to do the same too, he always makes sure everything he does is at an average level so nobody will notice him. That’s why I picked this song for him, also because of the lyrics - he’s used to losing, to not be able to shine and stand out for the sake of others, and it’s not something he dreamt of at all. Also I think the city here can be interpreted as Scarabia too, because he still wants to be here despite everything that happened in Book 4.

“The lights of the brilliant shining city Shine down on me in stark contrast They mix with the neon colours changing and escaping from the spaces between those buildings" "I trade my time and this world And sink into the night” “It’s fine, someday it will all be fine How many days I’ve thought so, that have piled up on each other But even today, the me who fades into the Tokyo scenery all alone Seems like a ghost” “Even as I grow used to losing These important feelings that I haven't lost - When I held them close to myself, my tears fell suddenly Because I think I still want to Keep living in this city”

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👑 Pomefiore 👑

Vil: Cinema

This song is pretty self-explanatory with the lyrics, it’s like someone views their life as a movie, their story is like an unchanged script, yet they’re being satisfied with everything - they want to be the leading star, the protagonist of the movie. Being someone who always has to play the villain role, I picked this song for Vil because it just fits him so much with his backstory and his goal as a whole!

“A delusion of dawn Invaluable escapades and A misunderstood hero play-pretend Traffic's already jammed up now- Oh well, nothing I can do about that anyway” “No, it can't be this, not this. This is a bad fit for me I'm not suited for it- Should I quit it now, or— But that's not right, right! I wonder, when will I get to be The leading star of this show?” “We're not here yet, yet. This can't be the end, so If you're not suited for the role Then just rewrite the script! Look, for the most part, I'm sure it'll always just be me The leading star will only be me!” “The future I wanted to change has come. Whatever you like, however you like it, This is it. I made it here, all the way from the bottom. Just like a movie, this is my story.”

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Epel: Telecaster B-boy

A song talking about the struggle of growing up, trying to find one’s place in this vast world, the singer desires to be loved and appreciated but always gets misunderstood and underappreciated and also frustrated with society,  just like Epel himself. He hates being the stereotype, cliche thing. If you know his story and goal then this song is very fitting for him! Also the funky, youthful but somewhat fast beat and lyrics fit him very well too!

“The more I grow up DeDeDe The less I fit in, a vacant temple. The girl the life philosopher spoke to Turns into a bird … With just lip service PaPaPa I'll tie up my raggedy shoes … The boy whom a believer in digitization cursed Turns into wind …” “No matter how you look at it DeDeDe It's a stereo bias, sadistic The girl who sang like she was stung by a bee Turns into a flower... Even if you cover your ears PaPaPa Those guys' voices become loud The boy who got these words stabbed in his chest Turns back…” “In this world where I can't Even breathe for a bit Declaring a goodbye to reality Won't you just forgive us? We, the weak ones Let's meet up again somewhere”

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Rook: Liar Dance

Rook is a bit hard to find, but in my opinion this is the best song for him. It talks about a couple who both hide and lie to each other. But it also means that the singer’s POV is them knowing they’re a liar, a criminal just like other people. Rook himself is not an exception, he also lies and hides many things away even to his friends or someone like Vil. Also I think the lyrics fit him really well, with constant mention of love and lies many times throughout.

''Stolen? Just whatever do you mean?'' Feigning ignorance today as well Having made a vow, to you and you alone Declaring this loveless love of mine in front of you" "Stolen? Just whatever do you mean?" Committing myself to this performance, set lines and all Those memories we've desperately created and clung to, they blend together and feelings between us intensify” “Dance away liar This love has swelled up like a balloon let's turn it into a lie with the prick of a needle On the count of "I-love-you" “Dance away, liar It's too late to apologize We're already partners in this crime called "love" Who cares if there's no going back?”

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💀 Ignihyde 💀

Idia: All I Need are Things I Like

While there could be many other songs that fit Idia, I decided to pick this one because of the lyrics and overall meaning. The song talks about indulging solely into one’s interests and favorite thing everyday, almost every time without paying much attention to reality much at all. Even though the singer sounds happy and satisfied, they also sound lonely, deprived of energy and strength and also longing for actual companionship instead of coping up to the things that they like. It sounds like Idia himself after what happened to him and also his backstory!

"I don’t like weekdays, I like the weekend I don’t like work, I like going back to sleep It’s impossible to live on slacking like this My consciousness recedes" "I don’t like vegetables, I like hamburgers I don’t like barley tea, I like juice Don’t be sweet on me, but I like sweet tasting things My lifetime’s first page" "Only looking at things I like gradually my eyesight gets worse Only being filled with things I like gradually my mind gets duller" "I don’t like living things, I like machines I don’t like the real world, I like the virtual Your tastes were always biased deteriorating and ceasing to think" "Surrounded by the things I like I’ve become unforgiving to the things I don’t like Living only with the things I like I'm resented by someone, somewhere"

-----------------------------------

Ortho: Near

This song is gentle, yet emotional and bittersweet, its meaning also fits Ortho and Idia + their relationship a lot if you take it into their backstory context too. At first, Ortho is just a robot that only acts according to how he was programmed but gradually, he starts acting outside his intended programming and learns his own sentience and emotions - just like the robot girl as the song progresses. Overall, I think this fits him a lot!

“Hey, Near. If I don't make fun of someone And if I won't be able to forgive myself How do you feel about This horrible person?" "Hey, Near. Watching other's strides Stepping out without a purpose How do you feel about this Dull person? Hey Near” “Hey, Near. I think living every day with a smile Is something natural How do you feel about This arrogant person?" "Things that do not take any form and cannot be predicted Will interfere with the calculation process" Even so" "Ah, I'll still continue to believe And ask you who doesn't have a heart Because your hand was So much warmer than mine”

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🐉 Diasomnia 🐉

Malleus: Hare wo Matsu

I feel like this song fits Malleus the most with how the lyrics constantly talk about one’s loneliness and about past’s memories. For Malleus, his biggest fear perhaps is his dearest, most cherished people leave his life, like Lilia - his guardian that raises him up ever since he’s still a little lizard or maybe even MC - his ever first friend that treats him so dearly despite his status or his fearful magic power unlike others who is afraid of him. Even the beat is also beautiful but sad, full of longing for your loved one when they leave - just like Malleus himself.

"I'm not getting tired of this morning, One that I've waited for. Very faintly, I'm laughing while appearing to be sorrowful, And wishing to completely forget you." "Because there's no end to this curse Of sleeplessness and the painful past. I'm singing a song in the morning glow, If only I could completely forget, it would end." "There's just one thing I can't yield, And still, without knowing the reason, I live, even now..." "Since I don't have a dream I want to protect, These are days with no answer, But that isn't kindness, isn't it?" "Look, since absolutely nothing hurts, It's alright," I say. Someday, when you'll be gone, ah~ Will I be living alone?”

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Lilia: Kanade Tomosu Sora 

I feel like this song fits Lilia the most in terms of the vibe, the lyrics that matched well with his backstory. This song, while sad, full of longing and reminiscent from the past yet it’s like a glimmer of hope somewhere in the deep, dark sea of sad memories. Lilia was the same too despite how we see him acting outwardly. He gives love to others, but he also needs love and hope. He went through events that could crush him easily and yet, he still stayed strong - for a whole 200+ years, for the sake of others. (I recommend checking out the 25ji, Night Code de version too!)

“Every time I trace back my memories, I feel as if I’m going to be crushed, yet Since I have no place to take refuge,  I just keep questioning myself over and over. Ah…” “There are too many things in my way,  It’s as if there are only things I can’t see Is it alright if I try touching it a little? I want to say it. Even though it might surely be impossible, I want to somehow. Hey, more; hey, more; I want to see more” “So I can turn the images I’ve found of your world still unknown to me Into song" "Blaming myself all this time,  I simply live and breathe but only just barely I’ve always shut it away in a cage I’m not asking for a plain, simple story. I simply wish to hear your voice” “It still hurts. Words keep tightening the cord round my neck, but... These eyes of mine I closed so gently as well, still hurt a little, but… I want to say it. Even though now, I still don’t know when it’ll be but someday for sure. Hey, more; hey, more; I want to see more”

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Silver: Ice Drop

I think this song fits Silver a lot mostly because of the lyrics, and the deep sea could symbolize the dreams that he dives into in Book 7. Although it’s upbeat, the lyrics are full of longing and reminiscing of the past and also his father, but eventually move on and “grow up” from it.  Not to mention, you could even take it as a SilverMC song if you think about that aspect! But even if it's not in a romantic sense, it's still a song talking about how much the past affects us and how we long for our loved one even if it's just a memory, that's why to me this song is really for Silver!

“Even the memories of the past are merely a thousand-year tale I take a deep breath as I fall into the deep sea” “Uh- that voice of yours drenches my whole heart Tangled up and captivated by each other, we sing our unchanging love once more You, not letting go of your hands become a rule of mine It's a heart that will melt away the rusted last page That one and only magic will turn this world around” “I’ll be waiting. Inside my dream, I reach out my hand” “Uh- On this planet, I fell in love without sleeping I longed for you and hesitated what to do, but from now on, I'll grow up You, If it’s with you, I’ll dive in without hesitation”

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Sebek: Kashika

Sebek was the hardest to find for me in the entire list mainly because while he has his own character, he doesn’t have too much depth but I tried my best and I think this song fits him the most! This song is powerful, full of willpower and hope towards tomorrow despite the hard, tough times. The song encourages us to keep living, even in the most uncertain moments, you need to cherish each moment of your life as well your living heartbeat, which represents the tenacity and perseverance of life. I feel like the energy as well the meaning of the song fits Sebek a lot overall for his character - with the desire to rise, stand up and protect he always have.

“When my quivering voice breathed life into a song, It was then I realized, That was the first time my breath could be seen. They say that in the end, the value of music is subjective– Well then, I'll sing as I please, I'll show you the message I want to convey. I won't despair over Or be afraid of my mistakes. They say to "live the right way," But I want to fight against that. My whole life has consisted of "it's my fault." Even if I'm treated like a fool, I'll be hurt and I'll hurt others, I'll live, causing both kindness and injury. The present I see is everything to me, So I don't want to cling onto ideals of the past or the future. Beat, beat, o heart of mine! It might be unsteady, but even so, this is my pulse.”

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[adastra121]

Touchstarved Romance Themes (Musical Version)

I like musicals, so I paired each Touchstarved LI x MC pairing with songs from musicals! These will probably be inaccurate since I'm going off of vibes from the demo. If you guys have other musical songs that you think would fit, please feel free to reblog or comment (I always like to find new musical songs!).

Kuras x MC

“All I’ve Ever Known” (Hadestown) — I associate Kuras with sunlight and devotion, and this song has both. There are a lot of lyrics that remind me of his path in the demo.

"I was alone so long I didn't even know that I was lonely. Out in the cold so long, I didn't even know that I was cold."

"You take me in your arms And suddenly there's sunlight all around me Everything bright and warm And shining like it never did before And for a moment I forget Just how dark and cold it gets."

"I don't know how or why Who am I that I should get to hold you?"

"Suddenly the sunlight, bright and warm Suddenly I'm holding the world in my arms."

“No Good Deed” (Wicked) — Can you imagine Kuras healing us to this?

"Let their flesh not be torn Let their blood leave no stain Though they're beaten, Let them feel no pain. Let their bones never break And however they try to destroy them, Let them never die."

"My road of good intentions Led where such roads always lead No good deed Goes unpunished."

“The Hill” (Once) — I think it would be interesting if, as a foil to Vere, one of his flaws is that he doesn't actually see us as a person? MC is either a path to redemption or another tragedy.

"But where are you my angel now? Don't you see me crying?"

"I'm on my knees in front of him But he doesn't seem to see me. With all his troubles on his mind, He's looking right through me."

Leander x MC (sidenote, there are so many musical songs that fit this guy why is he so musical-coded, also why are so many musical songs terrifying when you imagine it with Leander? XD)

“All I Ask of You” (Phantom of the Opera) — To be fair, I guess this song is also still unsettling in its actual context, too, if you know the story. XD

"Let me be your shelter, Let me be your light. You're safe, no one will find you, Your fears are far behind you."

“Something Wonderful” (The King and I) — From MC's perspective, Leander being toxic af.

"The thoughtless things he'll do Will hurt and worry you Then all at once he'll do Something wonderful."

"He has a thousand dreams That won't come true You know that he believes in them And that's enough for you."

“Only Us” (Dear Evan Hansen) — This is the sweet song that is mildly concerning when you pair it with him.

"What if it's you And what if it's me And what if that's all that we need it to be And the rest of the world falls away?"

"I never thought there'd be someone like you who would want me. So I give you ten thousand reasons to not let me go."

"We can just watch the whole world disappear. 'Til you're the only one I still know how to see. It's just you and me."

“Our Love is God” (Heathers) — The Heathers songs are here because I cannot listen to these without imagining Leander anymore.

"They died because God said they must The new world needed room For me and you."

"I worship you. I'd trade my life for yours They all will disappear. We'll plant our garden here. Our love is God."

“Meant to Be Yours” (Heathers) — Leander outside the room he gave us.

"Those assholes are the key! They're keeping you away from me! They made you blind, messed up your mind But I can set you free!"

"You were meant to be mine. I am all that you need. You carved open my heart, Can't just leave me to bleed!"

Vere x MC

“Natasha & Anatole” (Natasha, Pierre, & The Great Comet of 1812) — This song is unsettling but there are so many lyrics that remind me of Vere. And I guess the unsettling vibe suits him well, it does feel like he's putting you in a trance before he devours you.

"And I never remove my smiling eyes From your face, your neck, your bare arms."

"And looking into his eyes, I am frightened There's not that barrier of modesty I've always felt with men I feel so terribly near I fear that he may seize me from behind And kiss me on the neck."

"Look straight into my eyes Nearness Tenderness Smile at me Gaze straight into my eyes There is no barrier between us There is nothing between us."

“Take Me or Leave Me” (Rent) — A more lighthearted song, and I think it suits his unapologetic attitude.

"Take me for what I am Who I was meant to be."

"A tiger in a cage Can never see the sun This diva needs her stage baby, let's have fun!"

"You are the one I choose Folks would kill to fill your shoes You love the limelight too now baby So be mine, And don’t waste my time."

Ais x MC

“You Matter to Me” (Waitress) — This song feels very straightforward and true and quietly comforting, like companionable silence. So it feels a bit like Ais's path in the demo.

"Come out of hiding, I'm right here beside you And I'll stay there as long as you let me."

"You matter to me, Simple and plain and not much to ask from somebody."

“Sunrise” (In the Heights) — Since one of his likes is learning new languages, I thought this would be a cute song with him and an MC who knows another language teaching him a few words. The lyric "promise me you'll stay" makes me think of the end of the demo where Ais asks MC not to choose the Seaspring so quickly.

"Calor. Heat. Anoche. Last night. Dolor. Pain."

"Promise me you'll stay beyond the sunrise I don't care at all what people say beyond the sunrise."

Mhin x MC

“Falling Slowly” (Once) — It seems to have a lot of yearning and a bittersweet ending, which I got from their demo path.

"I don't know you, but I want you All the more for that."

"Falling slowly, eyes that know me And I can't go back And moods that take me and erase me And I'm painted black."

"You have suffered enough And warred with yourself It's time that you won."

“What You Mean to Me” (Finding Neverland) — To be honest, I put this here mostly because they like stargazing. But I think it does fit Mhin when they don't have the words to express their feelings.

"I won't lie I'm a little bit frightened."

"Every star that's ever fallen Knows the way to where we're going Now I really know just what you mean to me."

Elyon x MC

"Epic III" (Hadestown) — I'm basing this off of the short description of him searching for the one thing money can't buy.

"What has become of the heart of that man Now that he has everything? The more he has, the more he holds The greater the weight of the world on his shoulders."

"He's grown so afraid that he'll lose what he owns But what he doesn't know is that what he's defending Is already gone."

Sen x MC

"The Next Ten Minutes" (The Last Five Years) — I feel like her ultimate goal being her own death adds another layer to this song, making it less about a proposal and more about treasuring the time you have together.

"Will you share your life with me For the next ten minutes? For the next ten minutes, We can handle that. We could watch the waves, We could watch the sky, Or just sit and wait As the time ticks by, And if we make it 'til then, Could I ask you again For another ten?"

"There are so many dreams I need to see with you. There are so many years I need to be with you."

*******Bonus********** I'm sorry

Ocudeus x MC

“Hey, Little Songbird” (Hadestown) — Okay. So, in all honesty, I think this could fit Elyon, too, but I thought this was funnier. Also Ocudeus using bird nicknames because Ais does that, like a petty eldritch horror. XD So. Ocudeus trying to convince MC to drink from the Seaspring.

"You'd shine like a diamond down in the mine. And the choice is yours, if you're willing to choose, Seeing as you've got nothing to lose, And I could use a canary."

"Strange is the call of this stranger I wanna fly down and feed at its hand. I want a nice soft place to land. I want to lie down forever."

[merp-blerp]

Part 2 of A Gaylor interpretation of "The Prophecy"

I had more Thoughts™ that I initially left out for length, but I'd like to elaborate in sections. Special thanks to @mamataylovesrubbi for being so friendly. This community is so lovely.

TW: Brief talk of self-destructive behavior and suicide near the end.

Part 1 here

Overblown Analysis Under the Cut ↓

Artemis/Diana

Some things about Artemis/Diana that I left out of part one I left out were that 1) Artemis is also the goddess of the hunt and animals. I think that tidbit adds to the fable connection, as fables are often stories about animals. When it comes to the hunt, songs like WAOLOM and The Albotros possibly being about Taylor planning revenge on her closet-ers really scream huntress. Artemis can also become a deer, a somewhat surprisingly non-vicious animal for a huntress, if she pleases. "I've been the Archer / I've been the prey." I think this could portray Taylor's strengths and weaknesses. 2) Artemis is a virginal goddess, never having any male lovers in her stories. This doesn't necessarily make Artemis a sapphic goddess, even though I've seen that interpretation, but it's pretty telling that Taylor would align so closely to a goddess with that trait. 3) Artemis/Diana was also the goddess of the moon (somewhat, it's a bit complicated, but that's Greek mythology for you). Fits the themes of Midnights, with Taylor being Midnight (Rain) and her lover being Sunshine. Though that probably shouldn't be taken too literally, as Apollo, god of the sun, is Artemis's twin brother. Trust him like a brother, yeah—

2. Vocalizing

Taylor's vocalizing after "...tell me it'll be okay" reminds me vaguely of the vocalizing in "My Tears Ricochet", a song, like this album, alludes to Taylor dying.

3. "But I looked to the sky" and "I've been on my knees"

With all the talk of sky, I wonder if maybe "Bigger Than The Whole Sky" might be about failed coming outs. I don't know if this is something others thought have already (probably), but I never thought of it before. Meanwhile, the repeat of being on her knees makes me think of "Would've, Could've, Should've". I've mentioned before that I'm open to that song being actually about JM because it wouldn't surprise me if she tried dating dudes in some way early on in her career, whatever that would mean. However, I'm open to alternatives too. With my analysis of Taylor's Eve being bitten by the serpent/Devil, maybe the serpent could be the Devil from "Would've, Could've, Should've". Maybe the Devil could be The Professor from my "The Manuscript" analysis. I'm leaning toward that Devil being her old label.

4. Throttle

A throttle is several things. It can be something to give machinery fuel. It can be a verb, you can throttle something, aka kill it by strangulation. By "hand on the throttle," I think Taylor was saying she was ready to not only fuel/validate her truth, but kill her past lives. I get this vibe that TTPD might be for TS12 what Reputation was for Lover. Just like with Rep, she's killing the old Taylor(s) that hid her queerness before she steps into the daylight with what comes after. Makes me understand all the chockers and high-neck collars she's been sporting for this era.

5. "And it was written"

I feel like I grazed over this part of the line a bit. What was written? It could be Taylor's lyrics or her 100 thrown-out speeches. She wrote them, but wasn't heard anyway, cursed. Or it could be the word written in the Bible. (In my opinion, shit) translations of the Bible call for all kinds of things to happen to queer people, and has so for years. Not that many though because the word homosexual didn't even exist when the Bible was first scribed. Taylor was cursed before she was even born. Possibly like Eve. Didn't Eve have control over whether she ate the fruit or not? Do queer people have control in who they love? Christian will debate forever.

6. "Let it once be me"

One reason why Taylor wasn't out from the get-go obviously has to do with where her career began and under what industry she was entering. An underaged, famous, sapphic country singer sounds a bit wild now honestly, imagine in 2006! The world would not have been ready, unfortunately. But why can't Taylor come out now? Well, in "WAOLOM", Taylor sneers, "I am what I am 'cause you trained me". She was raised to closet for her whole career, maybe even longer, who could know? And of course, "Old habits die screaming" (from "The Black Dog"). After this album, however, I feel like she's gearing up to free herself. Still, there are so many people younger than Taylor who come out super casually, like Reneé Rapp, Girl in Red, etc, without games or clear fear. Taylor probably sees them and wonders why she couldn't have/had that freedom. Maybe when she says specifically, "redo the prophecy" rather than "change the prophecy" she wishes she could go back in time and somehow make it so she could've come onto the scene out and proud way back then.

7. "like fools in a fable / Oh, it was sinking in"

I think Taylor started feeling like she'd never be free as she began to write Folklore. Of course, she knew the plan didn't work before that in 2019, but as she created Folklore and Evermore, she realized she was anywhere near where she wanted to be in 2020, playing the same games. It sunk in with that. That's why Folklore, Evermore, and even some Midnights songs can sound so hopeless. As an LSK, I don't believe it was due to a breakup, but more closeting. All the albums after Lover seem to have minimal color because she can't be herself.

8. "My last coin"

So, I mentioned in part one that Taylor had/has referenced self-inflicting harmful actions towards herself in many songs. She also mentions poison in this song. It got me thinking about Romeo and Juliet and how that play goes. Taylor, with the "Poison blood from the wound of the pricked hand" seems to be combining Romeo and Juliet's death, Juliet getting stabbed or "pricked" and Romeo drinking poison. Maybe this symbolizes that, even though when she was younger, more naïve and optimistic, she exclusively identified with Juliet and changed her ending in "Love Story", now she identifies with both Romeo and Juliet, even sometimes taking on the "male" role in her songs (e.g. The Heartbreak Prince and JaMEs). A part of me wonders if that could be a comment on her gender identity too, but that goes a bit over my skill level to analyze. But it feels sad that Taylor used to change the fates of Romeo and Juliet and now she's honest about what happens to them. As I said before, I want nothing but good for Taylor. it will be okay. 🤍 ✌️🌈

Alrighty, I think I got it all out of me. Watch me think of some more shit with this song. 🙄😅

[for-a-longlongtime]

Songs and musings in the Key of Peña-Rockford

(Those gun holsters have me all fucked up. Seriously.)

I warned y'all about how obsessive my hyperfocus can get, right? Damn ADHD. The choke hold (all the puns intended) that this fic idea has on me is unreal, haha. But all of your comments and encouragements about this Rockford Pena WIP are making me so happy and relieving some of the stress I feel about writing it - thank you! I don't have another snippet to share just yet (so I hope this post isn't too much of a cock tease), but since I always love to read about character thots and writing processes (e.g. the extra posts by @mysterious-moonstruck-musings about her Destiny & Deliverance series, and @gracieispunk with her White Lotus posts), I figured I'd post a little update with some musings and songs I'm associating with this fic.

My Spotify currently is curated by @sin-djarin, who somehow knew just the right songs that relate to this WIP. Particularly these three tracks are on constant repeat. Going back and forth with her about little things that come up, or question ‘why this and not’ has been so much fun really. It makes me giddy because it turns the fic into something collaborative rather than just something from the inside of my brain, you know?

Whisper - Morphine

I included this track the other day already with the WIP snippet; it’s sexy and slow and that bass line really gets to me, then the saxophone ups it even more. @sin-djarin sent me several Morphine songs (I have to admit that somehow I wasn’t familiar with them) but this one stands out. The push and pull that’s happening in the lyrics is also delicious, and a lot of it feels like it’s coming from Rockford’s POV about Javi - that’s all I’ll say about it for now.

A Perfect Twist - Mike Patton

This song has an exuberant, rather bombastic vibe to it that I would’ve never associated with anything related to Peña. Although, those lyrics... they are definitely about brat taming.

I'll bend you over my knee Let's see what you can take You're never gonna break

And I'll squeeze that noose a little tighter Breathing like a snake How much can you take? You're never gonna break

And I'll turn those screws a little tighter You can hardly wait You're never gonna break

Just one more twist of the pliers Got you on the brink How much can you take? You're never gonna break

There’s something about the dizzying tune and pace that somehow evokes the noir-like Rockford vibes in the Merge Mansion clips, laced with liquor and cigarette smoke and things spinning kinda out of control.

Wait who said Masquerade Mansion? 🎭

In relation to these two?

Shhhh let’s pretend you didn’t see that. Keep your eyes wide shut. 🎭

Broad Daylight - Gabriel Rios

This is the only song that suddenly came to me re: this fic, and I was all… the fuck is this. I like the song, it's catchy, but it just didn’t make any sense to me with regard to Javi and Tim. The only thing I could think of in relation to the track was maybe a vague reference of Peña getting caught up with Los Pepes, things that were done in the dark and shouldn't come out in the daylight:

Back in the old days, tight like a fight Used to hang with the devil in the broad daylight

But still, it puzzled me. I think something in one of the Morphine songs musically led me to Broad Daylight, weird as that may sound. After way too many replays of that song (and @sin-djarin joking about 'what are those Polaroids Tim has on Javi?', since the song mentions polaroids), the relevance of the song finally clicked with me;

Look at you shaking you can't find his plight Got you scared of ghosts in the dead of night While you're making up stories trying to make it ok He'll be bringing them in to let them out and play In the broad daylight

We'll see how it goes from there.

At some point, there's also going to be a bit of Marcus Pike in the fic (pancakes!). I have to be honest - I don’t really read a lot of Marcus!fic, so I’ve been trying to figure out how he fits in and some of his character traits etc. But the wonderful @secretelephanttattoo was very quick to offer me some insights about Marcus that I needed! Go read it here.

TBH, I had absolutely not planned to write anything about Peña any time soon, because why I love him in canon and in the many fics I've read, I didn't exactly feel like I had a good enough handle on writing something about him that has some plot rather than just fucking. But then this fic idea popped up. If there's anyone who knows him really well, it's @goodwithcheese (you'd better be reading her incredible new story Paranoid Heart about Javi!). So I dropped some questions and fortunately she was totally up for some character chat right here, which is really helping me figure out some things. Thank you babe, and I hope more people will contribute thots to your 1K Celebration Confessional about their sins!

Also, I've been trying to put a time and place to the fic, but I've decided to not get too hung up about that because it's really not literature but Fic/Porn With Plot. It doesn't all have to make sense. But in case you're curious, I'm leaning towards this taking place in the US in recent enough times that smartphones are a thing.

Age wise, I'm seeing Tim Rockford as being 48/50 years old probably. Javier is about 40, 41 years old - just to give you an idea of 'which Javi' I'm looking at, I've got a sense of him as he is in Narcos S2 around episode 4-9, after Carillo is murdered, and Berna takes him to see Judy Moncada.

Reader insert (I know, I haven't spoken a lot about her yet!) is probably about 40 years old too. And finally, Marcus Pike is give r take about 37 years old, which corresponds with his Mentalist appearance.

BTW, I came across an edit that had all of the Tim Rockford bits from the ads without the additional stuff. A whopping total of 48 seconds. Man, I hope that Pedro is aware of how fucked up he has us about Rockford with less than a minute of his acting. Even my wife said 'I would totally watch a show or movie based on this character' when I played the Merge Mansion ads for her.

Finally, here's a video of Pedro talking about "real fantasy fullfillment in terms of getting to immerse yourself in an experience" and how he "loves being a detective, that's fantasy fullfilment for me" re: the Merge Mansion event day.

*hits replay*

Say 'fantasy fullfillment' one more time? Respectfully.

Like I said, I hope he knows how fucked up he has us all about Rockford. I sure am glad he did these ads and whatever he got paid, it sure wasn't enough.

---------------------------------------------------------

Updated tag list (comment if you want to be added, or if I added you by accident!) based on folks who commented/reblogged on the prev posts:

@sin-djarin @legendary-pink-dot @imalrightllama @secretelephanttattoo @rhoorl @mysterious-moonstruck-musings @trulybetty @goodwithcheese @linzels-blog @rifflovesjoey @maggiemayhemnj @magpiepills @youandmeand5bucks @morallyinept @5oh5 @missredherring @avastrasposts @anavatazes @imaswellkid @pedrit0-pascalit0 @angelofsmalldeath-codeine @survivingandenduring @boliv-jenta @prolix-yuy @sheepdogchick3 @inept-the-magnificent @northernwindd @alltheglitterandtheroar @readingiskeepingmegoing @txlady37 @rebel-held @alwaysmicado @heareball @clawdee @covetyou @bellsbluebrd @alltheglitterandtheroar @axshadows @casa-boiardi @bastardmandennis @stealyourblorbos @chronically-ghosted @katw474 @beabliss @nerdieforpedro

I don't know why some usernames don't seem to link when I try to tag them, btw. Does anyone have any suggestions on how to fix this?

[shadamyheadcanons]

What songs do you think that fits Amy and Shadow?

My knowledge about Shadow is only a few so I'm not sure about him

For Amy, it will be Happy Synthesizer and Ikanaide/Don't Go and various bubbly and lively songs

Combining these two for convenience.

First one - I’m glad you asked!

Love your ideas, especially Ikanaide. It sounds pretty upbeat at first, but then you pay attention to the lyrics, and...ouch. Feeling left behind and trying to pretend she’s okay with it? Yeah. That’s Amy. Here’s a link I found for an English version.

And here’s one for Happy Synthesizer.

As for which songs I associate with them, my Song & Dance tag covers the topic pretty well, especially this post.

Given how often I think about these two, though, I’m always finding more examples. There’s one song that I feel fits Amy better than any other. I wrote a headcanon about it on January 7th, 2022. I correctly predicted in that headcanon that a bunch of Amy-related stuff would happen that year--right down to her getting a new theme song, even!

I still think my song idea works better than the one in the Frontiers DLC, though. That one feels kind of bland to me. Yeah, she trusts her cards, but she’s supposed to be a go-getter! She reads the cards and then blazes her own destiny using them as a guide. Her mild Frontiers theme gives off the vibe of someone who’s letting fate happen to them, not the other way around. Amy is kind, but she’s not passive.

Laineybug04 correctly pointed out in this post that “House of Gold” by Atreyu fits Shadamy quite well, and I included “Wait for You” in In a Pinch, but it doesn’t stop there. The more I listen to Atreyu, the more I hear Shadamy, and I’m glad you gave me an excuse to point it out! “House of Gold,” “Wait for You,” “Terrified,” “Super Hero”...and “I Would Kill/Lie/Die for You” is pretty much spot-on for Shadow’s brand of dedication. It’s more romantic than the title makes it sound, haha.

They’re not all necessarily romantic in nature, but it’s very easy to imagine Shadow singing them about Amy.

I want to call special attention to “Stronger Than Me,” though.

The speaker starts by showing insecurity.

Yup.

He fears opening up and showing his entire self because he thinks others will be scared by what they see.

Yup.

He admits connecting with him might be complicated sometimes, but he remains steadfast because the relationship is important to him.

And, uh...this is from the chorus:

“When I was lost, You were always there, my guiding light, You are my ward, my compass ROSE, my lighthouse in the night”

Do I even need to explain? She’s one comma away from being name-dropped. The song’s title fits perfectly, too. It takes a lot of strength to always look for the best in people and put your faith in the goodness of others. It’s so easy to give up. Shadow would legitimately admire her for it. She deserves to know how special she is for that, and who better to tell her than someone whose entire life was changed by that strength and kindness?

Here’s a detailed breakdown of the song and lyrics. Trust me, you’ll need the lyrics sheet.

Second ask:

Yes, absolutely! I think of him as liking modern rock and metal, and also jazz because it would’ve been all the rage when he was made. I’ve mentioned this before, but if I had to pick one band to be his favorite, I’d say Nine Inch Nails. It’s heavy, intense, angsty, and complex, and it has some of the same electronic, bass-centered vibes as Shadow’s earlier themes. Compare NIN songs like Discipline and The Perfect Drug with Rhythm and Balance (White Jungle’s theme) and Shadow’s original character theme, Throw it all Away, both by Everett Bradley. Trent Reznor also has a deep voice like Shadow and Bradley do. NIN could do a mean cover of Throw it all Away, now that I think about it...

I don’t think it’s the best idea for canon, even the questionably-canon Twitter Takeover, to cite real people/artists. It’s fine for fans like us to do it, but the official franchise is different. Humans are flawed and complicated. When you start including real people, you could potentially do something awkward like, say...connect your series built on environmentalism with someone who uses a private jet.

Y’know. Hypothetically.

That’s why I love what the social media team did with Hot Honey in The Murder of Sonic the Hedgehog. A fictional band doesn’t carry that risk, and they’re seamless within the Sonic universe. Fans like us can’t get caught on whether or not Shadow would enjoy their music because none of us can actually hear them.

Funnily enough, your ask aligns perfectly with what makes Hot Honey so cute for these two. Shadow canonically doesn’t like Hot Honey at all:

No questions asked, no headcanons needed.

The reason he agreed to go was entirely, 100% because Amy asked him to. I think that’s far sweeter than the Taylor Swift thing. And I’ll be able to prove that when I finish writing Sweeter Than Honey. Don’t worry, I haven’t forgotten about it!

No offense to anyone who does enjoy Taylor Swift’s music, of course. Different strokes for different folks. :)

[leonenjoyer69]

I hope you don't mind this ask, but I'm in a huge Jekyll and Hyde hyperfixation rn (both TGS and OG novella) and I saw a post from you about how "Cotard's Solution" fits his Vibe; did you ever go on a ramble of Will Wood songs that fit Jekyll/Hyde? I'd love to hear them! I'm usually either an emo rock or hyperpop fan but I'd love to dip my toes into more Will Wood ever since my friends have shown me his songs :] I hope this isn't too much of an ask!

OF COURSE I DON'T MIND HEHEHE >:3 (also I'm so so sorry I kept forgetting about this 💀 BUT I'VE FINALLY DONE IT), I did originally connect a bunch of will wood songs to TGS characters in this post, and then I talked a bit about my Jekyll and Hyde playlist here (tho these are all various artists and Chonny Jash, not will wood, still a good collection of songs imo! Especially if you like emo rock and Hyper pop!!), but I would gladly go into detail about a bunch of Will Wood songs and how I connect them to TGS/J&H once more >:3

I LOVE WILL WOOD I'M SO NORMAL (also if there's any specific song from that first post, the honorable mentions in this, or my playlist that anyone wants an explanation for, just ask, bc idrk off the top of my head what to explain lmao, and if I have the thinking capacity to, I love explaining my reasoning!! :3)

OKAY OKAY, I'm probably not gonna hit many songs, but I'll try to get a few :3 I usually don't do these this in depth and I don't wanna make it too horribly long 💀

FIRST UP, A FRESH ONE I HAVEN'T TALKED ABOUT (bc apparently it hasn't been on my main playlist... I'm kinda slow sometimes): SKELETON APPRECIATION DAY

HEAR ME OUT, the "bones" could be interpreted as Hyde, or just all of Jekyll's hidden parts-- anything that isn't the perfect gentleman he prefers to show. And like!!! The lyrics can be connected so easily!! "While my cracking backbone lacks but backs up my false starts" transformation, next.

"All nightmares start as dreams and I hear my subconscious screaming" I don't even feel like I gotta say anything on that one.

"All love starts as a scheme, So wake me up, I'm tired of sleeping" bro literally didn't believe Lanyon loved him, the 'waking up' could be the first transformation.

And like!! The chorus!! "Bones, bones, bones, let me see your bones / Well, I don't wanna know if the feeling follows home /Bones, bones, bones, hell, we're all alone / If I come home, baby, will you show your bones?" Hell, I can see this as Jekyll asking (or at least wishing for) Lanyon to be more vulnerable, but!! Better yet, Lanyon asking/wishing that of Jekyll, since he knows how Jekyll just tends to cover everything up.

Idk, maybe I'm just talkin outta my ass, but I think this is really up there on my list of TGS-able Will Wood songs.

NEXT (another fresh song I haven't rambled about before): HALF-DECADE HANGOVER

I LOVE THIS SONG SM!!! I EAT IT UP EVERY TIME IT COMES ON!! PROBABLY MY FAV WILL WOOD SONG RN!!

Anyways, this song is so so soooo angstily Jekyll coded, let's go straight to the lyrics >:3

"Wonder how I didn't die / This is not my life. I'm no survivor, I only happened to survive" right out the gate, first lines. Bro literally drank chemicals and now shares half his life with an entirely different consciousness.

"Down the days I have left, with one eye open"- could be him drinking the potion, with the one eye open being only half of him--"That was me screaming "Bitch, I am reality" / And stumbling off to lose myself in a brown paper bag cause me and / Sweet Evan Williams got a date down on Avenue / A staving shakes scraping change till daybreak / Turns out anyone can eat out the trash / Then wake up on the freeway mid-crash" could literally just be Hyde doing stupid shit and Henry regaining control 'mid-crash', ie when problems arise because of either of them tbh.

And the chorus!!! "Cause I was drunk when I made my bed / Now with a half-decade hangover I lay down in it /What have I done? Don't know what I've said / It's a half-decade hangover, either this, in jail, or dead / It's a half-decade hangover, Jesus Christ my aching head" bro was at his worst when he made that potion, and now he's stuck with the consequences. And the "this, in jail, or dead" those are the only options he thinks he has to deal with Hyde now!!

"Tripped on a couple steps, and collapsed on the stairs / Broke my neck on the backs of those who I've hurt and scared" my guy has been lying to everyone around him for years, but now everythings falling apart and it's coming back to bite him in the ass so hard now.

LAST LYRIC BC AT THIS RATE I'LL THROW THE WHOLE SONG IN-- "Sober, but still so much still hangs over / Please believe me when I say I poured my whole past down the drain / Say that a second chance is a chance I can take" first of all, the poured my whole past down the drain could be him literally giving up the man he was and taking the potion, OR, him dumping all the potions in that one scene, teehee. Secondly, the second chance part and the lines that follow in the song, totally him at Lanyon.

Next: OUTLIARS AND HYPPOCRATES

This one to me is a very Hyde song, specifically him talking to Jekyll.

"Cause I doubt that you would even if you could change / You think it makes you special, but it makes you strange / I doubt that you would even if you could change / The things that make you special are the things that make you strange" could be Hyde tellin Jekyll that he wouldn't get rid of him, even if he could, because it makes Jekyll fell better about his "lonely prince" persona, as Jasper put it lmao.

"I am the shadows cast aside by gallows, and you the red-hot sky" I just really like thinking about this line with them bc ✨imagery✨. Like, shadow Hyde, check. Gallows? Hell yeah. Red-hot sky? We got color AND, by proxy, sun and moon references, Let's go 🗣️

"You become immune to my toxic fumes / My dose-dependent presence in your life / It's all subjective, all due respect to the collective mind" I mean like. Toxic looking green potion. 'Collective mind', they're both parts of the same guy.

"Horrified at the sight of my reflection in your eyes, I don't belong there" mmmmm bodyswap mishaps 🤤

"Well, it's your conclusions that make mine delusions, so I make you sane / You can thank me later" idk how to explain it but the way this is said just gives major Hyde vibes, you get it, right chat?

"Who'd want to belong to anyone? (Ay, ay, ay, ay) I mean, what do people even do? / So, if you love me, let me let you go, my love (ay, ay, ay, ay), so I can be no one" him and his little crush/loathing on Lanyon, the silly

Next!!: MR CAPGRAS ENCOUNTERS A SECONDHAND VANITY

Literally the Jekyll and Hyde song ever. I mean, it starts with "you're trying to replace yourself" 💀

"Carving out a fact from a reckoning! /Beckoning your back, skin sagging off its skeleton / Levitating off the ground / Is another man wearing your face" LIKE DO I EVEN GOTTA SAY ANYTHING? This whole song is about false identities 😭

"All the other false identities / Remedies or enemies to mitigate your memories / Shuddered at what they found / When they stripped away the grace" like...

"Damn, I thought you're not your imposter / You're so sure you're not gonna get caught / Dead in your own skin / But you didn't choose what you were born in" this song gives big vibes for chapter 14 and 15, with the constant switching and fear of identity reveal and such.

"What you feel and what you do, are those things really you? / And if not, then what is? (Never, never, never) / So, my God, what's wrong with you? / And I'm still asking who that is" I really like thinking about this part as Lanyon asking Jekyll those things, even without an identity reveal! Since he puts up this gentleman facade and hides everything, Lanyon barely knows who Jekyll is.

"You'll never take me alive, baby (this is not enough) / You'll never take me alive (this is not enough to prove it yet) / You'll never take me, you'll never take me, you better pray that I die (no, I need to hit the bottom)" This part feels like a simultaneous Hyde and Jekyll part, with Jekyll being the parenthesised parts. Hyde being all cocky n shit while Jekyll tries to figure things out or something, idk lmao running low on explanation brain cells.

Honorable mentions that I just don't feel like explaining in depth rn, but probably could!!

The Song With 5 Names- very Jekyll coded

Dr Sunshine is Dead- kinda Jekyll coded, but VERY Hyde coded

2econd 2ight 2eer- the Hyde song ever

6up 5oh Copout- another mega Hyde song, if I could animate it would be over for y'all

Against The Kitchen Floor- Jekyll and Lanyon, these gay people make me upset

Cicada Days- also very Jekyll and Lanyon :(

Hand Me My Shovel!- Jekyll coded, I like to think of him making the potion

Basically, 90% of Will Woods discography can be spun to fit these silly characters. I love Will Wood guys :3 sometimes I wish I could verbally ramble about this kinda stuff, but also words are hard (and it makes me feel annoying lmao) 💔💔 but anyways!!! Thank you for the ask! I hope Will Wood consumes you just as well as it has most of the TGS fandom :3 <333

[aiscapades]

touchstarved m5 as npmd songs

i already did arcana x npmd so might as well do touchstarved

leander — dirty girl, hatchet town

vere — nerdy prudes must die, the summoning

ais — literal monster, the best of you

mhin — bury the bully, if i loved you

kuras — cool as i think i am (reprise), dirty dudes must die

defending myself brief explanations:

leander

dirty girl: he is a toxic alpha male "daddy" who would say the cringiest shit if it worked to manipulate mc. being attracted to someone you know is Not Good For You. the grace (mc)/max (leander) dynamic "you got me hypnotized / i'll never ever tell you to behave / i am expecting you to betray me" + "i am expecting you to behave / you want a tour of the house you better straighten out your crooked ways" just fits imo. he's so slutty. hatchet town: this song encompasses the anyone-could-be-a-monster mass hysteria that fills me when i look into leander's eyes.

vere

nerdy prudes must die: almost self-explanatory. he is in every shadow, hunting you. you cannot rid of him. he wants you dead? you're dead. the lyrics give cat-playing-with-their-prey vibes and that fits vere best imo. the taunting, the insults, the pettiness. sucks to be a nerd i guess. the summoning: i was conflicted abt this one. first i assigned it to kuras for the biblically-accurate angel vibes; then i wondered if it fit ais & ocudeus. i settled on vere because... he speaks in riddles similarly to the lords in black + vere is def the type to ask for what you cherish most in return for helping you + "take all our kingdoms back" because vere was once revered as a god but has now been reduced to the senobium's pet. also nibbly wanting to eat souls is vere-coded. && wiggly claiming to be their friend but obviously having nefarious motives. "our true form would melt your minds" can apply to kuras but i think vere would be pretty frightening as well. "you gamble it on the roll of the dice" befriending vere is a gamble; is he going to toy with you, kill you? or love you?

ais

literal monster: of all the m5 monsters, i think this fits ais best. "his fists are always half-cocked" ais is prone to violence. he's always up for a fight. worrying about associating with him because you are at risk of falling victim to ocudeus. "no one's gonna stop him" nobody seems to care he leaves people for dead?? people are too scared to interfere?? the best of you: this is a vague happy-lovey-dovey song that could apply to them all, BUT it reminds me of how ais seems especially attached to mc from the beginning and doesn't want them to lose themself to the seaspring. "i need the kind of love from someone else" + "it's like you test me but not to best me" their witty banter/teasing dynamic.

mhin

bury the bully: cutting up the body of some mf who bothered them is so mhin haha. not in a crazed killer way; the song is very matter-of-fact and it fits their medical vibe. they stuck their dagger in the neck of a soulless like it was nothing. "we're gonna hack all his limbs off / how else he gonna fit?" if i loved you: this is classic tsundere mhin vibes. arguing that they don't love you as they sing a love ballad—like c'mon!!

kuras

cool as i think i am (reprise): this is the part where pete is telling steph it's okay to sacrifice him if it ensures her safety. that is very kuras-coded to me. "let me take the bullet / is it really a crime if you get to live your life to the fullest?" he has lived for thousands of years; he would rather you have a fulfilling life than continue with his own miserable one. "if i loved you more than the stars above / i'd have to let you go" dirty dudes must die: the themes of repentance and sinning fit kuras; he's still a monster who has probably committed horrible atrocities (what is he repenting for?) even if he presents as a noble angel doctor. this song kinda gives the vibe of his bad ending maybe? giving in to your own sins to make those around you repent for theirs? "who will pray for you when your body is gone / this is the consequence for what you've done"

[stuffedsand]

T3 cover thoughts,,, and psuedo guesses

Haruka : considering both of his songs were from the android girl album I feel like he's gonna get a third. Of which the only other song I know the lyrics to is relationship scramble.

I think it could work ("right now I want instant love", could be the whole any attention is good, negative inclusive, so long as it's attention) (bro idk)

Yuno : honestly not a clue haha, tho I think Rabbit Hole would work (+it's a popular prediction for her, I haven't listened to it but it could be a good choice?)

Fuuta : .....he got Salamander this trial I don't know what they're gonna give him anymore....I don't even know what the deal is with mosaik role,,,,,

Maybe Chimera? I've only listened to it once but it has the Vibes tm. I think it fits? I'm not very good at lyrical analysis but it'd be fun idk

(or volt tackle haha)

Muu : Theory of Negativity because idk it vibes. Similar to otome dissection kinda idk

Alternatively, Cinderella just cuz it....vibes like her I don't have a better explanation sorry

Shidou : I reeeally want to say cosmic rendezvous,,,, but it doesnt fit with his other covers. I hope dearly for cosmic rendezvous but let be realistic haha

My prediction. Ghost Rule or 118. Ghost Rule would be fun !!!! 118 would be, to me, if someone died in t3, cuz the lyrics can be twisted abit. It'd be so fun. Also "no law to pardon my crime" and "ethics are a delusion, but I'm still guilty when the morning comes" vibe the same. Also his va can do it I believe in him

The cover would also SLAP cuz from what I can tell shidous covers have a more...frantic? Energy to them and that works for a lot of the GHOST album songs. Anyways Ghost Rule milgram cover?? Please??

Mahiru : I had more but I forgot so here's the ones I remembered

U (unlikely, it's a English song... But hey it'd be fun) / Poison Apple (I'd say poison apple works for kazui but... There are funnier picks for him so)

I think her voice fits for these songs idk they just...vibe. really well. I believe in her va

Most fitting from what Ive seen is Zombies or Psuedo-Hope Syndrome which would work vocally and thematically I think! Idk tho haha mahirus is really vibe based

Kazui : ok wishful thinking : Ghost Rule. Fits with the liar theme. But I already gave it to shidou and it doesn't fit his other two covers (sad melancholy) so he gets the song I initially chose for shidou! Cosmic Rendezvous. A win for old man yaoi truthers (JOKE)

No seriously. The lyrics could be read as non romantic, and it continues his cover theme of Regret. It'd be fun, thematically relevant, fir the other covers, AND it'd hurt me. Perfect. If he does get cosmic rendezvous I will cry

Alternatively; we the hostages (?) Idk this pick was also solely vibes. I really want cosmic rendezvous though but that's cuz I want someone to say fuck

Amane : Angel Hair. I don't have a particular reason? Also this would be more in line with Positive Parade which was the trial one song.... And she got animal which I never would've expected so? Who knows. This is a fun list for vibes. Oh I think then all her songs would be Mannequin songs too

Mikoto : uhhhh (Not) a Devil. Cuz I'm not creative and it'd be funny. Uhh otherwise I'm not too sure.

Honourable mention that I think both Mikoto and Kotoko could get Addiction? By vibes alone lol cuz I can't read the captions...

Kotoko : imma be real I forgot. To kin assign her a song. But after having a short look at Anti - Beat I think she could get Dilemma? I think it works for kotoko. Idk

Tell me what songs you guys predict for any given character next trial I like seeing people's readings on what fits the character or the covers!!! Particularly kotoko, yuno and mikoto as much as I like their characters I don't have much of a read on them...

Also tell me what your favourite covers are!!!! I personally like both of shidous, kazui's, mahirus and fuuta's, and I really liked the monopoisoner one! (Haven't listened to reversible campaign enough to form opinion), as well as Harukas two breaths walking cover (haven't listened enough to the android girl one whoops)

[pebblysand]

hello! you may find the entire playlist on spotify here. below is some more information on my song choices.

Castle by Eminem: very anticlimactic but i will only really be able to explain this one after the last chapter comes out. so, come back in a bit ^^.

Things We Lost In The Fire by Bastille: it's funny, i'm a massive bastille fan but it didn't really hit me how castles that song is until i went to see them live last summer. i remember being in the crowd and thinking to myself: god this is so on point. i think the lyric that gets me most is: the future's in our hands and we will never be the same again. there's such a dichotomy to that and it's so representative of what is happening in this chapter, which is harry and the trio sort of reconning with the concept of time and the post-war state of things and: now what? the excitement of: we survived and the future's in our hands, but also we'll never be the same again because we lost all these things (people) in the fire (war). i just find it very apt.

O Children by Nick Cave & The Bad Seeds: firstly, i love that song, i thing it's beautiful and it just nails that post-war tone of the early chapters. the cleaners are coming one by one, they measure the room, they know the score, etc. secondly, this is obviously the harry& hermione song, which is a massive vibe and plot point of this chapter. i will defend the dance to my dying day, i think it's one of the most beautiful scenes in the whole film and those who don't like it because of the harmony vibes are wrong. that's it 😅.

UNHEALTHY by Anne-Marie: this is a more recent addition, but doesn't this song kind of have early harry/ginny vibes? i'll let you listen and be the judge.

Wonderwall by Oasis: harry mentions oasis in this chapter, so of course i had to add this. i have listened to this song so much in the past 20 years, i can't even tell if i like it or not. anyway, here's wonderwall 😅.

Pompeii by Bastille: ah. the infamous break down of everything. as i've already said, absolutely love bastille, and this one is a classic.

Shadow Preachers by Zella Day: i added this one more recently but i feel like it also had very strong early harry/ginny vibes. i also like that it sounds a bit similar-ish to pompeii in that sort of break down of everything vibe. there's a sort of desperation to that song that i feel really fits well.

Place de la République by Coeur de Pirate: firstly, if you think of coeur de pirate as comme des enfants and don't know anything else from her, i am begging you to open to your heart to her other songs/albums, she's incredible. secondly, i've always loved this song. it so well captures this sort of regretful break up situation where she is breaking up with someone because of distance and giving them one last chance to show up and they don't. i feel like it's very much a ginny song in chapter 3, this way she doesn't really want to break up with harry but has to. it's just 😫.

Someone You Loved by Lewis Capaldi: i've gone back and forth a lot on this song, whether to include it or not. it's almost Too Much. but, also, harry is a bit Too Much in this, so it just fits.

Achilles Come Down by Gang of Youths: this is... very literal, i don't think i need to explain. i will say, for a very long time, i didn't know where the french bits were from. it sounded like some sort of documentary about suicide, which i thought was odd, but it's actually a reading of the myth of sisyphus by albert camus. i've never read it because i've only ever read camus's fiction, but he is one of my favourite french authors, so i was happy to find that out. it works with the song incredibly well, obviously.

Hell or Highwater by Passenger: we're back with the break up songs. i love this one because it very much is about the confusion and the not knowing what caused the break up, which i think is very fitting for harry, here. i also just love the writing in this song, the way he uses the "hell or highwater" saying in a different way - it's a song i very much love, even outside of castles.

Six Degrees of Separation by The Script: idk, this song has such strong 2000s vibes, and it's so break-up-y dramatic - it just fits, you know? 😅.

Giants by Dermot Kennedy: this playlist supports irish artists! ✊🏻 jokes aside, i kind of see this song as having a bit of a double-meaning here. like, of course, it's hinny break up song and plays - again - to that lack of understanding (we used to be giants, when did we stop?) but i also see it as reflective of harry's broader state of mind. it's this post-war confusion of: we used to do these great, important things, and what is our purpose, now? obviously, this first arc is very much about finding a reason to live after the war, so i feel like this song works for both plotlines.

As It Was by Harry Styles: i'm not a massive harry styles fan so the first time i ever heard this song was when he was on tour and the 'LEAVE AMERICA' trend was all over tiktok. and, i don't know, the moment i heard the song as a whole i was like, 'fuck, this is such a castles song!' especially of that early, post-war, confused era of: 'harry what are you doing sitting at home on the floor, what kind of pills are you on?' it just had to be in this playlist.

Fear of Fear by Passenger: this song is just a mood. i feel like it could play over a montage of the weeks passing in chapter four, and harry just going to work, trying to sleep, and going running in the night.

Le vent nous portera by Noir Désir: there's two reasons why this song is here. firstly, i feel like it signifies healing and the passage of time, which works very well with this chapter. it's a gorgeous song and has this idea of the wind just blowing the hardships away, an "it'll be alright" motto that i love. but also, what my international audience might not know is that this song is highly controversial - bertrand cantat, the lead singer of the band, beat his girlfriend - french actress marie trintignant - to death in 2003. he was arrested, went to jail - if you are french, just know that i'm not going to get into the Debate of whether he should still played/be listened to, etc. we all have our opinions and whichever way you're leaning i'm not going to change yours but i just wanted to note that i wouldn't have put this song in the playlist for any other chapter. but with the added theme of DV in the case giulia and harry work on here, i felt it was fitting.

Brave by Sara Bareilles: this is obviously giulia's pep-talk song haha! harry, get out of your rut, and be brave. i love it.

You're Not Special, Babe by Orla Gartland: i love this song. and, again, it's very giulia. i feel like both of these last songs for this chapter have this vibe of her telling harry to just get off his arse and do something, which is what he needed at that point. quit moping around, quit blaming yourself, you're not that special. it's really the kick off, onto chapter five.

Insomnia by Ren: ah, ren. if you've been following the playlist for a while, you will have noticed that i had a major ren moment between the end of 2023 and the start of 2024 and added, like, fifteen millions of his songs to the playlist. i feel like castles generally has such a ren "vibe" to it, which is wild because i didn't find him until well into writing the story. this song has this incredible line: i used to use drinking as a way to stop thinking and my problems with drinking made me feel like i was sinking, so i dried up my drinking and then i couldn't sleep a wink, and now i'm thinking, now i'm thinking, now i'm thinking, now i'm thinking about nothing. fucking nothing. and everything and nothing - i hate not sleeping. this is so on point for this chapter, which has harry's insomnia stalking those post-war months, and i absolutely love it.

The Last Unicorn by Passenger: ah, the first mia song 😫. my child. this is so scarily on point.

J'écoute du Miles Davis by Navii: this is really one of the core, OG castles songs as far as i'm concerned. i remember listening to it on loop very early on, writing the early chapters. i love the chorus of 'Et le temps passe' (and time passes) - it's this factual statement that i feel is very castles. "Time just - passes."

The Way I Am by Eminem: i was so mad to find out i couldn't use this song in text because it came out in 2001. obviously, very related to the press, fame, etc. which are topical for this chapter.

Dominoes by Ren: i added this one fairly recently. it's one of those songs that isn't precisely topical to the chapter itself, but i really liked the riff of "we fall like dominoes, dominoes, falling". it echoes that thing harry says about how he's afraid to fold because if the "leader" falls, then everyone comes cascading down. i felt like there's an interconnection in that song that resonates, here. and also, i think the thing about public perception and body shaming is also somewhat related to the treatment of girls in harry's life in the press.

Read All About It, Part III by Emili Sandé: i thought most people would already know this song because it was featured so prominently in the 2012 London Olympics, but i suppose it still didn't make it to america, 'cause i've had quite a few comments from people saying the playlist was the first time they'd heard it. anyway, it's obviously about harry using his voice and finally talking to the press, and it's amazing :).

Babylon by Barns Courtney: the vibes of this song feel like the fall of a civilisation and "the walls are caving in, you're paying for your sins" and... yeah. idk, i see this as the theme song to the whole battle scene at the lace mill.

What He Wrote by Laura Marling: this was always Giulia's "song" in my head, i'm not even sure why. it's got nothing to do with her but just based on vibes. i listened to this on loop writing her death. and, also, the connection with Peaky Blinders, which heavily inspired the first act of castles.

Fourth of July by Sufjan Stevens: this is just... a beautiful song about death lol. how cheerful 😅.

All My Tears by Ane Brun: and... another one, lol. also, another connection to PB.

Jimmy by Moriarty: i only have two songs for this chapter, probably because it used to be paired with chapter six so i initially didn't think of it as an independent item. anyway, this is one of my favourite songs in the world, and it's recently come to my attention that it fit quite well in here, with this idea of "coming home" (to the burrow, in harry's case. i feel like it works well with the general mood of the chapter.

CORALINE by Måneskin: ah. coraline, coraline, di me la tua verita... this is the beginning of harry, and ginny, and the letters, really.

Zombie by The Cranberries: canonically, Mia is a fan and while two cranberries songs are mentioned in this chapter, i always felt like this one fit better. first, because it's about a civil war that, in many ways, resembled the wizarding war. second, because i've always sort of thought as amycus as a bit of a zombie. like, he's dead but he still plagues ginny (and later harry) with the things he's done and their ramifications.

Rather Die by Barns Courtney: obviously, i'm a massive fan of barns courtney and i've always felt this song is very ginny during the war. basically, 'i'd rather die than give in.'

Repeat After Me by KONGOS: this song is obviously about the absolutist christian faith and someone trying to escape it, but i think there's something so rhythmic about it. in my head, i could see it playing over a montage of the DA pulling off stunts, getting attacked, getting back up again, fighting again, losing again, etc. there's also the 'repeat after me' of indoctrination that could very much apply to the ministry's propaganda. i remember listening to this song so much as i was writing this chapter, just to remind myself of the relentless sort of pacing i wanted to achieve.

Dopamine by Barns Courtney: okay so. this is the song of this chapter. i know it feels like it's not really about this chapter (it's clearly about drug addiction) but you cannot possibly imagine the number of times i listened to it as i was writing. i don't know. i love everything about it. the loud rock and instrumentals, the production, the lyrics. if we end it all, at least you're by my side. we could never die. and this: it's always the same. see the drink couldn't wash out the taste of your name. i literally think it's one of my favourite songs ever, and one of my favourite sentences ever written. i think in my head it's a bit about ginny sinking, about amycus, about harry. about everything. i would say dopamine is probably one of the most important songs in this playlist. i am so attached to it.

Thirteen Thirtyfive by Dillon: and... the last song. i will say this: i have since learnt that this song is about a woman who has lost a child (either through miscarriage, abortion or death after birth, it's not clear) and is reminiscing about what her life could have been. that is... not how i initially interpreted it. you may listen and come to your own conclusions. if you interpret it like the above, maybe it fits with pansy's story. if you don't... well. you'd be thirteen, i'd be thirty-five, gone to find a place for us to hide. be together but alone, as the need for it has grown. make of that what you will.

Formidable by La Bronze (Stromae cover): god, do i love this song. and god do i love this cover almost more than the original. i love how she made it less sad and more angry with the more rock-like music, as well as the sound of arabic. it works So Fucking Well. the chorus of this song sort of says it: we were incredible.

The Kid I Used to Know by Arrested Youth: just one of those songs i used to listen to on loop while writing/planning that arc of castles. i do think of this time in this fic as the formal end of harry's childhood, when he finds out about ginny and realises that all their innocence has gone. so long to the kid i used to know.

Hold On by Ren: i feel like there's such a restlessness in this chapter that you also find in this song. this sort of endless torrent of stuff coming harry's way, and him trying to... get through it and hold on.

Blind Leading The Blind by Mumford & Sons: i had originally put this one in for chapter nine, but i actually think it's more of a chapter ten song. welcome to the trials, aka the epitome of the blind leading the blind.

Why'd You Only Call Me When You're High? by Arctic Monkeys: ah. were you also a teen in the early 2010s? welcome to the song. obviously - very harry & ginny in this chapter.

Falling Is Like This by Ani DiFranco: i've always adored this song ever since i discovered it referenced in another fic. it's where i got the idea of the car running off a cliff in last chapter - it's also very heavily referenced in this chapter. think of it like a transition song lol. just such a Mia mood. falling is like this.

Je suis un homme by Zazie: i was looking for a song this morning to operate the transition between falling is like this and the kids are all rebels, and i settled on this one. judge me all you want but i love zazie, and i think this works quite well with the beginning section of this chapter that is a little bit like the song: humans and their institutions going round in circles.

The Kids Are All Rebels by Lenii: i loooove lenii. she's irish (🇮🇪🥳) and this song is such a DA song. there's this dimension of youthful idealism hitting the brick wall of adulthood, and the things they see the government do which they're not happy with. the song itself was written about trump's covid policies, but it fits so well here too!

Anthem by YOKANA & Barns Courtney: i think this is self-explanatory. harry is starting to doubt his "no comment" strategy...

Statues by Alexandre Desplat: we're... starting a new war in courtrooms, aren't we? jokes aside, it's probably my favourite music from the films, very war-coded, it makes me want to rise up to battle, so.

Remember the Name by Fort Minor & Styles of Beyond: there's something about the relentless rhythm of this song that i just love for the end of this chapter. like: LET'S GOOO!

Legendary by Welshly Arms: i see this as the DA's song, too, you know? not just harry. they're all doing something legendary.

Till I Collapse by Eminem: this is one of my favourite eminem songs, and i think it fits really well with the beginning of this chapter. the onslaught of press coverage regarding harry's and the DA's actions, and their common desire to push through no matter what.

Instant Crush (feat. Julian Casablancas) by Daft Punk: i actually wanted to put da funk in this playlist (which is the song mentioned in the fic) but i chose not to subject you all to five minutes of lyric-less late-naughties techno music 🤣. i also feel like putting this right after Till I Collapse is a bit of an insult to eminem ("you don't know me, you're too old, let go - it's over, nobody listens to techno" 😅), which is a bit funny lol.

Teenage Culture by SKYLAR: it's funny, i listened to this song on loop the summer of 2023 but didn't really find an excuse to add the song to the castles playlist until it finally hit me now that it was per-fect for this chapter. i love skylar and i love this song, it's so tongue-in-cheek and yet lyrically incredibly clever. i think this is such a teenage anthem and fits so well for this chapter, both in the "partying" side of it, but also in a the-kids-are-all-rebels sort of way. i just absolutely love it.

Everyone's at It by Lily Allen: i've just realised this is the first lily allen song in this entire playlist which, if you know me and how much of a lily allen stan i am, is wild. i stole some of the lyrics of this song for the chapter; it's about the double-standards that exist in dealing with drug addiction, which ginny talks about a bit. it's a song that was very important in opening my young eyes on this topic, when i was a teenager. i feel like it also goes so well with the SKYLAR song, it's like the millenial-advocate-y song to SKYLAR's gen z, more apathetic/don't-care take.

all the good girls go to hell by Billie Eilish: i have a very strange relationship with Billie Eilish's music where i listen to her only for very specific occasions and moods, but i do love that song. and, idk, i kind of see it as a symptom of ginny's slight "descent" in this chapter, where under the surface, partying and sleeping around begins to be less "fun" than it used to be. there's something weirdly haunting about Billie Eilish's music (esp the first album, that i feel fits here).

Any Other World by Mika: i added this song to the playlist rather recently but if you are a the good wife fan, it will of course sound familiar. i think i was looking for a song to finish off this chapter and recently was lucky enough to see Mika play live in dublin, and thought it just fit. it's neither really a love song nor a political song, it's a third thing, and i think it's really symbolic of the conclusion you reach at the end of this chapter of "say goodbye to the world you live in". i think this chapter is really the point of no return, this sort of deep realisation that nothing will be the same anymore. it's also the halfway point of the fic (in terms of chapters), so i reckon it works.

Un peu d'espoir by Joyce Jonathan: i relistened to this song recently and i think it really suits the beginning of the chapter. there's a growing up vibe to it and, nostalgia, sadness and hope at the same time. i really see it playing in that time where harry reflects on the upcoming anniversary of the war and where he and ginny talk about the aftermath.

Dance Monkey by Tones and I (Stripped Back): okay. i know this is a bold choice but let me explain. basically: i was working on completing the playlist and was looking for a song for the end of the trials, draco's hearing and all the politics in this chapter. i looked up my top songs of 2022 (which is when this chapter was written) and found out i actually listened to this song quite a lot that year (the original version of it). and yes, this is a dance song, but when you look at the lyrics, there's a vibe of, like, the establishment and the wider world forcing you to do something you don't really want to do? like, sure, here, this is a woman who's being told, basically "why don't you dance/smile more" but i think this is also applicable to harry and his relationship with the press and the wizarding world in general. there is a dimension in it of "dance monkey! dance!" where he's just like - not feeling it. this is the chapter where he rebels, too, and actually doesn't stick to the script, and pushes the wizarding world to change, and we love that for him. i chose the stripped back version for the playlist, because i feel it just fits the mood more than the dance version of this song.

bad guy by Billie Eilish: ugh. do i need to explain? i mean, harry, come on. stop toying with two girls at the same time.

Bad Habits by Ed Sheeran: a bit the same as the above. my bad habits lead to you - you can't quite let ginny go, can't you?

Arcade by Duncan Laurence: if you were on tiktok in the golden age of dracotok, this song will need no introduction. i don't even think the lyrics fit but i now have such a strong association between draco malfoy and this song, it needed to be there in this chapter.

This Is What Makes Us Girls by Lana Del Rey: i feel like this is a lesser-known Lana song, but it's haunted me for years. i think there's a vibe of "for us girls, it's just the way wars are fought" in that song. and, with this chapter being the one where we find out about pansy, i couldn't not include it.

Mr. Sandman by SYML: okay, i cannot possibly explain this but i very strongly associate this song with the vibe of draco in prison, and that last scene. it's bizarrely haunting, and i think fits the mood perfectly.