hi! i hope this question makes sense. i was just wondering, do you have a specific process for blocking out the character poses? they way they "act" is really natural and lively, and the poses feel so specific to each character and their actions. do you use a lot of photo referencing and acting the pose out yourself to decide on the gestures?
thank you! i love the comic and i get really excited every time it updates. <3
OH I love this question, thanks so much! I definitely put an unreasonable of thought into every little expression and pose so I really appreciate that it's being noticed, haha.
I do many of my poses straight off the dome, but I definitely will use mirrors and photos for reference when I need to (which is often.) I have no issue with people who wanna use models to pose their characters (especially where extreme foreshortening/perspective may be involved!) but boyyy do I gotta say that continuing to practice gesture & figure drawing will do you wonders in saving time and getting more expressive poses - or at least, moving your character's design away from the generic CSP dummy. (I know it when I see it)
I start hammering out acting details pretty early in the thumbnails, and try to exaggerate things, because it's easier to reel it back in if I think it's getting too hammy and I also want to make sure I am set up to remember my exact intent/idea later one when I'm penciling/inking.
(Also, usually these are usually my favorite drawings. I wish this was what the whole dang comic looked like)
Something I like to keep in mind aside from obvious stuff like "watch movies/consume media/life draw to pick up cool acting & body language ideas" is also how to incorporate the characters' design with their little mannerisms. Buckthorn's glasses give him a really fun prop to play with.
Or like - if someone has long hair, would they play with it or mess with it when they're bored or frustrated? If they're shy, would they "hide" themselves with baggy clothes / accessories when they're uncomfortable? My another solution of mine for making what has been a very acting / dialogue driven comic more interesting has been "ALWAYS GIVE PEOPLE SOMETHING TO DO" because talking heads are boring.
Anyway: obviously things get tied down with pencils, goofy cartoony stuff gets grounded in some approximation of reality (unfortunately.)
And then, like, at least a month after I finish penciling I finally make it to inking & coloring this particular page. After having an indeterminate amount of time to obsessively think about the story and characters up to this point, I make several significant acting / drawing changes because I am a ding dong. I just wanted to point out the tweaks I made here - on the left page, I changed Sanctuary to appear more interested in tuning his instrument than looking like he's intently listening to Buckthorn. Because ultimately, the purpose of the scene was to make him look a bit dismissive of Buckthorn's complaint, it felt like a better pose.
I also felt that the forehead kiss felt a little more natural in this sequence & rolling into the panels on the page that follows these.
Anywayyy - I rambled longer than I intended here, but I love this stuff and I got excited. I hope y'all find it interesting and / or useful!
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Behind the Scenes!!
7 volumes.
Licensed by Viz Media.
Ranmaru Kurisu comes from a family of hardy, rough-and-tumble fisher folk, and he sticks out at home like a delicate, artistic sore thumb. It's given him a raging inferiority complex and a permanently pessimistic outlook. Now that he's in college, he's hoping to find a sense of belonging. But after a whole life of being left out, does he even know how to fit in?!
It's two months into Ranmaru's college career, and if he's learned one thing, it's that he's really uncomfortable around other people. But when he stumbles into a zombie mob attack, he's forced out of his comfort zone in the most dramatic way possible! Of course it's just a movie shoot, but when he wakes up from his ignoble faint, he's been whisked away behind the scenes with the Art Squad! Could this group of weirdoes be what Ranmaru's been looking for all his life?!
Status in Country of Origin:
7 Volumes (Complete)
Tags:
Acting
Club/s
Drama Club
Female Demographic with Male Lead
Important Non-Romantic Relationship/s
Post-Secondary School
Secret Ability
Shy Protagonist
Stagehand/s
Theater
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It turns out the cookies are real — sort of.
They are baked at the home of Lara MacLean, who has been a “puppet wrangler” for the Jim Henson Company for almost three decades. MacLean started as an intern for Sesame Workshop in 1992 and has been working for the team ever since.
The recipe, roughly: Pancake mix, puffed rice, Grape-Nuts and instant coffee, with water in the mixture. The chocolate chips are made using hot glue sticks — essentially colored gobs of glue.
The cookies do not have oils, fats or sugars. Those would stain Cookie Monster. They’re edible, but barely. “Kind of like a dog treat,” MacLean says.
Before she reinvented the recipe in the 2000s, the creative team behind “Sesame Street” used versions of rice crackers and foams to make the cookies. The challenge was that the rice crackers would make more of a mess and get stuck in Cookie’s fur. And the foams didn’t look like cookies once they broke apart.
Cookie has been portrayed since 2001 by David Rudman, who took over the role from Frank Oz. Rudman’s right hand moves the mouth, which is eating, and his left hand holds the cookies. Both work in concert to break the cookies, which means they have to be soft enough to fall apart.
Rudman said soft cookies are best, adding, “The more crumbs, the funnier it is. If he eats the cookie, and it only breaks into two pieces if it’s too hard, it’s just not funny,” he said. “It looks almost painful. But if he eats a cookie and it explodes into a hundred crumbs, that’s where the comedy comes from.”
MacLean has perfected a recipe that is “thin enough that it’ll explode into a hundred crumbs,” Rudman said. “But it’s not too thin that it’ll break in my hand when I’m holding it.”
Not every (human) guest realizes that the cookies aren’t meant to be eaten. Adam Sandler appeared on an episode and decided to share in the muppet's delight by spontaneously eating a cookie with him on set.
“As soon as the cameras cut, he was like, ‘Blech!' ” MacLean said.
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