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#being a much more neutral one
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HOW DEEP IS YOUR DEVOTION? ; SATORU GOJO
synopsis; you’re his knight, and he’s your prince. if only it were that simple.
word count; 6.6k
contents; satoru gojo/reader, gn!reader, royalty au (..but no effort put into making it historically accurate in any way oops), knight!reader x prince!toru!!, childhood friends, mutual pining, fluffy overall, some hurt/comfort too, vague allusions to abuse (reader is punished by one of the castle maids as a child but it’s only really hinted at), knight!reader is horrendously devoted but prince!gojo is arguably worse, he would burn the world down if u asked nicely <3
a/n; big big BIG thank you to @/teddybeartoji for having the biggest brain in the galaxy and infecting me with this concept <33 if u pay attention while reading you can tell the exact moment i started slowly spiraling into insanity
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you are five years old when you meet the prince.
five years old, a mere child, and too young to be blinded by such brilliance. too young to be where you are; curled up in a dark alley, back against a grimy brick wall, covered in bruises. like a beaten dog — scrawny and afraid. waiting for a strike that never comes.
the boy in front of you is also five years old, but you don’t know that. something in him looks older, somehow, something in the way he carries himself. like he doesn’t have anything to be afraid of. like he’s never even felt fear. he parts his lips and speaks like he has the right to, like he’s comfortable in his own skin, a radiance so blinding you could mistake him for the sun. too much for you to bear.
”does it hurt?”
the words fall on deaf ears. but you flinch, your body reacts, a tremble down your tiny spine. you hear the sound but not the words. too mesmerized, too paralyzed, unable to look away from the blue of his eyes, painted with rich watercolour hues. seeping into the world around you like ink on paper, cobalt and aquamarine and something else, something you’ve never seen before —
a blue so jarring it makes you shiver.
the boy has an innocent face. almost girlish, plump cheeks and long lashes, clean clothes and smooth skin. a little too pretty to be out here, you think, in this part of town — too pure to be anywhere near someone like you. he’s above you, that much you can tell. a pretty, innocent face, untouched by dirt or ache; the face of royalty. an entirely different species.
there’s something keen in his eyes, a contrast to his childlike features. a sharp gaze, something that sees through you, something that won’t look away. something mildly frightening. enough to have you cowering in fear, hugging your knees closer to your chest.
but then he smiles. and it’s sincere. sweet, vibrant, all honey and milk and a world you cannot reach.
a smile so captivating you take his outstretched hand, and let him drag you away to god-knows-where.
(that's how it begins. the dynamic that’ll follow you into your adult lives; satoru takes the lead, and you follow. no matter where he’s going.)
satoru gojo, as you soon come to learn, is the prince of the nation you reside in. the only child of the royal family, born with talent and prestige, fame and fortune, set to become king. a different species, indeed.
but he brings you home with him, to a castle so grand you feel as if your very presence is an insult to the architects who designed it, and convinces his parents to let you stay. it’s surprising, but you don’t protest; following him like a puppy at his trail. and he’s stubborn, insistent, demanding that he get to keep said puppy. 
the king and queen don’t care one way or another. they glance at you with apathy, and tell satoru to do what he wants — but convincing the scary and displeased castle maids takes some work. 
satoru doesn’t waver, though. he holds your hand in his, and demands that you be treated with respect.
and he wins. he always wins.
that’s how you become the prince’s playmate. raised alongside him, allowed to stay close, eat from the same food. he won’t settle for anything less. defending your honour, always, before you even know what honour means. before you care.
time passes slowly. joyously. every day is a new adventure, as you attempt to get used to the miracle that is your new life — sweet and silky, apricot blossoms and fresh peaches, duvet pillows and a bubbly laughter you didn’t know you still had. he coaxes it out of you, with every secret midnight outing, every bout of mischief he drags you both into. 
satoru has nice hands, uncalloused palms, fingers that grasp yours and don’t let go. he takes you outside, to see the stars, to catch fireflies in the dark of night on top of the hill that oversees the castle. to take a dip in the river just below it, gleaming a silver hue under the blue shade of the moon. you worry about getting in trouble, but he reassures you — the prince can do what he wants.
that might be true, but you are no prince. not even close. satoru may safeguard you, but all you’ll ever be in the eyes of the world is a stray he got to keep.
and one time, only one time, you do face the repercussions of your midnight outings. you, and you alone. a bad influence — seething words, buzzing in your ears. an angry castle maid, and a stinging pain in your cheek. blurry tears. 
but that’s an incident no one in the castle dares to speak of.
(you’ll never forget that look in his eyes.)
satoru is an odd boy. he keeps you close, always, clinging to you like he needs you to breathe. you don’t understand why, but you’ve learned not to question him. the castle guards all know you as the prince’s best friend, and some part of you knows that’s all you’ll ever amount to. but you don’t mind.
because you love him. at five years old, six years old, seven and beyond, you love him. satoru gojo, the kindest boy in the stratosphere. 
a boy who keeps finding you, no matter where you are, who tugs you along as naturally as the rise of the sun. who raids kitchen cabinets with you and always makes you laugh, little giggles and chuckles that have him beaming proudly. a boy who cleans your wounds with a serious expression, and tells you that he’ll protect you forever. 
(you tell yourself the same. that you’ll protect him forever and ever, until you run out of air to breathe. a boy so sweet you’d die for him.)
a pledge is made. you make it before you know what a pledge is. pledging to protect him, to become his sword, because even as a child you understand that his life will be difficult. you see it in the dullness that sometimes comes over his eyes, the apathy of his so-called parents, the hours he spends locked up with nothing but a pile of dusty books to keep him company. 
so you decide to become his knight. his, and his alone. 
it’s challenging. but you push through; training with another aspiring knight, miles better than you, black hair tousled by the breeze as he knocks you off your feet for the thirtieth consecutive time. wincing as the girl who sometimes watches your sparring patches you up, soft hands cleaning your wounds so tenderly that you almost choke up.
and eventually, as the apricot blossoms of the castle orchard wilt and bloom over and over in a flurry of pure white, your dream comes true. 
there’s something playful in satoru’s eyes, when he places his blade on the curve of your shoulder. something sweet and fond, and just a little bit ironic — as if you’re still seven years old, and playing house. 
you want to tell him that it isn’t a joke. that you’re serious, about this, that you’d tear your stomach open to keep him safe. but you know he’d just laugh. so you let the words clog up your throat, honey-sweet devotion sticking to the walls of your esophagus. breathing in through your nose, as he speaks. as the words you’ve waited to hear flow from his glossy lips.
when all is said and done, satoru smiles. he calls you his little knight, and you can tell that he’s teasing you. indulging you, as if he’s in on some joke that you aren’t. but you’ll take what you can get.
you call him my prince, expecting him to laugh it off, but his smile begins to fall. and a pang of ache rushes through your soul, instantaneous, guilty, although you don’t understand why.
so you keep calling him satoru. even though it’s more than a little unprofessional, and you become painfully accustomed to receiving a few judgemental looks here and there. a knight and a prince shouldn’t be so very close, they think, and you don’t disagree. but there’s nothing they can do about it, anyhow.
the prince and his knight can do what they want.
not much changes. you’re his knight, but he treats you the same as before. he’s playful, a little goofy, and you indulge him. as always. attached at the hip, bickering and bantering, bouncing off each other effortlessly. and satoru never bothers to hide your history, the soft spot he has for you; it’s in every fleeting glance, soft tilt of his head, teasing call of ah, there’s my favorite knight. 
(you’re no stranger to jealous looks. sometimes a pout on the lips of a pretty girl, a crease between the brows of one of your fellow knights. and sometimes a glare, from his fiancée — a woman he was engaged to before he was old enough to speak.
but you don’t mind. you’ve never cared what anyone but satoru thinks of you.)
satoru never loses his smile, that effortless air of confidence. the charm that makes people want to follow him, a charisma you know well. one you fell victim to at five years of age. he’s still just a prince, far from being a king, but he receives the same respect.
and that keen, sharp glimmer in his eyes never quite goes away; the hardened shell around his heart unbroken. you see it in fleeting glances, during meetings, ones he allows you to attend despite your status. when he speaks to a room of people with more power than you can imagine, his voice unwavering. back straight. elegant, serious, the presence of royalty — enough to receive respect without even trying. 
but he still shoots you a smile, easygoing, when your eyes meet. one only you can see.
as for you, the step into knighthood is a clumsy one. but you take your duties seriously, and adjust properly. a deep devotion runs through your veins, from your beating heart down to the tips of your fingers, where a sword lies clutched. you keep it close, always, ready to serve. to obey. to protect. 
all of it for one person.
all you do is for him. duels in his honour, beasts slain for his peace of mind, and he’s always there to welcome you back. wiping the blood from your cheek, tenderly, smearing his untainted skin with red; all while he looks at you softly, a coo or word of praise waltzing on the tip of his tongue. 
that’s only for when you remain unscathed, though, when the blood on your cheek isn’t your own. when you get hurt, it’s different — something begins to brew inside his eyes, and you can’t tell what it is. but he insists on bandaging you himself, paying no mind to your meek protests.
sometimes, you’re more reckless than usual. your injuries worse. sometimes he looks upset, angry with you, and doesn’t speak. you don’t, either.
a strange look comes over his eyes, every now and then. when you get down on one knee, to kiss his hand, the metal of the ring on his finger — and if you look up, you’ll see it. simmering inside those blue depths, something just as fond as it is sad. troubled, you think.
(something tells you he’d kneel, too, if only you’d let him.)
the bond between you remains intact. even as you begin to shoulder more responsibilities, more duties, even though you don’t have as much freedom as you used to. even though you seem to get less time to spend with each other every single day. but you stay together, even so; just like when you were children, running around and causing trouble, more than you could get away with now. 
despite everything, satoru has grown up into a fine man. and you couldn't be prouder.
“do you think i look good in black? be honest.”
you throw him a glance. curious, somewhat perplexed, eyeing him up and down.
satoru is wearing a white blouse, puffy sleeves and a low neckline, showing off the skin of his bare chest. no black colours to be seen. you think back to that banquet he attended last month, forced into an expensively tailored black coat. a corset around his waist. and then you hum.
“sure you do.”
”suguru said it makes me look like a try-hard,” he scoffs, crossing his arms. tilting his head in your direction. ”do you think he’s jealous?”
”definitely.”
a moment passes. 
satoru narrow his eyes, and gives you a dubious look. clicking his tongue. ”… something tells me you aren’t taking this seriously.”
”i am,” you assure him, a lazy smile at your lips. meeting his gaze, that displeased little pout. still smoothing a brush down the mane of your horse, the smell of hay soothing your muddled senses. ”just tired. you look good in anything. you know that.”
he hums. silent, the sound of a spring breeze filling in the gaps.
it’s late. outside the stables, the world is engulfed by a dark sky, almost too murky to see anything. hazy stars glimmer in the distance, and a sense of fatigue gnaws at your bones. it’s been a long day, and yet you’re here — doing even more work. just a little more.
and satoru’s right there with you. even though he’s just sitting there, on the floor, not lifting a finger to help. not that he has to. insistent on spending some quality time with you, keeping you company. just talking and munching on the food he snuck in, bread and cheese and an expensive bottle of wine, that he leaves completely untouched. he tries to leave some of everything else for you, though. keyword being tries.
a sense of peace simmers in the air. palpable, almost enough to taste, as midnight air streams in from the opened doors, chilly and pleasant on your skin. ruffling the thin fabric of your clothing.
and it’s nice, you think, just to have satoru there — talking about this and that, complaining about all the annoying people he had to meet yesterday, yawning every now and then. nostalgic. like this, it almost feels like you're still kids. back when you spent every single hour of the day by each other’s side.
it’s been a long time since you got the chance to speak like this. satoru’s been busy, and so have you. more so than usual.
”are they running you ragged?” he suddenly asks, and you don’t realize you’ve spent the last minute staring into space. resuming your brushing, with steady hands, but turning your head to meet his gaze.
”need me to…” he makes a slicing motion with his hand, right over his throat. a glint of mischief in his eyes. ”handle it?”
and you scoff. amused, but answering him seriously; unsure if his question is all-together humorous, if it doesn’t carry a hint of something genuine too. ”of course not.”
there’s a weariness in the way you blink. the way you pet the animal in front of you, having finished getting the dirt and blood clots out of her mane. she lays down in her stall, and you smile. turning around to rest your back against the wooden border between you, a respite for your aching bones.
it gets just a little bit tiring, sometimes. fighting, patrolling, helping townsfolk. protecting the castle, making sure everything is in order. killing whatever needs to be killed. cleaning the stained silver of your sword.
but…
”it’s my duty,” you answer, seriously, and it comes out sounding like a vow. because it is. 
you avoid his gaze, but you can feel it, as you pick up the wine bottle by your feet and pop the cork. soft moonlight flits in from the windows, illuminating the green glass. a chartreuse glow that reminds you of fireflies, shimmering in your grasp, and for some reason it soothes your heart.
satoru only hums, far from approving. popping a piece of cheese into his mouth. 
after a brief pause, he continues. ”you don’t have to be so serious all the time, you know.” his voice comes out a little raspy. it’s got a certain tilt to it, one that means he wants you to take him seriously. ”not around me.”
you take a sip of the wine. expensive, blood red. it’s too sweet for your taste, heavy on your tongue.
”… i’m less serious with you than i am with others.”
satoru sits up a little straighter.
”yeah?” he grins, a kind of satisfaction blooming in his eyes. cerulean and sweet. almost smug, you think, like the cat that got the cream. ”that’s good. you really should loosen up, though.”
a glance. fleeting, just to see him — but he isn’t looking at you. he’s looking outside, through the opened window, at the sway of the apricot trees. white petals flitting in, landing by his feet. in his hair.
when his eyes meet yours, they’re smoothed over by that something you can never put your finger on. a blend between longing and fondness. crinkled at the edges.
”you’ve got a pretty smile,” he exhales. ”be a shame not to show it off.”
when you look at him, really look at him, you see it. that fatigue. it slips out when he talks to you, a sincere way of speaking that never quite allows him to hide his emotions. you hear the hint of a yawn, can practically feel the weight on his shoulders. the weight of an entire nation. a weight he was always bound to carry.
(you could never bring yourself to be even remotely alright with it.)
“have you been doing okay?” you ask, and satoru blinks. there’s a soft look in your eyes, as they trail over the contours of his face, his lashes catching the light of the stars. an innocent, pretty face. but he looks tired. frail. like he hasn’t been sleeping properly.
something rotten bubbles up inside your throat.
”they’re running you ragged, too,” you say, hand settling on your hip. where your sword usually is. unconsciously, on instinct — or maybe just to make him laugh. ”need me to step in?”
satoru chuckles. husky, mellow. dripping with soft amusement.
”settle down, little knight.”
a moment passes. silent. his eyes flutter shut, for a second, and a breath slips from his lips. almost a sigh. in the distance, you hear the quiet coo of an owl. 
”of course,” he eventually answers, opening his eyes. and you think he looks a little resigned. but smiling. self-deprecating, you think, although he’d like you to assume otherwise. ”all of it is just preparation, anyhow.” 
a flimsy smile, as he looks into your knowing eyes. ”it’s what i was born for, wasn’t it?”
you purse your lips.
“… i don’t think so.”
another chuckle. a little delighted, this time. 
“yeah,” he cranes his neck, emitting a low groan. “me neither.” something sweet blossoms in his eyes, sweet like the crunch of the apple he bites into, juice dribbling down his chin. ”but it is what it is.”
a beat. you part your lips, trying to find the right words. ”tell me if there's anything i can do,” you settle on. the same words you always choose. ”anything at all.”
satoru smiles. “right.” his voice carries a teasing tilt; almost a purr. ”there’s nothing you wouldn't do for me, hm?” 
“— there isn’t.” you smile. “nothing at all.”
he blinks. a little dazed, for a second, and you watch as his ears redden. slight, enough for you to notice, but gone before you can bring it up. a contemplation smooths over his features. and a pleasant breeze flits in, ruffling his hair, apricot petals kissing up his skin. he looks at the apple in his hands.
then he sighs. placing his palms on his knees, and rising to his feet. his arms twitch, muscular beneath the flimsy blouse, and you gulp. although you aren’t sure why.
“alright, then.” his eyes flicker in the dim light, sharp and decisive. he crosses over to you with long strides. “there is something you can do.”
when he’s close enough, satoru reaches out his hand; opening his palm. a silent beckoning. you look at him, not saying a word. his expression is unreadable. 
then you intertwine your fingers with his. unquestioningly, even in the midst of your confusion.
(it reminds you of that day. when he pulled you up to your feet, held your hand in his and refused to let go. leading you to the promise of something better.)
no matter where he goes, you follow.
and satoru grins. it’s sweet, just like back then, a smile so vibrant you wish you could tuck it into your sleeve and keep it there forever. he curls his fingers around yours, gentle, fondness bubbling up inside his eyes. for a second, you think you see the sun.
“come with me.”
at first, you truly aren’t sure where he’s going to take you. hand in hand, you begin to walk, feeling the midnight breeze nip at your skin. beyond the castle walls, away from the hustle and bustle of the nearby town. satoru holds your hand and smiles, tousled tufts of white hair swaying with the wind, leading you to a place you know well. a place where the air tastes like freedom.
it’s the river you used to play by as children.
gleaming a solemn silver under the evanescent moon, framed by bushes of lilacs, blooming indigo and violet and pure white. butterflies flutter about, almost glittering, blue wings settling down on the leaves. the scent of nectar hangs heavy in the air. on top of the hill just above you, you think you can spot tiny little glowing dots; green and yellow, buzzing around. dancing merrily, now that there aren’t any troublemaker children left to trap them.
satoru lets go of your hand, to roll up his sleeves. the hems of his pants. then he’s taking a step forward, dangerously close to the edge of the river, and you can tell what he’s thinking.
“ah — wait —“ you stumble forward, to grab hold of his arm. a worried crease forms between your brows. “that's dangerous, satoru. you could slip and fall.”
he turns to face you, a teasing mirth in his eyes. smirking lightly. “oh? is that so?” he hums, a slight tilt of his head. then he’s stepping closer, so close you feel his warm breath on your skin, but you will yourself not to step back. “wanna know what i think?”
he leans forward, just a little further, warm air brushing against the shell of your ear. flushing beneath it. his voice comes out low, a sleepy lilt, dangerously raspy. hand ghosting over your waist.
”i think you’re too scared to get in.”
you blink.
”… really?” you deadpan, stepping back a tad. satoru looks pleased with himself.
“really,” he purrs. “you were always like that. could barely dip your toes in without shivering.” he reaches out to pinch your cheek, a coo on the tip of his tongue. ”scaredy-cat.”
you raise an unimpressed brow. satoru steps back, inching closer to the river, until a quiet splash tells you that he’s standing in the water. lapping up his bare legs, not enough to even reach his knees — it felt a lot scarier when you were smaller. he’s still holding your hand, very loosely, fingertips ghosting your own. 
“c’mon,” he coaxes. soft, encouraging, a playful glimmer in his eyes. teeth catching the light of the moon. “or is it too much for my brave knight to handle?”
satoru laughs, when that makes you furrow your brows, attempting to hide the flush of your cheeks. a warmth spreads through your chest at the term of endearment, and you bite your lip. melting a little. 
his knight. his favourite knight.
“... fine,” you tangle your fingers in his own. sighing deeply, taking a tentative step forward. “just be careful, okay? i don't want to deal with your whining if you hit your head.”
“ah, but you’d kiss it better, no? if i asked?” he flashes you a honeyed grin, eyes rich with amusement. you hope the darkness of the night is enough to hide the red of your ears.
a grumble buzzes in your throat, locked behind your pursed lips. something in your jaw goes tight.
the man in front of you softens. parting his glossy lips. he says your name; slowly, thoughtfully, as if savouring every syllable. dragging them out, speaking with a lilt that tells you he’s being sincere.
“— loosen up. it’s just you and me.”
so you do.
and it’s odd. how easy it is to get lost in him, the watercolour of his eyes, the brightness of his grin. how pliantly you let him whisk you away. before you know it, you’re playing in the water — because satoru splashed you, laughing at the shock on your face and the shiver of your spine, and you had no choice but to retaliate. 
the sound of his laughter fills the air, sweet and bubbly. deep and giddy. strands of hair stick to his wet skin, droplets running down his neck, but his grin never falters. bright and toothy, boyish. he looks younger than you ever remember him being. like there’s no weight on his shoulders, none at all, only soaked fabric weighing him down. a flimsy, see-through blouse.
you think it’s ridiculous. two grown adults, splashing each other like children. but his melodic giggles are contagious, and before you know it, you’re laughing too — and satoru looks at you like you hung all the stars in the sky. through dewy eyelashes, with cerulean eyes that melt into the pale blue of the moon and the silver of the river. filled with wonder.
a particularly ruthless splash knocks him off balance, and he has the instinct to reach for your arm; stumbling, slipping, dragging you down with him. you land on his chest, cheek against his neck, his pulse against your skin. erratic, joyous. fluttering happily. his chest is heaving, lifting you up and down, a little, rhythmic and comforting. 
a sudden yelp slips past your lips, as you get snapped back into reality, into the realization that you basically just pushed your own prince into a river and used his unfairly soft chest as a cushion. a mumbled string of apologies escapes you, as you attempt to get up, scrambling to find footing.
but satoru wraps his arms around you. tucking you under his chin, keeping you flush against his chest. nice and still. 
and then he sighs. a blissful little breath, fatigue seeping out of him. into the air. 
“stay like this, for a bit,” he rasps. ”it’s okay.”
his heartbeat resounds in your ear. warm and rapid, like claps of thunder, coaxing you into closing your eyes. satoru has always felt so very safe. the water of the river is cold, seeping through the fabric of your clothing and sticking to your skin, but…
(he’s warm.)
silence. and then, a whisper; frail, slipping past his lips, gently slicing the silence in half. softer than you've ever heard him speak.
“i missed this.”
nuzzling into his neck, you breathe him in. he smells like sandalwood and dried roses, buzzing with warmth, heavy arms around your waist. solid. when did he get so big? you used to be taller. 
then again — that was a long time ago, wasn’t it?
“… me too.”
“missed you,” he continues, his jaw on top of your head. it’s a sincere confession; childlike in its innocence. “missed hearing you laugh like that. feels like it’s been so long.” 
you stay silent. unsure of what to say. satoru continues, and you let his husky voice carry you away, the tremor of his chest running through your entire body. soothing like a lullaby. 
”we haven't had much time together, lately. i’ve been worried,” he admits, and something about it strikes you as rather sheepish. a little ashamed. ”it bothers me that i can't be there to watch over you. make sure you're treated with respect, you know.”
a sleepy chuckle. muffled into his shoulder, almost a scoff — slightly exasperated. little droplets cling to his skin, sticking to your lips.
”relax, your majesty,” you tease. ”i promise the other knights aren’t bullying me.” 
satoru pouts. you can hear it, when he speaks. ”i’m serious,” he huffs, squeezing you lightly. ”and it’s not them i’m worried about. suguru’s there.”
another scoff threatens to escape your throat. you want to tell him the only knight that should be suspected of bullying you is suguru himself, but before you can even think to part your lips satoru’s beaten you to it.
”they all treat you so carelessly.” there’s something cold to his voice, an irritation tugging at his teeth. oddly seething. ”like you exist to serve them. like you’re disposable.” 
a moment passes, heavy with a silence so thick you don’t dare break it. when he speaks again, it’s an order. a demand. 
”i want you to tell me if they go too far.”
silence. again. you can do nothing but gnaw at the flesh of your bottom lip. 
(he isn’t wrong. but that’s simply what it means to be a knight — half-human, half-weapon. an unattainable ideal, stuffed inside a suit of armor.
when a weapon breaks under the force of a slash, the only choice is to throw it away. that much you know.)
”it’s fine. i’m not that fragile,” you weakly protest, but it’s not enough. satoru huffs.
”you’re a human being,” he reminds you. strangely stern, for once. chastising. ”you deserve to be treated with respect. knight or not. fragile or not.”
a deep inhale. he breathes in, and the rise of his chest carries you with it. his voice buzzes with something, a slumbering kind of fury. one you haven’t heard in years. 
“if anyone gives you trouble — if anyone hurts you… if anyone makes you feel unsafe,” he almost spits the words, like they’re venomous, sacrilegious. ”tell me. i’ll destroy them.”
silence. and then, a chuckle.
that’s all you can manage; that one meek little breath. resisting the urge to cower, at the love that clings to every word he speaks. angered affection. a promise, dangerously genuine, like a growing wildfire. ”i can take care of myself, satoru,” you remind him. hoping it’ll soothe him. ”you know that.”
but his grip around you only tightens. gentle, even still. as if you’re made of glass, a firefly cupped in his palms. he lets the silence linger, for a moment.
and then; 
“i’d do it, you know.”
“… do what?” you ask, though some part of you already knows. 
satoru’s reply is instantaneous. an arrow hitting its target, cold and concise, decisive. frighteningly honest. almost a growl, flattened, a hint of teeth behind his soft lips. ”destroy them. anyone.”
”i’d tear this nation apart if you asked me to.”
(ah. that look in his eyes — one you remember well. strung together with blurred memories, the sting of a palm on your cheek, a castle maid you never saw again.)
you search for the words. biting back a gulp, hesitant. “… i wouldn’t.”
“i know.” satoru yawns, breathing you in, voice shifting back into the softness you’re so used to. your shoulders relax. “but i would. if that’s what you wanted.”
and it’s a little scary, the depths of his devotion. but you’re almost certain you’d do the same for him. maybe you're both a little sick in the head, a little too eager to serve your hearts on a silver platter.
“it bothers me, you know.” satoru breaks you out of your thoughts. gentle, a soft lull of his tongue. ”when you get hurt. when you fight for me.”
“i know,” you murmur. you’ve seen it in his eyes, a worry he’s not as good at hiding as he thinks. ”i want to, though.”
“and i want you to be safe.” a chuckle bubbles up in his throat, just a little bit rueful. “you never listen, do you? so stubborn, i swear. always worrying me.”
you bite down on your lip. he sounds… a little sad.
“… sorry.”
a moment’s pause. then he shakes his head; cradling you close. “it’s fine. i’m here. always,” his palm runs down the small of your back. ”in case anything happens.”
he inhales. ”and when i become king —” a beat. he swallows thickly. ”you’ll never have to worry again. no one will be able to touch you.”
”satoru,” you crack a small smile. amused. raising a single eyebrow. ”i’m not worried. i can protect myself.”
”i know. but i’m saying you don’t have to.”
and then he’s pulling back. just a little bit, just enough to see you. cheek smushed against his chest, comfortable and soft, more unguarded than he’s seen you these past few months. it’s enough to get his heart racing. enough to have him reaching out, fingertips ghosting over your hand, tangling your fingers together. bringing it to his glossy lips. a chaste kiss, brimming with unspoken murmurs of love.
”— i’ll protect you forever,” he vows. ”remember?”
there’s devotion in his eyes. heavy, a vow he’ll never quite be able to voice in full. something that makes the blue of his eyes glow even brighter, cerulean, aquamarine, a blue so jarring it makes your heart beat faster than it should.
you blink. starstruck, caught in a daze, lost within that sea of blue. distracted by his warm breath on your cold skin, the soft whisper voiced against your knuckle. something shy blossoms in your chest, enough to have you averting your gaze. 
“... you really don’t care about the dynamic here, do you?” is all you can reply. a meek scoff, a weak attempt at hiding how flustered you are. “i’m the knight. i’m your protector.”
“oh, i know.” a smile sticks to his lips, playful, the back of his hand caressing your cheek. a coo on his tongue. “my little hero. what would i ever do without you?”
a roll of your eyes. satoru chuckles. in the distance, you hear crickets chirping, a breeze rustling the lilac bushes all around you. he’s still cradling your cheek, smoothing over your wet skin, brushing a drop of water away with his thumb. clinging to your bottom eyelash.
“i don't get it, though.”
you blink. when you meet his eyes, satoru looks a little perplexed. muttering under his breath, absently rubbing circles over your cheekbone. you resist the urge to close your eyes again, biting back a blissful sigh.
”a prince shouldn’t care for his knight…” he repeats, like he’s heard the string of words a million times before. ”the idea of that. i don’t understand it. never have.”
the smile that blossoms on his lips is soft, indescribably so, as if he’s looking at the most precious thing in his life. rich and warm, like wine in your veins, nectar on your tongue, a chest pressed against your own. dripping with fondness.
satoru tilts his head, as if in confusion — but he’s smiling. “what’s so strange about wanting to protect the one dearest to my heart?” 
his hand slips from your skin, a warmth leaving your cheek. only to search for your hand, again, cradling it in his larger palm. placing it right over his chest, against the soaked material of his blouse. ”feel that?”
you do. a rhythmic rise and fall, a soft flutter from the depths of his ribcage. as if it’s itching to break out, out of the cage that binds it, the hardened shell around it. a heart too big for his body.
”it’s you,” satoru whispers. ”all for you.”
a moment passes.
silently, you lean forward; tucking yourself into his neck. into that comforting warmth, wet skin beginning to dry, the steady thrum of his heart right by your ear. you listen. not saying a word, afraid of what might leave the confines of your strangled throat. it feels as if your heart has begun to crawl upwards, sweet honey blocking your airways, and all you can do it feel it pulse. 
all while satoru gazes at you, fondly. placing a big palm on the back of your head.
fireflies dance in the distance. butterflies flutter about. strings of lilacs bloom under the glow of the moon. and satoru’s heartbeat never changes, never falls out of tune, a sound you would recognize even if the sky were to shatter, if the world were to end. the sound that saved you, the boy who dragged you out of hell. into his light. 
satoru gojo is everything. he’s the beat of your heart, the silver of your sword, the reason you believe in goodness. he’s your prince, your favorite person, and you’ll protect him until your very last breath. until the world runs out of oxygen.
a boy so sweet you’d die for him.
(a boy so sweet he wouldn’t want you to.)
a shiver runs down his spine — sudden, a shudder of his bones, and a quiet little sniffle. you feel it, hear it, and don’t attempt to bite back the fond smile that slips into the curve of your lips.
”c’mon,” you beckon, almost a coo, placing your palms on his chest to hoist yourself up. ”let’s go home.”
but satoru shakes his head. and then he traps you again, strong arms around your waist, pressing you against him. you could escape — you’re almost certain you’re stronger — but you don’t quite have the heart to. ”it’s fine,” he huffs. almost a whine. ”stay.”
”you’ll get sick.”
”i never get sick.”
a deep exhale. tumbling from your lips, just a little bit humorous. mostly exasperated. ”that can change,” you mumble, fingertips dancing along his exposed skin. absentmindedly.
a smile. one you can’t see, but you hear it clear as day. he sounds content, like he’s got everything he needs right in front of him. ”some things never change,” he informs you. pleased. ”just look at us.”
and he’s right. so you don’t say anything else. 
but your heartbeat quickens, only for a beat or two, and you’re almost certain he feels it. if he does, he opts not to tease you for once, and you’re grateful. and so the silence lingers. as if time has begun to freeze, into an eternal dusk, a string of silent seconds. broken only by low melodic chirping from faraway fields, his soft breaths in your ear. 
until satoru suddenly chuckles.
“hey,” he hums, shifting a little, the river swaying around you. pulling back to meet your gaze, eyes crinkled and voice raspy. “wanna know a secret?”
you raise your head. a dubious look on your face, one that has him breathing out an amused puff of air, like you’re getting ready to hear a bad joke. “... what is it?”
before the words have fully left your throat, he’s resting his forehead against yours — breath fanning over your lips. a pleasant shiver trails down your spine, at the close proximity, goosebumps spreading across your chilled skin. only exacerbated by the whisper that follows, so quiet you almost don’t know if you heard him correctly. childlike in its sincerity. a sunlaced smile woven in between the vowels.
“i think i was born to meet you.”
(a sentiment so sweet you barely even feel the warmth of his lips meeting yours.)
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clegfly · 28 days
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Getting REAL sick and tired of how omori TikTok views sunny.
Like, they view any scene of him being emotionally vulnerable, affectionate, or even just making an expression outside of just being completely neutral as “mischaracterised”. He’s not some cool, stoic, unwavering badass, he is a traumatised teenager. Don’t cry whenever he dares to give his friend a hug or (god forbid) be SAD about something??? Isn’t like. Part of the point of his development about him allowing himself to break down the repressive walls he built when he shut himself in? And being able to rely on his real friends instead of imaginary versions? And isn’t the game like. Meant to SHOW that he still cares about them despite isolating himself?
It’s really stupid to get mad at a character like that showing emotion or affection personally, especially since he’s not used to expressing it properly after so long. But that’s just me
#this isn’t even solely about the manga though it inspired me to make this post#any piece of official art in which sunny dares to show an emotion is shunned as ooc and I’m sick of it#he only appears ‘neutral’ throughout the GAME’s narrative because he HAS NO FACE SPRITES#because he’s the protagonist and has no actual dialogue#therefore he only makes a few expressions the entire game#obviously manga sunny is a good bit more expressive than canon sunny but#it’s REALLY not as bad as TikTok is making it out to be#I’m so TIRED of this character being viewed as nothing but a rock that ONLY has personality before and the game’s events#not allows to emote at all because ‘he didn’t do that in the game!!’#because he is restricted to ONE face sprite the entire time outside of the battles#omori is a DIFFERENT case and I can admit that manga omori is a good bit more expressive than he should be but#he’s still VERY stoic especially compared to sunny#which is what is should be#sunny should be quite closed off but in contrast to omori so much more human#that’s like. a massive part of their dynamic I feel#anyway this is such a long rant but god im so angry#I’ve seen one too many people cry ‘mischaracterised’ at a teenager expressing feelings#PLEASE stop it#also this is not to say you can’t critique manga sunny’s portrayal#because there are a few issues I believe#which are honestly really hard to dance around considering the factors I mentioned before#about having one expression most of the game and two lines of dialogue the entire time#and honestly? I think they did a pretty okay job!#he’s still a silent protagonist but seeing him emote so often helps us see into his mind and know how he’s thinking much easier#both portrayals have their pros and cons and ultimately I prefer the game’s portrayal#but that’s not to say this version of sunny is terrible and ooc like people have been saying#and that’s definitely not to say that any moment of emotional vulnerability he has is terrible and inaccurate#because that’s. just terrible and untrue#omori#omori sunny
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trappedinafantasy37 · 1 month
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You are backed into a corner, there is nowhere for you to go, except forward. Unfortunately, in front of you is a man who is intent on shoving his knife between your ribs and stealing everything from your corpse. What are you going to do? Are you going to stand there and ask yourself, "Would I be a bad person if I fought this man, maybe kill him?" or are you going to pull your own knife and fight back? Cause, I will tell you what is more than likely going to happen. Your fight-or-flight sense is going to try to override your asinine desire to have a philosophical debate with yourself, and try to get you out of the situation alive. You will instinctively and without thinking, either pull your knife and try to fight back, or you will try to run away from this man, hell, you might actually try to just hand over your wallet if it meant securing your life.
Does this scenario make sense? Does the outcome make sense? Is it reasonable, in this moment, to forego morality for your own survival? Because if it does, then try to expand this idea to understand the TWO HUNDRED YEARS of bullshit Minthara has lived through in Menzoberranzan. Every single day of her life was a nonstop survival scenario, her fight-or-flight sense was always active, and she always defaulted to fight because that was what she was good at. Her conversation about someone always trying to kill her isn't her having an over inflated sense of self-importance. She was important. Many people actually did want to kill her, and many people actually did try. For fuck's sake, she was almost assassinated when she was just a baby!
And she prevailed above it all because she didn't waste a single second of her time asking herself, "would I be a bad person for trying to survive?" No, she picked up her maces and did what she had to and guaranteed her survival and she didn't spend a single second stewing in regret. Because what good does that do her when there are still threats out there?
This is why you will never be able to make her less "evil" because she doesn't see "evil", nor does she see "good". She does not subscribe to the concept of morality. If anything, she's amoral. She sees things in terms of you either kill or you get killed. And Minthara would rather kill. A majority of the decisions that she makes is about her own survival and increasing her chances of survival. She does not waste a moment of her time thinking on the morality of her choices. This may be a little bit charged when I say this, but the consideration of morality in ones choices takes an incredible amount of privilege and safety. And, in spite the abundance of privilege Minthara had as a Baenre, concerns of morality was not one of them because she was never safe. And she has never felt safe.
When she does something that guarantees her survival, only you see it as "evil" because you haven't been conditioned for 200+ years to view survival in the same way she does and you do subscribe to morality. She does not see it as an atrocity, nor as a bad thing and you won't be able to change her mind because the two of you lived in the end, and that is what is important to her. This is also why she will stand by you when you make what you perceive to be "good" choices. She doesn't see the action as "good", but more of "this action helps us survive." She does not care about being "good", she cares about being alive.
For example, Minthara does approve of you protecting Isobel and warning her of Marcus' intentions. She approves you making a seemingly "good" decision, but not because it is morally good. Isobel is providing you and the entire gang a safe place to eat and sleep in the Shadow Lands, as well as providing you with a blessing that allows you to walk around freely within it. Protecting Isobel is practical as it guarantees your survival. She does not care that it's morally good to help Isobel, she cares that protecting Isobel means you get to keep a safe place to sleep. Not to mention, it interrupts whatever plans the Absolute may have had for Isobel and Minthara certainly does want to fuck over the Absolute.
It's also the same exact reason as to why she doesn't give a shit if you kill Isobel while playing Durge. But it does depend on why you killed her. If you tell Minthara that you killed Isobel for the thrill of it, she will be quite peeved because not only did you lose a safe place to sleep, but you introduced threats to your lives that could have been avoided all for your entertainment. Your dumb actions jeopardized your survival for no reason, and that's a big no-no for her. But, if you tell her that Isobel would have seen you as a threat eventually, then Minthara would approve of it as she perceives killing Isobel in that moment as necessary for your survival. She's only mad because you didn't tell her before hand and she wasn't prepared.
And there are plenty of other situations in which she actually does approve of you doing "good" things, as well as disapproving of you doing "evil" things. In the end, she does not nor has ever cared about the morality of your decisions. She cares on whether or not you act with your survival in mind. But if you tell her that you did something because it was the "right thing to do" she will laugh in your face because doing the "right thing" often means going out of your way and endangering yourself, risking your survival and with nothing to gain in return.
This does not mean Minthara does not change, nor cannot change. She is not a stagnant person and she is constantly adjusting herself to the situation she finds herself in. But these adjustments have nothing to do with morality, but more reorganizing her priorities and desires. There is a reason why I keep circling back to the romance in the Karlach origin because it does demonstrate that Minthara is indeed capable of changing. In this particular ending, she demonstrates that she is capable of prioritizing the life of someone else over her own desire for power. She doesn't magically become "less evil" or "more good", her priorities have merely changed and you perceive that as a change in morality because you are trying to shove her into a box that she doesn't fit in.
She chooses to make changes within herself because she is inspired by you and your actions. But she will never change to appease you or make you feel better about her lack of morality. She changes because change is necessary for survival. If you do not like her, then that is your problem, one she will not fix for you. You either learn to like her, or you can leave her alone. But she will remain as herself and she will not compromise on who she is just because you want her to. She wants you to accept her as she is, because she accepts you as you are. She will never ask you to compromise yourself for her sake, and she expects the same in return.
Minthara is one of those characters that is meant to challenge your perception of what is and isn't evil. Would I say that you are wrong for seeing her actions as evil? No, I wouldn't because I do understand why some people see her as evil. But it is wrong to say that she is evil because she wants to be or that is just who she is. Minthara just wants to live and she will do whatever she has to do to live, and she is constantly readjusting herself to fit whatever environment she is in. If that means resorting to actions that you perceive as "evil" then so be it. But she is also capable of doing actions that you may perceive as "good" because sometimes, "good" actions can be beneficial to one's survival. Minthara heavily weighs the pros and cons and each decision made available to you and she tends to go with the choice with the highest chances of survival, which more often than not are "evil" choices. This is also why it seems like Minthara has a tendency to play both sides of things and that is because she can see the survival benefit of both "good" and "evil" choices simultaneously.
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buddiebitch · 4 months
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opinions on Tommy
sorry i just like posting polls
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himejoshiangels · 6 months
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YOU DONT EVEN GET IT THEYRE THE CITYS FUTURE GOTHAM IS A CITY OF DEATH AND REBIRTH SHES AN UNOPENED BOX SHE IS ANYTHING YOU MAKE OF HER YOU JUST HAVE TO ANSWER THE QUESTION YOU JUST HAVE TO DECIDE GYAHHH
It's just, people born on Gotham are born into her curse, raised surrounded by tragedy and despair, but Gotham looks them all in the eyes and asks what are YOU going to do about it? Are you gonna perpetuate the suffering or are you going to Fight Back
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twilightarcade · 2 months
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if I was a character I would've gotten non binary headcannoned so hard
#wordstag#back in da day. Was wondering what my problem was. Lo and behold I was trans the whole time#Thank cod for the queer community otherwise I genuinely have no clue what I would've done with my self.#Bro was so preoccupied with becoming nothing because they weren't what they wanted to be#that they didn't realize they could literally be what they wanted to be. For free. And no one could stop them.#still recovering from that bit to be honest. Crazy how childhood effects you or whatever.#it wasn't even like. Oh I wish I was the opposite gender sorta stuff. It was just full stop#Hey there's something wrong with me because I feel limited connection to my agab. I should die about it.#anyways online spaces were my jam. Was often perceived as male and I LOVED the change in pace#like gender never even really came up 99% of the time! What a beautiful world to live in...#I think my problem was that I saw male as like... the more neutral option?#women wear dresses and makeup and do their hair and men just. Don't#I THINK THE PROBLEM THAT ROOTED THAT PROBLEM WAS GROWING UP AROUND MY GRANDPARENTS#Who were always excited for me to be a beautiful young lady. Genuinely the best intentions but I wasn't vibing with it and that simply#wasn't an option? Like once I wanted to wear a suit to homecoming and it was like. A full stop no. I didn't even like dances#all that much. But skipping out on dances meant I was Wasting Highschool or whatever. Sad world.#anyways what. Long story short a lot of my childhood was spent longing to be perceived as something other than#my agab without saying that out loud because I thought saying something like that would cause the sky to fall.#YOU KNOW WHAT DIDNT HELP ALL THOSE GIRLS PROGRAMS#Like. I support women and all but being a part of them always felt vile. I didn't want to be a girl I just wanted to Be yknow.#have since gotten over that though and exploited my girl ness. Hashtag woman in stem hashtag aren't I cute? A woman pursuing#a scientific career? Adorable stuff? You should give me all of your money. Still feels vile but a different#perhaps more evil kind of vile. The exploiting the system of gender sorta vile#anyways. Cutting myself off here. Good night folks
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allthoseotherworlds · 9 months
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It's honestly pretty frustrating sometimes how I feel like so many people say they love Martha, but mostly what I actually see people saying about Martha is how much she probably does/should hate the Doctor for not returning her crush, or sometimes how much people hate Blink/Family of Blood/Last of the Time Lords because they were hard for her.
And like, the former of those is frustrating because a) Nobody is obligated to return someone's romantic feelings, b) Being oblivious to someone having a crush on you might suck for the other person but is not actually a moral failing and c) Martha was sad about it but like. She didn't leave because she was furious at the Doctor for not returning her crush? She left because she knew her crush wasn't reciprocated and wasn't going to be, but couldn't get over it on her end while travelling with the Doctor. And also because the past year had been pretty traumatizing for everyone, including her and also the Doctor and also everyone else who was on that ship thing.
Anyways
I just wanted to talk for a bit about the things I like about Martha, or that are interesting, that are unrelated to those points above.
I think she's the first companion in New Who to join Unit, and I think still the only one to be a medical doctor with a strong scientific backing. Which is cool!
I think it's interesting that in the first episode she appears in, her family is shown to be kind of messy and kind of frustrating, and it feels like that's something she's a little glad to be getting away from for a bit when she travels with the Doctor (though it's not the reason she travels with them). And then, at the end of the season when her family is in danger she prioritizes their wellbeing enough to snap at the Doctor about it. If I remember correctly their phones were tapped or something and it wound up making things a bit worse, but I appreciate the nuances of her relationship with them and how important they are to her despite the messiness.
Despite all the ado made about her crush on the Doctor, I really loved how she really seemed to get the point of travelling with the Doctor. I think that she nailed both the joy and excitement of the unknown, and the compassion and sense of care that motivates the Doctor's travels, and which I think is vital to all of my favourite companions.
It also contrasts in interesting ways with how her personality shifts after she stops travelling with the Doctor - she still cares about people's wellbeing and seems to value the things she learned while travelling, but working with Unit and Torchwood does make her more military, and then of course doing freelance alien fighting (? or something?) in the End of Time.
I think Martha and the Doctor are an interesting duo because they contrast each other in interesting ways. They're both compassionate, hopeful but practical, and good at what they do, but they reflect those qualities in ways that almost, but don't quite, fit together nicely. They don't conflict, really, but they're not quite sustainable either.
They work well together and care about each other, but they're too similar in some ways and too different in others to ever quite see eye to eye, which is why they end up going in different directions. And I think that's not anyone's fault, or indicative of any deep flaws in either of them. Or even really a tragedy, because Martha seems to be doing new and interesting things every time we see her, with plenty of options available and a decent rapport with the Doctor whenever they show up.
Anyway this got way longer than I meant it to. Tldr: There are so many more interesting things to say about Martha than just "She must hate the Doctor". Here are some of them.
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ectonurites · 9 months
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SUPER DARK TIMES (2017) DIR KEVIN PHILLIPS
#tragically had to skip the 'are you afraid of me' exchange i love at the start bc. this scene is Long#super dark times#josh templeton#zach taylor#sam edits#btw i'm firmly in the 'Josh didn't kill John' camp. bc to me THIS scene is the point that... makes the most sense as Josh's breaking point/#'villain turn' if that's what you'd want to call it. because this is really when Josh... sort of 'officially' loses Zach. from early on in#the movie it becomes clear how much Zach is like... an anchor for him—the way Josh is just fucking *chanting* his name in distress during#the Daryl accident. The way Josh begs Zach to believe him that it was an accident. The way Josh turns to Zach for answers/clarity/direction#Like even if we want to take a cynical approach and think of it as Josh just latching onto Zach in the Daryl situation because he was There#rather than that being an established thing w/ them... in the aftermath of that same incident Josh is still looking to/depending on him!#Josh self isolates at first... but after they talk & Zach tells him they shouldn't act weird Josh goes back to school. (yes#he lashes out there because He's Dealing With The Crushing Guilt but *all* of 'em are acting off then—Charlie specifically calls attention#to the idea they all probably are) Josh goes to the party just like Zach said they should and is *visibly confused* when Zach seems mad to#see him there. He goes to Zach's house to talk and you can SEE how caught off guard he is by what Zach says. Even though the script version#of this scene is VERY different from the final version I do think this one bit of description from it is... insightful: 'Josh seems sincere#almost vulnerable. But Zach is too focused to see it.' LIKE in this scene Zach is already convinced Josh has lost it! He's trying to act#more neutral about it (claiming they could just 'draw a line') but we saw his phone call with Charlie. Because of his own guilt-fueled#paranoia—something shown pretty clearly through the assorted dream sequences and like tht scene of him walking in the hall hearing people#gossip about Daryl—it seems like everything lines up too well! that '*of course* it's Josh and what if it's *been* Josh all along and well#then the role *I* played in the situation really isn't *my* fault because it was all *Josh* and...' etc. even if that's more subconscious#But like... this scene is really when it hits Josh! from the moment he asks if Zach's afraid of him now like... there's a shift. although#Zach says he isn't... i mean he fucking stumbles on the word 'afraid' (like... he hangs on the 'f' sound a moment too long to sound natural#its very subtle but like Noticeable). But Josh sees right through him. Zach doesn't trust him anymore. Zach thinks he's the bad guy. the#monster. Josh feeling like he lost the last person he had in his corner feels like the most realistic thing to... push him over the#edge. like that's a compelling tragedy to me—the idea that these two poorly coping with the Daryl situation in these separated ways where#they *aren't* talking/communicating ends up CREATING the feedback loop that makes everything get worse and worse.#But for that to be the case... it wouldn't make sense for Josh to have just randomly killed John before this scene. I think it's a more#interesting story if certain things really ARE just coincidences but it's that Zach's paranoia won't let him see that 🤷
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transingthoseformers · 10 months
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unpopular opinion: I want tfe ratchet to be based off tfa ratchet not tfp
I like tfas design and personality better ok
Considering what I've seen, and how Ratchet was (I think?) in the little g1 comic blurb in the first or second episode, that his design is gonna be primarily based on his g1 one, perhaps somewhat off of his IDW design (me saying I'm pretty sure he's getting the gray chevron), and his personality is probably gonna be closer to his IDW one in my opinion considering the heavy influences in the show and how he's quite an important character in IDW05
Like
I feel like if he appears, it's gonna be a ~thing~ considering if he was easily accessible at the moment they would've brought him in the several times that someone has gotten hurt or to check them over as a checkup. He's probably not dead, and I feel like earthspark won't pass the opportunity up, so my main theory is that he's defected thanks to some of the pressures we see in the series with GHOST, Megatron working with the autobots, and the frankly awful treatment of a lot of the decepticons post war.
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curiosity-killed · 5 months
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Every once in a while I’m struck by all the ways my gender was assigned as “whatever the situation calls for” throughout my childhood and I’m like yeah honestly my relationship with gender makes total sense
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toffeebrew · 4 months
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DON'T KILL ME PLEASE!!! i think i have some unpopular opinions in there so-also i don't hate any ships (aside from the ones listed) at worst i feel neutral about them!!
another big disclaimer: I do realize this could be very wrong haha i don't know everything about these aus and I don't claim my opinions to be correct or in anyway canon.
i would love to explain the reasoning for all of them heheh (also ngl only know like... maybe half of these aus more than surface level so most of this was based off vibes alone. im not doing research for all the aus just for this chart im sorry LMAOO)
sorry bad sanses enjoyers 😭
Ship chart from:
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Blank chart:
(remember to credit or ill skin you! joking but do credit)
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sysig · 5 months
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Giving nicknames, testing boundaries (Patreon)
#Doodles#SCII#Helix#Max Vyer#Dexter Favin#How /did/ Max come to like him so much in just two years? I have my theories :3#More Teen Max!! Nothing has changed I just continue to love him lol#Two years is a pretty quick turnaround for such a stubborn kid - though I guess for a child two years can be a long time haha#Went from just hating Dex's guts of trying to drive him away and make him quit and hating being kept on a short leash#Does make me wonder how much of him kissing him was an impulse - I mean obviously lol but how much was genuine attraction!#Certainly seemed like a lot :0 Even upon being rejected he couldn't give it up! Still took him another several years to act again tho haha#I mean - in the text lol who knows what they got up to in the time skips hehe ♪#AnyWay lol - them getting used to each other of slowly working into tolerating each other#Max said something in one of his wake-ups that as I read it implied Dexter was something of a polyglot?? Which - love that ♪#If not conversationally-fluent then at tourist-fluent y'know I think that's great <3#Which got me thinking about other languages and insults and curses haha#I like the idea of Dex only really strong-arming Max about Actual deviant behaviour - something that puts himself or others at risk#Harmless little things like any teen would do - like name-calling! Haha - just get a kind of neutral ''Huh''#As well as interest <3 Not an outright dismissal not a lecture but at least the appearance of investment!#Considering Max's home life I can't imagine he had all that many people genuinely (or fake) interested in his shenanigans#All about suppressing the symptoms more than rooting out the cause it's amazing what just showing a little interest can do#I also just think it's cute of Max getting away with something silly and harmless but totally biting and mean! <in his mind haha#Silly lad <3
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hoipeepsimruby · 6 months
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Genshin things that I will ignore in canon:
Diluc and Kaeya exchanging letters to each other during his 3-4 year revenge quest
Kid Kaeya was a perfect angel who never did anything wrong
Adult Kaeya is a perfect angel who never did anything wrong
(Let the man be morally dubious that’s when he’s most interesting. Plus his recent characterization is inconsistent with his earlier one and his bio lore)
Yae Miko tormenting every single Inazuma guy character (her silly rivalry with Itto can stay it’s funny)
60% of the Venti alcohol jokes (they aren’t funny most of the time. The only time it’s funny is times like when Beidou wouldn’t let Venti and Kazuha drink despite them both being of legal drinking age)
Paimon being the travelers voice (I’m in the minority where I like Paimon as I feel she’s the travelers annoying little sister and with that in mind she’s written rather well but I do agree with everyone who’s annoyed with how she speaks for the traveler. While I’ve never published any fanfics in a lot of my ideas Paimon ends up getting a bit shafted due to me not really knowing what to do with her because outside of being the travelers voice she doesn’t do all that much.)
Most of the Inazuma main story (if I want to I can be willfully ignorant and enjoy the story but after reading gold-rhine’s Inazuma re-write I can never go back)
The traveler being a jerk to Furina at the beginning of her story quest. (In character for Paimon but the traveler I think would at least be a little more understanding and would try to get Paimon to stop guilt tripping her)
Finally, the traveler fails to get Charlotte any scoops from the fortress of meropide. (I know why but they did waste a bunch of her money and that feels mean)
#genshin impact#extra: 90% of fandom jokes#the aren’t funny and most end up as wild mischaracterozations#tbh most of what I’m annoyed with in Genshin either has to do with gameplay or fandom#I’m pretty good at enjoying stories regardless of quality#one of my favorite games is Fire Emblem Fates#a lot of my Kaeya beef comes from Diluc being my first fave#I read a bunch of good fics that treat the whole thing with nuance and how neither of them were in the right and they both screwed up#and now like 90% is all about Kaeya#or shipping#I’m neutral to most ships#I got Stockholm syndromed into like Neuvilette x Wriothesley#I have at one point activly seeked out Childe x Zhongli#I’m fine with a bunch of popular ones (JeanLisa Eulamber etc)#but so much of Genshin fandom is shipping and because of that it’s so hard to find fics of characters I like without it#that’s why I got stockholmed into liking Neuvilette x Wriothesley#because so many interesting fic premises had it in there it was like or be unable to read those fics#plus I like aro/ace Diluc and I actively headcanon a lot of characters to be somewhere on the aro and or ace spectrum#this is less of a thing I’m ignoring and more of a this makes no sense thing but#in the long ass multi update fontain side quest there is a girl who grew up in the fortress of meropide#and it seems ooc for Wriothesley not either have not noticed her existence or to have done nothing about it#but I can’t ignore it because the quest wouldn’t make sense without her#so for me he knows and is trying to do something about it but can’t get her out for whatever reason#idk something about her not existing on Fontaines people records of something#the least he could do is ask some of the guards to look after her and keep her safe and happy#that’s my explanation
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beliscary · 4 months
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there's a tower in belisaere called dolorous bastion
#g*rth n*x does things to make me specifically insane#me pulling up scherzo di notte in another tab#arghhh given the quality of his recent works I don't. want any more... but also. Wallmaker lore. blease#if I don't finish goldenhand it will continue to not be real and not hurt me#but I can try clariel again... for the world building.....#did you know bellis is part of the scientific name for a daisy#and sayre can be linked to carpenter#anyway listen. listen. lean in to Sam being a little too much like rogir for a kingdom that just returned from chaos#he's a little vain. a little reclusive. went to ancelstierre and came back... odd. deeply involved in magics no one understands#and he has no mentor. no guidance. just an unhelpful chaotic neutral cat. he's the last first & only wallmaker atm.#but he's just a moody artist ok. a total sweetheart just at turns manic and melancholic.#who is also capable of forging an executioner's blade that can imprison orannis the destroyer.#and. you know. a prince.#he should have a terrible complex about Being Like His Evil Uncle#in addition to his own shame at his perceived cowardice & failures. and his fear of Death#and his anxiety that he'll one day pour himself into the Making of something like the og wallmakers did#(and all this could. also swirl around Rogir's classique villainous queercoding. just saying.)#put a mentos in that bottle of diet coke and watch it go okay!!!#I'm sitting here shaking the narrative like If People Behaved Like People The Court Would Deeply Distrust Him#not his family obviously!!! but everyone else.#especially for facilitating a student exchange of ancelstierran soldier mages and also bringing in new citizens#who only treatied with him. not with the future queen.#and he looks and sort of behaves like his usurper murderer uncle. JUST SAYING.
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sentimental-sil · 3 months
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one very good thing about Knowing Bugs that I hope to impart on people who are Afraid Of Bugs (that's okay!) even just a little bit is that once you get to Know bugs, you can feel something crawling around on your leg at night in your dark bedroom and when you turn on your light to look at it you can assess that hey. This Particular Guy is harmless and fine. and instead of feeling scared you can make that assessment and brush him off or put him outside or whatever feels comfortable to do and just go back to whatever chill thing you were doing! because hey you've Noticed and Observed enough bugs now to differentiate the ones that might be dangerous* from the ones that are largely neutral to you! and it's nice to have that knowledge because it helps you feel more secure in your environment (a home is an environment too!) and more comfortable and less scared, and it's always nice to be Less Scared I think <3
*disclaimer: even "dangerous" bugs are inherently valuable and worthy of their own buggy life opportunities, and with time you can learn to be very relaxed around them too! but at the same time if there is a tick crawling up your leg at night unfortunately you do have to recognize that and remove it :/
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fairymint · 11 days
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Stardew!Naoya has feelings for Mr. Finnalae. He's just a big fan of emotional suppression.
the impish side of me begs to tell, because lmao. so the flipside of this is;
the primary emotion going on here for Felix- muse is.... struggling a little bit with pity arousal. supplimented by the tiniest bit of feelings.
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