#both the season 8 and 9 finales were crimes against the show

[angst-is-love-angst-is-life]

OMG I'm so glad you love my Siv Finale design! I'm also planning on rewriting the s8 finale and it's going to be so much less atrocious than the original-

OH I CANNOT W A I T YES

[why-this-kolaveri-machi]

just because you’re afraid it doesn’t mean you’re broken.

Titans 3.05

once more into the cold dark void of the internet with my stream-of-consciousness take on a superhero tv show...

spoilers ahead.

1. i cannot believe that among the first things i get to hear in this episode with my own two ears is the line 'eluded our overdudes'. why must you give me such pain along with so much joy, show?

1.5. scarecrow stringing jason along on this path to red-hood-dom is not something i would’ve ever expected, but does kind of make sense. 

1.55. i don’t know all the details of the original resurrection arc in the comics but i like that jason, weirdly, has a greater role to play in his own demise and rebirth? i think it makes it easier to draw a line between his past trauma, the demonstrably shitty and terrifying responsibility of being robin, the ways bruce and the titans wronged him, his responses to that, the reasons he turns to scarecrow, and his final evolution to red hood. it makes for a smoother character arc rather than a one that was interrupted for two decades before somebody went oh hey let’s resurrect that kid that the audience once voted to kill and make him an anti-hero!

1.75. what’s crane giving him? anti fear toxin? anyway, crane is a fucking creep and i’m not sure i want to see a whole lot of him on my screen.

2. oh, um, heads up: there’s a long sequence of unsteady cam + flickering lights right after the title card upto the 3:16 mark. it’s a bit headache-inducing so if you want to skip, you can go ahead and do that. 

2.45. that’s... weird... why would he dream about... donna...

ok, who am i kidding. i’m going to jump right into my theory about Why Titans Makes Sense Actually because the show itself is apparently not interested in explaining itself:

a) it makes no sense for jason to be conjuring up donna--who famously did not care much for him!--in his dreams. (he wasn’t even there when she died.) or for her to be telling him don’t go or there’s still time.

b) this leads me to think that that’s actually donna, in some sort of limbo between life and death, the kind of place where jericho used to be

c) rachel has demonstrated that she has the power to link the minds of the titans across great distances--she called jason and hank/dawn for help in 2.01, she linked up everybody later in the season, projected dick’s hallucination of his father into their brains without even realising she was doing it, and in the finale, she managed to get dick into conner’s brain. she’s in themyscira now. is this how she gets donna back to life? but reaching out to her in that non-space between life and death?

d) the next obvious question is: why isn’t donna appearing in the dreams of the other titans? she probably is, but they have better reason to be dreaming about her since they were actually close to her, unlike jason.

e) but why would she warn jason in particular? does she foresee jason entering the afterlife--however briefly? does she have an idea of what jason plans to do and what he will become?

f) anyway, more trippy mindscapes and weird psychic powers, yay!

2.5. my heart clenched when bruce comforted jason post-nightmare: clearly i’ve been reading way too much batfam fic. this is a side of bruce we haven’t really been told to expect by all the characters on the show calling him a ‘psychopath’ (*cough*unreliablenarrators*cough*) and him getting jason to speak to a professional speaks volumes about the kind of self-reflection he’s done post dick’s departure, and maybe some of the regrets he has with regards to how he dealt with dick’s traumas.

i mean, just look at him when jason dismisses his concerns! BRUCE IS TRYING JASON

anyway, i have a whole lot more i want to say about this, but i’ll save it for later. 

also: LESLIE THOMPKINS!!!!

3. i really like molly--and i love that she’s a friend from before jason got taken in by bruce, the implication that they meet up regularly and that she’s a grounding influence on him (tho clearly not grounding enough to not go along with his dumbass idea about confronting a child trafficker alone). 

3.5. aw, jason. robin was his armour against everything in the world that would throw him down and chew him to bits, but san francisco proved that even robin wasn’t enough to protect him. it’s really interesting how ‘disillusionment with the idea of robin’ is so integral to the traumas of both dick and jason but in such different ways. 

4. LESLIE!!!!!!! i even forgive her office being so goddamn blue because leslie! 

4.5. it makes so much sense for titans!verse leslie to be a therapist, because this show is so inward looking anyway, and therapist sessions are a useful tool to showcase this character work in a story. besides, at least in fanfic, leslie often seems to double up as a counsellor anyway. 

4.6. oh man. i’m not terribly convinced by walters’ red hood (tho i think that may be the point--argh. i’ll come back to this thought later. have to stop getting distracted!) but he plays the asshole kid that’s trying not to let any real emotion seep through really well.

“you’d like me to punch you, wouldn’t you”

5. not sure what to think of batman’s little trophy case other than the show winking unsubtly at us and going look look - catwoman! the riddler! two face! you excited yet?! it’s like the scene from the end of amazing spiderman 2 when they were trying to drum up excitement for a sinister six spinoff by having harry osborne walk by a bunch of display cases with stuff from iconic villains in them.

... but then again, bruce does like to display a lot of shit in his batcave, including his dead robin’s bloodstained costume, so.

5.5. bruce is so soft with jason it’s killing me. beyond just trying to learn from his mistakes with dick, it speaks to his own genuine desire to balance his dedication to gotham with doing the best by his sons, although he’s often not successful with that. 

i love that titans is really playing the long game with bruce wayne, with each season and character-perspective sliding in fresh pieces of a bigger puzzle. titans’ bruce has always been a phantom of other peoples’ making, but now we’re getting the idea that he’s a whole lot more complicated than other people make it seem.

5.75. it really recontextualises some of his actions from previous seasons: the fact that he locked dick out of his security systems in 1.06 is likely his way of respecting dick’s independence and his desire not to be associated with batman/gotham anymore. jason knowing about bruce’s tracker while dick doesn’t is probably bruce trying to be more honest and upfront with his charges. bruce sending jason packing off to sanfran to spend time with the titans is probably not him passing on a big responsibility to dick (as i first uncharitably thought) but him trying to get jason out of the toxic influence of gotham for a while and a sign of his trust in dick as a leader and a mentor,

5.8. i mean, bruce is a prick, but he’s also human.

6. i think leslie is doing some good work with jason here, though she may have overstepped the line with her line about robin as a construct being projected by a man with BPD. her speculations about bruce’s diagnosis have no place in her session with jason, and if bruce confides in her, an egregious violation of patient-therapist confidentiality. 

(about the diagnosis itself... i don’t know. i can’t really confirm or refute this without a whole lot more information, and i’m not sure if the writer of this episode means BPD in the same way an actual professional might.)

6.5. i think a huge thing that gets missed out in a lot of recent comics as well as movies/shows is that bruce didn’t create the robin persona out of whole cloth. dick did. he’s the starting point of that legacy and to call it entirely bruce’s creation is blatant erasure of that. in fact, i’m surprised that dick doesn’t feature more in the conversations they’re having about the pressures of being robin. after all, the guy had been robin--bruce’s partner--for such a long time before jason. 

6.8. (and here’s the primal part of me that resonates the deepest with dick grayson--the Eldest Daughter part--that’s sort of resentful: that jason gets the therapy and softness and the learning from mistakes when it took years and years for bruce to reach out in any meaningful way to dick.)

7. oooh that was a great scene!

it’s fun to do these stream-of-consciousness live reactions, because the moment you step down from your soapbox, the episode goes right into tackling what you were just complaining about. bruce means well, he’s learning, but he goes about exactly the wrong way to help jason: taking away robin now can’t be read by jason as anything but a devastating judgment call from bruce. and iain glen really sells the moment that bruce realises this--too late--and his helplessness in trying to get jason to see that it isn’t jason’s fault that he’s trying to do this. he loves jason enough that jason is enough. 

7.5. aaaah so jason brings up the elephant in the room at last. dick got everything makes sense from his perspective, where getting to put on a costume and fight crime means approval, means being something stronger and better than you are. dick got to be robin, then nightwing, and a leader of a whole team of other costume-clad heroes. 

8. ... how did jason just walk into arkham????? this is ridiculous.

8.3. i mean, clearly jason’s not thinking straight, but betraying batman like this puts his possibilities of being robin again even further away. 

8.5. watching that chemistry experiment montage was strangely funny. this guy is looking for an antidote to fear? well, constantly mixing up and inhaling gases concocted by a mad-scientist supervillain is something only the very fearless--reckless to the point of foolishness!--would do. what’s to say crane’s not given you a formula for a drug that will keep you tethered to his every will and whim? hmmmm?

8.7. so he sought out the joker to... test the formula??? 

9. wow the “loud and clear... boss” hits different after a whole episode of them referring to each other as father and son.

9.3. waitwaitwait HOLD UP. wait a DANG MINUTE. you’re telling me that scarecrow had enough resources that he could not only have folks on the outside steal jason away and dunk him in a lazarus pit (i TOLD you that this show would bring up and dismiss ra’s al ghul in a ten second aside! I TOLD YOU) but also have his own little chemistry lab in the basement, AND have enough resources for jason to build his red hood persona???????? all of this in barely twenty four hours?

well there goes my ‘jason orchestrated his death’ theory. it was nice while it lasted. *cups hands to the sky* fly away, my baby.

9.6. a part of me is gleeful at the rushed nature of such an iconic transformation though, especially when compared to all the character work that went before it. we’re so used to getting the opposite that it’s fucking delightful to have a show that’s more interested in exploring its characters’ minds rather than battle scenes or recreating transformations from the comics. that’s taken such bold and exciting steps to fully convey all the nuances of its most recognisable character, bruce wayne, from casting an older actor to play him to unflinchingly showing just how damaging the vigilante lifestyle has been to him and the people he loves. BRILLIANT

*sporfle*

10. again, heads up: a whole lot of flashing lights between 40:28 and 42:00. 

10.3. i guess it’s the super-compressed timeline that’s really throwing me off. where did he have the time to get/develop the mind control thing from? or is it something that he got from the cabal of villains that he intimidated at the beginning of 3.02? very messy.

10.5. i love molly, i hope she shows up again this season.

11. aaaand that’s it! that was a solid episode as flashback episodes go, but now i can’t wait to return to the present.

[katytheinspiredworkaholic]

Correspondence, Chapter 04

Pairing: HotchReid

Summary:  An AU where Reid never joined the FBI, but got roped into consulting for the LA field office while working and teaching at Caltech. Hotch gets his email referred from a fellow agent, and they start to work on cases together -- until they start talking on a regular basis. Regular becomes frequent, frequent becomes constant. They know nothing about each other, but they don't really mind.

Rating: Mature/Explicit (eventually)

Chapter CW/notes: Action-y in that there is offscreen violence and peril, injuries, talk of surgery and symptoms/effects of medical grade narcotics (morphine), more on that big ol’ age difference. Side notes: Agent Anderson of the L.A. field office has no relation to Agent Anderson of Quantico, VA, because Agent Anderson of the BAU is a national treasure. (I’m considering going back and renaming the OC, but as of right now this is the last we hear of him for a while). And I know no one really pays attention to them, but the time stamps on the texts match the time zone of the scene setting. Set in season 6, self beta’d.

Word Count: 8893

Masterpost Link

Ao3 Link

--

Chapter 04

--

Late September 2010

--

Spencer Reid wakes up to the early grey morning two weeks later, a perpetual haze shrouding his room long before his alarm was supposed to rouse him. He reaches blindly, blearing eyed and checks his phone for what feels like the hundredth time, only to find no messages waiting for him. A terrible, horrid feeling has been clawing at his chest and throat the longer it gets -- the more time that passes -- and he still hasn’t heard from Hotch. 

They’ve been messaging each other near constantly for months now, and it only seemed to get more intense after that fateful talk at the beginning of September. Where Hotch finally revealed he’d thought Spencer was much older than him, and not the other way around. Spencer had set him straight, as much as he could, and even that had been nerve-wracking to say the least. The two men were crossing into a territory neither really wanted to put a label on, and Spencer was both afraid of it and excited by it. Of what it could mean, and how long it could last, but he’d thought he’d had time to figure out a solution to his inadvertent secrecy.

Then, Hotch began working a case in Delaware two days ago. 

It seemed like a textbook unsub; maybe a little aggressive with anti-establishment overtones, but nothing they couldn’t handle. Nothing the BAU hasn’t seen before. They’d been closing in on the suspect, no location yet but some prospects that needed checking out, and the last Spencer had heard from Hotch…

It had been lunchtime for him, and midafternoon for the older man. The exchange hadn’t been anything of consequence, just their usual, easy correspondence. Hotch was going to check out that lead they’d spoken of, Spencer had a budget meeting as soon as he was done eating in the middle of his office hours, and they had a plan to play chess online that night. Hotch is still terrible at it, but he keeps coming back no matter how thoroughly Spencer wipes the floor with him. Now, sometimes they just forget about the game entirely after the first few minutes. It makes him smile each and every time, soft and fond and lighting a warmth inside him Spencer has… never felt before. 

Then Hotch hadn’t messaged him the rest of the night.

Hadn’t shown up online to play chess.

Hadn’t texted him goodnight, or even sent him an update on the case. 

Nothing in their conversations warranted such ostracization, and although Spencer has been ‘ghosted’ before (as his doctoral students would say) he knows Hotch would never do that. Not after everything, the history they’ve built the past months -- leaving nothing but the dread to sink in and spread like a stain.

All night, he imagines the worst.

By morning, he all but expects it.

--

[]9/22, 18:59[] Are you alright? Did something happen with the case?

[]9/22, 19:10[] If you were that scared of losing at chess, I can also beat you at online poker instead.

[]9/22, 19:30[] I’d suggest scrabble but that’s honestly not fair to you.

[]9/22, 21:55[] Hotch? 

[]9/22, 22:30[] I’m assuming that lead panned out, and you caught your unsub and are neck deep in interrogation.

[]9/22, 22:36[] I don’t want to imagine anything else, so that’s what I will picture.

[]9/23, 00:06[] Hotch please answer me. 

[]9/23, 05:32[] Please be okay.

--

Spencer arrives at Caltech looking a little more of a mess than usual. More than most are used to seeing him, at least, and it causes a few second glances from students he passes and other faculty -- but he really can’t find it in himself to care, this morning. His unruly curls, getting longer again, falling into his face and over his ears, are frizzy in their unkemptness. Bags under his eyes, normal, but he’s settled for glasses instead of his contacts. He has a spare pair in his desk, he’ll have to change them before class. His glasses somehow always make him look even younger. A mystery that boggles the mind, because once he had grown into his face a few years ago (around 26 or 27, close enough he had worried he would forever be cursed with a ‘baby face’) Spencer had thought he would finally be getting away from that. 

And yet, square jaw and ‘grandpa’ glasses and thin frame towering just over six feet did nothing in the slightest to aid him. Certainly not stopping a man outside the campus coffee shop from shouting “Watch where you’re going, kid!” as he near barrels over him on the sidewalk. Not his sweater vest or half suits, attire straight out of a 1940’s noir film (he’d even sported a vintage inspired undercut with his waves combed over for a while there, too. Way too much upkeep, as nice as it looked). Nothing makes him any more grown up in the eyes of the unsuspecting world, than he’d been without his five doctorates and board of director’s seat. No matter what he tried, it seems.

This has been a subliminal thing for years, something Spencer always said didn’t bother him in the slightest. And for a long time he didn’t care one way or the other, he just kept getting more degrees. All his life Spencer has been ‘too young’, always been ‘kid’ or ‘sport’ or ‘tiger’, even when running quantum physics equations in his head. And it didn’t matter. Not with his credentials and accomplishments and everything he now has to his name.

Until Hotch.

Now, Spencer cares.

Notices, even through his haze of worry and sleeplessness, how on the street it’s “Watch it, kid!” and fifteen yards later it’s “Good morning, Dr. Reid” as he steps into the Physics building where everyone knows him on sight. Knows him, and what he’s capable of. 

What if when Hotch met him all he saw was… another kid? 

If they ever met.

“Whoa, rough night Dr. Reid?” 

“Yes, you could say that,” he mumbles out as he signs in and scans his ID card, taking the stack of mail that the desk attendant hands him. But stops before he gets too far from the desk, backtracking. “Hey, have you watched the news this morning? Did anything show up about New England or Delaware?”

“Not that I saw, Dr. Reid,” she says in confusion, looking up from where she had been texting on her phone. “Just a whole lot of coverage on the shitshow at capital hill, as usual. Oh, and more depressing reports about the earthquake clean-up in New Zealand.” 

Of course, why would there be a news story about a killer in Delaware here in California. He’d have to look up everything online himself. 

“Thanks anyway, Carla.”

“No problem, Dr. Reid.”

-

Spencer spends way too long online that morning, searching for anything about the case Hotch and his team are working. He usually prefers paper copies of news media, at first barely knowing where to begin, but he falls into a wormhole of news outlets and local Delaware station websites, reading the thousands of webpages faster than he can scroll and click through them. But he can’t find anything pointing to a disturbance related to the case. There's nothing about a raid, or a shooting, or even an arrest -- which could all just be a part of the ongoing media blackout -- but it also does nothing to stop him from panicking. Spencer gives up after an hour, and diverts to other resources. Ones with a direct line to Hotch. 

With a drafted email pulled up to Ms. Penelope Garcia, the BAU's personal tech analyst, he ponders how to... even word this without it sounding too personal. Too much like he and Hotch have more than just a working relationship.

Because they do. They have... something.

Something that gives him fluttering sensations in his stomach, makes him check his phone constantly, and react to even the slightest chime similar to his text tone. Makes him smile when he sees Hotch's name on his notifications, in his email inbox, makes him message the man in the middle of the day at the most random thoughts. Just because he wants to make him laugh.

[]8/21, 15:36[] You're going to get me in trouble.

[]8/21, 15:38[] You didn’t laugh in front of your team, did you? The scandal.

[]8/21, 15:42[] I'm at a crime scene. There's a dead body in front of me.

[]8/21, 15:43[] Then why are you checking your phone?

[]8/21, 15:45[] You know why.

But that’s not something that is shared with the rest of the team, he’s sure. So he should be careful how he words his email, lest Ms. Garcia realize that Spencer isn’t asking purely as a colleague. 

Surely they know he has friends, though?

Chewing his lip, Spencer types out a brief email asking if Agent Hotchner is feeling well since he missed an appointment the night before and hasn’t been returning his calls. It’s a phrase he’s used often, so it comes naturally to Spencer as he types it out, and he realizes… he hasn’t called. He’s sent a dozen text messages, but not a phone call. Never a phone call. That was against the rules, the unspoken ones that always kept this friendship easy and free-flowing and evolving into something more.

But this feels like the closest to an emergency they’ve ever encountered before.  

He looks to his phone beside him on his desk, and tries to fight back the dueling forms of panic clawing at his chest. Listed in bullet points behind his eyes. Panic that Hotch might not answer, panic what that means for the man he’s been… becoming more and more inclined to than any other person he’s met in so long. Panic if he does answer, breaking that barrier of written words to spoken, and the opportunity to hear Hotch’s voice. But he would also hear Spencer’s, and then there would be no hiding just how… how young he really is. He still didn’t have a plan for that, wracking his overworked brain day and night for a way to incorporate the information into a conversation that wouldn’t stop everything in its tracks. 

But his phone is in his hand before he can stop himself, Hotch’s contact pulled up and his thumb hovering over the phone number with baited breath. 

Was he really going to do this?

He presses the touch screen and can hear the line connecting, the dial tone ring even before he gets the phone up to his ear and waits. It rings, and rings, and rings a fourth time -- before clicking over to voicemail. And Spencer’s hyper-fast thought processes fail him as he realizes far too late that he’s going to hear Hotch’s voice for the first time, anyway. Frozen in a panic, unsure if he wants to or if that had been something he wanted them to do together that the seconds slip by like water through his fingers and suddenly it’s too late.

“You’ve reached the voicemail box of -- (703)-567-8790 -- this caller is not available. Please leave a message after the tone--”

It’s an automated, female voice that rattles off the numbers and generic call back message, and Spencer hangs up before it can begin recording him. Exhaling a shaky breath, relief a flash flood on his nerves that nothing had been ruined between him and Hotch thanks to an ill-timed phone call. 

He keeps the momentum going without much thought, and adjusts his email to Ms. Garcia before sending it. 

It feels so understated, and yet over dramatic the more he thinks about it. The more he reads it.

.

Please let me know of his well-being.

.

God, no wonder Hotch thought he was in his 60’s. 

But Spencer has to keep the façade up, for now, not give away anything he doesn’t want to just because the emotional part of his brain is running rampant over the rational one. There are… many explanations as to why Hotch isn’t answering him. His gut feeling aside, he doesn’t need to be panicking like this. The world is still turning, he still has work to do, so Spencer tries to gather himself into some semblance of order and preps to talk to his doctoral students within the hour.

--

His morning routine progresses as usual, as if nothing at all is wrong with the world. Dr. Reid has his mandatory round up with his doctoral candidates going over thesis and dissertation parameters, class lecture schedules, updates, the works. Like morning announcements, but he requires them all to be there and to listen, and they all show up. Everyone knows of Spencer’s eidetic memory. He will certainly not forget a single date or schedule change, and he expects his students to not forget as well. 

But this morning Spencer is fully distracted, his mind elsewhere, somewhere in the state of Delaware with an agent who may or may not be in danger. Because Spencer cannot shake the feeling that something is wrong. It almost seems more like a fact than a feeling. The juxtaposition of his daily routine and this unfounded worry throws him entirely off kilter, and all of his students seem to know right away. 

Then, his distraction reaches its peak when his email pings, right in the middle of his department announcements. A response from Ms. Garcia of Quantico, VA flashing across his laptop screen. Spencer’s eyes skim the preview sentence in the pop-up box, and his voice trails off as his mind… whirls. 

.

Dr. Reid, I’m sorry to tell you I don’t know when Hotch will be available again. There was an incident, and he’s still in surg-

.

Surgery.

Surgery.

That vice-like grip of worry that has taken hold of him since last night tightens further, to the point Spencer can’t breathe. Hotch is in surgery, Hotch is hurt, and if he hasn’t been answering his phone since last night -- or even late yesterday afternoon -- it was not a minor thing.

Hotch is hurt. 

She doesn’t know when he will be--

If he will be --

“Dr. Reid? Are you okay?”

“I--” he’s still looking at the email pop-up box, and is clicking on it before he can stop himself. Immediately disconnecting his laptop from the projector as his email loads there. It takes him a fraction of a second to read the email. “I’m sorry, an emergency just came up. Kimmy, finish reading off the schedule for me?” He doesn’t even wait until she answers him, just picks up his laptop and retreats to his office as fast as his long legs will carry him.

.

--surgery and we’re still waiting on word. I know you 2 talk on the reg so I’ll keep you posted. 

Fret not, genius professor, our fearless leader has been through much worse than this.

.

She’s using informal speech patterns, which she has never done before. It bleeds her nervousness, and worries Spencer even more. Teetering on the edge of panic. Ms. Garcia also revealed she knows he and Hotch talk, but surprisingly that doesn’t have the effect he thought it would on his already rattled nerves. Instead, any and all reservations fall away as he types out a response much in the same way he and Hotch had started their friendship all those months ago.

.

Please, is there anything you are allowed to tell me about the case or his condition? We --

.

Spencer pauses, bites his lip as he considers crossing this boundary into the uncomfortable unknown, and then thinks about Hotch on a hospital operating table three thousand miles away.

“Screw it,” he mutters and continues to type.

.

--We’ve become good friends and I’m very worried.

.

The reply is almost immediate.

.

That makes 2 of us, boy wonder, but I’m already hacked into the hospital records database and Prentiss is in the waiting room for any immediate actions.

I’m sending you the case files and the incident report from last night. Maybe you can see some shiz we can’t b/c the bossman is tough but he’s been in surgery a long time. 

.

Of course, whatever he can do to help. Spencer’s heavy heart-beat triples in his chest as pulls up the files and immediately prints them out so he can read through them faster. Utilizing anything and everything he can do to aid the BAU team, and whatever Hotch has gotten himself into. But then, his mind sticks on something from the email. Boy Wonder. It stalls his hands mid-movement.

Ms. Garcia knows how young he is.

She must have done a background check on him, that would make sense since he’s been consulting so much lately. But why would Garcia know his age, and not Hotch? Wouldn’t she send the files to him directly? Had Hotch really known, all along?

Or did she do it on her own, and not tell him? Assuming her boss already knew everything about him. It’s too many questions and possibilities and they are interfering with what’s most important right now. Best to get it out of the way, no time to be indirect about it.

.

Ms. Garcia, did you update my dossier with the bureau after you ran my background check?

.

If you’re referring to why Hotch seems to think you’re rocking the senior discount at restaurants and not still getting carded for beer, then no I didn’t update it. I’m very anti-gov files having every detail of our lives in them, that’s what   I’m for, and I figured there was a reason he didn’t know. Your secret is safe with me, sugar bean.

.

Spencer hadn’t meant for it to be a secret at all, it just happened that way. 

The real reason is Agent Anderson of the LA field office is a dick, with a bully streak he never outgrew after high school, and didn’t bother filling out a full file on him the first time Spencer consulted for the FBI. Then, he couldn’t be bothered to update it when his consultations became more than a one time thing.

But that was all in the past now, and Spencer can’t even be upset about it. Because now he has Hotch.

.

Thank you, Ms. Garcia. I’ll let you know my findings soon.

.

He skims the file quickly, pulling information out at lightning speed. It appears a very straight-forward case. As straight-forward as a murderous sociopath can be, anyway. Very anti-establishment, like he and Hotch had discussed the previous day, aiming for specified targets that devolved to anyone in a uniform. Anyone who appears too official, or labels as official. 

It’s easy to see, now, why the unsub attacked Hotch instead of running from him. He practically served himself up on a silver platter. But there’s something about the kills that’s bothering Spencer. The knife wounds, bludgeoning, even the gunshots during the first murders when the unsub still hesitated -- it’s all overkill. Rage. Every single target has died from massive internal bleeding, M.E. reports all label the knife wounds and beatings as the cause. But the amount of blood left over, measured during autopsy, doesn’t add up. They bled too much. No wounds indicating intentional bleeding occurred, and the tox screens are all clean. 

Except, every victim’s hospital records show elevated potassium rates. Spencer’s hands, skimming down each and every page quick as they can, stop on a dime as his gaze zero in on the information. 

“Oh, God,” Spencer whispers, quiet and horrified. “--Hotch.”

There’s no time for email.

He picks up his phone, goes to an older email that has full contact details in the footer, and dials Ms. Garcia’s direct line in Quantico.

“Speak, and behold greatness.”

“Ms. Garcia, it’s Dr. Reid,” Spencer says, and his tone and quickened speech patterns gives way to his panic.

“Dr-- Dr.  Reid?” 

“Yes, quick there’s no time. Do you have Hotch’s hospital records in front of you still?” 

“Yes,” Garcia says, her voice a musical thing even in it’s breathless reaction to his heightened state of haste. “Updated every two minutes.”

“Is his potassium elevated?”

Some quick typing of keys that move faster than even he could ever hope to type. “...Yes.”

God. “Okay, okay I need you to call the hospital right now,” Spencer says in a spiel that all sounds like one word. “Whatever you have to do, he needs Sodium Polystyrene Sulfonate as soon as possible, to counteract the chemical imbalance or he’s going to go into kidney failure and bleed out.” 

There’s more typing going on and Ms. Garcia’s breathing has gone a little labored.

“Alright, alright I’m getting patched through. What else can you tell me?”

“I think he’s been dosed with something called an XG Compound, either Eastman or Zhao I have to look up the specific components and chemist. But they are a series of banned, experimental military-grade drugs that suffer effects of thinning the blood, that’s why they can’t stop the bleeding around his stab wounds and old scar tissue.” Hotch’s old wounds from Foyet would only exacerbate the condition, once it reached the kidney failure stage, but up until then the intrusions of hardened tissue is the only reason his abdominal cavity hasn’t been flooded with blood and drowned out his other organs. 

“Okay, okay I’m through, I’m keeping you on the line. Stand by-- ” then she clicks over and he’s left with a pulsating silence. Nothing remaining but continuing his work, and hoping he’d called in time. Hoping that Hotch will be alright.

--

Spencer is digging through his floor to ceiling bookshelves for the biology book on airborne pathogens given to him by a visiting Professor two years ago and he is hating himself for never cracking it in that moment. It’s nearly the last book he gets a hand on, because of course it is, and he makes it a third of the way through the book before Garcia is back on the line. The phone on the floor beside him and just barely within reach. 

“You literal genius, I could kiss you,” Garcia tells him in what can only be overstated relief, and Spencer snatches up his phone with a very undignified scramble. “They’ve had to do two transfusions on him and are prepping a third, but you were right he’s been dosed with that XG compound.”

“He’s going to be okay?” Spencer asks, still cross-legged on his office floor surrounded by books and holding his phone to his ear like a lifeline.

“Yes, yes my dear he’s going to be alright. They think. He’s not out of the woods yet and the surgery is still going on, but he -- he would have died within the next hour if you hadn’t found out what was wrong.”

Spencer’s heart is in his throat, her words doing the exact opposite of reassuring him. Hotch had been that close to dying, to being forever out of reach, because Spencer had been too scared to pick up the phone. 

“I should have called sooner,” he says, so quiet even someone in the room wouldn’t have heard him correctly. “I knew something was wrong.”

“Oh no, sugar don’t think like that. You just saved his life,” she pauses, like she wants to say something else, but diverts to an adjacent topic. “How did you know?”

“Autopsy reports. There wasn’t enough blood left in the bodies, they bled out too quickly. Then I saw the elevated Potassium,” he murmurs it all, rattled off without really thinking about it.

“And you just… knew all of that, without looking anything up?”

“That’s basically what I do. The only reason anyone calls me,” Spencer laughs but it holds no humor. “I know too much, make connections, and drink too much coffee.” 

“You drink and know things, oh God I hope you get that reference because you’re getting a coffee mug.”

Spencer laughs a little, despite the situation, and feels… lighter, somehow, even with the worry still plaguing him. Caught up in his chest like a bad cold. 

“I’m reading this textbook on airborne pathogens, I have a hunch, and I’ll send you anything I find that can help with the case,” Spencer continues, his voice not so heavy for a moment. “Just… tell me when he’s out of surgery? Keep me posted?”

“Of course, honey, you’ll be my first message,” Ms. Garcia assures him, but then she pauses again -- and he almost hangs up because it feels too anticipatory. “You should tell him, B.T.Dubs.”

Spencer hesitates more than is probably necessary.

“... I don’t know what good that will do,” he admits, quiet and unsure. “I’m not -- I’m not ready for this to be over.”

“You’re not that young, honey. Does he know you like him?”

“Mmhmm,” Spencer makes a nervous, affirmative sound. “And… he likes me, or who he thinks I am.”

“Don’t write him off just yet, Doc, let him speak for himself when he wakes up,”  Ms. Garcia all but scolds him, in as gentle a way as possible and Spencer appreciates that, at least. 

“--I’ll think about it.” 

--

Not long after Spencer finds what he’s looking for: military grade poisons that were banned for causing adverse effects, listed and categorized by chemist and agency. It is the Eastman compound, originated during the first invasion of Afghanistan. Their unsub has prolonged exposure, Spencer is sure, and that will narrow down the suspect pool immensely.

After he sends the information to Ms. Garcia, Spencer looks to his phone once more, where there is a block of text all from him himself in his correspondence with Hotch. Begging him to be alright, to answer him, and now that he knows that the man has a fighting chance -- or as much of one as he will be able to have, with where advanced medicine resides in the current conjecture of time -- there really isn’t much he can do now. But hope. And wait. And pray.

Except Spencer doesn’t believe in prayer, or God, or anything that might hear him. The only thing he really believes in is science, and facts, and none of that is very helpful to him right now. Except maybe the coincidental balance of the universe, in a theoretical physics sense, and unexplained phenomenon that have an equal and spatial balance to it. Anything with the descriptor ‘unexplained’ always draws him in like a moth to flame, and he knows he can typically find a semblance of comfort in the way his brain constantly connects dots and far off specks of information that not everyone can see at first glance. Constellations in the sky. But only when he has someone to tell it to, that even pretends to listen for a moment, and for a long while now… Hotch has been that someone. Hotch always listens to him.

Before he knows it, he’s typing into the text box once more --

[]9/23, 11:10[] You’re in surgery still, but Ms. Garcia has confirmed the treatments are working and they are able to actually repair the damage instead of treading water like they have been the past ten hours. I’ve had her personally in contact with the doctors and surgical staff, and all they’ve been able to tell us is to let them work and just pray for you.

[]9/23, 11:13[] Which is such an odd thing; men of science telling people to pray like the outcome of a surgery isn’t in their hands, but some theoretical astronomical entity. I know it’s probably just a ‘bedside-manner’ tactic, but it doesn’t help me in the slightest so it just irks me instead.

[]9/23, 11:15[] I don’t believe in prayer -- a shock, I’m sure -- but I do believe in the phenomenon of universal affirmation. It’s an interesting trend in history and spans cultures where if someone has something awaiting them, to live for, even if they are unaware of it… they will fight harder to cling to life. 

[]9/23, 11:18[] But I also know you will fight tooth and nail for Jack, and for your team that you treat like family, and maybe even me. I’d like to hope I’m included in that, and no amount of books or IQ points can make me think of something to contribute to help you keep fighting.

[]9/23, 11:19[] Just please keep fighting. Come back. And if I come up with something to entice you… I’ll let you know.

It eases a lot of the tension in his chest, talking to Hotch like this -- even if he’s just talking at him, in a place where he might never know what Spencer has had to say. But he can hope. Hope that Hotch will wake up and have thirty missed messages and see they are all from Spencer and it will make him smile. 

Spencer would give anything to see him smile, and he allows himself to hope that one day... he might get to. 

He might as well, while he’s sitting there hopelessly hoping for things beyond his control. 

Come back to me.

Spencer almost types it out, can see it in the text window though he hasn’t pressed a single letter, and closes his phone before he can. Pressing it to his mouth and closing his eyes and just… 

Hoping.

--

The hours roll over into the afternoon, and there’s still no word. 

Spencer has spent the majority of the day messaging Ms. Garcia, who has had no information beyond trivial updates here and there and Spencer has read more about surgical procedures and practices than he has in his entire life. Even raided the biology department’s library, surrounding himself with the comfort of books and files and filled his head with the soothing monotony of medical terms and safety protocols. 

But once noon has come and gone he finds himself staring into the bookshelves across from where he sits on the floor, among stacks of textbooks, with an epiphany trying to make itself known to him. Despite his every attempt to ignore it. 

His phone is back in his hand, there’s an email correspondence from Ms. Garcia that only briefly says Still nothing. And that makes up Spencer’s mind. 

[]9/23, 12:49[] I’ve thought of something.

What he types next makes it hard to breathe, his heart lodged in his throat, and it all comes flowing out of him much like before. His fingers keep moving, his emotional part of his brain steam-rolls over the rational one, and then he’s done and he’s tacked on six extra messages and Spencer has to put his phone away before he rereads it beyond what is deemed healthy or sane. 

Because he’s done what he could, and all he can do is believe that will be enough to… subliminally keep Hotch fighting. The day is only half over, and Spencer feels like he hasn’t slept in a week. 

It would be hours before he got the message that would send relief through his spine like a shot of Novocain. Just three words from Ms. Garcia, sent in haste in a text instead of an email.

{}9/23, 14:58{} He’s in recovery.

--

Hotch wakes up just barely the first time, the room spinning and hit with that familiar smell of anesthesia he can always taste as it fills his senses, before he slips back under. 

The second time is to a small pencil light being flashed in his eyes, staccato movements meant to test his pupil reactions, and an older woman in nurse’s scrubs saying his name and calling to him. He hums an affirmative, even though he isn’t fully returned to a working state of mind. Instinct, more than clarity.

“Welcome back, Agent Hotchner.”

“About damn time,” he hears Prentiss say from somewhere across the room. Probably leaning the wall, if that faux drone is anything to go by. The nurse gives her a look but his agent isn’t even fazed by it, as far as Hotch can see. It takes him a moment for his eyes to adjust that far. But he knows the look well enough he doesn’t actually have to see it. 

“Where is everyone? Is anyone else hurt?” Hotch can feel the words form on his tongue, droned out in a haze, his mind slowly coming back to him. 

“Good to see you, too, boss,” Prentiss says in mild exacerbation, coming up to the side of his bed but not taking a seat. She must have been waiting a long time, her whole stance jittery just like after long flights on cases. “Everyone is fine, you’re the only one that got into a knife fight with an unsub who’s into biological warfare.” Hotch blinks at her, trying to make her words make sense without asking it of her. He remembers going to a warehouse to follow a lead, but not much else after that. It’s coming back too slowly to keep up with her. Prentiss just sighs, and repeats herself. “Everyone is fine.” 

She regales him with a play by play, his own memories appearing like raindrops on a windshield to accompany her commentary. Slowly beginning to form a picture of what had happened. He’d been stabbed before, more than he cares to think about, and he’s been dosed with military-grade drugs before as well -- but never both at the same time. No wonder he feels like he’s been hit by a truck.

“You’re lucky to be alive, honestly,” she points out, hip resting against the plastic side panels of his hospital bed. 

“Yeah, I’m gathering that.”

“And your phone has been blowing up like crazy.” 

Hotch is finally able to sit up enough and see straight without his vision swimming, to find that his agent does indeed have his cell phone in her hands. 

“What?”

“Yeah, eight missed calls and three voicemails, and--” she squints at the screen before looking at him in astonished confusion, “eighty-seven missed text messages, from a whole bunch of people. I’m not reading through all of them. I didn’t know you were that popular.” 

“I’m the Unit Chief, popularity has nothing to do with it,” Hotch deadpans, more himself. Wanting to reach for his phone but his arms are still dealing with pins and needles sensations, sluggish to lift and his fingers uncooperative. “Who called me eight times?”

“Let’s see,” she unlocks his phone -- somehow, god damn it Prentiss -- and scrolls through his notifications. “Two calls from Jessica, one from me, three from Strauss (Jesus), one from Dr. Reid, and one from Garcia. It doesn’t say who the voicemails are from.”

Hotch suddenly feels much more alert, his heart rate monitor picking up but he does his best not to draw attention to it, instead looking up at Prentiss as carefully guarded as he ever is. 

“Dr. Reid called?” he tries to keep his voice even, and unaffected, but the aftereffects of the drugs in his system leave a little more hitch in his voice than he would have liked. 

“Yeah, he’s been talking to Garcia,” Prentiss says without much comment, still scrolling through his phone and making Hotch a little more than nervous. “Busted the case wide open, and saved your life while he was at it. We never would have known you were dosed with something if he hadn’t figured it out. Think you owe that old man a fruit basket.”

“Can I have my phone back?” 

“Don’t think you’re supposed to have it,” she says without looking up, still scrolling through his notifications. “Lots of junk e-mail…”

“One of those voicemails is probably Jack, I should call and let them know I’m alright,” Hotch tries to reason with her.

“He and Jess are already on their way up, they’ll land in an hour,” Prentiss tells him, but looks over her shoulder for that nurse as she makes to hand Hotch his phone anyway. Still hesitant despite her predilections to breaking every rule she can get away with.

“I still want it back,” Hotch insists, regretting saying it as soon as he does.

It catches Prentiss’ attention a little too sharply. “...why?” But at Hotch’s steady stare and solid silence, unwavering like he hadn’t just been in surgery for hours on end, she finally relents and hands it over, still giving him a suspicious look. 

“It’s important,” he finally admits, when she doesn’t stop staring for a good couple of minutes. Those perfectly shaped eyebrows raise near to her hairline, the profiler in her connecting more dots than should be humanly possible. 

A small smile teases her lips, though not fully forming there. “Now I wish I’d read them.” 

Hotch just gives her a reprimanding look of his own, but it’s short lived.

“Thank you, for staying.”

“Wouldn’t miss it,” Prentiss assures him, her smile going softer. “I’ll leave you to your mystery woman.” A beat, another raised eyebrow. “Person.” A knowing look, but then she exits and Hotch is able to look at his phone at his own discretion. 

- 

Hotch goes through the text messages with a brief glance; there’s so many of them. Other agents and agencies, his team in a group chat Garcia had started, Jessica left fifteen before someone got a hold of her, and Jack’s school sending reminders about soccer and parent teacher conferences. 

But 39 are from Spencer, and his heart constricts in his chest at the worry he must have caused the man. Aches next to the scars on his chest and the blood that doesn’t belong to him in his veins. And somewhere in the recesses of his mind, it’s coupled with a torturous feeling of longing. Even subtle jealousy, because even half drugged out of his mind Hotch hadn’t missed the precise word choices Prentiss used. Garcia has been talking to Spencer -- talking. 

Garcia got to hear him.

She talked to Spencer, when he still hadn’t, because of some unspoken rule Hotch isn’t even sure when they decided upon. He still knew so little about the man, and Spencer’s voice could tell him so much with just a few words. He could fill volumes with what he would learn from just a single message --

Without much further thought, Hotch pulls up his voice mail. Listens to the automated voices and the three messages there. None are from Spencer, although his heart had beat a little harder in anticipation -- enough his heart monitor beeped audibly next to him. Embarrassing as that was, like a lovestruck teenager. He’d glared at it and centered his breathing until his heart rate slowed back down, not wanting to alert the nurses station. Two of the voicemails are from Jessica’s phone, one of her worried out of her mind, and the other of Jack telling him they are coming to see him and he hopes he feels better soon. Just listening to his son speak more strongly than his aunt had or anyone else should in his situation, telling his daddy he loves him while the sounds of a commercial airline filter through the background, makes Hotch want to smile and sob all at once.

The last voicemail is from Garcia, telling him a similar story to what Prentiss had earlier, but with a bit more detail on her end. How ‘Dr. Reid’ called her out of the blue, because there had been no time for his usual emails, and gave them the information that saved his life. He’d been working the case diligently, ever since, and was checking up on him a lot. More than a lot. ‘Let him know you’re okay, when you wake up and get this. The poor guy is worried sick, and my updates only give him so much comfort.’

Spencer had actually called Garcia, when he hasn’t physically spoken to anyone in Quantico the entire time he’s consulted for them, just to save a few precious seconds to relay what he’d found. He’d even broken their rule, probably before hand, and called Hotch -- just to make sure he was okay. Hadn’t stopped working to help, the moment he found out he wasn’t.

It’s a strange thought, that if not for Spencer -- Hotch would be dead. That Jack would be flying up here for a very different reason. 

Hotch switches over to the text messages with a lump in his throat. Not at all prepared, emotionally, but needing to know.

The 39 messages start from the night before, when they were supposed to have had their usual online chess date. They range from playful banter, teasing edged in worry, and escalate to panic as the night wears on. Anxious worry bleeding through the single sentences, building and building until that lump in his throat feels like it might block off all air soon. 

Please be okay.

God, that alone starts to set a tone -- and reveals something Hotch hadn’t expected to find. Those three words give way to his speech pathology training, and all indicate that Spencer is… very likely younger than he’d originally thought. Some of Hotch’s assumptions might be close, even the teasing ones he’d only said because he’d been sure they were wrong. The other man is obviously beyond worried about him, as well. Petrified, despite knowing the risks of his job. They had become so close the past few months, were most definitely past the flirting stage and into something so tentative and wonderful Hotch can barely believe it some days. But they had never talked about this, about the possibility that Hotch might walk into a situation one day and not walk back out of it. 

Spencer’s messages soon give way to him just… talking at Hotch. Relaying what was happening, philosophical rants meant to ease his own mind and Hotch finds himself smiling softly at the man’s constant stream of thought, lectures at genius levels that he still feels so compelled to share with Hotch. Because they are that close. They really, truly, are -- and it brightens the fluttering feeling in his chest all the more. How Spencer is trying, subliminally, to draw Hotch back to the light. Three thousand miles away.

Please come back.

Hotch hears it loud and clear, the come back to me. Even unwritten. And it makes his heart skip a beat, aching as it does.

Then…

[]9/23, 15:49[] I’ve thought of something.

[]9/23, 15:52[] I’m 29.

Hotch doesn’t understand, at first. But then it hits him.

Years.  

29 years. 

Spencer is 29 years old. Proven, further, by the following messages sent after that.

[]9/23, 15:56[] I’m a certified child prodigy, on a registry and everything. I graduated high school at just twelve years old, and had my first Ph.D. by 15. Youngest in CalTech history.

29.

Jesus Christ, no wonder he hadn’t wanted to tell Hotch his age. 29 is… far younger than he expected. 

When Spencer was born, Hotch was getting his driver’s license. 16 years difference in age…

He keeps reading, despite the numb aftermath of a bomb going off inside his head, trying to process it and also hear the younger man out.

Younger. Spencer is 16 years younger than Hotch, and he finds himself scrubbing at his face to try and wake himself up further as he reads what Spencer sent.

[]9/23, 15:57[] I turn 30 at the end of October, and I was trying to wait until then to tell you. 

[]9/23, 16:00[] I’ve noticed a prominent dynamic shift in perception, between listing my age as in my 20’s and ‘almost 30’. It’s a numerical allusion our brains can’t help. You hear 29, you think 21. It happens with decades, too, once someone is outside the familial range of 10 years. +/- either side.

[]9/23, 16:02[] An age gap doesn’t sound as bad when I’m 30. That’s why I wanted to wait, just a little while longer, but if that universal affirmation phenomenon actually works for us -- I don’t mind dealing with the consequences.

[]9/23, 16:03[] Just please come back. 

[]9/23, 16:07[] Please be okay.

[]9/23, 16:10[] I miss you.

His heart is about to be ripped to shreds. 

Hotch feels terrible, because Spencer is right. 29 sounds so young, and it keeps repeating in his head over and over. But 29 isn’t the same as 21, he isn’t some college student still stumbling around trying to figure out his life. He has five Ph.D.’s, runs three departments at one of the best universities in the country, is consulted by the FBI and Homeland Security and very obviously has a reputation he upholds to the highest regard. Hotch had guessed Spencer was 32 not so long ago, what was the big difference between that and his actual age? From what little Spencer just shared of his life story, he’s never gotten to be a kid, so who was Hotch to consider him one? What gave him the right to be floored by this, did it actually change what he thought of Spencer? How he felt about him only moments prior to reading that?

I miss you.   Come back.   Please be okay.

I’m 29.

It could be the recent flirtation with death, the anesthesia or the morphine, even the gratitude that Hotch will get to see his son again and not leave him without both his parents -- there’s so many reasons for him to take pause as he considers the messages in front of him. 

But it feels a lot like the months of talking, and the countless late nights spent together, that pile up and up in his chest. A rising pressure that reminds Hotch that he and Spencer have something, and it’s not a normal, regular situation for either of them. Something that precedent, and everything Hotch has ever been told to hold to standard, doesn’t seem to fit. He and Spencer don’t seem to fit, when looked at afar or even on paper -- but they do. They really do. It was never supposed to be something that could be this easy, or normal in any capacity.

But what about their lives ever was?

[]9/23, 18:26[] I’m so sorry I worried you.

[]9/23, 18:26[] I miss you, too.

[]9/23, 18:27[] If I stop answering you, the nurse took my phone away. I hate hospitals.

[]9/23, 18:29[] Hotch, you scared me to death.

[]9/23, 18:30[] I know, I’m sorry.

[]9/23, 18:31[] From what I heard, you saved my life.

[]9/23, 18:33[] I don’t even know how to begin thanking you for that.

[]9/23, 18:36[] Just get better.

[]9/23, 18:38[] Which means resting, don’t glare at your nurses too much. They’re there to help you.

There’s a long stretch of a pause in their correspondence, which picks up so smooth and easy it’s as if they had never stopped. Like the last few days hadn’t happened at all. But they had, they were both looking at the messages to prove that. He does take pause, maybe more than he should, and Hotch knows miles away Spencer is just as nervous. Staring at his phone.

-

Hotch isn’t wrong. Spencer let out such an exclamation of relief at Hotch’s name on his notifications he about sobbed with it. He never cries, hasn’t in years -- but his eyes sting with relief and worry and… an emotion he doesn’t want to name.

[]9/23, 18:44[] What day is your birthday?

[]9/23, 18:45[] October 28th.

[]9/23, 18:45[] Same week as mine. November 2nd.

Hotch pauses, again, considers his next response… and 3,000 miles away Spencer can barely blink as he stares at his phone with mounting dread. 

[]9/23, 18:49[] I understand why you didn’t want to tell me. It’s alright.

[]9/23, 18:51[] Am I correct in assuming you’ve never been in a relationship with this much of an age gap?

It takes Hotch a moment to even gather the courage to type that out and send it. Knows it sounds almost too formal, for them, but Hotch also knows that he and Spencer are balanced on the edge of a knife, here, and… no matter what the outcome, everything is about to change between them.

Spencer licks his lips in nervousness, reading the line over and over although he has no need to. It feels like a tipping point, and he’s still… terrified this will be his last conversation with Hotch outside of case work. Ever. 

[]9/23, 18:55[] Never. 

[]9/23, 18:57[] I haven’t had many relationships at all. My peer groups have always been older than me, and people my own age never understood me enough to be interested. So it’s just something I was used to, going without.

[]9/23, 18:59[] This has been… the closest thing to what I’ve been told is normal that I’ve ever experienced. I’ve never had the chance to have something like this with someone, or connect in this way. I gave up, for a long while there.

[]9/23, 19:01[] I’ve been in a similar situation before, on an intellectual spectrum.

[]9/23, 19:03[] I’ve never--

Hotch pauses, again, putting his thoughts in order. Weighing it all, before taking that final leap. Spencer waiting with baited breath, all the more. 

But Hotch doesn’t regret what he sends. Not one bit.

[]9/23, 19:03[] I’ve never dated anyone younger than me like this, before, so we’ll both be on a learning curve.

[]9/23, 19:03[] But we will figure it out. Together.

Spencer’s breath catches, and he can’t seem to release it again. He can’t believe what he’s reading. What Hotch has sent him. 

He said ‘dated’.

He thought they were dating. Spencer isn’t quite sure he can trust his own eyes, despite the words being there in stark black and white on his phone screen.

[]9/23, 19:06[] Dating?

Hotch smiles, because he just knows -- from that single word text -- that Spencer has sent it not in admonishment or anything negative of the sort. But in hope. Confident that he recognizes the nuance in Spencer's voice even without ever having heard it, Hotch just knows, and it makes warmth blossom anew in his chest. Sends his heart rate monitor skittering across the machine all over again.

[]9/23, 19:08[] Hate to be the one to tell you, but all of those late nights where we talked for hours instead of playing chess? Those were dates.

Spencer has his hand over his mouth, still in disbelief that he hadn’t… fucked this up beyond repair. That his age hadn’t been the deal breaker he’d feared so vehemently for months now. That everything is still as it was, age difference and life-threatening situation, aside.

They were dating. All this time.

[]9/23, 19:10[] I should have worn nicer clothes.

Hotch laughs at his phone at the same time Spencer laughs at his own, having reread what he’d sent. 

3,000 miles away, and their quiet laughter coincides perfectly. 

[]9/23, 19:11[] Our next one I’m sure I’ll be in a hospital gown, so I think you’re in the clear.

[]9/23, 19:12[] Sounds like you’re making plans, already. 

[]9/23, 19:12[] You still need rest.

[]9/23, 19:14[] Well, I have to thank you somehow. And, I saw something about poker instead of chess? I’m actually not bad at poker.

[]9/23, 19:15[] … you remember I’m from Vegas, right?

[]9/23, 19:16[] We’ll play for fake money.

[]9/23, 19:18[] No such thing.

[]9/23, 19:19[] I do play for favors, though.

[]9/23, 19:19[] Oh? 

Hotch feels a wild, youthful thing unfurl in his chest as he types away. Mischievous, almost, in a way he only gets when he and Spencer are hours deep into conversations in the middle of the night. But it’s broad daylight, and he has to bite the inside of his cheek to keep from smiling too wide. Getting lost in the thrill of it all. In the officiality of it, now, and another curtain unveiled between them.

[]9/23, 19:20[] Did you have something in mind?

Spencer has to be blushing seven shades of red, right about now, and he hides his face from his phone for a moment before he realizes how ridiculous that is -- Hotch can’t see him. He can stop messaging the man any time he wants to.

Except he doesn’t want to.

[]9/23, 19:24[] I’ll get back to you.

Hotch can’t help it as he grins at his phone. A wry, suggestive thing, but he manages to school it before a passing nurse can see him -- how his eyes are alight with possibility. With elation, just from talking to the younger man that had seemed to capture a part of him he thought wasn’t available to anyone any more, and types out one last -- slightly more flirtatious subtext to put a cap on their conversation. To indicate he’s awaiting more, always wanting a little more of Dr. Spencer Reid.

He can blame it on the morphine, later. 

[]9/23, 19:25[] Looking forward to it.

--

(tbc...)

--

Tagged List:  @spencehotchner @ssa-sarahsunshine @gothamapologist @reidology @marsjareau @dragon-snaps-fandom​ @emmyraebird @just-an-emo-rat​​​ @aaron-hotchner187 @dk18077 @more-heid-pls @fakin-it-til-i-make-it @merpancake

[jenniferstolzer]

Babylon 5 Rewatch ep 2.20 The Long, Twilight Struggle

Sheridan and Delenn receive an invitation to Epsilon III where Draal pledges the Great Machine to the campaign against the Shadows. Meanwhile Londo commits his Shadow allies to one more attack against the Narn, allowing the Centauri to commit war crimes and end the Narn conflict.

Things I like about The Long Twilight Struggle

1, An energy fluctuation happens on the planet and Corwin turns to his coworkers like “There’s something happening. Contact Commander Ivanova” then the camera drifts to a private quarters. A shower is running. We see the steam as we coast slowly toward the bathroom for a tasteful near nude shot of Claudia Chris—NOPE Bruce Boxleitner. I CACKLED.

2, Draal is great and I love him. It worked out that Sheridan is new here to get a refresher on who Draal is and what’s going on with the Great Machine. Also the Great Machine making him younger is a good way to explain why he’s Herman Munster now. I’m guessing he’ll stay young and vibrant until he disintegrates like the last guy.

3, I appreciate seeing Londo’s true colors in his conversation with Refa. He’s tired, both from the trip to Centauri Prime and of all the war and darkness he’s involved himself in. He’s also still mourning Ursa Jaddo from Knives which was a nice callback considering he had a significant moment of doubt and regret in that episode, and it’s good to be reminded that he’s not totally sold on what’s going on right now. It’s also nice that he’s against the mass drivers at the outset but is convinced to go with Refa’s plan because he considers the glorification of his people more important than himself or anything else. He talks himself into doing something truly horrendous, but it’s wrong and his face knows its wrong. And then Refa makes him watch, when he fully intended to hide from what he’s done. Gguhh the pain is wonderful.

4, Watching this in a rewatch hurts so bad. Like Franklin gives G’Kar a warning about the Centauri’s interest in homeworld. There’s the possibility he can stop it.

5, Delenn and Sheridan go down to Epsilon III she is acting super cocky and in control because she wants to impress her crush, even using clever colorful English phrases. Everyone remembers Abasfrigginlutely Damnit. Oh Delenn….

6, Sheridan looks at the inside of the Great Machine and is like  “Lord, I may not go home” and I laughed b/c it looks like Tron in there.

7. The jump-kicking Centauri.

8, The mass drivers really are the most disgusting move. To devastate a civilian population from space is the ultimate ranged weapon. What could they possibly do? Watching Londo watch it happen is peak drama because as disgusted as he is watching, you know he’s as disgusted with himself in facilitating it. The drama is there but also horror on a level few shows can communicate, that of self-horror. The moment earlier where it was established and Londo still had a concept of right and wrong even as he was dealing with the Shadows is pulling full weight here. At the beginning of this season he was a buffoon struggling to stay afloat, in the middle of the season he finds the power and respect he wanted but loses the trust and friendship of the station in the process, and here at the culmination of his choices he sees what he was really willing to sell his soul for. He could have remained powerless and kept his sense of self, but instead he chose advancement and learned to hate what he’s become. It’s just staggering.

9, G’Kar is also pulling full weight in this episode. He’s prepared to go back to Narn, be with his family, and die among his people but he is the only member of the Kha’Ri not on homeworld and being so, he is an in credibly valuable asset for the race now that surrender is unavoidable. The tears in his eyes when asking for sanctuary are soul crushing, and the horror and shame he’s feeling is an inversion of Londo’s… powerlessness and being suppressed despite knowing he could do more verses being powerful and regretting it.

10, The Centauri terms of surrender are so cruel. It’s the turn of a knife that’s already been plunged to the hilt and Sheridan coming in to yank the dagger back an inch like a badass is extremely galvanizing and give Delenn grounds to commit the Rangers to him later in the episode. Also something I want to note about this scene that I think is even more important than Sheridan being a hero, it’s G’Kar sitting in his normal spot in complete despair, enduring Londo’s terms. Londo is dressed in every decoration and medal he’s ever owned, screaming at the top of his lungs like being the loudest makes him the rightest, yet G’Kar is silent. Londo demands G’Kar be removed from the council chambers like an invader. Sheridan replies by recounting the request for sanctuary, resulting on the two fighting over G’Kar’s head, but no one calls the bailiff to come get him. No one except Londo tells him he needs to go. They give G’Kar the chance to move. Even Kosh waits to see what he’s going to do. Will he attack? Will he scream and cry? No. He stands and with every ounce of self control he contains, delivers one of the greatest axefalls in television history.

“No dictator, no invader can hold an imprisoned population by force of arms forever. There is no greater power in the universe than the need for freedom. Against that power, governments and tyrants and armies cannot stand. The Centauri learned this lesson once, we will teach it to them again. Though it take a thousand years, we will be free.”

11, AND THATS NOT EVEN THE END OF THE EPISODE! I can’t believe this wasn’t a two-parter with everything that’s happened in this one half an hour of screentime. Sheridan essentially tells G’Kar he’s on his side in this war. He offers G’Kar his hand as an ally, and G’Kar considers it saying; “The last time I offered someone my hand, we were at war 24 hrs later” He pauses to make you wonder if he’s lost the ability to trust, then shakes with Sheridan and the look on his face tells something completely different. He still believes he’ll be at war very shortly, but he’s hoping for it. He’s counting on it.

12, Finally we get the introduction of the Rangers and the only thing that can kind of fit on my “Liked less” list. I like this just fine, but there’s something about Delenn who is in charge of a secret sect of warrior monks pledged to side with the Vorlons against the Shadows, turning the control of those monks over to Sheridan without fully introducing him to their existence. To be fair, she gives him partial control and doesn’t hand it over to him, removing herself from the field and I know having watched the rest of the show that she still is the sole figure in charge of the Rangers and is more accurately pledging herself and those in her service to Sheridan’s cause… but the way they read in this episode it looks like she’s giving Sheridan the reins. The next episode is KIND OF dealing with this with the inquisitor, but in general I think we could have avoided a lot of nonsense if she just phrased her pledge more accurately.

13, And this leads me to a theory… that Babylon5 was labeled their best hope for piece, but really it was built specifically as a neutral ground for the staging of the Shadow war. It really is Babylon 5, as in a replacement for Babylon 4 which was used as a warbase. This is why the Minbari co-founded the station, this is why it ends in fire at the end of everything. It’s existence is specifically tied to the the return of the shadows and the drama and diplomacy of the Narns, Centauri, Telepaths, Earthdome, etc etc are events of the universe that happen to occur there. Wihtout the Shadow War, there’d be no Babylon 5, and without Babylon 5 the universe would not continue.

14.

Finally.

The ARMY OF LIGHT

I got teary-eyed

Things I liked Less about The Long Twilight Struggle

The Delenn thing. But we’ll get back to that next episode. And that’s it.

This episode is truly one of the greatest and most emotionally wrenching pieces of television ever created. It’s a silly scifi show with rubber masks that dares to delve deeper beneath the skin than anything else I’ve seen. We see the horror and depravity of war, but we also see the people turned inside out by it and what colors they are within. Ten out of ten. Thanks for breaking my heart. This is why I had to take pause on my rewatch to prepare.

oh by the way @gin-007 and I are resuming our rewatch from 2019.

and I’m putting all these eps up on @b5picanep as well if you want to go back to see previous episodes. 

[glitterytidalwavedragon]

Expanding into my other Fandoms (I’m gonna have to take a stance) Read the whole thing please.

One of my oldest and most beloved anime is Inuyasha. As of late I have been binged watching the hell out of it as I am getting my BFF into different anime shows. We are really close to entering the Yashahime part of the series, and she asked if I planned to write fanfiction involving the one character which made me even watch the show as a 10-year-old.

Sesshomaru

The first episode I ever watched involved this aloof, entitled dog fighting his brother over the sword in their father’s grave. Specifically, it was part 3 of that whole episode series were Kagome pulled out the sword. I at the time had 3 dogs of German Sheppard/wolf hybrid, they were MASSIVE dogs, fell in love with the big white fluff that was Sesshomaru’s demon form. I use to sneak staying up and watch the show faithfully to see the goodest boy as it was only on at 11pm EST on adult swim. Which meant it was bad and I was breaking the rules, I felt like a rebel.

Now I hesitated answering that question. She has no idea of what is in Yashahime, she is being careful not to spoil it so I told her I didn’t know. Recently, to find out what the feel is for Sesshomaru content, I looked into the tag on tumblr…

OH MY GOD.

Sesshomaru’s tag is FLOODED with hate. Like every four post, there is hate, distain, and attacking happening. As someone who watches Yashahime, I quickly knew why.

Sessrin.

Even now I sigh. And I sigh HARD. I am not for, nor am I against the Sessrin train. Same for the Sesskagu train. I think both sides need to look at things on a logical prospective. I plan to do just that. I know I will get hate from the either side and maybe some support as well. But if I am going to do anything in this fandom (as I like doing ships and reader inserts) it will come up.

So, like my Kaiba post, and my Sebastian Heel post, I will use my research skills as well as my COLLEGE DEGREE WHICH HAS BOTH ART AND MEDIEVAL HISTORY labelled on it to explain why this progression in the story is normal to anti-Sessrin fans and why this isn’t a crime by story standards nor should we look at it as a crime.

AS WELL

Explain to Sessrin fans why it is so weird for non-shippers to see it play out and why so much hate formed.

As I let out another sigh, we shall begin. Let’s start at an historical prospective. (Links at the bottom).

PLEASE READ THE WHOLE THING! I’LL BE ABLE TO TELL!

~~

I will start with the information I can access right away.

While finding charts on the life-span of common folk in 1590’s Feudal Japan is rather difficult, Ancient.edu states that the average lifespan was about 50. To put this in perspective, the average lifespan of Europeans at the time was somewhere between 40-45 with the latter being rare. Since most of us reading are not from Japanese descent, I will through Europe in this first.

If we look at the same time frame of 1590, we are looking at most of Western Europe had now entered the age of Renaissance. According to sources from Learning Resources in association with the National Gallery of Art, marriage was not what TV drama’s from HBO or Hulu depicted. By today standards they would be a crime, as the average age for marriage of an adult female was age 14…

The reasoning behind the young marriage age had multiple factors. First being, females were considered an adult once they were menstruating. Birthing also proved to be fatal, and since the lifespan was at best 40 and 45 if they were lucky, there was really no room to wait. Also Europe at the time had became hugely focused on making sure blood lines were legitimate, meaning to ensure the girl was a virgin, the moment she was able to reproduced she was married off. Those they married were not young teenagers either. Most marriages, a man would be in their thirties, and had probably multiple wives as women died more than men when not counting the battle field.

To make matters worse for the Renaissance Lady, these marriages would leave many young males unable to marry and if their husband died in battle, well, unfortunately they were not seen as desirable. This was due to the idea of a ‘free woman’. Should the girl not have a father, brother or uncle to return to as they too died, a widow had her freedom. But that freedom came at a cost. She would be assumed to have slept around, and in many writings, such as the Canterbury Tales, where Geoffrey Chaucer writes about a Window on a pilgrimage to the Holy Land survived her five husbands and the men in her family. In short, she was made to be a slut and to be looked down upon as no man controlled her.

The point of talking about Europe is because that is something most of us Non-Asian or Japanese people consume and like to paint in large romantic brush strokes of knights and magic. Honestly, reading G.R.R.Martin Song of Ice and Fire, he uses this model as we see the Queen of Dragons, Danny start off at age thirteen shortly after she had her first menstruation.  

Now let’s look at Feudal Japan.

As stated before, the lifespan was around 50 years. In some populations, this was even shorter. Nagaoka, Hirata, Yokota and Matsu’ura’s on demographic data at the Yuigahama-minami area in Kamakura, Japan and found both male and female remains that suggested life expectancy to have ended around age 24-25. This was largely due to living conditions and public health. In areas like these, it would make the most sense to marry and repopulate quickly as the expectancy of life was half the national average at the time.

To my frustration, I could not find a clear marriage age for Japanese women at the time of the edo period. HOWEVER, where there is a will there is a way. I took a look at famous Lords or Daimyo’s of the time. The average age of marriage of their wives was between 12-14. Much younger than I expected, but it made sense considering this is a time where war ran the show and marriage was strictly about political gain. One of these Daimyo’s was Masamune Date, who was also 13, but then as he got older took concubines who became considerably younger than him as he became older. The goal was to have as many children as possible for hires and for political marriages to gain power.

Now lets look at Inuyasha the MANGA

Lets get the manga timeline proper here. The whole adventure took place in 11 months, a month shy of Kagome’s 16th birthday. Doing a few estimations, Rin would have travelled with Sesshomaru about 8-9 of those months. But before we get into the relationship, lets look at something the ANIME made a huge mistake with in the beginning and tried to fix as the story went on.

For some reason I could only fine gifs for the Early appearances of Sesshomaru so bear with me.

Early appearances in the manga

 ^ He was so fickle and a trickster then...

Now early apperances in the anime.

Later appearance in the manga

Laster appearance in the anime

Notice the issue here? 

Sesshomaru was CONSIDERABLY younger looking in the start of the manga. In the anime, he started off looking like an fully adult male. But as the anime went on, they tried to make Sesshomaru look younger with subtle changes to his jaw line, eye size, and his height. Yeah, his height had changed. They made him shorter.

While in the manga, we see this young-teen looking demon, slowly mature over 11 months to look like he is in his later teens and by series end, closer to being in his late teens or twenty. Yes, art changes over time, but the anime went a reverse route. I can only guess they spoke to the author of Inuyasha about her ships, as they did Drama CDs, and realized the mistake that was made in making him more mature than he was.

You can’t tell me he doesn’t look closer to his manga self in the final act, because he does.

Since we are on the topic of the anime, lets be clear. The anime timeline and manga timeline are very different. The story in the anime (in the English) suggests that OVER a year has past since Kagome started her journey. They try to fix this in the final act, but it was still so muddled as previous seasons are to be taken as cannon. This could have been due to an translation error in the early production when the anime no longer had anymore manga material to reference. But whatever the case, for English viewers the time the group spent together felt much longer.

So now we come to the heart of the issue.

Because of the mistakes of the anime, a lot of anti-sessrin see the relationship as father daughter. I’ll be honest, watching the anime and solely the anime as a teenager and as an adult (as the manga was on hold for a very long time due to author’s health. I was in college when it finished.), I too thought it was just a father-daughter relationship and Jaken the nanny who got punched all the time. In fact, the English took hard liberties with Kagura, as the English dubs often do with characters, and made it very clear her feelings for the demon lord and Sesshomaru very much recognized them (though he never responded). Even in her death scene, it felt as if he was saying good bye to a friend more than love interest. But who really knows, as there are things that point otherwise.  When another demon mock’s Kagura’s death, Sesshomaru gets super pissy.

The manga did also play with this fact when it came out in English, idk if the wording or message is different in the Japanese. Translation errors happen a lot even in todays releases, look at Kuroshitsuji.  So of course most anti-sessrin’s did not see this coming in Yashahime when Rin was named mother. In fact it felt like a betrayal as we were sure Sesshomaru had no romantic feelings.

Then there was the Kohaku/Rin mashup that was hinted left and right. The English anime, with its overly dramatic and blunt emotions made it appear one way. That in the end the two kids would probably be married. Then the anime as a whole made Sesshomaru older than intended. I can see why and understand how this became a problem.

On the other side of that coin.

If you followed the dub, seen ‘Swords of an Honorable Ruler’ and read the manga… Sesshomaru was not fatherly to Rin at all. In fact, Jaken picked up all of that leg work. Rin worried for Kohaku, but clearly loved Lord Sesshomaru. Sesshomaru cared about Kagura but he almost CRIED when he lost Rin.

We have to remember that Sesshomaru and Rin’s relationship must have been very hard for the demon. While we never see his mental process expect for a few rare times, we have to remember he hated humans. In the movie, he blamed a human for the early death of his father, Sesshomaru killed without mercy. It made sense that he wouldn’t be fatherly to Rin as her just being there should have caused countless inner conflicts. Hell, he even says his father’s weakness was humans, and look who picked up that trait.

Sesshomaru was designed to, someday, walk in his father’s footsteps. So sess/rin, not a surprise. Also when you see it in a historical perspective, Rin having kids around age 15-16, makes sense. In fact you could argue he waited too long for the time period.

We also need to look more at the manga when concerned with Yashahime. 8-9 months is all Rin travelled with him and he was like hold up, and left her at the village because he KNEW she needed to come to her own conclusion. That no matter what she picked he would live with and protect her. Unconditional love on his end. She cannon wise spent YEARS living with humans and MONTHS with Sesshomaru. Again, by manga standards of cannon.

Now I can already hear the screaming about age and what not. Some sources say Sesshomaru is over 900, by the rule of thumb, if we look at anime and movie releases, we have Sesshomaru being over 500 with no define age and Inuyasha around 270 years old being more pinpointed due to the movie. Just by going by ANIME CANNON. Kagome and Inuyasha, you have a 15 year old with a 270 year old man. If you say being pinned to the tree doesn’t count, then you have 220.

Also, here is something very interesting. In the episode where Inuyasha meets the unmother, he tells her, thinking it was his mom, she died when he was very small and we have flash backs later in the series of him being small running from demons. Demons clearly age much slower than humans, even half-demons. Inuyasha can be 270 but mentally and physically be 15, the same logic works for Sesshomaru, who in the manga is not much older than Inuyasha.

In the manga, there wasn’t any grooming, in the anime, there was a ton of mess-ups but no grooming.

Would this fly in todays world? HELL NO! NO, its gross, she’s a kid. Stop.

I know any fanfic I write will lean heavily on the side of father/daughter because that is what I grew up seeing on the screen. I can’t think of Rin as an adult because years of seeing her as a cheerful little girl. It’s like seeing G.O.T Arya about to have sex for the first time in season 8… I remember when she was a kid on the show. It was way to weird and I had to look away until it ended. But that’s my 2021 mentality.

But Inuyasha is not taking place in 2021. Feudal Japan is a whole other era with its own beliefs, morals and way of life. Those who understand this have nothing wrong with them. They just understand history.

Also, just to bang some nails in…

Anyone remember Bleach? Remember the MOST accepted couple was Ichigo and Rukia…. Rukia who was hundreds of years old and Ichigo who was 15… or Ichigo’s mom who was a teenager and his dad also hundreds of years old.

Most of this also boils down to Sesshomaru being a dude. As in reverse roles in animes its accepted and they don’t have the same historical context. Inuyasha is based off of historical context of Feudal Japan.

We need to stop spreading hate. We can’t accept some forms of literature because its European fantasy but bash other fantasy based literature for doing the same thing.

Sure, its weird for those who were use to seeing the father/daughter dynamic. Yes, there are extreme sessrin fans who post really questionable illegal content when they decide to leave Rin as an 8-year-old…

But this wasn’t ever meant to be perverted. The story was meant to make sense on a logical and historical base.

I hope everyone takes the time to read this. I love Inuyasha, I love Sesshomaru. I am just sick of seeing so many people fighting over what should be the revival of a beloved series. While yes, there is still room for sess/rin not being a thing, until it is stated otherwise, why hate each other? This fandom will only lose people by doing this. Calling people names or accusing them of illegal endorsement can hurt someone these days over social media.

Tumblr allows you to block tags. You don’t have to read anything or watch anything you don’t like. We gain nothing from attacking each other but can lose so much by doing so. Fanart, really good fan fiction, friends, ideas, sharing fond memories. Both sides have the right to feel as they feel, but no right in hurting each other.

A fandom is meant to bring people together. Not start a war…

Thank you.

https://onlinelibrary.wiley.com/doi/abs/10.1002/ajpa.20402

http://www.italianrenaissanceresources.com/units/unit-2/essays/husbands-and-wives/#:~:text=Marriage%20not%20only%20reflected%20order,to%20ensure%20the%20bride's%20virginity.

https://www.ancient.eu/Canterbury_Tales/

https://www.ancient.eu/article/1424/daily-life-in-medieval-japan/#:~:text=Just%20as%20Japanese%20people%20today,in%20Western%20Europe%2C%20for%20example.

https://en.wikipedia.org/wiki/Date_Masamune

https://en.wikipedia.org/wiki/Megohime

[razorblade180]

Overall thoughts on V8? Assuming you didn't answer this already.

I meant to do a volume wrap up review but I got incredibly busy and it fell to the waste side. The thing about me judging RWBY I have to come at it from two angles or I won’t feel like I judged it appropriately. There’s the casual, first time seeing the episodes and seeing this through the lens as a casual watcher who probably only sees the episodes once or twice. But then there’s the other side to that coin. I review these episodes, write aus, theorize, check extended lore, listen to the music, etc; that means I have to go back and watch episodes several times for any given reason and that’s when you start noticing the holes or picking up on things you didn’t before.

As a casual watcher, I’d give this an 8/10. There’s plenty of moments where characters do things that got me excited and plot points I wanted explored. This volume actually gave a decent amount of things I wanted for quite some time and some things I didn’t know I needed. Certainly there are things I don’t like in this but I’m open and curious to see where RT takes their storie because it’s their story.

Okay, now as a someone who’s had to deep dive and take a step back multiple times for a variety of reasons. 6.5/10 maybe a 7/10 if I’m being generous. A lot of my problems with this volume are problems that aren’t new to RWBY and that’s just how surface layer portions of arcs are and how a variety of choices/bonds don’t exactly make sense with what we were previously shown, or they only make sense because the writers don’t want introduce other complexities even though they should be there realistically. I’ll give a couple examples of these and yes, I’m aware what I say doesn’t bother everyone but it bothers me.

Qrow was never angry at or brought up Robyn being the reason their airship crashed in the first place because she started the fight; which aids in Clover dying.

Emerald follows Cinder, not Salem. Even if Cinder is working under Salem, why would Emerald be so willingly to complete shift to the side that actively goes against Cinder? There’s been no grand revelation to make Emerald believe Cinder doesn’t give a damn about her. Leaving made sense because she was about to get tortured. Going full turncoat right now doesn’t. No change happened. Emerald always hated being near Salem but adored Cinder no matter the crimes and the show hasn’t done anything to switch that view point.

I’m happy Whitley and Weiss had a touching sibling moment that implies they’re okay and making/made up, but there was never a conversation about the actual problem and thoughts that had them at odds in the first place. Weiss saving his and Willow’s life shouldn’t be the thing that smooths things over. It would’ve been terrible if Weiss do something to save their life. Whitley helping Penny is okay I guess because he really had no reason to contribute but did anyways. Even so, a person doing a morally correct thing doesn’t automatically warrant the conflict between him and Weiss’s resolved.

We got Cinder’s backstory; it didn’t tell us anything about how she eventually came into contact with Salem. Honestly her back story felt more in line of her main goal through the series was an absolute freedom by the means of breaking down the systems that trapped and didn’t give a damn, rather than her quest for power. Yes you can argue gaining power means it’s easier to maintain her freedom to do whatever she wants but I personally think that’s a little off the mark when you gave her a story that involves her trapped by rules and time rather than being too physically weak to gain freedom.

This show has built up that the Schnee family has suffered various types of abuse because of Jacques and uses Weiss as a medium to build towards breaking free from that. Not just overcoming but confronting the abuse by cementing it’s place below you. We don’t really get that. There will never be a moment where the siblings and mother truly get to break out of Jacques grasps emotionally and then put him in his place because he’s dead! Yeah they never have to worry about him again but even last volume they showed Winter still having turmoil and being able to get strung along by him. We don’t even really know how Whitley perceived his father. It feels so lackluster. Then they care to mention how it’s Weiss’s idea to save him like it’s an empowering moment when in actuality, it would be against her character, values of a huntress, and morality to let a person die in cell when you’re the reason they’re in a cell! Letting him die in there would just terrible. I don’t even know why he wasn’t let out in that scene! He’s a coward! He’d follow their orders to save his skin. All he has to do is shut up and walk through a portal.

Ironwood and Oscar both knew they could remove that staff to use it and Atlas wouldn’t drop immediately. Why did nobody have any kind of compromise with one another since there’s nothing stopping them from using the staff for something and then putting it back? They had this morally gray thing going on which I liked but then they decided to make Ironwood go full evil. I’ve never had to say this before but the song he got in V7 and the character they made him be in V8 just don’t connect. I got upset listening to that song recently because I liked that Ironwood.

Clover’s importance. RT tried making a character who had no more than 9 minutes in the series and one meaningful line of dialogue into the cornerstone of a side plot. Clover is such a nothing character. Vine did more than Clover. They try to make him have such a profound impact to the people around him but we never see him bond with his team; Harriet specifically. We get one scene of Clover telling Qrow the kids are fortunate to have Qrow even if he doesn’t think so. First, I doubt Clover knows Qrow decided to get drunk in a ghost town and the kids nearly died and cellar while he did it so that compliment doesn’t hold much weight for me. Second, We see nothing meaningful between the two. V7 has a time skip and just expects viewers to be on board with Clover being this influential change on Qrow without showing anything outside of a witty remark and Clover flexing his semblance. I would’ve bought it more of Qrow almost relapsed and Clover stopped him then had a real meaningful conversation.

Ruby goes against Ironwood only to then want to do a plan that’s aligned to longer term thinking than even his, talks about how everyone should be working together, but then adds a part in her video to actively antagonize and vilify Ironwood. Afterwards, she wonders where everything went wrong and doesn’t think of a plan or do anything to immediately help either kingdom until the final hour between the ultimatum being made, to everything getting destroyed. The inciting incident was disagreeing Mantle should be left in favor of Atlas but the main character didn’t do anything to help Mantle 90% of the season and hindered Atlas’s safety up until the final plan.

Yang is used to be the devil’s advocate in a bunch of situations, but she’s wrong most of the time or her lines just don’t make any sense. They weren’t doing just fine before Atlas. They almost died every step of the way. The team didn’t beat a Leviathan; silver eyes and a robot take credit for that. Why would Blake think less of Yang for wanting to go save people immediately? Blake was never mad at anyone to begin with. Yang consistently calls out people for following orders as if it’s objectively wrong, but is never called out on the fact she hasn’t followed anybody’s orders but her own and added discourse to every situation. I get RT is making her ask questions because that’s what Raven told her to do, but all she’s really doing is picking fights and disobeying every order. Yang states to Ruby they accomplished more than they expected. That’s false, getting Oscar back is correcting a mistake caused by her own plan that she didn’t even complete.

It took 6 volumes before Yang had anything to do with the Summer Rose subplot again and 7 volumes before her and Ruby had a sister to sister conversations; 5 if you wanna count Yang telling Ruby to leave at the end of volume three. The reason I bring this up is because in V8 , they treat their argument as if it’s a big deal but then have every character say it wasn’t that big a deal; but then have two circle back to that conversation later after having neither character discuss to anybody that the argument actually did weigh on them. Yang doesn’t think about Ruby until she sees her again and the closest we get with Ruby is Blake reassuring her that people need her and how Blake admires her. I like that scene but it’s not the same as Ruby actually airing out the specific point that Yang said something that Ruby found hurtful. Vol8 in general people trying to comfort others but nobody ever actually addresses what made them uncomfortable to start with. Except Ren.

This one is a nitpicking but I’ll say it anyways. Penny getting hacked only served as a purpose to go to the vault, a thing Ironwood already wanted them to do. Nobody got her because she was hacked. You can’t even say her getting hacked is the leading factor to her actually dying because Penny became a vulnerable human afterwards that can’t be rebuilt. Pietro was gone, and already stated last volume he doesn’t have the aura to build Penny again. If she died as a robot then it’s still permanent death. No core, no Pietro, and no aura; hacking her was just to create a Hound reveal situation and make them go to the vault on a different set of terms. I’m not exactly upset with this, but I don’t understand why the extra steps. The Hound was hunting her anyways. I would’ve brought some kind of value if she hurt a friend and it caused them to potentially hinder the plan later on or remove them entirely. Penny could’ve rekt Yang and it only adds value to Yang getting one shot later. I don’t know. I’m rambling.

I think I’ve wasted enough people’s time. Honestly, I do like this volume. I’ve enjoyed a bunch of it. But there’s things that legitimately make me think it’s not as good others and makes V7 even worse.

[dreamylyfe-x]

of all the things they could make mickey and ian fight over, why are the writers going with 2 so OOC storylines in the final season? the show never framed ian as seeing mickey's illegal income as not "real" work before. and mickey was never the slacker type, so why now? and mickey would never vague about monogamy. i'm so confused. if they gotta fight, why not over something in character and meaningful. this just feels like writers being mean to the fans, making us sit thru all this nonsense

Hey! Thanks for the ask. Made my (very weird and stressful) day. 

I’m going to be disappointing right off the jump and say that I don’t actually think any of this is OOC, per say. But. In GENERAL. Shameless is not the show it was. I think this is very normal for long-running shows. Take Friends: When you get into the back half of that show’s extensive catalogue, is starts to feel like the characters are a Xerox of a Xerox. Early season Monica is a bit OCD, and a clean freak who loves to be in charge -- but she’s also warm, and hospitable and emotionally available to her friends. Late season Monica is often a coked-out squirrel-woman who loses her mind if someone moves a pillow. That’s quality isn’t out of character, but it’s no longer being balanced with the warm and supportive woman we initially met. I think a bit of that might be “we already know you either like or hate Monica, so we’re just giving you the stuff that’s funny and/or dramatic. We got 22 minutes and six characters and we don’t have to build that other shit anymore.” 

I think that’s happening with Mickey and Gallavich. And I don’t think that’s weird for a) a show that has run this long and b) a character who was gone and then returned. They are giving us a Mickey that has always existed -- unbound by traditional manners, aggressive, blunt and obsessed with Ian Gallagher -- but we aren’t getting much of the Mickey who curls up with Ian at the worst time of his life and kisses his forehead. We aren’t getting all the verbal confirmation of Big Feelings they gave us when he came back in season 7. We aren’t seeing Ian and Mickey as a team, which is a big part of their mid-seasons dynamic. I think that makes people feel like these arguments are OOC, when they’re arguably reasonable issues, but aren’t being given a ton of nuance, or balance. 

Aside: There’s some balance in how the actors are playing the intimacy and the physical affection. The little touches and kisses are appreciated by me. 

So to dig into the OOC stuff -- first of all, it makes total sense to me that they’d have issues about the role crime plays in their lives together. I love that Ian never gave a damn that Mickey is a straight up criminal. But every time Ian lost Mickey, it was because the law intervened. When Mickey is not incarcerated, he’s with Ian. Ian is no longer 16, no one is a juvenile offender, Mickey was given a devastating sentence in season 6 -- 16 years -- Ian was 18! That was his entire living memory, if not more. They are married now, against considerable odds, and I completely understand why Ian doesn’t want Mickey to risk going back to jail. 

Likewise, I get why Mickey doesn’t want to do what Ian is doing. Mickey does not have the temperament for minimum wage jobs. He has a longstanding history of thinking it’s absolute bullshit to work hard for no money. Particularly when he’s smart enough, skilled enough and ballsy enough to make a LOT of money in an afternoon just by spotting an opportunity. 

Mickey has never SAID this on the show, but in canon we have seen him go to prison four times. Once, because Ian’s unhinged spurned groomer shot him; once because Mickey CHOSE to headbutt a cop so he could go to prison and avoid his dad; once because Mickey was consumed with a need to avenge Ian; and finally because Ian got himself tossed in prison, so Mickey CHOSE to join him. If Mickey has confidence that he won't go to prison if Ian isn’t a factor... Not the craziest idea. 

So -- writers spitballing ideas for Gallavich conflict? I think that’s a pretty good one. Two clear sides that both have merit. I’ve already written a bit about my thoughts on the monogamy issues... first, I’ve always figured they were monogam-ish, to reference Dan Savage. They are faithful to each other while they’re together, and when they are separated (usually by prison!) they aren’t. This isn’t the first time Mickey has voiced a lack of interest in being monogamous -- most notably “Great. Now we’re in a horror movie.” Mickey isn’t a traditionalist and I don’t think he feels like this is a make-or-break issue. But MOSTLY? 

MOSTLY. 

I really and truly believe what I’m about to say... 

Mostly Mickey wanted to do what Ian wanted. 

If he legit didn’t want monogamy he wouldn’t have tried to cheat of Ian’s paper. He didn’t like that “write it down and flip the paper” game. He wanted to match Ian’s answer. So he took a guess and he was wrong about what Ian -- who had literally just told him he found the concept of the rest of his life overwhelming -- had written. 

This is my head cannon: I think he liked that Ian wrote down monogamy. This is not my head canon: they are SUPER sweet to each other in the next scene. I am not convinced that the monogamy debate is going to be much of a thing beyond that scene. And I understand that, for a lot of people, that scene was extremely unpleasant. To me, personally, it made sense for it to come up. But I think it’s settled. I think they’re done with it. 

The one place where I’m like “What is this?” is the slacker stuff. I mean, I can meta why Mickey might be afraid of failure or whatever, but it’d be mostly head cannon. They haven’t given us a ton to build on there. The best we got is “Stop disappointing the people you love!” being what motivated Mickey to do something he didn’t want to do. But Mickey was right, if he thought that interview was going to be a disaster. Mickey knows himself and he is painfully aware of his limitations. 

As for why are the writers DOING this? Well. Ok. Here’s what I think it is: 

1. Story is conflict. So they needed one. And “struggle to adjust to marriage” really isn’t a bad one. Specifically, figuring out how to be married when you have no role models and have a few social strikes against you is a good one. 

2. The writers are amused by Gallavich fighting. They think it’s entertaining. And while there are a lot of people out there for whom Gallavich is EVERYTHING, Shameless’s viewership is also made up of people who think Frank is hilarious. No one ever send me an ask about why Frank is hilarious. I will not be able to figure that one out and the research might kill me. We definitely don’t all agree on what is and is not funny. 

3. They’re going somewhere with it. At least a little. 

I don’t KNOW three is true, but here’s something I believe about John Welles. I think he’s a biiiiit of a sap. I think he probably wants to leave each Gallagher with something nice. I don't think his plan it to send everyone off on an ice floe to freeze to death. So I think (hope?) that what we’re going to see is three (maybe four?) episodes of Gallavich At Odds and then I think we’re going to move into them trying to work together to make lives together. And they will probably still fight, because that seems to be part of the Xerox of a Xerox of Gallavich. I’m sure many people will find that cringey and problematic and annoying -- but I also bet we get a few moments we love, here and there. 

I don’t think they’re trying to be mean to the fans, but I think it’s serving 8 characters ... Nope. 9. (I forgot Frank. I always forget about Frank.) ... and we aren’t going to get the depth and breadth we want. And most of that will be on the side where we see Gallavich loving each other, because at this point they expect us to KNOW that. And some of it’ll be Mickey’s internal life because they tend to focus on the Gallaghers. But I do fervently hope we get a little more of that other side of the coin. Because I absolutely agree that one side is more fun than the other. 

[cdt12345]

I just finished answering one of these and now I wanna know yours. Top 10 straight OTPs?

1.) Ben and Leslie - Parks and Recreation

If this was my OTPs list, they’d be second after Gallavich, but since this is straight couples, they have to be my number one. Amy Poehler and Adam Scott had great chemistry. Adam Scott played a lot of creepy/bad guys before this. So, when he showed up in Pawnee, I didn’t know what to make of him when he came in at the end of season 2. Pretty quickly I realized I was not only going to love the character of Ben Wyatt but we finally found Leslie Knope’s perfect match! I’ll never forget the moment I knew I was going to ship them. It was at the Freddy Spaghetti concert when Ben helped Leslie after he was against doing the concert in the first place. As soon as I saw Ben give Leslie that look as she walked away, I knew I was all in with this ship. That’s all it took! Leslie finally met someone who got her, admired her, was in awe of her, and was so supportive of her and her ambitions. They were both willing to put their jobs at risk by making their relationship known. And if you know Leslie Knope, her job is her life. Leslie’s love for Ben’s butt is also something I loved. Their love for each other is so beautiful and one of my favorite things about this amazing show.

2.) Ava and Boyd - Justified

Joelle Carter and Walton Goggins did amazing work together onscreen. Ava and Boyd Crowder did not have the most conventional start to their romantic relationship, seeing as Ava was married to Boyd’s brother. For me, that is a deal-breaker! I know they’re not blood relatives but it’s still weird to me when in-laws get together. In the pilot, we learn Ava has just killed her husband in self-defense and Boyd was supposed to be killed off in that episode. The powers that be, loved both Joelle and Walton so much they brought them back for more and they were series regulars for the rest of the series run. To keep Ava part of the storyline, they had Boyd staying at Ava’s house in season 2. It all evolved from there. I had no intention of shipping these two during season 1, but by season 2, I was all about Ava and Boyd getting together. They were the true definition of a power couple. They even had matching bullet scares on their chest! They stood side by side as a strong force against anyone who tried to overpower them or intimidate them in their growing criminal enterprise. Boyd really saw Ava, treated her with respect, and saw her as his equal. They had a long history, even went to the same high school together. I always love a couple who has known each other since they were kids. I never thought I would root for current or former in-laws, but it was hard not to fall in love with them.

3.) Jess and Nick - New Girl

I knew I was going to ship them from the very first episode. They are everything I love in a good ship, complete opposites who bring out the best in each other, who are also friends. Over the years, any time Jess would describe her perfect man, she was always describing Nick without realizing it. Once she was asked what her dream guy would be, and she said Walter Matthau in Grumpy Old Men and Nick fits that perfectly. He really is like a grumpy old man. There was nothing these two wouldn’t do for each other. One example of this was when Jess burns her finger on a cigarette lighter in the car and Nick puts his finger in the cigarette lighter so they would be in the same amount of pain. Who even does that?! I was so happy when they finally had their first kiss and when they officially got together. Those are some of my favorite episodes when they were finally dating. Any time they dated anyone else it became even more clear how much better they are together. They never fit with anyone else as well as they fit together. They really were perfect for each other.

4.) Corey and Topanga - Boy Meets World

Corey and Topanga are the OG’s of childhood sweethearts on TV. They’ve known each other their whole lives and were very believable in their genuine love for each other. It’s not always easy to believe that people who get married that young can make it work, but these two always seemed to defy those odds. They got married during their sophomore year of college. Today I would be like whoa that’s too soon to get married! But they felt so right together, I believe I would still think they made the right choice. I may be biased because I grew up watching this show and I was even younger than them at that time, but it always felt like they were meant to be. I still remember what a big deal their wedding was. My friends and I were so excited about that episode. They clearly did do the right thing because the show came back as Girl Meets World, which was more focused on their daughter than them, so of course, I wasn’t planning on watching all that. The only good thing to come out of that reboot, for me, was to get confirmation that Corey and Topanga were still together and had two kids. 

5.) Arnold and Helga - Hey Arnold!

This was a very one-sided crush on Helga’s part for years! This was another show I grew up on. I shipped them so hard because Helga was obsessively in love with Arnold. It definitely wasn’t a healthy obsession, but she really loved him. It was hard not to root for her. She fell in love with him when he was the first to notice her and be nice to her on their first day of preschool. A part of me could identify with her at that time in my life. I was in 5th grade and was experiencing my first love too. She was always so mean to Arnold because she was terrified for anyone to even suspect she had a major crush on him. The best way to describe Arnold is through Helga’s own words, he’s “a funny little football-headed kid with a good heart but no sense of reality”. Helga was realistic and tough but very poetic and sweet in private. In 2017, when Hey Arnold! The Jungle Movie came out, I was really hoping she would finally come clean with Arnold about her feelings. It FINALLY happened! That was 21 years in the making. Talk about slow burn!

6.) Tiffani and Jake - California Dreams

Jake and Tiffani are one of my very first ships ever. They were high school students who were in a band called California Dreams together. They were like night and day. She was the surfer type, who was positive, sunny, and friendly. Whereas Jake was a biker type who scared everyone. They were even too scared to let him audition for the band. He played guitar and would sometimes sing and write some of their songs. He wasn’t the main singer of the band, but he would sing every once in a while. She played the bass and would sometimes sing too. They did have a breakup that was heartbreaking for me. He dated their friend Lorena for a short time, and it felt so forced and didn’t work at all. Again, I could be biased because I love Jake and Tiffani, but Jake himself and Lorena realized they didn’t work either. That’s when Jake realized he was still very much in love with Tiffani, and they got back together. This show also had the best theme song ever! I sing it every single time I hear it and when I do hear it, it’s stuck in my head all day.

7.) Monica and Chandler - Friends

I always preferred Monica and Chandler over Ross and Rachel. They were never on and off like Ross and Rachel, which would get tiresome. We never had to deal with that with Monica and Chandler. Obviously, they are friends and know each other so well that it was easy for them to get through anything because of it.

8.) Castle and Beckett - Castle

Richard Castle and Kate Beckett had amazing chemistry, even after the actors themselves were no longer getting along behind the scenes. I am amazed at how they were still able to be so believable at being very much in love with each other. Castle, a best-selling mystery novelist, and Beckett, a New York City homicide detective. Castle is inspired by Beckett and she becomes his muse for a new book he is writing. Castle uses his connections with the mayor to force the police to let him shadow Beckett. Their personalities clash in the beginning but they soon find their groove and become friends and great partners at solving crimes. The will they, won’t they was excruciating at times but paid off when they finally got together.

9.) Sabrina and Harvey - Sabrina The Teenage Witch

Sabrina and Harvey were such a cute couple. I already went into this show knowing they were meant to be because of the Sabrina comic books. Harvey was always the boyfriend. So, when Harvey left the show after season 4, I was surprised and saddened. Especially, since Harvey had finally learned about her powers. He did guest star in season 5 but was brought back for the last two seasons. I really loved when he came back because Sabrina and Harvey’s relationship was so much better after he knew about her powers. They didn’t get back together and were only friends but whenever things got complicated, he was there to help her now that he knew she was a witch. She didn’t have to hide who she really was or lie to him anymore and I really loved how that changed their relationship. Sabrina was dating someone else at this time and was going to marry this other guy, but she doesn’t go through with it. For once I can actually say Sabrina and Harvey are soulmates and really mean it! Remember she is a witch and has a soul stone and Harvey was given one too. Harvey is waiting for Sabrina outside the church when she comes out and they kiss. Their soul stones drop to the ground and fit perfectly at 12:36pm, the exact time they first met seven years ago.Then they drive off together in his motorcycle.

10.) Kelly and Zack - Saved by The Bell

Who didn’t grow up in the 90′s and wasn’t shipping Zack and Kelly? I thought they were the most gorgeous couple I had ever seen. Saved by The Bell: The College Years wasn’t a great show, but I was happy to see Zack and Kelly went to the same college, and eventually, we got to see them get married in a TV movie with Saved by The Bell: Wedding in Las Vegas.

[ianenjoyer]

worst shameless storylines ranked? personally despise the whole who’s gonna top thing with trevor and ian. like, if it’s that important?? just fuck other people? but also fiona being a landlord and cop carl takes the cake

*rubs my evil little hands together* finally more opportunities to talk about my opinions

this is non-comprehensive bc i don’t remember every single awful thing that’s happened on this show (and i blocked out so many) but here’s the ones that stick in my brain

under the cut bc i kinda went off

1. gay jesus

i just ??? hate it so much??? listen, i think this storyline started off relatively okay, if you ignore the cringey dialogue. like ian trying to help kids like him (and mickey) and save them from conversion therapy and other terrible things? okay sounds good, sounds consistent to ian’s character i’m fine with it. but the execution??? 🤢 i hate it so much. it comes off much more like they’re mocking the cause instead of promoting it. and on top of that, apparently ian was supposed to be manic the whole time but, again, the exposition was just terrible and they didn’t really indicate that this was supposed to be ian spiraling as opposed to him just going a little too far. honestly the whole thing is a disservice to ian’s character and everything that he’d been through in the previous 7 seasons

2. fionas landlord stuff

fionas switch from a kind, hardworking person trying to provide for her family to a bloodsucking parasite (also known as a landlord) is appalling. not the fact that she tried to better herself and her situation, but the fact that she constantly put down families like her own and the fact that it was framed like a good thing. like it’s fine to seek out a better life for yourself obviously but i wish she found a way to do it without becoming a capitalist who leeches off other people

3. the weird voting storyline + anytime they try to do political commentary

😐 i’m just repeating myself at this point but shameless’ switch from a gritty family drama that shows the realities of living in poverty and dealing with problems such as alcoholism, mental illness, and inter-generational trauma to a satirical ‘comedy’ that pokes fun at anything and everything is the worst turn i’ve ever seen a show take. honestly i don’t remember much about this except that frank got some creep in office and recruited a bunch of nazis to help him, and that fiona was gonna vote for some pro-capitalism weirdo bc she didn’t want rent-control on her apartment bc she hates poor people apparently

4. carl becoming a cop

i mean we haven’t even seen this yet but skdhdijsj it’s going on here anyways. honestly carl’s whole coming-of-age storyline is just bad. i’m not gonna just repeat myself but i talked about that here. basically it boils down to the show being tone-deaf and trying to do political commentary on things they know nothing about. honestly the last thing we need right now is rich white people in hollywood acting like they understand what it’s like to live in poverty, or live as a person of color, or an lgbt person, in america right now

5. mickeys send off + ian’s other love interests

so what we’ve learned is that shameless doesn’t know how to write off characters without butchering them and then expecting us to instantly forget about them. i understand that noel left the show, so i know they had to write him off, but they didn’t have to be as brutal to his character as they were.

i’m in the minority with this opinion (i think) but the first time i watched the show i wasn’t fully against ian dating somebody else, mostly bc i knew they ended up together. i mean, it is realistic that ian wouldn’t date the same person from the time he was 15, and especially after mickey went to jail it objectively makes sense that he would try to move on. but god the execution of this was terrible. they were just so obviously trying to butcher mickeys character (with caleb) , or replace him (with trevor) instead of, you know, providing us with a believable love interest for an otherwise well-liked, interesting character. i won’t talk too much about s6 but feel free to anon me if you want to hear more of my thoughts bc i have a few

6. anything with frank

i just don’t care about him. i skip every single one of his scenes when i rewatch the show unless he’s interacting with the rest of the family. he’s boring, and i think he’s overstayed his welcome. and yes i know he’s the main character but consider this: i hate him. he exists purely to engage in stupid storylines and say awful things and i want him gone. the fact that he’s still on the show and fiona isn’t is a hate crime towards me specifically smxhdjs. no hate to the actor but :/ there’s literally no use for frank on the show anymore, and there hasn’t been since they moved away from having a central-family storyline with him acting like a thorn in his children’s sides instead of whatever he is now

7. fionas love interests

i think that, kinda similar to ian, they didn’t really know what to do with with fiona’s love life after jimmysteve left. her love interests ranged from okay (mike cup supremacy!) to just boring and awful (ford, gus, sean). it’s just such a disservice to such an amazing character to reduce her to stories with boring love interests over and over again.

8. most of v and kev’s storylines in later seasons

this one makes me sad bc i love v and kev so much but... their storylines just aren’t it anymore. they’re dumb and comic-reliefy and a disservice (i’m using that word a lot wow) to two really amazing characters. they often reduce kev to ‘big, lumbering dumb-dumb’ and v to ‘sexy, sassy black girl’ and it’s just very Not Good, especially considering how interesting and multi-dimensional their characters were in early seasons.

9. karen’s send off

this is so fucking infuriating to me, especially knowing why the actress left the show. trust me i’m not saying karen is perfect or that she didn’t do terrible (sometimes unforgivable) things, but the fact that the send off for a character who was super important to the show for a good amount of seasons amounted to “she has permanent brain damage and lives with a 40 year old man and a baby she didn’t want” is such a huge disservice, both to the character and the actress

10. sammi

i don’t even want to talk about her or how obnoxious she is but i want it to be known that i hate her and that she sucks. she brought basically nothing to the show and i feel like she existed purely just to make me mad.

11. anything debbie did past like. season 3

she’s just so annoying. like with this show i usually don’t hate characters for doing morally gray things bc that’s very much the nature of the show but debbie just consistently used people over and over again while showing no remorse about it. derek (i still can’t believe what she did to him), neil, dereks wife etc. she’s just not a good person, and on top of that she’s not even entertaining to watch so like??? go away. also the fact that’s she’s dating sandy and i’m not is so rude :/

12. that one time sheila said the r-slur like 47 times 

i just remembered this so i’m putting it on here. also this is the only one from an earlier season, which just proves that the shows been tone-deaf about a lot of things the whole time, and that it’s only gotten worse as years went on. i just want to make it clear that when i say i like this show that comes with many many caveats and that this definitely isn’t a show anybody should be watching un-critically

[paralleljulieverse]

An Angel from Heaven Come to See Us: Darling Lili Turns 50

This week fifty years ago, Darling Lili -- the last of the big Julie Andrews screen musicals of the 1960s -- had its long-delayed World Premiere at Hollywood’s Cinerama Dome on 23 June 1970. 

The event marked the symbolic endpoint of a three-plus-year marathon in which the ill-fated production was beset by an endless stream of problems and delays from inclement weather and union pickets on location to studio takeovers and shady refinancing deals (Bart, 63-72; Dick, 146-48; Wasson, 146-48). This litany of setbacks saw the film’s already sizeable budget blowout to era-record levels estimated anywhere, depending on who you spoke to, between $14-25mill. (Warga, C-20; Wedman, 7-A; Kennedy, 175-77). Egos clashed, tempers frayed and recriminations flew with writer-director, Blake Edwards, blaming Paramount Pictures for imposing impossible demands, and studio executives firing back counter-accusations of reckless indulgence and profligacy (Oldham, 24-25; 44-45). 

That this highly publicised drama played out against the backdrop of the greatest economic downturn to hit Hollywood in half a century garnered Darling Lili an unenviable advance reputation as “the archetypal flop among big budget Hollywood productions” (Oldham, 44). “Rarely has so much bad word of mouth preceded a picture,” wrote the Saturday Review, “As the shooting schedule increased, as the costs mounted, everyone was certain that Darling Lili would prove to be a landmark disaster” (Knight 22). Another widely syndicated newspaper article dubbed it, “The Most Maligned Movie Ever,” prompting Blake Edwards to fume: “I’ve never known of an important picture in production so talked about, whispered about, and, yes, lied about as Darling Lili” (Manners, B5).

Adding fuel to widespread perceptions of the film as a legendary bomb in the making, the release of Darling Lili was held up for over a year by nervous studio execs. By 1969, Paramount had more big budget roadshow product in the pipelines than any other Hollywood studio (“Par’s Big”, 3). Panicked by the repeated failure of roadshow releases, in general, and the growing cultural backlash against big budgeted musicals, in particular, the studio feared they were “on the verge of an unprecedented financial disaster” and vacillated over how to proceed (Farber, 3). They ordered competing rounds of edits to the film, taking material out to secure a G-rating, then reinserting other material in an effort to broaden appeal (Manners, B5; “Par’s Lili Rated G”,5). There were even rumours the film might not get a release at all. It is “hiding somewhere” and seems to have “just evaporated” noted one newspaper report in late-1969 (Gussow, 62; Benchley, 9).

In December, Paramount finally held two sneak test screenings of Darling Lili in Oklahoma City and Kansas City which proved sufficiently positive for the studio to green-light release (“Kansas”, C2). After the test screenings, Robert Evans, production chief at Paramount and longtime vocal critic of Blake Edwards’s direction of the film, sounded an uncharacteristically upbeat note. “At the end of the film, there was a standing ovation,” he enthused, “and almost all the patrons stopped in the lobby to fill in comments cards...term[ing] Darling Lili as excellent, with special acclaim for both Julie Andrews and Rock Hudson” (Muir, 2-S). 

In January 1970, it was announced that Darling Lili would premiere that summer as a hardticket attraction at New York’s Radio City Music Hall (”Par Gets”, 3). The following month, a series of exhibitor previews was held in five major US cities but, in a telling sign the studio still harboured reservations about the film, the trade press was pointedly excluded from all advance screenings ("Not Ready”, 6). This same lingering disquiet resulted in a radically scaled back approach to the film’s release and marketing. 

Originally planned as a reserved-seat roadshow attraction, Darling Lili was ultimately repositioned by Paramount as part of what they called their “Big Summer Playoff,” a package of eight films given saturation releases during the summer off-season starting in June (“Paramount’s Summer Playoff”, 5). Only New York and Los Angeles would screen the film as a 70mm reserved-seat attraction; elsewhere, the plan was for the “pic to quickly saturate every major and minor market with single-house firstruns and key city multiples” (ibid.). In an era when studios typically gave their top films staggered releases and only ever issued B-product or second-runs widely during the quiet summer months, this new-style release strategy had a decided air of dump-it-and-run desperation. 

The apparent lack of care and finesse in the release of Lili did not go unnoticed. “Darling Lili undoubtedly rank[s] among the unusual summer attractions,” commented one newspaper article, “since one would expect to see th[is] multi-million dollar production around holiday time” (Sar, 4-B). Another bluntly opined that Paramount “seems to have dumped the expensive movie rather than spend any more on it” (Taylor, 21-E). Even Julie, normally the soul of diplomatic discretion in such matters, expressed public dismay at the studio’s handling of the film’s release:

“Three weeks before the opening, there was no advertising campaign. None whatsoever. Paramount didn’t seem to know how it was going to sell the picture--or if. I simply can’t understand an attitude like that” (Thomas, 13).

The sudden shift to a summer saturation release also meant the film’s premiere had to be rescheduled as New York’s Radio City Music Hall wasn’t available till July. In late-May, a matter of mere weeks before the film was set to bow, Paramount announced Darling Lili would now make its world premiere at the Cinerama Dome in Hollywood on June 23 before rolling out nationwide the following day (“‘Darling Lili’ to Premiere,” W-2). The New York premiere, meanwhile, would remain at the Music Hall but delayed a full month after the rest of the country.

Putting on a brave face, Julie and Blake did their best to launch their film. On June 18, they attended a special press preview and celebrity reception hosted by Robert Evans and his then partner, Ali McGraw, at the Director’s Guild Theatre (Sar, 24-A). Dressed in a modish psychedelic Pucci pantsuit -- which fans of Julie-trivia will note was a recycled outfit from her recent NBC TV special with Harry Belafonte -- Julie looked relaxed and radiant or, as one columnist put it, “peachy dandy in her wild patterned party pants” (Browning, 2-13). At the after-show reception, she and Blake mingled warmly with a host of Tinseltown notables including Edward G. Robinson, James Garner, Walter Matthau, George Peppard, Raquel Welch, Sally Field, Dyan Cannon, and Peter Graves (ibid).

The following week, Julie and Blake were back for the premiere proper at the Cinerama Dome on 23 June. Dressed to kill in a sleek beaded cocktail gown, Julie posed for press shots on the red carpet with Blake, Robert Evans and Ali McGraw, and co-star Rock Hudson who attended with longtime friend and agent, Flo Allen. Sponsored by the Southern Californian chapter of VIMS, Volunteers in Multiple Sclerosis, the premiere attracted a capacity crowd with an invitation-only champagne supper held at the theatre after the screening (“Premiere”, IV-8) .

For all the old-school Hollywood trappings of the premiere, the American roll-out of Darling Lili was afforded little sense of showmanship or distinction. The Cinerama Dome would be the film’s only fully reserved-seat roadshow presentation (“’Darling Lili’s’ One Reserve,” 7). The film’s run at New York’s Radio City Music Hall -- which will likely be the subject of another post next month, time permitting -- was another exception but it had a hybrid mix of partial reserved and general admission. Elsewhere, the film was released in what could only be described as a woefully slipshod manner. 

The day after the World Premiere, Lili was issued simultaneously to an idiosyncratic assortment of theatres and even drive-ins across the United States including such out-of-the-way places as Lubbock, Texas; Hattiesburg, Mississippi; and Mason City, Iowa. Conversely, several major metropolitan markets didn’t get the film till much later, and some didn’t show it at all. When the film ran it was often booked for a flying season of a week or two -- in some instances, just a few days -- and given little promotion or build-up.

On a PR trip to San Francisco, Blake Edwards was reportedly incensed to discover that Lili was being shown at a local theatre on a double-bill with The Lawyer, an R-rated crime drama (Caen, 6-B). But this was far from an isolated instance. A survey of newspaper advertising from the era shows that, throughout this initial release period, Darling Lili was widely double-billed in US theatres with a range of questionable screen-mates including Downhill Racer, True Grit, Norwood, The Sterile Cuckoo, and Lady in Cement to name a few.

Much like the film’s chequered release pattern, reviews of Darling Lili were sharply mixed. Contrary to the apocalyptic predictions, though, there were surprisingly few outright pans and quite a number of good, even glowing, notices--certainly enough to furnish choice grabs for newspaper ads. Moreover, a common refrain among even lukewarm crits was that the film was far from the disaster everyone anticipated:

“Darling Lili [is] the musical comedy a lot of people have been expecting to be a bomb, but which turns out to be a quite likeable movie” (Crittenden, D-10).

“When a movie becomes notorious like this, everyone expects it to be an unredeeming dud...I’m relieved to say Darling Lili is certainly nobody’s bomb” (Stewart, 28) 

“[E]veryone was certain that Darling Lili would prove to be a landmark disaster. Happily, the opposite seems to be the case...it is definitely, joyously, what the industry likes to call an ‘audience picture’ (Knight, 22).

While many reviewers found aspects of the film wanting, they were mostly full of praise for Julie:

“Miss Andrews has, I think, never looked better, warmer or more emotionally mature, nor has she sounded better. The irony is that she projects a richness which is wasted here. It’s like getting Horowitz to play Chopsticks” (Champlin, IV-1).

“Andrews...is one of the last of the great English music-hallmarks. She can sing effortlessly, make a mug or a moue with equal facility, throw away a line and reel it back in with the best—when she is given half a chance. Her latest, Darling Lili, is only a quarter of a chance (Kanfer, 78). 

“In Darling Lili...Julie Andrews is the most pleasant actress any audience ever had and that’s what counts...The picture’s weaknesses are Hudson and the war...But I think Julie Andrews is enough” (Geurink, 6-T).

“The best way to enjoy Darling Lili is to look upon it as escape fare [with] Miss Andrews’ golden voice for listening pleasure...While she deserves something much better than her role in Darling Lili, Julie Andrews...is still an out and out professional” (Blakley, 6-1).

“Miss Andrews...is absolutely perfectly suited to the title role. Her voice, her mannerisms, her beauty and her obvious delight with the entire project pay off in one of the finest performances of her career” (Fanning, 17).

“The film’s bright moments belong to Miss Andrews. She is a complete entertainer, and tho [sic] she is center stage for nearly the entire film, one never tires of her pure voice and intelligent acting” (Siskel, 12).

Alas, the better-than-expected reviews were not enough to save Darling Lili commercially. By the end of its domestic run, the film had earned a meagre $3.2mill in rentals, placing it 37th in Variety’s list of annual box-office rankings for 1970 (“US Films,” 184). Instructively, the film posted its best returns at the two theatres where it was exhibited with some modicum of prestige showmanship: the Cinerama Dome and Radio City Music Hall. In the case of the latter, Lili actually broke house records for a non-holiday release (“Radio City,” 12). Combined, these two venues accounted for over a third of the film’s entire North American boxoffice grosses. It’s a curious footnote to the whole sorry saga of Darling Lili which does suggest that, while the film would likely never have been a hit, it could certainly have done much better had its distribution and exhibition been more carefully managed. But that is a discussion for another time and another post...

Sources:

Bart, Peter. Infamous Players: A Tale of Movies, the Mob (and Sex). New York: Hachette, 2011.

Benchley, Peter. “1969 A Watershed Year for Motion Picture Industry.” Journal Gazette. 6 January 1970: 9.

Blakley, Thomas. “Julie Andrews Eyes a New Start.” Pittsburgh Press. 28 June 1970: 6-1.

Browning, Norma Lee. “Hollywood Today: Julie’s Reception.” Chicago Tribune. 22 June 1970: B-13.

Caen, Herb. “It’s News to Me.” Hartford Sentinel. 5 August 1970: 6-B.

Canby, Vincent. “Is Hollywood in Hot Water?” New York Times. 9 November 1969: D1, D37.

Champlin, Charles. “Movie Review: ‘Darling Lili’ Has World War I Setting.” Los Angeles Times. 24 June 1970: IV-1, 13.

Crittenden, John. “’Darling Lili’ Surprises by Being Very Pleasant.” The Record. 24 July 1970: D-10.

“’Darling Lili’ to Premiere in Hollywood June 24.” Boxoffice. 25 May 1970: W2.

“’Darling Lili’s’ One Reserve Seat Date.” Variety. 3 June 1970: 7.

Dick, Bernard F. Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood. Louisville, KY: University of Kentucky Press, 2015.

Fanning, Win. “The New Film: Andrews, Hudson in ‘Darling Lili’ at Squirrel Hill.” Pittsburgh Post-Gazette. 25 June 1970: 17. 

Farber, Stephen. “End of the Road?” Film Quarterly. 23: 2. Winter 1969-70: 3-16.

Geurink, Bob. “Julie’s Pretty Darling in ‘Lili’.” Atlanta Constitution. 11 July 1970: 6-T.

Gussow, Mel. “Excitement Fills Premier of ‘Dolly’: But Air of Festivity Belies Future of Movie Musicals.” New York Times. 18 December 1969: 62.

Higham, Charles. “Turmoil in Film City.” Sydney Morning Herald - Weekend Magazine. 25 May 1969: 19.

Holston, Kim R. Movie Roadshows: A History and Filmography of Reserved-Seat Limited Showings, 1911-1973. Jefferson, NC: McFarlane and Co, 2013.

Kanfer, Stefan. “Cinema: Quarter Chance.” Time. 96: 4. 27 July 1970: 78.

“Kansas City.” Boxoffice. 22 December 1969: C2.

Knight, Arthur. “How Darling was My Lili.” Saturday Review. 18 July, 1970: 22.

Krämer, Peter. The New Hollywood: From Bonnie and Clyde to Star Wars. London: Wallflower, 2005.

Manners, Dorothy. “The Most Maligned Movie Ever.” San Francisco Examiner. 15 March 1970: B5.

Mills, James. “Why Should He Have it?” Life. 7 Match 1969: 63-76.

Muir, Florabel. “Hollywood: It Snowed Customers.” Daily News. 21 December 1969: 2S.

“Not Ready for Trades But Exhibs See ‘Lili’.” Variety. 28 January 1970: 6.

Oldham, Gabriella, ed. Blake Edwards: Interviews. Jackson: University of Mississippi Press, 2018.

“Par Gets Hall’s Summer Spot for its ‘Darling Lili’.” Variety. 21 January 1970: 3.

“Para. Sets Preview Series in Five Cities for ‘Lili’.” Boxoffice. 26 January 1970: 10.

“Paramount’s Summer Playoff Strategy: 5,000 Bookings for Eight Major Films.” Variety. 3 June 1970: 5.

“Par’s Big Roadshow Splash.” Variety. 25 June 1969: 3.

“Par’s Lili Rated G.” Variety. 24 September 1969: 5.

“Premiere.” Los Angeles Times. 25 June 1970: IV-8.

“Radio City Music Hall’s All-Time Boxoffice Darling.” Variety. 5 August 1970: 12.

Sar, Ali. “Paramount Unveils Two Top Pictures.” Van Nuys News. 21 June 1970: 24-A.

Sar, Ali. “Curiosity Films: Plagued Studios Hope.” Van Nuys News. 28 June 1970: 4-B.

Siskel, Gene. “The Movies: ‘Darling Lili’.” Chicago Tribune. 22 August 1970: 12.

Sloane, Leonard. “At Paramount, Real Financial Drama.” New York Times. 28 November 1969: 48.

Stewart, Perry. “Warm Kiss from ‘Lili’.” Fort-Worth Star-Telegram. 1 Juy 1970: 28.

Stuart, Byron. "Pictures: Big Budget’s Big Bust-Up." Variety. 23 July 1969: 3, 20.

Taylor, Robert. “‘Lili’ Can Be Charming.” Oakland Tribune. 27 June 1970: 21-E.

Thomas, Bob. “Julie Andrews Praises ‘Lili’.” Courier-News. 15 September 1970: 13.

“U.S. Films’ Share-of-Market Profile.” Variety. 12 May 1971: 36-38, 122, 171-174, 178-179, 182-183, 186-187, 190-191, 205-206.

Warga, Wayne. “Stanley Jaffe: Paramount Risk Jockey.” Los Angeles Times. 24 January 1971: C1, C20-21.

Wasson, Sam. A Splurch in the Kisser: The Movies of Blake Edwards. Middletown: Weslayan University Press, 2009.

Wedman, Les. “The End of the Roadshow.” Vancouver Sun. 9 January 1970: 7A.

Copyright © Brett Farmer 2020

[mego42]

1x10 discussion questions

one season down, two to go!!! this has been so much fun y’all. i've watched s1 all by my onesies a totally normal amount of times but watching with all of you is it’s own kind of delight. your jokes and your takes are a+++. truly enhance the experience. and i know i say it every week but a sincere thank you to @pynkhues​ for organizing and all the work you put into it.

ANYWAY enough of the gross emo stuff.

1. What was your favourite scene of the episode? Tell us why!

this is a question with an objectively correct answer and it’s when dean gets hit by a car. the last scene is p good too i guess.

2. Was there any scene that missed the mark for you? And if so, how?

the line dancing scene chills me to my core but that says more about my feelings about line dancing than the scene itself. it’s not so much that it misses the mark as much as i consider it a personal attack on part with repeatedly saying sauce arms and making me remember the bandaid.

3. Let’s start from the top! That scene with Rio and Turner! This is our first ever Rio POV scene, and a lot of crucial information is delivered in it – from what Rio’s like as a crime boss to the situation with Eddie. What do you make of this scene? And do you think Rio ever saw Turner as a real threat?

rio saw turner as a whole ass snack and he was right

4. It’s Beth and Dean’s twentieth anniversary! Beth warms to him again over the course of this episode before the cancer lie is revealed. What do you think the trajectory of Beth and Dean’s relationship would’ve looked like if the lie hadn’t been revealed?

eventually beth would’ve taken out the trash. i don’t think there’s a version of the two of them that would work long term as long as beth is coming more and more into herself through crime and dean is, you know, dean. would’ve totally derailed the brio pacing though so someone get that doctor a medal.

5. Annnnd on a related note, do you think the cancer lie is lost to us forever, or that the show might still throw it back on the table at some point?

i have deep seated tv-related trust issues so i’ve convinced myself that no we won’t so i can’t be any more disappointed than i already am

6. Ben has his first few days at St. Anne’s, and it goes well, despite Annie’s reservations. Do you think Greg was right to change Ben’s schooling? Do you think Annie was right in having her reservations? Or is it some combination of both?

as a product of a catholic school elementary environment i feel extremely qualified to say that catholic school kids will fuck you up and annie was absolutely justified in her reservations. that said, clearly the public school kids were also fucking ben up so greg was in the right too. the moral of the story is kids are assholes. 

7. What do you think the show might be saying with the fact that Annie’s son finds safety at a school called St. Anne’s?

you know i never connected those dots before. it’s a little on the nose but it makes me go awwwww so i’ll allow it.

8. What do you think of the Fine & Frugal job overall? Do you think it was a good idea to set Rio up in the way that they did? Do you think it was a good way to get the money for Sara’s transplant?

the (second!! second!!!!) fine & frugal job was, to put it mildly, extremely stupid. just the fact that they robbed it for the second time is enough but oh my GOD the rio portion of the plan tips it over the edge. it’s too many levels of stupid i can’t list them all. it’s the girls at their most short sighted and it makes me want to bang my head against the nearest flat surface.

THAT SAID one thing that i’ve always really loved about the show is the girls are like, truly awful at crime in many ways and fairly consistently reap the consequences of that. i love that they’re sort of bumbling their way to success with their individual talents and determination but not being like, smooth criminals or whatever. i’ve watched the version of this show where that happens (*stares in weeds*) and it’s infuriating.

9. What do you think of the scene with Tyler at the end and how he let the girls off the hook in exchange for getting to be the hero? What do you think this tells us about the overall themes of the show?

i love the hell out of tyler that pure hearted himbo. i know there are deeper thoughts here around male entitlement and how it’s seen through characters like boomer and dean and turner and rio but it’s late and my brain is there. i do like how it’s mmmmmm underscored? subverted? by tyler basically asking annie to make it seem like he’s someone to be taken seriously. it reminds me of a little kid asking for help playing dress up or make believe. idk idk idk pretend i said something smart.

10. Mary Pat discovers Boomer’s been spying on her! It leads to one of my favourite fights of the entire series between Mary Pat and Boomer! What do you think that fight told us about Mary Pat and Boomer’s relationship so far, and who each of them are as people?  

mary-pat was deeply wronged and in a different ‘verse is bffs with the girls. JUSTICE FOR MARY-PAT

11. On a related note, what did you think of Mary Pat going to Beth with the news?

i love it, for as much as mary-pat tries to walk tall and carry a big stick or whatever, as soon as stuff starts falling apart her first instinct is to run to her crime mom for help. THEY SHOULD BE FRIENDS DAMMIT. 

12. Beth throws down a pretty big bluff with Annie and Ruby about going to Canada to take over Rio’s business. Do you think she actually intended to go through with it? Or do you think she was just joking? Or was it something in between?

you know how sometimes people tell jokes that are so funny hahahaha but also omg you guys what if we really did it? it’s one of those. 

13. In 100 words or less, please describe your emotional journey in watching Stan find out what Ruby had done for the money to save Sara.  

N O 

14. Annie and Greg have a pivotal moment together as co-parents at the end of this episode. Do you think this is a satisfying culmination to their arc across this season? And do you see any sort of future for them as a couple overall?

probs not any time soon bc i think zach gilford got another job but i hope so bc i love them lEaVE mE aLoNE

15. That! Final! Scene! Between! Beth! Rio! And! Dean! So much emotion! Give us all your thoughts, comments, feelings! And pretend you were yet to see s2 - what would you predict the outcome would be?

i love literally (like, actually literally) every single thing about this scene. truly god tier and we haven’t even gotten to the dean gets shot/face-touching/E L I Z A B E T H stuff. i’m trying to remember what i thought when i first watched this but honestly i think i was just mashing the next episode button over and over like some kind of psychotic chimpanzee on meth bc netflix wasn’t loading fast enough. 

[tabloidtoc]

Globe, November 9

You can buy a copy of this issue for your very own at my eBay store: https://www.ebay.com/str/bradentonbooks

Cover: Prince Andrew fails lie detector -- new crisis rocks the palace 

Page 2: Up Front & Personal -- Bruno Toniolo shirtless, Heidi Pratt at a pumpkin patch in L.A., Jacqueline Bisset catches some rays in L.A. 

Page 3: Larry David leaves an L.A. office, Ellen Pompeo, Pete Wentz 

Page 4: Kathie Lee Gifford is talking to NBC bigwigs about coming back to Today and they’re hot over the idea but Hoda Kotb is not pleased and Jenna Bush Hager is feeling threatened because Jenna never really grabbed the audience like Kathie Lee did, Martha Stewart and Gwyneth Paltrow are heading into the holidays trash-talking each other even more than usual and their pals have nowhere to hide -- they’re snippier than ever and can’t get through the week without saying something crass but the trouble is they have the same friends and they use some of the same chefs and caterers and crew -- all their friends in the Hamptons including the Seinfelds and Beyonce and Jay-Z and Billy Joel and Christie Brinkley and Rachael Ray are trying to keep out of it but it’s impossible because Martha and Gwyneth are both screaming for loyalty 

Page 5: Legal hotshot and writer Jeffrey Toobin has been shelved by the New Yorker magazine for showing off his willie to co-workers during a Zoom conference call -- witnesses say Toobin was masturbating but he insists it was a blooper

Page 6: Dolly Parton was so lovestruck when she met Elvis Presley that she nearly chucked her marriage and career to shack up with Elvis -- Dolly is ready to tell all about Elvis after decades of protecting her husband Carl Dean and Elvis’ only child Lisa Marie Presley -- Dolly was in her late 20s and Elvis was in his late 30s when they had their sizzling encounter where she got dolled up to meet Elvis in a Nashville office and discuss working together and he wanted to do a duet but she didn’t trust herself to work with him and she didn’t even let Elvis do a cover of her song I Will Always Love You -- even though Dolly didn’t actually cheat on Carl she sure was tempted and she’s felt guilty about it ever since 

Page 8: Just two weeks after splitting with his wife of 14 years former Home Improvement kid Zachery Ty Bryan was arrested and jailed on charges of trying to strangle a terrified galpal -- after a night of partying where he was photographed surrounded by four gals with an iced bottle of vodka at the table Zachery reportedly got into a heated clash with his galpal and she claims Zachery grabbed her by the throat and squeezed then tried to snatch her phone when she attempted to call 911 so she ran to a neighbor’s home where she hid while cops were called 

Page 9: Distressed Kelly Clarkson and her two toddlers are in therapy to help cope with the anguish brought on by her divorce from Brandon Blackstock -- the talk show host is especially struggling because the split is playing out so publicly and the kids are seeing things about their mom on TV and she feels immense guilt about the divorce but knows it was the best decision because she wasn’t happy married to Brandon though she did try but staying in a marriage just for the kids wasn’t an option for her -- Kelly was deeply wounded when her father-in-law Narvel Blackstock’s management company recently sued her for $1.4 million in alleged unpaid commissions but she’s speaking with her ex privately in an effort to resolve the issue out of court but Kelly suspects he’s using it as a bargaining chip for a bigger settlement and also feels he’s using the kids against her as a weapon 

Page 10: Showbiz legend Michelle Phillips has become a shut-in who sits home alone tippling wine while watching movies on TV and listening to her hits from The Mamas & the Papas where she is the last surviving member of the band -- she’s sad the rest are all gone  and she’ll put on a record and sit in the dark; she misses them and so many other people -- she’s become a shut-in due to the pandemic and can’t bear for people to see her so old and haggard and overweight and all those years of partying have done their damage to her once-beautiful face -- she also hasn’t been able to see her young grandson and she’s grieving the loss of her longtime lover who died in 2017 

Page 11: Baywatch hunk Jeremy Jackson’s cover girl ex-wife has been found homeless wandering California’s mean streets in worn and shabby clothes -- lost for two years Loni Willison is now virtually unrecognizable with missing teeth and her long blond tresses cropped short -- she was found pushing a grocery cart filled with her battered possessions in Venice -- despite her tragic situation she insists she’d doing fine and doesn’t want help despite reportedly having drug and mental health issues 

Page 12: Celebrity Buzz -- Rita Ora in a see-through frock (picture), Lily James got caught brazenly canoodling with the very much married Dominic West who plays her father in the BBC miniseries The Pursuit of Love, just weeks after Cardi B filed to dissolve her marriage to Offset she’s put the split on hold and all it took was Offset to spend bucks on a heart-tugging Sunset Strip billboard and a Rolls-Royce and a Hermes Birkin bag, Kate Hudson’s getting loose-lipped about gross snotty smooches with her leading man Matthew McConaughey 

Page 13: Vinny Guadagnino eating in Beverly Hills (picture), Kaitlyn Bristowe has a puffy trout pout (picture), Shia LaBeouf doesn’t let an apparent injury keep him from getting out and about in Pasadena (picture), Alanis Morissette says the fame that came with her 1995 revenge song You Oughta Know wasn’t so sweet but instead was an isolating experience 

Page 14: Nicole Kidman is starring opposite Hugh Grant in the thriller series The Undoing but she really wanted to plays Hugh’s love interest in Notting Hill except she wasn’t well-known enough, Reba McEntire has landed herself a brand new TV show which is a modernized Fried Green Tomatoes drama series in which she’ll play the present-day Idgie Threadgoode, Fashion Verdict -- Regina King 8/10, Isabelle Huppert 2/10, Queen Maxima 5/10, Tracee Ellis Ross 9/10, Cher 4/10 

Page 16: How John F. Kennedy stole the White House from Richard Nixon -- Chicago mob rigged the 1960 vote and cheated Nixon out of the presidency 

Page 19: True Crime 

Page 21: Parkinson’s patient Alan Alda is refusing to slow down at age 84 and friends fear the fragile M*A*S*H legend is headed for a devastating health crisis and he’s busier now than he ever was even during his sitcom days and he bravely says he lives with it by staying active but medication can only do so much and his friends and family including wife Arlene are worried he’s pushing himself too hard, teary-eyed Ringo Starr confesses his last conversation with dying Beatles bandmate George Harrison was heartbreaking and unforgettable -- Ringo wanted to stay with George until the end but his daughter Lee had been diagnosed with a brain tumor and Ringo had to rush to Boston to see her and when Ringo told George he had to go to Boston George said D’ya want me to come wit’ ya? so even on his death bed George made his best buddy smile while both faced unspeakable grief 

Page 22: 10 Things You Don’t Know About S. Epatha Merkerson, Today show host Hoda Kotb reveals Frank Sinatra Jr. was the show’s worst guest because he clammed up instead of touting a book about his famous dad in 2015, Khloe Kardashian confesses she once worked as Nicole Richie’s personal assistant because she just needed a job and they went to school together -- Nicole’s reality career crashed in 2007 which was the same year Khloe’s series started

Page 24: Cover Story -- Disgraced Prince Andrew has flunked a lie detector test on his close relationship with murdered American pedophile Jeffrey Epstein and now the rogue royal insists he’ll never cooperate with the FBI for fear his testimony will land him behind bars but Queen Elizabeth’s favorite son has his back against the wall as new evidence surfaces on both sides of the Atlantic -- Andrew is terrified newly released secret testimony from Epstein’s accused madam Ghislaine Maxwell is just the tip of the iceberg of what she’s prepared to reveal and Maxwell’s revelations detailing her twisted sex life come on the heels of an explosive new British book accusing Andrew of attending debauched events with Epstein where teenage girls were parading around topless -- even though friends close to Andrew say he did nothing wrong and has no reason to fear the prince may not have a choice about spilling his guts because the fed-up royal family is threatening to cut off the cash-strapped rogue unless he plays ball 

Page 25: Prince Andrew has been banished from the gift shop at his mother’s Balmoral Castle -- tourists can still purchase postcards her Her Majesty’s kids Prince Charles and Princess Anne and Prince Edward but Prince Andrew has disappeared which is a sure sign that Andrew is in the doghouse since items featuring Elizabeth’s beloved corgis are still up for sale 

Page 26: Health Report 

Page 27: Dirtiest places on planes exposed 

Page 30: Serial sleaze Matt Lauer’s ready to pop the question to girlfriend Shamin Abas over the holidays and he hopes for a brighter future with her a year after his 20-year marriage to Annette Roque ended in divorce -- Matt showers Shamin her with gifts and wants to buy a house on the East Coast where they can make new memories and Matt’s hinted he’s already bought the ring and plans to propose by New Year’s and he hopes to have a celeb-studded wedding at their new home, Kathleen Turner will be back at Michael Douglas’ throat as his acid ex in The Kominsky Method to fill the hole left by Alan Arkin who abruptly pulled out of the third and final season of the show

Page 35: Matthew McConaughey’s father predicted he’d die while making love to his wife and he did, desperate to turn back time Marie Osmond is going whole hog on a head-to-toe makeover -- Marie is no stranger to cosmetic fixes and she is considering a slew of procedures to get a new look that’ll knock ‘em out including everything from Botox and fillers to face-lift to boob job and lipo-sculpting to enhance her waistline -- the makeover is motivated by revenge because she’s bitter over recently being pushed off her co-host gig on The Talk and now she’s counting on a younger look to land her a plum new TV gig 

Page 38: Real Life Monsters 

Page 39: Kris Jenner blames social media for ending the 14-year run of Keeping Up with the Kardashians because when the show started there was no Instagram or Snapchat or other social media platforms but now she gripes that now there are so many the viewer doesn’t have to wait three or four months to see an episode but instead information spreads online in real time, Phil Collins’ ex-wife has traded him in for a 31-year-old guitarist who never managed to make much noise in the music industry -- Phil was furious when he heard Orianne Cevey married Tom Bates in Las Vegas, Black Panther star Chadwick Boseman died without a will according to his widow -- Taylor Simone Ledward filed a probate case in L.A. asking a judge to name her administrator of Boseman’s estimated $938,500 estate with limited authority

Page 44: Straight Talk -- Bruce Willis and Demi Moore’s daughter Rumer Willis claims posing for raunchy bondage shots proves she’s a liberated woman free from sexual stereotypes but it’s not that simple 

Page 45: Jeff Bridges is battling non-Hodgkin lymphoma which is a rampaging cancer that often spreads through the body to the liver and bone marrow and lungs -- while the cancer can be deadly experts say the five-year survival rate is 73 percent 

[theoneforgameofthrones]

Daenerys Targareyan: The Path Towards Madness.

Okay let's begin.

Intro: I read book 1. And then, I binge watched seasons 1-6 after season 6 finale. By that time, I knew all the major theories like L+R=J, dark!dany, targ!tyrion etc.

So, I was paying extra attention and these are some of the obvious moments where I felt they showed Dany's mad side show. Some points, you may find valid. Some points you may find silly and over-reaching. In any case, this is what *I* felt.

Feel free to have discussions. Appreciate positive critisism. However, just yelling/abusing will not be tolerated.

1. Lack of Empathy

Her obvious lack of empathy when her brother was killed.

I did not expect her to save him. I did not expect her to mourn him. I did not even expect her to cry for him. I did, however, expect a reaction, any sort of reaction, when someone close (despite him being an abusive asshole) dies that suddenly and that violently.

2. Her facial expression during Drogo's speech.

"I will kill the men in iron suits and tear down their stone houses! I will rape their women, take their children as slaves and bring their broken gods back to Vaes Dothrak!"

3. During her Breaker of Chains phase, she conviniently seemed to forget that she used to practice not only slavery, but also pillaging while she was with her khalesar.

Master Illeryoi owned slaves. Her brother owned slaves. She was gifted slaves to teach her how to please the Khal.

Her husband was a war-lord and her khalesar constantly raided and pillaged villages. They killed men. They raped women. Remaining alive women were taken as sex slaves and later sold. That was their way of life. She saved Mirri Maz Duur and several other women from the fate of gang rape and murder but they were still dragged along side the khalasar as slaves. In books, the reason MMD was not sold was so that she can assist Dany during childbirth.

4. The burning of Mirri Maz Duur (MMD)

This is going to make sense to a lot of people. But confuse the fuck out of many. But let's see.

In colonized countries, we have a term called "Savior's Complex". It is where a colonizer raids a country, steal its riches, impose extreme taxing, destory most of its heritage and then expect praise for bringing something (could be education, technology, architecture).

Dany takes the complex another step above. She not only expects gratitude from an enslaved MMD while dragging her along with her khalesar with sole purpose of assistance with childbirth, she also expects her to save the life of her husband. The war-lord whose khalesar raided her home, pillaged her village, killed her countrymen, raped/killed her countrywomen, dragged remaining alive women along with the khalesar to be sold later. Despite all this, Dany expects gratitude from MMD for her life. This flawed logic however is thrown back in her face.

"So, tell me again exactly what it was that you saved?"

"Your life."

"Why don't you take a look at your Khal? Then you will see exactly what life is worth, when all the rest has gone."

This is an old age tale of revenge. Khal raided her village. She took revenge on them for destroying her temple. Dany burned her for it.

What completely bamboozled me in this fandom was how much people hated MMD for what she did while completely making Dany the victim in this scenario while forgetting that MMD was the orginal victim who was not only an enslaved prisoner of war, but also gang-raped victim of her khalesar's doing.

5. Ser Barriston's words.

Ser Barriston in Mereen, tells her to treat injustice with mercy. She replies that she will treat injustice with justice.

Another quote by Ser Barriston: "He gave people the people the justice he thought they deserved."

Justice and what people in power percieve as justice is often very different.

6. Daenerys' justice for the crucified slave children

She did that by choosing 163 random Great Masters and crucifying them to avenge the 163 slave children. This seems like justice. But is it, really? They never recieved trial. They were never proven guilty. Like Hizdahr Loraq said, some of the masters were not in favor of crucifying children and tried very hard to stop it. Who knows how many other good masters she crucified?

This is a direct parallel to Ser Barriston's words about Mad King Aerys: "He gave people the people the justice he thought they deserved."

7. She stopped slavery only when it benefitted her.

Some of you, while reading point 6, may have thought, "They were SLAVERS! So what?!".

Well, while choosing 163 masters, Dany decided that all Masters are her enemies. She decided that all of them deserved punishment. She decided that they were guilty just for engaging in slavery while conviniently forgetting that if that were the case, she should be the one in the first cross.

8. She burnt Great Masters without even investigating who were behind the Sons of Harpy's attack.

After Ser Barriston's death, we again get to see more of her twisted sense of justice. By her own words, "Who is innocent? Maybe all of you are, maybe none of you are. Maybe, I should let the dragons decide."

It is not supposed to be called justice if you punish (and a cruel punishment, at that) without even caring whether they are innocent or not.

9. "You are a conquerer. Not a ruler."

Time and time again Dany proves this to be true. She conquered Yunkai and left immeidetely. The slavers took back the city in no time. She closed off the fighting pits and refused to open them despite being told that participants will be free men who enter willingly. This is where ruling comes in. Any place she conquered and freed, she failed to put something else to keep up the economy. She collapsed the economy so bad that slaves were selling themselves again.

10. Wrongful imprisonment.

Dany finds that Drogon has harmed children. The correct response is to either train or punish the dragons. She, however, imprisons the two dragons who werent at fault while Drogon ran free. Does that mean she is not responsible for whatever terror or death Drogon caused to wherever he flew off to? What exactly does imprisoning Rhaegar and Viseryion get her?

What kind of justice is it where the accused is free while the innocent get prisoned for association. Again, feeds into the twisted justice train.

11. Twisted Justice. Hipocrisy. Again.

While many men were fed to dragons, Hizdahr Loraq was imporisoned. He begged for mercy in terror.She also decides that she will show her respect for Meereen by marrying a member of one of its great families. For a woman who was forced into marriage and "sold like a broodmare", she sure didn't feel any moral dilemma in making a terrifed man betroth her. His death though, proved that he was not at all involved with Sons of Harpy and he was imprisoned for nothing.

12. Burning POW's

Burning Tarly's (father and son) was a direct paralell to her father burning Ned's father and brother alive. You cannot hide behind "It was a war. She gave them a choice." No matter what defenses one can attempt to give her, killing (forget burning) POW is a war crime. So is forcing prisoners against their own side of war.

13. Defending cruelty in path of justice

She killed Tarly's and defended that decision, by saying that was necessary.

When Hizdahr asks her how many men will have died to achieve her goal, she says "They would have died for a greater cause." She is talking about destroying cities and sure, that must be for a greater purpose.

When Tyrion reminds her that about what her father planned to do when she said she wnated to burn Mereen to the ground.. her response was "This is different,". How, exactly?

"The easiest way to defend cruelty is to say that it is part of the destiny."

14. The insinct to burn down cities.

By s8e01, she has wanted to burn down cities thrice. Meereen - once. King's Landing - twice. Both times, she had to be talked out of it by her advisors. The fact that her first instinct when her plans were failing was to burn down cities. Direct parallel to Aerys wanting to destroy king's landing because he thought there were traitors everywhere. The fact is that a person can surrond themselves with good counsel. But it is not necessary that the counsel is always heeded. Which is what happened to Aerys. He was going incresingly mad for months and his counsel members hid the fact from the outside world because they thought they could control the madness. We all know what happened in the end.

Since s7, Dany has been becoming increasingly paranoid about Tyrion's loyalty and increasingly more frustrated with every loss. How long before she decides not to listen to them anymore?

15. The entire collonialist/white savior imagary presented in Essos.

It is amazing how most of the fandom either ignores it or is just unaware of it.

Though this point doesnt parallel anything to the show, i just found it extremely cringy. I am sure members of most colonized countries would. I cant even beging to describe how cringy that mysha scene was.

16. The typical white priviledge mentality.

She wants to inherit her ancestor's throne and power. But she doesnt want to repent for her ansestor's sins and betrayal.

17. Wrong sense of entitlement

She truly believes that she is entitled to the North's fealty. She asks Jon Snow not to judge her based on her ancestors and in the same breath asks him to hold up the vows of his ancestors.

But, whatever vow the Starks made to the Targareans was broken the moment Aerys decided to burn the Starks. The fealty was made on promise of protection. Technically, any member of the houses that Aerys burnt, is no longer accountable to the vow.

Still, she expects everyone to uphold their fealty but refusing to accpet that her father broke that fealty when he decided to burn the vassels (whom he promised to protect) alive.

18. Savior Complex

Some parts of Dany reminds me of how missionaries work.

"Will your God punish me for not praying to him if I did not know about him?"

"No."

"Then why did you tell me about him?"

I believe one thing about Daenerys Targareyan. That she truly wants to help people. That she truly wants to save people. But her problem is, she wants to be the one to save people. She doesnt seem to understand that some people dont require saving.

She talks about freeing the world of tyrants and in the same breath refuses to give North the independence that they demand in solidarity. How is that not the definition of tyranny?

This is Westeros. I am not expecting a democracy and free elections. If she wants to be a conquerer, then she can be one. If she wants to bring to bring together the 7k, she can. What she cannot do is talk about destiny, talk about a wheel, talk about breaking the wheel, and and then do the exact same thing her ansestors did years go by spinning the wheel so that she is on top.

19. She was smiling when she saw that her dragons terrified people of Winterfell.

20. "They eat whatever they want"

Is that really the correct way to respond to people are already scared/cowering over the arrival of dragons? To people who have never seen such beasts before? Did she forget that few seasons ago "whatever they want" that Drogon ate were children?

21. Jaime's trial

She made Jaime stand trial and was heavily leaning towards punish him despite the fact that she knew what her father had planned and what Jaime Lannister had done. She openly spoke in favor of the Mad King in front of Northern Lords. When Tyrion intervened, she publically breated him and questioned his loyalty. Further adds to the Mad King's paranoia and unwillingness to listen to counsel.

22. Jaime Lannister

Not only has he tried to kill her, he has also questioned her intentions twice. The only living person who knows about Mad King more than anyone is perhaps Jaime Lannister. When he questions Tyrion, "Is she really different? Are you sure?" in a sceptical tone. If he doesnt trust her or thinks she had the Targ madness, then I am willing to bet that she probably does.

23. Her decling human connections

the show seems adament in making her seem alone. Like a stranger in her own home land. In an episode full of emotional reconnections, tenderness, friendships and relationships, she is shown all alone. In later episodes, she is incresingly shown alientated: Theon coming to fight for the starks despite being her bannerman, death of the Jorah, Tyrion's withdrawal.

24. jorah was her mercy.

She had shown jorah mercy despite his betrayal. She cared for him and most importantly, completely trusted and listened to him. When she felt no remorse about berating Tyrion and strongarming Sansa, jorah urges her to forgive tyrion and to try and make amends with LAdy of Winterfell. And, she listened to him. He is the only advisor she fully trusts and listens to without having to worry about wavering loyalties. And jorah's death is going to be the acorn in Ice Age that started the avalanche.

<<2 episodes left. will add more after next one airs.>>

This is not to say that she was an evil character. She was a good person with good intentions and bad execution with a twisted sense of justice and destiny. But, the journey to hell is paved with good intensions. Dany was a character who had the potential to be great. But she was always headed to doom. She is a good person whose downfall will be due to pride, ambition and obsession with destiny. She will chose her fate with a sound mind but a flawed personality. Her story will not be heroic, but tragic. Not because of what she was, but because of how she could have been.

[writersplanetarium]

Facade: Pilot (Rowaelin Actor Au)

Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11 Part 12

“I’m so in love with you it hurts. And there’s not a moment that goes by that I don’t think of you. Not a second where I don’t imagine what it’d be like to be the one you hold at night. The one you kiss like that. The one you take on dates. The one you can’t imagine yourself ever giving up. And I know that I can never be her for you, but… I need you to know that you’re that for me. You’re the one I want and I just… I couldn’t go on this mission without telling you that, selfish as it is. I know you love her, and I know it’s hopeless for me, but… I just needed you to know.” She brushed her hand over his cheek, tears burning her eyes.

“We broke up,” he replied.

“What?” She asked, her eyes widening in surprise. He set his hand over hers, shaking his head.

“I couldn’t do it. I tried, damn it, I tried to move on from this, from you, but I couldn’t. I’ve been so in love with you for so long and I thought… I thought that I could find someone new and these feelings would go away. I thought I needed to move on because you’d never want someone like me. Someone so… broken.”

“I’d rather it be you, broken or not, than to ever be with someone else,” she said, brushing her hand back through his hair, “Besides… we’re all broken one way or another. But maybe… Maybe we can try to get better. Together.” He nodded, the movement small, but noticeable.

“Together,” he said agreed softly. His hands came to rest on her hips as he dipped down, capturing her lips with his. She pressed up into him as she brought her other hand up, wrapping it in his hair as well as she returned the kiss. Their lips moved in perfect synchronicity and their bodies moved together like two lost halves finally pieces back together. A mix of tenderness and passion and despera-

“Cut!” Aelin and Rowan quickly parted, both of them frowning. "That's a wrap for the day!"

"What did you have for lunch?" Rowan barked, a distasteful look on his face.

"Garlic bread," Aelin drawled, a smirk plastered over her lips.

"You two can't make it look so good," Lysandra said, fanning her eyes as she walked over, "It makes me emotional."

"You guys did so good!" Evangeline said from Lysandra's side, "I wish I could make myself fake cry that easily."

"All you need is one whiff of Aelin's breath and you'll be crying right away," Rowan said to the girl, patting her head as he walked off.

"Or the mortifying thought that you have to kiss a buzzard," Aelin retorted loud enough that she knew he'd hear. Lysandra put her hands over Evangeline's ears and sighed with a smile.

"Ah, sexual tension."

"Don't misuse the ear muffs to spout your bullshit," Aelin said, pulling Lysandra's hands off Evangeline's ears.

"Come on, you two totally have something," Lysandra said, elbowing her friend in the ribs. Aelin pouted, picking up Evangeline and holding her up in front of Lysandra.

"What kind of example are you setting for Evangeline? Encouraging the notion that women should love big, mean men."

"Rowan's not mean," Evangeline said, "He gave me the last slice of pizza the other day!"

"Traitor," Aelin said with a huff, setting her back down.

"Who's a traitor?" Aedion asked, strolling up in sweatpants.

"Evangeline is defending Rowan's bastardness," Aelin said. Aedion rolled his eyes at his cousin. He'd heard more than enough over the years about Rowan's bastardness. Aelin made sure of that. It was bad enough he was her neighbor, but he just had to be her co-star too. Her love interest, at that. The world was cursing her to be stuck with Rowan Whitethorn. She just hoped it didn't last forever.

"You say that as if you're any better," Aedion said.

"He started it," Aelin said with a frown. She still remembered that first day she met him. So maybe she was playing her music a bit loud, that didn't mean he couldn't just ask her to turn it down like a nice person. But not the buzzard. He came over glaring, not even throwing in a please. Aelin despised him.

"He started it, but I'm finishing it!" Evangeline said firmly, "That's what the teacher says whenever kids are fighting in class, and it means you have to stop fighting."

"Hear that? You have to stop fighting," Lysandra said to her friend, putting an emphasis on have. Aelin could see her holding back a smile.

"The only thing I have to do," Aelin said, emphasizing the same word, "Is find more garlic bread." She turned, stalking off towards the food table, the others following. They dodged between workers and cameras and actors as they made their way through to the food.

"That shot is going to make for a killer season finale," Lysandra said, "I'm so excited! The fans are going to freak. They've been rooting for you two since day one."

"They've been rooting for Daemion and Charlotte from day one," Aelin corrected, scanning over the foods absentmindedly.

"Clearly you haven't seen all the things I have," Lysandra said with a wink.

"I swear she lives on those fan pages," Aedion remarked, "We'll be in bed and I'll look at her and there it is. Another fan page. We're out to eat. Fan page. We're in the car. Fan page."

"I like interacting with the fans! That's not a crime," Lysandra said.

"The best part is when they don't know it's you," Fenrys chipped in, joining their little crew, "It's so easy to poke fun with them." He was dressed down far too much to be doing any scenes. He wasn't scheduled to be there anyway.

"Don't you have the day off?" Aelin asked.

"Yeah, but Rowan's car is in the shop, so I told him I'd take him to go get it after work," Fenrys replied. He looked at her half accusing, half teasing as he set his arm on her shoulder. "Can you believe that someone hit it and busted in the window?"

"Okay, I admitted that was an accident!" Aelin said, shoving his arm off of her.

"Only after they caught you on the security camera," Aedion pointed out.

"Well, it's partially his fault for parking like that," Aelin said, "He was more than a foot from the curb."

"Don't tell him that," Fenrys said, "He's already in a pissy mood because of it and the whole kiss thing, so we don't need you two getting thrown in jail for assaulting each other before the party tonight. You are going right?"

"When have I ever missed a party?" Aelin asked with a grin. They were throwing a party to celebrate the wrap up of filming. Season three of their show, finally done. And they'd been renewed for another two, at least, already. A story of a bunch of college kids with magic trying to save the world hooks almost everybody in. Most people assume it'll be a show just like any other, and while it has its stereotypical tropes, it works, all the same, to divert them as well. The party was going to be a welcome relief for Aelin. She had been on set a lot lately, since the end of the season focused so heavily on hers and Rowan's characters Charlotte and Daemion.

"She's telling the truth," Lysandra said, "I remember when we were in high school and she came down with a cold. She was there doing shots of cold medicine and seemed drunker than half the kids there." Aelin and Lysandra had grown up together, both under the overbearing, manipulative wings of their agent Arobynn Hamel. He'd turned the girl against each other young, pitting them against each other for the best movie parts. They'd been serious rivals until they'd both grown up and Aelin had left the business altogether for a while after she lost Sam. Now she was represented by Dorian's father. She wasn't sure he was any better, now that he was the one holding her leash, but she'd at least met Dorian and Chaol in the process, who were also in the show.

Lysandra had stayed with Arobynn a while longer and had turned from client to lover as soon as she was eighteen. Aelin hated her still until she caught them arguing at a party one night and realized that Lysandra wasn't trying to sleep her way to the top, she just didn't have a way out like Aelin did and her career was being held over her head. So when the opportunity for this show came, Aelin discreetly told Lysandra about it. Once she had a part, she had worked up the courage to get a good lawyer and leave Arobynn. It was a scandal for months, but the word on it was finally dying down and she was able to enjoy her newfound freedom. Her and Aelin ended up becoming fast friends on set, and Lysandra had even taken to Aelin's cousin, Aedion, who played her love interest on the show. They'd gotten together a year after filming had started and had been together happily ever since.

Aelin partly believes that to be why she wanted Aelin and Rowan together so badly. So they could have the shared experience of finding love through the show. But Aelin wasn't interested in love anymore. She'd tried after Sam. With Dorian. With Chaol. But they just didn't work, and Aelin was exhausted with love. Losing Sam had devastated her. She'd almost decided to never act again. But she kept going, she kept fighting, to live the dream Sam would never get to. It'd been hard, especially after Aelin lost Nehemia too, not even two years later. Aelin had just gotten the acceptance to the show a few days later. She'd almost declined, almost threw herself into a dark hole, never to come out, but then came Rowan.

Stupid Rowan.

He'd said she'd never last when he heard she got the part and the spite that filled her to prove him wrong pushed her through.

So now here she was. Still suffering, but proving him wrong every step of the way, every single day and making sure he knew it.

"Aelin and I are actually going to go shopping to get new dresses for the party after Aelin's done here," Lysandra told Fenrys.

"Can I come?" Evangeline asked, "Pretty please? I promise I'll be good."

"Well, I suppose if you're good..." Lysandra said dramatically, making the little girl laugh with glee.

"I promise!" She said, "I won't even complain once." Lysandra had taken in Evangeline when she was young after finding out the Arobynn was planning to do the same things with her as he'd done to Lysandra. Both her parents passed and Lysandra managed to get custody of the girl, now taking on the role as her guardian. Aelin knew Lysandra was tempted to get her out of the toxic atmosphere, but the girl loved acting so much that she couldn't bear to do it. Luckily enough, she was able to get Evangeline a role in the show as well and set up with a reputable agent who could really help them both.

She, Evangeline, and Aedion all lived just next door to Aelin, so Aelin often acted as an older sister type for the girl. Watching her when they were out, taking her to school or set when Lysandra or Aedion were busy. She loved her like family. And really, she was.

Unfortunately, her other neighbor was a bastard buzzard whose house she'd physically shove further from hers if she could.

"Well, you ladies enjoy," Fenrys said, "I'll see you all tonight." They bid him goodbye and Aelin watched for a moment as he headed towards Rowan's trailer.

"You grab your bread and go get changed," Lysandra said, "We're losing daylight!"

"I'm going," she retorted, grabbing the food and making her way to her own trailer.

[rabbit-in-blue]

Questions about Sherlolly

I got tagged by @mychakk, you’re right it’s quite a fun thing to do. Today it’s a mexican national holyday, and we have the day off, so I've had plenty of time to put in this, and really  really enjoyed

1. Coffee shop AU: Who is the barista, and who frequents the coffee shop?

I have never read a Coffee shop au, I stared one once, but but I finde it kinda borring, and had to stop. I’m willing to give it another try, if someone want to recomend some good ones. 

Now all that said, I agree with you that this would probably need come hand to hand with a Uni Au where Sherlock is the frequent and Molly the barista, that’s a no brainer. One can easily tell he comes from money, and in my very own headcanon she comes from working class family, so yah, that.. Also he probably sits on a booth with several pictures forme police repots and crime scenes and while everyone thinks he is wierd and gross she finde him fascinating, and he finds her curiosity for his work intriging and cautivaiting 

2. Highschool/College AU: Who is the straight-A student, and who’s the backrow slacker?

This one could be tricky, since we know both of them as workaholics, each one in their own way, but I only see Molly achieving things by working realy hard, while Sherlock is so smart he probably went through school sleeping or high...

3. Rivals to lovers AU: Who takes their rivalry seriously, and who is half in it just to push the other’s buttons?

I tend to see Sherlock as the kind of guy who is so overconfident that he can not take seriously a rivalry unless she proves  herself a threat to him and give him a good run for his money, Molly on the other hand is so friendly and gleeful that she woudn’t even realize they were competing against each other until someone mentioned... Probably Sherlock and she would think it’s sweet, then she probably tell him that they don’t need to be rivals, the both can be equally good at something (maybe chess) and as friends can be happy for the achivments of the other insted of geting all jelous and resentful

4. Enemies to lovers AU: Which one switches sides?

This just can happen in a dark Au, and dark Molly is one of my favorite kind of Molly. Well being part of Moriary network or she being the real Moriary, she would manipulate him for sex, and he would fall for it, then she would revel herself and make him feel stupid and expos... But as a good adict he would get hook on her until he can winn her to his side or have to stop her definetly

5. Soulmate AU: Who is eager to meet their soulmate? Who absolutely does not want to meet their soulmate?

Let me make a twist in here, what if they just go with the flow? nither is particulary eager, nither is particularly closed to the idea, even better what if we put all four seasons in this Soulmate Au, and they have know all along their each other soulmates, but none else know. Everything happens just like happens in the show, except the Sherrinford part, where the coffin can say Dearest Soulmate  instead of I love you, and that’s how we learn they have been soulmates this whole time, and then Euros can ask Sherlock if he is going to regret never  even tried to be with her.... ahhhhhh

6. Single parent AU: Which one is the single parent? (Alt. if they’re both single parents: Which one is open to starting a new relationship from the start? Which one is never planning on finding love again…Until they meet the other and are instantly smitten?)

The single parent It’s usually Molly and I think ther’s a razon for that. Sherlock having a baby with another wooman feels awkard. Sherlock raising John´s or Microft’s child implies, John or Mycrof been death, and are you ready to be the one who murders Doctor John Watson? No,  I don’t thik so...

7. Doctor AU: Which one is the longsuffering doctor? Which one is the patient?

Never have I ever hear of this Au before, but then again no brainer, Molly is a doctor. Sherlock can’t exactly become her patient ‘cause you know, her paitents are dead people... But she is a doctor, and have preety much the same medical training that John, and we all need to remember that Sherlock likes his doctors clean and shaved.

8. Bodyguard AU: Who is the bodyguard? Who are they protecting? Which one is secretly pining for the other?

The obvious answer to this is Sherlock being the bodyguard, and Molly the client, but wouldn't be fun if Molly were the bodyguard? what if  she is a ex MI5 o MI6 (I don’t know which one does what) and her job the whole time has been taking care of Mycroft little brother, and that’s how she is able to help him to fake his death, with no consequences...

She can also be a trained sniper, and when Sherlock discovers that, he secretly organizes a shooting tournament between Molly, Mary and John, the three of them being very close, but Mary being the winner by a short margin

9. Pirate AU: Who is the pirate? Who is the member of the royal family who did not sign up for this?

Why one of them have to be a royal? Couldn’t be both of them pirates? or maybe Sherlock is the pirate with the Letter of Marque for his brtother connections with the monarchy, while Molly is the regular kind of pirate, this one can come with his own Rivals to lovers AU...

10.  Childhood best friends AU: Which one was super obviously in love with the other the whole time? Who was oblivious until they were older?

They been switching places all along, they like each other buy they’re too shy, she wants to be with him, he wants to be tough He wants to be with her she is with someone. She wants to be with him, he is struggling with drug addiction and he can't handle anything else for the moment. He is ready to give a relationship a go, she is again with someone. They are finally single at the same time and he acts like he's not interested, she meets Moriarty, and so one and so one, and you get the picture... until they’re finaly at sync...

I want to tag @bountyflacko, @emil-gabriel-2000, @petratodd (if someone already tag you just ignore me :P) @thequietone0008, @dragonnan, @poleagles, @crowreys-wormstache   and @theleftpill

[alwaysrunningoutoftime]

(Pictures: 2, 3, 4, 6, 7, 9)

Your Friendly Neighbourhood, Wizard. (Alex Russo/Justin Russo Fanfiction)

Prologue

Pairing: Superhero! Alex Russo x Justin Russo, Slowburn.

Genre: Action, Humour,  Angst, Hurt/Comfort, Fluff, Romance

Warnings: mild/explicit language, Injuries, sisterxbrother.

Set: After Season 4x10 "Wizards Vs. Angels" (Which is somewhat heavily involved in both Alex and Justin’s separate storylines.) + “Back to Max”.

Est. Length: 8 Chapters.

Summary: After defeating the dark angels, Justin continues to teach his delinquent class unconsciously suppressing his guilt over the ramifications of the moral compass. Simultaneously, Alex unconventionally stumbles into a superhero gig. Inept and unprepared, great power and an even greater burden is placed on her shoulders. Bothered by his sisters reoccurring absence, Justin determinedly investigates her distant behaviour. Meanwhile, Alex is forced to face a truth she’d always buried, discovering it unwillingly from a formidable powerful being she will have to defeat.

Disclaimer/Author's Note: I’ve been brainstorming this fic probably since quarantine started. It’s mostly inspired by Spiderman! Into the Spiderverse, Holland! Spiderman and Garfield! Spiderman. As well as the looks and feel of DC Comic’s Raven and Marvel’s Scarlet Witch. Other inspirations include music from Birds of Prey, On My Block, Euphoria. All of which I do not own. In addition, I sadly do not own Wizards of Waverly Place.

However, Alex’s origin story is wholly my own that I personally thought up myself (so let’s hope it’s believable) and if it correlates with any other superhero storyline it’s purely coincidental. The OC’s are also obviously my own creation.

“Do you know why you’re here, Alex Russo?”

“Ummm…” Alex backed up at the man's intense stare. She was pretty sure he was going for intimidation, but it fell short landing right on uncomfortable. “Not really…”

“Well, young lady,” His words were layered thick with haughtiness. Alex had just met the man today and she already knew she disliked him. “It seems you were part of a riot in central park.”

“No…” She narrowed her eyes at him, shook her head, even elongated the word in an attempt to get it through his thick skull. “I was trying to get home.”

She was actually trying to find her wand, but he didn’t need to know that. The wand that Rosie and Gorog decided to fling off the dark realm tower.  The detailed image of it glowing magic in the night sky as it twirled to its doom stayed seared to the front of her mind. She could even hear her own cry for it as everyone watched it go. My wand.

“So what were you doing in Central Park?” Right after returning the moral compass she searched Central Park assuming it had landed there. Key word: assuming. It was hard to calculate where objects falling off towers landed. For her, it was hard to calculate in general.

“A girl can’t go to one of New York City's finest parks just for the fuc- fun of it.” She replied with a smile, catching herself before she swore. It was just her luck to get the arrogant, novice, goody-two-shoes, by-the-book cop. They didn’t enjoy it when she did that.

“And you just happened to be hanging out with an enraged mob?” He asked mockingly. Okay so...she did get mixed up in a riot. Which wasn’t her fault. She was too focused at the task at hand to pay any attention to the crowd of screaming people she had walked through. What was more concerning was that one of those fuckers was stepping all over her wand, or worse one of them had already snapped its cherry redness in two.

“I wasn’t hanging out with them-”

“Yeah, instead you were disturbing the peace and provoking assaults.” Alex had to stay low to the ground for any sign of her wand which perhaps caused a few people to accidentally trip over her. There was also a minor possibility that her assertive bumping into others unintentionally started some fights. This all lead to Richard here (according to his desk tag), cuffing her and bringing her to the NYPD Central Park precinct. Meaning her wand had been left behind, defenceless against the grimy boots of crabby New Yorkers...if it was even there to begin with.

“How do you disturb the peace in a riot?” Alex fired back.

“Ms. Russo, you’ve had a record since you were twelve.” He said, abruptly switching topics and ignoring her. Rude much. To prove his point he made a show of flailing her folder around. It was a decent size for her age, Alex inwardly complimented herself. The first crime listed there was in summer 2004, when she sold those fake broadway tickets to unsuspecting tourists. That summer was a blast: hundreds of ice cream sandwiches and magazines.

“This behaviour is to be expected.” He finished. Alex suppressed an eye roll, this dude was getting on her nerves. Yes, she had a few run ins with the cops, but that didn’t mean she was always guilty of doing something vaguely illegal. Ever since she became a wizard, she'd barely caused any trouble with the mortals, Alex commended herself. Her last record was a good year ago, with a little vandalism and conning going under the radar but that was it. In their eyes, she could have set herself straight since then. Which she did.

What happened to the benefit of the doubt, what happened to believing people could change. Screw him and his patterns. And screw her wand for not being in Central Park. Now she’d have to buy a new one she sulked, slouching lower in the hard chair.

“I don’t like your attitude, Missy.” He said, noting her behaviour. ”Kids these days, not respecting the police.”

Oh my gosh, I just wanna go home. Richard Owens (what a lame name) continued typing at his computer, probably adding ‘riot starter’ to her record. He’d been holding her here for an hour now, still trying to gather evidence and witness accounts to file in her record. So far he had zero, zip, nada, not a single thing. Since everyone's memory seemed to be fuzzy, which she guessed was due to the moral compass.

Alex was annoyed at him and his cockiness. Annoyed at this hard chair that was making her butt fall asleep. Annoyed at the amount of people in this room, and how overly hot it. Would it kill them to crack open a window or turn up the air conditioning.

“Is that you, Alex Russo?” A woman said, approaching the desk. Oh finally her saviour.

“Wassup, June!” Alex grinned up at Song Namjoo, or June, as Alex called her. Much to Namjoo's displeasure. Not so much the name as it was Alex being an annoying little shit.

“What’d you do now?” She asked, placing a hand behind Alex’s chair, leaning forward to scan over the computer. The woman had her hair pulled down into its signature low bun, not a hair out of place. Her pristine police sergeant uniform was pressed to perfection with not a single crease, something Justin would greatly admire.

“No way, June you passed your Police Sergeant Exam!” Alex exclaimed. “You look dope.” She nodded in approval.

“Yeah.” June modeled for a second, before straightening her posture. “Passed about six months ago.”

“Well congratulations.” Alex smiled, genuinely proud. June was her life saver, and lowkey pain in her ass. Wherever she caused a ruckus (exclusively non magical) June would shortly be there. June had stopped a lot of unwanted things from going on her record, and also had a way of calming down Jerry and Theresa when they threatened to send her to the military. On the other hand, it's like she had some sort of Alex specific third eyes always managing to catch her in the act. Plus, her lectures were lengthy and boring and she didn't even allow Alex the option to sleep through them. In a way, she was Justin, if he were in the police force and was, you know, a Korean woman.

She shivered at the thought. Sure, Justin saved her a few too many times but that was because he was her brother. June was altruistic, she held herself with poise and grace. Like a cool aunt who'd let you off the hook halfway then let you decide for yourself the rest of the way. Besides, June was high-key a badass and Justin still cried over 'Mantooth'.

She felt a light pinch on her arm, automatically ready to shout 'POLICE BRUTALITY!' catching herself as she connected eyes with June.

June subtly raised an eyebrow in question towards Alex as if to say ‘What did you do now?’ Alex shrugged in response, her face saying ‘I’m innocent I swear’. June in turn gave her a half believing/ half disbelieving expression, before rolling her eyes. Which was always code for ‘Fine, I believe you’. After knowing June for a good 5 years they'd learned to read each others facial expressions pretty well. It helped with her record, it definitely helped with the parents.

“Okay really Richard a riot starter.” June stared at the man with clear judgement on her face. “Leave the girl alone. We have bigger things to worry about then a riot starter.”

“Oh, like what, June?” Richard goaded. First he disrespects Alex, and now June. Alex doesn’t know a lot of things she will admit, but she picked up on workplace professionalism. To begin with June was a higher ranking officer meaning she was above him. And Richard said her name without its formal title, displaying a lack of respect. Alex watched as June’s expression turned perplexed, or more accurately her ‘bitch, what did you just say?’ look. Alex wished she had popcorn now and a comfy chair.

“First of all, that is Sergeant Song to you Richard. Secondly, maybe you’ve been on desk duty for too long but we’re dealing with a lot more than riots.” June started. This was gonna be good. “There have been innumerable cases of aggravated assaults, burglaries, thefts, property crimes, arsons, and attempted murders. The crime rate has exponentially increased on this day alone. It’s worst than the 80s, Richard.” As the venom dripped from June’s mouth, Alex was quickly realizing what truly happened this night. “Every precinct in New York is packed to the brim and every hospital too. There are more citizens than staff members. And to top it off, a lot of these people had no previous record before this night. No explanation why they would do this and barely any remembrance of what they did. Not even a full moon could explain this utter fuckery!” She exclaimed, motioning around the precinct.

Alex cringed, knowing exactly what had caused this, or more accurately who. She didn’t realize how serious turning that moral compass was. It had only felt like a game of tug a war with her brother like what they did as kids. She even played around with him, tricking him into thinking he had broken the thing so she’d gain the upper hand. When they were flying above the dark realm tower, pulling and pushing they felt so far removed from the world. It was literal child’s play, no throwing punches, no broken bones just like a high school grip test.

But, she could see the damage they caused now. The place was overfilled with people. At each desk, in the cells, standing around. Some bleeding out, others with lost expressions on their faces, the ones she couldn’t even look at were the people crying. All these people had done something bad or suffered because of it. All because that moral compass pointed in the wrong direction a little too long.

“And out of everyone in that riot you chose the person farthest from the action, a clear bystander.” Alex wanted to laugh bitterly at that, if only these people knew just how involved she really was in this. If only they knew their desire to do good relied on a floppy arrow on a disk. But, she’d never tell them this, she’d let people continue to believe they had a bigger choice in their lives. That’s what she had to do as a wizard. As long as it saved her ass. As long as it didn’t affect her.

“So yes Richard there are bigger things than a 17 year old girl.”  June finished. The room was completely silent, all eyes staring at Richard. It was so quiet Alex could hear the sound of Richard’s ego deflating like a balloon, saw his face turning as red as a tomato until he resembled a sheepish boy who had just been scolded by his mom in front of all his friends. She couldn’t even take pleasure in his pain, now faced with her own mistakes.

Ha, take that dick. She tried to lighten her spirits. Cause like dick is the nickname for Richard. It didn’t work that well.

And…

Richard let her go, with no new record of ‘inciting a riot’, all thanks to June and how she completely dragged him through the mud.

June walked her to the front door of the precinct, stopping at the door.

“Okay bye Alex. I wish I didn’t have to say this…” June said, taking a deep breathe and closing her eyes to ground herself. “See you soon.” She gave a fake smile.

“You know me so well June. I’ll be sure to bring my best stuff next time, though.” Alex replied back keeping her humour up. She was still a little unsettled at the amount of people she saw on her way out.

“Aha.” June laughed drily, clearly not amused. “Stay in school, kid." And then she was pushed out of the building.

Just as Alex took her first steps away from the precinct, "Hey! The streets are worse tonight, stay safe Alex.” June shouted before shutting the door.

Alex looked back, a sigh heavy on her lips. She composed herself, her mood quickly lightening at the prospect of going home. Which meant her bed, which meant lying down, which meant sleep.

She wouldn’t walk of course. Use magic, definitely. If someone thought she was gonna walk home, they were sadly mistaken.

Looking around to see if anyone was watching she backed into the nearest alley.

“Woah, watch out kid!-”

She was pushed with brute force into the alley wall. Are you kidding me? She smacked right into the bricks, her elbows preventing her face from getting smashed. Hadn’t she been jostled enough today. She stiffened as she felt a bolt of magic graze past her, causing the hairs on her arms to stand up.

Wait a minute… Magic? There was a wizard.

She turned around to see a woman in a Kevlar black suit push a man further into the alleyway. The woman threw a punch to the man’s face, a crackle of blue magic extended through her fist causing the man to crash into the wall.

“What the fuck.” Alex whispered. She must have actually hit her head because this couldn’t be real.

The woman turned to Alex, her dark blue boxer braids swinging with the movement. A mask covered half her face, but all Alex could see were her eyes glowing blue in the dark, as if rimmed with the magic. “Leave, now-“

“Watch out!” Alex screamed back, seeing the man getting up already. A bright pulse of white magic extended through his fingertips towards the masked woman, who quickly ducked dodging it, giving a swift kick to the man's stomach.

He was thrown off balance, long enough for the woman to turn to Alex shooting a burst of blue magic into her direction.

Alex brought her hand in front of her as if to stop it. Was this woman trying to kill her? She closed her eyes, ready for impact.

Then opened them to silence and a vast space of whiteness. She was in the wizard portal. The masked lady had teleported her here.

So, the blue magic lady was a wizard and a superhero…and people were still being bad even after the moral compass was returned.

Alex thought about it for a moment. Then with a shrug of her shoulders she brushed it off, beginning to walk to the lair.

Frankly, Alex was exhausted: her back hurt from flapping those wings, her knees were sore from all of the heavy landings she endured with the wings, her arms ached from that tug-a-war contest she had with Justin, her butt was sore from that hard chair, her feet ached from all the walking she did and she nearly got zapped in the face with magic. On top of all of that, she still didn’t know where her wand went.

Alex sighed in relief when she finally got to the lair. All that walking was making her even more tired. She pushed the door open, determined to get to bed and collapse. But her steps faltered when she was greeted by the sight of her brother looking down at a white feather.

It didn’t take a genius to realize the feather was Rosie’s. Alex was worried at the sight of him, grasping a feather from another lost love wasn’t a good sign. And more than that he hadn’t been himself for the past week. She’d barely talked to him for the past week, so she was nervous to see how he was after everything.

“Justin…” She began, confusion laced in her tone. He turned at her voice.“What are you doing still up? It’s late.” And also past his appointed bedtime.

“I stayed up because I owe you something.” He began. Her cherry red wand in his hand. Her glorious cherry red wand she’d been looking everywhere for. Finally, reunited with what had been plaguing her mind all night her eyes immediately brightened at the sight of it. She grasped at it with both hand, smiling down at her wand.

“I found it in Washington Square Park.” Oh, Washington Square Park. Damn she really did suck at calculating. Nevermind, the fact that it was in the complete opposite direction. “A two-headed dog had it. Pretty sure he didn’t start out that way.”

So her wand was chilling in lower Manhattan with a two headed dog as she searched the grounds of upper Manhattan, tripping people over and starting fights, and getting caught by the police. She giggled at that, amused with what her night turned into.

“Thank you.” She genuinely meant it. “What about your wand?”

“I, uh…” He held his wand up, inspecting it for a moment just to show her the sad state it was in; snapped in half with duct tape barely holding it together. She laughed at her brother’s antics. Secretly, relieved to have her brother back. Him and even his humour. Yup, he was still Justin. “I’ll find a spell to fix it.”

He set his wand down and turned to face her, an earnest expression on his face. Alex was taken aback by the swift change in atmosphere, the room suddenly feeling more serious. “And I owe you something else.”

He came forward. Her eyes flickering at his movement. Oh, And we’re hugging.

His arms wrapped around her, bending down to rest his chin on her shoulder. He quietly uttered, “Thank you for saving me.” while comfortingly rubbing her back as he always did. Ever since they were children, it was a soothing motion he always did when he hugged her. A distinct movement they could focus on together to calm down. She nodded slightly, silently appreciating the moment.

“It’s for all the times that you saved me when I wasn’t so good.”

Countless images were brought to mind, most prominent of all: a campfire in the rainforest. She began to feel nostalgic and a bit anxious. Not fond of the emotions, she quickly lightened the atmosphere. “And for a couple more times in the future, so we’re even.” She finished with a smile, satisfied with her little joke.

“No, we’re not.” Justin replied, coming to sit down on the desk beside her. “You saved the world today.”

She studied him for a moment, silently disagreeing with his words. She was only trying to get him back, everything else, saving the world was secondary to that.

She’d never admit how anxious she felt seeing Justin so unlike himself: stealing flowers, using magic in public, and stomping on people's groceries. Overall being a jerk. The worst of it was when she revealed Rosie's true nature, he still chose her, a girl he’d known for less than a month than his own sister. A dark angel, whose values would never align with his own. And when she tried one last desperate time to get him back he still chose darkness. Only turning good because of that girl. It hurt more than she thought it would.

But Alex had to remind herself of something very important: that Justin was the one influenced by dark angels. That he wasn’t himself at the time and that scarily some powers are greater than her connection to her brother. So she’d keep it to herself, shove it in the back of her mind like she usually did with all of her emotions, and ignore it, until she’d be forced to confront it.

Instead, she focused on the reassurance she’d gotten when Justin finally came back. How happy she was when he immediately told her to put the moral compass back, in that commanding voice he used when he would clean her messes. The ease she felt now that he was once again right beside her. Like a puzzle piece clicking back into place (and screw him for making her think of boring puzzles). This is where he was meant to be.

She would never say that out loud so she said, “You gave up a girl to protect it” instead.

She watched a faraway expression take on his face, familiar to the one he wore in Transylvania when he lost Juliet. He’d lost Rosie now, and a few weeks ago she'd learned she wasn't meant to be with Mason. It’s like they were both cursed to never have a happy ending. Only ending up with the comfort of each other.

She didn’t think about how established this felt. Or the strange notion that perhaps this was how her happy ending was supposed to be.

In an attempt to stop herself from wandering too far back in her mind, she asked him. “Why do we have to keep dealing with stuff like this?” He was Justin and he always had the answer. She could always count on him.

“We’re wizards.” And it was like that was the be all, end all. “I don’t think we have a choice.” The plain and simple answer.

It was horrible how that answer alone made complete sense to her. How she’d just thought about it in that overpacked precinct. All of her mistakes and losses were always tied into being a wizard.

So, maybe she was past the point of caring, past sadness and moving into delirium with a little sprinkle dead tiredness because she smiled instead. She smiled up at him and he caught her before she turned away. He bumped her with his shoulder, bouncing her away and back to him.

They were settling back into their pattern. Just the two of them: Justin and Alex. She sighed contentedly and a little tiredly resting her head on her big brother's shoulder, feeling his head rest on hers.

For all her mistakes and all her losses at least she always had her Justin.

And she hoped he knew for all his mistakes and all his losses he’d always have his Alex.

She closed her eyes, fully ready to sleep.

“We’ll be okay, right?” Justin quietly asked.

Alex yawned, furrowing her brows slightly at the unexpected question. Maybe they should have been more aware in this moment, appreciated it more. Maybe she could have helped him better if she’d paid more attention. Maybe, he could have protected her better from darker things than angels.

“Yeah, we’ll be fine.”

For Alex would soon face a burden so great it would compromise her relationship with those around her. After all, with great power comes great responsibility.