. . . WHAT THE FUUUUCKK?? AHAHAH—
blabbering . . . just blabbering . . . just that .
No greater dynamic than the farmer consequentially wedged between the two close friends in Pelican town, Sebastian and Sam. Like, people around town would’ve readily expected that those two are the one confidently showing the ropes to the farmer, merely acting as example for what is expected and what there is to do. As if the farmer isn’t the one who holds all the control, has ‘em amusingly wrapped around his finger cuz’ yeah — sure, both men may seem far more experienced in the sexual domain, but truthfully, you’re the one unveiling a whole new world to them. Specially, if it’s directed towards Sebastian for his inevitably dull attitude on first meet. He’s so fucking indifferent when faced with anything that you sometimes just wanna, y’know, ruin him a bit? Have him noticeably show more of himself underneath that collective act he puts on.
Even crueller if you get a taste of him first before Sam does, simply getting caught in the act while you’re balls deep in the fucker like, oh— hey, Sam. Sammy, buddy. Truth is, you’ve got to cum first inside though doesn’t mean little blondie here, can’t join in on the fun here, huh? After all, he’s much nicer than the bratty fuck who lazily drawls around in his spacious room all day, all seasons even. If anything, they should be both grateful for your ‘well-intentioned’ guidance over them. See, how apologetic you are for secretly defiling Sebastian without his old friend Sam to show for it? Palms precisely pressed along Sam’s hips, carefully guiding his movements as he pumps himself in and out of Sebastian’s tight, fucking hole. Here, look at how his eyes stupidly roll to the back of his skull whenever you hit that one, measly spot with utter precision there, huh? Flatly pushing onto the visible bulge buried deep within his pale tummy. Would y’a look at that— needy slut is just asking for more, isn’t he? God, Sam— Aren’t ya doing so good in thoroughly fucking your best friend till he’s rendered dumb and cock drunk on two men’s fat cocks for his greedy pleasure? Ain’t this what he’s due?
You’re just being generous here, stupid, dumb, little face all cross-eyed and drooling. Yeah, it’s better this way— better when you’re the one withholding all the authority, a meek sob of Sebby over there when he’s pathetically begging for Sammy here, not to cum inside. What’s that? No? Gaze deftly shifted onto yours as you give a subtle nod in turn. Think you’ve got a sayin’ in any of this, baby boy? Nah. It’s what he’s made for. Busting a fat load of sticky cum right in his reddened, sore ass, relishing in the overstimulated squirm of his once it’s your turn to go again. Not done yet, and neither is Sam by the dazed look of his. Warm, slippery holes made to be fucked deep into and messily cum in as well. Sam and you are merely taking your fill each. (Sam’s ass is not fucking safe in this one, either.)
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I have a simple fascination and joy in the thought that, for the Ghost King AU, most of the time Danny is literally so normal compared to other ghosts.
Like, he’s a kid. He looks like a kid. Going by canon appearances, he is the most human looking ghost we see (aside from Ellie). Even Plasmius is more inhuman, which is where all the vampire jokes come from. Every single one of this enemies is off even in a human disguise. They’re not human, and people don’t expect them to be.
So aside from the implications of Danny looking like a child ghost, I wonder what other characters would think if they summon the Ghost King, expecting this huge monstrosity worse than anything they’ve ever seen, and getting a totally normal human-looking kid.
I’d be terrified. Because if horror movies have taught us anything, it’s that the most innocent and normal looking people are the worst monsters you’ve ever seen.
Like, what is he hiding??
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That is certainly - a statement.
What about Jim, who both metaphorically and literally discovers a path for themself beyond what they were raised to be? What about Pete, who learns to overcome his toxic masculinity, his posturing and self-importance? What about Ed, whose entire story is about deconstructing the performance that is expected of him?
What about, oh, idk, our main fucking character Stede Bonnet, whose arc starts with him literally breaking out from the hetero marriage he was forced into despite never fitting in? Who tries (and initially fails) to build a community where he can be himself? Whose entire story is about discovering his own queerness! He starts out not even able to put a finger on WHY his marriage made him feel so suffocated, and then journeys through s1 until he reaches the emotional climax - "His name is Ed"!
Contrast that with Izzy, who has to be dragged into a supportive community kicking and screaming. Who rejects care and compassion, even at his worst, who has to be forced to accept help. He receives the leg and calls the crew a homophobic slur for it, ffs. Only after that, only when people refuse to let him push them away, is he able to poke his nose into something approaching positive human connections. And that's a powerful narrative, sure, in it's own way; but it's hardly the Ultimate Queer Experience, and it's definitely not the "only queer arc".
And Izzy never lets go of the old ways. He never abandons the Blackbeard-era pirate lifestyle for something more positive, not fully. And that's okay, because ultimately, his arc isn't even about himself.
It's about Ed.
Ed keeps repeating toxic relationship patterns, and Izzy is a part of that. He's linked (on purpose, and I wish it had been done more explicitly) to Ed's father; because Izzy represents the poison that was instilled in Ed from a young age, and that has become so entrenched in his system that he can't imagine a life without it. He keeps Izzy around despite being hurt by him because Izzy is predictable, and in that, is safe, even though he hurts Ed; at least it's a hurt Ed is familiar with and can rely on.
When Izzy slowly changes it's to show that Ed is growing beyond the little voice in his head telling him to reject softness, that he can never be loved, that We're just not these kinds of people. If Izzy can evolve from someone spitting boyfriend at Ed like it's a slur to someone congratulating him on getting laid by that same person, Ed can overcome his inner demons telling him the same thing.
That's the point of Izzy's arc. And this is why he has to die, because Ed can never be truly free as long as Izzy is around. So Izzy goes, quietly, peacefully, and releases Ed of the poison; apologizes to him, tells him I was so wrong, and I am so sorry, because that's what Ed needs to hear to move forward.
And that's such a kind, positive way to end the story of Izzy Hands.
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