#but I am excited to publish it soon.

[lilybug-02]

The three horsemen of the apocalypse. Patreon style ✨

I’m excited to announce my Patreon(coming sometime soon…likely next next week?!)!!! It’s something I’ve thought about for a long while now and figured I’d finally give it a try. I’m putting a lot of effort into this to make it look exciting 🌈💞. I’m excited to show it off someday soon. Yippie!

[stuckinapril]

There will not be a single moment next week in which I’m not running around doing something

[carmillas-girlfriend]

[Source for this wonderful picture of our favorite fisherman here.]

Calling in two experts for this one: @thefandomeffect-noah and whoever is behind @ask-uncle-fang

And also me, I'll share my expert Fang opinion in the tags as well.

[galaxia-art]

[image description: 3 images, the first a display of a book with multiple copies, two on stands, and a few splayed across the table in front. the second image is the front cover titled "where we are & where we should be: shaping a future for trans young people" the cover image is of 5 people holding banners with the title on. the 3rd image is the back cover, which reads "A guide for trans, non-binary and gender queer people to help navigate through life and the systems around them as well as educating others on the experiences and truths of trans people. Whether you are questioning your gender identity or wondering what being trans even means, this book is for you! From accessing trans health care, being an ally exploring your identity and getting answers about who you are, this incredible guidebook will hold your hand through it all and show you the safest most accessible ways to being your true self (and supporting people in your life to do the same). In a world full of systems that can be a maze to navigate, especially as a marginalised person, we have got your back and are clearing the way for simple support. Take a look inside and feel your tense shoulders relax because the answers you've been looking for have found you" end id]

So here's a cool project that some very cool and incredible people and I have been working on!!

I've been working with our publication team with the non profit organisation Comics Youth since 2020 (one of the few good things that happened that year lol) as one of the illustrators- the other being rowanfrewin on instagram whose awesome work can be seen on the cover here! If you want to see what I've done though, guess you'll have to buy it >:3c

It's so incredible to see this finally printed and I cant wait to hold it in my hands omg. If you (or someone you know) are trans, nonbinary, questioning, or an ally then I highly reccomend checking this book out!!

[lhrry]

harry styles really wrote an album about long-term relationship which is overflowing with love in all its diverse forms, with domesticity, with assurance, with softness, and with profound emotions including a declaration of the deepest lifelong love, steady through the good and the bad, always choosing to keep going (driving), he really did that

[shojoboy]

researching popular manga for the library and apparent Mystery To Iu Nakare was a top selling manga in 2022?? THEN WHY CANT I READ IT ONLINE

[gardenerian]

🇮🇪☘️✨💚🌥

[please-help-this-little-lesbian]

I am doing a very bad thing and writing a hunger games fic

[drones-of-innocence]

I just remembered I followed you on here after reading your stuff on AO3, so I have to say; Your Mario/Peach stuff literally makes my eyes water, it’s so beautiful. All of it. You’re doing us all a service whenever you write for them. Thank you sosososososososo much.

Bro you're about to make my eyes water 🥺 Thank you so much!! I really appreciate you taking the time to leave me such a sweet message, I hope that I'll be able to publish more soon!!

[gothichoi]

think I might publish something tomorrow morning

[mortalityplays]

Unprintable: Artists Against Authority

I am absolutely beside myself with excitement to announce the launch of Unprintable.

Unprintable is an online free shop, where original artwork and arts resources are released into the public domain.

Everything listed here is free to use, copy and remix any way you like. You can print off hi-res artwork to decorate your apartment, or to use in your own projects. You can use the writing in your own zines, anthologies or performances. You can put it on a t-shirt. You can read it on the radio. You can paint it on a truck. It's up to you, entirely and forever.

The collection will be updated continuously, on an unfixed schedule, with contributions from a wide range of named and anonymous artists and activists. You can read the FAQ for a full rundown of what Unprintable is and why it exists, but these are the really important parts:

Can I download/print/use the work listed here? Yes. Can I use it for [X]? You can do whatever you want with it forever. But what if I want to [Y]? You can do whatever you want with it forever. Why do this? A few reasons: 1. We want a space to just share things, no strings attached. We recognise that copyright is an irrational system that was designed to protect the profit interests of publishing middlemen and IP hoarders. In fact, copyright is often weaponised against the creators it pretends to protect. As long as it exists, we are unlikely to win any other form of protection for our work, and we are profoundly limited from engaging in the kind of communal artistic and storytelling practices that were the norm around the world for thousands of years. 2. Radical art is often unprintable. Profit motives make people cautious. A lot of print-on-demand or local print shop services will refuse artwork with controversial, sensitive or political content. This is very frustrating when these themes are the focus of so much of our work (and indeed our lives). Rather than waste any more breath trying to explain why a trans artist might want to print the word ‘faggot’, we can give our work away for free. Got a printer? It’s yours. 3. It feels good. Sharing is joyful. It’s the reason we love making things in the first place. We don’t write poems because we look forward to filleting them for consumption, or layer colours so that we can sell a canvas by the ounce. We have only ever wanted to be able to support ourselves so that we can make, but that relationship is deeply dysfunctional under capitalism. We made these things, and we want you to have them. It doesn’t need to be complicated.

I'll write up some more posts introducing the launch collection soon. In the meantime...be free, enjoy, explore, have fun!

https://free.mortalityplays.com

[tkingfisher]

So I write all sorts of things (fiction, fanfic, screenplays) and my mind is cluttered garden of flowers and weeds and shiny ideas, and I'm wondering how to form a writing practice to clear it into tidy rows? Is it possible to shepherd untamed ideas into order?

How do you manage all your wonderful worlds, characters and inspiration and not feel haunted by the story bits and pieces in your head? Any practical tips beyond dark magic?

Thank you, you are such a constant inspiration for me, both prose and just your presence. <3

*laugh* Oh god, Nonny, if I ever find out, I’ll tell you! When you read books, you’re getting the Instagram-filtered view of a writer’s brain, all the flowers that grew out of the compost heap, carefully composed and shot in optimal lighting. The real inside of my skull is a magpie nest of Neat Shit I Read/Saw/Thought Up While Lying Awake At 2 AM. There are characters and ideas in there that I’ve been trying to get into a manuscript since I was twelve and typing on an Amiga 500.

But, that said…really, I think it’s okay. Creativity is inherently untidy. The compost heap can be corralled into a very pretty box made of sustainably harvested materials, hand-stained by traditional artisans being paid a living wage by an employee-owned company, but as soon as you lift the lid, it’s all worms and coffee grounds and old potting soil and cow shit and the vegetables you swore you were gonna eat this time before they went bad. That’s what compost is.

Nevertheless, having been in the business for…uh…fifteen years now? (@dduane is snickering at me, I can feel it) and having written nearly forty books, I can offer three bits of something less than advice. It’s what I do. It may not work for anyone else, but it’s what I do.

Un-Advice The First: If you get a shiny idea and you are super excited by it? Go ahead and chase it. Pull up a new page in Word or whatever and slap down a couple thousand words while it’s exciting. I know that this absolutely flies in the face of common wisdom, but quite frankly, my enthusiasm is a much rarer commodity than my time, so if I’m excited about something, I write it down until I’ve taken the edge off.

Then I usually save it into a big folder called “Fragments” and go back to work on whatever I’ve got a deadline on. (Usually. Sometimes the edge doesn’t wear off, and I wind up with another book. Which, y’know, darn.)

There are vast numbers of people who will tell you that a shiny idea is a sign that something is wrong with your current project and the solution is to knuckle down and work! through! it! And those people are probably right for them, and I trust they know how their own brains work. Me, though, I got ADHD like a bat has wings. My hard drive is a vast swamp of story beginnings, neat ideas, random scenes. And that’s okay because I still get books finished.

In fact, it’s better than okay. Not that long ago, my agent sent a novella to a publisher and they said “We’ll take that novella and three more novels. What’ve you got?” And I ended up plundering my hard drive and sending the editor a good dozen random beginnings until we found one that we both liked, and then I wrote the rest of that book. And then another one. If I hadn’t had all those fragments lying around, though, it would have been a miserable experience of writing book pitches and trying to think of stuff I could get excited about. (This may not be how some editors work, but it’s how my editor and I work, anyhow.)

Un-Advice The Second: Trust that everything will find a home eventually.

This one is easy to say and hard to do because sometimes you get that overload that if you’re writing the book about, say, werebear nuns, you aren’t writing the one about the alien crustaceans. Or worse, you feel guilty. If you don’t use that one cool thing, was all that time you spent on it wasted?

Breathe. Be easy. Every single cool thing does not need to go into a single book. There is no sell-by date on the neat character. You will probably write many books in your life and all those random characters will find a home. (Seriously, the werebear nuns were lurking for like a decade.)

For me, at least, when I find the spot where something fits, it often snaps into place like a Lego. Easton’s backstory as a soldier from a society where soldiers were a third sex had been kicking around in my head for a few years, derived from about three different sources, and then I wrote the opening to What Moves The Dead and all of a sudden Easton was there and alive and they had strong opinions about everything and I had ten thousand words practically before I turned around.

You can also stave off guilt by writing some of your ideas in as highly personal Easter Eggs. A couple of my books have references to a white deer woman, a heroic deed done by a saint and the ghost of a bird, and a woman with dozens of hummingbirds on tiny jeweled leashes. Those are all characters and stories I’ve had vague notions about, but haven’t managed to work in anywhere or learn much more about. Still, the passing reference is enough to make me feel like I haven’t abandoned them.

(The advantage to this is that once you DO write those in, the readers are all “oh my god, she foreshadowed this a decade ago, she must have planned this all out in advance!” Then you look really clever and well-organized and no one has to know that you have no idea what you’re doing.)

Un-Advice The Third: Write the kitchen sink book.

At one point, I had so many stray ideas that hadn’t gotten into a book yet—the tree of frogs, the dog-soldiers, the stained glass saint, the albatross and the shadow of the sun, and also I wanted to write something with Baba Yaga—that I hauled off and wrote a book where I just put in everything and the kitchen sink. It’s called Summer in Orcus. There are bits in there that I had been cooking in the mental compost heap for decades, but that weren’t enough on their own to sustain a whole book. The phrase “antelope women are not to be trusted” showed up in my head some time in college. It’s a fun little book and I’m proud of it, but it’s very much a patchwork quilt of weirdness. But it’s also written so that if later on, an antelope woman shows up in another book in another context, that just adds to their mythology, it doesn’t break canon or whatever.

(Pretty sure I’m not the only one who has done this, either. China Mieville has said that he wrote Perdido Street Station because what he really enjoyed was writing all the weird monsters.)

So yeah, that’s my advice, for what it’s worth. Some days I just tell all the fragments and ideas that I promise that I’ll get them a home eventually but I need to write this thing here now. Sometimes I throw down enough words to get the story stabilized and then I’m okay to move on. Sometimes I write multiple books simultaneously.

Any method you use to write the book, so long as it doesn’t hurt you or anyone else, is a perfectly valid method. If anyone tells you different, you send them to me.

(…god, I hope that was the question you were actually asking, Nonny, and that I didn’t go off on a completely different tangent when you just wanted to know how I keep track of a plot or something.)

[rebeccathenaturalist]

I have THE biggest, BEST news EVER--

I GOT A BOOK CONTRACT!!!!!!!!

I am exceptionally pleased to announce that I have just signed a contract with Ten Speed Press (a division of Penguin Random House) to publish...

The Everyday Naturalist: How to Identify Animals, Plants, and Fungi Wherever You Go!

It is slated for publication in early Summer 2025, and will be written for anyone who wants to be able to identify the living beings around them regardless of educational level or experience. A HUGE thank you to my literary agent Jane Dystel of Dystel, Goderich & Bourret LLC, and my editor at Ten Speed Press, Julie Bennett!

This isn't just another field guide--it's a how-to book on nature identification that helps you go from "I have no idea what this animal/plant/fungus is and I don't know where to start" to "Aha! I know how to figure out what species I'm looking at/hearing!" Those familiar with my nature ID classes know that I emphasize skills and tools accessible to everyday people. Whether you're birdwatching, foraging, or just enjoying the nature around you, my goal is to help you be more confident in figuring out what living beings you encounter wherever you go--and not just in the Pacific Northwest. 

The Everyday Naturalist will not only explain what traits you need to pay attention to like color, size, shape, location, etc. and how to use them to differentiate among similar species, but will also detail how and when to use tools like apps, field guides, and more. (And given the current kerfuffle about A I generated foraging books, I will of course include information on how to determine the veracity of a given book or other resource.) And my editor and I have already been discussing some great additions to the book that will make it even more user-friendly!

Are you excited about this? I certainly am! I wanted to wait until the pixels were dry on the contract before going public with this (though my newsletter subscribers got to hear about it last month, lucky them!) It still doesn't feel real, but I'm already working on the manuscript so it'll sink in soon enough.

I will, of course, keep you all apprised of my progress because this project is going to be a big part of my life over the next several months as I write and edit and write and edit and wash, rinse, repeat. So keep your eyes on this space for updates (and feel free to add yourself to my monthly email newsletter here, too!)

[faerycross]

a little snippet from the fic i'm working on. enjoy :)

“You okay there, Rem?”, Peter asks.

“Fine, why?”, he brings the cigarette to his lips. He still hasn’t moved his eyes.

“It looks like you’re eye-fucking him from across the room.”

“Well, that’s because I am.”

James almost spits his beer, then chokes on it. That manages to bring Remus’ attention back on him. He starts patting his back, and he’s anything but gentle.

“I’m fine, fucking hell!”, if he’s not gonna choke, he’s sure gonna have a few broken ribs.

“Easy there, Jamie. Don’t get too excited, it’s just a beer”, Remus dares to say. James glares at him.

“Jesus James, I didn’t take you for such a prude.”

“Just because I’m not deprived like you, it doesn’t mean I’m a prude”, he deadpans.

“Don’t act so innocent, it’s not like you were looking at his brother any differently the other day.” It’s Peter’s turn to choke on their beer.

“What?”, he almost shouts. “Our Jamie? Experiencing the feeling of lust? And I missed it?”, and they're pouting. The bastard is fucking pouting.

“First of all, fuck you”, James points at Remus. “Secondly, no. I wasn’t lusting after Sirius Black’s brother. And thirdly, it was a fucking photo, that would be weird.”

“Oh yes, because the multi-billionaire porn industry is definitely not based precisely on that”, Remus says, unimpressed.

___________

this fic is currently a work in progress, but i might start publishing it very soon. my ao3 account is faerycross. for any update, see the pinned post on my profile.

UPDATE: i started posting it :)))

[theundercoversquid]

Little Lamb PT2

Pairing:  Luca Changretta x Reader

Summary: Maybe Luca wasnt the butcher, maybe he was the savour

Warnings: I saw the request from @birdyman-momon at 11:54 p.m., and by 12:33, it had been written and formatted! So I hope it is good and that you enjoy it! For some strange reason, the inspiration hit, and I couldn't not write it! (I am publishing this before I have the opportunity to talk myself out of it!)

Part 1: Little Lamb

Masterlist

If someone had told you three years ago on your wedding day what your future held for you, you would have scoffed at them. There was no way that being married off to Luca Changretta would be a good thing for you. No, you would have laughed and said that your family had signed you off to a life of mystery. You would have told them that your family had thrown you to the wolves. That you were a Lamb sent to slaughter.

But no, you would be wrong. Getting married to Luca Changretta would be one of the best things that had ever happened to you. On your wedding night, Luca never even touched you. The closest he ever got was to drape his jacket around your shoulders.

He never forced you to do anything that you were comfortable with. He let you lead at your own pace. Doing things how you wanted to do them.

The day after your wedding, he took you on a date. Showering you with gifts and his attention.

As if he could sense your apprehension, he did nothing to make you uncomfortable. You could tell that he wanted to return home to New York, but he did not pressure you to do so.

So when, 6 months after being married, you told him that you wanted to go home to New York with him, his face practically split in half from the grin.

His accent was thick as he told you about all the things that he wanted to do with you and all the places that he wanted to show you. You could feel his excitement catching on, and soon, you could feel yourself smiling along with him.

And well, going to New York would be something that you would never regret. The moment the ship left the harbour, you felt as if a weight had been lifted off your shoulder. You were no longer a Shelby. You were a Changretta, and you knew that Luca would never make you do anything you didn't want to do. He would never do to you what your family had done to you.

So when he carried you over the threshold of your new home, you gave yourself up to him in the most primal way. Bearing your body and soul for him. You let him see all the ugly bits and all the beautiful bits, and never once did he flinch.

Life only got better from there. You settled into life in New York. Surrounded by people who loved and appreciated you. The air and the atmosphere suited you far better than the coal-infested air of Birmingham. A place you vowed never to return to as you cut off all contact with your family. While they had given you Luca, they had thrown you to the wolves, knowing that you could be ripped apart.

Life only continued up from there, with you and Luca renewing your vows on the third anniversary of your wedding. So you could both properly celebrate your union, surrounded by happiness and the people that you loved.

Right then, on that day surrounded by a family that loved you, you would have told anybody willing to listen that it was the best day of your life, that there was no way it could get better.

Whilst you may have been right. You were also wrong. As life had much more happened in store for you. Surrounded by your husband and his family. But most importantly. Surround with the love of your husband.

Tag list: @birdyman-momon @miojodetomatin @siriuslyblackonback

[fulcrvm]

I am thinking thoughts about airports and flying again. And Dreamling, of course.

So. Human AU. History professor Hob has to fly around a lot for work, perhaps for conferences or smth of the sort so it's always to a small handful of the same nearby cities. He's pretty neutral on the idea of flying in general, though he wishes it was a bit more environmentally friendly, but Hob is a sucker for a nice airport and especially a nice airport lounge during layovers or before boarding.

Hob has begun to frequent a small local airline (White Horse Air, the logo is a coat of arms with a little pegasus, wyvern, and hippogriff on it, haha) when traveling because he likes their service (they've never lost his bags, not even once!) and their flights are never fully booked, which makes them quieter and easier for hob's chronic pains. He always picks seats with no one next to him so he can sprawl out and so it's easier on his knees.

Until, one day, he boards the little plane and there's someone in the seat next to his. Hob's sure that when he booked his seat, the other one was empty. Oh well, whatever, Hob's not going to bother the other man already sitting there for one flight— he'll just have to be a little more mindful booking next time. Hob shuffles into the seat, and notices that the stranger sat beside him is reading Sir Thomas Malory's Le Morte d'Arthur! Hob gets excited because! That's a William Caxton publication! And Hob has so much to say about Caxton! He turns to the stranger to strike up conversation about it and... is immediately lost at how pretty the stranger is. Handsome, gorgeous, yes of course, but pretty, with the shell pink lips and focused blue eyes and slight frown at the book in his hands. Hob picks up his metaphorical jaw off the metaphorical ground and strikes up conversation with the stranger. Though the other man starts off apprehensive, somehow the two hours of flying fly by and the two of them end up talking about all sorts of art, history, and everything in between. Hob learns that the stranger works in publishing, thus his interest in Caxton.

Their flight lands, and the two of them disembark at the gate, still attempting to continue their conversation while Hob tries to wrangle his carry-on bags. (The Stranger only has a small laptop bag on one shoulder and a suit jacket folded over his other arm with him.) Then Hob has to check the time and begrudgingly says that he should probably head towards his next gate soon— this is just a layover after all. The Stranger looks ever so slightly disappointed and admits that this is his actual destination and he needs to meet his sister soon. They part ways, and Hob tries to dwell on the strange warmth in his chest. He thinks about the Stranger for his entire work trip afterwards.

This, somehow, happens a couple times. Turns out they both frequent White Horse Air, and though they're never in booked seats next to each other again, the flights are always empty enough that they can shift to sit next to each other once the plane's in the air. They chat the flight away, and then part ways once they disembark, with the Stranger headed to the baggage claim and Hob to his next flight. One time, the Stranger even requests the hostess to bring out a special bottle of Chateau Lafitte 1828 just for the two of them to share. Hob's in awe. He really enjoys their conversations, it's nice to be able to talk about his interests in a non-academia environment. The Stranger always has the most intriguing and eye-opening perspectives on everything, too. It doesn't really help that Hob thinks... maybe he's developing a tiny, teeny, really inconsequential really crush on his Stranger. He's not in grade school anymore, how does he feel like this about someone he doesn't even know the name of yet!

This all comes to a head when Hob mentions to the Stranger that his layover is a bit longer than it usually is, and if the Stranger is in no rush, they can continue their conversation in one of the airport's lounges. White Horse Air is a bit too small an airline to have their own lounge, but Hob's collected enough miles to get into one of the other airline lounges and is fully willing to pay to get in one if it means more time with his Stranger.

The Stranger is extremely enthusiastic about the idea— which shows up physically as a subtle, coy upturning at the corner of his mouth and a little sparkle in his eye. (Hob feels proud that he can read this reaction so well.) He's so enthusiastic, in fact, that the Stranger offers to get them both into a first-class lounge. Hob doesn't even pretend to hesitate to say yes.

Let's just say they get to the lounge, split some cheese and wine, and the proceed to get even more enthusiastic with each other in a private room. Hob's lucky he brought a change of clothes in his carry-on. (Maybe Hob's not so lucky and can't sit comfortably during his next three-hour flight.)

Hob gets a bit emotional when he has to leave for his next flight (already missing being able to hold his Stranger's face so gently, being able to card his fingers through his soft, smokey hair) and gets his guts together to ask if the Stranger wants to exchange phone numbers or something, so they can be in contact more regularly. Perhaps even, meet on purpose maybe? The Stranger smiles and kisses him lightly on the cheek when he slips a business card into Hob's hand.

Hob's so caught up in it all that he doesn't check the business card until he's fully boarded and sat on his next flight. And he gawks.

Morpheus Aion The Dreaming Publishing House

As in, one of White Horse Air's biggest shareholders? Aion, as in, probably the sibling of Teleute Aion? As in, Teleute Aion, the CEO of White Horse Air?! Hob almost passes out.

In the end, Morpheus and Hob laugh it out. Morpheus promises he never abused his sibling privileges to invade Hob's privacy, but used the sibling perks to frequent White Horse Air flights a little more than he even needed to just for the chance to see Hob again. They're both happy to not need to keep flying just for that chance anymore, haha. Idiots in love! Turns out, while Teleute lives where Hob keeps having his layovers, Morpheus and Hob actually live just a few hours driving from each other from their shared initial departure location. It all works out perfectly, and Morpheus self-restraint from inviting Hob to move in (so they don't have to keep travelling to see each other, no matter how small) lasts not even a year after they officially start dating. Hob doesn't even pretend to hesitate to say yes :)

(Years down the line, much after they're married, Hob finally has enough miles to get them back into those first-class lounges to have more fun. It's all very lovely.)