#but I had been /thinking/ about something /related/ to it--which I had been. sort of. there's a Damien Moreau post queued for tomorrow--

[payidaresque]

i really don't think all galadriel feels is pride though. sure, her pride got hurt because sauron decieved her (and she trusted him), and she wants to slay him because she wants to say "i am nothing like you see me" (which is not entirely true, by the way), but her feelings are actually much more complex than that and it can't be categorized and narrowed down to one word. which is why i love her: she is just as complex as sauron

she trusted him. and as far as i've known this galadriel, trust is not something that comes easy to her. and she's not exactly a "chatty type" either, but somehow (let's put aside all the "evil incarnate" bs for a second, and just look at this as if it's a relationship between 2 normal people), she met someone (halbrand) who understood her, is probably as stubborn as her, someoone who didn't tell her what to do (and she's been told what to do by EVERYONE: elrond, gil-galad, her brother- and who knows who else), and just... accepted her for who she was? even tho they weren't nice to each other at first

halbrand helped her, she considered him a friend, they fought beside each other, she opened up to him about her feelings (which is not an easy thing to do even for a human, not to mention an elf). she felt the connection between them when he was just a human to her

so yeah, hurt pride is involved for sure, but beneath that is so much more: the pain, because galadriel feels like gave sauron too much and he exploited it, the anger, because she feels that even though she knows who sauron is now, she misses that feeling she had when he was halbrand, and she's not supposed to miss it, she's supposed to despise sauron and everything related to him now, but as i already explained in this post, she can't do that, because the connection they had (still have — but it's sort of a different connection now) is too strong, and it's fear because she also knows that not everything sauron said on that raft is a lie (which is partially confirmed by adar's speech from ep 6 by the way)

yes, she wants to slay sauron because he is a threat to her kind and all ME, but she also wants to slay him because in her mind, that way she'll be free of him and every feeling she has for him.

but whether it'll solve the matter or not, is actually up to Galadriel herself: slaying him won't change anything if she doesn't want to forget him

anyway. i love me a complex female character ✨

[chevelleneech]

Are You Sure? - Ep8

Here are my thoughts now that I finally watched the episode (I was at work all day, anon, lol).

I honestly don’t have too too many, because my main takeaway was that they seemed to have truly needed these trips together. They knew by Jeju they’d be enlisting together, so I feel like any thoughts I had about the trips being a sort of last hurrah before potentially being separated go out the window.

They knew they’d be together, so barring them being romantically involved in some way… I kind of don’t get the point of the series.

Had this been a special involving other members, then it being work related would make sense. Had this been more like the Jeju episodes where they weren’t as laid back, I’d get it, but it wasn’t. Five out of eight episodes focused on them not doing much else other than simply spending time together. Sight seeing and going out to eat, with a sprinkle of activities. We saw them shopping for food and driving more than anything else, but for some reason they both still say the whole experience and filming of the series was the best thing they’ve gotten to do.

That to me, and I say this with full honesty, does not make sense to me, if they’re strictly platonic. I don’t know, episode eight sees them putting a certain level of importance on these trips that many antis wanted to rip away, and surely they knew that. They know what people think about them in their own fandom, both for the better and the worse, and they didn’t care. Which, good for them.

Moving away from my confusion in an attempt to find another explanation, I also think their joint melancholy about having to leave triggered the dropping of their guards a little bit. Add that to them drinking some, and their whole reaction moment felt almost intrusive to see, lol. They kept gravitating toward each other the entire time, only for the editors to skip to them sitting back up with more space between them. Nevermind the footsie and Jimin walking by the room they were shown going to bed in, when he said he was going to wake JK up.

So unless Jungkook was already up and in the shower or something, which they conveniently didn’t mention despite doing it every other time… they either didn’t sleep in the room with the camera or JK moved rooms. But again, given they gave us updates about every other sleeping arrangement or change, why would their last night be different if nothing happened? (By “nothing” I genuinely mean I think they moved to a different room without a camera, likely to talk or simply be closer. Not necessarily sex, because again, I don’t see them going there with a house full of staff.)

Pure speculation of course, lol, but yeah. Those moments made me feel a little like, okay, they did this with the intent of making memories. They may have wanted to cement who they are to each other in this moment, because no matter how optimistic they were that things wouldn’t change and their friendship would be solid, no one can predict the future.

Couple that with them both starting Ep1 saying they hadn’t seen each other and Jimin not being sure (no pun intended) the trip was a good idea in the first place, to them ending Ep8 saying they didn’t want it to be over and spent the last few days happy… it’s a big deal, I think. Especially with how many times they spent their last day in Sapporo taking about how romantic and pretty everything was.

Per the words from their own mouths, they created a small, romantic, nice, and happy bubble they didn’t want to leave, and I love that for them. They got to be happy and cared for by one another, and want to spend many more years to come doing the same thing. I hope they get that.

Oh and final thought… I want that house! Their final Sapporo house was beautiful, as was the town. It felt like a holiday special!

[warning-heckboop]

I really love your changeling dev au 🤌✨️, i was thinking does this make dev the youngest in fairy world ? then that means there is a fairy who accidently had a baby but beacuse of da rules, it cause them to give it to dale as a gift? Im sorry don't know how the gifting works 😅

Okay, first off. Apologies for the late reply. Writing the fic on top of work and other plans took a lot out of me.

On to the actual question! To be honest, I hadn't actually thought too much about Dev's origins regarding who his actual fairy parent(s) would be. So let's brainstorm now, shall we? I'll be putting this under read more, because it got kind of long :')

Full disclosure, I never watched the entirety of the original FOP, especially after Poof/Peri was born, so I don't have a full grasp on the canon lore. I know before Peri, fairy babies were against the rules for thousands and thousands of years, but I guess I kind of assumed that after the dam was broken, they just kind of let fairies have babies whenever they wanted again--especially considering there's a "fairy shortage" in the later episodes (that's my understanding, at least, from what I've read. Again, I've never watched the later episodes, especially not the really later ones with Chloe). Even if this wasn't necessarily canon, I consider it canon in my head, especially since I like seeing people's OCs who are younger fairies born after Peri! Just gives more possibility for world building, I guess.

Regardless of the above, however, I think I'm leaning towards going more the route of Dev being an especially unique case. As I mentioned in my previous posts, Dev was given to Dale as a sort of compensation for Dale's lost childhood, where a fairy could have intervened and helped him escape Vicky's wrath, but he was just somehow overlooked. As I mentioned as well, I see this as a sort of cover-up that would have been handled very high-up in the fairy hierarchy, possibly by the Fairy Counsel themselves. Not only is giving a human a Changeling Baby an outdated and frowned upon practice that they want to limit the number of fairies knowing about, but I also think they'd just want to hide the fact that they so largely failed Dale (and the other children who worked with him) to begin with. They can't let the populous know that their all-powerful and all-knowing leaders screwed up like that, so instead they'd rather just pay off those affected in secret, and pretend like it never happened.

(Does this imply that there might be more changeling kiddos out there that were given to the other kids who suffered under Vicky alongside Dale? Maybe. I'm probably not going to ever expand upon that myself, but if that piques anyone's interest, feel free to build on it yourself!)

Based on this line of thought, I don't see this as a scenario where Dev was born first and then they decided to give him to Dale afterwards. I think Dev would have been created specifically for Dale. We've seen that fairies can reproduce like humans do through birth, obviously, but since they are magical creatures, who's to say there aren't other methods of creating more of their kind?

A fairy's human form appearance isn't completely detached from their natural form appearance (based on my own headcanons which are based on those created by @bunnieswithknives, who originated the 'natural form' concept I'm using in this au, for context), so in this case, in order to create a child that the world and probably even Dale would truly believe is his own flesh and blood, they'd have to create a fairy who would have traits that resemble Dale's. Maybe it was even a process of using magic combined with something of Dale's, like a lock of hair or something like that, to create a fairy child that to some extent really is related to Dale, although less in a "biological child" sort of way and more in a "slightly-modified-by-magic clone" sort of way.

I guess that's all just a really long-winded way to say: I don't think Dev has fairy parents! He's just a product of magic, and the closest thing he'll ever really have to a technical parent would, in fact, be Dale. I hope that's not a disappointing answer, haha.

[byemambo]

Monster Next Door EP. 9: The Power of Expression - A Double Edge Sword

So it's been awhile since I posted any content of my own for MND, but this episode genuinely got me in the feels. I am curious whether or not there are lots of people tuning into the series because I feel like its promotion leans very playful and I'm sure for some, leaving very little room for there to break the confines of stereotypes surrounding MBTI and introversion/extroversion. However, like how I personally feel about We Are, both series have more underlying themes for those who can recognize its significant beneath the surface.

Disclaimer: this analysis will lean into my own personal connection with the character Diew, and I'll be highlighting themes such as loss of a loved one, neurodivergence, and other underlying themes of mental health and trauma. If that's something that could possibly be triggering/sensitive for some, I would just like to preface before y'all begin reading and be bombarded with some deep topics. Alright, everything is under the cut (extremely lengthy read)!

Diew's Childhood: Reverting Back into His Shell

For those who have tuned into the series, we understand that Diew has a hyperfixation of turtles, and we're sent back to a flashback montage to reveal more about his upbringing and family dynamic during childhood. We're also revealed more about Diew's connection with his father before he passed away, which low and behold: me and Diew share very similar stories as I've also lost my dad during childhood, which caused a lot of strain between me and my own mother just the same as Diew (for similar and different reasons in comparison). I might have not caught it trying to go back to find out the exact age Diew's father passed away, but the flashback gives us a rough estimation between his preteen-teenage years where a proper social relationship is established between the two.

When someone experiences traumatic events during critical developing years such as childhood and adolescence, many will remain rooted in those existing emotions and outsiders may view them for the "mental age" as our emotional growth becomes stunted. Because Diew had a close relationship between him and his father for all sorts of reasons that many people can relate to: having someone be your cheerleader, someone to introduce you to the world around us, someone to understand your own individualism and cater to it accordingly. However, I believe one of the biggest reasons for such a strong connection between Diew and his father is fairly simple: existing as the closest form of unconditional love.

Although the series hasn't stated it like The Rebound has, I personally believe Diew to be autistic, if not autistic, definitely someone of the neurodivergent experience. Even though the series revolves around the concept of MBTI, specifically categorizing Diew as your average introverted person navigating the world around him, I wholeheartedly believe his character is deeper than such a superficial label (which I believe is the main reason for why many might stray away from giving this series a chance). Even though I haven't been formally diagnosed with autism, I am diagnosed with ADHD as an adult while relating to various characteristics that are innate in autism, but many of these traits and experiences fall under the neurodivergent umbrella. I also think that the usage of the turtle archetype is incredibly powerful for the characterization of Diew: turtles are known by social norms as "slow," physically or mentally, "in their shell" aka shy/kept to themselves, and can be irritating to others because they're unaware of most "normal" social cues and are considerably lacking "common sense", etc.

In the opening sequence of the episode: we see the dynamic between Diew and his father, which as the episode progressed, we witness a conversation between the father and son about how books become doors to our own worlds that as I summarize: books become portals to our own worlds that make our ordinary lives extraordinary. Since the theme of the series is about next door neighbors meeting and falling in love with one another, I believe the relevance of Diew's love for books to be more significant than that: neurodivergent people tend to live in our own worlds.

In my experience which has developed into my own artistic branding: many of us live in a neurotypical world where we feel like an alien walking amongst other human beings, but we weren't given the travel guide or manual in understanding how to interact with them. Despite knowing that we're also living out the same human experience: nuance comes into play and for many, can hijack our lives for the worst. In Diew's circumstance as well as the average child: we are clean slates that deal with the concept of nature vs. nurture early on, as well as our environments playing critical roles in our personal development and how that development will in turn, affect how we interpret the world and engage with it.

Because Diew is a child who's quieter (in this case, not shy to interacting with others), this becomes a disruption in societal norms (which of course vary between culture to culture and other underlying intersectionalities based in race, gender, sexual orientation, religion, etc). For many neurodivergents, our engagement with the world around us break the pattern and mold of what society expects from each and every individual to maintain order. During childhood, most of us are our authentic versions of ourselves but hand ourselves over to the norms of society and its binaries. For many who learn from observation that their own silence and solitude is weaponized by those who adhere to the social norms, many teach themselves learned helplessness: what difference does it make if I were to speak up? It's not like anything would change because they still won't accept me for who I am.

I tend to speak in metaphors, but specific to my art background: while neurotypical society tends to interpret the world in grayscale, we tend to interpret the world in full color, as majority of us excel in pattern recognition and memory, are detail oriented, hypervigilant, and so much more. However, this experience can be overwhelming for many, which contributes to one's baseline in areas such as faulty social communication/interaction, sensory overload, mental dissonance, etc. We see this with Diew having a single close friend, wearing noise cancelling headphones to cut through sensory overload, having social anxiety during moments of being the center of attention or being asked to do things against his will and being reprimanded for honesty over "politeness."

Due to Diew's socialization and innate personality traits, his support system can act in one of two ways: acceptance or rejection/denial. Unfortunately, this is where the crossroad between his central support system begins: the desire to appease the social hierarchy of life and to come out on top, the selfishness of living life thorough the self interest of yourself or your family. To be the most recognized, the most well off, the most luxurious, the most successful, etc. For many parents that navigate the world with emotional immaturity, their priority lies in conformity over authenticity, their acceptance in changing themselves for the sake of appeasing the group. For them, nothing is more detrimental than being singled out and ridiculed/mocked: this insecurity becomes generational, this insecurity evolves into life-changing consequences such as hereditary mental health disabilities or the nurturing of one in an "normal" family. The toss up between acceptance versus denial sets itself in stone the moment moral value is assigned to one's character, when someone becomes of value based on the origin's value system.

This exchange between Diew's mother and father highlighted the moment Diew adheres to this moral belief: Diew is not like other kids. Well, what about me makes me not like other kids? In comes comparison, in comes self doubt, in comes perfectionism, in comes abnormality, in comes conflict, in comes all sorts of insecurities that take over the vulnerable: children who simply don't know any better because if mom and dad said so, it must be true, right? My parents can't be right about anything if it has to do with me? I am their child after all, I'm their blood, I'm the whole of two existing halves.

We have not received this context in the series, I could only put two and two together through my own lenses and what I know and experienced: the various trauma responses and coping mechanisms from each affected family member. Diew and social communication, Diew's mother and obsession with control, Diew's grandfather and undermining his physical health to maintain peace within their household. What becomes a reality check for most of us growing up as neurodivergent people: the moment we step outside of what we have been taught to believe, and finding out that we might have been wrong for most of our lives, that we've been living for all the wrong reasons. That we were living for others and not ourselves. That we cannot survive without the "care" of our loved ones: the same people who expect appraisal and worship while oppressing and undermining others in the same breath.

Intention vs. Principle: The Flaws of a Mind Reader

Although there were other moments in the previous episodes to strengthen the themes of this episode, I felt like the Phrae trip highlighted these reality checks once Diew has difficulty adjusting to God's boyfriend treatment, which is primarily acts of service. This also becomes a game of mind reading and taking away Diew's autonomy, another version of his mother and her severe control issues. The trip is another home away from home, where this behavior evolves into babying and coddling, but because the intent is out of their best wishes for Diew: damned if you do, damned if you don't becomes Diew's life motto which he slowly breaking away from after being introduced to new people in his life that showed him different experiences outside of his family and his ex boyfriend. That there are people who exist and accept him for him, that there's no reason to hide anymore.

What I appreciate throughout the scenes leading up to Diew's confrontation with God is how well Park portrays these moments of frustration and questioning God's integrity when it comes to verbal communication (his microexpressions are everything to me, saying so much with such subtlety). This is something that I have issues with as someone who describes herself as "open book," and find myself irritated whenever people are not straight forward about their intentions, or set expectations in one moment and abandon them at the drop of the hat. For us, because we tend to navigate the world with so much nuance, direct and clear communication is nonnegotiable, and if you have various mental health disabilities (I've checked into the game), the mental race to make connections and recognize the established pattern based on the evidence of prior engagements and experiences becomes instantaneous but also exhausting. But P'God had always known how to respect my boundaries...why is it changing? What made it change?

The café scene also highlighted Diew's hypervigilance, isolating the conversation between God and his friends. Because all of them tend to joke and speak with humorous undertones, social cues become incredibly difficult to decipher at times, especially with people who you haven't established expectations for communication with. Because God know his own friends but Diew does not at the same level of depth and experience, statements like these only invite more intrusive thoughts that continue to spiral as more stimuli piles on: God's friends and their lack of indoor voice in a quiet establishment, social cues pointing towards God botching the group's plans for "Diew's sake," inconsideration towards those occupying the same space and carrying themselves with entitlement, this scene stressed me out and I would have done the same as Diew in that moment. Because I'm being catered towards and everyone else is miserable because of it: I'm probably the problem then...because I'm not like other people and I'm difficult to understand and accompany. Honestly: this is why I shouldn't have come with them. I'm just burdening them.

Power of Communication: It Takes Two

This exchange not only went in the direction I was expecting it to go, but the resolve was incredibly sweet and heartwarming to me. Going back to the "damned if you do, damned if you don't" motto: what I find so special about Diew despite his superficial characteristics appearing "ungrateful" or "undeserving" to some is that his growth completely transforms the motto. Damned if you do, damned if you don't, but I'd be damned if I let this misunderstanding separate me from the person I love. What I appreciate about God on the receiving end was the navigation of this conversation and how both parties confront their innate ideologies and understanding. Diew prefaces the difficult conversation with praising God, not starting off the exchange with immediate criticism that would drive most insecure people away and tune out any revealing information afterwards. However, God allows Diew to finish his entire though before proceeding with his response. which I anticipated as such: "I'm doing all of this for you and now you're saying you don't like any of it, so that makes me the bad guy then."

The beautiful moment that had me rooting for Diew was the confidence in standing his ground, something that we've seen develop in him as the story progresses during exchanges with people such as Jane and his mother. That he has autonomy, that he has a voice that is heard and accepted for what it is and not what it's "supposed" to be, that he can be understood because he may not be like other people, that was never the problem, which actually lies with everyone unwilling to become the person they need to be for him: that his boundaries may force you to reevaluate the way you carry yourself in this dynamic and no longer hold the power within your hands. The moment of recognizing that we become victims to the world by choice and the confinements of our own body and mind, and that the world may never truly reveal itself to those who deliberately choose ignorance over awareness: the choice of empowerment over oppression.

On the opposite side of this exchange, God goes through a revelation: the misstep in passive listening. Many people, especially those with faulty communication and emotionally perplexed, only engage in communication to hear what they want to hear. To identify within the confines of the binary: good vs. bad, like vs. dislike, yes vs. no. During the first half of the conversation of reassuring God with positive reinforcement, Diew softens the blow that will most likely arise: the potential of punishing someone else for doing a "good" thing. Insecurity feeds off of self identification, rooting itself as a core belief once someone turns that delusion into a false reality: the moment Diew says "I really don't like it" becomes that signal for confirmation bias to rush in. Win's prior qualms against him despite being in the same band, Jane antagonizing Diew while also putting God down in the process, and I'm sure so much more. If not properly dealt with and nipped at the bud: these intrusive thoughts become a breeding ground for toxicity to occur and cause a rift in the dynamic from an exchange of false words. But through his own personal development and growth: God was able to turn a not so pleasant moment into another piece of evidence that he is a safe space for Diew to unmask and keep the conversation true to himself. Rather than chasing Diew back inside his shell, he only invites Diew to continue remaining in his authentic self.

Emotional Dumping: The Arrival of Guilt and Shame

This part of the episode almost ran me over ten different times: it made me feel seen, it made me feel heard, it made me feel represented. All because I've literally had this exact same thing happen to me (and more) with my own mother, so this moment felt incredibly personal to me and understood Diew on a deeper level than most viewers might have not even considered when watching this series. When your family goes through a grief as difficult as the death of a parent, the drastic switch from a two parent household to a one parent household is absolutely devastating, especially when your children are young. Single parents if they choose to remain single stretch themselves thin, they are constantly overwhelmed with doing all they could and still unable to scratch the surface with many things, and unfortunately most of them trap themselves with egocentrism by comparing themselves to an alternative life unlived if their partner were still present. Most of them subscribe to a life filled with "debt" that requires repayment: this repayment is their kids believing in the narrative of being a burden, of being owed to repay back every little piece of ourselves to our parents, of being told that we cannot survive without their involvement (some even going as far as using the existence of their own children to support their entitlement for reparations), of simply existing to uplift their parent at the cost of their own autonomy and self worth.

"And I a bad son?" I don't think I could really describe the emotions I was experiencing when I witnessed this exchange of words, because I've had this conversation in my own life on multiple occasions verbatim. The headspace Diew occupies when it comes battling this internal struggle between being a "good" son while also expecting his mother to be a "good" mother, and the devastation that comes along with realizing that those two conditions may not actually exist. The progress Diew achieves from being someone who was intimidated by person to person interactions, someone who people benefited from his own silence and inability to confront others, someone who deep down deals with a battle of justifying his own value due to inconsistent value judgments from his core support system, brings me to tears because for many of us, myself included, deal with this level of trauma to the point where therapeutic intervention and personal accountability for debunking and redefining our core beliefs that have deeply planted themselves inside of us. That no matter what I do, I'll never be good enough, not even for my own mother.

God's response to this moment of being told such a personal matter (even if it was only the surface) honestly continues to heal parts of me little by little and living through Diew vicariously. The development of their relationship and taking the appropriate time to address various areas in their dynamic: some days will baby steps, other days will be strides, on occasion full speed, every now and then there will be rain checks. But the one thing that will remain a constant: I'm willing to embark on this journey with you by my side.

Honorable Mention: There's No Place Like Home

Ok time to ACTUALLY go to bed at a reasonable hour tonight: thank you for those who made it down here, I bring cookies! 🍪 But on a more serious note: my ears are always open to feedback or any thoughts others might have. I appreciate MND for having this level of characterization for these two and I can't wait to see what else they'll get thrown into even better if Pee gets socked in the face by Diew but of course on Diew's terms. Alright good night <3

[ereborne]

Song of the Day: May 14

"Diamond on a Landmine” by Billy Talent

[paceplace]

it's kind of a shame the devs back in tto never thought to give certain NPCs, particularly the storyline and SOS-relevant ones, special outfits that no one can obtain as a way for them to stand out from the others. i'm pretty sure i've said this before but i've always been fond of the alternative outfits clara, flippy, and professor pete wore in their character trading cards and i think it would've been neat to see how they'd go about making personalized designs for all of them in accordance to their role in the tooniverse/personality/shtick (if applicable).

pretty sure the closest thing the folks over at disney did to give their npc's "uniqueness" aside from their shops was altering flippy's in-game model/making it so that his name can't be something that's accepted by players so people can't make a toon thats an exact replica of him and giving two (2) npc's colored gloves but that's it.

[niuxita21]

TFW the Girl You Love Tells You “Thanks But No Thanks. You’re Still My Best Friend, Tho!” - A novel by Ana

[tanadrin]

And God said, "Behold! I have created the fourth primordial force: the weak interaction!"

And the angels all clapped and nodded politely, and there was a long silence; and finally Verchiel, the Angel of Grace, spoke up and asked, "Er, what exactly does it do, O Fashioner?"

And God said, "What do you mean, 'what does it do?' It's the fourth fundamental force of the universe."

And Verchiel said, "You mentioned that. Um. But it's just that the other three sort of have a brand, you know? Gravity helps build large-scale structures, acts over vast cosmic distances, shapes time and space. The strong force is secret, hidden, binding together quarks and all that. Electromagnetism, very cool stuff, somewhere in between. We're all big fans of the whole magnetic monopole double bluff, very clever. But, er. What does this 'weak interaction' do?"

And God said, "It mediates radioactive decay. Sort of."

And Verchiel said, "Radioactive decay? All radioactive decay?"

And God said, "No. Just some kinds."

And Zephaniel, the Chief of the Ishim spoke, and he said, "A whole independent force just to mediate some kinds of radioactive decay?"

And God said, "Well. Not totally independent. Technically it's related to electromagnetism."

And Zephaniel said, "Wait, it's not even a real force?"

And God said, "It's totally a real force. It's just that it's one aspect of a combined electromagnetic and weak force. An electro-weak force, if you will."

And Metatron, the Celestial Scribe, scratched his head at this, but said nothing.

And Cambiel, the Angel of Transformation, said, "Maybe you can walk us through it from the top."

And God Sighed an immense Sigh, and said, "All right, fine.

"So the way it works is that all of space and time is permeated by a field that has imaginary mass."

And Cambiel said, "Imaginary mass, O Generous Provider?"

And God said, "Yes, imaginary mass. It's tachyonic, d'you see?"

And Sarathiel, the Angel of Discipline, said, "Wait a minute, I thought we agreed nothing was going to travel faster than light? All that 'c' business and the whole Lorentz transformation thing. What's happening with that?"

And God said, "Let me finish. The field is tachyonic. The particles in the field all move slower than light."

And Sarathiel had to think about this for a second.

And God said, "The point is, a field with imaginary mass has a non-zero vacuum expectation value."

And this really gave Sarathiel trouble, since he had never been very good at math.

And God, seeing this, went back to explain. "Most fields, like the electromagnetic field, have no effect when they are at their lowest energy state. It's like they're not there at all. If you give a field imaginary mass, then it vanishes only when it's at a very high energy state, and at a low energy state, it has a nonzero value everywhere."

And Sarathiel nodded, but he was confused, because he didn't understand why God would create such a thing.

But Verchiel thought he saw where God was going with this, and he was amazed.

"Truly, you are cunning beyond measure, O Only One Certainly Sound and Genuine in Truth! Only now do I understand your design! For in order to make the universe homogenous and isotropic, it is necessary that all large-scale fluctuations in temperature and mass must be evened out early in the history of the cosmos; and therefore, you have designed a field which will rapidly expand space after the Big Bang, many orders of magnitude in brief moments, and then swiftly and spontaneously decay as it gives up the energy it began with, giving rise to radiation and particles of all kinds as it does, which will condense into the material universe! It is a wonder to behold."

And God said, "What? No. I mean I did, but this isn't the inflaton field I'm talking about. This is something else."

And Verchiel said, "Wait, it's not?"

And God said, "No, I'm going to use a different field to drive cosmic inflation. The properties of this field are totally different."

And now Verchiel was also confused, and lapsed into silence.

And God said, "Like I was saying, this field is a scalar field with imaginary mass, and it does spontaneously decay to a ground state with a non-zero value. But it's not the inflaton field. Instead it combines with the W1, W2, W3, and B bosons."

And Metatron began to flip back through the pages of the Heavenly Record trying to figure out where he'd lost the thread.

And Zephaniel said, "The what bosons?"

And God said, "The W1, W2, W3, and B bosons. I'm sure I mentioned them. You know, the massless bosons?"

And Zephaniel said, "I'm pretty sure we only talked about the W+, W-, and Z0 bosons. All of which you said were going to have mass, O Owner of All Sovereignty."

And God said, "Yes, but this is how they get them, you see. Once this field acquires a nonzero value everywhere, the massless bosons interact with it and get mass. Well, some of them do. They turn into the W+, W-, and Z0 boson. And the photon."

And Zephaniel said, "…and the photon, O Accepter of Invocation?"

And God said, "Well, I did say I was going to unify the electromagnetic force and the weak interaction, didn't I? This is how. Above the critical temperature--right now I'm thinking 10^15 K, but I'm open to feedback on that one--electromagnetism and the weak force act as a single unifying force. Below that temperature, the field gets a nonzero value, you get three massive bosons to mediate the weak interaction, and the photon pops out seperately."

And Zephaniel said, "That seems… a bit overly complicated, doesn't it, O Reinstater Who Brings Back All?"

And God said, "No, it's exactly what we need. Look, that way the W and Z bosons have something to do, but the weak interaction still only travels short distances. Gravity is still the star of the show on cosmic scales, as it were. But now quarks and leptons can swap their flavor!"

And Zephaniel said, rather weakly, "Their… flavor, O Source of Good?"

And God said, "It's this new quantum number I'm trying out, to give the three generations of matter more unique identities."

And Cambiel said, "Three generations of matter? Now I'm really confused."

And God said, "I'm sure I mentioned this. You've got the lightest quarks and leptons, and then two heavier versions of each that can decay into the lighter versions."

And Cambiel said, "What do they do? New kinds of chemistry, is it?"

And God said, "Well, no. Mostly they just decay in a couple microseconds. Or even faster."

And Zephaniel began to rub his temples, and Cambiel sniffed.

And Cambiel said, "This all seems a bit ad hoc to me. Not really the stuff of an elegant and obviously ordered Creation. Why not have four generations of matter? Why not a trillion?"

And God began to grow irritable, and said, "Well, that's not really up to you, now is it? We're going to have three generations of matter, and the electroweak force, and that's that!"

And Zephaniel said, "As long as we are unifying fundamental forces, perhaps we could somehow also unify the electroweak interaction with the strong interaction, or even gravity."

And God hesitated saying, "Well, I haven't decided about that yet. I'm not sure I want gravity to be quantized, you know? Seems to take some of the geometric elegance out of general relativity."

And now it was Zephaniel's turn to sigh, and he bowed his head. "As you wish, O Possessor of Authority of Decisions and Judgement."

[drchucktingle]

On your blog you've talked about dealing with chronic as a result from the stress of masking your autism.

It's a bit of a different situation, but my little sister (who we've begun to suspect has adhd) has been experiencing chronic pain in her arms and legs. I may be totally off base, but I was wondering if a similar stess might potentially be a factor in her pain.

If you're willing, would you mind talking about how your pain affected before you found a way to manage it (I tried searching your tumblr, but not much came up, so sorry if I'm asking a question that's already been answered)?

Thanks either way, I love your books. Love is real!

sure buckaroo GOOD QUESTION. i have had chronic pain in some form or another for LONG TIME in a number of STRESS RELATED WAYS. in past it has been cracking teeth from clenching dang jaws while i sleep and things like that, but a few years ago it was FULL ON BODY PAIN AND TIGHTNESS like every muscle was clenching up. went to the doctor over and over all kinds of dang specialists and it was very difficult to figure out what was going on. eventually landed on a sort of nebulous trot of STRESS but i can get more specific.

there are several things about me that you would never know just from looking or even talking to me for long times. i am a bi buckaroo, i am a non-dysphoric trans buckaroo, i am an autistic buckaroo. EVERY SINGLE ONE OF THESE THINGS IS EITHER HIDDEN AUTOMATICALLY OR I AM SUCH AN EXPERT AT HIDING THAT IT IS SECOND NATURE

autism presents its trot in many ways, so my words do not apply to all, but my version is EXTREME ORGANIZATION AND ENDLESS WORK ETHIC. in way of freud (which is a silly way but sometimes good for symbolism talk) i have what you would call an OVERDEVELOPED SUPER EGO which is a double edged sword. i can write 100s of books at an incredible pace, but also feel like my body is constantly collapsing in on itself

this is not really something i consciously think about much, but eventually these health problems started creeping up. it was all from carrying this mystery tension in my body, because while it feels EASY for me to mask i believe all that tension goes somewhere and it stores up and stores up and stores up.

so i think the HEALTHY way that i have found to deal with this (i think of it as releasing the steam valve a bit so the boiler does not break down) is ART. this space where i am allowed to be CHUCK TINGLE and write without obsessing over the spelling or punctuation, or to loudly express my queerness, or explore gender, and to let my neurotypical mask down DIRECTLY RELIEVES my chronic pain because it literally makes my muscles relax.

when i started out this ARTISTIC TROT as chuck i used a LOT of metaphor to keep my privacy, with different words or different versions of people for different things, and buckaroos found this very funny. as a way to express myself artistically i also liked this metaphor trot a lot, but i have also found that the LESS metaphor i paint over my life as chuck, the better it is for my health. if you have noticed, i talk less about some of the parts of my life that were metaphors, or maybe you have seen that my voice has relaxed a bit in interviews, or that i carry myself a little differently over time, this is partially why. (there is another artistic reason that was a planned trot from the beginning and it has to do with my feelings as a young autistic buckaroo of not fitting in on this timeline, but we can dive into that later).

anyway, as PRACTICAL ADVICE i would say that FINDING A SPACE TO EXPRESS YOURSELF WITHOUT FEAR OR MASKING has been the number one trot for me. that can be a pink bag over your head writing hundreds of erotic shorts, or that can be just laying on the ground howling your heart out, or doing whatever stim you need to do.

i will also say that ONCE I REALIZED IT WAS MUSCLE TENSION getting a physical therapist helped a lot. because there are two sides, you have to start releasing steam from the steam valve, but at the same time youve also gotta start HEALING THE DAMAGE. so i think stretching and techniques like that can be very helpful.

hope that helps buckaroo LOVE IS REAL

[snaileer]

Wrong Number? Wrong Answer.

It was the usual deal that the Justice League Dark dealt with… way too often honestly.

Initially, it had been just Wonder Woman, investigating a cult that had attempted to abduct her earlier in the month.

Diana had defeated them. Easily. Of course. But upon questioning them, their reasoning had concerned her.

They had attacked her for a ritual to open the ‘Sarcophagus of Eternal Sleep’, a ritual which required ‘a blade blackened by the ichor of time.’

Once again, she was being targeted for her parentage. Did it ever end?

Of course, she questioned them further, what other ingredients did they need, what artifacts they would be hurting others to create.

A ring carved from the bone of an unfreed slave.

A crown made of lava untouched by human hands.

And sand directly from the pouch of Dream of the Endless themself.

It was an eclectic collection of items.

And yet, they had told her that only the blade remained to be created.

Again, it was concerning.

So Diana left the fools to be taken care of by men’s authorities, and focused on tracking down just what they were doing and if necessary, how to stop it.

After depleting her academic resources, and her connections within with nothing to show, Diana finally called in her friend through the league, Zatanna.

Zatanna had been frazzled by it, showing up in her living room before they’d even finished the call.

Together they tracked down the cult to Gotham… which was also a problem.

It was the reason why Diana was running through the caves beneath the crime ridden city with one of her closest friends in men’s world and a magician by her side.

All too quickly, they were surrounded by fanatics, each carrying sharp blades solely focused on her.

Working in sync with Batman and Zatanna throwing spells above them, Diana believed it would be a well-won battle.

Until a golden light flashed across the cave, blinding her for a precious second as she felt a sharp sting cut across her arm.

When her vision cleared, her arm was dripping blood and John Constantine stood in front of her.

“Sorry about that, love,” Constantine smirks, “No harm done?”

Diana’s teeth grind together as she turns away from him, fighting her way through more followers. The one who had injured her is nowhere to be seen, and the blade with them.

Even once the rest of the swarm is beaten, their numbers no longer being replenished, Diana does not feel content. The sense of danger lingers.

“Constantine.” Batman growls, “What are you doing in Gotham?”

The Brit rolls his eyes as he lights a new cigarette, “You know I don’t actually have to tell you every time I enter the city right? But besides, that’s news to me, portals are a tricky business, I’m tracking my own problem.”

Batman glares at him.

“Someone stole from me mate. And whatever they stole it for can’t be good, so I’m here ta get it back. Thought you’d be proud of something like that, Batsy, insteada leavin’ it for someone else?”

Batman’s eyes darken, “We’re tracking a group trying to open the Sarcophagus of Eternal Sleep, is your artifact related to that?”

“Fucking shit it is yeah! Bollocks I didn’t think they’d be using the dream sand for something like that, what sort of mannies are these?!” Constantine exclaims, hastily grinding his cigarette beneath his shoe.

“Hn.”

Suddenly, there’s a rattling boom, the ground and walls shaking around them as dust rains down and they are all forced into stabilizing stances.

They barely share a glance before all three are running down the hall to the source, Constantine left scrambling to keep up.

The scene they come to is equal parts confusing as it is problematic.

The cultists are each in states of disrepair, crusting on the edges or yelling at their leader. The leader is the first to notice their arrival.

“You! You say you are a child of Zeus and yet your blood does not work! You lie of your ancestry!”

Diana steps forward, “I do not! I am the daughter of Queen Hippolyta and Zeus, grandchild of Kronos! The fault of your magic does not lie with me!”

The leaders face twists, mouth open to shout, but a flash of gold slams into him.

“Z, the book!” Constantine yells, arms outstretched as he flings more spells at the surrounding people, glowing ropes binding each.

“On it! Etativel em dna eht koob!” Zatanna shouts, lifting into the air as a book the leader had been holding flies into her hands.

Immediately she begins turning pages with desperation, “Wohs em eht stsitluc lleps!”

The book flips to a distinct page, and Zatanna’s face drains of color.

“Batman, we need to be careful, this spell looks legitimate, we might still have a risk on our hands.”

Batman hummed, looking at the chalk lines of the summoning circle drawn out before them, drawing Diana to do the same. Looking closely at the artifacts placed at each cardinal direction, including a short dagger with her blood nearly completely dry on the flat of the blade.

Batman moves towards the gathered and bound cultists as both magicians whisper over the spell.

Diana continues to look out on the evidence of the ritual, confusion warring in her.

She lays a hand on the lasso at her side. She knew she had not been lying about her heritage, so then why….

‘A blade blackened by the ichor of time.’

She looks at the bloodied dagger once more. It didn’t make sense, even if they had managed to harm a godly descendent, pure ichor would be gold; and even her blood was simply a humanly deep crimson red, not black; not until it-

Diana lunges towards the knife, fingertips brushing its hilt just as her blood dries a flaky black.

Her body slams into the cave walls in the next second, percussive force rippling through the air.

She crumples to the ground, struggling to lift her head.

White boots pass in front of her eyes.

She watches as they move towards her colleague, her friend, only to be surprised as they stop in front of the cultists instead.

As the air returns to her body, Diana lifts herself up, shaking arms supporting her as the weight of the atmosphere presses down.

She looks at the being, the sight almost making her collapse once more.

Mist curls around its form like a mountain peak, iridescent light glowing near its head, pitch black night covering its body, the pinprick of stars so small you can’t see them straight on, claws like a falcon’s beak: unhidden and meant to tear apart. And more importantly, wrapped around the leaders neck.

““̵̨̮̣̀͊̓Y̷͖̊̒o̸̤͈͍͌̈́͘u̶̗̭̲̍ ̵̬̤̞̀̑ā̴̟r̸̹̝̉e̴̞̦̮͑̍ ̴̣̩̖͑̓͛a̷̮̞͍͊͆͝ ̶͍̀̈́́f̷̖̄ò̸͈̓͝ǫ̷̅̀̔l̶̹̥̹̋͌͠.̴̤̲̈́͋̀”̶̛̫̺̈́”

The voice rattles her heart within her chest. She watches as Batman continues to try and stand.

The cultist struggles against the hand, mumbling screams behind Constantine’s bind. The creature tears it off with one claw.

“We summ-moned-… the king! Pa-pariah-!“

The creatures hand barely twitches, but the cultist breaks off in a scream. She is surprised to note the other cultists react exactly alike. As if linked.

“̵̻͝Ý̷͚o̶͈͝u̷̦̐ ̶̆͜d̶͈̄ǐ̸̢d̵̲̓ ̴͖̽n̴̘̅ȯ̸͍t̵̛̯ ̴̫̐ŝ̵̗u̴̹̇m̶̨͠m̴̡̽o̴̱̐n̵̘͝ ̴̪̈h̴̨̀i̶͝ͅm̸̰͗.̴͍͆”̸͔̔ The creature growls, “À̴̳n̸̛̜d̶͒ͅ ̴̤̃y̸̬͝ǫ̸̒u̵̫͗ ̶̘͛a̴̫̐r̷̠̈e̶͂ͅ ̶͔̋ḽ̶̔ủ̷͜c̷̥̍k̴̲͊ÿ̸̯́ ̶͓́f̷͇͝o̷͎͒ŕ̴͇ ̶͔͝t̶̞̀h̸̲̉ȧ̸̮t̷̩͝.̷͔̍ ̵͙͐I̸͎͌f̶͖͛ ̶̜̇y̵̜͗o̴̩̍ṵ̶͆ ̵̫̈́h̴͛ͅā̴̼d̸̤͆…̵͍̈́i̵͍̐t̸̡̉ ̴̭͂w̷̥̔o̷̟̅u̴̪͂l̸̞̏d̵͚̀ ̵͓̃b̴̢̽e̵̗͠ ̸͕̉m̸̠͆u̶̖͘c̷̯͘h̴̤̎ ̸̥́w̷͚͝o̸͐ͅr̶̦͐s̵̨̿e̸͕͆ ̸̙̑f̴̧̂o̶̱̓ȓ̷̟ ̴̠͗ÿ̸̥́ö̵͜ŭ̶̟.̵͎̉”̶͍̀

The man whimpers under the claws.

"I̴n̷s̵t̴e̷a̵d̸,̶ ̵y̸o̷u̵ ̴g̵o̷t̶ ̷m̸e̸,̴I̴ ̶g̵u̸a̷r̶d̴ ̶h̶i̷s̵ ̶p̸r̸i̵s̵o̵n̶ ̶b̶e̷c̴a̷u̴s̶e̸ ̵I w̴a̸s̴ ̵t̴h̸e̷ ̸o̴n̸e̴ ̷t̸o̶ ̶p̵u̴t̵ ̴h̸i̴m̶ ̵t̴h̷e̸r̶e̴ ̵o̶n̵c̸e̵ ̶m̶o̸r̸e̸.̵”̴ The creature leans into the cultist, arching ever higher, angles sharpening, body distorting, "“̸̝͋a̵̱͋n̶͓͛d̵̘́ ̵̡̍f̷̱͊o̵͚̓r̷̪̎ ̴̭̑a̷̬̓s̷͙̅ ̷͍͌ĺ̵̫o̸̻͆ņ̵̀g̶̚ͅ ̷̬͌a̶̮̿s̵̩͊ ̸̫̌t̸̲̕h̸̢̉e̷̖͗ ̴̰̋c̸̹̀ȍ̸͎s̷̡̃m̵̥̍o̷̜͋s̷̗͐ ̴̜͆e̷̛̙x̸͓̑i̶͉̿s̸̹̀t̵̛̺,̴̡͠Í̷̢ ̷̣̽w̵̠͋i̶̺͒l̴̠͐l̸̮̃ ̴͍͌k̴̰̑e̸̠͐e̷̟͋p̵̲̏ ̸̙̂h̷̘͋ị̸́m̸͕̚ ̶̳̋t̶̡̒h̷̩͆e̷̪͝r̷̒͜e̵̡̔.̵̭͗”̵̮̔

There’s a dull flash as light flashes beneath the cultists skin, beneath all of the cultist’s skin, before they drop to the ground unconscious.

All too quickly, air returns to the room, pressure lifting like a deep breath into the room.

The creature turns, eyes meeting Diana’s for just a second as he turns towards the chalked lines of the circle. Diana lifts herself to her feet, drawing closer to Batman as they both watch him, hesitant.

On the other side of the room, Constantine and Zatanna also struggle to their feet, eyes filled with fear and caution as they take in the scene.

As the creature moves, mist still rolling off him in waves, his features fall away with it, gradually smoothing to a more human visage. It looks… young. Boyish.

Those same white boots crush down on the formed crown, the cooled lava rock crumbling under one step. Next is the ring, held carefully in two hands the creature whispers over it, breathy wind carrying it away as it turns to dust. He holds the blade with one hand, flakes disintegrating off as he lifts it.

Diana’s arm tingles.

Then the creature is standing in front of the last point, holding the small brown pouch of sand with consideration.

Silence reigns in the room.

Constantine, of course, is the one to break it.

“I believe that’s mine, mate,” he cuts in, stance still laden with suspicion.

“Oh?” The creature smiles, almost mockingly as he turns to Constantine, “Is it? If I wasn’t mistaken, this ritual calls for Dream’s sand. Are you Dream of the Endless, little magician?”

Constantine visibly swallows, “I’m not.”

The creature huffs a laugh, fangs glinting in his smirk. He moves swiftly, pivoting on one foot to toss the pouch at Constantine, “Catch.”

Constantine lurches forward to try and catch it, only to find it vanish in the air before it reaches his fingers.

The creature cackles, floating backwards, “What did you do to get your hands on such an amount of Dream’s sand, magician? I’m curious.”

“It was a family present,” Constantine grinds out as he turns back to the gently levitating humanoid form, “You can drop the kid facade by the way, you’re not tricking anyone here looking like that.”

The creature shrugs, “And if I’m comfortable like this?”

Diana steps in to stop Constantine from snapping back, “Who are you, spirit, to be summoned by such a ritual?”

The creature watches her for a beat, “I am Phantom of the Dead City, Protector of infinite realms. They did not bring me here, but I knew who they wished to summon and came because of it.”

Batman steps forward, voice interrogating, “The Sarcophagus of Eternal Sleep-“

“Remains sealed. The Tyrant King remains trapped and at rest, do not worry.”

Somehow Diana does not think that soothes Batman, even as a great a warrior as he is.

“Hn.”

“Now, about that spell book,” Phantom turns to Zatanna, waving a hand and the book flies to him. He hovers a hand over it, and Diana watches in fascination as the chalk on the floor begins to burn away, the drawing in the book following.

Phantom looks at her once more, eyes too wise and strong for the age of his face, and then from one moment to the next, he is gone.

The book drops to the floor with a slam, cover open to aged blank pages as the last of the sigil burns away.

Hesitantly, Constantine goes to it, the rest of them following. When Constantine lifts the book with careful hands, they watch another image fade into view on the paper.

A cool colored image of Phantom rising over a city skyline outlined in green against a deep violet sky. Even on paper, his visage shifts constantly between the boyish figure and the ethereal danger of the form he’d appeared in.

Beneath the city lays a large coffin covered in chains.

The lock glows a pulsing toxic green before fading to a steely gunmetal grey and going still.

“Well that was the best encounter I’ve had with a dangerous dimensional figure and I still lost the dream sand.”

Zatanna’s slap echoes in the cave.

[prettieinpink]

NEW YEAR, NEW ME

( A collab with thee lovely lele @bloombabydoll )

If you want to reinvent and rebrand yourself, or just continue to make positive improvements in 2024, the first thing is to evaluate your current year. 

EVALUATION

Reflect on how things went for you. Was there continuous growth? Were there many difficult times? Did you discover anything major about yourself and so on. Try to summarise your year in (a) paragraph(s) at least. 

Oversee your goals. Which ones you didn’t, did achieve, difficult ones, easy ones and the impacts it had on your life. 

Compare your dream girl then and now. Is your visualisation of your life currently different to the one you have now and why? 

List any major losses or successes you’ve had in your life, and how they have helped you or why it matters to you. 

This evaluation can be as detailed or simple as you like, but as long as you have a decent outline of your year. 

PREPARING & PLANNING

To prepare for 2024, you want to know what you want life to be like in 2024. Something realistic to a point, but still is a growth journey. 

Think of something that you can associate with 2024. This can be a word, a symbol, art, a song, a book, a movie, a place, or even just all of these things. When you think about your goals and your journey, this is your theme. This is something that should relate to your goals or your dream girl somehow. 

For me, I chose a word and a song. My word is growth because, for me, 2023 was a year for just being able to shed my old self which I did achieve however I just felt there wasn’t much growth as an actual person and not just in my environment. 

For my song, it is Mayflowers by Proleters and Taskrok. This song is the epitome of what I would imagine, is the most polished mindset. I would say perfect, but having a perfect mindset is near impossible. I want to have a mindset glow up because I’ve just been hard on myself lately which has caused my confidence to plummet. 

Before we get into the fun part of the preparation stage, we have to do some organisation in our life. I want you to take a look at your daily lifestyle and your habits, and be completely unashamed about this. 

Then categorise these habits into two sections; Leave and Leap. Leave habits are habits that you are leaving behind in 2023, leap habits are habits that are leaping into 2024 with you. 

Any habits that are self-destructive, addictive or generally harmful are leave habits. Beneficial habits and self-building are leaping with you into the new year.

I want you to do the same for people in your life, all environments (school, work, online etc) and anything else you believe needs to be sorted out. 

This works better if you can reason with yourself why it is a leaping or leaving habit, but don’t try to convince yourself a bad habit is good or vice versa. 

Now, I want you to document an honest paragraph about who you are right now. List your bad and good habits, your strengths and weaknesses and your behaviours. This one requires a bit more detail. 

Then, write a paragraph about who you will be in 2024, your dream girl. List her habits, lifestyle, behaviours, mindset, strengths and anything else extra. I’ll explain later but do not include materialistic desires in this your dream girl. Once again, this one also requires details. 

Stemming from those paragraphs, I want you to create specific and achievable goals. SMART goals are best, but I want to introduce you to how I set goals. 

I divide my year into quarters. For each 3 months, I have 3-5 goals for those months. Usually, it’s one from each area of my life. Then, I break down these goals. 

Questions and How They Help 

Why do I want to do this goal - For motivation and commitment. 

How it’ll benefit me - For the sake of improvement. 

How can I involve myself in this goal - To achieve your goal.  

I prefer this method because it is a lot simpler for me, as I am just a young girl and my bigger goals are more in the future in which I’ll utilise SMART goals. 

To create good goals; Make sure they align with your current values and life principles first. Try to avoid creating goals that you have just taken from the internet. Those goals just aren’t it and you most likely won’t follow through with it. 

Be specific. Don’t say you want to eat more healthily, instead say you want to include (a certain group of veggies/fruits) in your diet and reduce the intake of ( food/drink). 

E.g using eating healthy example

I want to eat healthy -> I want to start including foods that boost my immunity system and support my skin while reducing those that have the opposite effect. 

Then break down those quarterly goals into monthly, weekly and daily goals. Make these habits that you can establish in your lifestyle and have a way in which you can refer back to your progress. 

EXAMPLE GOAL BREAKDOWN

Quarterly Goal - Read 6 books.  

Monthly Goal - Finish 2 books.

Weekly Goal - Be or near half way of one book.

Daily Goal - 20 minutes of reading per day. 

AREAS TO SET GOALS IN YOUR LIFE

Academics

Spiritual

Fitness/sport

Health and wellbeing

Mental health

Personal life

Relationships

Hobbies and recreation

Now for the best part- vision boards! Collect all of your favourite images that embody your quarters or the whole year, then put them in one place where you can see them regularly!

Some ideas are a scrapbook, Pinterest boards, mood boards, playlists etc. 

Choose your theme; It can be your healthy girl era, your academic come back or whatever you want. You can have more than two btw.

Use quotes! Then actually say them in your daily life as a way to shift your mindset to reflect said quote.

Include inspirational people. It doesn't even have to be a millionaire or a very well established person, it could be your friends or someone on the internet.

Be imaginative. Your vision board doesn't have to realistic in my opinion, as the whole point of it to me is that viewing it daily and considering it to be part of your life one day allows for you to open up to those opportunities.

Materialistic Wants

I feel obligated to make this a separate section. This section is practically tangible objects that you want.

However, when choosing this said object that you want, mindfully think about why you want that thing specifically.

It doesn’t have to be meaningful, but as long as each thing on that list has got a purpose to you, and will serve you, I think it’s all good!

Conclusion

If you want, you can definitely start implementing habits before January. However, I believe that as long as you go into 2024 at least knowing who you want to be and shedding away any limiting beliefs, you’ll be fine.

Make sure to incorporate some self care rituals into your daily life as well✨

To end this, I hope everyone has a very merry Christmas! And that 2024 they will achieve to close that gap with their current selves and their dream girl selves! 💖🙏

[elizabethrobertajones]

summer scions!! I absolutely love the new portraits for all their smug happy expressions. Except Y'shtola, who is not going to deign to give a camera a proper saucy look because that's silly. Urianger is smirking twice as hard on her behalf.

Glam review under the cut!

I unlocked Alphinaud first of the twins and didn't know Alisaie had a little necktie yet, so I'm deducting a point from my first impression because the sheer delight that he had a silly little necktie of some sort no matter the situation delighted me so thoroughly. Since they're still engaging in matchy twin dressing to some degree, I have to assume they either like it and won't admit it after digging in so hard, or Ameliance sent them off with cute outfits and matching backpacks, and they still don't really shop for themselves.

He's got the practical watch/compass gloves which are good for a technically proficient Sage and probably the most practical gear he's ever worn except for when he was poncho Alphy, but wearing ankle-length jeans seem like the least weather-appropriate choice of the Scions if we assume their average skin coverage is a good weathervane for the temperature in Tural. I chalk it up to teenage awkwardness.

8/10 unless he and Alisaie chose their outfits themselves, in which case it's a 9/10

I think Alisaie is the only Scion to keep a single piece of their default gear, and those are her usual gloves. She's colour-matched around it.

Because of the gloves and boots, she looks the most ready for hardcore hiking, somehow, and her matching Alphinaud with a cute button down shirt with rolled up sleeves along with that particular choice of baggier shorts (when she normally wears more form fitting shorts) do give me the closest to butch vibes it's probably likely to get for main characters. So I'm giving her an extra point I stole from Alphinaud for the lesbian vibes.

9/10 or 10/10 if she made these choices all by herself.

Everything about this cracks me up, from his portrait above to the image of him tanking open shirted once he pulls mobs.

Believe it or not, he's getting an additional point for those shoes simply because the competition in practicality in tanking is G'raha.

I had a moment of excitement when I thought the necklace was pink because that's always a cute Ryne/Minfillia thing fanartists give him with ribbons and such, but once I got zoomed in on him it was red, so I guess he's just been shopping. Although, the turquoise shorts are her eye colour and the actual large diamond shapes are secretly Mothercrystal coded in those colours, which just cracks me up that you can pick out one of the worse days of his life (Urianger's grand Warrior of Darkness plan) in his Chill Summer Beach Vibes look.

Douchebag beach bro shell bracelet as well, which really makes me double down on him and Urianger spending way too much on tourist bait along the stalls in the Famous Turali Market. The hat and sunglasses are giving him one of the Most tourist-y looks thematically reflecting how a lot of the Scion guys were just here to hang out, narratively or literally. Maybe he's trying not to get such an intense tan again, which is the only reason he's not entirely topless.

11/10 I could not stop laughing when I got him and Urianger to 100 and Beheld The Brilliance in the same moment.

Please note the raised sunglasses in Urianger's portrait, which are not the model his character uses.

I am delighted that I had been incorporating that island watch into my healer glams on both the logic you need to know your clock positionals but also they're largely the smarty pants jobs (WHM being vibes only aside - it gets its own glams :P). And here's Urianger and Alphinaud both using watches.

Now, I had a moment of being vaguely disappointed he had trousers not a skirt or something else swishy and androgynous, but then I did realise that I, a nonbinary weirdo who relates to Urianger since he made me nonbinary, have actually gone to a couple of garden parties dressed in some variation of this exact outfit of light trousers and a nice button up. Plus, the earrings are in both ears, so no "Google, which ear is the gay one?", these are just straight up cute femme dangly earrings with his favourite little dudes on.

More importantly, the colours he's repping are those of Lopporit Radio. He probably tunes in every night for his broadcasts :')

Mirrored sunglasses for the guy notorious for keeping thoughts and plans close to his chest and choosing deliberately to be enigmatic even when it serves zero purpose except for I guess gender affirming care. (The gender is Weird Bitch.)

I can't tell how I feel about those dad sandals. I suppose it depends if he's wearing them like a fashion model (brand new and clean with perfect pedicured feet) or if those are REALLY dad at the beach-like and, since I'm not a foot person, this for me is only a choice between "not off-putting" and "AURGH".

9/10 the proximity to Thancred hauls him up several points of misgivings I had, and the lopporit shout outs are killing me :')

I unlocked Y'shtola last and holy fuck I am a lesbian. I don't even recognise where those boots come from, so either a really expensive glam or something I just have not stumbled on. She has toe rings I think? And painted nails? I have no idea if the garter (?) is part of the boots glam or a custom thing as result of not recognising the boots and how much of them is normal. I feel like they customised a lot on her anyway - the back of her top has purple beads that match her staff (not dyable on the real piece)

and I think the necklace has to be part of the top instead of a separate necklace piece with the way it hangs, AND the bracelets are a glove piece with the original summer glam, but I assume they're layered with the false nails, also in the glove slot. All in all it's giving the sort of effort which is starting to creep up to what I'd expect from the modding community not the game. I mean, not THAT good but getting close. Baby steps towards what fandom can make :P

She really is god's favourite meow meow.

Anyway I can't really judge this fairly because it's really hot and I love her so I'm just going to give it 100/10 and move on. :)

how did I get a picture where Estinien looks like he's stooping to get in the frame...

The fact he has Azure Dragoon Blue Top and then Violently Nidhogg Fuchsia shorts is the colour theory that absolutely killed me. When he lights up during his burst and starts glowing pink all over his shorts are like. Taking him over like the eye once did I think.

love a guy who can embrace his past trauma and dress to match all that has passed before and all that he intends to do now (kill something large and tasty, grill it on the beach, fall asleep with a beer in hand until the waves come in and wake him up).

I gave him that wooden bracelet in the glam he has on my desktop screen so once again I'm feeling weirdly vindicated.

Other details: no ponytail despite the warm weather because he's got enough ventilation. The fact there's cactaurs on his shirt when he's on record for eating them is amazing. We should imagine he's wearing his jobstone like that pendant (since he's one of the only guys with a confirmed jobstone despite being the Guy Without A Job notoriously that one time.)

Unlike Thancred's hat and sunglasses combo, which seems fun and boisterous somehow, he seems the most walled off of all the sunglasses wearers even though he's not the most mysterious. The visor really helps make it a sort of wall. Maybe just because his terse upfront personality and somehow despite his clothes horse habits THIS amount of whimsy seems the most out of character at first glance, but he DOES look uncomfortable to me.

Somehow I find everything about this outfit excellent for his character but also like maybe he was forced into it, everyone cornering him and telling him the Scion Beach Party was a mandatory work event and he was not allowed to beg off of it and he did put some work in expressing himself but also is going to go find a much quieter corner to lurk in for the day, when not competing with Thancred (can't grill, loves it) for the barbeque (Estinien can grill, would only do it because the threat of Thancred doing it wrong is too high).

confused 7/10 mostly because I think Krile is blackmailing him and not because I don't love everything about this.

Here's how G'reenha Tia can still win -

Anyway here's the deducted point for tanking in flip flops (PERFECTLY acceptable BLM gear btw but he's Mr Versatile.)

(I joke but the main character of my novels is a flip-flop wearing menace who could and would tank in them)

Between the padlock and key necklace and the woven bracelet right after we all went feral over the Thavnarian bracelets for couples thing so recently (and Corvos is just across the water!) he's absolutely dripping cutie pie love interest coding yet again.

(Also yes I know the lock and key thing is very funny because we were introduced to him learning he was a fancy key to a big door.)

Gains a point back because the other green g'raha thing is I'm pretty sure people use this shirt glam because it kinda looks like it has weed on it.

Don't quote me on that, vibes only.

Anyway he came colour coordinated (with his original eye colour and hair colour not the bright Allagan dalamud red dye that goes with his normal outfit) so so precise and neat, like he's going to some sort of formal event, and even with flip flops he really does seem incredibly put together like the twins or Y'shtola, just for full outfit cohesiveness.

As someone who would hold G'raha's hand on the romantic gondola vibe, 10/10.

3 out of 10 and a huge cringe if you would not. He's got to stop Striving.

Hey it's the star of the show!! Adorable hairstyle out, cute plot-important earring on, and wearing her exact character colours but adorable beach wear :)

I love that she looks kind of like she went to the girls for advice and got the top from Y'shtola and the shorts from Alisaie, and she probably was very serious and stressed about getting this right even though there's no rules and no one's judging her -

oops.

Anyway the ballet shoes are adorable and go with all the cute picto spins and twirls :)

I think the strict colour scheme does speak to the slight lack of fleshing out she got so far in the story (we don't really have any real character reason that picto in particular spoke to her and this glam isn't one of the many fun takes people had on how to dress to meet that brief ). I don't think DT did more than just repeat that she's serious and sweet and trying really hard to get out of her shell and be more fun and creative and also she's been practicing dodging really hard she shouts mid-Trust combat (bless her). But ALSO getting out of the shell is really hard and she only found out everything and got some closure in the final level 100 quests so there wasn't really much to do with her after that.

This is like her First Non-Plot-Critical Whimsy Moment and losing the hood or any cat ears entirely (and there are perfectly functional cat ears to wear in game) is a good step considering we know she wears it precisely because she needed a sort of advance PR campaign to make her look cute and approachable before she opened her mouth and started bringing down the vibe (serious scary children are SO funny though and i love that for her). Having the same top as Y'shtola is a good thing for trying to make her less childish and have her trying to show that now as she takes this huge step out from the background. I mean, it still has a slight sense of her costuming herself and pushing herself out of comfort zones as she always does, but it's 100% in character so I adore it.

1000/10 because Krile is great and there's so much going on here and it's so fun when a character's whole personality is a costume and then they're like aurgh wait do I even want that??

[helenanell]

Contempt of Court || Challengers

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Art Donaldson X Fem!Reader 

CW: 18+ MDNI. Alcoholism / substance abuse. Suicidal ideation. Mentions of car crash/ injury, infidelity (technically - Art is still married to Tashi, but they’re separated) Angst. Smut. A little toxic.

Wordcount: 10.8K

Notes: No use of y/n. Set after the events of the film. Reader is a Tashi stan (There’s too much Tashi Duncan erasure happening and I won’t stand for it.) 

Summary: Still recovering from an injury that put your tennis career on pause, your publicist has landed you a deal to be an ambassador for Nike. What she doesn’t tell you, is that so is Art Donaldson: the player who bad-mouthed you in a live, post match interview two years ago. You only find out once it’s too late. 

 (This story was inspired by the dynamic between Billy and Daisy in Daisy Jones and The Six. But…make it tennis.)

  ━━━━∙⋆⋅⋆∙━━━━

For eight agonising weeks, your wrist has been encased in a cast, but now that it’s finally off, you feel far from relieved.

 As the doctor had sawn into the plaster, producing a cloud of white dust like he was breaking into a bone instead of revealing a healed one, you had actually felt panicked. 

After the car crash, you had spiralled into a pit dug with your own self-pity and pain. And once you’d reached the bottom, you’d staved off the encroaching darkness with alcohol and too many painkillers. 

You’d taken drugs before at parties and drunk until you wiped your own memory, the consequence being waking up with your skull practically splitting open from pain. But there was something profoundly different about becoming intoxicated in the hopes of rendering yourself numb:

 You hated yourself whilst you were doing it, and once the harmful buzz wore off, you hated yourself a little bit more. 

You had become fast friends with shame in the past few months. 

You have been desperate to play again, screaming, crying and practically tearing off your own skin with the need to get back to work- to not let yourself fall behind or your ranking suffer. 

But, amongst the amalgamation of negatives there had been a sort of relief, too. Relief, because the choice had been taken away from you. 

The accident hadn't been your fault and nor could you force your bone to heal faster, so for a brief period of time, you had convinced yourself nothing was your fault. For once, you couldn’t be blamed for your own fall from grace. 

But now your bone had healed and if you didn’t give recovery your all, it would be your fault. If there was no triumphant comeback, it would be on you. 

Another thing to fail at. 

Another thing to lose. 

All of which only added to your bafflement over your publicist’s insistence on coming over this morning, in order to discuss ‘a major opportunity’ that wasn’t related to a competition. 

You had originally tried to worm out of it, but your coach had found out and given you the third degree. 

You’re already tired at the thought of it and you don’t even know what it is yet. You don’t want to think about anything but tennis. You don’t have the energy for it. 

In all honesty…you’re hanging on by a thread.

‘Drinking too much’ is a far too casual phrase for how you’ve been living: it has connotations of casualness- a glaring lack of stakes. For you, the stakes are unbelievably high.

You know you can’t afford to become alcohol dependent because even being a functioning alcoholic isn’t an option for you. The only way to function as an athlete—to maintain your career trajectory and the attain the US Open title—is to be at one hundred percent. 

Mixing your painkillers with straight vodka isn’t one hundred percent: it’s a cry for fucking help. Except you can’t let anyone hear the cry, you need to stifle it. 

It’s bad enough that pictures of you being rolled away from your totalled car in a gurney had been plastered over the internet for weeks after the accident. The alcoholic, pill popping tennis pro was a story that would never go away. 

It would morph into an ugly sort of infamy: you’d been in the exclusive club of American sweethearts and heartthrobs who had been hounded so much by the ‘devoted’, that it had driven them to substance abuse to drown out the noise and fortify against the flashing lights. 

So, no one could know. No one.

Which is why, as your publicist pulls into your driveway, you’re rushing to hide a half full bottle of vodka inside a hideously expensive—and also just hideous—vase that had been given to you as an engagement gift.

Two years ago, when your fiancé–and fellow tennis player–had been caught in 4k, kissing a barely legal actress from a HBO teen drama, you’d almost smashed the vase. But, something about destroying a gift from Serena Williams felt like spitting out the ambrosia a god had fed you from their very own hand.

So, while your ring had been thrown into a ravine (best not to dwell on that.) the vase had remained. 

The doorbell rings much sooner than you’re prepared for. Who knew a five-foot-two woman in heels could move so quickly? 

You run over to the door, chewing down on two pieces of gum you’d hastily shoved into your mouth to cover up the scent of alcohol. When you pull it open, you’re met with the stern face of your Publicist, Rebecca. She’s tiny but terrifying, her sharp features framed by a pitch black bob.

Sometimes, it does feel a bit like you’re talking to Edna Mode, but you’d never dare say that.

“Rebecca, hi!” You’re aware the greeting is too happy, and try not to grimace.

When you step back to allow her to enter, Rebecca frowns at you as she passes.

“Why are you fake smiling?” she questions. “Your cast is off, you should be actually happy.”

 You drop the toothy grin, wincing with embarrassment as you follow her into the kitchen.

“I am happy about that, obviously.” You clear your throat, overly aware of how disingenuous you still seem. “What I’m not exactly overjoyed about, is whatever this ‘opportunity’ is.” 

You watch as Rebecca grabs bottle of water from the fridge and then pulls out a stool to sit at the kitchen island. You follow suit, dropping down beside her.

“Well, you should be. I practically had to sell my soul to get them to pick you.”

You level her with an unimpressed look. “Wow, Rebecca, way to raise me up from rock bottom.”

She waves you away. “Oh, please! You hate when I coddle you.”

You huff, dropping your chin into hand and propping your elbow on the counter. “Okay, out with it then. What is it?” 

Rebecca’s cheeks split with a blinding grin. “Nike.” She declares gleefully. 

“Nike.” 

Her smile dampens, disappointed you haven’t burst into happy tears. “Yes, Nike. You know…Just Do It.”

“Yes, I do. I’d just prefer not, you know…do it.”

Your publicist looks just about ready to slap you. “You’re kidding. It’s Nike.”

“Oh, is it? You haven’t mentioned that.”

Rebecca’s frown becomes a scowl and you think about ducking when she angrily snatches up her water bottle. But she doesn’t throw it, just waves it around as she begins to rant at you: 

“Do you know how hard it was to get this?! They wanted Naomi Osaka but I convinced them to go for you instead. And christ knows they were hesitant after the US Open meltdown-”

“We agreed not to refer to it as a meltdown.” You cut in. “My therapist says it has negative connotations that, ‘make me feel a harmful degree of shame.’”

Rebecca scoffs. “You went to one session with that therapist and then fired her because you didn’t like that she drew you a diagram.”

“It was condescending: I’m not five, I don’t need visual aids.”

“Okay, just shut up!” Rebecca barks, smoothing down her still immaculate hair and taking a deep breath. “This isn’t actually up for discussion. You’re doing it.”

“I’m not doing it.”

  ━━━━∙⋆⋅⋆∙━━━━

( Two Weeks Later… )

‘Just Do It.’ 

It’s the first thing you see when you walk into the Nike office for the photoshoot. 

The poster from a past campaign with Andy Murray has been blown up to ridiculous proportions and framed, hanging in on the first wall that greets anyone who enters.

“If they make mine that big I won’t be able to look at it. I’ll actually vomit. ” 

When Rebecca–who is the epitome of a chatterbox–remains silent, you turn you head to look down at her. She’s already peering up at you, worrying her bottom lip between her teeth.

Your eyes narrow with suspicion. “What have you done?”

Rebecca lets out a laugh laced with unadulterated fear. “Okay…so, any minute now you’re going to be super fucking pissed at me and you have every right to be, but remember that as you’ve already signed the contract, you don’t have a right to walk out of here.”

You stare her down, knowing it doesn’t take much intimidation for her to crack. 

You don’t end up needing her to blabber, however, because not even five seconds later, the door you’d just come through swings open and a lone figure enters.

 As you turn, you feel your publicist actually take a step away from you.

“Rebecca, I’m going to kill you.” 

You’re not looking at her as you spit out the threat, your eyes are already boring into the man who’s noted your presence and is lingering just beyond the doorway. 

Your history with Art Donaldson is far from extensive. In fact, while the trajectory of your careers have practically run parallel, the two of you have spoken maybe twice. 

But then, almost two years ago, the U.S Open had happened. 

Still dealing with the fall out of your fiance’s cheating scandal, you’d been in potentially the worst mental space of your life. And yet, you had still made it to the final.

 But, during the match…well you’d sort of lost your shit. And then you’d just lost. It had been dramatic and mortifying. 

Then, with the dust not even close to settling, things had gotten even worse. 

Having just clinched the men’s singles trophy for himself, Art Donaldson had sat down for his live post-match interview and one of the first questions he’d been asked, was about your ‘comportment’ during the final. 

You would never forget his answer: 

'Well, obviously it’s a massive disappointment. In so many ways the match between those two women today was legendary. But it always stings when you see someone get in their own way. Anger like that doesn’t belong on the court: it’s infantile and disrespectful to staff and to the fans. It threatens to overshadow what was otherwise a phenomenal game of tennis for both of them.'

When he had then been pressed for his thoughts on what should be done in regards to sanctions, Art had simply said: ‘I think whatever she’s feeling that made her act that way, is probably punishment enough.’

In a few minutes, Art had made you a subject of scorn as well as unwanted sympathy.  He’d made you sound simultaneously contemptible and pitiable. 

He was right, but he hadn’t needed to sound so sanctimonious when he’d said it. And telling the world your own mental anguish was probably torment enough, was just salt in the wound.

In your own defence, you had gone into the final right off the back of the announcement that your ex-fiancé’s new girlfriend was pregnant. And the dates had made it blindingly clear, that conception had happened whilst you were still with him.

 You’d never felt so worthless or dehumanised. And then, after you’d practically killed yourself playing the match of your life, only to lose, Art fucking Donaldson had felt the need to call out your behaviour. 

‘Anger like that doesn’t belong on the court.’ 

Anger ‘like that’ wasn’t something you’d brought to the competition in your overhead luggage, it was a parasite that had been poisoning your blood.

You’d thought that sort of self-cannibalising rage was in your past, bust as Art starts walking over to you, it rears its ugly head once more.

And he has the gall to smile at you. It’s an amicable, almost anticipatory smile. 

You barely even register when Rebecca ducks away, muttering something about finding the photographer. 

Art calls out your name as he stops before you, the corners of his eyes creasing as his smile intensifies. “It’s good to see you.”

“The feeling is not mutual.” You intone harshly.

Art’s smile doesn’t drop, it just becomes tighter, his eyes sparkling with mirth. “Ah- so you are still upset about what I said at the Open.” 

You glare at him, forcing yourself to stop gritting your teeth lest they shatter. “What could possibly make you think that I wouldn't be?”

Art laughs softly, running a hand through his short blonde hair. “Well, because your coach and your publicist both assured me that you weren’t.”

Those fucking traitors. 

It looks like you’ll be going into tomorrow with only your nutritionist and your physio left on your team.

“They lied.” You reply sharply. 

Art tilts his head, his gaze becoming brazen in the way it assesses your face. “Clearly.”

“Well, obviously this isn’t happening.” You gesture between the two of you. “I’m not doing a photoshoot, let alone an entire campaign, with you.”

“I don’t see why it can’t go ahead.” Art declares casually, his lips tugging upward as he observes your indignation. 

You take a step back, not trusting yourself not to lunge for him.

“Well, it’s a good thing I have little regard for your opinion then, isn’t it?”

Art's brows draw together, some irritation beginning to pollute his easy going demeanour. “You do care.”

“Excuse me?”

“You do care about my opinion, because f you didn’t, you wouldn’t still be this pissed over something I said years ago. 

“Pissed?” You almost choke on the word. “You made me sound pathetic. Weak. You insulted my entire career!”

“I seem to recall saying that your match was ‘legendary.’ Phenomenal, is another word I used.”

If there wasn’t so much anger writhing in your gut, you might have rubbed it in his face that for something he’s outwardly dismissing, he seems to remember what he said about you very well.

You step up to him, closing the distance in two strides.

“‘Whatever she’s feeling that made her act that way, is probably punishment enough.’ You said that about me in front of peers and fans in a live interview that was watched by thousands!”

“You’re telling me you don’t think you were out of line?” Art challenges, crossing his arms over his chest and leaning in. 

You know he’s not wrong: it hadn’t been your finest hour. In fact, the morning after, with your behaviour laid bare in the cold light and already being picked over by commentators and tabloids, you had been able to acknowledge it may very well have been one of the worst hours you would ever have. 

But you’d rather die than acknowledge that to Art.

“Oh, that’s fucking rich coming from you!” You hit back disparagingly.

Art’s fingers dig into his arms. “What does that mean?”

“It means you’re a hypocrite, Art. I watched your match against Patrick Zweig at the…what was it- Phil’s Tire Town Challenger? Someone recorded it from the stands. Tell me, what emotion were you bringing to the court when you yelled ‘fuck you’ at him across the net?” 

“You have no idea what you’re talking about.” 

“I’m not proposing a thesis, Art. This isn’t up for debate. I’m just telling you what I saw. And it seems to me, that you have some fucking anger issues of your own, so quit chewing me out over mine.”

“Chewing you out–” He splutters, his cheeks flushing with outrage. “Wow, you really do have a victim complex, huh?” 

“Fuck you!” You seethe.

Your exclamation doesn’t dissuade Art, instead he gathers momentum: 

“You’re acting like I should fall to my knees and beg for forgiveness over an entirely reasonable answer I gave to a question about your piss-poor behaviour. But I didn’t make you launch your racket across the court or cuss out the line judge. You’re not a tragic woman, or some wronged heroine, you’re a grown woman throwing a tantrum because I wasn’t very nice about her in an interview, two goddamn years ago!” 

“Well, I’m a bitch and you’re a hypocrite, looks like neither of us should be tennis’ poster child.” You snap, pushing past him and heading for the door. 

There was absolutely no chance you were doing this photoshoot. Nike could give Naomi Osaka another call. 

Just as you’ve got past him, Art is following you, snagging your wrist with his hand. “Hey! I didn’t call you a bitch.” 

“Don’t worry, I’m not going to tell anyone. Badmouthing people in public forums is your move.” 

You yank yourself out of his hold and with his eyes burning into the back of your head, you leave Art Donaldson alone in the lobby. 

  ━━━━∙⋆⋅⋆∙━━━━

( Three Weeks Later… )

In the intervening weeks since your confrontation with Art, you have discovered just how airtight employment contracts can be. 

Nike should really give their lawyers a raise, because you have been assured that there is more chance of you sprouting wings, than being able to get out of the ad campaign. 

You’d been forced back to the studio a week later with your tail between your legs, but while you’d felt genuinely apologetic over the inconvenience caused to Nike’s team, your fury at Art had only compounded. 

Thankfully, the feeling had been mutual and the two of you had passed the entire shoot in utter silence. Neither of you had offered up so much as a hello or goodbye to the other, and while it had clearly been painfully awkward for everyone around you, it had worked out quite well. 

Unfortunately, you and Art had been called back for a day of what they were calling ‘action shots.’

Which is why you’re currently at a country club, dressed in all of Nike’s new gear, being forced to actually play tennis against Art. 

If it was anyone else, you would already have drawn attention to the fact that your wrist is in excruciating pain, but you refuse to falter in front of him. 

Besides, as much as you’re loathe to admit it, playing against Art is exhilarating. 

The team have just called for a break and somehow, despite the innumerable people that have been buzzing around you for the entire day, you and Art suddenly find yourselves alone at the side of the court. 

You’ve done well at remaining civil with each other, but that’s only because you only said ‘hello’ and ‘ready’ before you’d started playing.

Unfortunately for you, Art seems to be in the mood to antagonise.

“I don’t get why this is making you so miserable.” Art says, dropping down onto the bench beside you with a shit-eating grin on his face. 

You hold up the can in your hand, fingers biting into the condensation slick metal. 

“I specifically asked for Tangerine La Croix and they’ve given me Pure.” You mock. You couldn't care less about what you’re drinking.

“Funny.” Art deadpans. 

“And here was me thinking you’d jump at the chance to call me a diva.” You answer, donning a smirk of your own.

“You’re being ridiculous.”

Some genuine anger colours Art’s tone and it only feeds the fires of your own.

“What?” 

Art grabs the can from your hand and maintains eye contact as he steals as a sip.

“You refuse to let go of a few critical, but very valid sentences I said about you in that interview and you’ve used them to construct a narrative about my dislike for you. I don’t dislike you.”

“Oh, you don’t? That’s good, because this amicable exchange is really making me feel all warm and fuzzy inside.” 

Art groans, slumping back on the bench. He manspreads so wide that his knee knocks into yours. 

“Can you not just enjoy yourself? It’s a beautiful day and we’re being paid to do what we’re great at.”

You wrinkle your nose and try to snatch back the can, but Art tightens his grip and the metal crumples as you both tighten your hold. 

“Yeah, well, not everyone gets off on having their face on a billboard.” You sneer, almost falling back when Art suddenly lets go of the can.

It’s practically empty and completely deformed, so you slam it down onto the empty space beside you.

“How do you know that I do?”

“What?”

“How do you know that I get off on it?” He repeats glibly.

“Because, you’ve clearly wanted to retire for years and now that you have, you can monopolise on the popularity that your wife built up for you and live off clothing lines and ads for the rest of your life.”

“Being great at tennis built up my popularity.”

“Oh, don’t tell me you actually believe that, Art? So many phenomenal players go widely unknown for their entire careers. You are only The Art Donaldson instead of just plain old Art, because Tashi Duncan made you a brand. She’s responsible for your legacy.”

“She didn’t make me.”

“Maybe not, but she did mould you into what you are. You would have been just another generic Stanford whiteboy if she hadn’t decided to give you fucking form.”

“You talk about her like she’s God.” 

“Are you telling me that’s not what it feels like when her attention is solely on you?” You challenge, but you don’t wait for an answer. “You know, I actually played her quite a lot when we were teenagers– we always ended up being us against each other in finals– and even then…it was like trying to play against an elemental force. Every time, without fail, there was a tiny part of me that just wanted to fall to my fucking knees in front of her. But I never did, instead it made my game better. She made my game better. Tashi put all she had into you after her injury, the least you could do is acknowledge what she’s done for you.

“You don’t have to tell me what I owe my wife.”

You scoff, rising to your feet. “I’m telling you what you owe your coach.” 

You don’t actually know where you’re going as you walk away, only that you need it to be far from him.

  ━━━━∙⋆⋅⋆∙━━━━

( Two Months Later… )

At the launch event for Nike’s new line, you’re standing in front of the massive poster that’s at the forefront of the campaign and swallowing down bile. 

It’s a great picture, you’ll give them that: Your feet are practically lifting off the ground as you throw up the ball for a serve, your expression is contorted with a ruinous passion that portends some sort of violence. And across the net, there’s Art: he’s dropped into a crouch, ready to pounce once you send the ball his way. In the face of your fury, his anticipation comes fitted out with his signature smirk. 

It’s not just a great photo, it’s phenomenal.

 You want to tear it off the wall. 

You’re on the verge of asking anyone if they have a pen so you can scribble over Art’s face, when the man himself appears beside you. In your peripheral vision you catch a glimpse of his sleek, all black suit, but you don’t turn to look at him. 

“I’m not sure you’d get away with defacing it in front of so many people.” 

Trying to suppress your eye roll would be a fruitless endeavour, so you turn to face Art, forcing him to bear witness to your indignation. 

“You should know by now that I have little regard for decorum. You certainly like commenting on my lack of it.”

“I thought you’d still be hung up on that.” 

“Yeah, well, some of us have follow through.” You give him a venomous smile. “How is retirement treating you?”

“Ah, I should have known.”

“Known what?”

“You see retirement is quitting. So, you’ll force yourself to continue well past the point you should, your game will get shittier and shittier, so by the time you’re forced to quit, people will be pitying you instead of remembering how phenomenal you were.”

There’s a compliment in there, but you’re not feeling generous of spirit enough to pluck it out of the insult. 

“I know when to stop, Art. It’s just not now.” You answer coldly.

“Okay, when? Like- give me your timeline. You must have thought about it.”

“Not yet.”

This answer seems to really frustrate him and he just stares at you, a muscle in his jaw feathering as he grips his champagne flute. 

“Do you think I didn’t notice how much your wrist was killing you when we played each other? Are you really going to wreck your body out of stubbornness?”

“You know, Art, what you did wasn’t bowing out at the perfect time, it was cowardice. You skipped right to the curtain call when you still had a last act left to perform. You never got that US Open trophy, did you?” 

Art sighs, his gaze moving back to the photo of the two of you. "Yeah well, something tells me you won't either. Have a good night."

Then he's backing away, his stare lingering on you even as he lets the crowd reabsorb him. 

  ━━━━∙⋆⋅⋆∙━━━━

( One Month Later… )

Had Tashi Duncan not been one of the people in your life that you most respected and admired, you wouldn’t even have considered attending the fundraising gala for her and Art’s foundation.  

But you were, quite frankly, obsessed with her, so of course you had come.

 Sitting in an uncomfortably tight dress at a table of people you don’t know and with a fair amount of alcohol circulating through your system, is quite possibly the most painstaking thing you’ve ever gone through.

Apart from the car crash. That had been pretty bad. 

But you’re adamant you won’t think about the car crash tonight, or the fact that, somehow, your wrist seems to be getting worse; devolving to a state more dire than when the cast had first come off. 

The meal—which you hadn’t been able to stomach—had come and gone and now the auction is beginning. Tashi is up on the stage, dazzling in the way that only she can and Art is standing at the bottom of the set of stairs that lead up to the platform.

Unfortunately, your table is very close to the front and you’re positioned right in his eyeline. 

Art keeps stealing glances at you with an emotion you can’t place. You had tried to switch seats with the man across from you, but the asshole turned out to be a real stickler for assigned seating. 

If only to distract yourself, you whip out your phone, resting it in your lap beneath the table.

The moment you open up Instagram, your heart drops into your stomach. 

You thought you had expunged any remnants of your ex from your life, but it seems you’ve missed a mutual friend on Instagram, one who has just reposted his engagement announcement with his girlfriend and mother of his now one year old daughter. 

That bastard has broken your heart and wrecked your head, but while your life just keeps getting worse, the universe has seen fit to bless him with everything he’s ever wanted. 

The auction is already in full swing when you rise clumsily from your seat and weave through the tables, heading for the closest exit. 

It’s only as you push open the door and begin to sway, that you realise you’re actually quite tipsy. You might have drunk a little too much before you’d left the house. 

It’s freezing outside, but you can’t face going back for your coat, so, unsteady on your feet, you flee into the extensive gardens that surround the estate that’s acting as the gala’s venue. 

You walk well past the point where the lawn lighting disappears and clamber over a fence that has ‘restricted area’ prominently posted in front of it.

You don’t know where you’re going, but as you stagger down the hill, your sadness is alleviated very slightly by the sight of a massive pond that you’re sure is beckoning to you. 

You kick off your heels and drop down onto the bank, quick to put your feet into the water. Once you’re settled, you retrieve your hip flask from your clutch and begin to guzzle vodka in earnest.

“What the hell are you doing?!”

You turn and you find an incensed Art striding towards you. You’re more than a little delighted by the sight of mud splattered over the polished surface of his shoes. 

“I was having some time to myself.”

“You needed to walk all the way down here to get it?”

You laugh caustically, gesturing at him. “Well…no. Obviously I should have walked even further away.”

Art huffs, entirely unimpressed. He takes a few steps further down the bank and holds out a hand beckoning you over.

“Come on, you need to come back inside.”

“Why is that?”

“Because, you offered tennis lessons with yourself as an auction item and you’re up soon. You need to be on stage.”

Ah. You’d forgotten about that. 

“Why do I need to be seen? It’s not like they’re buying me.”

“You still can’t stay in there. Get out.”

“I’m not in it, Art. I’m just dangling my feet in the water.”

“Well, you can’t ‘dangle’ your feet in there, it’s a pond not a swimming pool.” 

“I can’t?” You feign a bafflement as you look at your feet, submerged in the murky water. “I sort of already am?”

Art moves even closer but falters, his bright eyes becoming an invading force: his gaze takes hold of your edges and peels them back.

He can see inside.

“What’s wrong?” He probes, the harsher edges of his previous words now nowhere to be found.

“At the moment, it’s you.” 

“You’re drunk.”

“I’m not actually, but I’m getting there.” 

Art’s eyes flick to the metal object glinting in your hand. “Is that a hip flask?” 

“What a keen eye you have.” You mutter sardonically.

“Okay, I'm serious now, get out.”

“Oh, he’s being serious!” You mock, rising to your feet.

 But you don’t move away from the pond. Instead, you turn and start walking backwards into the water you wobble when your bare feet sink into the mud, icy liquid seeping into the thin fabric of your silk dress.

Art lunges forward, closing the distance until he’s standing at the edge of the water. His hand darts out and he grabs your forearm. 

“You’re too close to drunk to be near a body of water, let alone in one. You’ll drown yourself.” 

Art plucks the hip flask from your fingers with his free hand and tosses it into the grass behind him, all without taking his eyes off you. 

Then he seems to actually register where his hand is. He’s still gazing into your eyes as his thumb brushes over the scar above your wrist. 

“Compound fracture.” You say on a bitter breath. “The bone went right through. Fucking drunk driver. Funny that, isn’t it? He crashed into me, fucked my career probably permanently and then I became a drunk to cope.”

Some of the hardness in Art’s expression melts away, but it pools into the bags beneath his eyes and the shadows beneath his cheekbones, making him look almost distraught. Once you realise it’s sadness--no, pity--for you, you wrench your wrist out of his grasp and wade further back into the pond. 

You gasp, shocked as the frigid water wraps around your legs in an eager embrace. It’s like it’s clinging on, wanting to keep you forever. 

You find the thought of it quite peaceful.

You think on Art’s words from months ago: he’s right, about you being too stubborn to know when to stop. You won’t retire until you’re physically falling apart.

 But what if you just sink down into the water right now? You’d disappear and the memories would be of a great player gone too soon.

God, you didn’t realise you had such a large ego that you’d consider letting yourself drown just to save face.

Art is beyond unimpressed now. He’s furious. 

“Get out.” You just smile at him, stepping further back. The water reaches your navel and you let your fingertips skim over the water. “I’m not kidding, get the fuck out. Now.”

“Will you just back off!” You erupt. “We’ve done the campaign, we’re not friends, there’s no reason for us to be involved.” 

“None of that gives me a reason to leave you alone out here.”

“Why not?!” You protest desperately. “It’s not the ocean, I can’t be swept out to sea!”

“Get out of the water.”

“No.” 

“Get out.” 

“Get fucked.” You hit back, letting yourself sink back into the water. 

As you move to float on your back, another frantic laugh bubbles up as you're enveloped by its icy grip. Your dress becomes heavier, a five thousand dollar weight around your body, urging you to sink lower.

You turn your head to the side so that you can see the surface of the water:

This far out of the city, the stars are no longer choked by smog and so are able to tear through the darkness. The water perfectly mirrors the sky, so much so that it’s like you’re swimming in the cosmos. If you open your mouth, you could take some of it into yourself. 

You had struggled to get out of bed this morning, but now, in the quiet night, you have the chance to swallow a thousand stars–

Impudent splashing disrupts your peace. 

Your head shoots up, water running in eager rivulets off your hair as you watch wide eyed, as Art drops into the water. His jacket and shoes have been discarded on the edge of the bank. 

“What are you doing?”  

Art doesn’t answer, instead he drives through the water towards you, his strides producing ripples that disturb the reflected constellations. Shooting stars. 

You’re not very far out, so just as Art closes in on you, you plant your feet on the muddy bottom of the pond and stand up.

The fabric of your dress is dark and slick against your body like an oil spill. The breeze blows a tentative breath against you, causing your skin to pebble and your nipples to harden.

Art reaches for you but your hand flies out and you swat him away.

You push yourself further out, giggling at his expression as the water comes up to your chin. 

Then Art’s diving after you, the white material of his shirt submerged in the water. 

“Art, this is a pond, not a swimming pool.” You tease, amusement blooming.

In fact, you’re relishing the sight of his arms pushing through the water so much, that you forget to make another escape attempt. 

Before you know it, Art is right up in front of you, his breath coasting over your face as he wraps an arm around your middle beneath the water. 

You drive your feet into the mud, your smile growing as he looks exasperatedly up at sky. His fingers press into your side.

“This is so beyond funny.” He grouses, trying and failing to tug you closer.

Seeing as you’re not actually drunk, you’re not sure what comes over you, but you’re seized by a giddy, childlike urge. 

You decide to give into it.

Art’s eyes widen slightly as you rush forward, pressing your chest right up against his. Then, you place one hand on each of his shoulders and push.

There’s a brief moment, where your face rises above Art and he gazes up at you, droplets of water rolling off your face and onto him. He’s looking at you in the same way you had been gazing up at the stars. Perhaps you’ve become one of them. Wouldn’t that be something?

Art realises too late what you’re going to do. 

“Don’t you dare–”

You push all of your weight onto his shoulders and dunk him into the pond. His head goes under, short blonde locks floating up in the water.

You immediately let him go and when he comes up, spluttering for air, the hand not on your waist winds around the back of your neck, threading into the hair at the nape of your neck. He pulls you flush against him again.

When he speaks, it is a whisper you feel against your cheek. “You’re such an asshole.” 

Your hands fall onto his waist beneath the water. “I know.” 

You shriek as Art tips you back, his hand still cradling the back of your neck as he dunks your head into the water in retaliation. It feels like a baptism. 

When you come back up, he's chuckling as you gasp for air. 

“I had to do that.” Art defends.

 He notices you scrambling to push soaked strands of hair out of your eyes and proceeds to help you, his hand brushing over your cheeks and forehead before returning your sight to you. 

“I feel like you didn’t have to.” You splutter, fighting back a laugh of your own. 

You’re suddenly glad for his grip on you- you’re far too flustered to stand firmly on your own two feet. 

Art’s cheek’s dimple as he smiles, shaking his head at you. Your breath hitches. 

When he’s unencumbered by negative emotion…Art shines. 

He leans in again, his lips grazing the shell of your ear: 

“Don’t start something you’re not prepared to finish, sweetheart.” Your breathing becomes even more laboured as he draws away, his nose briefly dragging against your cheek. “Now…get out of the goddamn pond.” 

And then he’s pulling away, leaving you gaping after him as he moves back towards the bank.

 His touch is an absence you really wish didn’t feel so profound 

“Spoilsport.” You grumble. But you’re already moving after him. 

The alcohol you did have in you has disappeared; shocked out of your system by the frigid water and the feel of Art’s hands.

 You wade back towards the bank, your hip flask is nestled in the grass and glinting seductively in the moonlight. 

With Art’s back to you, you let yourself stare as he drags himself out of the water. His shirt is stuck to his body and entirely see through, settling into the ridges of his muscled chest. The moon’s light shines through the fabric hanging from his sleeves, making it look like the membrane of wings.

As Art kneels on the grass, you blink rapidly as if he’s a vision you can dispel from your sight. 

You can acknowledge he’s attractive- you’re not blind– but you can’t abide the yearning arising within you. You don’t have room for that in your life, for anyone, but especially not for him. 

You finally reach the edge of the bank and then Art is kneeling at the edge, holding a hand out for you to take.

You consider him for a moment and process the newfound ease on his face. He seems almost serene. 

You fight off a shiver that you blame on the cold and ignore his outstretched hand, pulling yourself out of the water unaided. 

“Really?” Art bites out irritatedly, watching as you wander over to your hip flask and sit down right beside it. You take it into your hand and unscrew the cap. 

When you bring it to your lips you look right into his eyes. “Really.” 

You throw your head back, the path the vodka burns down your throat is a welcome discomfort. You had felt far too peace just now, floating in a sea of stars with Art. 

But those weren’t stars, just a reflection of them. It was a trick. Nothing that could ever be real. 

When you drop the now empty flask into your lap, there are tears in your eyes. 

When was the last time you’d felt even close to the happiness you’d found in that water? 

It wasn’t real.

A traitorous tear is already rolling down your cheek as you drop your eyes to your hands. 

“Hey.” Art says softly. He kneels down beside you, one hand on your soaked back as the other plucks the flask out your lap. “What’s wrong?”

You make a noise that’s half sob, half laugh. “I already answered that question.” 

“Yeah, except I know you’re full of shit.” When you look up at him, Art’s frown becomes something gentler. “I know I’m not your problem.” 

You scoff, shoving his chest. He sways backwards, but drops down onto his knees, planting himself on the ground beside you. His hand is still on your back.

“Yes, you are actually.” You answer nastily. “You really are.”

“Just tell me.” Art whispers, ducking his head into your field of vision so you’re forced to look at him. His free hand settles on your cheek. “Tell me what’s wrong because this…is sort of scary.”

You lift your hands and clasp his cheeks, digging your fingers in. You’re overcome by a violent impulse to tear into his skin. 

It would be far easier to draw blood than confront how you’re beginning to feel about him. 

“Aww.” You croon. “Did I scare the poor little baby?” 

“Stop it.” He scolds. His hands move to grasp your wrists but he doesn't pull you away, not even as you press your nails further in.

But you won’t stop- can’t stop. Your feelings have become spiteful and unruly, running away from you at a pace which you can’t hope to match.

You can’t take the strain. And because Art is the contributor to that is closest to you, it’s him you’re going to lash out at.

“No, really, I didn’t think you’d be such a pussy.” You forge on, spewing venom. “I scared you by getting in a pond? Grow the fuck up, Art.”

But Art doesn’t rise to it. His jaw doesn’t clench and his grip on you doesn’t tighten. 

“This isn’t okay.” He says, tentative but assured. “You’re not okay.” 

“No, I'm not!” You snap wrenching your wrists free. “But it’s got absolutely nothing to do with you.”

You try to rise to your feet, but Art doesn’t let you. He moves so he’s kneeling either side of you, his legs pressing into your thighs as his hands fall onto your shoulders. You can feel in the way his fingers press into you that he’s fighting the urge to shake sense into you. 

You look up at him, slightly startled by his forcefulness. His back is facing the moon now and his drenched body is limned in silver. 

Before you can berate yourself for even thinking about it, you’re winding your hand around his tie and dragging him down, smashing your lips against his. 

You shouldn't be doing this, a large part of you doesn’t want to, but it feels like the only way to purge yourself of him. And what kills a bacteria faster than blazing heat?

Art lets out a warning groan, but your teeth nipping his bottom lip is all it takes to have him leaning in. Even your kiss feels like a fight, battling each other for control, pressing with bruising force.

Art crowds over you, guiding your back against the grass.

You let yourself fall. 

As your back presses into the earth, one of his hands settles on the side of your neck as he drags the other up your leg. When he peels up the sodden material of your dress, his hand exploring your thigh, the cold air bites tauntingly against your rapidly heating skin. 

Your hard nipples brush against his soaked t-shirt and the feeling is so tantalising, that you find your back arching, pressing yourself into him and chasing the sensation.

When you let out a moan into his mouth, Art draws back as if some unseen hand has pulled on him.

He’s still agonisingly close, his lips a hair's breadth away as he gazes down at you through heavy eyelids, water droplets running down his face from his hair. His breathing is ragged.

 Art’s eyes close and with his sight lost to him, his lips drift closer to you again and his teeth nip at your chin. After placing a ghost of kiss over where he’s bitten, he takes a deep breath.

Then his eyes open, and his expression is blank. It makes you feel sick.

You’re burning up with want, but you can already see the realisation of your transgression settling into the very bones of Art. He’s about to spurn you, disdain no doubt working its way to the surface. So you have to get there first. 

“Poor, sensitive Art, scared by a kiss.” You goad. The words are forced out and they feel malformed on your tongue. “Don’t worry your little head over it, it doesn’t mean anything.” 

Art drops his eyes from you, shaking his hand as he pushes himself off up. 

“Nice try, but I know what you’re doing.”  

He mumbles it and doesn't give you a chance to acknowledge it befores he’s on his feet and walking away. 

Tears prick insistently at the back of your eyes but you force them back, pressing the heels of your thumbs into them until it hurts. 

You sit up, feeling leaves and blades of grass sticking to your exposed skin.

You feel the air shift behind you, and are startled when you peer over your shoulder and find Art standing at your back. He has his shoes back on and is gripping his dry jacket far too tightly. 

You find your voice, but it’s weak: “What am I doing Art?” 

He doesn’t meet your eye, instead he opens up the jacket in his hands and settles it over your shoulders. You sit there, stunned as he tugs it around your body. Then he leans down and over your shoulders, his breath on the side of your face as he deftly buttons the jacket up. 

Art encloses you in the dry garment that carries the scent of him. 

“You’re doing the same thing as me.” He says quietly. It sounds almost painful for him to talk. “Running away. I guess we’re both cowards.”

And then he’s gone, marching back up the bank without another word.

You’re left sitting there, wrapped in his jacket and staring out at the pond. 

Not the night sky. 

Just a pond. 

  ━━━━∙⋆⋅⋆∙━━━━

( Three Months Later… )

After your cast had first come off, Wimbledon had felt like an intimidating but still far off thing; a dark shape on the horizon, but one you had to squint to see. But then it moved closer, barreling towards you like a bat out of hell. 

You’ve made great progress in your recovery, you really have…but all your extensive physiotherapy hasn’t been able to heal the nerve-damage you’d turned out to have- at least not in a timespan that’s workable for a professional athlete. 

You’re done. Tennis career over.

And your worst fear has come true: it hadn’t been your choice. Injury has forced you out and the public discourse is rife with commiseration and useless, positive platitudes. 

Art has been proved right. Everything would be so much better had you known when to quit. You had preferred ridicule to this. 

But until you’d come to Wimbledon, it hadn’t really sunk in yet: you hadn’t had the moment of finality. 

What closure has ended up feeling like, is the final nail in your coffin.

As you had watched the first matches of Wimbledon from the stands, Rebecca glancing at you constantly–presumably to check you weren’t about to burst into tears–you had felt as though you were being buried: each serve and volley another hand tossing dirt on top of the coffin, sealing you beneath the ground for good. 

At least one part of your day has been successful. You have completed the challenge you’d set for yourself that morning, which was to not drink any alcohol until the evening.

 It has been excruciating.

Evidence of your victory lays in your trembling hands as you fit your keycard into the door of your hotel room. You’re desperate for what you know sits waiting for you on the other side. 

But then, just as the lock mechanism chirps to let you know you’ve been granted entry, someone calls your name.

Your keycard is left in the door as your fingers fall away from the handle and you turn to face Art. He’s stopped himself a safe distance from you and is gazing at you with what looks like…relief? 

Of course you knew he was at Wimbledon–you’d narrowly avoided crossing paths with him a number of times already today–but to hear his voice and having his probing stare directed solely on you, is as debilitating as you remember. 

You haven’t seen each other, or even spoken, since the night by–or rather in–the pond. 

The only place the two of you are still together in any capacity, is on the Nike billboards that are still occupying space throughout the world.

And as if Art’s thoughts align with your own, he says: 

“You pull an impressive disappearing act.” He steps closer.

“That suggests you went looking for me.” You counter, pleased with how detached you sound. “We both know you didn’t.” 

“No. I didn’t.” Art replies frankly. 

“So I didn’t disappear, did I? You just couldn’t see me.”

Art moves towards you some more, stopping an arms length away. 

“It felt the same.” He utters lowly. “You were gone.”

You shrug halfheartedly. “So were you.” 

Then you press your back into the door, fingers seeking out the handle, shaking now for a reason other than alcohol withdrawal. 

You really don’t know if you’re running away or urging him on, but when you push open the door and duck inside, you do know that you’re not angry when he follows. 

You put your back to the hallway door, expecting Art to move past you and head into the suite, but he doesn’t. At least not right away. Instead, he stops right in front of you, looking down at you as the door swings shut. 

You would barely have to lift your hand and you’d be touching him.

You hate that he looks so good. He’s in simple navy dress pants, a white shirt sitting snugly on his chest, the top few buttons undone. 

The two of you stand like that for a minute or so, and just as you realise that your breaths have practically synchronised, Art is moving away from you and wandering inside. 

It’s only then, as he ventures deeper, that you remember what you’ve been so eager to get back into the room for. You curse yourself, letting your head fall back against the wall behind you.

Even if he hadn’t already seen them, it would be too late for you to hide the line of alcohol minis that you’d gathered from the bar cart. 

You’d set them out earlier, the process almost meditative. It had been a promise to yourself: get through the day without drinking and you can have all of these once you’re alone.

But now they’re standing out in the open, displayed on the nearby desk like pieces knocked off a board in a game that you’ve been playing against yourself. 

You watch helplessly as Art walks right over to them, his hands in his pockets. Your face flushes with shame.

Art cranes his neck back to look at you. You’re still pressed against the wall, afraid that if you take one step closer, you won’t be able to stop yourself from taking ten more. And you don’t want to be close to him when his face shifts into pity or revilement. 

“You planning on drinking all of these?” Art asks, turning back to the bottles as if he knows his gaze is steadily undoing you and wants to grant a reprieve.

Eased slightly by the remarkable placidity of his tone, you’re able to answer calmly. But you still don’t move. 

“That was the plan.” 

Art lets out a non-committal hum. “Why?” 

You laugh awkwardly, wringing your hands together. “I don’t know, why does anyone drink?” 

“I don’t care about anyone, I'm asking about you.” His voice is firm, but the foundation of it is something less solid. His words shake on the way out. 

You’re overcome with the urge to be honest. It’s actually a lot easier when he’s not looking at you. 

“I drink because at some point in my life, every tiny thing became really difficult- like, embarrassingly difficult, to the point where I feel like a child again. And it turns out that ineptitude is easier to bear when you feel like you’ve imposed it on yourself. I drink because it makes me feel helpless…but, helpless by choice.”

The confession hangs suspended in the air, a horrifying, complicated marvel- like a beautiful butterfly now dead and pinned by its wings to a board. 

Art speaks into the silence, his back still turned to you. “Do you want to forget? Is that part of it?” 

“Forget what?” You’re struggling for breath now, his presence drawing all of the oxygen from the room.

He half-turns his head, blue eyes settling over you once more. “All of it.”

“There’s not enough alcohol in the world for that.” You say morosely.

You have learnt that getting drunk doesn’t rid you of all the thoughts that torment you in sobriety, it just pushes them further to the back. Even if you drink so much you can barely walk, the thoughts remain, banging on the barrier and demanding to be let back in. 

Art doesn’t respond to that. He turns back to the little bottles and you watch as he reaches out a hand and knocks over the one closest to him. He pushes it forward, sending them all toppling one after the other like dominos. His eyes are set on them as they roll around on the table, a couple falling onto the plush carpet. And your eyes are set on him. 

Then, he finally turns to properly face you, knocking the fallen bottles with his feet as he leans back against the table and crosses his arms against his chest. 

He’s waiting, you realise. Waiting for you to speak. Waiting for you to make the first move. Wanting you to come to him. 

You push off the wall and start walking towards him. “Why did you follow me in here, Art?”

He sighs, the corner of his lip pulling up with a melancholy smile. “Because you make me feel helpless.” 

That almost stops you in your tracks, but you recover quickly, barely a footstep faltering as you advance on him. Your heartbeat is a warning drum in your ears.

Once you reach him, Art widens his legs, allowing you to step between them.

As you settle your hands on his thighs, his duck beneath your dress and come to rest on the bare flesh of the back of your legs. He draws you closer, making you fingers dig into his trousers to steady yourself. 

You sigh, your eyes fluttering shut as he leans forward, brushing his lips against your exposed sternum. 

You’re still flushed and sweating from the uncharacteristically blazing English sun and you shudder as Art’s tongue darts out lapping at the moisture there. 

You rock forward, placing your chin on the top of his head, inadvertently pressing his mouth further into your skin. His lapping tongue turns into kisses, kisses that travel down onto the swell of your breasts and into the valley between them.

Even when he reaches the fabric of your dress, he doesnt let it stop him: Art’s lips close around your clothed nipple, wetting the thin fabric with his saliva. You let out a breathy moan into his hair as he moves onto the next one. 

As Art works his mouth against you, you push your hands higher, letting your fingers brush the bulge in his pants before they’re settling on his belt buckle. 

He says your name, each movement of his lips searing into your flesh. 

“Do I make you feel helpless?” He asks, his hands moving up to curl in the sides of your underwear. 

“No, Art. You don’t.”

As you undo his fly, he begins to pull your underwear down.

“Why?” He closes his mouth around your breast and bites down just enough to make your breath catch in your throat. 

You remove one of your hands from his crotch and use it to grab the back of his neck, you pull him away from your chest, forcing him to look up at you as your other hand disappears into his trousers, palming his hardness.

Even as you step out of your underwear and kick it away, you’re starting to stroke him. His mouth falls open, sucking in a breath as gazes up at you as if you hung the moon.

“How could I feel helpless?” You goad, leaning in and resting your mouth beside his ear to whisper. “When I have so much power over you?” 

Art’s initial answer is to buck up into your hand, chasing the friction you’re moving too slowly to give him, but when you laugh at his desperation, he’s surging up, wrapping his arms around your waist and spinning you.

In a flash, you’ve taken up his position: ass resting on the edge of the desk. 

Before you can catch your breath, Art has his hands on your knees and is spreading your legs, exposing your bareness to him.

But apparently he still hasn’t got you where he wants, because his fingers then wrap around the back of your legs and he lifts you, placing you further back onto the wooden surface. More bottles roll off the edge and drop into the carpet. 

Then, finally, Art’s eyes meet yours. His smirk makes a return. 

“So…” He begins, his hands gathering up your dress and leaving it to bunch up at your waist. “I have absolutely no effect on you? None at all?”

“No-” You can’t even finish your thought let alone the word before his fingers are running through the wetness between your legs. Your instinct is to shut them, but his hips are in the way, so you only succeed in holding him firmly in place. 

You are left to stare as he lifts his hand up, evidence of your arousal glistening on his fingers. Then, slowly enough that he can watch the realisation of what he’s doing dawn on your face, Art takes his fingers into his own mouth.

His eyes meet yours and do not shift away for even a second as he licks your wetness from his skin. 

The tightness in your belly becomes almost too extreme to bear, and a throbbing begins between your legs. 

“I want you to ask.” Art says, his fingers–now wet with his own saliva–drawing circles on your inner thigh. “I want you to ask me to fuck you.” 

“I thought you were here because I make you feel helpless?” You try to sound taunting, but your voice is ragged with want. “Now you want to be in control?”

Art leans down and you expect an abrupt, bruising joining of your lips, but instead he kisses you slowly, tenderness in every gentle movement. His mouth is is still aligned with yours as he answers: 

“It’s not about control, sweetheart. I just want to hear that you want me as much as I want you.” 

You begin to kiss along his jaw, your sentence formed with words cushioned between the press of your lips:

“I want you to fuck me, Art.” 

Art's fingers curl around your jaw, bringing your lips back to his as he frees himself from his pants with his other hand. Your kiss is languid but rapidly growing with force, passion driving pleasure ever closer to point of pain.

“Condom?” Art questions into your open mouth. 

With his fingers digging into your chin, you can't shake your head so you’re forced to gather enough of your wits to speak again:

“Birth control.” 

“Okay.” Art pecks your lips before lifting a hand and spitting onto it. Then he’s fisting himself in his hand and pressing inside of you. 

Your legs immediately wrap around his waist, hooking together to pull him in even further. 

Art lets out a shuddered breath, his head dropping to your shoulder as he settles himself inside of you.

He kisses and licks across your collarbone, only stopping when he comes across the thin strap of your dress. With a little growl, he takes it between his teeth, tugging it back and then letting it ping back into your skin. 

You laugh, still adjusting to the feel of him inside of you as you move to pull down the top of your dress. But Art has other ideas. He stops you with a slow thrust, rolling his hips just enough to have your hands wrapping around his neck instead. 

“Let me do it.” He’s giving a command and yet it sounds like a grovel. 

Then, in unison, his fingers find the straps of your dress and he’s pulling them away, tugging the bodice down and exposing your breasts to him completely. His hands fall onto them immediately, palming the supple flesh and lifting them up higher so that he can kiss them even as he begins to rock into you. 

Just as your heartbeat begins to find some sort of rhythm again, Art pulls out of you almost completely before driving back in. Your breath is knocked out of you and as he begins to thrust with controlled rapidity.

Your hands fall to his still covered ass and dissatisfied with the lack of contact, you push your fingers past the waistband and dig your nails into his naked flesh. 

Art moans into your neck, clamping down with his teeth as he picks up his pace yet again. 

“Art-” You call out, lost in the press of him inside you. 

The table begins to shake so much that it’s slamming against the wall, the noise perfectly aligning with the sound of your hips slapping together.

“Tell me this doesn’t make you feel out of control.” Art pleads, his movements growing frenzied. 

By this point you can hardly think straight, so you give in, his statement going unanswered as your head is thrown back in pleasure. Art chuckles, licking up the column of your neck. 

“I think I got my answer.” 

“Shut up.” 

When Art laughs at you again, you remove your hands from his ass and grip his face instead, drawing his lips back up to yours. He opens wide, panting into your mouth before your tongues start to move together.

You stay like that, mouths joined and breaths shared as his thrusts become messier,  his hands on your back beginning to tremble.

But you’re not close yet and he knows it. He reaches between you and presses his thumb into your sensitive bud, applying enough pressure that, combined with him driving into you, has you quickly coming undone.  

You break the kiss, crying out as your body is wracked with convulsions. 

Art smiles, his eyes drooping closed as he chases his own release. And it doesn’t take long. You’re still coming back to yourself when his hips stutter and his fingers dig into you. He lets go, spilling inside you. 

You both go still. You press your face into his chest–his shirt now dappled with spots of sweat–as he places a kiss on the top of your head. 

You’re both breathing heavily, reeling in the wake of your joining when your phone–tucked into your purse that you had dropped by the door–begins to ring

Still inside you, Art shifts, pressing closer as his lips begin to kiss a path down your cheek. “Don’t answer it.” 

You lean back just enough to meet his eye and smile. “I’m not going to answer it.” 

Art matches your grin as he leans down and gives your lips a peck. “Good. Because I’m nowhere near done with you.”

[charmedreincarnation]

I shifted and manifested with your Morphics challenge !!!!!

I am sharing this on an alternate account because I don’t feel comfortable posting on my main account. I want to continue using my main account so, I hope that’s okay.

I’ve been in the LOA community for a while and have consumed every piece of information. You know how it is.. I had a Reddit and TikTok shifting account and was literally helping people shift with my advice. But aside from maybe slightly hearing or seeing my DR, I had never succeeded, and even that was years ago.

I’ve gotten lazier yet more somehow ambitious since 2020 when I first started this journey, which is insane because you know how when you first find out about shifting, you have a lot of symptoms and almost do it, but then months and years pass, and you’re more desperate yet doing the same useless things. It was like that. I was enlightened; I could spew every method to you backwards, studied many years from teachers like Neville Goddard, Joseph Murphy, Florence Scovel Shinn, Wayne Dyer, Earl Nightingale, Louise Hay, Esther Hicks (Abraham-Hicks), Albert Einstein, Thomas Edison, Ralph Waldo Emerson, Wallace D. Wattles, Rhonda Byrne—okay, everyone and their teachers. I also spent so much money on paid subliminals, meditations, teacher personal subscriptions, witch spells, lucid dreaming supplements, etc., but there are some things money can’t buy, so really, don’t waste your money lol.

I’m not here to be wise and do nothing with that wisdom, so I realized maybe instead of trying to do everything so mighty and intricate and be pretentious in my intelligence, let me try something so simple I would be shocked if it worked. Then I came across a post that was like, "Everyone is going to shift in September," and I almost cried because I have been trying for almost 5 years. I’ve given everything, and I was starting to think LOA is a cult because, let’s be real, it checks off all the things of a cult:

1. Charismatic Leaders: Many LOA teachings are popularized by charismatic figures who attract devoted followings, similar to leaders in cults.

2. Promised Benefits: LOA often promises significant personal benefits, like wealth and happiness, which can be enticing and lead to strong adherence.

3. Community and Belonging: Followers of LOA often form tight-knit communities, sharing experiences and supporting each other, which can resemble the communal aspect of cults.

4. Us vs. Them Mentality: Some LOA teachings might create a divide between "believers" and "non-believers," fostering an exclusive mindset.

5. Simplistic Solutions: The idea that simply thinking positively can solve complex life issues might be seen as an oversimplification, similar to some cult ideologies.

It’s almost religious, but most people are religious, and you know what? Without faith in something, people might have probably just (TW) killed themselves. Everyone has some kind of cult behavior—religious, politics, loyalty to family who don’t love or respect them. At this point, if it was a cult, I guess I was okay with that. Hopefully, the belief would at least give some sort of false comfort. Because having awareness and enlightenment and still suffering is even worse. Ignorance is bliss, as they say.

Then I came across your challenge, and tbh I had tried every subliminal, meditation, binaural beat, etc., so at first, I thought, how will this be any different? But then I saw the LOA Bella success story, and I just felt this was my calling because I had never related to a success story so much. I wanted to cry because it felt like a sign.

This isn’t a very exciting or good story, but all I did was:

Morning
https://youtu.be/gOpZAPo8VvU?si=FA2oxWQkR6l2KU_M

During the day (together)
https://youtu.be/67T-wX2iqfM?si=-f-TvsYyQ_D-od1L
https://youtu.be/xwaSBZFucGg?si=8-XLLROuoIypBSu0

Overnight
https://youtu.be/uBHMmHbQwa0?si=h01rp0Ngdl7Xhv9C

Basically I had a lucid dream and woke up in my waiting room because I had used lucid dreams to get into the void state, but they were also fake voids, and it was annoying to think, "Wow, I’m going to wake up with my dream life," and then fail. So I was taking no chances. I had a dream I was at work, and this lazy girl was being lazy as usual but an actual nuisance. We were outside, and I was like, "Wait, I don’t work outside," and then I got too excited, so I started jumping around and did a backflip because I heard that helps stabilize the dream. Then I commanded my annoying coworker to take me to a portal, and she did. I envisioned my waiting room and set the intention that when I close my eyes and enter the portal, I would wake up in my WR. I walked through, and then I fell. I was scared to open my eyes, so I affirmed just in case as I fell, and I heard the beach waves, and I knew it was there.

I only did this for manifesting purposes because then I intended to shift back to the same reality but where I had my dream life and master shifting abilities and void ability.

Honestly, I was so depressed at that point I didn’t particularly have any dreams or aspirations, so I didn’t know what would make me happy, as sad as it sounds. But I just slid into my WR bed and set the intention because I knew anything is possible in my WR and fell asleep. When I woke up, I woke up in a brand new house with a brand new family in a beautiful room.

Now, like I said, I didn’t have any intentions, so for the last few days, I’ve been having so many surprises and things happening that I now realize, of course, I would want this. I am just very happy, and I can’t believe it was so easy after almost 4 years.

I don’t have any stupid enlightenment advice that I would have thought I would have when I finally succeeded. As stupid and cult-like as it sounds, don’t give up—something will click.

That's amazing! I'm so happy for you and your success :)) and I am even more happy that you’ve found happiness when you don’t even know what you wantedand that it worked out.

I had a very similar experience and what I took from this is to be open to experimenting with different methods because what might not work today could be the key tomorrow and it can seem random.

I wish you the best with your dream life and I hope you continue to find happiness in different ways

[creekfiend]

I have been having a really weird experience this summer, which is that I fell in love for the first time. I'm 36, and if you'd asked me if I had ever been in love previously, I would have said "I don't know, maybe? I used to think so but now I'm not sure? What's it mean to be in love?? how would I know if I had or not???" I thought that because I had not experienced it myself, the people who were always saying "oh no, trust me, You Would Know" were all lying or otherwise mistaken. I DID NOT BELIEVE THEM. I was fully like "this is some sort of mass delusion, there's no way that's a thing"

Now that I know that this is something that Exists even if it doesn't always Look Like They Tell You, there's SO many things that make sense to me!!! Whenever I encountered Romance Stuff before, I had no desire to do any of it AND could not comprehend why anyone else would ever want to either. It was this really large experiential disconnect for me. Whether or not I want to do any of those things, I now understand why other people would, if they Were In Love. LIKE I GET IT NOW. IT MAKES SENSE TO ME. I still can't relate to things like people in movies falling in love instantly, but now it's like "oh right, that's a potential state of being that exists," rather than "pretty fucked up that hollywood made Being In Love up to sell more flowers or whatever."

I feel like I'm constantly 24/7 running a software update on my brain that's been overdue to be installed for years or perhaps decades. It's just like "OK YUP UPDATING ALL THESE PROGRAMS AND FOLDERS. THIS WILL TAKE SOME TIME AND DATA BYTES OR WHATEVER, BUCKLE UP!" Pretty sure there's actually one of those little rainbow spinning icons above my head the whole time I'm conscious, like I am some sort of very confused Sim.

This happened to me REALLY SLOWLY, too, so it was like a big blockage in a river, and more and more stuff was just piling up against it, and then the dam broke, and now I'm sitting in the shallows of a giant basin lake under a massive waterfall wringing my hat out and going "woah. they got never before seen types of fish in here"

Who else knew about this??? Unfortunately the answer is: a majority of human beings over a certain age DID in fact know about this, it's just that every time anyone said "this is a way people feel about each other sometimes," I said "hmm. sounds fake." In-cred-i-ble.

Turns out that being in love is just an experience that people can have!! It's just a thing that happens sometimes! Some people have had it happen to them a bunch and some people not at all. It's just A Thing That Can Happen To You. Wtf. WHAT WILL I DISCOVER NEXT????? IT COULD BE ANYTHING !!! WHAT WOULD BE THE FUNNIEST POSSIBLE NEXT THING FOR ME TO REALIZE EXISTS? ONLY TIME WILL TELL. (Can you fucking imagine having this happen to you when you are in your seventies or eighties rather than your mid thirties ????? THAT WOULD BE THE WORLD'S MOST DISORIENTING EXPERIENCE.) (I also thought that "having chemistry" was fake.) (Do not diagnose me, I PROMISE I already know)

[prettyboykatsuki]

I can just imagine fujo neet reader practicing different sex position with rin to make sure she gets the proportions right.

✮ tags ; fem!reader, sexual tension, rin's pov, RIN IS KIND OF MEAN TO HER BUT HE WANTS HER SO BAD FDKJJS, reader is a fujoshi and bl mangaka, pre-relationship, they work together, part of a ficverse i haven't written yet Sorry, ONE JOKE ABOUT RIN WANTING TO OFF HIMSELF, SUPER SUGGESTIVE LOL 18+

✮ wc ; 3.5k (WHAT THE FUCK!!!!!!!)

✮ a/n ; i had to do this for my sanity. i promise i will write them a proper fic with them i promise.

You never text Rin.

Not really. Not first at least. It's a new... friendship. Kind of. Sort of. Most of your communication thus far has been through meetings and random in-person chance encounters. Outside of that, Rin will call you since it's faster. If you do "text", it's mostly through twitter DM's.

There's a discord server your fans run, and you pop in there often enough. He's had the invitation extended but declined unilaterally, since he'd rather not see himself fucking Isagi anymore than he already has in his short, miserable career.

It surprised him this morning, seeing your message flash across the top of his screen. Asking, specifically, for him to come over and help you with something related to the new manga you were writing. He had it in his right mind to decline, but after learning it wasn't a doujin for him, he semi-reluctantly agreed.

Rin doesn't know when exactly your relationship to him grew this...comfortable. Inviting him over to your house, begging him for favors, not wincing every time he talks to you. Rin isn't an extrovert but compared to you he's a social butterfly. And your aversion to people in general, Rin thought, would prevent you from doing anything more than squeak at him forever just like you did when he met you.

(Though nothing in his life has been normal since your arrival in it. He's not sure why you would remain unchanged when he certainly hasn't.)

He doesn't know what to feel when you ask him for a favor, and he doesn't know what force of nature compels him to go. If it's morbid curiosity or annoyance or something else even worse.

It was compelling enough to take the train all the way out to Machida - an hour long trip from his own place. His manager hounded him to take you something, so he has a bag of ginseng energy drinks and snacks with him as a gift. He took the bus with his mask on, and then walked all the way to your building.

Your apartment is tucked somewhere classically suburban - attached at the far end of a residential street and behind concrete support beams for a highway just overhead. Cherry blossom trees and other shades of white flowers grow around it in thick patches, making the entrance hard to find. Rin would've had trouble if you didn’t give him details on exactly where to go.

It's an older building, stone walls worn and grass-stained from age. At the gate are groups of old people talking amongst each other as they sort through recycling and trash. All visor hats and sunspots, they fawn over Rin for a long while before he goes in and interrogates him with questions. None of them know him, which is relieving. It quickly graduates to them asking who he's there to visit, if he has a girlfriend or not.

All of them ooh and aah when he mentions your name, say something about being relieved she's found a man so handsome and that Rin should marry you because even though you're a little strange you're a good girl. Rin does not have the time nor energy to correct them - only nods and bows his head and leaves.

On the elevator ride up to your floor, he can't help but think repeatedly that this isn't the kind of place he'd expect you to live. He thought it'd be out in the middle of nowhere, maybe in a damp and broken building.

But this is a nice place with nice people, vibrant and colorful. Totally opposite from what he considers your personality.

Suitable or not, Rin manages to make it to your floor without a hitch.

He finds you, then, as he'd expect. Down a long hall, behind an unassuming white door. When you open it, you're a mess. Your hair completely unkempt, face greasy, a wild look in your eyes and complete surprise in your expression as if you didn't invite him over. You do, however, manage to invite him in without stuttering or stumbling over your words foolishly like you did the first time you spoke to him.

Another surprise is how... clean your living room is. It's lived in but he was expecting more mess in there. Your bedroom is in a similar state, undoubtedly messy but not terrible. Your NEET tendencies finally end up showing when you drag Rin into your office where you draw your manga.

It's not dirty but it's cluttered. There's a pull out sofa on one wall, with a blanket and pillow littered about and pages upon pages of paper sheets with scrapped panels about the floor. One wall has a bunch of post-its with several notes in both English and Japanese, and another has tacked up pieces of art. Both yours and other peoples. He chooses to ignore the ones of him and Isagi, The walls themselves are cream colored and uninteresting and the wood floors are slippery. At the far end of the room is a spread of desks, a PC set-up and a professional looking tablet among various art supplies in stacked boxes.

It's this room you bring Rin into without explaining yourself at all, mumbling and muttering as you give him a place to sit and go back to your work for fifteen silent minutes.

When you're finally finished doing whatever the fuck you were doing, you turn yourself back towards Rin. Bluelight glasses fall down the bridge of your nose as you swivel around in your chair - your sweatpants half pulled up your leg with the other pulled down. You're wearing fuzzy socks with Naruto characters on them.

You stare at him, pulling your glasses off and rubbing your eyes - dark circles under them.

"Uhm," Your voice is clipped and thick with exhaustion. "You came."

Rin deadpans. "You asked me to come."

"I thought you'd say no."

He did too. He doesn't respond back. You chew your lips, already anxious and Rin resists the urge to say something about it.

"Okay. Uhm. Please don't get mad," You start with and then explain, looking away. Your hands pull your sleeves over your palms. "So. Like. For my new series, I'm finally getting to the sex scene but I've never drawn characters with an intense height difference like this. And I need... new reference photos.... and uhm," You rub your feet together on your chair where you sit "Well our height differences and size is the exact one my characters have. So."

Rin stares at you. "So?"

"SoIwaswonderingifyou'dtakereferenceimagesforsexpositionswithme,"

Rin feels his jaw lock. "Slower."

You frown and look away, tucking your chin with embarrassment. "I was uhm, like, wondering if you'd take... take the uhm, sex position reference photos with me, please."

"What?"

You clasp your hands together, immediately prostrating yourself by throwing yourself down the ground. He flinches back, wondering if you're gonna hold onto his leg next.

"Please, please help me. You're the exact height of my seme and you uhm have similar builds and he's doing the most of the legwork. The poses are a little bit hard but I want them to look good or Minami-san will eat me and I'm scared of her, please help me."

"Who is Minami-san?"

You sniffle, on the verge of tears just thinking about it. "My editor. She used to be my fan. She's scary. Please, Rin-kun, please."

"What the hell did you do before?"

You frown at him, big wet puppy-dog eyes.

"It was hard. Sometimes I'd pose with my big stuffed animals and make up the proportions. Oh and usually watched porn and stuff. Sometimes I'd get lucky with stockphotos. But I don’t get the angle exactly right unless I have good references."

Rin wonders if anything you have ever said has processed in your mind before saying it. He doubts it for some reason.

"So," Rin pinches the bridge of his nose and shakes the image of you humping your stuffed animals out of his head. "You're asking me to.. pose with you?"

You nod and chew your lip. "Please, I promise I'd never ask you for this if I wasn't s-scared of Minami-san! Please?"

"I should make you pay me for this," He sneers. You flinch back and close your eyes.

"I'm sorry." You whine wetly, but then open your eyes again anyway. "Please help me."

Rin doesn't know why he helps you. Maybe you're just too pathetic for him to ignore. Maybe he's a masochist. Maybe inhaling the same air as Bachira last week turned him stupid.

He pinches the bridge of his nose.

"Fine."

__

If Rin didn't believe you before when you told him you make your own references, he'd definitely believe you after you take him to your bedroom.

Your bed is in the center of your room, instead of being pushed against a wall. Large stuffed animals laid in one corner. On both sides of the room, are makeshift digital camera stands and remote-controlled lighting among another remote for said cameras. There's about 4-6 angles from what you explained to Rin, and a few adjustable lights. It's an elaborate set-up and takes the kind of dedication Rin can only imagine a hardcore fujoshi freak like yourself thinking up.

All of this to mostly draw porn of him and his rival. He tries not to think about it too hard because he thinks it's going to give him an aneurysm. Rin sits at the edge of your bed as you adjust each of the cameras individually.

"What do you do if it's not on a bed?"

You flinch like you aren't expecting him to talk. "Uhm. I either simulate as best I can o-or move my things and bed around. It's why I moved my desk to my office."

Rin stares at you. "You take it seriously."

You nod meekly. "Producing high-quality doujin is what made me money, so I have to work hard. Being poor is tough."

If Rin didn't find you so unbearable he might find that awe-inspiring in his own fucked up way.

"Okay. Everything is set-up. Now for the poses," You say, suddenly sparking back to life. Rin sits and watches. "They're having sex on a public beach so the bed and the way the seme sort of sinks into the sand will be good... I think the bridge one is the one we'll do first."

"The bridge?"

You nod, talking in short sentences. But Rin can tell this is where you're comfortable, doing things for this... hobby. Your usual constant embarrassment and shame seem to disappear when it comes to it. It's fascinating like a car crash. "Uhm. You have to stand on your knees and then, I'll lay on my back and arch my back up to meet your... y'know. It'll emphasize the height difference."

Rin stares at you agape. You take the remote control for your cameras in your hands and look at him expectantly.

Rin doesn't know whats wrong with him. Why the hell did he agree to this?

"Do you want me to take my jacket off?"

You nod, surprised. He shrugs the thing off of his shoulders and tosses it onto the floor.

Rin, per your instruction, gets into the position in the middle of the bed. He stands on his knees waiting for you. You join him a minute after, squinting at your phone screen beforehand. He isn't sure what he's expecting as a result of your ask, but he sure is shocked when he finds you placing your feet flat on the bed next to his knees and pushing yourself up for your crotch to meet his.

He knows that’s what you said but your shamelessness proves to be… shocking.

He tries not to let it show. His jaw ticks. His face feels warm but his expression remains neutral all the same. You shift and adjust and don't seem concerned at all - like it doesn't occur to you that this is in any way socially unacceptable. Or it's unfathomable Rin would take advantage of this. That this is weird, or could be interpreted in less than innocent ways. Rin knows you're so out of touch that it probably isn't. That this is, to you, just considered a favor which is partially why he even agrees.

But you're mid-brushing up against his bulge. The angle of your back forms a triangle, your arms laid flat at your sides as you squirm and push. And your expression shifts, deep in thought.

"Uhm, like, would you mind p-putting your hands on my hips? Kind of squeezing tight like it's," You flush this time, but Rin harbors doubt it's about him. "Like it feels good I guess? Like hard, and stuff so you can see the indent."

He's so astonished, he does it on autopilot. Neutral and even. He lets his hands grab your hips and holds tight just as you ask. Your long, loose sweatshirt falls down revealing the soft skin of your tummy. He can see the tops of your underwear, the thin cotton kind that come in 6-packs with a single bow in the middle in a grey color.

You don't seem to care about it. Rin shouldn't either, but his body does seem to care. His brain does. Something is happening in his gut. Anger maybe. Some cheap, frustrated desire to make fun of you.

Instead the words he's been wanting to ask since you proposed this tumble out of his mouth. He stares at you.

"Is this the first time someone's done this with you?"

You jump with a start, but remain in position. You take the pictures first, six clicks in a row before answering.

"H-huh? Why-why are you asking that?"

He doesn't know. Really. And he knows how it sounds. Rin doesn't say anything and you fold under the immense pressure of his gaze.

"S-stop staring," You say, and take a few more pictures, lowering your back just a little but still staying up right. "And no. No one tall enough or with the right physique."

There is another gnawing question, another burning curiosity. He makes his voice as even and unaffected and apathetic as he can. As mean as possible.

"Have you ever even had sex?"

Your eyes blow wide, but you seem to fall for the persona of apathy, curious boredom and cruelty. Worse, you seem a little used to it. You squirm this time and Rin holds you firmly in place. Your voice is small.

"Uhm, like, once I guess. I-it was with a guy, I didn't really date him but he seemed interested in me and I didn't think I'd ever have the opportunity again s-so I did it and I didn't uhm, it wasn't very good or anything." You reply, and he can feel your toes curl in your socks next to him and his brain feels like it'll melt from out of his ears. "Sorry, I don't-don't think you care about that, just uhm, felt like I should explain."

"Yeah," Rin feels dizzy. "Do you need another pose?"

You blink and then nod. "Yeah! Another one kind of like this, but with the legs like uhm, on your chest and my feet closer to your head. With you leaned back a little. Does that make sense? The butterfly position, I think."

Rin swallows something at the back of throat.

He nods, pulling you into position so easily he can heard you gasp. Your legs straighten against his clothed chest, and your sweatshirt falls far enough to let him see your bra. A fabric sports kind, a little worn - just the logo visible. He doesn't say anything about it, your feet resting near his neck. You make a little soft noise.

"This feels a little difficult to be in. Poor uke. Sorry if this one is kind of weird, but can you put your hands, I dunno, on my ass, I guess? I know that's probably too much but I think it'll be a good detail, so please? I'll pay you"

Rin stares at you, teeth gritting so hard he feels the back of his skull throb. "Fine."

Rin, per your request, puts his hands on your ass. It's easy enough, and he doesn't hold too tight. But it's too intimate, too stupidly fucking intimate, and he can feel you. You're hardly paying attention, caught up in your own head with whatever else. Rin is paying too much attention. Like how your sweatpants aren't thick enough to cover the outline of your frumpy cotton panties and how your soft all over. He's going to kill someone. Maybe himself.

Six more clicks and a little noise of satisfaction.

"Okay!!! I think these will turn out so great, and I can use them later too. Just one more. I have a lot of refs for this position, but uhm - I want to see if I can get the proportions correct, so if you'd please lay down," You tell him with such genuine excitement he can't find it in himself to say anything horribly cruel. "I'll be doing most of the work this time. I just-just need to see how uke will compare..."

You mutter something to yourself as Rin lets you down and lays himself down on your bed. You sit next to him for a long while, squinting at your phone. Rin stares at you as you. Wonders if he's gone completely insane, and tries to ignore the doom of the impending hard-on cozying itself in his pants.

Unceremoniously, you find yourself perching over Rin's lap. Not bothering to give him any pretense, it's the one thing about today that's really getting him.

"Oh, I need my hands for this," You give him the remote and stare down at him wide-eyed, over his lap. This has to be hell. "Could you take the photos this time?"

He closes his eyes and counts to ten and wonders if a concussion has made him insane. "Hm."

You brighten and Rin feels his chest go tight. "Thanks!"

Rin just nods, his mouth drying as you start to move and pose. A picture with your hands next to his head, and anothe r where you're sat up - your hands at your sides. Rin obediently takes pictures when you ask, his entire body tensing every single time you move.

"Okay, last one," You say. This time, you put your hands on his chest. Just the one. You must have something specific in your head that you're wanting to recreate. You bend down close, looking down at him as you do - your other hand clenched.

Rin looks up at you. He should not be thinking about you in any way. He's looking at the way your lips curve and plump and at your bare skin and your dark circles and your stupid licensed anime hoodie. He just gapes at you in confusion and mystique. He's around so many weirdos. It's not like there's anything special about you. You’re just another freak who makes porn of him. Plenty of people do that.

A loser and an idiot with no sense of self-preservation. There's nothing special about this, but Rin hasn’t been able to convince himself of that.

You stare down at him.

"Take a picture?"

Rin looks at you. Studies your expression. You seem like you're thinking. It's the only oppurtunity he has to pry.

"Did you want to ask something?" He says first. “You’re not hard to read.”

You startle, then nod. Your hand is on his chest. It's warm, and smaller than his.

"Oh, I-I guess I was wondering about what you asked me earlier. And uhm, like, I don't know. If you ever did anything. Your relationships aren't in the media and fans speculate but," You fall flat on your words. "I guess I was just curious."

Rin hates this question. It's why he never answers it. Why he hates being called a hearthrob, always too shallow and too personal for his taste.

"Nothing long term or serious. It was most for physical relief." Rin says, almost on autopilot. “Not that’d you know what that’s like.”

Your eyes widen. Rin feels his hands twitch, watching your expression finally grown conscious of him. Lust spreads through you like honey and Rin can see it in how you look. You squirm in his lap. He's not usually so aggressive, not usually one to care about sex in any important way. Not one to brag about something so unbelievably inane and trivial.

But it's bothering him, just how much he's fighting the urge to pin you down and fuck you. You of all people. It's not like him. Rough sex is whatever, but it's bothering him how little any of it seems to register in your head anymore like it once did. You could barely breathe the first time you met.

He doesn't know why he cares that you don’t anymore. He doesn’t give a shit about anything related to you

But the thought nothing seems to bother you anymore bothers him.

"Oh... I see. That's uhm, interesting. I b-bet you have a lot more experience than me. Maybe it'd be a good thing to keep you around for that kind of refernce too," You joke.

Rin lets his hand slip up to your hips without asking, not bothering to hide it anymore. His head feels with nothing but stupid useless thoughts. Thoughts of fucking you in your old, worn clothes and stained shirts and comfortable cotton underwear. Thoughts of your hands clutching at his shoulder all weepy with desire and need and stupidity - your big wide eyes bleary and sensitive. It's cruel how relentlessly he thinks about taking advantage of all your differences. Of how unathletic and awkward and unused to everything you are.

It's horrible just how much he's staving off his own arousal about it. Maybe you're strange habits are infecting him, making him strange too strange. All Rin can think about uselessly is how easily he could put you in your place. Fix you in some strange way. You’d be his to fix and you’d cry and weep and want to run away. Rin wouldn’t let you, keep you pinned and caged like an animal.

His throat feels tight. What is fucking wrong with him today?

Is he that pent up? He stares at you, and gets some passing feeling that there is more to it than that. He closes his eyes.

"Whatever," He says, letting go. You don't seem to notice it again, how thick his voice is getting "Are you almost done?"

You nod and smile. "Yes. Thank you."

Rin feels his heart tug and seethes. “You're welcome."