Silly idea I talked about ages ago with @azure7539arts, inspired by a similar event my workplace hosts every year. Would minors be allowed to participate in such an event? Probably not! But then again, it was the 80s, who can say for sure. Anyway, it's my birthday and I'll post nonsense if I want to <3
-
“I need you to buy me.”
Eddie looks up from his notebook, effectively jarred from his campaign-plotting fugue state by Steve’s declaration.
Steve is standing at the other end of the dining table, staring at him expectantly.
“Y’know, this is the part where someone usually follows up their completely bonkers demand with an explanation,” Eddie says slowly.
“At the charity auction,” Steve clarifies. “I need you to bid on me, and I need you to win.”
Ah, yes, that weird Rent-an-Athlete charity auction the school runs every year; anyone on any Hawkins High sports team could volunteer to be “auctioned” off in order to raise money for said sports team, to spend a day at the beck and call of the highest bidder (within reason, supposedly). It’s generally restricted to students, but occasionally, prominent alumni are invited to participate – and Steve certainly fits the bill, especially after the story the government spun about his heroism in the face of “serial killer” Henry Creel last spring.
“And what, deny all those pretty girls a chance to get at you?” Eddie asks drily (he’d never turned up at previous auctions himself, but you could hardly avoid gossip in a school their size; it had usually been some cheerleader bidding with daddy’s money who won a date– that is, a day with Steve Harrington).
“It wasn’t always a girl who won,” Steve says, crossing his arms over his chest. “One time it was Mrs. Dalton – you know, the lady on the school board who lives on my block? I just spent the day doing yard work for her. She gave me lemonade. That was pretty cool.”
“Right,” Eddie drawls. “And I’m sure she definitely didn’t sit outside and stare at your ass while you were working.”
“She did not– she– I mean she was on the porch, but, like– she wouldn’t have– she’s, like, seventy, Eddie,” Steve splutters, and it’s all Eddie can do not to laugh.
“Older gals have needs, too, Steve,” Eddie says, giving in to a smirk. “So she was checking you out from the porch, huh?”
Steve goes red. “Shut up, that isn’t the point. I’m trying to ask for your help.”
“Right, right, your absolutely reasonable request for me to buy you at market. Why, again?” Eddie asks.
“The kids are planning to bid on me,” Steve says gravely.
Eddie blinks at him. “Okay?” he says, when no further explanation is forthcoming. “You basically do most of what they ask, anyway, so…?”
“Okay, believe it or not, I actually say no to at least half of what they ask me to do. I would literally never get anything done if I gave in to all their demands.” Steve jabs a finger at Eddie, who holds up his hands in mock surrender. “Anyway, this is all Henderson’s fault.”
“It usually is,” Eddie agrees, nodding sagely.
“He decided that he was going to bid on me and then use that day to finally make me play your nerd game with you–” Eddie snorts, and Steve shoots him a look, “but Wheeler doesn’t want me to play, so he said he was going to bid against Dustin and make me do anything but sit in on a session with you guys.”
“So let Wheeler win.” Eddie shrugs.
“No! I can’t let fuckin’ Mike win, he’ll probably make me do something even more ridiculous!” Steve exclaims. "He’ll make me play chauffeur for him and El on a date, or something, and he’ll probably include the stupid hat.”
“Wait, I thought El broke up with him,” Eddie breaks in.
“No, they’re on again,” Steve says absently, shaking his head. “Which is why Max has been in a bad mood lately.”
Eddie bites back the reflexive need to ask “How can you tell?”, going instead with, “I thought she and Sinclair were on again.”
“No, they are. That’s why no one’s been actively murdered,” Steve says.
“How do you keep track of all of this?” Eddie asks, squinting at Steve.
“It’s a natural skill. And we’re getting off track,” Steve says quickly. “Normally, I wouldn’t be that worried, because Dustin regularly blows his savings on weird science gadgets or whatever, but then Lucas and Will started taking sides.”
“This is getting very involved,” Eddie says.
“So you see why I’m stressed!” Steve insists, smacking a hand to his forehead (personally, Eddie thinks Steve is stressed for many other reasons, but he figures pointing that out just now won’t be appreciated). “Lucas is on Dustin’s side, and that kid does odd jobs like nobody’s goddamn business; he actually has shit saved up. And usually I’d have faith in him being more, like, sensible than to spend it all on this, but the little shit is really fucking competitive.”
“Wonder who he got that from?” Eddie mutters.
“Okay, we do remember that I’m not actually biologically related to any of these idiots, right?” Steve snaps.
“Well now we’re just getting into nature versus nurture–”
“Eddie.”
“Right, sorry, continue.”
“Well, Will took Mike’s side–”
“Shocking.”
“Right? But anyway, I don’t know if the kid has much saved up, but between him and Wheeler, they might be able to win.” Steve sighs, looking far more world-weary than Eddie feels the situation really warrants.
“You know you don’t actually have to do what they ask you to, right?” Eddie points out.
Steve rolls his eyes. “If an auction winner complains to the school that the person they bid on didn’t fulfill their end of the bargain, they can get their money back. It’s a whole…” he waves his hand vaguely, “thing. Happened once when I was a sophomore; Deacon McNab. Lost a good chunk of change for the football team, and they vandalized the shit out of his car.”
“Ah, right. Forgot we went to school with literal psychopaths,” Eddie hums.
“So, I just need you to bid on me and win, so I’m not stuck wasting a Saturday on whatever the hell the kids are going to try to make me do. Or not do. Or– whatever,” Steve says.
“Okay, not that I don’t understand your predicament here, but I think you’re forgetting something kind of important, Steve,” Eddie drawls.
Steve’s brows draw together in question. “What?”
“I’m fucking poor.”
“Oh.” Steve shakes his head. “I didn’t mean– no, I will give you the money, you don’t have to spend a dime, man, I just need you to get me out of this.”
“Why not have Buckley do it?” Eddie asks.
“That was Plan A, but she actually has a date that night, and it’s kind of a big deal, so I don’t want her to cancel,” Steve says. “But I assumed you wouldn’t be busy.”
“Wow, rude,” Eddie scoffs, and Steve sighs.
“Fine, sorry, I just really hoped you wouldn’t be busy.” Steve gives him the most lethal set of puppy dog eyes Eddie has ever seen, as if there had been any chance from the beginning that he’d be able to say no. “Please?”
Just for show, Eddie lets out a long sigh, falling against his chair and letting his head flop over the backrest like he’s deflating.
“Fine.”
“Thank you,” Steve groans, sounding so genuinely relieved that Eddie almost feels bad about how quickly his thoughts dip into the realms of the inappropriate. “Oh my god, I owe you.”
Eddie glances back up at Steve, tongue darting out to wet his lips almost unconsciously. “You know I’m not as easy to appease as a couple of fifteen-year-olds, right?”
Steve’s eyes drop for just a second—maybe down to Eddie’s lips, maybe not; who can say?—before he looks back up, cocking an eyebrow at Eddie. “I think I can handle it.”
Slowly, Eddie grins. “We’ll see.”
555 notes
·
View notes
Things that happened in Martyn & Cleo Double Life canon:
Cleo hoping to find her soulmate and start a life with them
Cleo dumping Martyn without giving him a chance to explain his side of the story, but hearing him out when he comes to her later
Martyn watching Cleo through his spyglass and telling the audience she seems safe and happy even though he thinks it's weird she's outside at night
Martyn, after he's had time to consider how he wants to play this, spinning a story about trying to be a provider for her and Cleo explaining that she wanted him, not things
Cleo not being remotely impressed by the "I was providing" sob story, lol
Martyn calling Cleo selfish for choosing to be with Scott because she's supposed to be HIS soulmate and he wants a partner
Cleo willing to forgive Martyn if he meets them halfway
Martyn refusing to meet them halfway because he doesn't think he did anything wrong
Martyn screaming about how Cleo's building bridges with Scott but "When will she think about mending our bridges???"
Martyn explaining to Cleo that he doesn't understand why his Session 1 actions bothered them
Martyn centering his character arc and roleplay on trying to win Cleo back without actually apologizing
Cleo giving Martyn a flower and stating that if he loses it, she'll be real cross with him
Cleo chasing Martyn out of her yard because he tried to put an HOA sign on her base and she wanted to make it clear that she wasn't associated with them and their hate for his base (even though she does think his heart base is strange)
Martyn attacking Cleo after she said attacking is a form of affection to her
Cleo setting boundaries with Martyn and explaining what he can do to get her back
Cleo sighing when Scar set her up on a date with Martyn, but taking the chance to talk to him instead of walking out
Cleo genuinely wanting Martyn in her alliance
Martyn and Cleo giggling constantly when they chat
Scar asking if Martyn wanted him to play a romantic music disc for him and Cleo (and Martyn getting excited and saying yes)
Martyn offering to take Cleo's armor and weapons to the deep dark so he can enchant them and bring them back while she stays safe
Cleo gifting Martyn diamonds, expecting nothing in return but not wanting him to die from lack of a good sword
Martyn and Cleo forming a secret alliance that allows Cleo to live with Scott while being on good terms with Martyn
Martyn expressing frustration that Cleo wants to keep this alliance secret because he wants them to be public allies; Cleo softly shushes him when people approach and might overhear
Martyn telling Cleo that she's putting out a lot of mixed signals because she keeps reeling him in and then pushing him away, claiming he is very confused about where he stands with her
Martyn teasing Cleo by punching her off a cliff and accidentally killing her and feeling so bad about it that he apologizes profusely despite roleplaying as someone who refused to apologize for Session 1
Martyn and Cleo immediately threatening Bdubs together when he said hi to them while they were hanging out, sdkfj
Martyn genuinely apologizing to Pearl for dumping her after Session 1
Martyn hiding under Cleo's bed while she defends him from an enderman attack
Cleo offering to let Martyn move into her house after Etho and Joel grief his base; Martyn saying he might take her up on that
Cleo and Martyn agreeing to move out and base together at Box
Cleo trusting Martyn with the location and resources of her red life base
Martyn rushing to Cleo's aid in the deep dark and trying to turn everyone against him instead
Cleo responding to Martyn's panicked shouts for her to eat by opening her inventory to get food (and drowning because she forgot she was in water)
Cleo hanging back and letting Martyn attack Scott while she does nothing to stop him from doing so, implying as much as she likes Scott, she won't kill Martyn (and herself) for him (and/or she trusted Scott to handle himself even though he ran away while Martyn was shooting at him)
Things that did not happen:
Cleo unwilling to forgive Martyn or consider being his friend and partner
Martyn and Cleo hating each other
Thank you for coming to my TED Talk
44 notes
·
View notes
geniunely not trying to put words in ur mouth im geniunely asking: what do you actually like about persona 5? from all ur rants im just wondering why you didnt drop the game bc it seems (again, im not trying to put words in ur mouth) that it simply not for you? i geniunely have not felt any of the issues you bring up outside of the writing ones and i cannot tell if i'm just easily pleased and not good at discerning what a good game is or we simply have dif things we enjoy in a video game. i hate getting tone across text but im asking out of geniune curiosity im not trying to attack your opinion (;-;)
Nah, i dont feel like ur attacking me, and I hope u dont feel the same when u see my complaints! Lmao. In my defense, I am replaying the game for the first time after completing my first file back in 2020, so alot of the faults i kinda shrugged off in my first playthrough are now glaringly in my face now that I no longer have the confusion and interest in learning the main story to keep me occupied. The game is clunky all the way through, and at some times, even frustratingly so.
But despite that, i do like this game. Alot! Its probably one of my top games ever if im being honest!
This ended up way longer than I intended, so im putting it under a readmore to keep the post short on dashboards
If i had to describe what I liked about the game in the simplest way imaginable…I think I would say, I like how the game makes me feel :) I like the music. I like the vibe. I like the immersion from city to city, and I like the premise! I like the characters and I like the connections you make with these characters! As im replaying this game, i am most excited to see Akira and his comments about the world :) i like hearing everyones voices, I like their little interactions in Mementos, and I like seeing them fight!
P5 is the first game I played in the series; its the game that introduced me to SMT in the first place! And it (smt) is a series that my longtime best friend LOVES and never thought hed be able to share with me! It is a game i keep very near to my heart; it has influenced me in ways i did not think would happen in the short couple of years since i first finished it. It genuinely keeps me awake some nights thinking about the world this game has created, and I think that is a testament to the impact its had, be it good or bad.
The joke about wishing theyd make a persona game that was Good is that despite all of its numerous flaws, the games manage to snatch your attention and pull you in anyway. Imagine if they made a game that had all of those things that i mentioned I loved, but done Right and executed Properly?? Where I got to have a story that made sense and didnt need to be spoonfed to me (in like an HOUR of dialogue and scenes; an HOUR!), and characters that talked and bonded beyond the tiny snippets of interaction theyre allowed to have in mementos? Combat that let me use PERSONAS i liked instead of BUILDS that stop me from getting instakilled throughout the entirety of the endgame, and a Persona building mechanic that didnt feel like I was shooting in the dark looking for possible fusions that end up not even being useful in the endgame.
Ive mentioned it before, but I complain so much bc I have seen what a good p5 game looks like, and its Strikers almost to a T. Combat is still your typical warriors-esque style combat, but it is at least different from the turn based strategy of the main game. Characters talk to each other freely, they hang out and comfort each other in a way that feels more connected that the base game. Strikers implements the ability to see ALL possible fusions with ALL registered personas, not just the ones in your Stock, so you can fuse easily without having yo consult a guide. The story feels like it makes SENSE with antagonists that feel morally grey and sympathetic. Genuinely, alot of the complaints for p5 I had were almost immediately rectified in this game.
But please also know that the praises I sing for this game is only bc of the groundwork laid by p5 and the world it created. Thats what I like about this game, that it had such a captivating premise and cast of characters, that a DIFFERENT company was able to hit the ground running with them. P5 had alot happening in that game, but i think what it had most was potential. The effort put into this game is astronomical, and the possible connections you can outright MISS if u arent paying attention was worth the money and time to implement; even if it meant that it could be considered a waste of resources to higher ups.
Books and games and part time jobs???!! Silly little cutscenes that add nothing to the game PLOTwise, but define and flesh out the personality of your protagonist. There was alot of love put into this game, and its evident by the fact that we have NOT seen a new persona game released; they bank on existing titles bc they are unwilling to make a game like this from scratch again. They dont want to ‘waste’ resources on good voice acting and a complex, overarching story; they dont want to waste money on scenes a player may never see, on routes a player may never get to experience. Making a game that gives u even the slightest bit of freedom means more money in programming and detailing that freedom. This has been an issue for a WHILE, and its a miracle that the gaming landscape had space for a colossal title like p5!
I complain bc I want better, and I do not think that is inherently at odds with my love of this game. In b4 im told to get good; ive played on hard and tested out merciless (its NOT fun, im making godbuilds again and its boring 😞). Its not the most accessible turnbased rpg; theres no colorblind modes, and the affinity system is convoluted and overwhelming. Combo moves are hard to keep track of and it can be incredibly frustrating to see your turns being skipped or seeing characters take extreme technical damage without understanding WHY it happened. The fact that they KNEW the game was desperate for qol improvements by the time royal came out, and instead of updating the base game to have those improvements too, they just pushed the royal edition out for people to play instead. It sucks! Customers and fans deserve better than being forced to shell out money for a game they already played !
As the gaming climate gets more and more hostile and unbearable, I think it is good to look at your games critically, and understand why products come out subpar. Persona 5 is a fun game that has a nice cast and an interesting premise, but it is ultimately tied down by its refusal to build on existing building blocks regarding its combat, and it insists on having insulting and downright out of character dialogue and scenes to appease the audience its designed to be targeted to. It is easy to forget sometimes that queer ppl are infact NOT the prime target of these games, its cishet gamer bros from aged 16 to 40 who will laugh at homophobic comments, who drool over a 16 yr old girl with a 16 yr old mindset and a grown womans body, who need to be placated with constant sexual comments to deal with a convoluted story that will inevitably make zero sense until its laid out for you before the literal end of the game.
Its bad. Its good. Its so shallow and its unbelievable that they thought having the plot twist make ZERO sense until they showed CUTSCENES of YOUR character discussing Goro and his connections to the metaverse for endgame SHOCK VALUE was more important than just having your team be smart and piece it together over time. Its shit. Its literally amazing. It let you FUCK your teacher ??????????????what the FUCK. They also let me shoot a god in the face w the best looking ult persona in the world so i can ignore that shit. And ultimately that is how i got through the game. Lol.
21 notes
·
View notes