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#but focusing on HER as the leader and the main character
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here's a threefer if that's okay, all from Codename: Kids Next Door (early 2000s cartoon network show about kids with wacky technology who fight against adult tyranny)—since their stories are pretty well intertwined, and i can't really talk about just one without including the others here's Numbuh 5/Abigail Lincoln, one of the 5 main characters (Sector V of the titular Kids Next Door organization). she's the voice of reason and the "cool" one of the group.
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she's the one who holds the group together most of the time, and has great leadership skills—though she refused to be the official leader of Sector V due to an Incident when she was younger. at the end of the show, though, when the actual leader Numbuh 1 leaves for space, he requests that she become the leader of the sector again. she accepts, and eventually then goes on to become the Supreme Leader of the entire KND. love to see a girlboss winning!!
she also has an adventurous side—there's an arc where she goes on various treasure hunts for rare, mystical candies, and i think that's hella cool.
then there's her older sister, Cree. (yes, named after Cree Summer! she voices both her and Abigail.)
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cree is a recurring villain—a teenager, one of the natural enemies of the KND. what's unique about her compared to the other villains is that she used to be a member of the KND herself, before betraying the organization on her 13th birthday and escaping "decommissioning" (the process through which all KND operatives have their memories of the organization removed when they turn 13, i.e. are no longer kids).
aside from being just as cool and skilled in combat as her sister, she and her sister have an incredibly compelling dynamic. back when she was a kid, she and numbuh 5 used to be good friends and partners in adult-tyranny-fighting. in fact, 5's signature hat used to be cree's, which she gave to her out of pride for 5 having completed her second mission. in the present, though, their relationship has done a complete 180˚. they're at each other's throats constantly, now that cree had grown into the very type of person she used to be fighting against, WITHOUT memory alteration to boot.
...or so it seemed. in the episode OPERATION: VIRUS when cree was infected with the KND's "unpoppable zit" virus on the night of her prom, 5 actually went to lengths to get the antidote for her because even she thought it was "too far". in 5's words, "you may be my archenemy, but you're still my sister."
so yeah! they actually still care about each other deep down. aughhhhhh. this is just a headcanon but i imagine that to numbuh 5, her hat is a reminder of the good days when she worked together with cree. perhaps she holds on to it as hope that they can reconcile someday? idk
and finally, here's numbuh 9/Maurice. he was also on abby and cree's team back in the days.
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his episode literally made me cry, man. it's focused around his 13th birthday and his decommissioning, which everyone in the KND is tearful about since he was one of the greatest and most beloved operatives in the organization's history. seeing him going from a cool kid operative, dedicated to his organization's mission, to an average, kinda dickish teenager was a bit heartbreaking when i watched it at first
one thing i love about this show is how it's a satire of the childhood experience and the pains of growing up that imo is best understood by ppl who've actually gone through it. the trope of decommissioning, as well as the whole conflict between teens and kids, really hammers in the pain of the end of childhood and how fast things change for you as you grow up. how so many decomm'd operatives had unfinished business that they never get to finish. in real life it's like, there was a moment when you put down your favorite toys or hung out with that one childhood friend for the last time, but never knew it was the last at the time. it's so tragic and juicy aughhhh. a line numbuh 5 says to cree during this episode illustrates it best: "you're a teen...maurice's a teen...soon i'm gonna be a teen...why keep fighting it"
however, it turns out he wasn't actually decommissioned! but rather he kept all his memories and was brought on as a secret undercover teen operative, thanks to all he accomplished while he was in the KND. no one is supposed to know about this except the highest of the higher-ups in the KND, but he trusts numbuh 5 with this info thanks to the bond they had. so he continues his legacy as a heroic figure. i really, really love his character, his dynamics with both numbuh 5 and cree (the latter of whom he pretends to ally with and date), and all the show's themes he represents.
also fun fact he's voiced by Khary Payton, who also did Cyborg from Teen Titans!
Hot Chocolate loves this show, so imma pass it off to him. Though first imma say that I do remember how as a kid I was shocked that it was allowed for your character to have your real name lol, I always thought that was so groundbreaking and taboo. Like aww! Her name is Cree, and so is her character! Now to him:
Hot Chocolate: SOMEONE GETS IT. These three black kids had me ready to join KND, kick butt, and steal ice cream. Numbuh 5 was my favorite! Always cool, and a fantastic leader. I forgot about her becoming supreme leader though, so you know what that meeeeeaans- time for a rewatch. Anyway, her relationship with Cree was so interesting and sad like come on, we were homies! It doesn't have to be this way! 😭😭 Especially because even though Cree was "evil" my young self has a crush on her 🤣.
Anyway the commentary on growing up and becoming old and boring caught me for a while, so I made sure I had as much fun as I could. But then they showed Maurice's episode and I was ready to take on the world. Anything to remain a cool agent of the KND. That being said everyone should give that show a try, it's old but still funny. Think I'll start it again for the Eleventynth time
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swan2swan · 1 year
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Do you ever think about how many of VLD's problems would have been solved if the writers' goal had been "Let's get Allura in the Black Lion"?
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Have we, as a fandom, progressed to the point that we can realize that Twilight of the Apprentice, while a good episode, is not a particularly great Rebels episode and is certainly the least functional finale in the entirety of Rebels?
#like I enjoy twilight of the apprentice#but it’s largely focused on the relationship between one recurring character and a villain that is barely in the show#and that relationship is only meaningful in any way if you’ve watched a completely different show#aside from that it only resolves one of the plot threads of the season (inquisitors)#while the others (Hera becoming a leader for the Rebellion Sabine growing toward accepting her past Zeb reconnecting with his people#and finding peace and even chopper becoming a more complex character what with the introduction of his backstory and his newfound ability to#connect to others outside of the Spectres and the Rebellion growing and becoming more structured)#are completely left behind#4/6 of the MAIN CHARACTERS of the ENSEMBLE SHOW do not even appear in the SEASON FINALE#the main villains are unceremoniously killed off not by the efforts of the main characters#but by a completely new guy who you know nothing about if you haven’t watched a different only vaguely connected movie and a slightly more#connected TV show. but even then lots of stuff doesn’t add up because Ahsoka and Maul had never met before when TotA aired#at a lot of points TotA BARELY feels like a Rebels episode and more like a continuation of TCW (the Ahsoka and Vader fights$#it’s a well written episode overall hence how it manages to somehow make this work#but it’s more a resolution to TCW’s Anakin & Ahsoka dynamic than anything else#it’s not really Rebels and it’s certainly not a satisfying finale to most of the season#it just seems like it is because it plays on nostalgia and does have a strong resolution to Ahsoka & Vader#ok hot take for the night! will be watching this episode tomorrow#don’t kill me#star wars#is this the original post tag#rebels#star wars rebels#sw rebels#twilight of the apprentice
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jewishcissiekj · 3 months
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so I have this super-self-indulgent-asajj-and-anakin-centered-highschool-/-modern-AU in my head that is like. the stupidest thing ever. but it's so fun to think about
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oxygenunavailable · 5 months
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Marble Sky Character Color Analysis:
By me.
I don’t know if anyone has pointed any of this out yet but here I go:

I love how, in the colored ref sheets, the protagonists: Ward, Oscar, Holly and Iris, have cool tones. Blues and violets. This indicates calm, colectivness. Peace and passion.
In more detail, blues for the humans makes a lot of sense. Earth is the blue planet, not because of gas,( Neptune, Uranus) but because it’s 75% water. Water is the source of life, as far as we know. Blue also represents our sky. Our big, blue sky, versus the “marble sky” implanted by the Marmors. Blue also commonly represents freedom, imagination, sensitivity and serenity.
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Holly and Iris are purple. Purple is the color of magic, royalty, creativity, wealth and pride. Teegardinians pride themselves in their spirituality, connection and peace. And their planet clearly was very peaceful, open and full. They have magic from their god(s?), wealth (food), and clearly have some sort of leadership (royalty). Their creativity is their different abilities gifted to them, individually. This entire thing especially applies to Holly and Iris, not just the teegardinians as a whole, as they are both most likely higher up or more “in charge”, whether because of their spiritual connection or lineage.
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Next are the marmors. Their species has more range in color and character design.
Contrasting to the human’s blue, Eclipta, being the leader of the antagonists (for now) is super bright and warm. (Yellow, orange, red) it represents violence, energy and impulse. Her outline and outfit are sharp and angular. Dangerous. Her entire being, It stands out more. She’s the main one to listen and turn to, so she’s the first one you see.
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Sculptor is different, however. They have green. It’s a cool tone, sure but not one associated with the humans. Green is the representation of nature, growth, renewal. I believe Sculptor is less focused on just the violence, unlike Eclipta, and more on the growth of their species. they obviously are okay with the violence, and enjoys it. But it’s not just for the fun, it’s so the Marmors stay on top, where they belong. (Ain also has a lot of dark green in their outfit.)
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Shepard is white and grey. Neutral. No color. He looks whatever colors light is brighter, and right now, it the blazing red tHiNg is in his chest, coloring his intentions? Perhaps? Or just completely empty of emotion, he just… is.
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For my grand finale, ALCOR!!
This bitty boy is also very cool toned on the skin. This could easily symbolize his connection with Oscar, and perhaps as we see him grow, he’ll join in the fight against the Marmors. His armor, however, still has that warmer brown, because as of right now, he’s still with the Marmors.
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Anyways, I could be just talking about nothing. But here this is I guess.
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qiu-yan · 2 months
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MDZS and asshole victims: thoughts on the second siege of the burial mounds scene
this post is not about morality judgments. this post is about reader sympathies only.
one rather clever rhetorical trick MDZS employs is putting all the more background "surviving victims of wei wuxian's actions" into one big angry mob at the second siege of the burial mounds, instead of letting them crop up anywhere else in the story. it's easy for a first-time reader to write off the guy who lost a leg at nightless city, or the guy whose parents died at nightless city, because both of those guys are being dicks. they're part of an angry mob baying for wei wuxian's blood--unfairly baying for wei wuxian's blood, because this time he didn't even do the thing they're saying he did. by putting these two victims into a mob of not just fellow victims but also unaffected individuals (ie. sect leader yao, who just showed up for kicks), the story can effectively equate these victims' grievances (ie. "you killed my parents") with unreasonable mob rule--even if these two things might not actually be equivalent.
the effect of this rhetorical trick, then, is that the reader can at once perceive the themes about mob mentality MXTX wishes to convey, and also effectively write off the victims' complaints. "yes, i did that to you, but i literally died already, what more do you want me to do? shall i walk on my knees repenting?" becomes easier for the reader to accept. and more importantly--wei wuxian's likability as a moral and just protagonist is not impacted.
ngl tho. it would be a bit more difficult for the reader to write off these victims' complaints if, instead of meeting said victims in an angry mob, the reader instead met these victims almost anywhere else. imagine if, instead of meeting mr. "you killed my parents" at the second siege of the burial mounds, we instead met him getting smashed at the local bar and crying about how his parents are dead. imagine if, instead of meeting mr. "you chopped off my leg" as a member of an angry mob, we instead met him begging for alms on the side of the road because his disability rendered him unable to work in a wuxia-esque setting. or imagine--if either of these background characters, overcome with survivor's guilt and trauma from nightless city, hung himself in his bedroom, and the next day his body was discovered by his 15-year-old daughter.
all of these scenarios are entirely plausible. you could easily include any of them into the story without changing the main plot at all. but suddenly shit just got a lot more depressing.
however, no such scene would ever be included in MDZS. the reason is that, as a work of fiction, MDZS's single most ardent goal is for us the readers to conclude not just that "we like wei wuxian as a character," but also that "wei wuxian is ultimately a morally righteous person." when the narrative focus shifts onto the people who were actually helped by wei wuxian's actions (mianmian and her family, lan sizhui, the few months of dignity the wen remnants were afforded) this becomes much easier for us to conclude; wei wuxian does indeed look like a hero. but the more narrative focus is given to the negative impacts of wei wuxian's actions--the more the "victims of wei wuxian" (whether actual victims or not) are given a face, instead of abstracted away by broad summaries--the more the reader might side-eye wei wuxian instead. every new victim given a name, given narrative attention that isn't just focused on making them look like an asshole, arouses the reader's sympathies in the opposite direction--and thus increases the risk that the reader might ultimately disagree with the novel's conclusion of "wei wuxian is a righteous person."
tbh, this does not seem like a risk MXTX particularly wants to take. instead, she's mastered the art of writing Asshole Victims.
which is an entirely valid writing decision, because imo basically every work of genre fiction out there does this to some extent.
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Criminal Minds S01E01 - a scene analysis/things I noticed
(The text in the images is the same, I just worried you can't read my handwriting)
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1. In the beginning scene where Gideon is asked to return to the BAU, the way the characters are positioned is representative of their power dynamic or role within the BAU at that point as well as representing the dilemma within the scene
- Reid is in the background since he is the youngest and least experienced, also the least in focus atp. He's also positioned in front of a map, which could be foreshadowing for his ample ability of geographical profiling
- Morgan is in front of Reid but still behind Hotch and Gideon
- At first, Gideon is positioned as the main focus with the camera showing him debating returning to the BAU for the first time since the Boston incident. As Hotch tells him that “the order came from the director” the camera focus switches as in the team “came back into focus” as Gideon realizes he has to come back.
- The camera then focuses on Hotch since he is the leader of the team. This shows that now that Gideons dilemma isn't the only thing in focus, the team has dynamics and roles which are also a large aspect of the show
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2. In this scene with the family of the unsub, although the family isn't centered they are very clearly the focus of attention due to the clear blue colour tint around them. This suggests the grief they are in after finding out their family member committed a crime. The family is surrounded by green tints as well, showing their grief is surrounded by the unsubs world (explanation in next observation)
- In the next scene if you look at the family portrait you will see that everyone in the family except the unsub is in blue, showing that the entire family was affected by his actions in their grief but also that he stands out from them.
- When Elle comes in from the left in the next frame, her red outfit is a contrast to the blue. She is from the outside world, an outsider to the family's grief.
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3. The general lighting in this scene shows an outside world (the warmer lights in the hallway) and the inside world of the unsub, with the darker green colors. In the frame pictured, the unsub is looking away from the outside world.
- Gideon is wearing red to contrast the green
- The family portrait shows how the unsub is an outsider with the rest of the family positioned in a tight triangle and him in the bottom right corner, also wearing different colors from the rest of the family
- The family photo is centered in this scene, showing a clear contrast between them surrounding the unsub versus him now being all alone
- The table in front of him is empty, showing he has no future in front of him. In a few seconds Gideon places his book in front of him, showing that the only future now is the BAUs work
- There is a chair facing backwards behind the unsub. This is like an interrogation, so the two chairs are for the two unsubs. But because the team doesn't know this yet, the chair faces away from Gideon, the interrogator.
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4. Following the train of thought about the colors, we can see that the car the unsub used to lure the women into is red. The contact with the outside world is red, and in the scene where we see him kidnap a victim we can see he is wearing a green jacket as he locks the girl in the red car, showing that she is being locked away by the inside world of the unsub.
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5. In this scene with Hotch interrogating the unsub, he is centered as he walks into the interrogation room to show his importance.
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6. In the scene at the very end of the episode, the unsub is once again shown in green lighting. His truck is shown in red, while Gideon is also in green. This shows how Gideon Has stepped into the inner world of the unsub, and is looking out on the outside world from within as he realizes who he's talking to.
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Colour contrast throughout the episode:
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kittenface40 · 9 months
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I.M.P is irrelevant to Helluva Boss
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When Helluva Boss Pilot came out,I was really excited, to know more about these characters, their personalities, their relationships to each other and how they would develop. Additionally, I was also wondering on why each of these characters joined I.M.P and why did Blitz start his own business.
However, as the series went on, the show went on to become the Stolitz show along with dedicating episodes to fan-favourite characters that have nothing to do with I.M.P (Ozzie, Fizz and Stolas).
This is one of the (many) reasons why I'm disappointed with the current state of Helluva Boss, I.M.P's irrelevance to the main story, while I do enjoy the new episodes. There are a lot of story issues that I have with it, the fact that IMP is basically irrelevant to the Helluva Boss.
NO IMPACT ON THE OVER ARCHING STORY:
So far we only had five out of fifteen episodes (excluding the times where it's offscreen), of IMP doing it's job is the main plot of the episode, while five episode may seem fine for some it becomes a problem when their actions are basically inconsequential to the main story.
The only times where they are important is for one-off adventures like in Murder Family, Spring Broken, CHERUBS & Unhappy Campers. The problem is that their existence doesn't impact Stolas' story in anyway (aside from Blitz), like why are we focusing so much screentime on Stolas (a secondary character) who isn't even employed at IMP. And instead focus on Blitz, the titular character, protagonist and him being the boss of IMP. Understanding his goals and reasoning as to why he wanted to start IMP.
HELLUVA BOSS? WHAT BOSS:
Another problem I have with IMP, is the fact that we don't know why Blitz wanted to start a business on killing people, was it because of his tragic past and to distance himself from it, is it that he discovered he's really skilled at killing people and decided to make it big , is it because he wants love and new connections from his employees, is it to prove the higher class or his father that he can make it big and break class traditions. What is it? We only now why he wants love and respect from his employees due to his tragic past. But we don't know why he started his business.
Also we never get to see him develop into a caring boss that genuinely cares about his employees, with the show only showing the ending of the development in the same episode but none of the development.
In addition, we also never get the chance to see him as a leader of IMP, you think Blitz would be the leader and he needs to grow into being one for his employees. But the show never has Blitz develop into becoming a Helluva Boss.
NON EXISTENT SURFACE-LEVEL RELATIONSHIPS:
Another thing I really hate is that the relationships between employees at IMP, are never explored beyond the surface level. The only one I can say this doesn't apply to is Moxxie and Blitz.
We don't get to see the M&Ms relationship grow outside of loving each other, and when they do explore it, it's written poorly (Unhappy Campers).
We don't get to see Millie and Luna, relationship grow, they don't even talk to each other that much in the show. What is Blitz & Millie relationship, why do they get along with each other, why is she fine with Blitz behaviour. Luna and Moxxie relationship, why is Luna so mean to him, how does Moxxie feel about Luna bullying him, has she ever went too far, would Millie get angry at Luna for bullying.
(Side tangent; but why is Millie not standing up for her husband when Blitz and Luna bully Moxxie, they do it right in front of her. Wouldn't she get angry at them, edit: I checked and she did get angry at Luna for calling Moxxie fat, but not at Blitz for joking about this. But she needs to say something, put her foot down, not just make an angry expression)
EMPLOYEES LACK OF REASONING:
We don't know what the employees motivation was to join IMP. Why did Moxxie and Millie join IMP, was it to prove their parents wrong, to make it big, or is it for similar reasonings to Blitzo.
Why did Luna join IMP? Was it out of gratitude for Blitz saving her, was it because she couldn't get a job as a hell hound, was it to be with her father more.
-----
Anyway, that's my thought for a day, on Helluva Boss, let me know what you think about IMP. Do you agree? Disagree? Why? Let me know!
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conflictofthemind · 6 months
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TL;DR: HNL was studying how to give human subjects electromagnetic, most specifically visible light based, powers in order to bend space-time for their needs.
I’m going to try and condense this as much as I can because considering electromagnetism as a major force in ST (pun intended) opens up so many potential areas of analysis that can only be a brief cover of without turning into multiple essays.
Let’s go over the electromagnetic spectrum:
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I hope you might already be recognizing some symbols we see often in Stranger Things, especially if you’ve been following the BTS and some location and set leaks from Season 5.
The electromagnetic spectrum encompasses the different frequencies of electromagnetic radiation - waves of energy that travel at the speed of light (and produce visible light to us at certain frequencies). You’ve probably heard of most of these, including cancer-causing gamma rays and x-rays, the visible light spectrum (the rainbow), microwaves, and radio waves.
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In S5, we have the radio station as a main location for the characters. They’re also driving around in the radio station’s van, which has an image of a hawk emitting a rainbow (visible light radiation). Steve’s car also has a massive antenna on top of it. My first thoughts were that the team was trying to keep in contact with Max in hopes of her being able to hear them in her coma, considering she has a radio near her bedside. While that still may be a reason, I think the characters may have come to realize how important electromagnetic fields could be in their fight against Vecna (this where leader of the AV Club also focused on electromagnetic objects Scott Clarke may make his triumphant return).
Now to pivot onto why electromagnetism is so important to the lore of ST:
What the scientists in Hawkins Lab are likely studying is a way for human brains to produce or manipulate certain types of electromagnetic waves through telepathy. Most obviously this is seen by them having the kids try to manipulate and turn on a circle of light bulbs. Our brains actually already produce electromagnetic waves, but at a very slow frequency. The scientists are constantly measuring brain waves while conducting these experiments. We even get full shots of El’s brain waves during NINA, for example. We also see similar shots in S2 while Will is in the HNL.
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You can also observe that the Hawkins National Laboratory has absolutely massive satellite dishes on it’s rooftop; ones that do not exist on the real life building but are added in post because they pose some sort of significance. Nudge, it’s because they are transmitting and receiving massive amounts of electromagnetic waves.
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Why are they studying electromagnetic waves then?
They are studying electromagnetic waves because they are a method in which time travel can theoretically be achieved - the focus of the Montauk Project in which Stranger Things is based on. The military likely is investigating time travel as another war tactic against Russia.
Let us take a look at the first chapter of the Montauk Project: Experiments in Time book (they are seriously plagiarizing the living hell out of this thing):
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Also, did you catch the whole 'attaching a massive antenna on the hood of my car to pick up a secret signal' thing? That's suspiciously similar to the state of Steve's car! Anyway...
The story of Stranger Things starts chronologically, as does Montauk, with the disappearance of the USS Eldridge and Project Rainbow (named after the bending of the visible light spectrum). Brenner’s father was revealed to have captained the boat in TFS, which disappeared for 12 hours into Dimension X and when it came back, the crew was killed or driven mad (except for Brenner Sr). This inspires Brenner to continue onto the Nevada project, and eventually, Hawkins National Lab’s studies. The USS Eldridge / Philadelphia Project conspiracy from real life went as follows:
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They were studying electromagnetism, specifically the bending of light, to make objects invisible. This was only the first step in the experiments. Once Henry got involved and came back from his trip to Dimension X with powers, Brenner must have realized he could potentially use human subjects to manipulate electromagnetic fields themselves. Human subjects didn’t require machinery or set up and could bend space-time wherever they pleased, as long as they were able to learn the ability.
The more conspiratiorial side of Theoretical Physics proposes using circulating light beams to warp time-space, creating a wormhole in which one can literally walk through time. This is pop-science, likely not true but interesting for fiction purposes. This method of time travel being used is heavily implied due to the fact that the USS Eldridge was already able to disappear into another dimension by the bending of light.
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This is how it worked in the Montauk Project book (absolutely ridiculous how much they took from this honestly):
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My guess is that in the Stranger Things universe, they have not yet managed to time travel, only to create portals into this alien Dimension X. Previously, said portals were only made twice by highly advanced technological equipment. El demonstrated that she was able to open a portal all by herself - another step to achieving time travel with singular human subjects. Season five is when we will see the beginning of the time travel plot line, though it like in Montauk is likely already in a loop.
That’s where we get the name for the Rainbow Room, named after this Project Rainbow. The rainbow represents the full spectrum of visible light, and the goals of the project to bend said light into portals and eventually time travel wormholes.
Implications?:
-Well, first of all it seems very obvious by this point that we are going for a time travel plot line, and this is how it will be achieved.
-Will is heavily connected to light in general, the sun, and of course… the rainbow. He is also implied be the one involved in the time travel plot line. This will be very relevant going forward and deserves it’s own post. Potential funniness of defeating Vecna with the power of the rainbow afoot.
-Coma patients are known to have odd, barely detectable brain waves. The kids will be able to communicate with Max in her coma using the electromagnetic spectrum somehow, probably through the radio waves.
-On the farthest end of the spectrum, we have ionizing gamma ray radiation, which is known to cause cancer in humans. Expect Hopper’s daughter Sara to connect to this plot line (and perhaps Sam Owens’ dead son). There is a whole theory on this site already called radiationgate. I have not managed to look into it yet but I think they are probably onto something there. The original al pitch mentions the UD leakage into the real world causing cancer as well.
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theblueflower05 · 1 year
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Heavy In Your Arms
A/N: We didn't get enough time at High Camp. I swear, it was the perfect setting for hurt/comfort. Forever upset about it.
Word Count: 5.5K
Warnings: Explicit smut. Aged Up characters. Talks of PTSD and war. Injuries. Blood. Angst. Cursing. Oral Sex(male receiving). Riding. Service Top Neteyam. Reader with a praise kink.
Summary: You and Neteyam find moments of peace during the war. Neteyam x Fem! Omaticaya Reader
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I was a heavy heart to carry,
My beloved was weighted down.
My arms around his neck,
My fingers laced a crown- Florence & The Machine
Life can change in an instant.
One moment, things are as they have always been. Your existence a well loved pattern, easy and comfortable in the Forests of Pandora.
You had been born after the Long War, after the evil Tawtute had been sent back to their dying planet. You had only ever known peace and kind humans like the scientist that lived in the rickety out post. You’d only ever known the rich and abundant rule of Toruk Makto, Jake led your people to victory and prosperity. The Omatikayan Village had been a beautiful one to grow up in, colorful and cheerful and thriving despite all that it had endured.
Your days had been filled with community and childlike wonder.
That had all changed when the Sky People returned. When they set fire to the Forests just to watch the Great Mother bleed.
Your naivety had been stolen, snatched away by uncontrollable circumstances.
By war.
High Camp is nestled deep within the Ayram Alusing hidden in a twisting impenetrable cave system.
It is bustling and busy and just bit cramped.
The Omatikaya are a resilient people and even through forceful uprooting had managed to make due of the space given. The Stronghold is littered with Canvas tents and woven mats. Small burning fires, and a larger one for the communal meals that are so desperately needed after long days battle.
You spend most of your time in the main healers keklu, working tirelessly with Mo’at and the other medicine leaders. You’d never been much of a healer, always more of a story teller. You’d get lost in the tales of old, in the songs of the ancient ones, but since the invasion, most had honed their medical craft.
It was all hands on deck, wherever you could be helpful you would be.
It’s good. Keeping your hands full is a good thing. It helps to distract your restless mind.
The War Party had left early in the morning- the sun still hiding behind the shadow of the eclipse, and had still not returned yet. You fear that it might be one of those missions, the kind that lasts days and leaves the village in shambles as they wait for the return of the warriors.
You’re grinding Ti’ku’klu seeds into a fine paste, your arm tired as you stare wordlessly into nothing.
The healers tent is quiet, filled with only low chatter and the crackling of the fire, the boiling of the pot that contains a potent medicine. One that needs to be kept hot and steaming. You cant seem to be present, to keep up with conversation when your mind is so far away- soaring over the forest. Focused on the unseen battle
This would be a dangerous one, you’d heard the whispers of the people. The humans were growing sick of the raids. They had heavy precautions laid out- would kill any Na’vi on sight. You trusted your Olo’eyktan whole heartedly, truly, you did.
But the thought of having to lay any more of your brothers and sisters to rest made bile raise in your throat like acid. There had been so much death, so much loss.
You sneak a peek at the woman next to you as she works in sorting bandages.
Zephya is only a few years older than you- and yet the light seems to be gone from her eyes. Dimmed down to something small and wilting. You’d never forget the piercing sound of her cries, echoing off the rock cave walls as her munxatan’s (husbands) body was brought back from the last raid.
Another round of nauseating anxiousness churns in your stomach.
You dont know if you could survive it…
Would you be forced to? Would this war force you to watch the ones you loved die?
The thought of losing your own lover is enough to send you free falling. Spiraling into your own mind.
“That is quite enough” Mo’at tuts her tongue in your direction and you stare at her with a wide, almost guilty expression. Had the Tsahik heard your thoughts? Sometimes you didnt doubt the elderly woman could, with all of her boundless knowledge and those all knowing amber eyes “You will destroy the paste, it is not meant to be so thin”
“Oh” you feel like dunce as you look down at the mortar and pestle in your hand “I apologize, I just wanted to make sure it was well mixed”
“Hmm” she doesn't call your bluff “Why dont you take a break. Go find more herbs, the fresh air wll clear your head. You’re no used to me here with thoughts so loud”
Her words are casual but her gaze is knowing and warm and you nod eagerly “Of course, Tsahik”
You’re happy for the break and the opportunity to stretch your legs, you stand quickly and exit the incense heavy area.
Everyone has gotten good at pretending.
At pretending they’re not terrified, at trying to go on with any semblance of normalcy. The scientists still gather near their trailers, facemasks on and typing away at holo tablets. The karyus’ still teach the younglings, their little giggles can be heard in the distance. You smile, a very practiced mask, at any you pass. Are pleasant. Friendly. Not betraying the inner turmoil you feel-
You’re jostled out of the heavy thoughts.
Nearly rushed straight on your ass, more like it.
“Oof-” the wind is knocked out of you as a small but solid weight collides with your side. You look down and find big golden eyes string up at you- golden eyes so familiar.
“Y/N! Hi!” Tuktirey is the youngest Sully, and probably the one you’ve always been the cloestst to. Back home, years ago, she’d become a bit enamored with you. More specifically, you’re weaving and jewelry crafting skills. Many teased that she was your shadow. “Look, look’it what I made”
You cant help but grin. Her joyful energy is contagious and you’re glad for the distraction. You take the necklace she shoves into your face delicately. Run your fingers over the rows of mis matched beads. She really is quite good.
“Very pretty, Tuk. You’re getting so good! Soon you;ll take my place- the whole clan will be trampling over themselves to wear one of your pieces” You’re words make her blush, make the smile on her face go a bit shy and bashful.
She looks so much like her brother it hurts.
“I did that thing you showed me! You’re right- sometimes the bigger beads need the little ones to anchor them”
Tuk is rarely quiet, always a babbling brook but even she isnt immune to the tense atmosphere that looms, to the toretoure that is waiting for the warriors to return. She talks about the necklace, but her tail flicks nervously behind her. At her side, a carved wooden Toruk toy hangs in her loose grip.
You figure, maybe you can distract her too.
You reach for the toy and she holds tight to it before sighing. You’re probably going to take it, she thinks. Tell her to stop being annoying. Chastise her the way that others had when she’d tried to get them to play with her. All day long, everyone had turned their heads or sighed in annoyance when she’d approached-
You raise the wooden Toruk above her head- and let out an undignified squawk. Your best impression of the mighty beast. It’s dismal, but it seems to satisfy the little girl who instantly breaks out into giggles.
“You better run, Tuk Tuk” you grown payfully, sending the toy into a nosedive “Before I eat you whole”
She shrieks and sets out running in the opposite direction and take after her, ignoring the stares. Should you be back in the medicine tent helping? Maybe. You’d rather play with the seven year old instead.
The two of you play for a while, until your thighs burn and your lungs hurt from laughing. You dont have the endurance of a child, she runs absolute circles around you. She’s fast and agle and quite obviously takes Neytiri’s lessons to heart, even at her young age. You can only use your size to you’re advantage, picking her writing squirming body up and spinning her round-
The horn is loud and echos through the rock walls of the cavernous case.
Both yours and Tuk’s ears swivel, perk up and stand to attention.
There it is. The calls of your people. The sounds of ikran wings flapping.
Tuk writhes in your hold, the back of her head connecting with your lip painfully as she hollers joyfully “They’re back!”
Shes off then, only sparing you a quick glance as you seem to stand there in daze, rubbing your slightly split lip lightly as your stomach does somersaults.
“Come on!” The little one hollers back at you and your feet carry you forward, seemingly of their own volition.
The crowds are building as the people make their way for the edge, where ikrans land by the dozen. Carrying the warriors on their back. Along the way, Kiri and Spider join you. Eagerly bouncing along, following an over animated Tuk.
Excitement and dread bubbles in your stomach, a horribly potent and toxic mix. It’s always like this when they return. When he returns. You’re so anxious to see him, physically there. Alive. So anxious that he might not be-
Your eyes are peeled for the familiar swirling green and blue patterns of Atanzaw, his ikran.
“Mom!” Tuk screeches, of course she spots them first.
Your eyes follow her,
Straight to him.
Neteyam.
He dismonts his ikran, alot less gracefully then his mother did. His actions sluggish and unlike him- it only takes you a moment to notice how injured he is. The bleeding wounds and bruises that litter his body arent pretty and hes limping, not putting his full weight on his right thigh. His face in smeared war paint- blacks and yellows and greens. They make him look intense, as he stangs tall and muscular and still fully dressed in his tsamsiyu(warrior)garb.
When his gaze meets yours your breath gets stuck in your throat.
Usually when he returns they’re bright. The adrenalin of the fight still cursing through his veins like wildfire- this time thats drained. His eyes are filled with barley concealed dread. Sharp with pain.
Your fingers itch and your chest aches, the invisible string that ties you to him taught. You want nothing more then to go to him-
“Sully’s, fall in” Jake’s voice is booming and stern. All Olo’eyktan. Marine. War leader. You can barley recognize him like this. So far away from the carefree doting father he’d always been.
-Its a small thing. A barely there shake of Netryam’s head but it sends a clear message. He doesn't want you to approach. When he turns away from you, giving you the necessary but cold shoulder your unsettled stomach lurches.
It’s like it plays out in slow motion, you watch the family from the edge. An outsider. Not welcome in their obviously private conversation. Even Spider, a human, get’s to be closer than you do.
You’re unwelcome.
The heated words. The way that Jake scolds his sons, you’re not supposed to be privy to it.
“Jesus, I let you two geniuses lead a fleet and you disobeyed direct orders!”
Those words hurt you, for him. You know that they must peirce right through Neteyam. He still hasnt looked back in your direction and you are sure he doesnt want you to bare witness to any of it.
You slink away, slowly falling back. Fading into the background of loved ones reuniting. Warriors returning, alive and dead. The clan welcoming them back with open arms. You wish, as you so often do, that you could welcome Neteyam the same. That you could run into his arms. Hold him the way you ache to after these difficult and dangerous missions-
You convince yourself that you are content with just knowing that he is alive, and make your way back to the healers tent where your presence is wanted.
· · ─────── ·𖥸· ─────── · ·
It gets so cold in the mountains. Frigidly so.
The wind whips through the caves, leaving a bone deep chill in their wake. You keep the fire at the center of your tent going all night long, and can normally be found crouching at it’s hearth. It’s been raining on and off all day, torrential down pour to drizzles- from the sound it seems as though it has finally stopped. Quieted down.
You wonder if the sky is clear and the stars are bright. You miss climbing high into the trees after the evening eclipse. Miss gazing at the constellations, miss basking in the Pandoran night and listening to the sound of the forests.
Mo’at had sent you home, demanding you get some sleep.
It had been three days since the soldiers had returned and they had been very busy. Full of tending to the wounded, and organizing for the dead. You’d thrown yourself headfirst into anytask that was given to you. Kept yourself busy. Useful.
You didnt have the time to mope and obsess over a man that was not yours.
That is what you told yourself at least.
This…thing that you and Neteyam shared didn't have a name or a definition. It had started out of loneliness, out of the desperation for comfort. Before the humans had come back and brought their war upon the clan, you dont think the future Olo’eyktan had ever really looked at you twice. Violence and hurt had pushed you into eachothers arms, both of you seeking companionship. Someone to weather the storm with.
It wasnt love. Not to him, you know that. He would marry a woman with high standing one day- one that could be his match. Become Tsahik.
That wouldnt be you.
For Eywa’s sake, you could barely do stitches. You messed up simple tasks like making salves. You would not delude yourself into thinking it was anything more. Many Na’vi couple without mating, pleasure isn't stigmatized in your community. That was all it was. A need for pleasure. Your body satiates him and that is all.
You cant go looking for him. Begging for his time or his touch.
So you sit by your fire, thread your necklaces, and long for the stars.
You’re humming a tune to yourself, something soft and gentle and melodic when theres a sudden shift. The canvas wall of your tent shakes and your stiffen, reaching for your knife that lies on the makeshift table next to your bed-
Neteyam slips through the flap- easy as anything. Smoothly, his motions fluid from all of those years of training.
Your eyes and mouth are wide open, ears lying low to your head.
“Hi” the man grins, boyish and handsome as ever.
As though he hadnt just broken into your home. It’s not like the two of you hadnt done this before, he’d spend many nights sneakily tucked inside your tent but he usually came through the front entrance.
“Vonva!(asshole)”you hiss at him, exasperated “You- ugh! I couldve stabbed you!”
He’s so handsome it makes you sick. He’s so tall and broad, a few of his braids falling into his face as his eyes sparkle with mirth “That would not be very nice of you, what have I done to deserve such a fate?”
“Breaking and entering is grounds for stabbing” you huff “you scared me!”
Neteyam steps forward a bit, hands out stretching to you, tone gentle “Hey, I didnt mean to scare you. I just wanted to see you is all, Im sorry”
You hate the way that you’re so easy for him. He ignores you for days, and then shows up unannounced and you’re jumping at any and all attention he may give you.
The way that as his large hands engulf the tops of your arms, you lean into his touch greedily.
“It’s fine. It's just- very late. I wasn't expecting anyone” you try to keep your tone even “I was actually about to go to bed”
“Oh?” Neteyam wonders, his tail flicking behind him “Can I join you?”
Your heart speeds up, if thats even possible. Both at his words and his tone. The insinuation right there. He had spent too much time in your bed that really, it shouldn't be a question. You'd always welcomed him into your nest of blankets, your warm arms. In between your soft thighs-
“I'm not sure that would be a good idea” you respond, stepping out of his hold.
Neteyam sags a bit, surprised. His ears swivel and his smile weans, tugging downwards at the corners of his full lips “Not a good idea? Why not?”
You shrug, not able to look directly at him. Instead focusing on his shoulders. His abdomen. He’s still all banged up, the bandaging covering his bruises are expertisley wrapped. Done by the Tsahik herself, obviously.
It’s the perfect excuse.
“You’re still hurt,” you insist ”You need to be careful, you don't want to reopen anything”
A smooth chuckle escapes him and makes a tingle run down your spine. He reaches out again, this time he grabs at your hand, leading it from its place awkwardly at your side to his chest. Pressing your palm gently against his warm skin.
“I'd like to stay with you tonight, if you’ll let me” Neteyam starts, you can feel the vibrations of his strong voice in your palm, pressed against the muscle “I may need you to be a little bit gentle with me though, paskalin”
You're quiet, lips quirked, stuck in your head for a moment as your fingers lightly trace over one of his stripes.
“Y/N, hey-” He seems to be more serious than before as he urges you to look at him “I'm not sure what’s wrong, but If you want me to go I will”
Everything in your body, your soul, protests at his words. There is no part of you that wants him to leave.
You’re being so stupid.
Neteyam could have anyone. Anyone. And he’s here, with you. So what if he doesnt love you. You have to take whatever you can get. You dont want him to find solace with anyone else, dont want him to leave and never return-
You lean in, where your hand is, on his strong chest and place a kiss to the edge of the bandaging. Its a small little thing, a barley there brush of your lips but still. When you look up at him through your lashes you know you must make quite the sight.
“Stay” you urge. “I want you to stay with me tonight,” everynight. ”Please?”
He looks unsure for just a moment, clearly thrown off by your conflicting mood, before he nods. He cups the side of your face then, forcing you to make eye contact with him. No matter how uncomfortably intense- you cant turn away.
“Can I kiss you?” His words make you quake. He hadnt asked, so explicitly, for months. Since the two of you were still fumbly and newly exploring eachothers bodies.
It makes butterflies erupt in your stomach, makes you giddiously nervous. You nod, way too hard “Mhmm”
And then he’s bending down, having to crouch because of how much taller he is, to capture your lips with his own.
Its always so good.
His mouth and the way it tastes and the way it makes you feel. Neteyam seems so sweet, everyone in the clan knows him as the Golden Boy. The perfect soldier- in privacay, in these stolen moments of intimacy, he’s anything but.
His kisses are dirty, all demanding tongue and nipping fangs. He kisses like a man whos trying to get his dick wet. Like he wants to pick you up, crush you to him. Rut into you-
And normally he would. Normally he tosses you around like nothing but a child’s ragdoll(and you let him), but he’s still hurt. Still tender and healing. When you wrap your arms around his shoulders and tug, trying to climb him like a tree, he hisses in pain,.
“Shit” you pull away from his mouth, your lips wet with his saliva “Sorry, I didnt mean to”
He just shakes his head, nuzzling at your cheek “It’s fine, I’m okay”
“Im hurting you” you argue.
“You’re not. Just- be gentle, okay?” Neteyam urges, trying to lean back into the kiss “Grandmother thinks they’ll heal quickly, but my ribs-” he breaks himself off, laughing a little strained. “I fucked them up pretty good”
You frown.
He always does this. Always downplays his pain. You will have none of it, you grab his hand and tug “Come, I will make you tea”
Neteyams hairless brows raise “You dont have to, I’m really fine”
“Bah” you lead him to your bed and push gently on his shoulders until he sits. “Enough, it is no trouble”
You keep an ornate clay kettle next to the fire, boiling water always ready. He watches you as you fiddle with the many little jars in your arsenal, collecting herbs here and there. Steeping them in the hot water before pouring him a steaming cup.
“Here- it is bitter, but it will dull the pain”
Neteyam accepts the tea with a small smile “Irayo(thank you)”
It’s nice having him in your space. In your bed amongst all of your softest things as the fire crackles and illuminates the tent in a warm glow.
The shadows it casts over his angular face make him look haunting. So beautiful.
You like to take care of things. Instruments. Broken pottery. Children. It comes naturally to you.
You dote on him even though he protests, check his bandages and make him drink the whole cup of strong leaf tea, before he lies down. You're perched beside him, still on the edge of the bed mat.
“I didn't come here to be nursed, Y/N” he sighs as you rub salve on one of his nastier bruises.
“Humor me” you reply wryly, your dainty fingers all over him.
It takes him a while to relax, as it always does.
But oh, its your favorite thing.
Watching his walls come down and the facade of Olo’eyktan in training slip. Neteyam is funny and witty and a downright gossip. You enjoy talking to him as much as you enjoy getting fucked by him.
You like that when given the opportunity and the ear to do so; he loves to talk. About any and everything. His deep voice is like a blanket, warming you up from the inside out.
“I feel bad. I sneak in here; scare you and then make you take care of me” He snorts, “You must be so sick of me”
“No” you reassure with gentle touches “Never that”
You dont really know what Neteyam sees in you.
You’re pretty enough- but far from the gorgeous warriors and dancers that throw themselves at him. But when he looks at you, like he is now, you know there must be something. Something that turns those eyes of his to molten amber. They’re hungry, you’ve never seen him look at anything the way he looks at you. Except maybe the prey that ends up victim to his arrows.
He makes you want to be good to him. Be good for him.
“I enjoy taking care of you” you whisper as you trace the leather cords of his tweng, your fingertips dipping dangerously below them. “Can I take care of you tonight, Neteyam? You want me to?”
Neteyam nods slowly, making room for you as you climb carefully over him. Spread his legs enough for you to settle between them.
You cant help it, cant help how much you touch. You cant get enough of the feeling of his strong body under your hands. All of that corded muscle, all of his pretty deep tahini speckled skin. His strong calves, his well built thighs.
When you reach where he’s hard, straining against his cloth, his eyes flutter closed. You rub him until he chubs up, all plump and hard. Until a patch of wetness starts to darken the cloth-
“Help me a little, sayrip(handsome)”you urge as you tug on the strings of his tweng. Neteyam lifts his slim hips, helps you shimmy it down his thighs-
You’ve seen him naked more times then you can count, now. But still. You’re always struck by it.
His cock springs free- thuds against his well toned lower stomach. Drooling and pulsing, the tanhi there exceptionally bright. He’s so pretty, so vulnerable that it goes to your head. Your leaning in, tongue first-
“Wait,” Neteyam gruffs, “I want to see you too”
Ah.
Neteyam was very partial to your body. He’d told you many times- would try to wrangle you out of your skirt whenever he got the chance.
You smile, raising up on your knees before tugging the gossamer top off, over your head, Your nipples are hard and peaked, reacting to the cold. You run your fingertips over them, knowing that he likes a show. He likes to watch. He props himself, arm behind his head as he does so, it feels so lewd to play with your breasts for him. To trail your hands slowly down your tummy, to your full hips- tugging on the strings of your own tweng.
When the mound of your pussy is revealed he groans, he can see the way your slick shines in the low fire light.
“Good Mother” Neteyam’s rough and demanding as he yanks on you, pulls you into a kiss “You’re so fucking sexy”
His kiss is fervent and you could so easily lose yourself to them- you know what he wants. He’s already inching closer to your hot wet slit, his big fingers kneading at your plush asscheeks.
“Lemme take care of you” your mumble is insistent, and he sighs. Letting you pull away. Letting you re situate yourself between his legs.
He just lays back flat once more, a lazy grin on his face. “Okay, baby. Take care of me”
You’d always loved giving pleasure with your mouth, and lovers you’d had before had told you how good you were at it. You liked the taste and feel of a heavy cock on your tongue.
With Neteyam, as everything seems to be, it’s different. You dont just like giving him head, you love it.
You love the way that he jerks when you give his rosy tip that first little lick. You love the salty tang of his precum, so much that you spread it all over. Your lips, your cheeks. You rub his cock along your face, nuzzling it. Your cheeks, chin and nose wet with him. You love the way it stretches your lips as you take him into your mouth- he’s the biggest you’ve ever had and it pushes you to your limit. The hinge of your jaw aching as you force him down your throat.
“You’re such a good girl for me” Neteyam praises you, all choppy. His long fingers tangled in your waist length hair.
That is what you adore the most.
The Omaticayan prince is so vocal. He’s all whimpery moans and deep gritty groans. He lets you know exactly what he likes and doesn't like. And he rains down praise on you like its his job.
You’re his good girl. His sweet berry. His little whore..
You take it so well. So- ah- determined for him. You ram him down your tight convulsing throat ,until you’re sobbing around his dick. Never trying to pull away. Eager to get him off.
It is the most shameful position you’ve ever been put in. You’re addicted to the way that me makes you feel- you could never allow yourself to be this with anyone else.
“I-Im close” He warns as though that's not exactly what you want.
“Good” you hum, before diving back in. Suckling on the head and the sensitive sides of his shaft over and over. Just like you know he likes it.
It doesn't take long at all, you can feel him twitching n your mouth. His balls, so full and swollen, start to pull up, taught and ready to blow.
“Oh fuck, Y/N. Fuck”
He gasps as he knots his fingers at your scalp, as he holds on for dear life, his hips swiveling madly. His belly concaving with his heaving, rapid breaths as as his orgasm rips through him.
It’s a good one. You can tell. He’s biting his lips bloody and grinding his head back into your pillows, eyes tightly closed as he rides the waves of pleasure. The whole time, he fists your hair, holding your face to his crotch.
You take his cum, all of it. Popping the tip on your mouth and catching the thick spurts with your tongue. He tastes so good, it feels so intimate to get to have him like this. You close your eyes and savor it, dont pull off until he's twitching and whining with over sensitivity.
You sit back on your haunches, wiping your messy mouth clean with the back of your hand and assessing the damage.
Neteyam is all shivery, his arm thrown over his face as he comes down from the high. He’s still struggling to catch his breath and you cant help the pride that
“You feeling any better, baby?” the human term of affection rolls off your lips, smug and sultry and he laughs behind his arm.
It takes a few moments, but he finally collects himself “You are way too good at that” he’s told you before, but repeats it as he pulls you close. You’re perched in his lap, his strong arms around your waist as he holds you close.
“I like watching you” you admit between the pecking kisses “I like the way you come”
He smiles into your mouth, you can feel his sharp canines on your lips “That’s my good girl”
You full body shiver at the praise, gritting your forehead against his and breathing through your nose in an attempt not to lose it. You're gushing between your legs, your thighs a sticky mess and your cunt swollen and blood hot.
“Your turn, huh? Come on, I know that pussy has to be needy. You want me to eat it?” Neteyam whispers hotly in your ear and you just groan.
And while his skills with his tongue are legendary, you’re feeling particularly empty, needing to be full of him after weeks of distance “Mmm, no. Want you inside of me”
“Can do” he affirms, his hands going to your hips, nudging you “Lay down, I’ll fuck you, paskalin. I’ll fuck you so good. Wanna’ stretch you out”
“Wait” you press a hand to his chest when you notice the grimace on his face. The one he’s trying to hide as he attempts to lift you “You’re still hurting, Nete”
“I’ll be fine, I’ve got you” He assures, stubbornly “I want you to feel good, too”
He’s not the only one who's stubborn. You wiggle out of his grip, pressing down firmly on his chest.
“We can try something else” you suggest, really not wanting him to hurt himself even worse. Neteyam can get…intense when hes fucking you. It’s all very physical, he pours buckets of sweet down onto you as he works your body.
“You want to get fucked” He reminds you, his hips jerking up pointedly so that you can feel his erection between your legs.
Eywa, yes you do. You want him, you want him to carve his way into your body. To bully your tight walls until they accommodate his wide girth.
You bite your lip and reach for his length, pumping his cock thats still wet with your spit before leaning in close so that you can whisper in his ear “We’re just going to have to compromise”
Neteyam is huffy until you sink down onto him and ride him until neither of you can formulate thoughts.
Until you’re boneless, tangled limbs and buried under your quilts.
The afterglow is your favorite.
Neteyam is always so gentle and tender after sex. He holds you, lets you lie your head on his chest and listen to the steady thrumming beat of his heart as he plays with your hair. The only thing that could make this better is if he reached for your kuru. Is if you got to experience Tsaheylu with him-
It’s not fair,
How could he expect you not to fall in love with him?
The quiet stretches on. The fire is dim and dying and the tent is mostly black, night creeping in and covering you both in darkness.
“I’m sorry” his voice almost startles you, his words confusing and unexpected “I’m sorry I ignored you- the day we came back. I was trying to figure out how to calm my dad down. He was so pissed and Lo’ak’s attitude only makes it worse-”
You don't say anything. You just keep listening to his strong heart.
“I didn't mean to hurt your feelings”
You don't respond for a while. You don't want to shatter the atmosphere that is shimmy fly wing delicate “I was just happy to see you alive. It terrifies me, that you’ll leave on one of these raids and never come back. I dont- I wouldn't know what to do if that happened”
“I'm not going to leave, Y/N” his arms tighten around you and you close your eyes, relishing the way he holds on to you. It makes you feel like maybe you're not the only one desperate for this to never end.
“Do you promise?” You sound young, look so small in his big arms.
“I promise”
· · ─────── ·𖥸· ─────── · ·
Weeks later, The Sully’s leave the tribe.
They’re running, fleeing for the good of the Omaticaya people- that is what Jake says. He claims it is for the best. You have never doubted his prowess as Olo’eyktan until that moment.
The tribe mourns, falls into great sorrow as the family says their goodbyes.
You can not bear to look. You drown in your tears and hide in the crowd. Will not meet Neteyams gaze no matter how much he tries to get you to.
When he mounts his ikran and takes to the skies you feel something inside of you shatter. He disappears into the vast horizon.
Neteyam leaves.
You were a fool to believe he’d keep his promise.
· · ─────── ·𖥸· ─────── · ·
Welp. Um hi guys lol. I was like let me post something short and sweet to come back with before I start hitting you guys with all of my Kinktober prompts next month. Somehow I ended up with a 5k angst filled what could be first chapter of a series. LOL I HATE MYSELF AND THE FACT THAT I CANT WRITE ONE SHOTS.
I literally don't have the time to work on another story, but if this one was a little too much angst, I'd be glad to give us a fix it Part Two.
This will be the last kind of stand alone update until after October. If you havent alread, check out Luna’s( @pandoraslxna )Kinktober prompt list. She is such a gem for cultivating it and helping keep this fandom alive and thriving.
As usual, please leave me some feedback. Good, bad(not mean though lol my psyche’s very fragile rn) I want to hear your thoughts!
Love ya, pretty babies!
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showtoonzfan · 6 months
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Now I want to talk about Charlie cause good GOD. I never cared much for her in the pilot, I’ll admit that. I always called her boring compared to the other characters because of how developed they were compared to her. However the show takes everything that the pilot build up for her and just made her 10x worse to the point where she’s INSUFFERABLE to watch.
When I got to the very end of the season, I realized that she barley did anything progressive or had an impact on any character, at least what we’ve seen on screen. I understand this was the first season, but what exactly was her arc and what exactly did she do? Nothing. Throughout the season she wasn’t a leader, the most she did was help Sir pen with lessons and have that fight at the heaven trial. In the end they try to act like she overcame some arc about learning to lead and take charge but…she didn’t really. She was helped constantly by people around her, mainly Vaggie/Alastor/Rosie and she never really did anything on her own that was enough to signify her independence as the MAIN character or even the princess of hell. I love how she needed to be TOLD that her girlfriend cared for her…like wow. Vaggie also states that she’s “done so much and touched so many souls”- and all I could think about is how I actually wish we saw that on screen. Husk said she “wants to fix everyone’s problems but her own” and I never got that vibe out of her??? If she was more like Luz from the Owl house where we constantly saw her avoid her own emotions and problems and focus more on helping other people, then it would make sense but guess what, we don’t see any of that because the show is so disinterested in ACTUALLY focusing on Charlie shining at the front and helping people. They scrapped the main premise of her wanting to help sinners and instead used up all the time they had to introduce new characters. It’s all tell and no show as expected.
She’s painted as someone who’s desperate to save her people but when she’s not the focus and actually helping someone, she’s a whiny frustrating crybaby who needs to be coddled or steered in the right direction, and it’s SO hard to watch how her character is treated like a child who can’t do anything. This character has existed for 200+ years canonically but she isn’t written like that. She’s dumb. The fact that she’s such a doormat that she can’t even realize Angel is being abused by Val or even DO ANYTHING about it is fucking baffling, she’s THAT useless. There were so many moments in the show where she could have used her authority or powers to save trouble, but she just doesn’t do it because she’s useless, and I’m tired of people trying to say she’s a pacifist to excuse the shitty writing. She’s also basically Viv’s self insert in a way, an unfunny woman child who’s a hypocrite. Like Charlie is the equivalent of dry white chicken. There’s no seasoning or flavor to her character, she’s SO bland and boring that Lucifer and Alastor end up being more important than her and having more screen time, she’s ATTACHED to them and it really shows, rather than her being at the front. And I know we’re on season 1, but you’d think that Charlie’s childishness would actually be a character flaw and something she needs to overcome and grow up about. But this isn’t really seen as an issue and more of a quirky thing cause Viv thinks being a woman child is funny, the “fuck you you old bitch” scene made me cringe so god damn hard. Everyone has already said it, but Charlie cursing so so forced and unnatural for her character. I don’t like how she’s supposed to be a cinnamon roll but then at the same time swears and acts feral at times. It doesn’t fit.
During the fight scene in the end, she also does absolutely nothing. She made a whole deal about how she wants to defend her people and get back at the angel’s, but aside from throwing Adam and hitting him once, she needed to be protected or saved, Lucifer ended up actually doing the work and it was so hilarious. Speaking of that, Charlie’s daddy issues arc was also rushed, her and Lucifer reuniting and then making up within the same episode was a mistake. Then you realize that her daddy issues was mainly all Charlie had to her in terms of depth and what was explored in the show. I’m so tired of Viv giving her characters daddy issues, it’s getting old lol. But regardless of what Charlie has to her, in general the show just doesn’t focus on her. She’s not the main focal point of the show when she should be. SHE’S the one who wants to redeem sinners, the hotel was her idea. Even tho the pilot was a mess I still felt like she was determined to take the lead due to her beliefs. And yet she still feels like a side/background character who only occasionally gets focus here and there but certainly not compared to the others. The potential is there but due to the favoritism of the writing she’s such an empty and boring character and stayed like that till the very end.
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Vesuvia Weekly (M6 Drabbles): To be loved is to be ...
Valued. Julian knows it's a bit callous of him to claim that nobody has ever valued him, when even the people he's hurt the most deeply still can't keep themselves from wanting to save him. But you're the first person who's somehow gotten that message past his poor self-esteem. Without any excuses to shelve your love onto - you're my family, you have to feel that way, I was your friend, you'd feel guilty if you didn't, you saved me once, so you're obliged to do it again - the only explanation he can accept from you is the one you give him.
So when you hold him and keep holding him when he's convinced he doesn't have anything worthwhile to offer you except himself, he has to believe he's valued. By you. And god, what a thought that is.
Known. After years of being your home, Asra knows you like the back of their hand. But for the past three years - and for most of their life, if they're being honest - their greatest safety was their capacity to be unknowable. Unreadable. Mysterious and unpredictable. Nobody was ever allowed into his heart as more than a guest, and until he unconditionally handed half of it over to you as yours, nobody ever had a claim to it. But now you've come fully into your own, and you're part of their life on equal footing, and secrets are foolish now.
You know everything about him - how he likes his tea, the minute shifts in your bond with his every fleeting emotion, the way his "impossible" brain thinks - and it's okay because it's you. You're home.
Uplifted. Nadia is a born and nurtured leader. As the youngest in a family of them, she watched and learned from a leadership style that focused on building things up - and then she married someone who tore her down instead, along with an entire city's populace. Waking up to a city in ruins and a council of sabotage and not a single memory of any nearby friends did not help the parts of her that could use some building up. How was she supposed to lay solid foundations when she felt like she was crumbling? Until you, that is.
You see her weaknesses and immaturities and inexperience and your response is to support her. You comfort her when she's discouraged and encourage her when she's fearful. You build her up.
Protected. As loathe as he is to admit it, Muriel's done more than his fair share of protecting those he cares about. From his time in the Coliseum, to his escape from the Coliseum, to his watchful nurture in the woods, many of his biggest changes happened to protect another life. He never got his hopes up for someone who'd see him, all 6'10, grouchy, seemingly indestructible roughness of him, and want to protect him. People like him don't get to have things like softness, and warmth, and hearty meals that make you sleepy-safe.
You don't agree. You see the fearful, anxiety-ridden child in his eyes when a crowd gets too big or a stranger gets too loud, and you take care of it. You protect him. You show him what "safe" feels like.
Seen. Counting every time she's been overlooked for someone else's sake is the fastest way to send Portia spiraling into uncharacteristic depression. The worst part is that she always ended up going along with it, overlooking herself in the process. Her brother needed a stable sister. The grandmas needed an extra pair of hands. Her brother needed a stable sister, again. The Palace needed someone to keep watch over the Countess. The Countess needed a handmaiden. So, you ... what kind of invisible do you need her to be, for you?
Except that you wanted her to be loud. You wanted her to be visible. You wanted her to talk about herself, for once. You're the first main character she's on equal footing with, and you see each other.
Changed. Lucio is not used to changing. He was raised to see it as a sign of weakness - one moment of compromising your own goals, one moment of failing to commit, and you're as good as dead. So he as a teenager, filled with feelings of betrayal and abandonment, decided exactly who he wanted to be and stuck to the bit. Too many deals, several battlefields, a lethal plague, a Coliseum, countless crimes, and a few decades later, Lucio found as good as dead anyways. Until you happened. With a new goal to commit to.
Somehow changing for you (as vulnerable as it is) doesn't feel weak. Every moment that he struggles out of another habit, he finds you in a new space full of gentle pleasures his teenaged self never imagined.
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tritoch · 2 months
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Something that bugs me a lot in Dawntrail discourse is watching people who think they are defending the expansion argue away its best aspect. Because here's the thing: Wuk Lamat isn't like prior FFXIV characters. She takes up way more space than them. That's good!
A common thread you see in defenses is that people are complaining about things they were fine with earlier in the story. "Oh well actually Lyse was also the main character of Stormblood and people didn't hate her as much!" or "Heavensward is the story of Aymeric and Estinien and Ysayle, and the Warrior of Light doesn't do that much!" or "No one complained when Gaia jumped into the Eden raids, or when Emet showed up during Seat of Sacrifice" with the implied conclusion of "Wuk Lamat's not different from any other previous major character, your complaints have more to do with [sexism/transphobia/your crippling insecurity about not being the main character] than the way she's written." First of all people did hate Lyse. I get what you are saying but they very much did hate Lyse.
But Wuk Lamat is different. She's different because Dawntrail is unapologetically, full-throatedly her story. She is there at the start, she is there at the end, she is there basically all the way through except for a brief interlude. She is the character you talk to the most, she is also the character that talks the most. She has more of a complete arc than anyone else in the expansion. The antagonists develop much stronger direct and personal relationships to her than they ever do with you. Several major characters have relationships to you through her more than they do with you directly. At multiple points in the story you explicitly step back and are like "Go right ahead, queen, do the main character stuff." She 100% takes your role in certain ways. She's literally a new WL to your WoL!
and that's awesome! Like, holy shit! If you had traveled back in time and told me after Endwalker, "Hey, the next expansion will be almost solely and entirely focused on the character journey of a young woman, and she'll be nuanced and complex and allowed to fail but also allowed to succeed wildly, and her characterization will be interesting and her ideals will be very directly challenged, and she'll get to do some real classic 'sorry my noble opponent but I must stop you, even though I sympathize' shit, and the way she is framed won't feel excessively male-gazey, and she won't get stuck in the FFXII Ashe Miniskirt, and she won't just be someone you watch and clap for while the real protagonist and narrator is some random guy in her entourage," I would've been like "haha, okay, I like FFXIV as much as the next guy but I don't think it's shaken its baseline sexism off enough to do an expansion entirely about a woman and her personal growth and what makes her a good leader, especially after Stormblood's mixed reception. And CBU3 definitely doesn't have the guts to make her even more of a main character than any other prior NPC, and you didn't mention this part future time traveler, but I also don't believe they'll be willing to cast a trans woman in the role." And I would have been fucking wrong!
Yes, Wuk Lamat is the main character. Yes, she does get more attention than other NPCs, or even your Warrior of Light. And yes, that's totally fine, and even something to praise!!! You don't have to run from it to accommodate people who are looking for something to complain about!
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ffverr · 2 months
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Any suggestions on getting into Storm centered comics? what should i read if i wanna understand her upcoming solo? thank u so much !
So you're looking to get into Marvel's greatest character? I got you 🤝
Ok so this is a very daunting question because 1-Storm's character very organically develops all throughout the Claremont run which is like...300 issues of "old" comic books. 2- I'm not all that caught up in the 2000s and 2010s comics so I have a huge gaping blind spot.
But if I were to suggest important issues to get her deal as a character and to prime yourself on her inner conflicts for Storm (2024) here are my suggestions (mostly 70s-80s focused because that's when she has her most major character arcs):
(in blue the ESSENTIAL reads, remember these are team comics, so not always 100% Storm)
My quick Storm (ororo Munroe) reading guide:
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Giant size X-Men #1 (1975)
Classic era:
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Her first comic book appearance
Uncanny X-Men (UXM) #113
It's got a quick Ororo scene that personally, made me fall in love with the character
UXM #102
Ororo's origin story revealed!
UXM #145, #146 and #147
Her first meeting with Doom who will appear in her solo and her "Rogue form" that will also be explored in the solo!
UXM #150
Storm being essential to Magneto's character development and overall a badass! Storm and Magneto have a very interesting relationship which begins here.
UXM #154-#155
Read this if you want insight into Storm and Cyclops' great friendship (they're siblings your honour!) and their relationship to being leaders of the X-Men! Cyclops is set to appear in her solo, so I'd say it's good to know that they're great friends.
UXM #165
Ororo has a VERY cool moment in this issue and it earns her the title "she who swam with Acanti". It's badass, it shows her inner strength in the face of defeat, it's great Storm content. Read the Brood saga (UXM #154 to #167) for more context of this alien space adventure.
Storm's main character arc! :
If there are ever storm comics you gotta read, it's truly these ones.
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Before the fall:
UXM #169, #170!!!, #171, #172, #173
In these issues Storm knows change, and she is rattled by her own ruthless actions. This will lead her through a path of transformation and self reflection that is what makes Storm such an incredible character to me.
UXM #179, UXM #180
To see her with the morlocks again and to get an idea of her unstable mental state at this point before her BIG depowered arc. She also has a very touching moment with kitty (they have an older sister/younger sister relationship 🥺)
Depowered Storm (the fall AND the rise):
Unarguably her most iconic arc. Storm losing her powers gives us incredible and touching insight into who she is as a person beyond the picture of a perfect goddess. A MUST read
UXM #184 (for context), #185!
The loss of powers
UXM #186!!!!
AKA. Life death part 1, widely regarded as some of the best X-Men comics ever along with life death part 2 that you will see later on.
UXM #187 and #188
Full no powers badass Storm.
UXM #198!!!
Aka. Life death part 2, a religious experience. Storm excellency. This is like no other X-Men comic you'll ever read!
UXM #201
It isn't the Storm centric issue everyone makes it out to be, but her being asked to duel Scott for X-Men leadership is still very iconic.
UXM #211 and #212
The mutant massacre is a very interesting and tough challenge for Storm who finds herself again at her lowest despite life death part 2. Important reads!
UXM# 215-216
Fun storm centric action!
This is pretty much all I'll recommend of classic stuff for the moment as I am also reading through the insane amount of bronze age issues.
To hop onto Storm (2024):
Planet size X-Men (2021)
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Here are the modern age issues I find relevant to get her current state of mind:
Ororo's role during the Krakoa era truly kick-starts here with helping Terraform Mars, which will become the planet Arakko that she rules along a council of mutants. This era is important to understand Ororo as she is in her solo and shows how she navigates many challenges.
The full series X-Men Red (2022) by Al Ewing! *Read Immortal X-Men #11 along with X-Men Red #11 (I can't remember in what order)
This is the most recent Storm-lead book, it's great Ororo stuff!!!!
Resurrection of Magneto by Al Ewing!
Despite the name, this is a BRILLIANT Ororo comic that is extremely recent, extremely good and explores her character in beautiful ways.
I think it's a great primer for her solo if you only wanna read four issues. (Chronologically it comes after X-Men Red)
That's about all I would lay on you! Good reading! And remember that Storm (2024) is written with new readers in mind so, no pressure at all to know everything <3 🌩️
Wanna read some recent leader of X-Men Ororo? X-treme X-Men by Chris Claremont is made for that. (In between the classic era and the modern era chronologically? It's not that good, but it's something.
Avengers (2023) by Jed McKay.
Storm will be in the avengers as well as her solo! She is introduced into the team at issue #17 so you can pick up from that and read in synch with the solo!
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skrunklydoo · 5 months
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working on a monster high ninjago AU!
the characters are students at monster high and are all different monster species! here’s the ghoul squad (+ some other main characters), nicknamed the ninja by teachers, under the cut:
characters in brackets are who they’re replacing (some have two characters they’re replacing) + info about ships
zane julien: the new ghoul at school. a robot, he can remove his limbs at will (frankie stein/abbie bominable, pixane (pixal x zane))
jay walker: a 1600-year-old anxious, jumpy and somewhat impulsive vegan vampire (draculaura, plasmashipping (kai x jay))
cole brookstone: the overprotective and brave werewolf of the ghoul squad. fashion designer (clawdeen wolf, lost/geodeshipping (cole x geo))
lloyd garmadon: a normie-presenting (a normie is a human in the monster high universe) dragon-oni-human hybrid who initially bullies zane but gradually grows close to him (cleo de nile, aromantic-asexual lloyd, platonic garmagoths (lloyd, harumi and morro))
kai smith: a fire elemental-water monster hybrid (more fire elemental than water monster) and nya’s brother (clawd wolf/heath, plasmashipping)
nya smith: a fire elemental-water monster hybrid (more water monster than fire elemental), the school’s champion swimmer and kai’s sister (lagoona blue, amber phoenix (nya x skylor))
harumi jade: a boogeyman tomboy lesbian biker girl. a good friend of lloyd’s. that’s all i have to say for harumi (deuce gorgon, platonic garmagoths, her and lloyd aren’t dating in this AU)
geo goyle: a gargoyle from screamtaro (the AU equivalent of shintaro) who was shunned for being a hybrid of a geckle and a munce gargoyle (rochelle goyle/neighthan rot, lost/geodeshipping)
p.i.x.a.l. borg: a matchmaking bone elemental-robot hybrid who runs the school’s relationship advice radio show with her boyfriend (c.a. cupid/robecca steam, pixane)
morro: a ghost and the co-manager/co-writer of the school gossip page, the ghostly gossip. one of lloyd’s good friends along with harumi (spectra vondergeist, citrusshipping (morro x echo zane), platonic garmagoths)
echo zane julien/mr. e: a frankenmonster and co-manager/co-writer of the ghostly gossip. when angered, he transforms into mr. e, an overprotective biker. zane’s brother (jackson jekyll & holt hyde, citrusshipping)
vania: a plant monster-ghost hybrid and former princess of screamtaro before she moved to monster high after the whole skull sorcerer thing (venus mcflytrap)
chen the cheerleader: the overconfident and arrogant werecat leader of the fearleading (cheerleading) squad (toralei)
sora: a tortured teen werecat pop star from imperium who eventually joins the ninja with her best friend arin (catty noir)
arin: a boogeyman who, with sora, joins the people he idolised the most (twyla boogeyman)
sensei wu: the dragon(ish) headmaster of monster high (headmistress bloodgood)
misc ships in the AU: nightshade (chamille x tox) and dark thinking (neuro x shade)
if you have any questions on where other characters fit in this AU, please let me know!!
also thank you @lonleyzodiac for giving me almost all of the ideas for this THANMK YOU
this AU is mostly focused on g1 monster high but some elements from g3 will probably be sprinkled in too
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ewingstan · 5 months
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If you had a chance to recommend (real-world) superhero comics to the Undersiders, which comics would you recommend and why?
Oh, good question. Its been a minute since I was really into comics (I gotta figure out how to reactivate my Marvel Unlimited account), but I think I have enough background to come up with some good picks.
Lotta good options for Taylor. My first thought is to give her Ewing's X-Men Red (aka "the main reason I need to catch up on Marvel comics"), since a superhero story that focuses a lot on gaining and maintaining societal power and the work of governing as a leader in a super-community seems like it would appeal to the Warlord of the Boardwalk. Plus a lot of it is "kill the previous leader in a way that ensures you have a popular mandate," which I'm sure she'd be a fan of.
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If we're talking Taylor at the start of the story or younger—well, I don't know if it makes sense to give her runs of the character she's most a pastiche of, but maybe something that fits the Spider-Man niche could still be appealing for a young down-on-her-luck aspiring hero? I could see her getting something out of the Simone or Ahmed Ms. Marvel runs, for instance.
(While Watchmen might seem like the natural pick, I'm pretty sure she'd lose a lot of enjoyment just from picking out all the ways Veidt's plan was obviously gonna fail for x y z reasons. Also dark deconstructions of superhero worlds would probably seem too familiar to her world for her to enjoy it.)
If Taylor would be interested in comics statecraft, Lisa would probably be more interested in comics spycraft and intrigue. Ewing's S.W.O.R.D. would probably scratch the same itch for her that X-Men Red would for Taylor (and Storm dramatically blowing off Doom would probably satisfy her after all the ulcer-inducing negotiations with Accord.) I might also give her Ewings New Avengers and USAvengers runs (look this is gonna include a lot of Al Ewing recs, get used to it early) if only because I feel like she'd enjoy how Roberto gets characterized in those comics. Magnificent bastard solidarity.
If we're giving comics to Brian, we already need to work past his defensive avoidance of anything that seems too childish, so I don't think we're getting anything pre-dark ages. That said, he famously thinks "looking mature" means "sick-ass skulls and leather jackets," so his idea of maturity might skew a bit into McFarlane territory. Ultimately though I think he'd be most comfortable with something where he could plausibly say "this isn't just a comic, it's actually a well-respected piece of literature." I'd want that to mean Moore's Saga of the Swamp Thing, but it'd probably actually mean The Dark Knight Returns.
As a dark horse pick, I'd give Brian some early New Warriors or Ewing's Contest of Champions, if only because Night Thrasher feels so close to what he wants his vibe to be (dramatic black leather ensemble with a very 90's idea of cool, unflappable expert strategist who pulls his weight despite a powerset with limited applicability, died horribly and came back much later for weirdly impersonal reasons) while also being just ridiculous enough to make me want to see his reaction.
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Given Iota's commentary on Alec's pizza habits, I'd think Alec would most be a fan of something intense and bombastic and not mind if its often repetitive. I'd almost say Berserk would be a good match for him, but parts of that that might actually be triggering for him. Maybe some other ultra-violent longrunning work; I haven't read Fist of the North Star but it seems like a safe recommendation; various X-Force runs could work if we're sticking with Western comics.
Rachel really doesn't seem like someone who'd have much appreciation for any aspect of comics. The best bet would be something visually spectacular in a way that could be appreciated on its own, and a plot that's interesting taking issues on their own and not just as part of ongoing runs. I could see Ewing's Immortal Hulk as fitting those criteria; her power gives her an artist's appreciation for Bennett's horrific depictions of the Hulk's transformations (even if praising Bennett for anything feels in poor taste).
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Ewing's scripts for each issue of Hulk are clever in a way that I feel Rachel could find entertaining; they don't require an attention she couldn't keep up, but also aren't simple to the point of being condescending. Plus, the thematic focus on "what can and can't be solved through unspeakable acts of destruction" would feel familiar in a way that's less frustrating than normal comic tut-tutting about how obviously we can't attack these guys (plus the greater willingness to say "oh yeah unspeakable destruction definitely is the best way forwards here" would be pretty satisfying).
I feel like Aisha would have more patience for comic tropes than a lot of the other undersiders, (I could see her enjoying the original Fantastic Four run), but at the same time she'd probably enjoy something a bit more complicated and out-there. Ewing's Rocket might be appealing as heist-focused mini, and I feel like the mix of melancholy and absurdity would appeal to her. Rosenberg's Hawkeye: Freefall would work for similar reasons, though replace "melancholy" with "simmering rage."
Morrison's Doom Patrol and The Invisibles both have characters Aisha might relate to for the whole "society largely ignoring or wanting to go away" thing. Plus they both have big weird ideas she'd appreciate, Richard Case's art works well with her aesthetics, and they're both seen as "respectable" series to the point that she might like peppering in references to them in alongside Jules Verne jokes.
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Huh, I just realized that Aisha and Brian both ended up chasing an appearance of being mature and somewhat surface-level and off-putting ways. Brian "trust me I'm a normal adult man" and Aisha "I've compiled spider-man quips for every work in the Western Canon and will get frustrated when you don't get them" Laborn, the "something ain't right about that kid" siblings.
(I will say that Morrison's Doom Patrol has some weird black stereotypes so if anyone wants to pitch me on a similar work without Morrison's occasional racism I'd be curious).
I'd give Rowell's run on Runaways to Sabah, if only because "somewhat antivillanous found family group of teens that mostly don't have to worry about anything besides relationship drama" sounds like a nice escape for her. Closer to what she wants the Undersiders to be like. Also, I feel she'd enjoy Kris Anka's focus on fashion in his art.
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I don't have a lot to go off for Lily. I could see some of the more recent Captain Marvel runs appealing to her sense of true-blue militant heroism. Ayala's New Mutants or Ahmed's Black Bolt might help combat her whole "villains are ontologically evil" thing, at least to a certain extent.
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