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#but he's been part of it which I'll post with the next part
doodlejoltik · 2 days
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Guys I have a confession to make. In spite of all my PLA posting and especially Reiposting... I have not actually played PLA.
Until now!!!
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Armed with my new Switch Lite I now possess infinite power and will be able to Reipost to a degree heretofore unfathomable
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There he is!
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Objectively the best starter Rowlet /lh
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So far I have been having a blast catching 'mons, dodge-roll climbing my way up unreasonably tall places, and not doing the plot. I have been assured this is part of the experience.
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I forgot to take a screenshot so I had to yoink this from someone's YouTube playthrough but darn. Kamado. Did you really have to say it like that
(Haha isn't it funny that Rei does do that and yet he's not fully accepted and trusted in the end. Haha. Maybe he didn't work hard enough...)
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This line stuck out to me. On one hand it's cautionary - in context, it's meant to warn Rei that he should be careful in how he behaves around the Diamond and Pearl clans, since the Galaxy Team is in a tenuous position here in Hisui. But from another view, it sort of suggests that "we are all equally outsiders here. You belong" which is more explicitly stated in lines like this one:
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And so I see this narrative that's building up of "Rei can earn a place for himself where he is trusted and accepted if he works hard enough", which is reinforced time and time again as he gets more star ranks, and takes more requests from the villagers, who gradually become friendlier towards him, at varying rates. (I've been making a point to talk to all the NPCs every time I return to Jubilife Village.)
Which I'm sure you all know already, and which I also knew, to a point, but it hits different actually seeing its gradual progression in game.
Anyway. Next episode, we fight a Noble Pokemon and I'll see if all my dodge-rolling experience to climb tall heights will translate to being good at dodge-rolling away from murderously angry super-powered Pokemon. Wish Rei luck, he's being piloted by me and my decidedly lacking gamer reflexes XDD
I'll tag all my PLA posting "// tik plays PLA"
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timesomewhere · 11 hours
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in honour of the West End's next to normal closing today I've finally proof-read my 'things I noticed/general thoughts' post that's been sitting in my drafts since I saw it earlier this month. it's very long I'm very sorry.
Act One:
it was really fun watching this show in September given that there's two references to it in the first song
I adore the monologue about the pills that Dr. Fine gives during 'Who's Crazy'. it's rhythmic and funny yet also unnerving. It's such a quick and impactful way to summarise what Diana has been through for the past 16 years
Gabe does a 'one of your French girls' pose on the kitchen counter under the cabinets during 'My Psychopharmacologist and I'
Jamie Parker made direct eye contact with me during the last part of 'Who's Crazy' and it was one of the most intense experiences of my life
I might just be dense but I don't get the point of the neon sign that says 'Fine' which drops down during the Dr. Fine scene. Initially I thought that then one would drop down saying 'Madden' during his scenes to help people differentiate between the doctors but then it didn't so it just feels like a weird extra prop
speaking of random props, shout out to the iPad on the table in the opening scene which Gabe pretty much instantly takes away after telling Diana that she shouldn't obsess over tragic news stories and is then never seen again as far as I remember
Dan in the flashback scene being such an optimist about Diana's pregnancy and the future they're gonna have together... soul-crushing
Caissie Levy's 'I Miss The Mountains.' Holy Shit.
I love how Diana and Gabe are the only characters who sing on/stand on the table. it's as though it's this extra dimension of the house that only they have access to and it's a really neat and subtle way to show that they relate to each other in ways other characters don't
'It's Gonna Be Good' is so underrated. Jamie Parker's somewhat genuine optimism becoming optimism-through-gritted-teeth is incredibly acted
The way Jamie delivers the first line of 'He's Not Here' is devastating. the heaviness of that moment as you feel the audience around you realising what's just happened is something I'll remember forever
Gabe body-blocking Dan from Diana during 'I Am the One' is such good staging. People talk about how Jack Wolfe plays Gabe with a lot of layers and a lot of simultaneous contradiction and this song is one of the best examples of that. how Jack manages to project a character who is goading his father and protecting his mother at the same time is beyond me
also Jack has maybe half-an-inch on Jamie which obviously isn't something the actors control but it does makes Gabe seem just that bit more threatening when he's getting in Dan's face
for the first part of Superboy and the Invisible Girl when it's just Natalie singing, Gabe is actively laughing. He's totally unperturbed by her efforts to make herself seen to her mother. it's only when Diana replies, particularly when she says "you're our little pride and joy, our perfect plan" that you see his face drop and you see him trying to figure out a way to stop her from getting Diana's attention which then results in him kicking her off the melody in her own song
"I'll hurt you" being directed at Dan and "I'll heal you" being directed at Diana as Gabe gently touches her face gets me so bad. but the most painful part of 'I'm Alive' for me is when Gabe looks at Dan as he says "I'm the perfect stranger who knows you too well." that's the first time you realise that perhaps Gabe doesn't just impact Diana, and there's something much larger at play
Caissie and Jack W's voices harmonising on 'Catch Me I'm Falling' was one of my favourite parts of the whole show. Their voices are so magical together and their mother/son chemistry is incredible
The 'I Dreamed A Dance' into 'There's a World' sequence is one of the most tragically beautiful things I've ever witnessed. I went into the show knowing what Gabe was trying to achieve during 'There's A World' and yet Jack's voice is so beautifully haunting you totally forget you're supposed to root against Gabe in that moment
Jamie Parker's 'I've Been' is some of the best acting through song out there. Interestingly my friend and I had very different interpretation's of what Gabe's horrified reaction to the blood meant. I viewed it as him being upset about what he convinced Diana to do - he doesn't like seeing her hurt. Whereas my friend saw it as him being angry at himself that she didn't manage to follow through, meaning that he has failed to regain control over her life
'I'm no sociopath, I'm no Sylvia Plath. I ain't no Frances Farmer kind of find for you' is one of the best musical theatre lyrics of all time. I genuinely don't know why I Miss The Mountains is the 'big song' known from N2N over 'Didn't I See This Movie?', it's just so good
Natalie's 'She trusts you!' line is heartbreaking, I was basically watching that entire scene through my fingers because of how high the emotion was
Act Two:
'Pfizer's woman of the year' will in fact be peak comedy every time. Eleanor's delivery is *chef's kiss*
Gabe having just one line in 'Wish I Were Here', and that line being 'Wish I were here.' Yeah. I feel very normal about that.
Natalie's line of "Can I hide my stupid hunger, fake some confidence and cheer?" being pretty much exactly what Gabe has done throughout the entirety of act 1
"And you're not a scary rockstar anymore" got one of the biggest laughs at both of the shows I went to
Dan's desperation during 'Better Than Before.' He is simultaneously trying to cajole Diana into remembering and get Natalie to be more positive. This one song really highlights how he's being pulled in a million different directions while trying to hold it all together and Jamie portrays that so well
Aftershocks. Wow. The way the last word of each line echoes throughout the theatre is great sound design. I've been in exam halls louder than the audience during that song. Holding a room that captive as a silhouette is quite the feat Jack Wolfe you will always be famous
"I don't know where the fucking pieces go" as Diana pushes things off the table as if there's a real jigsaw there that she's rage quitting and choosing to give up on is such a nice detail
"Have you talked of your depression, your delusions and your son?" The gasp in the theatre both times was sickening
the response of "good' in reply to "name?" when technically that was part of his name as they are the "Goodmans". I don't really have a point here I just think it's neat
The 'It's Gonna Be Good" reprise was one of my favourite Dan/Diana moments. Caissie and Jamie are really pushing each other to their emotional limits and they handle it so well
The first "Why stay?" is so fragile as Diana sits against the kitchen island. Also interesting given that Dan and Gabe will also sit against there later when they are at their lowest point in the story. The idea of the characters crawling to the 'centre/heart' of the home when they are at their weakest
"This is one old game that I can play so well" is the line that has stuck the most with me throughout the show. Jack's delivery of it while striding across the kitchen table - seemingly totally invincible - is crazy.
how Caissie manages to deliver "you shrugged and said that no one really knows" with humour and desperation at the same time is amazing
When Gabe and Diana stand on the table and if they let go of one another they'll fall. yeahhhhh.....
Gabe's realisation that Diana isn't going to give up on getting better. Totally collapsing in on himself and beginning to cry. How you manage to feel bad for him after all the destruction he's caused is wild
Diana's "maybe I'm tired of the game" relating back to Gabe's "this is one old game that I can play so well"
the lyrics in 'Hey #3' clearly reflecting things Diana has done, Henry cutting Natalie off at "bleeding in the bathtub"
"I am the one who'll heal you" being said to Dan not Diana this time
"Why didn't you go with her?" is the most devastating line in the whole musical I said what I said. Jamie's delivery of it is heart wrenching
the drums and bass kicking in for the loud part of I Am The One as Gabe becomes desperate to be seen once again
Jack and Jamie's acting in this moment is so intense. there's a moment where it's genuinely feels as though only one of them can make it out of the interaction alive
Jack's emphasis on the word 'loved' in the line "I am the one who loved you" nearly killed me on the spot. how somebody can deliver a line so desperately while remaining pitch perfect is unfair
Natalie coming in to kiss Dan's head at the start of 'Light' like Gabe kisses Diana's in the first scene. I'm such a sucker for a gut punching
the "And are they real?" line about Diana's parent's from Henry gets such a loud reaction from the audience. Some people laugh immediately, some people clearly get shocked out of their sobs. so good
In conclusion, this is my favourite musical of all time and I'm going to be so annoying waiting for the pro-shot to come out
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Rick Riordan has no scale for what it means to give characters positions of power or influence
I have seen a trend recently while thinking about the positions of power in PJO and HOO and who occupy them. A post that I can't find again also has breached this topic on a much smaller scale, so credit to them. (I'll try to find them and tag them.)
What I mean by positions of power and/or influence is this: positions from where a demigod has the ability to control organisations (i.e. the Hunters of Artemis and Camp Jupiter) or influence how and why things are done in a certain way (i.e. Annabeth's redesigning of Olympus and Jason's designing some of the other gods' cabins).
The first example is THALIA and how, upon becoming a hunter for Artemis, she is instantly catapulted to the top of the chain. Artemis bestows upon her the role of Lieutenant of Artemis. She is Artemis's second in command if the goddess herself isn't present.
But what does Thalia know of the inner workings of the Hunt? Next to nothing, because until a few days before, she hated them and what they stood for. She gets over her hate, which is part of her development, but it doesn't make her any less informed. One can't speculate that at some point she and Zoë have talked about the Hunt, because we have no hint of that happening in the books. One can headcanon that they'd had such a conversation, but we are speaking about canon. So she is blind. That would be fine, because she is a newbie, and has time to learn.
But no. Riordan gives her the most important place a hunter can occupy in the hierarchy. Why? The way I see it is Riordan decided that now that Thalia's completed her arc, she needs a physical reward. But going by book logic, I would also assume that Artemis was displaying some major nepotism. Because look, that is her sister, and she is in a meeting with daddy and she'd already crossed a line when interacting with her father. (I mean that she wants to reward the heroes while Zeus, most probably, just sees what they did as their duty and not something to be rewarded.) So Artemis boosts her sister up in the hierarchy so she wouldn't slight Zeus again.
Also, we've been ignoring the fact that there are far more experienced and reliable huntresses in the Hunt. Some of them have been with Artemis for many, many years bordering on millennia.
Next up is ANNABETH, about who I've already vented my frustrations, but let me say it again: Annabeth, while inspired by architecture and wanting to be an architect, is not trained and has no experience with it besides a few books and what I can assume is trying her hand at drawing potential projects. She isn't fit to redesign Olympus and certainly not able to think about all the facets of what it would entail, because she doesn't have the practical knowledge and the studies.
Yet Riordan writes it so that the gods offer her the opportunity to redesign their city state (is Olympus considered a city state??? Because it's what I've been thinking of it as). Why so? Because she has survived the war? (not like he was going to kill her, and I didn't think he would do it at any point in TLO.) And therefore she should get what she wanted besides all the PTSD and other disorders that most survivors get?
Because this is what I see.
We already know that the structure within Camp Jupiter is hinging on the child soldiers they train. The Senate is made out of centurions and ghosts and older citizens of New Rome, and we weren't shown that there had ever been adult Praetors. This is what Riordan intended, because this is what he wrote.
But it begs the question, why have REYNA and JASON specifically done to be awarded the position of Praetor that early in their lives? We are told that they went on at least a quest together, so they must have been pretty close before being made partners, and they seem to have worked well together.
We know that Reyna is a highly capable leader and managed to lead Camp Jupiter on her own for roughly 6 months. Jason was raised as a leader, so it is natural to assume that he knew how things worked. But that doesn't show why they were specifically chosen, especially after such a big conflict.
Just because Jason defeated a Titan single-handedly, it doesn't mean that there weren't any more capable hands for the duty to fall on. Also, has Reyna's POV ever revealed why she was chosen? Because I can't remember.
What I mean to say is that there were other, adult, people for the reasonability to fall back on. Because there had been said to be adults in the Senate. But Riordan, like before, has decided that the duty should fall on hormonal teenagers that have dumb ideas (not referring to Jason and Reyna, but more like stereotyping) instead of the adults. The excuse that demigods older than late teens and early twenties doesn't exist in New Rome. And don't tell me that not one of those people would take the duty, because there is shown to be influence and political power associated with being Praetor.
Alongside this, lets go to PERCY. Riordan decided that the Romans would raise Percy as Praetor because they'd seen him fight and the fact that he kind of saved their asses. Cool, I could understand this reasoning if the Romans had more time to get to know him. Because Percy's great! but he still is a child of Neptune, who they don't trust, and they don't trust him, because he was there for only a few hours a few days ago.
There is no basis on which to raise him straight from probation to praetorian-ship.
But Percy saved them! So Riordan decided, against all common sense, that he should get a position of power somewhere he knows next to nothing about, because of plot reasons and drama. Why couldn't Percy have just been seen as a great help and on that the Romans would build their trust upon him? To start to value his opinion?
But the plot of HOO moves so fast is was no room to take a breath and let things unfold naturally. So Riordan gives political and military powers to characters willy-nilly because it will help the story along.
Again to JASON, the cabin design things is the same as Annabeth's, so there is nothing to really say again. Other then the fact that they parallel each other in this way, and not in the good way when talking about writing.
Riordan has no scale of what it means when he gives his characters power and authority where they hadn't achieved it. He gives them upgrades in authority as a way to pay them for their good behaviour and character development, or simply because he hadn't thought all the way through what their positions would entail, and their ramifications.
I hope that I made a great job at explaining what I wanted. If you didn't understand what I said at some point, please do reach out. I can talk about this for a while.
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chevvy-yates · 4 months
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CLUB OWNER
Falco ‘Garnet’ Ritter is the owner of the place he named ‘HELL BUNKER’, a location that hosts diverse technoise parties and concerts (but also some other music genres). He’s also the inventor of Chrome Chamber Rave as well as the radio station ‘109.6 HELL BUNKER.FM’.
He has earned himself quite a high cred and respect in the Night City party business as his location and main event is unique compared to other technoise events in the city. His vision simply was to bring European technoise (back) to the NUSA, especially hard tech from his home country Germany. He wants people of Night City to experience that technoise from Europe hits differently than other technoise does, especially the one from Germany (as technoise roots lie there)¹. He’s well known in the underground scene and also appreciated by Maelstroms. He used to be deejay-ing at Totentanz years ago and the location gave him a lot of inspiration for creating HELL BUNKER afterwards. He’s mostly known under the artist name ‘Garnet’² rather than under his real name. So in the first place Garnet is a musician and a business owner. But since he’s got ears and eyes everywhere to keep his club clean he may also have important info for mercs and he’s not easy to fight because of his installed Gorilla arms cyberware. He often acts as a bouncer for his own club. It’s likely to happen that you might get thrown out by him personally if you behave inappropriately. He doesn’t make any excuses. Chrome Chamber Rave especially has strict rules such as a certain dress code you gotta have to wear, otherwise you may not be able to enter.
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SET LIST
Garnet still deejays at CCR. His setlist is of course all hard technoise yet he concentrates to mix it with more emotions and a touch of industrial, even some lyrics and tends to venture further than that. Each song is unique to itself and can be a true experience if you are willing to let yourself soaked in and let it touch your soul.
“Technoise may not be able to save the world, but it will save your soul.”
— Falco ‘Garnet’ Ritter
Cover artwork by me. Steal and you will be doomed. I‘ve chosen tracks only by one artist named ‘Roman Gehrecke’. This artist is the closest to what I imagine Garnet would produce as well. So I decided to borrow the music for Falco. Of course all the music belongs to Roman Gehrecke! There's one song at the end of it I see as the one that is always played at last so the audience knows ok after that it's done. This song is also not by the artist mentioned above but has a well known melody majority knows.
Recommendation: ‚Gefallene Engel‘, ‚Anderswelt‘, ‚Stimmen der Tiefe‘ and ‚Schutt und Asche‘ – best listened to via headphones and making time for it should you want to try to get soaked into.
———
¹ "Technoise and its various derivations dominate much of the German scene. If you're hip, you already know about Technoise. If not, listen up. Technoise is quite popular with the discerning young punk; it was popularized by Germany's own NetWerk actually, you've got your Overlay style from London, Jazznetic from Rotterdam and Echo from Frankfurt. In addition, there are people producing Frock (Fractal Rock) all over the place. The good thing is, Technoise is quite easy to produce. You only need a small computer, some software and you're ready to buzz. Those of you with a message might miss the political attitude, but you're missing the point. Technoise is strictly for partying, tripping and dancing. People meet and dance up to the runner's point. Maybe that's a political statement in itself, oder?" — Eurosource Plus – The New Eurotheater Sourcebook for Cyberpunk
² Garnet first is a song by my favorite band D'espairsRay I still love to this day (they ain't anything to do with techno). And second a gemstone that has the color of a darkened red, which I also try to give him as a main color theme of his wardrobe (together with black ofc).
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araneitela · 5 months
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WHICH SYMBOLIC FRUIT ARE YOU?
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Cherry. (Man, this is going to need some tag rambling; because while it's what I suspected and it's very fitting in many ways, I need to address one element).
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In popular culture, cherries have come to represent sensuality, sex, and seduction. In the cult classic, Twin Peaks, Audrey Horne expresses her sexual expertise by tying a cherry stem with her tongue. "Cherry" is also used to refer to the concept of virginity: why? I don't know to be honest, but here we are. Much like the cherry, you're a sensual person who enjoys all the creature comforts the world offers. You enjoy delicious food, dynamic relationships, passionate lovemaking and stimulating conversation; however, you may also come across a touch vapid or shallow, due to your quickly fading attention when something has served its usefulness to you. To quote some man on tinder: "you're here for a good time, not a long time". You can come across, at times, slightly tart, carrying a bit of a bite to you that not everyone can handle. That’s okay: you’re an acquired taste!
Tagged: @basbousah (Thank you 🩷) Tagging: I don't tend to tag for quizzes easily but this one was actually fun, so let's harass. @immobiliter (how about Furina?) @kushtibokt @genus83 @genius81 @spiderwarden @delusionaid (Wriothesley, or Zhongli— porque no los dos? 🤭) @apocryphis (Topaz) @aventvrina @resolutepath (Elio) @daybreakrising (Blade) @astrxlfinale @kahakera @cygnor @chasersglow @scrtilegii (Jing Yuan)... and anyone else who'd like to do it, say I tagged you because I'd love to see the results!
#[ games. ] the game only works when we follow the rules; though i'll be none the wiser if they're broken. let morality be your guide.#[ this has been open in a tab since yesterday. ]#[ okay but i actually /love/ this result. BUT LET ME SPECIFY-- to those who haven't read my other post. ]#[ please read 'sex' and 'seduction' through a very old fashioned lens. very old fashioned. ]#[ and then i think it's a lot more fitting. think film noir/1940s femme fatale /instead/ of the modern femme fatale and you got it. ]#[ seductive in the way that a woman can be inherently alluring. ]#[ sex in the way that it /is/ something she engages in. but in the way that one does without overindulging at all. no promiscuity. ]#[ i'm not saying religious-type 'it means everything'. but i'll forever live by that line by blade. ]#[ “she must have sought something extraordinary. everything she does comes at a great cost.” ]#[ the thing is-- he knows she lacks fear. so i don't see 'at a great cost' being a value tied to anything because of personal risk. ]#[ or fear of chasing after it. it also means something that it comes from blade. who likely also has an interesting tie to 'fear'. ]#[ but any way that means 'at a great cost' means investment/engagement (time. effort. sacrifice?) ]#[ which shows a deep rooted dedication to something. which speaks to me of a certain passion that needs to propel something like that. ]#[ and if we take passion into the equation-- then i think that fits for how she speaks and handles everything blade and tb-related. ]#[ then i also can see 'sex' very fitting. she would; when engaging in it; be incredibly all-encompassing but not in a 'dominatrix' way. ]#[ nor a traditional 'dominant' way. but simply incredibly present. engaged. passionate. ]#[ those two things can fit incredibly next to sensuality if you simply look at it from a specific lens that isn't casual and/or modern. ]#[ outside of that... dynamic relationships? ☑️ stimulating conversation? ☑️ which PLAYS INTO THE NEXT PART. ]#[ which is /yes/ she is bored. she gets bored. you /need/ to be able to stimulate her by having something of your own to interest her. ]#[ she also wouldn't/doesn't like people who serve her every whim. no. have your own interests. ]#[ as to elaborate on an acquired taste: she isn't everyone's cup of tea. if you don't have something that interests her-- you won't... ]#[ enjoy being around her. if she doesn't /like/ you. you won't think she's fun. in /that/ she's an acquired taste. ]#[ and has a bit of a bite. ]
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wildermouse · 2 years
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vent ii.
#so i guess i went over the tag limit and didn't realize so half of that vent post was cut off#cool cool#basically i said i think next year is gonna be a year of figuring shit out#probably not fixing anything but trying to figure out ways to make my life.. work better#i also really want to travel next year. because travel is the only thing that makes me feel sane and alive and happy#i already have a trip to amsterdam in the works to meet up with a bunch of online friends and i wanna make it work so bad#so i need to make sure i have enough money for that#but i also want to do a trip somewhere pretty that i haven't been like wales or scotland#or even a road trip somewhere in north america#but i cannot drive and so i can't go alone and also i like sharing my adventures with people#but i don't think anybody wants to travel with me so there's that#i need to figure out another way to make income apart from my shop bc i'm barely scraping by#and i WANT to do barn chores again#even tho it take a huge physical toll on my body i would rather do that than another job bc i can do things at my#own pace and i rarely have to interact with anyone and i can be around horses all day#but to do that i would have to move in with my mom and i don't think she wants me living there and idk how much she would charge me rent#it would also cause a lot of problems with my dad. he would be uspet and bitter and probably mad at me.#and would also try and convince me to stay like 'i'll drive you to the barn every week!' which would be 2+ hours of driving and#him driving me to work every day was part of why i had a breakdown and quit my last job bc he would cause so much anxiety#but my mom is literally surrounded by barns where she lives aND is on a bus route so#tbc
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jegheterkerry · 22 days
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I'm sorry to hear about your grandma and now your dog too, idk if it's something you'd be interested in but I clipped a bit of my cat's fur and stored it in a glass jar, again I'm so sorry about what youre going through
thank you. i took him in on monday morning and said goodbye. right before, they offered memorial things like that. i didn't think i would want something, but i was actively sobbing so i ended up asking for the framed paw print. it was a little ridiculous because...when has the shape of his paw ever brought me comfort? versus all the times i've buried my face in his white fur or stroked his soft ears? but an expensive, impulsive decision was made, and now i'm just waiting for the vet to call to tell me his paw print is ready to pick up.
though if i do need his fur, there's approximately half of a dog's worth of shed under my bed. i haven't cleaned anything up, nor done much of anything else.
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cryptictongues · 13 days
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The Thrill of the Chase
pairing: Logan Howlett x Female Mutant!Reader rating: Explicit (MINORS DNI; 18+) word count: 7.1K summary: Logan ate part of your sandwich, so you stole his cigars. Things turn out differently from what you were expecting.
warnings: fluff and smut, teasing, slight predator/prey trope, banter, making out, dirty talk, oral (f and m receiving), vaginal sex, vaginal fingering, squirting, soft!dom Logan
Author's Note: My first Logan fic! X-Men used to be my world and the fact it is making a comeback has rejuvenated me. Also, I was picturing Logan from the first three trilogies but DOFP!Logan also crossed my mind so :)
Please read my pinned post before following me! Minors and ageless blogs will be blocked as this blog’s content is NSFW.
[AO3 link]
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It was getting close to evening, everyone doing their own thing to unwind after a long day of classes and teaching. You had planned to do the same thing, planning to grab a quick bite in the kitchen before getting ready to relax in your room. You were whipping up a quick and easy sandwich, assembling it onto a plate before moving it to the island in the middle of the kitchen. You went to get a soda from the cupboard, only for your skin to raise as you sense something is about to happen: a certain someone was about to come take your sandwich. 
“If you take one bite out of my sandwich Logan, I will kick your ass.”
You turn to see him, eyes wide along with his mouth, about to chomp into your dinner. He closes his mouth, only for him to keep the sandwich in his hands and an “innocent” smile on his face. 
“Oh, you mean this sandwich?” 
You shut the cupboard door, walking over to him with a stern, playful look. You know he is messing with you. That has been the dynamic of your relationship with him. Ever since he decided to stay here at the school and join the X-Men, you two have grown closer and closer, enjoying each other’s company over anyone else. It didn’t matter what either of you did. You both thrived in the presence of one another. 
But something that has become common practice as of late was playful in nature. You both have always teased, but it has recently ramped up. If one of you started it, the other would find a way to end it before starting again. It was the push and pull between the two of you that you loved, and it has only made you long for him. You want to believe he feels the same, but even your mutation of precognition can’t fully confirm that. 
“Yes, that is my sandwich. I worked very hard on it. I'll have you know.” You are standing in front of him now, having to look up at him slightly as you wait for his next move. 
“I’m sure you did. It looks delicious.” He says, but rather than looking at the food, he is looking right at you. Cheeky bastard.
“Y-yeah, which is why I am asking you to put it down so I may enjoy it.” 
“I don’t know. I think I wanna have a taste first.” 
His hazel eyes are staring you down, almost begging for you to make a move. In reality, you really didn’t care if he ate it. You could easily make another and enjoy dinner with him. But you know that isn’t what he is doing right now. He is playing with you, wanting to rile you up. Well, it takes two to play that game.
“That sandwich is very precious to me. I’d think before you act.”
“Oh yeah?” He smirks, bringing his face closer to yours. “What are you going to do about it?”
“I’ll take something precious of yours.” 
He chuckles, turning his face to the sandwich. “I’d like to see you try, sweetheart.”
He takes a huge bite out of your sandwich, his eyes closing as he chews. You purse your lips, watching him savor your meal with gusto. You know he is overexaggerating to truly get at you, but little does he know you have a trick up your sleeve.
“Enjoying my meal?” 
He turns back to you, swallowing before licking his lips. “Very much. I may have to take another bite.”
You get up in his space, settling onto your tippy toes so your face is by his ear. You let your breath waft against his skin, causing a shiver to shake his core. You can tell he is anticipating what you will do, always highly enjoying your responses to his antics. Oh, he is so in for it.
“That’s okay. You can have it.” You let your pointer finger trace his collarbone that is very much on display from his white, fitted tank. “And you want to know why that is, Logan?”
He takes a deep breath, very apparent that your actions are doing something to him. His left hand lets go of the sandwich to settle on your hip, squeezing the flesh slightly to ground himself. It is actions like that that make you believe you do something to him. Like you drive him just as insane as he does to you. You bring your left hand to his head, pulling him down so you can really get into his ear. 
“That’s because I know where you keep your special cigars from Cuba, and I am going to take them.”
You couldn’t have run fast enough. You are already shooting for the stairs, taking two steps at a time as you speed to his room. You knew it had taken him a second to realize what had happened because by the time you got to his floor, you heard him yelling your name. 
You burst into his room, locking it quickly. It was only to buy some time, for you knew he had a key. You were giggling as you went to his bookcase, plucking out the blue, hardcover history book. You open it, and smile as you see the unopened cigars there in the deep hole where text used to be. Just as you close the book, you hear heavy footsteps reach the door and a jingle of keys.
You panic, needing to find a way out before he opens the door. You could run around him, but you needed a head start. You could hide and wait for him to leave but you knew he’d sniff you out. There was only one option left, and that was to go out his bedroom window. You hear the key enter the lock, and with a quickness you didn’t think you had, you unlocked his window and flung it open. Just as the door busted open, you crawled out. You grasped onto the ivy that clung to the school’s exterior and began to climb down. 
“Oh, when I get my hands on you, you are in for it!”
You look up to see Logan’s head popping out the window. He has a scowl on his face, but you could see the wild look in his eyes. You knew he was enjoying this, for he loves the chase.
“This is for taking my sandwich!” You yell, and continue making your descent. 
You hear the window close, which makes you go faster, knowing he is rushing down those stairs to meet you at the bottom. You could sense that he would go to the front door, so once your feet touch the grassy floor you run to the back door. Opening it quickly, you determine your next move. He is probably at the front, ready to intercept you, giving you the opportunity to hide somewhere. 
You rush to the hallway where many of the classes are held. You run into the first classroom you see, its door already open. You see the large oak desk at the back of the classroom, and quietly walk up to it. It has a space for leg room, so with haste you crawl in it, pulling the chair in carefully to not make any sound. 
Your heart was racing, adrenaline thrashing as you hid. You try to steady your breath, trying to keep quiet. The atmosphere has become eerie, the silence defying as you try to keep it that way. You try to listen for any other sounds over your pounding heart, when another wave of cognition hits you. You can see it clearly, where he finds you under the desk, hands on either side to block you in. You know you need to move on, so you go to move the chair, but you suddenly halt when you hear his voice boom nearby.
“Where is she?” 
You cover your mouth, trying to hold in your breathing as well as the gasp that almost shot from your mouth. His voice was coated in gravel, and absolutely primal. Even from afar, it was clear he was worked up, and it made you embarrassingly wet. 
You hear footsteps enter the hallway, heavy boots against the shiny wooden floor. At first, you think you may have a way out, hearing him pass the room you were in, but you aren’t so lucky because you hear him stop. You grip onto the book and your mouth, even though you know it will do absolutely nothing. You know he senses you, and it is confirmed when you hear footsteps enter the room. You hear him inhale deeply, exhaling with sigh only to turn into a deep rumble. 
“I know you are here.” He is slow in taking his steps, and each step gets closer and closer to your hiding place. 
He sniffs deeply again, growling this time around like he was a wild animal. “No point in denying it. I could smell you the second I walked into the hall.”
You know he will find you, and he will block you in. So you decide to take a risk before he closes in on you. You push the chair out far enough to crawl out, before standing up behind the desk. You put your hands up with the book in your left one, trying to show off a sign of surrender. 
“You have nowhere to go, dollface. No point in trying’ to run for I’ll snatch you up real quick.” 
“You must really want your cigars back to block me in like this.” 
He steps even closer, with him now standing right in reach of the book. He could easily grab it and take it, for he is much stronger than you. But he doesn’t make a move, staying glued to his new spot. You don’t know what’s running through his head, his eyes trained on you. It isn’t until he places his hands onto the desk that you take a step back and drop your hands. 
“You’re wrong.”
You raise a brow, not sure what he is getting at. “What do you mean?”
He smirks, leaning his body over the desk. “It isn’t the cigars I’m after. Not anymore.”
Your heart is in overdrive. You know the answer, it is becoming obvious. But you ask anyway. “Then what are you after, Lo?”
“I think you know the answer. Now it is a matter of will you let me take what’s mine.”
You want to give in. You are becoming more aroused by the second, but you are starting to really enjoy the chase. Seeing how much it gets him going, to see this side of him, only makes you want to push him more. You want to see what he will do, especially when he gets his hands on you.
You walk around the desk, book of cigars still in hand, getting closer to him until you are toe to toe with him. “What’s the fun in surrendering?”
He quickly blocks you in, the desk pressed against your back. He has the most seductive, but feral grin upon his lips, like he thinks he has won his prize. His head leans down to yours, forehead against forehead, before he whispers his next sentence against your lips.
“The fun is in what follows.”
His lips are on yours, desperate and needy. You can’t help the moan that leaves your throat, mind going hazy as his lips devour. You have craved him for so long, you want this to last forever. However, you cannot give into him like this. You will not make this easy for him.
One of your hands goes to the hem of his tank, fingers lingering before going under. He feels so solid, the coarse hairs on his tummy spread thick as you go to his left side. You can feel him shudder over you, and you try to hold back the smirk that wants to curve onto your lips. You move your fingers sporadically over the left side of his ribcage, causing him to jump back. This gives you the chance to run like hell.
“Hey! That’s unfair!” You hear him yell and it makes you giggle profusely. You must thank Jean later for letting you in on that little secret; that the broody, grumpy man with the metal bones was insanely ticklish. You wish you could turn to see his full reaction, but you are too determined.
You can hear him running right behind you, and you have never been more aroused. You shouldn’t feel so turned on by Logan chasing you around, but the thrill of the chase was seeping into your loins and you were addicted. 
More people had shown up around the school, meeting with friends to study or hang out for the evening. You were dodging people left and right, and everyone looked perplexed as they saw Logan charging his way towards you. Many of them probably assumed it had to do with the book you were holding, and while they would have been originally right, they are no longer even close. 
You don’t have time to hide again, not with him so close behind. You make it back to the stairs, hauling ass as you try to make it to your room. You can hear him right behind you, breathing heavily and grunting with each step. Your room is at the end of the hall, and you are basically flying with how fast you are running. The second you reach the door, you swing it open and throw yourself in before slamming it. You had gotten it shut, mentally pumping your fist in victory, but by the time you went to turn the lock, it was too late. The door flies open, sending you back a couple feet back as Logan stands at the door's entrance. 
“I have you right where I want you. No more running.”
If looks could kill, you’d be ash. He enters your room, closing the door behind him with his eyes staying on you. He takes one step forward, with him now hovering over your smaller form. The way he is looking at you makes your knees faint, for you felt you could hear what he was revealing with his stare. 
“I still know your weakness, Logan.” You smirk, holding the book up to your face to dodge any attack he was planning. It is pointless, you know, but it is the best defense you’ve got. 
“Do you now?” He walks towards you, in step with you as you go backwards. The back of your knees hit the edge of your bed, telling you that you truly have nowhere else to go. He is right on you, grinning now that he has the upper hand. 
“I’m afraid that book won’t save you from me.” He snatches the book, tossing it to the side of the bed. 
You are in for it. You don’t know what he is planning, and the element of surprise has overcome you. However, with the way he is looking at you, you guarantee that what is about to happen will be just as exhilarating as when he was hunting you down. 
“What do you plan to do with me, hm?” You let your fingertips walk along his chest, dancing all the way down to his side like you did earlier. 
He is quick to grab your hand, bending down to lift you up in his arm before tossing you onto the bed, following swiftly as he pins both hands above your head. 
“Don’t even think about it. I know you all too well.” He growls through his teeth. “As for what I plan on doing, what’s the fun in telling when I can just show you. Would you like that?”
You simply nod, breathless at how he is handling you. However, that wasn’t good enough for him, as he takes hold of your wrists in one hand so his other one can grip your chin.
“I wanna hear you say it, pretty girl.”
You huff, getting frustrated already that he is dragging this out. With your legs still free, you wrap them around his hips, your heels digging into his back causing him to grunt. Your lips are practically on his, faint contact making you antsy. “Show me what you’ve been wanting to do with me.”
Your lips are squashed by his instantly, hunger and desperation clear. His hands go to your thighs, grabbing at the flesh. With your hands free, they go straight to his hair, gripping and tugging on it which causes him to moan hotly into your mouth. 
His hands travel up to the hem of your blouse, pushing the fabric up past your stomach before his hands go under. You moan at the contrast, rough hands, that have been through so much running along your unmarred body. He swallows what you give him, groaning happily at the effects he was causing.
You are in heaven. You never thought you would be here like this with Logan. You never thought you would be under him at his complete mercy. It makes a shiver travel down your spine, traveling right to your core that is a heated mess because of the man before you. To be with the man you have pined for is riveting, and you could cry that he seems to return those feelings.
You don’t know what triggers your mutation, but it is sudden. Your vision goes blurry, a strong aura surrounding you. It is overwhelming, a whimper bubbling from your throat as you see what is about to happen. Logan releases your lips with a grunt, looking at you intensely as you start to shake. You feel his rough hands cup your soft cheeks, stroking them gently. 
Your cheeks feel hot, your vision turning you into a horny mess. Your hands grip onto Logan’s chest trying to ground yourself to reality. It’s too much. Your visions rarely last long for they are just snippets of future events, but this was different. It was as if you were in a trance, and could feel everything he was doing to you. You don’t know if it is your heightened emotions, especially with him right on you. All you knew is that pleasure was present, and you were starting to fall apart. 
“Hey, what’s wrong?” You can hear his demeanor change, worry laced in his tone.
“Fuck,” you couldn’t help but moan, unable to control yourself. “I can feel everything, Logan.”
There is a pause, hands still touching your face. A few beats later, he lets his right hand go down, only to stop at your thigh squeezing tightly. 
“Tell me what you see, baby.” 
The rumble in his voice intensifies everything, causing you to grip onto him tighter. “Oh God please don’t make me say it out loud.”
You try to look away, but his left hand shifts so it is grabbing your chin. He forces your head back up, bringing his face down to yours like he had in the classroom. His breath fans over your lips, taking in the way they move as sounds leave them. 
“I’m fucking you, aren’t I? Making you lose yourself on my cock? Is that what you are seeing?”
You can barely talk, too enthralled in your vision. You grab the hand that is on your thigh and bring it to the top of your black pants. Logan gets the idea and angles it so he can slide his hand into them. His fingers brush over the fabric, feeling the damp spot that has formed drastically. You hear him curse under his breath, the vibrations hitting your lips as they brush against one another without full pressure. 
“Oh sweetheart, you are so wet.” He murmurs, pulling his hand out to bring it up to his nose, inhaling deeply before releasing a sound so feral that you could sob. “And you smell so fucking good.” 
You can’t help but nod, not knowing how to respond. All you know is that you need him. Need him to take you on your bed and do whatever he wants to you. You’ll take anything he is willing to give you, for all you want is for him to make himself known to you. 
His hand had gone back down to your crotch, cupping your pussy through the material. “Does she want more attention?”
“Logan, please do something.” You choke, your mind steadily coming back to reality, but still not fully letting go. You start to grind down on his palm, desperate for anything he will give you, but he removes his hand, going to the back of your head to grip tightly.
Damn him!
“I know she deserves something, but do you? Do you deserve me after getting me so worked up like that?”
“Logan, I am begging.” You cry out in frustration, your nails digging into his chest causing him to groan lowly. “I want you. God, I’ve always wanted you so please take what’s yours!”
He is back on you, kissing you till the air in your lungs dissipates. He starts to kiss away from your swollen lips, kissing down to your neck. He nips at your pulse point, going up to your ear to give it a light lick before going back down. With every kiss, he takes a deep breath in, which only makes him get more aggressive. Soft kisses turn to an open mouth lather to nips that could have easily broken the skin.
“I don’t think you know what your scent does to me. It draws me in every time.” He bites down particularly hard at your collar bone, and you wouldn’t be surprised if blood had come to the surface. 
His hands come back up to the front of your blouse, carefully unbuttoning the garment before revealing your breasts that are almost spilling out of your bra. His hands mold over the cups, squeezing hard and slow as he makes his way to your sternum. 
He is being so gentle with you, a complete 180 from how you thought this was going to go. He was so rough with you in your head, fucking you until you couldn’t even say a word. This side of him was endearing, but you crave more from him.
“For someone so feral for me, you sure are taking your time.”
He bites the top of your left breast, making you gasp at the sudden pain. “I don’t think you are ready for that side of me, dollface.”
Your right hand goes to his head, taking a handful of his hair and yanking his head up. You know he wants to absolutely ravish you, and if it’s some convincing he needs, some convincing he is going to get. 
“When I said to take what’s yours, I meant it. I want you to make me beg until I’m dumb, so fucking do it.”
“Fine, but don’t say I didn’t warn you, Princess.”
His hands go under your top from the back, unclipping your bra before letting them resurface. He starts to yank your top off from the shoulders, only to smack your thigh that causes a light sting.
“Arch that back for me.”
You do as he says, allowing him to take the rest of your top off along with your bra. He flings them both across the room, only to do the same with his tank. You’ve seen his upper body plenty of times, as there would be instances in which he disregards it for a training session. But this? This was very different. It’s a different atmosphere, and rather than everyone getting an eye full of his muscular, hairy body, it is now for your eyes only. 
He’s looking down at you, pupils flared as he takes you in. You shiver as his palms stroke your tummy, slowly going up until they encompass your breasts. Your nipples pebble from the rough texture of his skin, and you can see it excites him. So much so that he takes the opportunity to take your nipples between his fingers and pulls them gently with a pinch. Your back bows off the mattress, adoring the pain he is providing, and let out a mewl as he lets go to run his thumbs over the tender peaks.
“You sound so good,” Logan murmurs. “I need to hear more.”
His right arm goes under your back to keep you up, holding you there as his mouth goes to your left breast. He takes your nipple into his mouth, sucking with his eyes still on you. Your cheeks flush, head tilting to the side to avoid looking at him. It’s too much. It’s too fucking much. 
Whimpers slip from your mouth, his treatment of your breasts making you want to rub your thighs together to soothe the ache, but he keeps your legs open. He eventually does the same to your other breast, working to match the work he left on your other nipple: hard, and tainted red.
He lets up, sitting on his knees as he unbuttons your pants, hands sliding the material down your legs in earnest. He tosses your heels off before stripping away your bottoms, and he hums as he admires the black, lacy thong you adorn. 
“Fuck,” he snaps the elastic, eyes entranced. “You sure you didn’t see this coming earlier? Wearing something sexy like this?”
“They work better with my pants.” You huff, his fingers lightly running along your covered slit.
“Hmm, no wonder your ass looked so good today.” He grins. “But this pussy? I could play with her all day.”
He lowers himself, sliding off the bed only to bring you with him, your body gliding across the comforter with ease. He clutches onto your thighs, letting your legs rest in the crook of his elbows. He keeps his hold tight, bringing his lips down to kiss and suck on your thighs. You gasp at the aggressiveness, swearing you will see dark purple marks on you later. You moan at the idea, as it feels like he is finally claiming you; like are his to mark, to claim, to fuck, to love. 
He makes his way to your center, sniffing deeply before releasing a feral growl. He lets the tip of his tongue lightly drag from the bottom to the top of your heat, still fully covered by the damned thong. He flicks at your clit, a ghost of a touch that has you bucking your hips. And he draws back every single time. His self-control is impressive but frustrating all the same.
He starts to suck on it through the material, creating a bigger wet spot with his spit. The more he pushed his tongue against your folds, the more the material would rub just right against you. It made you clench, panting at how much he is teasing you. He pulls away, blowing on your sensitive spot which only makes you whine.
“Awe what is it?” He chuckles, the vibrations barely hitting where you need him. “You want my tongue to play with you?”
His hand lets go of your thigh, fingers tracing the fabric before pulling it to the side. “Lucky for you, I love to play.”
He goes right in, mouth over your bud as he consumes your very being. Your hands shoot to his hair, not prepared for the onslaught of pleasure he is delivering. The swirls he is landing on his target is mind numbing, a tangible pressure that makes you want to curl in on yourself. 
“Fuck, sweetheart,” he groans, the sound vibrating right on your clit. It makes you buck your hips up, but his left arm presses you down to keep you secure. 
“I know you want more, but you are going to have to be patient. I’m not done tasting this sweet pussy. Fuck, you are so sweet.”
You feel one of his fingers near your hole, circling it teasingly before pushing in. His tongue is back on your nerves, mouthing covering it to add slight suction. Even with his big fingers, it’s not nearly enough. 
“Logan, please add another.” You say, emphasizing as you clench down on his single digit. 
He sucks a little harder, ripping a yelp from your throat. Still, he listens and inserts a second finger with the first. He goes in and out, drawing sighs from your lips as he builds you up. His mouth is going crazy, moving his lips with a vengeance. Your blood is hot, traveling down as your release starts to come to the surface.
You can’t stop clamping down on his fingers, your pussy having a mind of its own. He is pistoning them now, causing your fluids to make its way down your ass onto the comforter. The sounds coming from his handiwork edge you further, your release imminent. 
“Oh God, Logan! I’m cumming!” 
Big mistake on your part.
He pulls away, wiping his mouth with the back of his hand. A smug look appears on his face, and you have the urge to shove his face back into your aching cunt.
“Your first time cumming with me will be on my cock, sweetheart.”
He pulls your thong down your legs and moves you back to the front of the bed. He stands before you, making light work of removing his belt from the loops of his jeans. His jeans are next, pulling them down with his briefs. 
You don’t know what you expected. You weren’t surprised with how well endowed he was, not with the way he is built. But to see it in person is so much different from your imagination. The details that your mind didn’t conjure up, especially the vein that starts from his lower stomach to the tip of his cock. It makes you salivate, wanting to run your tongue along it. 
“You like what you see, darlin’?” He noticed you staring, but you have no shame. Not anymore.
“Yeah, want it in my mouth so bad.”
He walks over to you, his cock in your face. His hand goes to your head, stroking the baby hairs that are starting to stick to your temple. “As much as I would love that, I am dying to give you the fucking you deserve, sweetheart. However…” he brings your head up closer to his cock, your lips not even an inch away. “How about you get it nice and wet for me.”
You don’t have to be told twice. You work up a good amount of spit, letting it drip from your mouth onto his hard cock. You start to lick at the sides, spreading your saliva all over until he is covered. You are basically making out with his dick, your lips and tongue moving like you had when you were kissing him earlier. It isn’t until you get to that vein of his that you start to go wild, licking it up and down. 
Logan is groaning deeply, and pulls your head back, a string of saliva connecting before breaking apart. You hear him curse under his breath before crawling back onto the bed, his hands holding your face as he brings his lips to you. His kisses are slow this time, letting it sink in that this is happening; that you two are about to be connected. 
“You did such a good job. You are such a good girl.” He murmurs against your lips before sitting up. 
His dick is now sitting heavy on your mound, and the weight of it feels delicious. He taps it against your clit a few times, your hips thrusting up in kind. 
“You ready for me, sweetheart?” He lets his cock rut into your folds, thrusting up into your clit. “I think that sweet thing of yours is.”
“Give it to me, Lo. I need you so bad it hurts.” 
“Don’t worry, baby. I’ll take that pain away.” He promises.
And as promised, he places the tip right at your aching hole and pushes in slowly. Your jaw slacks, the pressure as he continues his descent much more intense than you anticipated. It’s been so long since you’ve given yourself to someone. It all feels new, and you are thankful; thankful that it's with him.
He is fully seated in you, and you can only describe it as euphoric. With the way he sits heavy in your cunt, filling you up completely, you can honestly say that this was meant to happen. Logan was meant to be with you in every single possible way imaginable. It’s the only explanation.
“How does it feel, baby?” Logan asks, hands rubbing up and down your thighs soothingly. 
“It feels,” you whimper, gripping down on him. “It feels so good, Lo.”
“Yeah? My cock makin’ you feel good, doll?” He groans, clearly being affected by your behavior. 
Before you can mutter a pathetic answer, your brain turning to mush, he shifts back. His cock slides out until the mushroom head is at your entrance, and then he slams back in; hard and slow. 
The constant back and forth of his cock has you shaking, his hard thrust knocking the air out of your lungs and the slow thrusts feeling oh so good. And with the way he is watching you, his face mimicking yours as he receives his own pleasure, is sending zaps of electricity to your cunt. It makes you grasp onto him hard as he gets you more worked up.
Logan sits up straighter, grabbing your right leg and bringing it up to his shoulder. His left hand keeps it steady as he speeds up slightly and presses gentle kisses to your ankle in the process. It lets him go deeper, kissing your cervix every time it goes in. The pressure feels incredible, and the more he speeds up, the more your cunt starts to spasm out of control. 
“That’s it, baby. You are taking me so well, like you were fucking made for me.” He growls out, biting your ankle. 
“God yes, Logan! I’m yours!” You cry out, him and his cock making you utterly delirious. “You were made for my pussy!”
“Fuck, you got a mouth on you.” He chides, his right hand going to your right breast.
He is squeezing your tit so tight; his hips are on autopilot with how fast he is taking you. Your hands don’t know where to go, going from gripping the fabric below to holding onto his wrist. He is putting you into a completely fucked out state, and you can’t get enough of that treatment. 
You can tell you are on the precipice of cumming. You are clenching on and off rapidly, no longer in control of your muscles. The sounds coming from your coupling, wet smacking echoes that are music to your ears. You can feel the telltale sensation of being overwhelmed, and you know you are now on the track of no return. 
“Logan, baby, I’m gonna cum!”
He snarls at you, a crazed look in his eyes as he slams into you. He lets go of your tit to grab your chin, keeping your eyes on his. “Do it, darlin’. Cum around my cock.”
You are over the edge in seconds, a silent scream taking over as you tremble and quake. Your pussy is convulsing like crazy, small gushes of liquid coming out. You see Logan look down at where you two are connected, and he is grinning like crazy.
“What a fucking sight. There isn’t one thing about you that isn’t pretty.”
You could sob at his words, especially with how overstimulated you are becoming. You work his cock, wanting him to cum inside of you. 
“Give me your cum, Logan. Fill me until I’m dripping.”
Your words must have triggered something because next thing you know he has let go of your leg and face and is falling onto his forearms with his mouth landing on yours. You hear the sound of his claws, completely unsheathed from his skin, causing him to bellow into your mouth, rutting like a madman which causes cum to leak out from your hole onto the bedding. 
He slows down, milking out the rest of his spend before stopping all together. He lets go of your lips gasping, face buried in your shoulder as he tries to calm down. Your hands go to his back, massaging the taut muscles as he shakes. 
“Fuck, Logan,” you sigh, catching your breath as you come back to earth. You feel so relaxed, even with your guts feeling completely rearranged.
You hear his claws sink back into his skin, and it is then that he pulls out, falling to the other side of the bed. His chest is going up and down with every heavy breath, and you can’t help but admire him like this. 
He turns his head over to you, his hand coming to grab the hand by your side. “C’mere, sweetheart.”
You make it over into his side, head laying on his chest as you both bask in the post-sex glow. You can’t help but smile at this turn of events, not expecting to have been in this position with Logan. But here you are, laying on his chest with his arms around you. 
You notice something in your peripherals and see splintering from the headboard of your bed. There are six holes in the wood, and it sends you into a laughing fit, a euphoric glaze covering your entire body. 
“What’s so funny?” He asks gruffly, pulling you into side as you continue to laugh.
“Your claws pierced my headboard.”
You see him glance back, and you see him sigh, relaxing more into the mattress. “I’ll fix it up for you, darlin’. I’m sorry about that.”
“No need to say sorry.” You snuggle your face into his skin, breathing in his natural musk as you relax more into him. “I just can’t believe we did that, but I’m glad it did.”
“I can say the same.” He murmurs, stroking your hair gently. “Seriously, I gotta know, did you see this coming?”
You shift up, going to lay your arms across his chest only for you to rest on them. You look into his eyes and the need in them is still there, but not in the way they were before. They were searching, looking for any confirmation that what you both just did truly meant more. It makes him look vulnerable, something he rarely shows. It makes you smile at the prospect of him opening up even more. 
“Not until today. It’s strange now that I think about it.”
“And why is that?”
“I never saw you coming, I guess. Even when it is clear as day how you felt about me, I never got anything that told me it was real. I didn’t want to potentially screw anything up between us.”
He hums, a look of contemplation on his face before taking a hand and rubbing his face, a long sigh coming out in the process. “I suppose that’s my fault.”
You can’t help but look confused. His fault? “Why do you say that?”
“I haven’t been fully honest, but ever since I came here, no matter how welcomed and appreciated I am here, I have contemplated leaving.” His hand leaves his face to go behind your neck, lightly scratching the skin at the nape before continuing. “I’ve been alone for a long time. Having a family has never been in the books for me. It is easier to not let people in.”
“So, that’s why I couldn’t see you coming. You hadn’t made up your mind?”
“It’s possible, but it’s just a theory.”
“But, if that’s the case, have you made your mind up?” You start rubbing his chest with your palm, feeling his heart pulse slowly. You are confident you know the answer now, but you want to hear him say it.
He grunts in laughter, shaking his head slightly before letting his fingers curl around the back of your neck. “I think you know the answer, princess. But if you really want to know, come up here.”
You push yourself from him, moving so you are straddling his torso. He brings his hands to your face once more, pulling you down so you are face to face with him. He kisses you, slowly initiating intimacy with his lips. He isn’t saying anything, but you can feel what he is saying through the act alone. 
“I can’t close myself off from you,” he says between kisses. “And I don’t want to. Especially if you’ll have me.”
“I think you already know the answer to that, Lo.”
“Still, I wanna hear you say it.”
You pull away so you can look into his eyes, giving him all the sincerity you can muster. “I love you, and I want you to stand by me.”
He smiles teeth and all, and pulls you back down, kissing all over your face causing you to squeal. “Hmm I love you too, sweetheart. Always have.”
You both stay like that for a while, basking in each other's company in post-coital ecstasy by continuing to taste one another. Another thought came over you, and you can’t help but laugh again.
“If I had known sex would make you like this, I would have made a move a long time ago.” Logan jokes, breathing them in. 
“I’m sorry, but I’m laughing because it took me taking your cigars hostage to do it.”
Logan throws his head back, chuckling at what you presume is the same thing you are laughing about.
“Speaking of those cigars, can you grab them for me?”
You perk up, pushing away from him to lean over to your side of the bed. Your fingers stretch for the book, getting a grasp on it before getting settled back with Logan. He pulls you in quickly, hurdling you into his side. You see he has his lighter ready, which he must have grabbed while you were getting his cigars.
“You gonna smoke one?”
He hums, taking one out. “I only smoke these on special occasions. I think this qualifies.”
He carefully unsheathes a claw, cutting the end before it sinks back under his skin. He flickers the lighter, letting the bright flame linger on the end to get a good burn going. He then lays back, pulling you even closer into his side, before taking his first puff. 
You smile, laying your head against him as you let your eyes drift closed. You feel yourself drifting away, the smell of his cigar and the sound of his pulse lulling you to a deep sleep; a sleep with dreams that you hope feel like déjà vu in the near future.
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felassan · 3 months
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June 14th 2024 Developer Q&A (from the official BioWare Discord) - Complete transcript
Under a cut due to length.
Update: This post has now been updated into a word-for-word transcript.
[Link to video recording of Q&A] | [Link to equivalent post for second Q&A (August 30th)] | [Link to video recording for second Q&A]
Update: This post has now been updated into a word-for-word transcript.
If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here. This blog post is linked in the description under the video. ( ˶´ ᵕ `˶ )
Corinne Busche, John Epler, Matt Rhodes and Community Manager Katey were the devs that were there.
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Katey: Hello!
John: Hello.
Katey: Beautiful, your mic sounds beautiful. How's everybody doing?
John: Excellent. I, just as a headsup, I have some folks doing some service, in the next room so, if I, if you hear background noise, that's what that is.
Katey: No worries at all. Well I hope that everybody who's been waiting in here is really excited, because I'm super excited. I'm Katey. I'm the Community Manager. If you don't already know, you can usually see my name at the top of this Discord server. But I'm joined here with some awesome guests that I'll let introduce themselves. Let's start with Corinne.
Corinne: Can you hear me okay?
John: Yep.
Katey: Yep, we can hear you beautifully.
Corinne: Great, perfect. I'm Corinne Busche, Game Director of Dragon Age: The Veilguard.
John: Awesome. I'm John Epler, Creative Director of Dragon Age: The Veilguard.
Corinne: John!
John: Hello.
Katey: And then we've also got Matt Rhodes, who may be struggling to find the unmute button which is at the bottom left.
Corinne: Our, our resident artist-poet, Matt Rhodes.
Katey: I could unmute him, actually, I don't know if I can unmute him, but if he needs help, he can message me on the side.
John: The joys of being a giant nerd is I spend a lot of time on Discord anyway, so.
Corinne: Well there you go, right?
Katey: Fair enough. Alright, well, we have a ton of questions to answer. We probably won't be able to get to all of them today. You all have sent in so many really really great answers, sorry, questions for us to answer. And if we don't get to them today, we're hoping to be able to do things like this in the future. So without further ado, I'll get started. First question's a bit of a soft ball, I feel. If you could belong to any of the main factions shown in the game, which would you choose?
Corinne: I mean, listen Katey, you say softball, but like, this is hard! I’m gonna cheat, and I’m gonna give you two. So for fashion, the Antivan Crows, all day long. Their threads, you’re gonna love it. For vibes, though, like the ones that capture my vibe, Mourn Watch. Gimme those necromancers.
John: Those are good answers. I have, I have one for fashion, and also for, just general faction I’d like to be a part of. Veil Jumpers. Who doesn’t like a nice walk in the forest, y’know? Even if that forest is filled with horrifying monsters and terrifying anomalies, but yeah.
Katey: I love that. I know that Matt has a few technical issues – oh, he’s unmuted. There we go. Or maybe not. That’s okay, I think we can move on.
John: The Fade has taken Matt.
Corinne: That’s right, that’s right.
Katey: Yes. One quick thing, if you check your settings, the cog-wheel in the bottom left, make sure that your voice, like, your audio is all good. If you’re still hearing the music, feel free to maybe, force-quit Discord and rejoin by just joining the stage directly. And mute the music before you come in. Okay. I can move on to the next question for now. I’ve seen, so this question was from Acra. I’ve seen a lot of talk about only having two companions in your party instead of three for this game. What is the reasoning behind this and will we still get the same companion conversations and banter as seen in the previous Dragon Age games?
Corinne: Ooh, this is such a good question. Thankyou, whoever submitted this one. Yeah, I’ll guess I’ll start and then I’ll turn it over to John Epler. So, first of all, as you saw in the gameplay reveal, this is a much more intimate experience. We’ve pulled the camera in. For those that aren’t aware, the reason why is we want you to feel like you actually are in this world, right? Like, you’re walking these city streets of Minrathous, you’re looking up, seeing the buildings all around you, you’re a part of this place. So it’s much more intimate, and we believe as the narrative unfolds this creates a lot more immersion. Now, how that relates to companions is in doing this, we went back and forth on it a lot, but we actually found, with this perspective, having two companions, really allows them more visibility and presence. We’ve talked about the incredible depth and focus we’ve put on fleshing out these companions, they’re very fully-realized. So here, you really get to see them more clearly, you get to see them shine. When you see Lace Harding jump into the air and unleash a volley of arrows, you can only really get that because of that more intimate view. So I love the spotlight that’s been put on them. But, I think, in addition to the banter, one of the things that people are wondering about is, okay, but what about gameplay? So again, this has come about from our testing, working with the internal team, also our lovely Council of players. We just found that when you’re playing in the combat system, when you’re planning your strategies, two really felt like the right number to manage. So keep in mind, Rook has a lot of different types of actions, Abilities, individual attacks that are more fully fleshed-out than ever before. Timing and positioning matter a lot. So this really felt like the right balance to have. The number of inputs and actions we’re asking you as a player to take, including directing your companions, is higher than ever before. And I will also say, I engage with the companions, like I actively control what they’re doing more than I ever have before in any of the other three games. But John, I’ll toss it over to you for the banter. That’s kind of like the, we got a two-for-one there.
John: Yeah, yeah.
Corinne: I think that’s a, a great question.
John: So - it’s a great question, yeah. I mean honestly, I don’t think you could actually stop the writers from writing banter. I will say for myself, it’s, it’s one of the more light but fun things to do. You get to write little stories, little arcs between different characters. And I mean, The Veilguard is no different. Banter is still absolutely core part of it. You know, we’ve got global banter, you know, the general stuff that you get in all spaces, as well as mission-specific stuff. But, yeah, it’s definitely still a big thing. I think it’s, if anything it’s the most we’ve, we’ve ever done for pairings of companions. Beyond that we’ve also made sure, and I mean I’ve been on Dragon Age for a while, and I know there’s been issues, you know, things like, okay, well I don’t wanna miss this banter. So we’ve even added stuff like some interruptible and resumable banter as well, just to make sure that, because again, it’s a core part of the experience. Everyone loves hearing these companions talk to each other, everyone loves hearing these little stories and relationships develop over the course of the game and, as mentioned before, companions are the heart of this experience and banter is a big part of that, so, you still have it, it’s, if anything, like I said, you could not stop the writers from doing it even if we tried, so.
Corinne: That’s right, that’s right. Well, John, you know, listening to you speak, one thing that comes to mind, maybe people are wondering, with two companions in the field do I get less interaction between, that, like do I get to see my companions interacting in a broader group more often.
John: Oh -
Corinne: And, the way you’ll gather them around the kitchen table, there’s just so many of those moments where they’re all interacting with each other.
John: Well, I think –
Corinne: Those are some of my favorite parts.
John: Yeah, and I think, yeah, and actually that’s a, a good call, because I think the other side of it is, we’re not talking too much about your home or anything, but, we also want to make sure that they feel like they have a relationships and a life outside of just, the times you take a certain pair of companions out on the field. So we made sure that, they have those interactions there as well.
Katey: Love that. Let’s see. Um, Matt, are we, are we all set, are we good? Yes? No? Okay. I can continue and we can come back to some of your questions. Alright. So that, I loved the answers to those. How customizable is the backstory of Rook? Will we get to determine their past in the Character Creator? And that was asked by Briar.
John: Yeah, so. Absolutely. So, one of, each, Rook has six different backgrounds that you can choose from. Each of them is tied to one of the major factions in The Veilguard and each one sets out who Rook was before they recruited, were recruited by Varric, and. Well that sets out the broad events. As you go through the game, as you’re gonna have conversations, either with members of your faction, other characters, you can define, not just what those events were, but what they meant to you, what was your motivation, what was the kind of person you are as you build up Rook, because again, we wanna make sure that roleplaying is at the heart of this experience. And taking Rook, giving them, again, giving them background to ground them in the world but then letting you decide what that means and what that says about you is also a big part of it, so. And again, there are six different factions in this game, two which, anyone who’s played Dragon Age for a while will remember. You’ve got the Grey Wardens. You’ve got the Antivan Crows. We also have, in addition to that, we have four new ones, because we’re in northern Thedas. We have the Veil Jumpers. We have the Mourn Watch. We have the Shadow Dragons, and we have the Lords of Fortune, so. Again, a lot of different options, a lot of different background, and a lot of opportunities to really define what your, who your Rook was, and who they are now, so.
Katey: Amazing. Will crafting return? If yes, has it been improved over the system in Inquisition? Asked by Some Dude.
Matt: Testing.
Katey: Oh hey Matt!
Corinne: “Some Dude”, is that, I’m gonna assume “Some Dude” is a username. Great question.
Katey: Yes.
Corinne: Welcome Matt, the lovely Matt Rhodes.
Matt: Testing, testing.
Corinne: Welcome, welcome, hello. Alright, so, will crafting return? You can absolutely improve and customize your gear, yes, that is a big part of RPG progression, so yes you can improve and customize it. I will say, though, it’s different this time around, and it does get into spoiler territory, so I, I’m gonna be a little bit cagey about it, but there might be a mysterious entity that assists you with that that’ll be an important part of the narrative.
Katey: So mysterious.
Corinne: Oooh!
Katey: Matt, I’m gonna actually go back to our first question so that you can answer, so everyone knows.
Matt: Thank you.
Katey: What faction, what faction you would choose if you could choose one for yourself?
Matt: Absolutely, oh, for me it’s definitely the Lords of Fortune. I’ve had a chance to try out a bunch of them, but I think I’ve finally settled on them. And it’s largely just because pirate-barbarian is just such a great combination of elements, so. Treasure-hunting plus beaches and palm trees and all that stuff, it’s a, it’s a really good mix, so that’s kinda my default.
Katey: I think I’m with you there, for sure. How about this one - this one was definitely asked probably amongst the most in Discord. Axolotl asks, can we kiss or romance Manfred the skeleton?
Matt: Uh, I, I would say, not that skeleton, but we’re not saying no skeletons.
Katey: I love that answer.
Corinne: This is my favorite answer so far.
Katey: Alright, so I’m gonna get back on track here. Alright. What, what were some of the development considerations that you had to take into account to ensure that this new game flows and functions with prior games, and Dragon Age Keep, if Keep is being utilized?
Corinne: Ooh, that’s a good one too. So, first of all, I would, I would point everyone to, we did an interview with IGN that goes into some of the details there, so, like, if you want a deeper dive on it, check out that article. But just to summarize, we have taken a different approach on how you import your decisions this time around. It’s now actually been fully-integrated into the Character Creator, and kinda serves a dual purpose, to be honest. I, I playfully, it’s not called this in-game, but I playfully think of it as ‘Last Time On Dragon Age’.
Katey: I love that.
Corinne: Right? Now, when I talk about its dual purpose, it’s been ten years since the last Dragon Age game released, so it serves as a refresher on critical events as well as allowing you to re-make those decisions that are critical to you. The thing I love about it is, it’s very highly visual, it uses the familiar tarot card aesthetic, so it’s actually really visual and playful experience as you go through it. It is very much important to us that it’s built into the client, though. You can play this game entirely offline. No connection. You don’t have to link to your EA accounts, like that’s been a really big request. So, the refresher plus make those decisions in-client, I think we’re all pretty happy about that. I don’t wanna spoil anything by revealing what decisions you can import, like, look, y’all don’t want the spoilers, but I will say, it’s been a really interesting creative intersection for us, because on the one hand, this is a whole new adventure. You’re in northern Thedas, these locations that you’ve literally never been to before. So that affects some of what will matter and what we’re not using this time around, as far as decisions. But obviously there’s some very, very clear connections to existing characters. It’s no secret that the Inquisitor, our dear Inky, is gonna show up, so, that’s, that’s a factor.
Katey: Peachy asks, will this next game be an open-world game, or is it just contained to Tevinter?
John: Yeah, that’s a great question. So, you are in northern Thedas, but the game only begins in Minrathous, it doesn’t stay there. I’m, I think one of the most exciting things for me, honestly, and again, to Corinne’s earlier point about spoilers, I don’t wanna get into too much spoiler detail, but getting to go to, and work with the art team, work with the narrative, work with the design team to build out these locations that we’ve talked about. Places that characters have referred to as where they’ve come from, places that characters, obviously, in previous games, have hailed from, has been absolutely exciting. So, it’s, you do start in Tevinter, you do start in Minrathous, but again, that’s not the entire game by any stretch. So yeah.
Corinne: Yeah, and the first half of it is, is it an open-world game? We’ve gone back to what we believe delivers the best, most curated –
John: Mhm.
Corinne: - intense narratives. So, this is a hand-crafted experience, it’s mission-based. Now, these locations can open up. You can go back, solve mysteries, do some really great side-content. Not fetch-quests, not grind-quests, some really great side content.
John: Mhm.
Corinne: But, I wanna be clear. It’s, it’s a really curated, hand-crafted experience.
John: And just to, just to bounce off of that very quickly. The most important thing for us, to what Corinne was saying about hand-crafted, obviously we’ve talked about how, you know, narrative, story, characters, are the most, are critical to us, and this has allowed us to build these experiences in a way that emphasize that, extremely long, while still, again, tying into the story threads and the story beats, so.
Katey: Awesome. TastefulToxel wants to know - will the companions have unique specializations like Dragon Age II, or will it be the same ones we will have access to as the player in like DA: Origins, or Inquisition?
Corinne: Oh, cool. Hey TastefulToxel. Yeah, so, cool question. I think the best way for me to describe this is that, yes, our companions will have Abilities that are truly unique to them. But also, the companions do fall into the archetypes of mage, rogue, and warrior. Like, for instance, you might be surprised to hear, because she has a bow, but Bellara is, in fact, a mage, and I, I love that. So, some of the Abilities, the bulk of the Abilities of the companions are based on their own unique personality. Like, Neve is the only mage that is an Ice Mage, so you get distinct Abilities for her. But, because she’s a mage, she does have access to Abilities that all the mages share, like Time Slow. So we really like the balance there. It’s like a good mix of representing their archetype, their class, and also their distinct specialization or personality, whatever you wanna call it.
John: Yeah, actually, I would actually say the word ‘personality’ is a really great one because that’s, again, each of these characters exists, each of these characters have a history, have a story of how they became who they were, and part of that was finding that intersection between narrative and gameplay, and making sure that, again, we, we serve the needs of gameplay but also allow these characters to breathe and exist as their own people, not just in conversation, but out of conversations, as well.
Corinne: I would also say as part of that core mage kit, healing spells are there, so any of your mages, you wanna make ‘em a healer, do that.
Katey: Lunasoul Darkmoon asks, will The Veilguard have tactical combat still?
Corinne: Ooh, such a good one, such a good one. Okay. Yes! Combat gets quite tactical, like, obviously this is an evolution of the combat system, and I talked about immersion, wanting you, to put you in the world, like you’re actually living and existing in it, but it is very tactical. And, I will say, we have a robust difficulty system. The tactics are increasingly important the higher difficulty level you go. So like, look, if you’re showing up for a highly tactical experience, I would crank that difficulty level in particular. But I wanna make clear, I’m, super, I wanna make sure I’m super clear in my answer. You saw the gameplay reveal. Our pause-time tactical mode is not overhead. It stays close to Rook. It does allow you to cycle between targets, both in and out of combat, there’s a reason for that. As the game progresses, and you didn’t see this in that opening hour of the game, but it’ll display strategic information on the enemies, so like, what are their vulnerabilities, what are their elemental weaknesses, their enhancements, what are they resistant to? So your type of Abilities, learning into elemental gameplay, matters a lot. I’d also say, this is a long answer, it’s such a good question – tactical decision-making also takes the form, I would say this is front and center, of coordinating your Ability usage between Rook and your companions to create synergies, or really devastating – we call them – detonation combos. So, let me give you a couple of examples, because it can be a little hard to visualize, so hopefully this helps. So one of the tactics that I personally enjoy in my own builds, I just recently played as a Veil Ranger, I love it, it’s one of my favorites. If I’m fighting Fade-touched enemies in Arlathan, I like to use Bellara’s Galvanized Tear to pull enemies together, it’s like a gravity well. You then Slow Time with Neve and, Slow Time affects the world around you, but it does not affect you, so you clump them up, you Slow Time, and then with Rook, I come in and do, like a devastating AOE or damage over time spell or Ability, and it’s even better if it’s a lightning-based Ability, because the Fade-touched in Arlathan are vulnerable to that. So there’s so many layers of coordination and strategy and tactics. Now we did talk about the devastating, like, detonation combos, honestly, that’s probably one of my favorite features, because that’s when you’re really leaning into explicit teamwork between your companions and Rook, or, the companions together. So when I, when I build out my team and I’m going into a mission, I try to ensure that I have at least a couple of possible synergies, detonation combo synergies within my team. Might be between Harding and Neve, or it might be between Neve and me, or it might be both. So here, I would go into battle, I’d pause time, open the Ability Wheel, get information on the enemy, and the Wheel will actually tell me that there is a synergy combo, you might have seen a screenshot that says “combo available”. It will remind you of those synergies between companions. You can queue both of those Abilities up at the same time, go, close out of the pause-time menu, they’ll both execute, both Abilities will happen, then the detonation AOE happens, applies debuffs to all the enemies in a radius of it, it’s so satisfying, it’s so satisfying, I can’t wait for y’all to see it. But the interesting thing is that too is a tactical choice. I’m choosing to use my companions to do that, and that means, in that moment, I’m not using them to heal me, or to give me that defense bonus, or to knock an enemy off a ledge, so it’s about the opportunity cost. I, I could spend the rest of the session talking about this, I, apologies for being long-winded, but this is just one of my favorite parts of, of the game.
Katey: That was a great answer. Can you choose Rook’s pronouns? If yes, being, is being non-binary an option? And also, how detailed is Character Creation?
Corinne: Hell yeah you can select your pronouns! Absolutely. You can actually select both your pronouns and your gender, because those are related concepts, but they’re not actually the exact same thing, so. It’s really cool. Yeah, you can be non-binary. We have they/them, she/her, he/him. Yes, emphatic yes. How detailed is the Character Creator? Oh my goodness, y’all. Like. Very! I don’t wanna give away too much just yet, but it’s very, very deep. It has been revealed, it’s out there in a couple of articles, about the focus on hair, the focus on skin-tones that are done respectfully, full-body customization, hell yeah, we love to see it. But we’re, we’re gonna, we’re gonna come back, we’re gonna show you a lot more on Character Creator, but we wanna make sure we have the time and space to, to do that.
Katey: Will there be a Photo Mode in-game?
Corinne: So that is something we’re actively looking into. We know there’s a tonne of interest, so stay tuned on that one. But we are very much looking into it.
Matt: I can add to that, is a feature that is, that, we like, we like the idea of, and, and, it’s not just player-facing but internally, it’s a really helpful thing for us as we’re, as we’re building things out to have that so it’s, it’s, we’ll let ya know.
Corinne: Yes, yeah, absolutely. We, we are as geeked on that possibility as you all are.
Katey: A lot of people were asking about Abilities. This one is from Clemmy. Abilities, I don’t think I saw this answered yet, but are we going to be limited in how many Abilities we can pick from the Wheel?
Corinne: Ah! Yes, yes, yes. So, Ability Wheel does have a capacity. You have to choose which three Abilities you wanna bring for Rook, which three for one of your companions, and which three for another companion. And what I, what I like about this is there is, kind of, an emergent gameplay depending on who you and your companions are coming into the mission with. Now the reason for that is, it actually creates really interesting balance of strategizing, having to do that strategy about your kit, your combat kit, before the mission. And then the tactical decisions once you’re in the field in combat, deciding what to do. But, I do wanna clear one thing up, because, while there are three Ability slots for Rook, there’s so much more than that. Other actions that you can perform directly from the Wheel include, you’ll have an Ultimate Ability, associated with your class or your specialization, so there’s variance there. There’s a type of items that you’ll get that function like Abilities, they’re typically like buffs and enhancements in form of Runes. So you’ll control that for Rook and/or the team from the Wheel. You may have also seen that you can direct which targets your companions will focus on, but what you might not know is that a lot of the companion gear really synergizes with that directing your companions. When you issue those commands, that too will proc based on the gear they have equipped. Really interesting and strategic effects. They can be more Ability-like, more, like, procced effects, there’s just so much from the Wheel, that once you get in and see everything working together, becomes more and more apparent.
Katey: We have another question from TastefulToxel which is, will Fireball and Cone of Cold be back as skills, or as spells in Dragon Age: The Veilguard?
Corinne: Ohh, I love, all these combat questions, really good. So Fireball and Cone of Cold aren’t specifically back, however, their successors are. Frost Nova and Meteor. So these serve the exact same combat role and function as those other Abilities. I would also say, it gives ‘em quite the glow-up, so. Meteor in particular, like, so satisfying nuking a group of darkspawn with a well-placed Meteor, it’s really wonderful.
Katey: What accessibility features are available? I would love to know if there’s an arachnophobia mode. Will there be mod support?
Corinne: Oh my goodness, arachnophobia. I am wicked afraid of spiders too, my partner always laughs at me. I’m just terrified of them. That said, that’s one we’re going to save for a little bit closer to launch before we’ll go into full details about accessibility features. But I do wanna assure you, we’ve spent a lot of time thinking about this topic so you can play the game in a way that really works for you. I’m, I’m excited to share that with you when the time is right.
Katey: So this one is from a username named Cookie. How long is the time-skip from Inquisition to The Veilguard? I know we’ll probably get more info on this, but I’m so curious.
John: Yeah, so, anyone who’s paid attention to Dragon Age, and I can say as somebody who’s been on Dragon Age since Origins, timelines are always a little iffy. They change, and they morph over development as we see how long events taking. But, for The Veilguard, we were actually pretty consistent from the start. It’s been about ten years since the events of Trespasser. As you may or may not have noticed, Varric’s become a little bit of a silver fox. I know, I’ve heard, seen, I’ve seen a lot of comments on that on social media, but, yeah, ten years. Solas’ ritual is taken time to set up and you’re kinda coming in at the end of that hunt, so.
Katey: Siddy is asking the hardest-hitting question which is, is Solas still bald?
Matt: Yeah. I mean, if you’ve watched the gameplay thing, we can all confirm, yes, Solas is still bald, Solas is still Solas. We’ve, we’ve, I really, I really like how Solas has turned out this time around. I will say, here’s a comment on this specific question that’s gonna sound like a non-sequitur, but, once you get a chance to play it a little bit more, maybe you’ll see it. In Thedas, ancient elves, they go bald when they’re like millennia old, so. Solas wasn’t always bald. So if you were to end up, end up seeing what Solas looked like in the past, things might be a little different. You’ll have –
John: - Now, now that said, I’m sure some of you are wondering what happened to Solas’ wig from Tevinter Nights. I’m sure he still has it somewhere, so.
Katey: He’s just taking care of it elsewhere.
John: He’s just taking care, it’s, it’s his most important possession.
Corinne: The Pride there, huh?
Katey: I have another one for Matt. This is, will we be able to, will we be able to change companions’ appearances and outfits, or are they fixed, similar to Dragon Age II?
Matt: Yeah we, Dragon Age II was, we loved how the followers turned out in that but it was, it was sad given, given our constraints that we had to keep them with just one, one basic outfit. So we really tried to make some space for them this time around. So they’re, they still have, kind’ve iconic color palettes and things like that, but they do have a wider range of appearances that you can, that you can find for them. Some, some are just cool, but then there are some that are tied directly to their, to their narrative and just kinda what’s happening in their life.
Katey: Another one for ya, which is, will we be seeing or visiting Kal-Sharok? It’s, and, Tyrant says that they’ve been obsessed with it forever.
Matt: Yeah, me too. I, I will say, what’s, what’s been really cool, so in previous games, we’ve kind’ve alluded to this before. It was a lot of fun to hint at the locations that were off the map, the mysterious places that you weren’t gonna go, you weren’t going. And so you could just bring in some props or some characters, a piece of art, things like that, and you know, even Tevinter was only vaguely hinted at and then we would just add drips and bits and pieces, so that stuff was really fun. In The Veilguard, we’re actually getting to visit, most, like a whole lot of those locations that had only been hinted at for real, so you actually do run around Tevinter and a bunch of the other locations that we’ve revealed. But this also means, like, we’re not completely filling out the map, and so that there are actually new things that we can start hinting at, that we can start drip-feeding, and so, it’s, it’s kind’ve fun. I’d say, yeah, for what we can show of Kal-Sharok, and, and other locations, it’s just, there’s, there’s more to do.
Katey: Awesome. MrFightmonster118 asks, will the dialogue wheel slash options be similar to Inquisition and Mass Effect: Andromeda in the sense that it’s more tone-based?
John: Yeah, so, we have a number of different types of wheels in our game. All the dialogue wheels are based off the same principle. Anyone who’s played a Dragon Age game remembers what they look like. In Dragon Age: The Veilguard we have tone wheels which are, you know, again, roleplaying your character, picking consistent tone. We also have emotion wheels where you can pick specific emotional reactions. And choice wheels which are, I don’t have a strong emotional or tone tie here but I do want to make a choice based on what I do. Investigates obviously return as well, but. We do want players to understand as much as possible what it is they’re going to be picking, and understand, and again, choice and consequence is fun, we wanna make sure the choice is clear, even if, again, one of the best parts about consequence is making sure that’s not entirely clear, so.
Katey: How extensive are Rook’s decision trees for dialogue going to be with the companions and also with NPCs throughout the game?
John: Huge. I mean, again, it’s a Dragon Age game, we wanna make sure you have choices, we wanna make sure you can choose both your roleplaying but also choose outcomes of conversations, choose how events unfold, so, I mean, again, it’s a Dragon Age game, we wanna make sure that we also react to decisions you’ve made, so. For example, you may be talking to a follower who is an elf, and if you yourself are an elf, obviously you’re gonna have a different perspective on events than someone who’s not an elf. Sometimes that means different conversation options, sometimes that’s going to mean entirely deep dialogue trees, as well as based off decisions you’ve made throughout the game so, again, making sure that the game feels like it’s noticing what you’re doing is a huge part of how we’ve written out the dialogue wheel, or dialogue trees, in this game.
Corinne: Blueberry has a question for Corinne. It was mentioned that there will be, that we will be able to romance who we like. Does that mean that all companions are romanceable by all player characters regardless of race or gender, as it has been in the past?
Corinne: Yeah, yeah. So, we have talked about this in some of the interviews, I’ve seen a few articles about it, so I’d recommend everyone check out those articles. But let me just give you a quick overview. Each of the seven companions have full romance arcs and they are romanceable by all genders, absolutely. But something that’s really important to, to us on the team, so I wanna make sure that we clarify and just double-down on, that doesn’t mean playersexual. And if anyone’s unaware of what we mean by that, it doesn’t mean that they can form or twist their identities to who you the player are, like they, they won’t suddenly have a preference for men or women based on what you’re playing, right? Instead, they have their own fully fleshed-out identities, they are true and authentic to that. So in this game, they are all pansexual, with their own histories of romance. Sometimes you’ll hear about preferences, or things of that nature. And what I really love is, if you don’t pursue a romance with them, they’ll actually build their own romances with each other. So, in one of the interviews I talked about Lace Harding and Taash getting together. I give that example because honestly, it’s one of my favorites. I’m gonna put a question back to the community, though. I’ve heard we’re going with “Laash” for that ship-name? You tell me, like, what is that ship-name?
Katey: That one just rolls off the tongue, I feel like that works. This next question is from FallenArtesia. What are the markings on the faces of the elven Warden and Veil hopper?
Matt: So there’s a, quite a few, probably, I think, easily more than we’ve done before, tattoos from various, various cultures. We’re bringing the vallaslin back, of course. But there’s, yeah, ton of different options, especially when we’re, again, going into all these new regions. Each, each area has its own kind’ve visual language for that. But yeah, we are bringing the vallaslin back and then a couple of the characters have them, but we’ve kind’ve customized them a little bit, they’re a bit more specific to their personality.
Katey: And this is a question for all of you. What are you, what are you as a developer most proud of about the game, and what are you most excited for players to experience when it’s out?
John: Ooh, that’s a good question.
Corinne: Isn’t it?
John: Corinne, you wanna go first?
Corinne: Yeah, sure. Gosh. So I suspect for most of us, myself included, it is really gonna be the depth and authenticity of the companions, journeying along with them on their arcs, learning about their hardships, what they care about, being by their side, that, that authenticity is just so good. They all feel like my dear friends. But, I have to say, the closest runner-up for me, has to be the Character Creator, has to be. That Character Creator, the makeup options, the range of sliders. I’m a qunari fan, so even just the, the way you customize the horns and combine that with the really great-looking hair. Character Creator has to be my, my, like very close runner up.
Matt: Oh yeah. For me, I would say, as far as, what, what I can say I’m most proud of on this one, the, I can speak for the art team. We worked incredibly hard to make the story more visible than ever. Games are a visual medium, but, you know, it’s, sometimes it’s easier to do things in text format or written in a Codex somewhere or alluded to off-screen. But we really leaned in to trying to make sure that every design, prop, character, environment, the VFX we’re choosing, everything, all, all these choices, were putting the story on-screen so that you can really see it unfold. And I think, having worked on all of the Dragon Age games, I would say Veilguard represents one of the best attempts at that we’ve made yet.
John: I’m gonna cheat, because I’m going last and I get to do that when I go last, and kinda combine both Corinne’s and Matt’s answer. Honestly, the companions are, for me, the absolute highlight of, just, being able to work across all the disciplines, building characters who look and sound and behave in very specific and characterful ways. These are the deepest companion arcs we’ve ever done. Not just on Dragon Age, but at BioWare in general. Each, each companion has their own story arc, you can go through decisions you can make, they really do take center-stage, and I think, as you play through with them you see the care and love that the team has put into each and every one. I mean there’s, there’s moments in each arc that make you cry, make you angry, make you excited and, and the way that they integrate into the story as a whole is just, for me, something that’s been really fun. Finding ways to bring these characters together, finding ways to make this, this narrative, this story of, you know, you need to put together a team and stop the end of the world, it’s just been absolutely exciting and thrilling. And again, you see the team’s love in every single piece of it. As for what I’m most excited? For me, I’ve been, I mean Dragon Age has been part of my career, part of my life for literally the last decade and a half. I’ve worked on it since Origins and there’s something about The Veilguard that feels like a amazing mix of, novelty but also familiarity. It’s like coming home in a way that I think is going to be very exciting for people who are existing Dragon Age players, but there’s also so much here that’s just new and exciting for people, new players and old players alike. And going to parts of the word, seeing things we’ve never seen before, and just getting to take this amazing world, this amazing series and expand on it and build on it in ways that have just been, honestly, an absolute thrill, the best part of my career. And I’ve been in games for seventeen years now, this has been the absolute highlight for me, so. That’s what I’m excited about.
Corinne: John, that was, that was such a good answer, and I just, I just wanna “yes, and -” that. It, I so completely agree with you. There’ve been times in the companion arcs where even, knowing exactly what’s going to happen, we work on the game, with some of these decisions, I, I’ve had to set down the controller, let out a heavy sigh and go “oh my god, what am I gonna do here?” Yeah, the depth of them is wonderful. And, I do wanna say, I, I’d be, I wanna put this out there, when we talked about as a developer, what are we most proud of, can we just give a big shout-out to the dev team? I am so proud of them. This team has poured their heart and soul into this.
John: Absolutely.
Corinne: Anyone from BioWare who’s listening in, thank you so much, y’all are just the best.
John: Hear, hear.
Katey: I absolutely love that. I knew that question was going to have some of my best, some of my favorite answers, and it delivered, so thank you three. This one’s a fun one. Why does Varric have dark hair now? I feel like John mentioned this a little bit earlier, but.
John: Just for [inaudible].
Matt: He’s been, he’s been adventuring for a while now. His hair is, is more gray, but he’s been in very dark scenes so far, so. We’ll see him in some more contexts.
Katey: In this question, we actually took from Tumblr, because there were a few really good ones in our ask box. Will the Inquisitor be appearing in the flesh, or are we just choosing their major Dragon Age: Inquisition decisions?
Corinne: Alright! Yeah, yes! They will. The Inky does appear. We know how attached y’all are to the Inquisitor, I’ve seen the love for your OC. Yes, the Inquisitor shows up. Now, we, we’d already confirmed that in a few places, so, let me just say, you can also customize them, includes some of our new customization options, yeah, they’re gonna show up and they’re gonna be your Inquisitor.
John: And I think, I think beyond that, I mean, the story of Solas and the story of the Inquisitor, obviously are tied, they’re tied together as much as any story, so. It would have been strange for us not to bring them in for this one. They have, they’re gonna be a part of the story, so.
Katey: Will there be any planned DLC? Just curious, as I always love the DLCs. Oh, and transmog armor. This one came from Lavell.
Corinne: Oh, heck yeah, good question. So, right now, our focus is entirely on the quality of the game. Like, it’s so important at this stage for us to be all-in, all attention on, just, finishing this game and delivering on the quality, the promise of it. So honestly, like, that’s all I can really say about it. We’re 100% focused on this being the most complete game we can make it. I will say, kind’ve related to that though, and I just wanna underscore this, I wanna emphasize it. There’s not gonna be any microtransactions, there’s not gonna be any battle passes, you don’t have to connect online, our focus is making this the most complete singleplayer game we possibly can. Now, this was kind’ve a two-for question, I love when we do that. Will there be transmog? Hell yeah. I’m the kind’ve player that, that believes fashion is the real end-game. Yeah, there’s a transmog system, absolutely, it’s sick.
Katey: And then this next question is from Scott. I was asking if any of the characters will be explicitly asexual, or on the ace spectrum?
Corinne: So good. Such a good question. So, look, I’m just, I’m gonna be really forthcoming with y’all and a little bit vulnerable here. I’m ace, I’m a gray-ace, I don’t mind sharing that, I’m kind’ve public with it. I will say though, that none of our companions this time around are explicitly ace. When we look at the characters, their motivations, who they are, we always assess, like is, is this the right time? This time it wasn’t. But what I will say for everyone on the ace spectrum out there, I would love to represent an ace relationship sometime in the future when it feels like the most authentic fit for a companion, when we can do it best. Oh, and I do see some questions, you know, some questions, what do we mean by ace? Asexuality. We often refer to it as the ace spectrum.
Katey: Can mage Rook do blood magic? Will blood magic be a skill tree separate from regular magic?
Corinne: Okay. Um, this gets a little spoilery, so let me just say, Rook has some pretty good reasons to avoid blood magic. Rook is not gonna want to be interested in that. But I will say, the mage skill tree is packed with all kinds of spells, traits and perks to give you a ton of flexibility in your magic. Gonna go off-script just a little bit, because –
John: Oh no.
Corinne: I’ve seen, like, can you tell us about the specializations for mage? I’m not gonna tell you the deets, but there is a necromancer one, there is an elemental one, and there is one that’s actually more of like a combat mage, it’s my favorite.
Katey: Can we name the griffon? We also have a griffon emoji now in this Discord server.
John: Excellent. So, someone on your, in your party, again, spoilers, may have already named the griffon, but, don’t worry, Assan is a very good boy, so.
Corinne: All these griffon emojis are, y’all are killing me.
Katey: Yeah, I love that, griffons in the chat. Let's see. Will we have a camp/home/headquarters that we’ll be able to customize?
Matt: Well this time around, in Inquisition you had Skyhold. In this case you have a headquarters called the Lighthouse. More to be seen on that. But, it’s, it, narratively it, it serves kind’ve a different purpose but also the same purpose. As far as customization goes, there are elements of it that change over time, and some things that you can adjust. I, I don’t know how much we’re really going into that at the moment.
Katey: This one is –
Matt: But yeah, I would say, it’s like, there’s some, it, one thing I like about it is it definitely does start to feel very much like a home over time.
Katey: Sorry for almost cutting you off there Matt. We have another very hard-hitting question, if I'm, if I do say so myself.
John: I love this one.
Katey: We need to - Same. We need to know, does pasta and noodles exist in Thedas? Thank you.
Matt: Well, and I’ll take it as a chance just to geek out about worldbuilding, because, again, we’re, The Veilguard for us is a really kinda dream opportunity to go to places that we’ve only ever heard reference to, or we’ve seen hints at. And so, in going through the worldbuilding process and trying to, trying to build these places out, not just as neat things from the IP but also as, you know, if you’ve, if you've read about this stuff, if you’ve been following along, you’ve got your own version of it in your head. You’ve imagined what it might be like, you’re, and probably hoping for something spectacular. And our brains are always far better at creating this stuff than any game developer, any artist, or anyone can really do justice to, so you really have to swing for the fences to make something very satisfying and exciting. You know, is, that can be everything as big as architecture and landscape and biomes and ecosystems, but it does get into things like art and culture, costume design, and also food, and this time around we did, you know, that was one of the many things that we, that we did, looking to, just to try to catch the character and the feel of a place to make it feel believable and lived in, so. That’s my really long answer for, yeah, I’m sure, I've, at least one place does have pasta.
Katey: I loved that. This next question is from Spectre Karro. Are we getting a mabari?
John: Ooh, that’s a good question. I will say, you’re spending most of the game in the north of Thedas. Mabari are not nearly as big of a thing up there, so. In this particular instance, no, you will not get a mabari, sadly.
Katey: Honestly, I should’ve pulled this one up to where we answered the first question about the griffon, but, can we pet the griffon?
Matt: You, I’m really sorry to have to be the one to tell you – nah, I’m kidding, yes you can. But it’s not even just petting the griffon. I’ve, this isn’t a spoiler, I think you can actually, I’ve actually hugged the griffon, so, that feels like, even there, a step up. Yeah.
John: There’s lots of opportunities to interact with the griffon.
Corinne: Can we see, can we see Assan in chat if we wanna see him in the Lighthouse hanging out?
Katey: Assan in chat everybody.
Corinne: Assan in chat, alright!
Katey: I love it.
Corinne: Okay, y’all this was so important to the team too. Like, this is the team’s like, just such huge support for this feature, so props to them.
Katey: This one is from Coriander. Will we get to see any of the Character Creator before the game releases?
Corinne: Yes, yes you will. We’ve got a, you’ve probably seen, we’re laying out a roadmap for, you know, what we’re gonna show and when we’re gonna talk about, so, yes you will see it as we get a little bit closer to launch.
Katey: And then we’ve got this question which is, will we be able to play as a qunari, dwarf, elf, or human?
Corinne: Hell yeah, hell yeah you will. All four, and all four have that full-body customization. I already talked a little bit about, I mean listen, I’ve always loved the qunari. I will say in Dragon Age: Inquisition it was hard to get a good-looking qunari hairstyle, so yes you can play as them, you can customize them, the horn options are rad, the hair options are rad. And also, I guess related to this, your lineage gives you a lot of really unique dialogue options, so that’s a really lovely aspect of choosing your lineage as well.
John: Yeah, I would, so to actually just to bounce off that, to an earlier question about backgrounds, each lineage, there, depending on the lineage you choose and the background you choose there are some specifics call-outs to, for example, if it’s the Mourn Watch, the Mourn Watch being a faction from Nevarra of mages, you play as a dwarf, obviously your experience in that faction is going to be different than, say, a human or an elf, so. There are also specific call-outs tailored to those combinations and, with again, giving, the intention of giving each lineage their own little flavor as to how they're, they fit into that faction as a whole.
Katey: Okay, John, I’ve got a question from someone named Joe for you. Where is Barkspawn and is he okay?
John: That’s a Great question. Barkspawn is safely gnawing on a bone next to a fireplace somewhere in Ferelden, don’t worry, he’s fine. You may question, ask yourself, but John, it’s been so long, in which I say, mabari live exactly as long as they need to.
Corinne: Getting into the deep-cut questions now.
John: Deep-cut questions, yeah.
Katey: Yeah. We are really speedin’ through these. Let’s see. Will Rook have a set of default name?
John: Yeah so, Rook’s last name is defined based on their faction, again, we wanted to tie that into your backstory, but also, there’s a, that’s a name generator that can give you a selection of first names. Obviously if you want to make your own first name, that’s definitely something we support as well. If you’re somebody who maybe has a little bit more difficulty coming up with a name, so for example you name every single character “Bob” because that’s the only name you can think of, we also give that opportunity for that generation, so.
Katey: I definitely always have trouble coming up with what I wanna name my characters, so that’s great. This next question is, when will the voice acting cast be announced?
John: So, we worked with a lot of very talented actors on this one. I am super excited to talk about the voice acting cast. We’ll be talking a bit more over the summer, we’re not quite ready to announce names yet.
Katey: And I think we have a similar answer to this next question, which was, will there be a Collector’s Edition? When can I pre-order?
John: Yeah, same answer, we have, we’ll talk more about the different editions of the game soon.
Katey: Are there any special musical guests writing the sound-track? Will tavern songs return.
Corinne: Oh my goodness, yeah. There are tavern songs. And huge credit to the audio team and performance teams because they’re pretty great. There’s one in a little tavern in Minrathous called The Swan, and the song you hear there might just, it might be, it’s up there, it might just be my favorite of the tavern songs.
Katey: Let’s see, are there any – ope, I have just asked that one. What are the required PC specs?
John: Much like the other two, we will have more information on required PC specs soon.
Katey: Saph from the Discord server noticed that two, Dragon Age II’s main theme from the soundtrack brought back much of the iconic thematic material of Origins’ main theme, but I heard less of it in Inquisition’s. Can we expect The Veilguard’s main theme to recall more or less of that original thematic material than Inquisition?
John: So we’re not, we’re not quite ready to talk about music yet in specifics, but in broad strokes I can say the process for us is always the same. Working with the composer, working, figuring out themes, figuring out what kinds of elements we want to keep, tying specific elements to, maybe specific characters. It’s a really in-depth process and a really collaborative process. We have some fantastic audio people on our team that have done an amazing work, amazing job, working with composers, and, with the team as a whole to make sure that, again, we said earlier about cohesiveness. Making sure that the music feels like a cohesive part of the experience.
Katey: And this one, I see is also for John, but I think anyone can answer this. When writing the overall story of this game, what themes did you want to have as the prominent focus?
John: I mean again, it’s interesting, so it’s interesting, because when we were writing these games, and this has been true on every Dragon Age I’ve been part of, what you start with and where you end up aren’t always necessarily the same. Sometimes you start writing out a theme, you realize actually it’s more interesting if we attack from this angle, or maybe if we twist it a little bit. I will say for Dragon Age: The Veilguard, from the beginning one of the biggest themes has been regret. How regret’s shaped peoples’ lives, how people deal with their regrets, how people maybe move past their regrets and, each of the characters, you know, the stories as a whole, have elements of this tied throughout. We really wanted to have that thematic, that cohesiveness to the game’s story and the game’s writing so.
Katey: And I know that, you know, we’ve, we've kind’ve already answered this a few times, but can we play as dwarves and does the world react to your race and backstory? Probably be good to just directly answer that one.
John: Yes you can play as a dwarf. Yes the world does react to your race and backstory. And, again, you’ll have unique dialogues or unique conversation options based on that, on that backstory and as well as that race.
Corinne: I’ll give you a little nugget here, because I saw it scrolling through real quickly. Do you have beards, like. So when I think about can I play as dwarves I think about, do we have glorious fantastic beards? Hell yeah, we do.
John: Yeah, I can say, as somebody who plays a lot of games with character creator, the beards on, I don’t know what magic the character art team did for the beards, but they feel like a beard should feel like, it’s great. They look awesome.
Corinne: Just saw somebody say “it’s beard time”, I love it. It’s beard time!
Katey: Will our heroes and companions leave us if we go against their wishes?
Corinne: Oh my good – do y’all just love pain? Do you want us to make you cry? If you go against their wishes, if you make decisions they don’t like, I will tell you, you can piss them off, you can, they might not agree with you and they, they will take some time away. That said, this is the biggest threat to Thedas we’ve ever seen, so they’re, they are always gonna be willing to show up to defend Thedas but, yeah, you can piss them off and they’ll leave for a minute. As it relates to them showing up to defend Thedas, well yeah, they will, unless…
John: No spoilers Corinne!
Corinne: Aughhh, I’ll leave it there, I’ll leave it there.
John: No spoilers.
Corinne: Okay, alright, alright. But they want it!
John: Yep.
Matt: Don’t try to stop me, Smee!
Katey: This one’s a fun one about some inspirations for the game. Dracanmo would like to know if any songs, books, movies or anything have had inspired any of the writing for the characters?
John: I mean, honestly, the thing about art is, art is always a synthesis of your own experiences both in the real world but also the art you consume, the art you pay attention to. I don’t think that any characters have what I would describe as, this character was a direct reference or direct inspiration but, I mean, yeah, they’re all inspired by the things that we do, the things, both, again, in the real world, and also in the media we consume. And you’re gonna see elements of characters that, yeah, the things that we’ve enjoyed, the things that’ve shaped us, show up in these characters. I think, for me, it’s, it comes down to, and I, I, writing is a deeply, can be a deeply personal experience, so even if you don’t intend for it to be the case, things, parts of you are going to show up in your character, I think that’s true for all the characters in The Veilguard. And, you know, sometimes it’s, exploring, exploring the, y’know, things that, about yourself that you may like or may not like, and it’s also about exploring things about characters that you like or don’t like, so. That’s kinda my long-winded way of saying yes, it’s impossible to not have that happen when you’re creating art. But I wouldn’t say that there’s one where you can say, oh this is this character, this is this character.
Katey: What was the thinking process behind making Harding a companion this time around? Was she always going to be one or did it evolve into one because she was such a lovable character?
John: Ohh, yeah. So Harding, I mean. When we released Inquisition, it was impossible not to see the love that people had for our murderous girl next door dwarf. She’s always been a fan favorite obviously, but I think beyond that, it’s something that there, that Harding’s writer wanted to explore. There was more of a story to tell there, more perspective, and beyond that, Harding obviously has a strong connection to Solas, and to the, to Varric, and to the events of the past ten years, so. I wouldn’t say it’s always been, but I’d say Harding’s probably one of the first ones we settled on as like, yes, this is a character we want and the writer had a story that they wanted to tell with her, so, it just made sense.
Matt: You know, I think actually, to piggyback on that, that’s something I hadn’t really even thought about that much, but, and it’s not a huge part of her character, but, she tends to be one of the people that have the most insight into he was.
John: Yeah, that’s exactly it, that’s exactly, and yeah, that’s a great way of looking at it too. It also provides you with a little bit of that, that perspective. For players who’ve been around, you know, who played with previous Dragon Age games, but also for new ones, who was Solas? What kind of character was, was he?
Matt: Yeah.
John: Yeah, it’s a great, it’s a great, using characters to provide windows onto the world is honestly one of my favorite things.
Matt: And, and when I say was, I just mean, in Inquisition.
John: Yes, that’s, that’s exactly it, yes. Thank you for correcting that.
Matt: Yeah.
Katey: And what approach are you taking to quest and world design in The Veilguard?
John: I think for us it just comes down to relevance and narrative heft. We want to make sure that each quest provides either a perspective on the world or perspective on the characters, or feels immediately and obviously relevant to what you’re, what you’re doing here. You’re here to save the world and, again, at the end of the day, one of the things that we heard, we heard loud and clear, was some feedback about how relevant, or in this, in our case, not relevant, previous quests have felt, so for Veilguard, we really wanted to make sure that these quests felt like something that you, somebody faced with the end of the world would believe was necessary and important. So, again, there’s quests of all sorts and sizes, but all of them share that same feeling of, this is the kind of thing that The Veilguard would do. This is the kind’ve thing that my hero would do, especially faced with the end of the world.
Corinne: Yeah, that’s, that’s really good John. That’s so right. I would just, again, double-down on how hand-crafted all the quests are, and whether, whether you’re doing, like, the main story, or you’re journeying with your companions, or you’re out exploring and you encounter a mystery. Everything’s handcrafted, intentional. We spent a lot of time listening to what y’all said, and of course everyone has slightly different tastes, but, you know, you’re not gonna be gathering shards in the Hinterlands. Everything is built with intention, and, you know, a dev there lovingly handcrafting the experience.
Katey: Are there any locations in the game that can only be accessed by making specific story choices?
John: So I don’t wanna get too much into spoilers here because this does start getting into spoiler detail, but I will say that locations can fundamentally change based on decisions you make. Some of the parts of the world that you go to, you can have, the decision, the choices you make have an impact on how these spaces exist and develop, so, yeah, and again, don’t wanna too many into, into story spoilers, but, your decisions do impact how the world shows up.
Katey: And will we be able to control our companions in combat through tactical mode, or if the PC, or player character, gets KO’d, like in previous games?
Corinne: Right, so. If Rook gets KO’d, your player character gets knocked out, this time around it is time to re-load your save, or better yet, the companions have really interesting progression, you can spec them out to be able to revive you, but that’s, that’s if you’ve invested in their own progression and what they can do. And that said, I, I mentioned this earlier but I, I personally spend more time in the nature of this combat system when everything comes together, interacting and directing the companions than I have in any of the other games, so, like, like that, that interactivity between them, once you play it you’ll see how, just engaged the team is.
Katey: A user named It’s Sarah said, my real most important Dragon Age question is, will Solas still occasionally or dramatically speak in iambic pentameter?
John: You know, I was, I actually spent a little bit of time trying to figure out if I wanted to answer this question in iambic pentameter and then I very quickly gave up. Massive kudos to Patrick who, who always writes Solas so well. Again, Solas is a returning character, it’s the same Solas you know and love, or hate, depending on who you are. Same writer, so, I think, this has been, the answer is, well of, yeah, it’s Solas.
Katey: Will our decision of who in particular was left behind in the Fade be important?
John: So, while that decision does not show up, that – sorry, let me, restart. Not for The Veilguard. That decision doesn’t show up here. Now, that said, that doesn’t mean that’s that’s not a decision that will ever be important in the future, so. Again, not for this one, though.
Matt: I’m glad to hear you say that, John, because one of my favorite stories was Bob getting stuck in the web in reboot and it just feels like -
John: That’s a, that’s a deep cut!
Corinne: Very, that’s a deep cut.
John: Holy smokes.
Corinne: My goodness.
John: The sound of my childhood.
Katey: Will we have mounts again? If so, any hints to what types we’ll have?
Matt: So no, no, mounts, excuse me. Mounts were, they were, they addressed a need in Inquisition that we don’t have in Veilguard, and you’ll see why, when you get to play.
Katey: LightningStar asks, how is the side quest design? Will they be mostly story-based, or will there be a lot of radiant quests or resources or Power, like in Inquisition?
John: We talked about it a little bit earlier, but, no, they are all hand-crafted and story-focused. Again, narrative, the companions, not just the companions but the characters in the world as a whole are so much at the core of The Veilguard that, anything other than hand-crafted quests just felt like it would be a disservice to the game we were building.
Corinne: Yeah. And maybe, we can clarify as well, because, like Power was such a divisive mechanic in Inquisition. There’s no mechanic like that that blocks your progression until you fill a bar, right, like that’s just not a thing in this. You have the autonomy to engage in these, these quests as you like. There’s no, like, y'know, grind-out gates before you can progress.
John: That’s right, yeah. Again, we wanna make sure that, again, that doing this content feels as natural and part of the logical flow of the story as possible.
Katey: So, it looks like we only have time for three more questions, so I’m going to get through those. With this next one, is from someone named Jason. Will there be a similar system to the War Table missions?
Corinne: Ooh, interesting. So, we haven’t talked much about the player’s base, the Lighthouse. And we’re gonna save that for a beat, but what I will say is that the Lighthouse, your headquarters so to speak, it has its own unique purposes and functions this time. So that’s an area that we’ll, we’ll leave for you when we talk more about the Lighthouse, and then when you have a chance to hop in, you’ll be able to see what those unique purposes and functions are.
Katey: If there is dual-wield for warriors, will it rely on dexterity or strength?
Corinne: Ah, okay, yeah, yeah. So we did wanna bring dual-wielding back. It is part of the rogue kit this time. So warriors are really focused on mighty two-handed weapons, can’t wait til you see, when you swing and connect with those weapons, there’s, there’s a real heft to it. And then of course sword and shield, so. We’re leaving the dual-wielding to the rogues, but you, you can see just, the amount of hits you can get in in rapid succession dual-wielding as a rogue is really satisfying.
Katey: And the last question that we’re able to get to today, is, what have been some of the challenges and advantages of working on a single, on a single game for so many years? How did you sustain the work in yourselves and the process?
John: That is a fantastic question. I will say for myself, I’ve often joked, and I don’t know how much of a joke it actually is, that when this game is out and I suddenly don’t have to keep all these pieces of game and lore and story and everything straight in my head, I’m suddenly gonna be able to speak Latin or something because there’s gonna be a ton of brainpower freed up. But for me it’s just, you know, it's, the thing that keeps me sustained is just knowing the game that we’re building is the right one. Knowing that the beats are coming together, and knowing just how much people care about this franchise, care about these games, and how excited people are going to be when they get to see the fantastic work that the team has, has been doing. And that really is, I can say, I’ve been on this project since the start, and even today, I see things on a daily basis, I’m like holy – smokes, sorry, I almost swore, I can’t believe what the team is doing, I can’t believe the, how good this looks, I can’t believe. Because it’s a huge game. There’s pieces that I, I don’t see every piece of the game every day so, I get pleasantly surprised on a daily basis and that, I will say, you know, confession, sometimes if I’m having a particularly long day, I’ll spend about an hour late at night just watching cutscenes coming in, watching the work coming together and just, sitting back and being like, holy smokes, I cannot wait for someone who hasn’t seen this every day for so long as I have to experience this and just be blown away by the work, so.
Corinne: It's, it’s been very real, hasn’t it? And, and I will just say, speaking on behalf of the dev team, everyone’s working so hard, they’re putting so much passion, so much of themselves into it. Like this is a franchise they truly love, and seeing your support, cheering us on, it’s just meant a lot to them, so, let me just say thank you to all of you.
Katey: And I wanna say thank you to you three for taking the time to do this. I know that it matters a lot to the community to be able to, you know, get some time with you guys and, you know, make sure that some of their dying questions are, are answered, so thank you so much for taking the time out of your day to do this. For anyone who’s still listening I promise that I’m that I’m working on a way for these questions to be immortalized somewhere. Stay tuned for that so that you don’t have to worry about this, just, you know, disappearing into the ether. So, stay tuned, thank you all for your time. Anything else we wanna say before we jump off?
Matt: Thanks everyone.
John: Thank you. Yeah, I’m super excited to show more of this and, yeah, this is gonna be, hopefully this is the first of many of these opportunities to talk to you all directly. Again, it’s been a while, and getting to talk about this game has been absolutely exciting. I know for myself, as well for the rest of the team, so thank you all.
Corinne: Just thank you, it’s, the Dragon Age community, how much it means to you, how much it means to us, it’s just wonderful to see you all so invested and excited to come here and talk to us. Thank you again, truly.
Katey: We'll hopefully do something like this again soon. Okay, cool, have a great day everybody! Talk soon!
John: Bye y’all!
Matt: Bye.
[source: The dev BioWare Discord Q&A on June 14th]
Update: If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here.
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ckret2 · 3 months
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So a while ago some friends were talking about fans who claim the Same Coin theory is canon. And I made the mistake of saying:
Do you know who also has tons in common with Bill? Mabel. Yet nobody claims Bill reincarnated as Mabel. …wait now I want a "same coin but it's Mabel" AU. Funniest Bill reincarnation option. The all-seeing arsonist is making macaroni glitter art. The omnipotent tyrant is crying because a unicorn called her a bad person.
And then I overthought it for two months.
So—AU where after death, Bill's soul shoots 13 years into the past and reincarnates as Mabel. I'll call it ✨ Sparkly Coin AU ✨
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Don't leave yet. Lemme show you why it works. Behold the eerie amount of parallels in their personalities, dialogue, behavior, mannerisms, tastes...
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I could have kept going but my attention span ran out. All right, we all on board now? Convinced we could segue from one personality into the other? Great. Now here's why you should be interested: the juicy post-Weirdmageddon angst potential.
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As long as a small fringe of the fandom still thinks Weirdmageddon is Mabel's fault, why not amp that up x100 and have some fun with it?
Is everyone sold now? Great. Let's get into the details. I've got 8 more pieces of art under the read more.
So the AU starts the instant Bill dies. Thanks to invoking his deal with the Axolotl—one way to absolve his crime, a different form, a different time—the Axolotl gives him a new shape and shoots him thirteen years into the past. Apparently, the Axolotl thought it would be very funny to stick Bill in the family that defeated him.
Which probably made for a jarring transition.
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(It's fine, she's like 10 minutes old, she probably can't even tell who she's looking at. Not being able to tell who she was looking at is what got her into this situation ayyyy)
When Dipper & Mabel come back from Gravity Falls complaining about this triangular jerk Bill, their parents mention that Dipper's name was nearly Bill. See, after they knew they were going to have a boy, one night their mom dreamed about a visitor—some kind of magic pink salamander??—calling her child "BILL." Then at the next sonogram they found out they were having twins, the girl must've been hidden at a weird angle the first time, and they wanted matching names, so they thought, Bill and Bell. But they didn't really like Bell; but eventually they stumbled on Mabel, so to keep the names matching they switched from Bill to Mason. Isn't that the darnedest thing?
(Of course, Mabel and Dipper assume Bill harassed their parents to try to trick them into naming a kid after him. To be a jerk.)
When Bill meets Mabel, he's unaware that she's his future self—Bill's notably bad at doing things like, say, double-checking to see whether he's going to die anytime soon—but like... he can tell something's up.
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Naturally, before visiting Gravity Falls, there were echoes of who Mabel used to be—but nothing anyone would be able to identify without context. All her Bill-ish quirks either smoothed out with time (see: how between second grade and fourth grade Mabel went from being the "freak" to the popular girl in class), or else they were accepted by her family as Mabel-ish quirks.
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After they meet (and kill) Bill, they have the context to understand some of Mabel's behaviors... and unfortunately, some of Mabel's latent Bill-ness starts surfacing after she's been directly exposed to her prior incarnation.
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The part of the Pines family familiar with Bill thinks the worst case scenario is that maybe Bill's survived and is slowly possessing Mabel; but far more likely, they think this is just some weird way of trying to subconsciously process last summer. Mabel doesn't think she's being weird, you guys are being weird, stop giving her weird looks. They get attacked by one triangle and now she can't wear yellow or pick up macrame as a hobby??
(It's not all red flags and uncomfortable triangle imagery, though. When Stan asks her what she'd like as a gift for some important event, she shyly admits that she thinks she's starting to outgrow her plastic gem jewelry and maybe she's old enough to get her first piece of real gold jewelry, if that's not too expensive? And Stan's never been so proud of her. Thirteen years old and already thinking about buying gold!)
But of course, the real fun starts when Mabel finds out.
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That's the face of a girl who's just discovered that she tortured her great uncle. Now imagine running into the brother she possessed.
But I've already spent a million words and thirteen images on this post. If enough folks are interested in the AU maybe I'll expand on it later. Let me know what y'all think.
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generalsmemories · 1 year
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Admiral, the general is touch-deprived.
✧ jing yuan x gn!reader
✧ based on the ask: "Please do one if you haven’t where Jing Yuan is severely down bad for reader and makes it known to everyone and they are just done with him"
✧ content: established relationship, fluff, make-out scene, humor, mentions of other characters
✧ a/n: where did almost 100 of you come- bless this ask for making me write needy jing yuan i love you. not beta-read again anyway buckle up this is another one of unfiltered shame for my love for one mere general with a silly thunder lord that he nicknamed shin-kun in the jp dub because the official title was way too long for this old man.
this was written in a google doc on the phone since I'm on vacation so I apologize if the formatting is messier than the first post 🫡
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There's tension in the air.
"... As for Stargazer Navidia, there seems to be another onslaught of mara-struck cloud knights making their way within the area in the next few days. I'll appoint Lieutenant Yanqing to lead a few troops there by the next hour, but be sure to send a messenger cycrane if the situation gets too out of hand or you need to divide the troops up to cover more ground."
You hear a loud "Yes!" as you flip over to the next page, quickly scanning through the documents contents, purposefully ignoring the tension in the air, muttering the details lowly to yourself with a furrowed eyebrow.
It's the sort of tension you wish everyone just ignored, even though it's more difficult than it sounds.
Perhaps being fed up with your avoidance of ignoring the elephant in the room, one of the captains of the Knights loudly cough into the air before meekly addressing you, "Admiral [Name]?"
"Yes?" you look up with a smile, cocking your head to the side. A small gesture to ensure the captain that they have your full attention which makes the knight before you quickly glance to the side and away from you, although that didn't help the pair of eyes boring a hole into the side of his head, "The general…" he starts, coughing once again while glancing back and forth at you and the weapons displayed at the seat of Divine Foresight, "... Would very much like your attention, it seems."
As if on cue, the arms that were wrapped around your waist squeeze a bit tighter than normal. The sudden pressure makes you let out a grunt of surprise while Qingzu lets out another exhausted sigh. Meanwhile you glance down to lock eyes with Jing Yuan, who very much is staring at you with a small pout evident on his lips, "Oh so my darling has finally acknowledged my existence?" he jokes with a grin, meanwhile you merely stare down back at him with a neutral expression before resting your left arm carrying the paperwork on his gray head. The general uses the opportunity to nuzzle his face into your waist, playfully biting into an exposed part of your skin from where his hand had wormed itself underneath your shirt, making you squirm away from him, to which he immediately grabs your back into his hold.
"If you haven't noticed dear, you're practically leeching onto me to the point I can't even stand at my usual side, that is to per say in front of the desk and not literally quite next to you and within your arms." You whisper to him gently. Flicking his forehead before whipping your head around to address the Cloud Knights before your husband can say anything in his defense.
You ignore the looks of disbelief on some of the soldiers' faces.
"I apologize for the awkwardness this position may cause, I can only hope for your understanding being that I've been away from the Luofu for a few months helping Marshal Fua with some matters at her fleet. I've only recently come back." you explain, gesturing Qingzu over to hand over the paperwork to her before waving your hand with a guilty smile, "You're all dismissed, please be safe out there."
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"Lady Fu Xuan, how may I be of assis-"
"Are you two arguing or something?" Fu Xuan interrupts before you can even finish your sentence which leaves you staring wide eyed at her with your mouth agape, "Pardon? I'm not quite sure who you're referring to-"
"The general. I'm referring to general Jing Yuan, who else would I be referring to? He sits around the seat of Divine Foresight like a kicked puppy. Which makes it even harder to get any information in OR to him because he's not even mentally present! Can you fix him? Wonderful! Let's make haste to the seat."
You're not even allowed to finish your cup of tea or give an answer before the divination commissioner grabs you by the forearms and drags you out of the teahouse.
"Jing-" you haven't even taken one step into the seat of Divine Foresight before you're surrounded by the familiar scent of your husband. A gentle hand placed by your head while an arm is tightly wound around your waist. You can practically feel the smile of utter glee on Jing Yuan's lips as he buries his face into your hair.
"Darling, I thought you had the day off today?" he mutters into your hair, sounding a bit too happy to have you in his arms again to the point he's ignoring the death glares from Fu Xuan besides you, the divination commissioner just wanting to do her part of keeping the Luofu afloat.
"I was having my day off, before Lady Fu Xuan here dragged me out because someone didn't-" you struggle free to nag at him, but your husband merely smiles softly at you before lifting your chin to give you a quick kiss, "Now that you're here I feel more energized than ever, let me finish the paperwork for today and I'll join you, we can even play a round of starchess." he suggests.
You can practically sense Fu Xuan roll her eyes in disgust, able to hear her mutter about a "lovesick fool" before walking past the two of you, Jing Yuan merely grabbing your hand to lead you towards the seat.
So much for a day off.
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You can't breathe.
"Jing-" another press of his lips onto yours as you find yourself pressed on the wall beside the door, "Yanqing-" you manage to breathe out when finally able to pull a tiny bit away from him. Pressing your hand over whatever surface of his face you can reach to try to shove him away, your other hand occupied with bracing itself against the wall.
Your husband ignores your literal hand on his face, somehow having more strength to still slant his lips across your own despite your efforts, the hand he has behind your head pushing you further against him while he shoves a leg between your own to keep you still, "Train-"
There's a rather loud set of knocks on your bedroom door followed by an exasperated sigh coming from behind it, which makes you freeze but Jing Yuan ignores it, sliding his tongue over your teeth while you resign yourself to slam your fist repeatedly on his back to get him to back off.
"General! I know you missed [Name] a lot during the months they were away from the Luofu, but you know that today is supposed to be a training day!" Yanqing shouts from behind the door, and you feel sorry over the realization he's aware of what's happening beyond it.
Feeling sorry enough for Yanqing whose probably already waited 15 minutes before knocking at the door, you muster whatever little strength you have left against your husband's addictive lips to grab his ponytail and yank him off and away from you.
Jing Yuan merely grunts in irritation, looking at you with a glare and swollen lips, but you ignore him. Opening the door before Jing Yuan can grab you again and giving Yanqing an apologetic look, "I tried-"
"It's better than last time, at least." He points out to which you merely sigh before opening the door wider, "I'll give you more pocket money this month, how's that for compensation?" You suggest, shoving your husband out the door before he do anything else, Yanqing smiling in triumph at your generosity.
"You're the best! Give me extra if I manage to land a few hits on the general?"
"5 more than usual and I'll give you an extra thousand." You settle, tapping Jing Yuan on the shoulder. Your husband turns around to face you with a hum, and you lean in to peck him on the cheek, gliding your lips over to his ear, "If you're a bit nicer to him today you'll also get a reward."
Needless to say, there were two very happy boys onboard the Luofu at the end of the day.
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Show me where it hurts (part 1)
Miguel O'Hara x spiderwoman!reader
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(AO3 Mirror), Part 2, Main Masterlist
summary: Miguel's acting weird, and you make it your mission to find out exactly what's going on.
warnings: no warnings for this chap, pg-13, swearing and canon level violence. smut next chapter xoxo
a/n: this is a combination of 2 asks and this post I saw on here a while ago: flirty/ snarky fem reader, Miguel during a ""rut"" (I don't know if it counts as a rut really, but its to do with his animal instincts/DNA) and Lyla playing matchmaker.  I had so much fun writing this, enjoy :D
(i wrote this pre seeing spiderverse 2, so i think characterisation is a little off, esp for Lyla, apologies! I'll fix it in my upcoming fics)
edit: I use the term "bichita" which I have been informed can be read not as I intended in Spanish. I'm not a native speaker so I want to apologise in advance. I'm doing more research for my future fics and leaving this up as a testament to my stupidity. Spanish speakers, feel free to correct me / clown my ass in the comments. My bad guys :(
wc: 3.6k
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
You think Miguel is avoiding you. 
One of your closest friends, giving you the runaround for months, it seems. Calling the two of you close friends is a little extreme, sure. You've only known O'Hara for two years, and been in love with him for slightly less than that, thank you very much. And yes, he refuses to call you by anything but your last name. And the last time you saw him he wouldn't so much as look at you, but that was besides the point. 
"..the point," You tell Lyla, in between exasperated bites of cereal, "... is that aren't elite forces of spiderpeople supposed to, you know, have some spiderpeople kick ass once in a while? And where exactly is our fearless leader? I haven't seen O'Hara's scary ass in weeks, and I'm starting to miss it."
She gives you a look, one that says this isn't what I'm programmed for , but you pointedly ignore it. 
"His ass, by the way." You clarify. "I very specifically miss his ass. Remind me to get his routine. I know girls that would kill for…"
"How the fuck did you get in here?" A voice croaks. You turn behind you and see Miguel, not in his suit, but wrapped up in a blanket like he's just woken up. And he looks rough, like a train ran him over on the way here: puffy eyes, splotchy skin, tension kneaded into his brow. 
"Wow." Your spoon drops into the milk. "You look like shit.." 
He furrows his brow even deeper, if that was possible. " Mierda. You shouldn't be here." 
"This isn't quite the welcome party I was expecting, man. I'm the only one to actually turn up to one of your meetings, and this is what I get?" 
"I thought I told Lyla to cancel," He mutters, pinching the bridge of his nose. 
"Cancel? Since when do you miss a chance to talk about rules and protocol?" 
"I don't have time for this-" 
"-and I'm not leaving without a proper explanation. Is everything okay?" 
"It's actually way worse now you're here." He deadpans. 
"Haha ." You turn to Lyla. "You drop everything to travel halfway across the multiverse and this asshole won't even say thanks." 
"Thanks, but this asshole needs you to leave. Now." 
This is the most he's spoken to you in forever, and you hate that you like it. You just want his attention, however it comes. If that means dragging this out so maybe he acknowledges you, touches you, looks at you - then so be it. Squinting, you get closer to him. You scan his face for anything to latch onto. You put a hand on his shoulder, still searching. 
"You sure you're alright? You know you can tell me if-" 
"Si, si." He grits his teeth, looking away. "M'just fine. I'll explain…. later."
"...because I'm your right hand man?" You grin, poking at his brow. "Stop frowning so much Miguel, you're gonna ruin that pretty face of yours."
He flushes, nervous, and swats you away. "-what? N-No. You're not my right hand man and I like my face just the way it is. Now, leave. "
Making your way to the door, you tap your nose teasingly. "You know where to find me!" 
When the door closes with a click, you make your way down the corridor, and stop in your tracks when you hear it. It's muffled, but with the strain of your supersenses you can make out Miguel's voice just beyond the wall. 
"I just…. don't want her to see me like this… Lyla, it's not happening… I can't tell her…." Tell her what, exactly? 
Resolutely, you make up your mind. Miguel O'Hara's got a secret. And before you leave for home, you're gonna do everything in your God given power to wear him down and find out. 
~~~
Despite his insistence otherwise, you liked to think of yourself as O'Hara's right hand man - and most of the other spiderpeople thought so too. You were one of the very first he recruited, after crash landing onto your earth like a spiderman-shaped meteor; the two of you were inseparable. Miguel was stubborn and headstrong and thought he was right all the time. Infuriatingly, he was, but that didn't stop you from telling him to get his head out of his own ass when his ego grew too big. 
He was different around you, you think. Softer, sometimes. Harsher, other times. He told you what you needed to hear whether you wanted to or not; the result of mutual respect and agonising persistence. Slowly, you had chipped away his hard exterior; the one he built because he thought he needed to push people away. In that regard, you were similar, but this need manifested in you like a weed - an awful, awful compulsion to joke and laugh at your own expense, to keep others at an arm's length. You had spent your whole life picking and pruning away at yourself, looking for perfection. Even after all this, multiverse-hopping and fighting alongside people who were the closest things you had to friends , it wasn't enough. There was still something missing. 
Ironically, Miguel had told you something similar the one of the last times you had spoken. You had fucked up a mission, well and truly. In the aftermath, all you can remember is coming back to base, limping on Jessica's arm. 
"She's hurt!" She cries out. Lyla materialises and leads you both to the med bay, inspecting any visible wounds. There's a deep laceration, sticky with blood, at the base of your stomach. You shift onto the bed and hiss with pain. 
Miguel is quick to follow, face twisted with confusion, pain, sadness. Even in your haze, you feel the tension radiating off of him as he drags over a cart of supplies. 
"What happened?" He strains. 
"I don't even… it happened so fast. We got ambushed, and all of a sudden I'm on the ground. I wasn't thinking straight and… " She sobs. "...she jumped in front of me. God, she saved my life-" 
"-wasn't your fault, Jess." You croak, trying to sit up. "And I'm fine. Just need to walk it off…"
"Sit, bichita," His nickname makes you frown, despite yourself, and you settle back down. "Lyla, what's the damage?"
Your vision goes spotty, and Lyla's voice barely registers. All you can feel is searing pain in your side, but Miguel is warm, oh so warm. You clutch his arms, and force him to look you in the eye. 
"M'ready, Miguel." He nods weakly, but you don't think he understands. "I mean it . I can lead, j-just need another chance and I won't let you down… Jess, tell him that I can-" 
"It's okay. I believe you. You just need to relax for me, hmm?" He clutches at your hand, tight, and it's like you're the only two people in the world. "You did good. I promise."
Faintly, you nod. You feel a pinch at your arm, and Jessica's there, with an empty vial of something in her hands. The pain washes over you, and you fight to keep your eyes open. In those last few moments of light, you swear you feel a shaky kiss pressed to your temple. 
"Sleep, mi bichito amoroso. Sleep."
When you come to, you're still in the medbay, moonlight streaming through. Well, artificial moonlight. Time worked a little differently here, something Miguel explained to you a while ago - God knows what about dilation and quantum interference. It makes you smile now, remembering his frustration as he tried to explain to no avail. You were the only spiderman this side of the multiverse without a degree in quantum tech, you had said with a lopsided smile. 
You move to sit, and pain shoots up your side. Groaning, you push through it, determined to get out of this bed and find the others. As if on cue, Miguel walks in, almost leaping towards you. 
"You should… mierda ! You should be resting in bed."
You pout as you stumble into his chest. He hooks an arm around you and leads you back. You clamber in, sighing. "M'fine, O'Hara."
"Your guts were halfway out of your body less than 24 hours ago. So stay put, or you might give me another heart attack."
You scoff, incredulous. "You were worried?" 
He shrugs. " 'Course I was."
"Why? You know I'm practically indestructible." You give him a shit eating grin, and poke the frown appearing at his brow. He doesn't bat you away like he usually does. 
"Famous last words, bichita." He sighs. You can't speak a lick of Spanish, but you know he only calls you that word when you've frustrated him to his limit. So you take it as a win, for now. 
He drops into the chair next to you. "How are you feeling?" 
"Just peachy, dollface." You wink, and he doesn't so much as groan. 
"I'm being serious. You went through something pretty traumatic…"
"You want me to tell you it hurts, so, so bad, daddy? " You pout and flutter your eyelashes mockingly. Miguel shifts in his seat, unable to make eye contact. 
"That's not what I meant."
"What did you mean, O'Hara? I feel fine. And in a couple of days, I'll feel even better, and I'll be up and about. I can finish what we started and-" 
"-no, absolutely not." He frowns. "A couple of days? I'm sending you home-" 
"You can't do that! On whose fucking authority?"
"On the authority of you almost fucking died ! Keeping you safe is our priority right now-" 
"God, is this my punishment? This is a low blow, O'Hara. You know how hard I've worked for this: months of surveillance and intel a-and I did everything by the book, just like you told me to." You croak. "I fucked up . I know that, and I feel terrible. Give me a chance to make things right; that's all I'm asking. I can do it, I know it. "
He looks at you for a moment, something heavy in his expression. His face contorted, he strips you down to the bone with just his gaze. His voice is so quiet, you almost miss it. 
"....you're still trying to prove yourself, aren't you?"
Honestly, it catches you off guard. You don't even know what the fuck that means, let alone why he said it.
"I don't… I d-don't…?" 
"They all love you. Respect you. More than me I think, sometimes." He chuckles at that. "You're good at what you do. The best . What else are you trying to prove? What else do you need ?" 
Your throat goes dry. You couldn't speak if you wanted to. 
"I'm not punishing you. You made a mistake, but you don't need to be crucified for it. I just want to keep you safe. I can't… we can't lose you."
"Miguel-"
"-this isn't a discussion. And I'm not trying to argue, although I know how much you like to argue." He inches closer, cupping your face gently. You try to move away, blinking back tears. But his hands are steady and he strokes your jaw with so much tenderness you think you hear your heart break. He's pretty, so pretty. You don't deserve him, you think. "There'll be time to fight, bichita. Rest. That's your mission right now."
"C-can't sleep." You breathe. "It hurts." 
Miguel pauses, head tilted like he's thinking. He taps your shoulder. "Scoot over."
You do as he says, and he slips into the bed with you. It's a tight fit, but he manages, placing you on his chest with an arm gently around your shoulders. You bury your face in his hoodie, sniffling and hoping he doesn't notice you choking back sobs. Absentmindedly, he settles into a rhythm, gentle breathing and playing with your hair, soothing you softly. He pretends he can't hear the tears. 
"M'gonna stay here until you're asleep. For as long as you need."
You nod, unable to speak for fear of breaking down. 
~~~
The days after felt like a blur. You woke up to Miguel gone, and an ache in your heart. Jess visits as much as she can, and Ben calls you a couple times, to see if you're okay. Peter B brings Mayday, and she clambers all over your bed, bringing some life into the room. Miguel doesn't visit per se - you hear whispers of him, Lyla visiting in his stead for comprehensive status updates. Once, you wake up in the night to see him on the adjacent chair, head lolling in deep sleep. He looks peaceful, calm - one of the first times you haven't seen his brow furrowed with worry. Of course, he's gone by the morning. 
The very last time you saw him, he opened the portal home. It was weird, after everything, but if Miguel felt the same you wouldn't know. Talking at a thousand miles a minute, he alternates between assuring you they'll be fine without you and situation reports from spider people all across the multiverse. Things you'd missed whilst bedbound, asking for advice before you left. He trusted your judgement and the thought warmed your heart, almost making you forget that he completely brushed past the previous nights before. 
You still remember the last thing he had said to you, which would've been weeks ago, now. 
"...and if you need anything, and I mean anything, you call me directly. Not Jess, not Ben, and certainly not Peter B. Call me, and I'll answer, I promise. You need help, you need advice, you just need someone to talk to, then-"
"-I call you. I get it, O'Hara. Will do." He opens the portal, watching as you walk towards it. He can't take his eyes off of you, even though you can't see him. At the last moment you turn, and run towards him. You almost knock him over with a hug. Burying his head in the crook of your shoulder, he hugs you back, ever careful of your injury. Separating, your smile almost knocks him over again. Weakly, he smiles back as you head through the portal, back home. 
You're left with that feeling, of his arms around your body - warm, so warm - as you putter about by the switchboard. After careful deliberation (you were really, really bored ) you'd taken to manage the Multi Modal Multiversal Switchboard - as aptly named by Miguel. Everyone else called it the Big Red Phone of course, but he had insisted on calling it by its proper name . Every. Time. 
The thought makes you chuckle as you call up Peter B. His icon flashes on the screen in front of you. With a click, he picks up the call, his face materialising holographically in front you. A little hand reaches up and tugs at his ear. 
"Ow… ouch … Dad's on the phone, honey."
"Aww! How's my favourite Parker doing?" 
"Not bad, actually! MJ just made us probably the best burger this side of New York-"
"-sorry, Peter? Me and May are trying to have a conversation." You hear her giggle in the background. Her gap toothed grin pops into frame and she babbles excitedly. "...yeah, exactly May. That's literally what I said."
"Okay, okay, that's enough." He puts the toddler down and watches her scurry away. "You're feeling better, I see."
"Yeah, back in action. Thought I'd check in."
"All good here." He squints, trying to take in your surroundings. "You're at HQ?" 
You hum.
"Could've sworn Lyla cancelled…"
"Yeah, didn't get the memo. But I think something's wrong with O'Hara."
He gives you a weird look. "Uhhh, what makes you think that?" 
"He won't even look at me. Was it something I said? Something I did?" Your eyes narrow. "...what do you know, Peter?"
"Nothing! Absolutely nothing!" He scoffs, a little too quickly, clutching his chest like you've offended him. He's stared down some of the scariest villains around, but the look you give him is truly chilling. "Just… uhhh. You didn't hear this from me." 
"Naturally…"
"We tracked 'em down, the guys that ambushed you and Jessica."
"The Sinister Six? From Earth-215?"
"Yeah, but by the time we got there, it was just Kraven and some of his goons. Miguel got there first, and…." He gulps. "He was pissed. Trashed the whole place looking for the rest of 'em. Beat Kraven half to death and we had to pull him off."
"Shit."
"Yeah, it was pretty rough. Never seen him like that before. And just generally? He'd been weirdly quiet, a little grumpy, more aggressive on missions. I don't know what's gotten into him."
"Hmmm. Thanks, Pete."
"No problem, sweetheart. And if the big guy asks… "
"...this didn't come from you, I know." Weakly, you smile. "Say hi to my favourite Parkers, for me." 
" 'Course I will. We should celebrate, if you're back officially. Mine and MJ's is always open."
"Good to know. I'll see you around."
He waves goodbye, and the hologram clicks off. Sighing, you try to piece together what you've just heard. 
Miguel: acting weird. Well, you knew that already. Aggressive was new. And Lyla? She had canceled, but not for you, for some reason. An honest mistake, perhaps. But Lyla doesn't make mistakes… 
You stew for a couple of hours, puttering about the switchboard, twiddling your thumbs. Something's wrong, and for some reason you're afraid to see him. To have him look straight through you, again, when you ask to do the same. Show me where it hurts. Tell me how to make it better.  
On the way there, you chew your lip in anticipation. In the corridor, you're outside the door to his place, hand hovering above the door. To knock, to call. In the harsh fluorescent light, you hesitate. 
"Lyla?" Nervously, you sink down onto the floor. It's hard to explain, but you don't expect her to actually come; to materialise in front of you. 
"How can I assist you?" She says with a ding. 
"Uhh… hi. Just wanted to talk." You pause, clicking your tongue. "Can you be honest with me?" 
"I can only be honest with you. It is not in my programming to lie, unless specified by my owner."
"Sure. Cool. It's about him, actually. Is Miguel okay?" 
She tilts her head, as if processing your request. "Okay is a subjective term. Is Mr O'Hara alive? Yes. Is Mr O'Hara physically well? Yes. By those terms, he is okay ."
Too vague for your own liking. "I guess I meant more… his emotional state. To the best of your knowledge… in your opinion , Lyla: is Miguel okay?" 
"...I believe Mr O'Hara is experiencing some emotional turmoil."
You frown. "Oh. Do you know why?" 
"Mr O'Hara has instructed me not to disclose that information with you."
"Fair enough. But you don't have to tell me… I could just ask questions?" 
She nods. "There is nothing in my programming that prevents me from answering some questions within certain parameters." 
"Did I do something? Not just today but… last time I was here. Did I say something to hurt or upset him? Is that why he's acting weird?"
"No." She says blankly. "And yes. I suppose it is… complicated." She gestures around that word. 
"I'm a little confused, Lyla."
She sits next to you, on the cool tile. Not that she could feel it, but it feels more intimate - like two friends talking. The extent of Lyla's consciousness, you weren't sure of. Was she alive? To you, she might as well be. Could she think, feel, emote? Maybe, maybe not. You weren't smart enough to understand the nuances of her programming. But you were human enough to see it in her - something glittering beyond the surface. 
It could be projection, but you swear her voice is softer. "He has a name for you. When he speaks about you, and to you. I have it logged in my memory database. Do you know what that is?" You shake your head. 
Lyla opens up her palm and projects videos and images - little Miguel's popping up in her palm, tinny and gruff voices ringing through the hallway. They say your name, shout your name, whisper it. Some say other things in Spanish. Curse words had always been your assumption, and he had given you no reason to think otherwise. Now, having it played back to you, you hear a tenderness in his voice you would've missed. Words and phrases that come up again and again…
"Bichita." She repeats. "Bichito del amor. Mi bichito amoroso. "
You shake your head, still confounded. "...I don't speak Spanish, Lyla." 
"Little bug. Sweetheart. Lovebug. My little lovebug." She clears her throat. "I believe they are terms of endearment."
Steadfast, she directs you towards her palm. Another small Miguel appears, and you think it's him from this morning. 
"I thought I told you not to let anyone in, Lyla?" 
"I did not let her in. She let herself in using the code you previously gave her, Mr O'Hara."
"Yeah, for emergencies. Fuck. Mi bichita, too smart for her own good."
"...If you are in distress, I believe she would understand, Mr O'Hara."
"I just think it's too much. I don't want her to see me like this." 
"According to Alchemax files, previous subjects showing this kind of aggression benefitted from-"
"Lyla, it's not happening, no chance. I can't tell her."
The figure blinks out of her palm. "Mr O'Hara has forbid me from telling you about certain things."
"...but not from showing me." Your eyes meet hers. You give her a watery smile. "Thank you." 
With a hint of a smile, she nods and is gone from the corridor. You are left alone, with nothing but your thoughts of little lovebugs rattling around in your brain.
_
_
_
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hedgehog-moss · 5 months
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The lower rung of the ladder in my kitchen broke last month and I stuck a little Post-it note on the wall to remind myself to step over the missing rung so I wouldn't break my leg every time I go up or downstairs—but then my mum came to visit and she saw me hopping over the gap in the ladder with practised ease and her face was the definition of "you live like this?" And she went to get a screwdriver to unscrew the ladder from the wall so we could carry it outside and repair it.
Some people see a broken ladder and immediately open a toolbox to fix the problem; some people see a broken ladder and stick a Post-it note to the wall to train themselves to step over the problem forever. (I admit my response is inferior.)
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I think I felt daunted at the thought of tinkering with this ladder because it's been here in the same place for over a century and I pictured the whole thing crumbling into dust if we tried to move it—but no, it's still solid, except the lower rung. Which wasn't damaged by time, but by Pandolf. (And some insects. But mostly Pandolf.)
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When he was a baby, for a week or so after I took him home, he was extremely upset about having to spend the night in his dog bed in the kitchen while I went upstairs to my bedroom, he would cry and cry and one night in a fit of despair and rage he attacked the ladder. The next morning I found the lower rung (the only one he could reach) looking like it had been attacked by a termite colony, but it was Pandolf's pointy little puppy teeth. By the look of it he'd spent half the night furiously gnawing on it until he dropped from exhaustion—his reasoning was clearly that if he destroyed the ladder, I wouldn't be able to go upstairs anymore and would be forced to spend the night on the floor of the kitchen with him.
It's really hard to be mad at baby Pandolf, though. Go on, try.
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Eventually he got used to sleeping in his dog bed and he abandoned his ladder destruction project, but the lower rung has been fragile ever since, and it finally broke last month.
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My mum is extremely efficient; she sent me to the barn to find some kind of thick board (you can find anything in the barn if you have a torch and aren't afraid of bats or century-old spiderwebs) and when I came back she had prepared all the tools and taken all the measurements.
The worst part was tapering the sides so the rung would fit in the notches, because if one side was a little bit thinner than the other then it was wobbly—
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—plus I used a file at first and it took forever (Pandolf was so bored), but then I remembered I own a sanding machine and it went a lot faster. So much so that my mum said I should make a second rung while I was at it—she was motivated to replace all of them, but then it started raining and we decided the rest of the ladder is solid enough and we'll replace the rungs two at a time.
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I always forget that it feels satisfying to fix things! There's this little spark of pride from then on when you look at the repaired thing because you helped make it. I tend to procrastinate because I assume it'll take ages or I'm worried I'll do it wrong, until someone who's more confident with their hands than me goes like "no come on, we just need a saw, a file, a hammer, it'll take an hour tops" and we do it and it's never as difficult as I feared. (My mum: "We gave you a toy toolbox when you were little, to smash sexist stereotypes, and you're afraid of fixing things :( ...") (I cheered her up by reminding her that my brother smashes sexist stereotypes by being also afraid of fixing things.)
But yeah I spent half an hour sanding down the sides of these two lower rungs and now I look at my ladder and remember the delightful feeling of getting the tapering just right and inserting them into their slots effortlessly like a VHS tape into a VCR. I have a whole new affection for my kitchen ladder now.
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sakuravalelp · 21 days
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Don't eat anything else - Part 2 - DP X DC
Previous part
Masterpost
This is the only chapter where I'll tag people. Please, if you want to follow the story from this point on, follow the master post :).
-_-_-_-_-_-_-_-
"You both should stop eating the food." Came Babs voice through the comms. "Danny asked Tim to not eat anything else. We suspect the food may content poison."
Bruce subtly shared a look with Cass before returning to nodding at Masters' proud rambling about his latest contract. They had both stopped eating long ago. The soup was good; Masters’ words about Danny being a good cook weren’t a lie. However, Bruce couldn’t identify the chunks of meat in the soup.
He initially thought it was pork, though the texture seemed somewhat similar to veal. By the fourth piece of meat he ate, he could confidently say he didn't recognize it. When he looked at Cass, he saw her using her spoon to play with one of the pieces of meat on the edge of the plate, a frown hidden behind her polite smile. He was sure then that the meat couldn't be one they had tasted before.
Bruce has tasted every kind of meat that should be available to Masters. He has even tasted exotic meats that Masters would probably never encounter, having represented humanity in intergalactic meetings as Batman. Not being able to identify the meat discouraged Bruce from eating more, and it seemed to have had the same effect on Cass. They had kept their food mostly untouched, using the excuse of waiting for Tim and Danny to return before eating. It was a good call; the meat being poisoned could be the reason it was unrecognizable.
"If any of you feel any symptoms, turn off your comm." None of them made a move to do so, and after a couple of minutes Babs continued, "I'll call Bruce in 10 minutes to create an excuse for you guys to leave."
Bruce would have liked to think that they had not yet consumed enough poison for it to affect them, but there's always the possibility of it being a delayed-effect poison. If Masters' plan with the poison was to kill them, then a delayed-effect poison would allow Masters to avoid being immediately connected to their deaths.
However, Masters shouldn’t have a reason to kill Bruce Wayne and his wards. Unless the man had discovered that they were investigating his contracts, which Bruce doubted. It was more likely that the poison was some sort of chemical restraint or chemical submissive, which would explain why Masters' contracts always seemed to end ridiculously in his favor. It would be easy to make such deals with someone who was drugged to be more agreeable with you.
Not that Bruce would be willing to take the risk to find out, especially with Cass having also ingested the tainted meat. He was glad he had brought the poison antidote kit with him. Despite this, Bruce wasn't sure about cutting the visit short, at least not for all of them. Tim had been gone with Danny for a while now, and if Danny had informed Tim about the food, they were probably exchanging information at the moment. Maybe Tim was in the process of offering Danny help, and Bruce didn't want to interrupt that.
"Renovations will be starting next week, and I'm sure the place will end up being quite popular," Masters finally finished his rambling.
"It sure sounds like it will. You certainly got yourself a great deal with Kensington, Mr. Masters. I'm curious, what is your negotiation method?" Bruce asked, hoping to gather more information.
Masters had been surprisingly adept at avoiding any conversation about the negotiations themselves, always sidetracking the discussion or giving half-answers. Drugs in the food was a good hypothesis and would be the best outcome for them, as such substances usually shouldn’t take too long to get out of their system.
Yet, it didn't explain how Masters' business partners seemed to stay committed to their contracts long after they were made. The furthest they had gotten from them was confusion about how they had reached the point where they accepted the contract's conditions. However, they all seemed convinced they had gotten the best outcome possible, despite obviously getting the short end of the stick.
It pointed to something besides drug usage. Maybe Masters got blackmail material from them while they were drugged? It would be easier to draw conclusions if Masters had even the smallest slip about it.
Masters smiled, taking a sip from his wine. "Ah, it takes years of practice, Wayne. It isn't something one can learn in a day, and only those with the capacity can master it," he said. Then, before Bruce could ask any follow-up questions, he continued, "Now, Daniel and young Mr. Drake sure seem to be taking their time."
"Oh, that doesn't surprise me," Bruce said, shaking his head with a fond smile, playing farther into his "Brucie" persona while lamenting the lost opportunities to get more leads on what Masters was doing. "They're around the same age. Surely they got distracted talking about whatever is of interest to kids their age these days."
"I would be glad if my godson got along so well with your son, Mr. Wayne," Masters said with a practiced smile, though a hint of calculation flickered in his eyes. He gestured vaguely with his wine glass, his tone deceptively sympathetic. "The loss of his family hasn't been easy for him, and building a connection with someone like Mr. Drake could be beneficial. However, it is quite rude to leave the guests waiting. As his guardian, I must address this. I’ll go search for them." Masters stated, standing up from his seat.
Luckily, Bruce didn't need to interject to stop Masters from interrupting his son's conversation with Danny, since the two boys appeared by the door as if summoned by Masters' comment. Danny visibly tensed the moment he spotted Masters standing in his place.
"Daniel, it's good you're finally back. I was about to go search for you," Masters said, throwing Danny a stern look.
Danny opened his mouth, probably about to apologize for the wait, but Tim beat him to it.
"So sorry, Mr. Masters. I had to take a shower before changing clothes."
"Oh, don't worry about it, Mr. Drake," Masters said as he looked Tim up and down, evaluating if what Tim was saying was true. His eyes lingered on Tim's wet hair for a moment, and the tension in his eyes relaxed a bit. "It is Daniel's fault for throwing the soup on you. Now, shall we continue with the dinner?" Masters sat once more on his chair.
"Should—" Danny started, slightly stuttering when Masters' eyes returned to him. "Should I serve new portions? Since the ones on the table are probably cold by now?" the intensity of Masters gaze increased with every word Danny said. In response, Danny lowered his gaze to the floor, and shifted nervously.
Danny's voice was way too small by the end of his sentence, but Bruce could sense some hidden urgency in his tone. Remembering that Danny was the one who had warned them about the food, Bruce could infer that he was trying to further prevent them from eating it. It gave Bruce the impression that Masters had also caught onto that fact, given how tense the man was.
He was grateful for the kid doing their best to protect them, but lamented putting them in a position where they had to risk confronting their abuser. Bruce really hoped Tim had convinced Danny to leave with them. It shouldn't be difficult to create a reasonable invitation for Danny after Masters' comment about how he was isolating himself.
"Good idea," Cass said with a gentle smile directed at Danny before Masters could make any move.
Masters' eyes narrowed slightly, but then he nodded. "Very well. Daniel, go ahead."
As Danny hurried to the kitchen, Bruce shared a subtle glance with Tim, who was retaking his seat beside Cass. Unfortunately, instead of the nod indicating that they could get Danny to leave with them if they created the opportunity, Tim just shrugged. It wasn't the sign for Danny refusing help, but the one for things being more complicated than they seemed. Bruce sighed, and before Danny returned from the kitchen, his phone rang. He excused himself to answer Babs' call, lamenting not being able to take Danny with them.
-/-/-/-/-/-/-/-/-
Bruce came back from his brief call with Babs with a worried face that Cass knew wasn't the one he made when actual "family emergencies" happened. It was exagerated and dramatic, it screamed "something terrible had happened," and was perfect for this kind of situations. Bruce quickly ushered Cass and Tim out, apologizing to Masters for the hasty departure. They barely had time to say goodbye to Danny, who had hurried back from the kitchen after Masters had shouted about seeing off the guests.
Cass noticed a subtle shift in Danny’s demeanor as they prepared to leave. His shoulders dropped slightly, and there was a fleeting look of relief in his eyes. However, that relief was overshadowed by the palpable fear that clung to him; his tense posture betrayed the anxiety he was trying to hide. It was hard to leave him behind, and Cass almost ran back when she caught sight of Vlad’s possessive hand on Danny’s shoulder and his venomous, angry eyes as she was walking out the door.
As soon as they were in the car, Tim immediately began checking the vehicle and himself for hidden microphones, with Bruce and Cass following his lead with little more than a raised eyebrow. Tim’s decision to search for bugs made sense once he explained that Danny’s room had been bugged,
"Honestly, Danny's so careful with his actions and words everywhere, I wouldn't be surprised if the whole property is bugged."
The drive back to the house they had rented was tense, the atmosphere in the car thick with unspoken concerns. Tim decided to use the ride home to update them on what he had seen. In turn, Bruce spoke about the dinner with Masters, detailing their regrettable failure to extract any additional information from the man. The evening ultimately boiled down to the suspicion that the food had been poisoned. Cass remained silent, not feeling up to talking.
She had her doubts about the food being poisoned; even if the poison hadn't shown any symptoms, her past training should have allowed her to identify it if she had consumed it. It seemed unlikely that Masters possessed a poison so sophisticated that she couldn’t detect it, and the thought only deepened her unease. She though back to how their hosts acted at the start of the dinner.
Danny looked like he was carrying the weight of the world on his shoulders. His eyes darted nervously between them and Masters, his hands trembling slightly as he served the food. The guilt and fear radiating from him were almost palpable, as if he believed he was committing an unforgivable sin by offering them the meal.
Masters, however, didn’t seem like he was planning to poison them. He behaved more like Damian’s classmates had when they once tried to trick him into eating non-vegan food at a gala. His smile was too easy, his gestures too casual, like someone who thought they were pulling off a harmless but cruel prank. It felt like he was purposely feeding them something he knew was outside their comfort zone and ethical beliefs, testing their reactions with a detached amusement.
From the very beginning, Cass had felt a deep discomfort about the food. The way Masters and Danny acted around it had set off her internal alarms. When she took the first bite of the meat, something immediately felt off. The texture was unfamiliar, and the taste was oddly unsettling—not in a way that clearly indicated poison, but in a manner that was subtly disturbing, she didn't know what she was eating. It made her skin crawl, and she couldn’t bring herself to take another bite.
The car coming to a stop in the house’s garage jolted Cass out of her thoughts. They all exited the vehicle, and Jason’s motorcycle was parked beside them as he opened the door. tightly clenched jaw. Like the rest of them, he was frustrated by their inability to take Danny with them, but he wasn’t vocalizing it because he was also worried about what they had eaten.
Once the door was opened, Bruce was ready to rush into his bedroom to get the poison antidote kit, but Jason stopped him,
"Hold on old man, I want to know what the note the kid gave Tim says. It may even say what poison was used; save us time."
"Mnn" Bruce said with a slight nod, and Tim started unfolding the paper in response.
The folded paper was as small as a pinky, but once unfolded, it revealed a full letter-sized sheet, and the text filled at least half of it. Tim skimmed the text as he usually did before reading aloud, but his face quickly drained of color. His eyes widened in horror and disgust. Instead of reading aloud, he kept running his eyes over the first line repeatedly, his gaze darting between Bruce and Cass. His jaw was clenched tightly, and he struggled to keep his composure, fighting against the bile rising in his throat. Cass couldn’t help but frown deeply, a growing sense of dread settling in as she wondered what the paper could possibly contain.
"Forgot how to read, replacement?" Jason said, his tone lacking its usual edge. He stood beside Tim, his expression a mix of uncertainty and concern, unsure whether to reach for the paper or not.
Tim takes a shudering breath, and Cass herself can't help but shift in her place, her anxiety growing, as they all wait for Tim to gain back his voice and finally read what Danny's note says.
"The meat on the food is human meat." Tim finally says with a strained voice.
There's a moment of silence in the room. Cass keeps her eyes on Tim, hoping, pleading, to find any signs that what she heard is wrong, but Tim only repeats the sentence. Her stomach churns violently as bile rises in her throat. Without effort, she sinks to the ground, her legs giving out as she begins to vomit. The pounding of her heart fills her ears, as black dots fill her sight and her hands tremble uncontrollably. She is dimly aware of Bruce doubling over beside her, and the sound of Jason hitting the wall.
She ate human meat. It may have just been a bite, but she ate human meat. The dinner had been made from human meat. Her mind recoiled at the abhorrent thought. The thought of the soup they were served makes her vomit once more. She gasps for air, her body shaking as she fights against the rising tide of revulsion, desperately trying to rid herself of the lingering taste and the horrifying realization of what they ingested. She feels Tims hand doing smalls circles in her back and realizes that tears had been falling from her face.
/-/-/-/-/-/-/-/-/-
Danny's hands trembled as he injected himself with another dose of ectoplasm. The shaking made the syringe jab painfully as he withdrew it, causing drops of blood and ectoplasm to fall to the floor while the injury quickly healed. Ten minutes of continuous electrical shocks wasn’t the worst punishment he had received from Vlad, but it had the most severe drawbacks. His body had a harder time recovering from electrical damage than from any other kind of harm, and Vlad often exploited this weakness.
He took a deep breath as the last of the Lichenberg marks disappeared from his legs and arms, leaving only the ones he’d gotten from his death. He sat on the bathroom floor, staring at the ceiling, his legs and arms still trembling. He wasn’t sure if the tremors were from the electrical aftershocks or his own anxiety. Vlad had been furious about his little stunt with the soup and had once again reminded him that they weren't eating Danny’s friends because he was such a "compassionate guardian."
The reminder had thrown Danny into a couple of panic attacks once he was allowed to return to his room. He thanks he's advanced dissociative abilities for not having those panics attacks in front of Vlad. He doesn't wan't to know how the man would try to exploit that.
But even as his whole body trembles and aches, he doesn’t regret his decisions. This is his only chance for things to change. The Waynes are a powerful family with connections to the Justice League. While the League has not interfered with what has happened in Amity Park up till now, they might get involved if the Waynes reach out to them. It’s wishful thinking, and he’s risking a lot, but this gut-wrenching dinner has become the first glimmer of hope he’s had since his family’s death, and he’ll hold onto it with his half-life.
Once he's body stops trembling and he's head feels a bit clearer, he needs to text Sam and Tucker. He'll depend on them for this to not backfire on all denizens.
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visacardteamloverrr · 5 months
Text
ex's or not? cs55
summary: y/n and carlos once were the it couple, how are their lives after the breakup? did everyone move on?
warnings: writing this i was sick, i was done and i was ready to delete so enjoyy
i also was supposed to write part 2 to i'll be waiting but oh well...
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y/njazzy
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liked by lilymunihe, carmenmundt, and 65 000 more
y/njazzy Prague you've been great, next up my beloved Vienna 🍒
comments
y/nstan mother is GLOWING
lilymunihe music to my ears (literally) 🫶🫶
y/njazzy i'm blushing 😊 💋
alexandrasaintmleux i haven't heard you play for agesss, see you in Vienna ig
y/njazzy and whose fault it is?? clearly not mine missy
alexandrasaintmleux oh look at the time, i have to go !!!
chillis the post breakup glow up is reaaal
loverofy/n can we expect some album soon queen?
charlesleclerc exactly @/y/njazzy, care to share with the class???
y/njazzy i will not confirm nor deny
y/njazzy and lord perceval do not push my limits. besides, if you would honour me with your presence, you would know. the choice is yours
charlesleclerc no comment.
user1 she calls him the way that carlos does...
jazzychill she looks so hot in red 🔥
chillistan don't you find it weird that after all charles is in her comments?
y/nfan through all the years y/n was with carlos, she formed a friendship with charles (especially with carlos in ferrari) and other people from the paddock, so it's nothing weird
jazzlover besides, alex and y/n are besties, no?
y/nlos do you remember how carlos would always melt when y/n wear red??? because i do.
carlossainz55
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liked by landonorris, charlesleclerc, y/njazzy, and 2,093,728 more
carlossainz55 🌶🍔☀️
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soylago ON MY KNEEEES
charlosfan what do they feed our drivers, he and charles are soooo hot
chillis the second photo, two plates, carlos sainz is that a date?
landonorris and where are pics from our little golf tournament 🤔🤔🤔 oh, maybe they aren't here because YOU LOST AHAHAHAHHA
carlossainz55 cabron we all know you cheated.
landonorris what a sore loser we have here
charlesleclerc do you remember when we played uno once?
maxverstappen i wonder why you played uno only once
charlesleclerc lando almost lost an eye
landonorris I ALMOST DIED, HE TRIED TO KILL ME
carlossainz55 do NOT listen to them, those situations did not happen
carlossteponme Y/N LIKED???!!
y/nfan they actually still like eachothers posts, i believe they said something about mutual breakup and that there's no hard feelings between them
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y/njazzy
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y/njazzy new project coming up 🔜
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landonorris tell me who he is.
y/njazzy no❤️
landonorris and why exactly ???
y/njazzy i'll tell you, you'll tell oscar, oscar will tell logan, logan alex, and then magically the whole grid will know
landonorris you won't even tell your best friend?
y/njazzy you're talking about yourself or ?
landonorris PARDON #exbesties #friendshipover #offended
y/njazzy WAR IS OVEEEER
landonorris bye.
lilymunihe A MAN? A MAN? A MA-A-A-AN
lilymunihe girlies to the gc riGHT IN THIS MOMENT
lilymunihe avengers ASSEMBLE @/alexandrasaintmleux @/carmenmundt
carmenmundt i think we've missed a chapter here...
y/njazzy alex didn't.
carmenmundt excuse me !
lilymunihe SHE DID WHAT
alexandrasaintmleux tf y/n? i thought i meant something to you?
y/njazzy if i'm going down i'm taking everybody with me 😘😘😘
alexandrasaintmleux DO NOT QUOTE CHANDLER RN
user1 carlosy/nnation how are we feeling
user2 we don't.
user5 i have an idea...
user3 don't. don't give me hope
user7 fuck the guy NEW PROJECT IN THE MAKING ??? NEW MUSIC ???
user9 do i sense some movie soundtrack
liked by autor
user2 can you imagine
user5 Y/N LIKED !!!!!
carlossainz55
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liked by maxverstappen, y/njazzy and 2,836,267
carlossainz55 getaway with mi amor
comments
charlesleclerc i pay my respects to her
carlossainz55 ¿disculpe?
charlesleclerc for putting up with you 😘
user carlos sainz jr i was NOT familiar
user1 which one of you bastards stole my man
reyesvdec ❤️
user2 APPROVED BY MAMA SAINZ
user6 i miss her and y/n together in the paddock
user5 that's y/n. mark my words
user1 i truly aspire to be as delusional as you
y/njazzy she's a lucky girl
carlossainz55 im a lucky boy*
user8 y/n's comment? im dead
user3 carlos' response?????? i am crying, the boy really is in love
y/njazzy
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y/njazzy love. love love love.
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user8 our girl is in loooove 🥹
alexandrasaintmleux match made in heaven
carmenmundt you compliment eachother so well 🫶
landonorris you two are disgusting
y/njazzy jealousy, jealousy
user5 the luckiest girl???? i wonder why... maybe because she has carlos sainz
user ring ring, that's the mental ward calling for you
lilymunihe i'm heartbroken, how could you leave me
alex_albon execuse me? i'm right here??
y/njazzy lily it's just an act, let's run away together
lilymunihe i am ready to go
alex_albon HEY ITS NOT FAIR
alex_albon he can't even stand up for himself
carlosssainz55 he can
carlossainz55
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liked by y/njazzy, landonorris and 5,839,821
carlossainz55 mi amor, you're the closest to heaven that I have ever been. I don't know what I did to deserve you, but I promise to cherish you forever. I am so incredibly grateful for you and everything you do. I want to thank you for being there for me, even after we broke up. there is no one else on this earth taht i would spend my life with. you are my person, and I am yours.
comments
georgerussell mate leave something for us
alex_albon what I am supposed to do rn, lily won't let me in to our apartment
charlesleclerc gentelmen we are so finished
landonorris die lol 👎
oscarpiastri yk that they can see you crying, right?
y/njazzy my one and only ❤️
user can somebody check on user5
user5 I KNEW I WAS NOT CRAZY
user5 PARENTS ARE REALLY BACK TOGETHER
y/njazzy
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liked by carlossainz55, reyesvdec and 171,729,819 more
y/njazzy the only ex i would ever come back to 💋💋💋
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alexandrasaintmleux finally the ferrari girls are reunited
y/njazzy not for too long
alexandrasaintmleux foul
charlesleclerc too soon y/n, too soon
maxverstappen i won't even ask about the last pic
carlossainz55 the less you know the better you sleep
landonorris i cannot belive this is happening
y/njazzy sucks to suck ig
carlossainz55 only ex i couldn't move on from 🫶🫶🫶
y/njazzy you flatter me
user1 the difference in the capitions pls ✋️
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plutoswritingplanet · 7 months
Text
It's A Special Death You Saved (Feyd Rautha x Female!Reader) pt. 2
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a/n: re-uploaded cause tumblr wouldn't show it in the tags for some reason Cross-Posted on AO3
Warnings: Dub-Con, Arranged Marriage, Reader is an Atriedes, Horny Violence, and some angsty family relations (lmao)
Summary: The courting becomes more and more complicated, as both you and the Na-Baron discover something about each other.
Part.1, Part 3. Part 4.(finale)
- He's a beast.
Lady Jessica stops in her tracks, her hands sliding gently across the fabric of your nightgown. It's your Mother, that puts it out on the table next to your bed. But the person, who turns back towards you with an unreadable expression, is most definitely not her. You're talking to a Bene Gesserit sister now. A freezing chill runs up your spine, and you start picking at the skin around your fingernails, a nervous habit you've picked up a long time ago.
- Have you forgotten all that I have taught you? - she asks, turning to face you fully, in the dimly lit space of your bedroom
Subconsciously you retreat into yourself, body leaning further away from her, as if that distance might save you from whatever unpleasant revelation will most likely fall upon you. Lady Jessica takes a deep breath, her lips pulling back into an easy, soothing smile. In the past, you would look for expressions such as this, fish them out for comfort. Now, as you look upon your Mother's face, it all seems to be a trap made specifically for you.
- Men like him, beastly men, are the weakest ones - she explains, taking slow steps towards your hunched form - They need the power and the blood to feel worthy of existing, which makes them easy to manipulate. Keep them pliant under your hands like fresh dough. 
She sits beside you, your mattress dipping under her weight, and your eyes are immediately drawn to your Mother's elegant hands, folded neatly in her lap. You wish you could put your head there. Have her pull your running thoughts out with gentle caresses. A hairbrush lays abandoned on the vanity in front of you, and silently you contemplate, whether you'll ever have the opportunity to have your hair brushed by her. 
- You must find his weakness, what drives him to do what he does. And then control it.
- I don't want to control my husband - the words spill out of your lips, before you have the chance to stop them - I want to love him, to support him. To give him children he'll love, children I'll love. 
Tears fall in heavy waterfalls down your cheeks. You haven't had the luxury of a good cry since your betrothed had arrived, and it feels divine. Letting your body shake and shiver, wrecked by uninhibited sobs, as your Mother looks down upon you, torn between the two roles she must fulfill. 
The more you've thought about your situation, the more hopeless you felt. The Harkonnens will never let you see your family again, you're sure of it. You'll have to deal with all the horrors of Giedi Prime entirely on your own, with no support from your husband, no friends, no family. And your children, as they are sure to come, will be taken away from you. Thrown into the black and white, until there's no love left in them. 
The Emperror is a cruel man, you think. An execution would've been a kinder end. 
- Why did you have to make me a Daughter? - the way your voice breaks in desperation fills you with shame - Why couldn't you give Father another Son?
You know you've overstepped, as soon as the accusatory tone registers in your brain. It is far too late by then, and the hands, which just moments before you've fantasized about running through your hair, grip you tightly. Your Mother's face, a constant image of beauty, twists into something darker, something you don't recognize, and you gasp, as her dull fingernails dig into the skin of your wrist.
- Your Father has Paul - her voice is barely above a whisper, blue eyes stabbing you with the intensity of her gaze - I gave him a son, because he asked for a son. Because I loved him enough to give him one. And he can have him. He can fill him with lessons of male leadership, of short-sighted plans. You. You are my Daughter. You are mine, and I've trained you well enough to conquer this task.
A hopeless pit settles itself in the void of your stomach.
You've always known your destiny would be to marry well, to further House Atreides' legacy. And yet, somehow, there was a sliver of hope, treacherously worming itself into your brain. Your Father had Paul, the perfect heir. Surely, he could send him off for the greater good and leave you to your own devices. Let you find someone to care for you, someone you'd do anything for. The thought sits in the pit of your stomach, turning your insides in shame. Still, you can't shake the sinking feeling, that if the universe was kind, you would've been born a Son. 
Your Mother, or more likely, the Bene Gesserit, stands up, a cold chill filling the space where her body used to sit. She regards you once, a stern, unwavering gaze.
- Wear black tomorrow.
Perhaps, you'll die in your sleep tonight. Perhaps the universe will bring you this small mercy.
*** Perhaps you did die. 
Through the haze of dreams, you can see him. Bare, as the day he was born, body gleaming white in the darkness of your room.
You can't move, can't see his face, and when he approaches, every single one of your muscles tense. You shift under the covers, cold tendrills of fear engulfing you entirely. He comes closer, moves like a wild cat, stands at the foot of your bed. 
The need to run is overwhelming, but your body refuses to listen, as slowly, torturously slowly, he climbs on top of you, defined muscles moving under his skin in a way that reminds you of some cursed demon, rather than a man. His scent fills your nostrils, a mixture of something heady and metalic, and, like a little child scared of the dark, you try to hide your face under the covers. 
This demon version of your betrothed sits down, sculpted thighs squeezing around your sides, and with rising panic you realize, he's slowly choking the life out of you. A fitting end, a welcomed one. Perhaps it would be better to die right now, before you discover what atrocities he plans to commit on your body and mind, after you're wedded. 
Then, his hand reaches behind his back, full lips pull upwards, exposing blackened out teeth. You barely register the glint of his sword, not until he holds it high up, above his hand. You're not allowed a moment to wallow in your confusion, as your future husband brings the weapon down, sinking it with brutal force into your beating heart.
You awake screaming.
***
In the morning, you pull a black tunic over your head, remnants of your dream clinging to you like an unwanted shadow. 
Every move of the silky fabric against your skin feels like a small defeat, and with your head hung low, you make your way towards the dining hall. Truly, you're not hungry, stomach turning and twisting, a steady presence of nerves keeping your body on edge. Your attendance is required however, such are customs, and it is entirely too eaarly for another lecture about your behaviour. 
As you enter the room, your mask of tired indifference slips just for a second, a mixture of fear and anger flickering in, and out of existence.
 There, opposite of your Father you can see him. Your future husband, the love of your miserable, ending life. Slow horror washes over you, as you suddenly realize that this demonic, otherwordly version of him, which visited you in your nightmares is just how he looks. He greets you with a polite inclination of his smooth head, and you consider not showing any outward sign of repulsion, a small victory on your part. Your Mother doesn't think so, but you dodge her sharp eyes in favor of greeting your brother.
It doesn't go unnoticed, the way Feyd Rautha's eyes drink in greedily the sight of you embracing Paul. His gaze lingers on your smile, and he raises his cup to his lips, scrunching his nose ever so slightly at the unfamiliar drink he's been offered. You want to ask, if they have coffee on Giedi Prime, but the question is forcefully swallowed down. You will not talk to this man. He will never know anything more than contempt from you. Curse your Mother's words, you'll fight this battle every day, on your own, if you have to. 
- My Daughter will show you around the training barracks after breakfast - Duke Leto announces, and you freeze with a cup of coffee half-way to your lips.
- Will I? - you ask, trying to control the edge in your voice. 
- Na-Baron has made inquires about a place to train - your Father explains, giving you a meaningful side eye - You'll accompany him. 
The coffee tastes like rot in your mouth, and you place your cup down with a note of finality. You won't look at him, you don't have to. That knowing smirk could be felt through the very particles flowing in the air, every single one laughing at your predicament. 
Despite your best efforts, the breakfast comes to an end, your family slowly rising to attend to their duties. Your Father, ever the cordial man, bids his farewells to the unwelcomed guest. Your Mother does the same, albeit sounding more honest. Paul lingers as long as Lady Jessica allows him, until he is forced to retreat by a slender hand tugging mercilessly on his elbow. A gesture both of you know intimately from your childhoods. 
Before you know it, you're left alone with the pale imitation of a man. He arises slowly from his seat, smoothly making his way towards you, each of his footsteps echoing in the dining room. 
- Shall we, my Lady? 
Out of the corner of your eye, you can see his offered hand, like a white spider living just outside of your vision. With a shudder, you slip out of your chair, trying very hard not to touch him, and failing immediately, when his broad chest nearly pushes you back into your seat. 
He smells nice, your brain betrays you, the scent bringing back images from your night terror, causing an involuntary shiver to run up your spine. With averted gaze, you turn to leave, ignoring his still extended hand. He follows you like a shadow, catching up to you in no time, as you slide through the corridors of the Palace. It's uncomfortable, to say the least, walking with him behind your back. His eyes bear into you, a prickly feeling at the base of your neck making you roll your shoulders.
It follows you, as he follows, right to the very destination. All in blessed silence, a small miracle to save this already dreadful morning.
The men, launging about at the training barracks freeze in their spots, and your heart nearly jumps out of your chest, when Duncan Idaho catches your eyes. His skin has a beautiful, warm tone, highlighted by the morning sun flowing into the room through the windows. You nod, he nods back, an unspoken understanding blooming between the two of you. There could be no suspicion of any closer bond, lest this engagement would be called off. A result, perhaps favorable to you personally, but your family would never live down the shame. And you would never jeopardize Paul's future, no matter how hollow yours looked.
- You have a warrior's body - your betrothed comments, as he inspects the blades laid out on a small table - Do you train here as well?
Small talk, you could do small talk. With a sigh, you tear your gaze away from Duncan, and turn to the Harkonnen, forcing something resembling a polite smile to bloom onto your features. 
- Yes, I do - you answer curtly, eyes falling onto elegant, white fingers, sliding over a shiny metal blade. 
- It is not a common practice here, is it? - he looks at you, eyes gliding over your stature - Women being trained to fight?
Suddenly very much aware of your body, you cross your arms on your chest, hugging yourself tightly. You don't miss the way his gaze seems to linger on the low neckline of your tunic, and with bitterness on your tongue you wonder, has this man ever felt ashamed. 
- Not common, but it does happen - your voice betrays your emotions, a sharp edge settling over your tone, causing the man to arch an eyebrow.
Finally, he settles onto a chosen blade, bringing it up to the light and with laser focus observing the way particles dance on the steel surface. Then, he looks back at you, catching you in the act of observing the prominent, lean muscles on his neck. You ignore the knowing smirk and will your blushing cheeks to suddenly become devoid of color.
They don't, of course, and you scurry to the side of the table, to fiddle with the rest of the weaponry. Your favorite training blade is there, and instinctually, your hand reaches for it. 
- Train with me.
The request catches you off guard, and you shoot him a questioning look, one he deflects with a nonchalant shrug. 
Your muscles flinch, as you drag your hand back from the blade. 
- It would hardly be appropriate - you counter, fingers fidgeting with the hem of your tunic.
To that, he tilts his head, light eyes studying you for a longer moment, until you truly feel uncomfortable under such scrutiny. 
- And suddenly you're worried about what the court says? - he cuts you off, before you have the chance to ask, just what exactly does he mean by that - Perhaps you're too soft to fight me.
- I know what you're doing - you point an accusatory finger at his chest, and the man smiles, blackened teeth peaking between his full lips.
- And what am I doing? - it's hard to ignore the teasing timbre in his voice, and you swallow thickly.
- You're trying to get under my skin.
Shivering under the expected cruel glint in his eye, as another, most likely filthy innuendo purses his lips, you turn to him fully, a serious expression on your features.
- I've seen you fight, Na-Baron - his jaw tightens at the sound of your voice curling around his title - I know you're a force to be reckoned with, I'm not scared to admit that.
He straightens, regards you with furrowed brows for a longer second, until, yet again you start to fidget under his gaze.
- Perhaps then, you're scared you'll hurt me - the mere idea is so preposterous, your head snaps in his direction - If I had known, you liked me that much...
- That is entirely not true, and you know it - you deflect again, although annoyance begins to paint your voice.
Then, his hand shoots out, gripping your arm and pulling you closer. Air seems to thicken around you, as you look up at him, with surprise quickly morphing into outrage. His breath mingles with yours, and you can't seem to look away from his eyes, pupils nearly drowned in the overwhelming blue of his irises.
- Stop hiding, my viper. Fight me.
The command, spoken in a harsh whisper just shy of your lips, turns your insides into molasses. 
His taller form leans down to tower over yours, an intense expression settling over his sharp features. Close to excitement, much too close to desire, even closer to a murderous curiosity. Your throat feels entirely too dry, and before you can stop yourself, you swallow thickly, tongue darting out to lick your lips. His eyes snap almost immediately downwards, and your heart stops beating. You can't see anymore blue in his irises, only black. Darkness covers his eyes reflecting his thoughts, and you feel like you have to flee right now, before something terrible happens to you. 
So you do just that. Ripping yourself away from his closeness, you return to the table, hand finding your chosen blade without really looking. 
Another flash of black teeth, as the Na-Baron realizes what you're doing, and the both of you enable the shields surrounding your bodies. 
The gathered soldiers watch on, as you march towards the center of the room, determination filling every step to the brim. Duncan gives you a look, which you choose to ignore. You can't think about him now, not when you have your honor to defend against this Harkonnen monster of a man. 
Feyd Rautha rolls his shoulders, discards the thin fabric of his dress shirt, and once again you are stricken with his almost god-like physique. The blade looks like an extension of his hand, as he weighs it and slashes the air in front of him. Then, he fixes you with a challenging expression, as if he expects you to do the same, to try and best him at some shameless display.
You decide to keep your clothes on, blade held high, ready to strike. 
He jumps from one leg to another, and immediately an orchestra of alarm bells rings out in your brain. Should a man really be this excited at the prospect of fighting his future wife? Should you be this excited? Questions without answers, and before any of you make a move, another one absent-midedly floats to the surface. Just how much can you hurt each other, before the wedding is concluded? How much you'll inevitably hurt each other after?
The darkness he has brought on the ship with him must be contagious, because despite your better judgement, you smile. A sharp smirk, that makes your eyes look less like a human and more like a wild animal. And he drinks it all in, as he begins to circle you.
You'd never show him your back, never again. He's a tried and true predator, the only instinct he has, is a killer one. A fact you quickly get aquatinted with, as he unleashes a series of lightning fast strikes your way. 
Immediately you realize, that small show of cruelty he organized at your grandfather's theatre was nothing, compared to what he could truly do. And still, you suspect he's holding back, as you barely dodge a nasty stab, right under your ribs. Another one is blocked against your sheild, and before you have a chance to collect yourself, third one sends you back a couple of steps. 
He doesn't let you get away, with confident steps pushing you further and further out of the center of the training floor.
Out of the corner of your eye, you can see Duncan Idaho stand up from his place. Thinking back to your last training session, you shudder bitterly. "Never fight in anger" is easy to say, when you're not forced to marry, bed and sunsequently give children to the man you're fighting. 
Panting and sweating, you give Feyd Rautha your all, twirling in place, sliding on your feet. A different kind of choreography, which seems to work surprisingly well, with his almost animalistic force. Gurney taught you how to be powerful, how to land strikes which were as effective, as they were cunning. Duncan, on the other hand, taught you how to dance. So that's what you do.
Finally, you manage to grab at his free hand, locking your feet between his and bringing him closer to your blade. It stops just short of his artery, blocked by his dagger, the clash of metal reverberating through the halls. 
The smirk he gives you is beyond nasty, and forcefully, you push away from him, as if the very idea of skin to skin contact repulsed you. And it does, it truly does, especially now that adrenaline mixed with frustration boils in your head. 
- Again - you snarl his way, assuming your fighting stance.
- As my Lady commands - his voice has a natural growl to it, made even more prominent by the exertion of the fight, and he twists his body into a perversion of a curtsy.
This time you're the one to attack first, ignoring your menthor's words and relying on pure rage to guide your steps. A stab to his thigh, which he deflects with seemingly childish ease. Your tunic slips through his fingers, as you slide under his arm. Out of the corner of your eye you can see his blade, when he hides it into his belt. Confusion hits you suddenly. Was he giving up, why was he hiding his weapon? None of the questions get answered, as a foot curls itself around your ankle.
Your balance leaves you with a gasp of surprise, and soon, your back is on the floor, Feyd Rautha following closely behind. Your heated gaze meets his, as one hand wrenches the blade from your grasp and pins both your arms above your head. The other one supports his weight, as he hovers above you, light bleeding behind him in an unfitting image of a halo. 
Your chest heaves, sweat rolling down your collarbones, and the Harkonnen doesn't even try to hide the way his gaze follows a stray drop of salt, as it disappears between your breasts. 
- You fought well - he complements in a hushed tone, and you writhe desperately under his body.
The night terror rears its ugly head again, as you feel his tighs press onto your sides, almost as if he wants to shape your flesh into the imprint of his body.
- I think I prefer you like this - he whispers, face coming closer to the exposed column of your neck - You belong under me. 
That's what does it. Your face twists into an expression of equal parts disgust, and fury. You won't give him this victory, you'd rather die. Legs tangle themselves around his calves, and you use all your strength fueled by the burning need to fucking hurt him. 
The world spins, two bodies rolling on the floor, and suddenly you're on top of him, legs biting into his hip bones. While one hand supports your weight on his naked shoulder, the other finds the dagger hidden in his belt. The surprised gasp, which leaves his lips feels like music to your ears, and you don't even try to fight the awful smirk splitting your mouth.
The shield on his neck glows an angry red, as you press the tip of the blade down, right under his bobbing Adam's apple. He swallows, for just a second letting you see the mask of self confidence slip. He has quite long eyelashes, you notice, as his eyelids flutter, a low hum reverbating through his chest. Eyes that are neither blue nor completely black drink in the sight of you. The halo of your hair, the snarl on your lips, the curve of your waist, where one of his hands settle. 
Missing all of this, too enraptured by your own fury, you push the blade further down until it pricks his alabaster skin. He hisses through his blackened teeth and you want more, you want him to scream. A thin streak of red begins to flow down his neck, and God help you, it looks like art. 
His grip on your waist tightens, all five fingers digging into your flesh through the thin tunic. Feyd Rautha bares his teeth at you in a cruel smile, one that makes you question whether you're the one in control.
And then his hips roll upwards. 
A barely noticable movement, easily mistaken for a spasm of the muscles, but you know better. You can read it all from his expression, his pupils blown wide, the quickened breaths of air slipping past his lips. From the quickly hardening length pressing against your inner thigh. 
Your stomach flutters with a well known feeling, and that terrifies you more than any pain-motivated erection ever could. Because he sees it, he sees the beginning flames of desire taking root in your center, and the realization looks like ecstasy on his face. Humiliation washes through you, fills you completely. There is no awkward blush on your face, no. All you feel is white, freezing terror, as all your defences seem to crumble all at once.
Like a scared animal, you're off of him in a split-second, and he doesn't chase you, as you all but run from the training barracks. Doesn't have to, he already has everything he needs. 
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