#but here's some quotes from that video if you want them

[cazzyf1]

The other day on my tiktok I created a simple post about how James Hunt is more than just the Playboy persona that is associated with him. This flew over someone's head who commented about how he was a Playboy. I responded explaining the point of the video but instead they doubled down saying that James didn't care about F1 only about partying.

So today I went through some of my books and gathered a load of quotes to show the James Hunt that most people do not know about, the one outside of the Playboy perception. I've posted it on tiktok but figured I'll upload it here as well so the true James Hunt can reach more people and slowly we can dismantle the reputation 'Rush' gave him ❤️

TW: Depression, unhealthy coping mechanisms/addictions

When you think of James Hunt you think of the 'playboy'. The guy who partied, drank lots, took drugs and slept with lots of women. Its true he did that, and a lot but to dismiss him as just that is wrong. He was a good driver, a person who tried his best, a kind man who cared for human & animal rights.

The next few slides I've compiled quotes from a few books and website to show what kind of person he actually was and what he went through in life and that less people will dismiss him as just a Playboy.

James Hunt's first marriage was rocky because James was already very involved in his addictions and he knew he didn't love Susy because he felt that he wasn't capable of love. But he felt responsible for her and wanted to look after her. Here is his own opinion from his book ->

"It was really THE problem. I thought that marriage was what I wanted and needed to give me a nice stable and quiet home life, but in fact it wasn't and the key mistake was mine. I really wanted to go racing on my own, and it wasn't much fun for Susy to sit at home and wait for me all that time. It was also a terrible hassle for her to come racing because race meetings were probably the most relaxing time in my schedule. The rest of the time you tend to be leaping on aeroplanes once a day and that made it even worse because it's bad enough organizing one person to get on an aeroplane. Organizing two gets to be twice as much hassle. It got to the point where it was a problem for Susy to come travelling and a hell of a deal for her to stay at home. It was making life miserable in the extreme for her and since I felt responsible for her it was making me miserable too. So we had agreed to split up and then Richard Burton came along and solved all the problems. We had had an immensely successful marriage because I learnt an awful lot about myself and life and I think Susy did too. We all ended up happy, anyway, which is more than can be said for a lot of marriages" - p14 Against All Odds

Much is said about James Hunt and the ladies he kept company, and without knowing anything about James you might assume the worst, but here's some quotes about what he was actually like with the ladies ->

"I don't usually have sex before a race because I am very definitely concentrating -I find that it is the communication between two people that makes it worth- while, and before a race I am pretty uncommunicative. However, if say I have an hour or so to spare before dinner on the night before a race then I can enjoy the physical release. But I will only do it with someone who is fully understanding" - p15 Against All Odds

"He was always attentive to his partners needs. Indeed much of his satisfaction came from giving pleasure. The only problem, some of them confessed, was that his desire to please often out-stripped their needs" - p264 James Hunt: The Biography

"I was sure he was gay, because he never made a move on me for so long" - p278 Jane Birbeck, long time partner, James Hunt: The Biography

"He missed the actual skirmish - he was inside getting drinks at the bar - but had to be forcibly restrained from going after the policeman who hit his girlfriend" - p284 James Hunt: The Biography

James Hunt had many affairs in his time, because he had become an addict to many things including women (more on this later) He was aware of his and it plagued James that he couldn't control it ->

"One evening she returned to their London home to find James in tears. He was tormented by feelings of guilt caused by his lust for other women. He confessed the full extent of his unfaithfulness, that it was unfair to her and that for her sake they couldn't remain a couple. It wasn't that he was bored with her, but that his desire for other women was insatiable and uncontrollable. He held Jane in his arms and they both wept" - p320

One thing that helped James in his life time was his love for animals especially his pet dog Oscar. Here are some quotes about his love for animals and how far he would go to help protect them ->

"I think in a way Oscar was the child James never had at that stage. He was a remarkable dog, no question, but James thought a lot about animals and their requirements and was very concerned about their needs. He gave Oscar the very best treatment and also was keenly intrested in the welfare of other dogs. He would look at a dog, wonder if it's owner was treating it well and bringing it up properly and if the dog was getting everything out of life that it could" - p281

"Before he came to know James better, the journalist Nigel Roebuck was pleasantly surprised by an incident involvinged stray dog. It was late in the evening after a Grand Prix and tha teams were packing up to leave when James, while talking to Roebuck, saw the dog wandering around the paddock, shiver-ing and obviously very hungry. Roebuck, also sensitive to the needs of an animal in distress, went with James to several of the team motorhomes where they got food and fed the dog. But that wasn't the end of it as far as James was concerned. He insisted that they should take the dog up to the race control centre.

Roebuck: 'He took the dog in there and would not leave until he was sure it would be looked after. James actually made this official sign a piece of paper saying he would take care of the dog and see that it was housed and properly cared for. I was very impressed with this. James was probably one of only a handful of people on this entire planet who would even give that sort of thing a second thought." - p281

"He also thought the wild animals residing on his estate should be left alone. If vermin had to be controlled it should be done in the most humane way possible, and he strongly dissaproved of blood sports. The very thought of fox hunting he found horrible and he vowed not to allow it on his property" - p308

James was also incredibly caring towards the young people in his life such as his sons and his younger siblings. Here’s an extract from his first GF about James and his siblings ->

".. the way he expressed his concern for the emotional youngest members of his family:

He really enjoyed looking after them, and just seeing the way the behaved with his little brothers and sisters you knew was instinctive in him. He was always going to be a good father.

One evening he invited her home where he was babysitting Jo Jo, Dave and Tim. When James had tucked them in he left Ping to read them a bedtime story. When Ping came downstairs James asked her if she had helped them say their prayers. When I said no, James said: "Right. You've missed out hugely there. Come on, we'd better go and do it." So they did. His attitude was that he was taught to do that by his parents and it simply had to be done.'

But he also practised what he preached, and he believed in the power of prayer. In the troubled years to come James would pray to God for strength and help, and he eventually passed on the bedtime prayer ritual to his own two boys, to whom he became completely devoted.

During his time with Ping he had talked about having children, and she thinks fatherhood earlier in his life would have prevented James from sinking into his period of decadence.

I felt so sorry for him then because I knew underneath it wasn't the real James doing this. I think he was trying to make life happy, the wrong way. If he had settled down earlier, had a more normal home life with children of his own when he was younger, one could have seen a totally different James.' - p26

James Hunt cared for human rights especially taking a stand against the Apartheids in South Africa. The Apartheids in short was a system of racial segregation. In protest most sports were not going to South Africa but Formula One still was, and James Hunt made it clear his thoughts

->

“We were once covering the South African Grand Prix during the days of apartheid. All of a sudden, and for no particular reason, he launched into an attack on apartheid.

“It was nothing to do with the Grand Prix, nor would it do British-South African relations any good. Our producer pushed a piece of paper across saying: ‘Talk about the race!’

“And then James blurted out on air: ‘Thank God we’re not actually there!”

But simply calling out Apartheid on the air wasn’t enough for Hunt. He sought to have his race commentaries blocked from being broadcast in South Africa, but was unsuccessful.

When that didn’t work, he instead — and secretly — gave financial support from his income as a race broadcaster to groups struggling to end Apartheid in South Africa."

"His deeply compassionate and loving nature was something that, unfortunately, wasn't adequately conveyed to the public, who only ever heard about the sensational side of James Hunt" - p282 John Watson

As mentioned earlier James Hunt was an addict. His playboy lifestyle was his addictions and this is all rooted back to the fact that James Hunt had depression which grew stronger and stronger. He relied on his additions to get rid of his depression which meant he kept doing more and more. Here are some quotes about his struggle with it and eventually how he overcame it ->

"At home James became increasingly introverted, uncommunicative and reclusive. He gave up golf and spent more and more of his time in the aviary tending his budgies. While the parties continued he would often leave the guests to Sarah and closet himself in the aviary for hours on end.

It became obvious that James was very troubled, but only Sarah and his closest friends knew the full extent of the anguish and despair James suffered during his bouts with what he called his 'dippers'.

Black dog' was the term Winston Churchill used for the recurring 'depressions which afflicted him throughout his life. Bubbles Horsley thinks James was 'born with a "black dog" on his shoulder. His racing pushed the "dog" away far enough so that it was no longer visible. But underneath that wonderful joie de vivre, the laughter and enjoying life, he was given to black moods. He was fearful of them and maybe it was that fear that drove him on. Perhaps without it he would never have been World Champion.

'And I think after the initial "honeymoon" of retirement from racing the black dog came and sat on his shoulder and wouldnt go away. So he became more fearful and sought distraction in various ways, through sex and drink and drugs and rock and roll, as it were." - p323

"At home Sarah watched her husband's condition worsen and desperately sought to help him. She thought his depressiond might partly be due to a chemical imbalance that James was born with, a theory that James explored himself. Then, too, to keep his dippers at bay he consumed too much alcohol and marijuana, both of which can temporarily bring relief but over the long term on have depressive effects.

Like others, Sarah felt that another reason for his 'dippers' might have been because he cut off his emotions early in his life and never learned how to open up to people, or to need them. He was essentially a lonely man and his inability to form close relationships made him despair. His depressions further deadened his feelings, and when he was unable to respond emotionally to marriage and children he grew progressively more despondent.

Sarah: 'He was at war with himself. His depressions became Intolerable and towards the end he stopped trying to fight them coming on because he knew they would take over for two days or week. His face would go black and he would take to his bed and stay there, even on Christmas Day. He'd gone to bed two days beforehand and we had Christmas stockings for the boys. I said, Come on, Beast, the boys are waiting." And he said, "Beast, i can't do it." And he was crying" - p333

"When James felt a "dipper" coming on he would go on two- or three-day benders, mostly drinking vodka. He would just keep going and going, which was always a bit terrifying, and after these deep, dark blank days he would suffer real self-loathing. He could forget his trouble with drink, but it always came back.

For many years trying to get rid of his depression was his major concern, which is why he got the budgerigars. He thought it would be such a huge amount of effort that it would distract him and they became an obsession rather than a hobby. He would sit in the aviary for hours, but he would come back still in the grip of gloom. And for a long time he was so down it was very hard to even converse with him." - p326

"He tried different treatments acupuncture, Chinese herbal medicine and looked into every possible theory. He went to different healers, therapists, psychologists, psychiatrists, psychoanalysts, the lot, to try and find the root of his depression. And in the end he cracked it" - p337

"He began to become more diet-conscious and to eat healthy foods. He also consumed information, in books and magazines, on overcoming addictions, and sought more professional help.

He knew he should stop smoking cigarettes and reduce his marijuana consumption, and he told some friends he thought he might be an alcoholic. He worried that his need for women was another form of addiction and feared he might contract AIDS and infect someone else.

John Hogan: 'So he stopped it all. Straightened himself out by absolute willpower. The strength of character of the man enabled him to get out of it. He cut out the cigarettes, the dope and drugs. the booze and the womanising and his sense of priorities became more well-balanced.' - p338

As he started healing himself of his addictions he became serious about F1 again. He always cared for the sport, doing everything he could to race when he was younger and now though he was retired he still commentated and took part in other ways to stay close to the sport ->

"James became serious about strengthening his position in the media side of Formula 1 racing. He took on an internationally syndicated newspaper column and spent many hours gathering information for it. Working with a journalist he applied himself conscientiously to making sure that every word was written to his satisfaction" - p338

James started to heal his relationships as well, becoming an amazing parent to his two boys and finally meeting a woman who helped him feel loved and be able to love after so long of not being able to ->

"The boys were real handfuls to look after but he was awfully good with them and he really fathered and mothered them extremely well. He was always up early in the morning cooking their breakfast and then the four of us would go off salmon fishing. James would fish properly and I would fool around fishing with the youngsters. And then in the evening we used to settle down and he would tell them stories." - p343

A letter James sent to his girlfriend Helen:

"I went to the parents' 50th in a totally negative frame of mind, feeling very much an outsider and wanting the floor to swallow me up. As the day went on, although I remained 'out- side', I could see and feel lots of generous, undemanding love around me. Something changed for me there with my family. Everyone was exuding love and I saw the wonder of it and want to be part of it, but firstly with you.

I realise now that the feeling of not being loved as a child made me close up to any incoming love projected onto me. I do see that I cannot live on without love. You brought it home to me when you pointed out how well I'm doing with the boys. Well I have had to work at that and I've got better at it and I have to do it with you. You are the girl of my dreams. Without you I have no future. I want to make you happy and continue to do so until I die.

All my love for the love of my life,

James"

- p350

Finally James was happy. He was healed from his addictions, in a healthy relationship, had two lovely sons and a job he loved. And best of all he was able to be open with Helen ->

"James confessed to Helen that he was unable to be faithful to anyone in the past because sex was for him just another addiction and he needed women to get his highs. He disliked social gatherings and only had parties or went to them to pick up women. Helen was willing to forgive and forget what went on before, but told him she wouldn't tolerate it in their relationship and he agreed to be faithful to her." - p350

Helen went away on a girls holiday before her and James were going to start trying for children. James proposed to her over the phone on the holiday to which she said yes. But she would never see her finance because he passed away from a heart attack. Unfortunately the previous life he lead caught up to him.

Thank you for reading all of this and I hope you now know more about James Hunt than you already did! It's sad that James is best known now for his unhealthy coping mechanisms for his depression, especially with the film 'Rush' romanticising it. But even if just one person reads all of this it means one more person knows the truth of James Hunt and that makes it worth it ❤️

[pceexistsinthevoid]

"instances where garfield became suicidal, which was two"

"the New York Times had to change how it's trade bestseller list was categorized after 7 of it's 10 slots were garfield"

"slightly too many irish stereotype garfield"

"garfield *is* despair"

[insertdisc5]

📚 A List Of Useful Websites When Making An RPG 📚

My timeloop RPG In Stars and Time is done! Which means I can clear all my ISAT gamedev related bookmarks. But I figured I would show them here, in case they can be useful to someone. These range from "useful to write a story/characters/world" to "these are SUPER rpgmaker focused and will help with the terrible math that comes with making a game".

This is what I used to make my RPG game, but it could be useful for writers, game devs of all genres, DMs, artists, what have you. YIPPEE

Writing (Names)

Behind The Name - Why don't you have this bookmarked already. Search for names and their meanings from all over the world!

Medieval Names Archive - Medieval names. Useful. For ME

City and Town Name Generator - Create "fake" names for cities, generated from datasets from any country you desire! I used those for the couple city names in ISAT. I say "fake" in quotes because some of them do end up being actual city names, especially for french generated ones. Don't forget to double check you're not 1. just taking a real city name or 2. using a word that's like, Very Bad, especially if you don't know the country you're taking inspiration from! Don't want to end up with Poopaville, USA

Writing (Words)

Onym - A website full of websites that are full of words. And by that I mean dictionaries, thesauruses, translators, glossaries, ways to mix up words, and way more. HIGHLY recommend checking this website out!!!

Moby Thesaurus - My thesaurus of choice!

Rhyme Zone - Find words that rhyme with others. Perfect for poets, lyricists, punmasters.

In Different Languages - Search for a word, have it translated in MANY different languages in one page.

ASSETS

In general, I will say: just look up what you want on itch.io. There are SO MANY assets for you to buy on itch.io. You want a font? You want a background? You want a sound effect? You want a plugin? A pixel base? An attack animation? A cool UI?!?!?! JUST GO ON ITCH.IO!!!!!!

Visual Assets (General)

Creative Market - Shop for all kinds of assets, from fonts to mockups to templates to brushes to WHATEVER YOU WANT

Velvetyne - Cool and weird fonts

Chevy Ray's Pixel Fonts - They're good fonts.

Contrast Checker - Stop making your text white when your background is lime green no one can read that shit babe!!!!!!

Visual Assets (Game Focused)

Interface In Game - Screenshots of UI (User Interfaces) from SO MANY GAMES. Shows you everything and you can just look at what every single menu in a game looks like. You can also sort them by game genre! GREAT reference!

Game UI Database - Same as above!

Sound Assets

Zapsplat, Freesound - There are many sound effect websites out there but those are the ones I saved. Royalty free!

Shapeforms - Paid packs for music and sounds and stuff.

Other

CloudConvert - Convert files into other files. MAKE THAT .AVI A .MOV

EZGifs - Make those gifs bigger. Smaller. Optimize them. Take a video and make it a gif. The Sky Is The Limit

Marketing

Press Kitty - Did not end up needing this- this will help with creating a press kit! Useful for ANY indie dev. Yes, even if you're making a tiny game, you should have a press kit. You never know!!!

presskit() - Same as above, but a different one.

Itch.io Page Image Guide and Templates - Make your project pages on itch.io look nice.

MOOMANiBE's IGF post - If you're making indie games, you might wanna try and submit your game to the Independent Game Festival at some point. Here are some tips on how, and why you should.

Game Design (General)

An insightful thread where game developers discuss hidden mechanics designed to make games feel more interesting - Title says it all. Check those comments too.

Game Design (RPGs)

Yanfly "Let's Make a Game" Comics - INCREDIBLY useful tips on how to make RPGs, going from dungeons to towns to enemy stats!!!!

Attack Patterns - A nice post on enemy attack patterns, and what attacks you should give your enemies to make them challenging (but not TOO challenging!) A very good starting point.

How To Balance An RPG - Twitter thread on how to balance player stats VS enemy stats.

Nobody Cares About It But It’s The Only Thing That Matters: Pacing And Level Design In JRPGs - a Good Post.

Game Design (Visual Novels)

Feniks Renpy Tutorials - They're good tutorials.

I played over 100 visual novels in one month and here’s my advice to devs. - General VN advice. Also highly recommend this whole blog for help on marketing your games.

I hope that was useful! If it was. Maybe. You'd like to buy me a coffee. Or maybe you could check out my comics and games. Or just my new critically acclaimed game In Stars and Time. If you want. Ok bye

[captainfantasticalright]

In 1985, one of the only persons interested in an interview with a “new” writer called Terry Pratchett, after his publication of the Colour of Magic, was one Neil Gaiman. Neil Gaiman was writing for Space Voyager at the time. "The Colour of Pratchett" was the name given here:

It ran exactly one page inside the June/July issue of that year. The interview took place in a Chinese restaurant in London.

Here is Neil many years later holding that issue. You can see it here if you want. Warning: extremely emotional video.

Neil arrived wearing a grey homburg hat. “Sort of like the ones Humphrey Bogart wears in movies” he later wrote. (Before saying that in fact he did not look like him, but like someone wearing a grown-up’s hat). Terry Pratchett, photo courtesy of one @neil-gaiman, was in a Lenin-style leather cap and a harlequin-patterned pullover. At this point, Terry was already a hat person, although not that hat.

Terry offered Neil this : "An interview needn't last more than 15 minutes. A good quote for the beginning, a good quote for the end, and the rest you make up back at the office"*. (Terry Pratchett had worked many years in journalism by this point ).

But the meeting went terribly well. The two of them realized they had "the same sort of brains". So well indeed, that in 1985, Neil had shown Terry a file containing 5282 words, exploring a scenario in which Richmal Crompton's William Brown had somehow become the Antichrist. Was a collaboration in the cards as of that moment? Not really. But Terry found in Neil someone to whom he could send disks of work in progress and to whom he could pick up the phone sometimes when he hit a brick in the road of his writing.

Terry loved it and the concept stayed in his mind. A couple of years later, he rang Neil to ask him if he had done any more work on it. Neil had been busy with The Sandman, he had not really given it another thought. Terry said, "Well I know what happens next, so either you sell me the idea or we can write it together". **

On collaborating together:

Here is a video of Sir Terry saying why he chose to collaborate with Neil, another video talking about the technical difficulties of writing a book when the two of them where miles apart ,and some pages from Interzone Magazine Issue 207 published December 2006:

An Interview with Sir Terry Pratchett and his works- and Neil Gaiman, where he shortly addresses the process of writing Good Omens.

Terry shortly mentions,

“Neil doesn't rule out another book with me and he was good to write with...yep, it could happen. With anyone else? I don't know, but probably not.?”

Neil says,

"Terry took that initial 5,000 words of mine and ran it through the computer (because I’d lost the files in a computer crash) and made it the first 10,000 words, and it was definitely Good Omens at that point. Neither one thing nor the other, but a third thing.”

"I think Terry could do a very good impersonation of me if he needed to, and I could do a very good impersonation of him; so we knew the area of the Venn diagram in which we were working. But mostly the book found its own voice very quickly. It helped that we were both scarred by the William books when we were kids...”

And as you know, unless you’ve been living in Alpha Centauri, the rest is history. That was the beginning of what would become William the Antichrist and later would get the name Good Omens:The Nice and Accurate Prophecies of Agnes Nutter, Witch. (Title provided by Neil Gaiman and subtitle by Terry Pratchett).

More about the writing process:

Terry took the first 5,000 words and typed them into his word processor, and by the time he had finished they were the first 10,000 words. Terry had borrowed all the things about me that he thought were amusing, like my tendency back then to wear sunglasses even when it wasn't sunny, and given them, along with a vintage Bentley, to Crawleigh, who had now become Crowley. The Satanic Nurses were Satanic Nuns.

The book was under way.

We wrote the first draft in about nine weeks. Nine weeks of gloriously long phone calls, in which we would read each other what we'd written, and try to make the other one laugh. We'd plot, delightedly, and then hurry off the phone, determined to get to the next good bit before the other one could. We'd rewrite each other, footnote each other's pages, sometimes even footnote each other's footnotes. We would throw characters in, hand them off when we got stuck. We finished the book and decided we would only tell people a little about the writing process - we would tell them that Agnes Nutter was Terry's, and the Four Horsemen (and the Other Four Motorcyclists) were mine.

From the introduction to William the Antichrist:

“In the summer of 1987 several odd ideas came together: (..)I found myself imagining a book called William the Antichrist, in which a hapless demon was going to be responsible for swapping the wrong baby over, and the son of the US Ambassador would be completely undemonic, while William Brown would grow up to be the Antichrist, and the demon would need to stop him ending the world. The unfortunate demon, whom I called Crawleigh, because Crawley was a nearby town with an unfortunate name, would have to sort it all out as best he could.

It felt like a story with legs.

Terry took the 5,000 words, and rewrote them, calling me to tell me what he was doing and what he was planning to do. The biggest thing he was going to do, he told me, was split the hapless demon into two characters – a would-be-cool demon in dark glasses (which was, I think, Terry’s way of making fun of me, a never-actually- cool journalist in dark glasses) who had renamed himself Crowley, and a rare-book dealer and angel called Aziraphale, who would embody all the English awkwardness that either of us could conceive.”

William the Antichrist being a direct inspiration of the 1976 film The Omen. If the baby swap had just been a little bit messier and the kid had gone off somewhere else he would have grown up as somebody else. “And then there was a beat and I thought, I should write it, it will be called William the Antichrist” says Neil. ***

“The first draft of Good Omens was a William-book. It was absolutely in every way it could be a William book. It had Violet Elizabeth Bott, it had William and the Outlaws, it had Mr. Brown”.

Over time they realized that they would have more creative freedom if they in their own words filed off the serial numbers. William and the Outlaws becoming Adam and the Them.

But the spirit of Just William was never far away.

The joy for Neil was to construct “perfectly William sentences”. The one when Anathema tells Adam that she has lost the Book, and he tells her that he has written a book about a pirate who became a famous detective and it is 8 pages long… that’s “a William sentence”.

If you want to read more details about William The Antichrist, here are some slides I made.

Good Omens was also inspired by a particularly antisemitic moment in The Jew of Malta and John le Carre's spy novels. (Neil’s ask)

 Then I was reading The Jew of Malta by Kit Marlowe, and it has a bit where the three (cartoonishly evil) Jews compare notes on all the well-poisoning and suchlike they’d done that day, and as a Jew who never quite gets his act together, it occurred to me that if I were the third Jew I’d just be apologizing for having failed to poison a well… And suddenly I had the opening of a book. It would be called William the Antichrist. And it would begin with three Demons in a graveyard… (x).

“When we finished the book we estimated that the words were 60% Terry’s and 40% mine, and the plot, such as it was, was entirely ours.” -Neil Gaiman

"Neil and I had known each other since early 1985. Doing it was our idea, not a publisher's deal." "I think this is an honest account of the process of writing Good Omens. It was fairly easy to keep track of because of the way we sent discs to one another, and because I was Keeper of the Official Master Copy I can say that I wrote a bit over two thirds of Good Omens. However, we were on the phone to each other every day, at least once. If you have an idea during a brainstorming session with another guy, whose idea is it? One guy goes and writes 2,000 words after thirty minutes on the phone, what exactly is the process that's happening? I did most of the physical writing because: 1) I had to. Neil had to keep Sandman going -- I could take time off from the DW; 2) One person has to be overall editor, and do all the stitching and filling and slicing and, as I've said before, it was me by agreement -- if it had been a graphic novel, it would have been Neil taking the chair for exactly the same reasons it was me for a novel; 3) I'm a selfish bastard and tried to write ahead to get to the good bits before Neil. Initially, I did most of Adam and the Them and Neil did most of the Four Horsemen, and everything else kind of got done by whoever -- by the end, large sections were being done by a composite creature called Terryandneil, whoever was actually hitting the keys. By agreement, I am allowed to say that Agnes Nutter, her life and death, was completely and utterly mine. And Neil proudly claims responsibility for the maggots. Neil's had a major influence on the opening scenes, me on the ending. In the end, it was this book done by two guys, who shared the money equally and did it for fun and wouldn't do it again for a big clock." "Yes, the maggot reversal was by me, with a gun to Neil's head (although he understood the reasons, it's just that he likes maggots). There couldn't be blood on Adam's hands, even blood spilled by third parties. No-one should die because he was alive." -("Terry Pratchett : His World”)

(Here are some slides of mine where I go into some other details concerning the origins of Good Omens).

Another wonderful insight with Rob Wilkins in "The Worlds of Terry Pratchett".

*Quote: from Terry Pratchett A Life With Footnotes by Rob Wilkins, but said by Terry of course.

** All the quotes, facts listed here : see above.

***all other quotes by Neil Gaiman from various interviews and asks I’ll link.

[tiptoze]

VIZ Media just put a bunch of official, complete anime on YouTube for free

Exactly what it says on the tin. Here's the link to the official article from Viz. There are ads* ofc but to be able to watch these for free in HD is a pretty big deal.

Note that they are all Japanese dub, English sub. (The subtitles are not YouTube captions but part of the video itself, for whomever it may concern)

Here's the current list w/ links to the official playlists:

Death Note (All 37 episodes)

Hunter x Hunter (Seasons 1-3, 148 episodes)

Inuyasha (COMPLETE SERIES W/ ALL THE MOVIES)

Mr. Osomatsu (Seasons 1 & 2, 50 episodes)

Naruto (Seasons 1-8, 220 episodes)

Sailor Moon (COMPLETE SERIES)

Handful of other movies, 4 of them are Inuyasha that's already been stated above but includes TIGER & BUNNY, K Missing Kings, Accel World, etc.

I hope this helps someone who's been wanting to watch one these shows! I know most people don't get news from Viz so I didn't want this to just go quietly under the radar because this is actually p nice to have in a world where you either have to pay for or pirate everything. I really hope they add more titles in the future!

*Also, they say ads but I use Firefox w/ uBlock and all the other anti-capitalist goodies and I've watched the first SM episode and gotten no ads so this may actually be an avoidable thing for a lot of us so like,,, go watch some free anime luv lmao

EDIT: I have been informed that this is not available in counties outside of America. Which isn't surprising but is disappointing. If someone w/ a VPN wants to let me know if they can work around this lmk and I'll update here.

EDIT 2: Quote from an Anon:

"Windscribe VPN on my phone worked for watching Viz media's anime uploads! I'm sure there's better and less limited free options but that's the one I found with a quick search to try it out. Haven't tried it on a laptop though so can't comment on it's viability there."

Tysm for letting me know Anon!!

EDIT 3: Via @eunbinppap

#one of protonvpn's free options is the us

[plutosoda]

how i make character models* in paint3d

*they are not models. you cannot rig them. but for simplicity i will call them this. also this guy is the example ⬇️

so. paint3d is very jank and not actually that good But it is fun to mess around with and for getting that early 2000s computer game effect for things. this program crashes and lags a lot especially when making more detailed stuff like this so. throughout this Please save your project periodically. I have lost so much to not doing this

if your computer isn't that great it's best to keep the quality setting at it's lowest. these models aren't really that detailed so it doesn't make a huge difference anyways LOL

when you open p3d you start with a blank 2d canvas. if you've Never used the program before i recommend fucking around with 3d view + making 3d shapes for a bit. make a Thing. like just some random object. it does not have to be good it's just to get used to how the controls work (because it is different between my mouse and drawing tablet and im not going into that here LOL). the biggest positive about p3d is how user intuitive it is compared to.yknow. blender when you're done with the Thing and u want to start with your character go back to the 2d canvas/2d view for sketching time

you could probably do this in another program but. i find it easier to just do it here. i keep these pretty simple and try to keep depth in mind

then go to canvas and make the background transparent. and then switch to 3d view to start making the base for the model on top of the sketch

at this point i don't use the 3d doodle shapes yet because they are finnicky as hell. the preset ones are a bit easier to control and move around so they're nicer for the planning part. what shapes you use depends on your character but my guy here is very circles and round so its just a sphere and some cylinders

make sure you're in 3d view and checking the pose from every angle ! if ur guy looks like a roblox avatar without the assets loaded fully then that is ideal. once you're happy with the pose it's Sculpting Time

where you choose to start is up to you but i usually get the head out of the way bc it tends to be the most complicated thing.

this is my best friend forever. the sharp edge is helpful for stuff like metal and whatnot though so i use them both.

for stuff like hair and fur i find its easier to make a bunch of small shapes and then connect them instead of trying to do it all in one go

^better examples with fluffier guys

this part is pretty much just personal preference for how you want your model to look though. just keep adding Stuff until it looks alright. also reminder to be saving your work bc this is when it gets really annoying if p3d crashes

finished head. jus keep addin stuff. copy and paste is a godsend btw.

puffier jacket. also connecting the limbs. just keep addin stuff.

these take a few hours .finished limbs. pretend the backpack is there i forgot to get a progress shot of it

now it is time for the objectively best part which is painting the guy. switch back to the 2d brush but stay in 3d view and start Coloring . i only really use the watercolor brush for shading/gradients and the marker one for lines but this part is also personal preference.

watercolor brush for the blue gradient and marker for the face .

i would Not do this in 2d art but i like adding a white gradient to pastel colors like with the hair here. it compliments the soft shapes well i think. to quote a friend it Looks Gummy

my silly highlights.

almost done with the creature. also mentioning that there are different textures for objects that you can change when picking their base color. the zipper is metal so it gets to be shinier.

theres also different lighting/filters to mess around with + you can doodle on the transparent canvas still.

save ur guy as a image and/or a turnaround gif/video/whatevar u want . and thas it! you can also mess with the model more for different poses and expressions (although this is super laggy bc it has to render a bunch of shapes at this point)

go make some CREACHURES !!

[solisaureus]

In the wake of hbomberguy and toddintheshadows's takedown of James Somerton, I hope what people learn from this is that you are vulnerable to being scammed and lied to on the internet all the time. Even if you think you aren't. ESPECIALLY if you think you aren't. There is significant financial incentive for people on the internet to lie to you and influence you to think a certain way. It is happening to you every day, on youtube, on tiktok, on reddit, on tumblr. James Somerton is not the only culprit and there are tons of other scammers with reliable reputations that just haven't been caught.

What can you, as an audience member, do to shield your mind from misinformation and propaganda? I'm not going to expect everyone to fact-check everything that they hear or read on the internet, as that is simply infeasible with the sheer volume of information circulating online. But here are a few ways you can sniff out bullshit:

Watch for sources. If you watched the hbomberguy vid, this is probably already at the forefront of your thoughts. If a quote, image, or footage is unattributed, if citations are absent (this is literally the norm for informative posts on social media like tumblr and reddit, I very rarely see sources cited), or if sources cited look dubious and biased, take the information presented to you with a grain of salt.

Pay special attention to shocking claims. If someone on the internet tells you something outrageous, it is likely meant to outrage you. Public outrage is power -- before you get up in arms, verify the information that caused your reaction.

Fact-check when it matters. Some things are more important to verify than others. World news, politics, science, and medicine are rife with misinformation and directly affect people's safety. Before you spread a post you saw about, for example, COVID vaccines, look into how backed up it is.

Keep in mind that some things are disputed or unknown. It's natural to want answers, to want an authority to tell you how to feel about something. But sometimes the truth is unclear, and there are multiple contradictory opinions out there. It is okay to wait for more information to come out before you make up your mind on an issue.

Misinformation that you agree with is just as dangerous as misinformation that offends you. Todd in the shadows touched on this, but people are more likely to look into the validity of a claim if it offends them, and are more likely to accept it without question if it backs up their pre-held beliefs. But if your beliefs are being influenced by bullshit, you need to know about it, even if that causes you to change your stance on something. Especially then. Again, it's infeasible to fact check everything you hear, but keep this bias in mind when considering the above points.

There is way more to this topic and more informed people than me have weighed in on it, but I've been thinking about it since the videos came out and wanted to share my thoughts. These are things that I keep in mind for myself when evaluating info on the internet. There are tons of books out there on how to spot misinformation and the huge detrimental impact that misinformation has on society and I plan to read them next year. Educating yourself is important!

[hearts4werka]

Car Ride

╰┈➤. Summary: You and Matt are hiding your relationship from the internet because of the hate you’ve been getting from the allegations, today Larray invited you, Arrington and the triplets to be in a video where you’ll spend 24h in a car together. While you’re filming Matt can’t quite keep his hands off you when off camera…

╰┈➤. Genre: FLUFF (if you squint hard enough) & SMUTT, secret relationship, car video, YouTubers, shopping, nightly car ride, filming, off-camera scenes, and possibly more but idk

╰┈➤. Warnings: swearing, bickering, SMUT, making out, oral (m receiving), car sex, teasing, giving sloppy head in the car, praising, use of pet names ( princess ) kissing in public and probably more!

╰┈➤. This was requested by @miss-tyummy in my inbox, thanks queen for the amazing idea!

Me and Matt are secretly dating, why is it a secret you may ask? We decided to make our relationship private from the spotlight since the internet doesn’t seem to be very pleased of them dating and find a way to criticize the woman even if she didn’t exactly do anything.

It’s pretty messed up and I began to gather some hate from the dating allegations and suspicions that I might be dating Matt.

I was invited by Larray to participate in a video where we’ll be stuck in a car for 24 hours with the triplets and Arrington. Despite the fact that Matt and I wouldn't be able to spend a lot of alone time together, I was eager to record the video.

We’re at Larray’s house at first, him introducing the guests of todays video

“You know, let’s just cut the bullshit. Introducing the three same-face people!” Larray states as the triplets walk into frame together, doing different poses into the camera.

“Also Arrington with Nora!” He once again states as me and Arrington now walk into frame, also doing different poses and Arrington walks up to the camera. ( outfit here )

“I look like Naomi Campbull” He says and drags out the last word in a playfully confident tone as Larray stands next to him, holding his cat Coochie.

“Campbell’s chicken noodle soup” Larray chimes in between giggles before earning a laugh out of everyone in the room, different variations of laughter fill the room and bounce off the walls.

Everyone says their name and Larray explains what we’ll be doing in the video, funny quotes were made during the beginning of the video before we got into the main subject of the video.

»»————-　★　————-««

We were in the car already, driving to target to buy some things we think we might think we’ll need to survive the 24 hours in the car.

Larray is in the drivers seat along with Nick in the passengers seat next to him, Chris and Arrington were in the back as Matt asked if he could sit with me in the total back for obvious reasons.

Our close friends obviously knew we were dating its just that we didn’t want the internet to find out since like I said it ca be pretty sensitive to relationships between the triplets.

As we buckled up Matt sneakily placed his hand on my thigh, making sure it’s not very visible for the cameras vision.

Nick and Larray were mostly in charge with the music but didn’t know what to play right now, handing the phone to the back.

“Can you play like ‘Super Base’ or something that we all know?” Larray says, looking into the back then back at the road.

“Yessss” Nick draws out, agreeing with playing songs similar or the song ‘Super Base’ before Matt suddenly chimes into the song recommendations.

“Play- No! Play ‘Throw Sum Mo’ ” the whole car erupts with ‘uuu’s and ‘oo’s hyping up Matt.

“Oh shit, okay Matty Pooh” Larray joked before adding in “Matt you a bad bitch” with the same tone as before, Chris has the phone from where the music is being played and I decide to chime in.

“Didn’t know you were such a baddie, Matt” I giggled as Chris played the song and everyone started to sing along to it.

As we’re driving, some road rage starts to create before it suddenly turns from hostile to all cute when I noticed a couple going to see the movie ‘Barbie’ in theaters.

“Guys look, they’re going to see Barbie!” I cheer, pointing at the couple walking into the building while holding hands. It makes me think back to when I forced Matt to take me to see ‘Barbie’ and he enjoyed it more than me after it all.

The car fills with cute sounds and the word ‘cutee’ drawn out by Nick, the atmosphere softens a bit after the slight road rage before.

»»————-　★　————-««

After a pretty fun car ride to target we finally get to our destination, be split off into groups of two. Nick with Larray, Chris with Arrington and Me and Matt decided to go together, all of us grabbed one camera and we all enter target.

“Hello and welcome to target with me and Matt.” I speak into the camera as I raise it into the air, making me and Matt more visible in the cameras lense.

“What should we get?” Matt questions, glancing around the aisles and thinking about what we should get.

“Definitely some snacks and maybe some games to entertain ourselves?” I suggest and follow behind him on looking around the aisles.

“What about books?”

“Yeah I’m not reading a book, ever.”

I pause the recording and we walk into the snack aisle, when Matt realizes the recording is paused and no one is around anymore his hand wraps around my waist from behind as he gives me a slight peck on the cheek.

Chuckling at his sudden affection we start to look at all of the snack choices on the shelves, my eyes immediately land on a pack of fruit roll-ups and Matt follows behind me.

I turn the recording back on and raise the camera up into the air. Matt is the first one to speak up and takes control of the camera.

“So we’re at the snack aisle and this kids eyes fucking lit up after seeing fruit roll-ups” He comments jokingly but looking serious at the same time.

Dramatically gasping I turn my head to look at him with an offended face, putting a hand on my chest for a more dramatic scenery.

He only chuckles and points the camera at me, showing my reaction to the audience.

“The audacity of this man is unbelievable” Stating with drama dripping from my tone only heightens the dramatic level.

“You’re being over-dramatic”

“I’m being dramatic enough”

He laughs and I start to laugh too, grabbing the bag of fruit roll-ups anyway and showing them off to the camera.

“It’s like, huge! How can you miss up on an opportunity like this?” I say excitedly and point at the bag, showing the viewers how big it is but Matt only rolls his eye at me being excited over a big bag of fruit roll-ups. He knows damn well they’re my favorite so eh can’t really judge me.

We laugh it off and move onto getting something to drink, Matts hands are on me full time but out of view whenever its on my waist or in the belt-loops of my jeans, dragging me away from the book aisles as well as the home decor aisle, knowing we’ll be there for at least an hour.

Heading towards the drinks aisle Matt pauses the recording once again and rushes me into the quiet drink aisle, putting our cart to the side as well as the camera in the baby seat.

Matt grabs ahold of me and pulls me into a quick kiss, I return the kiss immediately and looking at the space surrounding us if anyone is around.

He runs the tip of his tongue across my bottom lip, demanding entry and when I give him access to the inside of my mouth it slowly turns into a little make out session in target.

The session is shortly interrupted by Nick and Larray sneaking up on us and scaring us, causing me to jump out of Matt’s arms.

“Whatcha guys doing, making out in the middle of Target?” Larray asks, looking at us with slight tease as long with Nick and me a Matt already know this isn’t gonna end well.

“Nick, don’t you even fucking dare start.” Matt warns Nick more playfully than a normal person would especially to their sibling, he subconsciously pulls me closer to his side by placing his hand on my hip.

“Pump the hate breaks, I didn’t say anything yet” Nick answers, the teasing slipping past his words but being barely noticeable if you weren’t looking for it. I chuckle softly under my breath at Nicks reply but pretend to cough when Matt looks down at me.

“We’re supposed to film a video, not have you guys making out off camera” Larray chimes into the conversation now, glancing between me Nick and Matt.

“What do you guys want anyways?” Matt questions to get off the topic of the little make out session we had in the middle of a target aisle that got interrupted by the guys.

“Oh nothing, maybe let’s just give you guys some alone time. Right Larray?” Nick says and looks over at Larray, nudging him on the arm before flashing him a secret message behind a teasing smile I can’t quite decipher.

Larray nods his head in understanding and they walk off into a different aisle, finally leaving us alone still being in the drink aisle.

I poke Matt into the side of his waist before looking up at him with an almost knowing look, him doing the same and glancing down at me and knowing damn well what I’m gonna say.

“I told you before we started filming to not do shit like this in public” I state as Matt just dismisses me with a small knowing chuckle and pulling me closer to his side.

“Oh cmon, don’t try to deny you didn’t enjoy that” He proclaimed and knowing the answer that’ll come out of my mouth as a small teasing smirk grows on his lips.

“I never said I didn’t, but maybe do it in a more private place next time.” With that said, I turn to look at the drinks to take to the car for the 24 hour challenge to move on from this topic.

“Okay, princess. Then let’s go to a place like that, hm?” Hearing the words leave his mouth in a soft whisper brushing against the shell of my ear sends a shiver down my spine and a jolt of pleasure between my legs.

“We’re filming a video, we can’t just leave” I reply, looking up at him with a doubting glimpse in my eyes.

"Why not?" He questions my claim, slighty pouting to try and convince me tp go somewhere pricvate with him. He uses them whenever he wants something since he knows I cannot resist them, especially right now.

He looks at me like a kid at his mother, begging her to buy them a way to overpriced toy only in this situation, he wants to toy with me and not an actual toy.

I think about his request, where would we even go or how would we even do it? I dont think theres a bathroom in this store, in the car we have to film the video so thats a no too.

"Where would we even go?" I ask, tilting my head to the side in question. Genuinely not knowing where we would go and what he could mean by 'somewhere private' when theres not really a place we could go.

"I know a way we could be alone" A mischevious smirk grows on his face as I start to sense an idea and as he continues to shop like nothing ever happened a moment ago I try to gauge out any hints of what the idea could possibly consist of but damn he’s hard to read.

| - 🍂 - |

We all finished shopping and as we were checking out it started to get slightly dark outside, creating a slight dark atmosphere when we all reunited in the car and drove away from the stores parking lot and back to Larray’s house to film the remainder of the video now and I still don’t know what Matt’s plan is.

All of us get into the car into the same seats we’ve been in before, I lean over closer to Matt’s ear as my words graze the shell of it when I speak in a soft whisper so the others can’t hear me as they all chat.

“So, are you gonna tell me your master plan or keep me in the dark?” I notice a shiver run down his spine as I whispered into his ear which caused a small smirk to faintly outline my lips.

“Just follow my lead” He whispers back and turns his head to the group, getting their attention with a simple raised ‘hey’. All of their heads turning towards us in the back.

“What is it Matt?” Chris is the first one to speak in a curious tone, tilting his head to the side in question

“I think I forgot to take something out of my car, I’ll be right back” He says and starts to head out of the car, silently signaling for me to do the same with a head not.

I scramble out of the backseat as well and stand next to Matt as he grabs the handle of the car door and closes it, grabbing ahold of my arm he leads me to his car that’s not far away from where the others are.

“Are you sure about-“ Before the full sentence could leave my mouth, I was already being pinned against the side of the car and his lips smashes on mine kissing me with hunger and dominance.

I melt into the kiss, attempting to match his rhythm as well as I could. His hands attach to my body, wandering up and down my sides and squeezing my hips.

His hands hesitantly detach from my side as we pull away from each other, his hand going to open the door leading to the backseat of the car, practically pushing me inside.

We continue or makeout session in the backseat of his car, him laying my body down as he crawls on top of me. His hand snakes down between my legs and plays with the waist band of my jeans.

A soft bite is delivered to my bottom lip which makes a soft whimper escape my mouth and transfer into his.

Deciding to tease him back I bump up my leg, circling my knee around his clothed dick and giggling at the noises leaving past his lips.

He pulls away from me and leans closer into my ear, hot labored pants puff against the shell of my ear as he speaks in a seductive whisper.

“Whatcha doing there, hm? You want something?” The words send a shiver down my spine as I take a deep breath to try and suppress the growing burn between my legs.

“Mhm” I hum out, words refusing to leave my mouth in any shape or form as heavy breathing fills the cars space around us.

Thinking he’s had his fun already, let me take control now. I push him forward and against the door of the car, making my way on top of him and grazing my hand against the bulge in his jeans.

“You’re planning something, princess. And I’m not complaining” Those are the last words I needed to hear from him before unzipping his jeans and hooking my fingers into the waistband of his jeans as well as his boxers.

I pull them down in one swift move, freeing his growing erection to my eyes. Bringing my mouth close to the tip I wrap my lips on it, swirling my tongue around the sensitive head before going down and slowly bobbing my head up and down.

His head falls back against the window of the car door, whimpers and small praises fall from his lips as his hand crawls up to my hair and creates a ponytail.

“Just like that… oh fuck” He moans out, dragging out the last words. Sharp inhales and exhales fill the air as I slowly increase my pace, wrapping my hand around the base of his dick when I try to fit him all in my mouth.

“You can do it, princess… let me help you” With that said, he pushes my head down causing me to gag as the vibration shoots up and makes a juicy moan come past his mouth.

“You’re gonna be the death of me one day”

That’s my sign to go faster, stopping at the top and swirling my tongue around his sensitive head to tease him further.

With a moan ripping from him and one more bob of my head, he pushes my head down to take all of him in my mouth as he shoots his salty seed down my throat.

Some of it escaping through the corner of my mouth I lift my head up and Matts hand places itself on my cheek as his thumb wipes off the escaping seed and pushes back into my mouth.

“That’s a good princess” He praises as I swallow, my hands attach to his pants and pull them back up along with his boxers.

“Let’s go before the guys come looking-“ My sentence gets cut off by a knock on the car window, Matt moves away from it as the door opens revealing Chris on the other side.

“Dude, what the fuck are you guys doing in here so long?” Chris exclaims questionably and then he gets an idea of what we could have possibly done.

“None of your business, let’s go back to the video now.” Matt answers and steps out of the car and I follow close behind him, Chris decided to question him later and just shuts up for now.

All of us walk back to the car and return to the video like nothing ever happened.

authors note: this took wayyy longer than it supposed to be, I took some of the quotes from the video as I was re-watching it and writing this at the same time so just a little touch to it and I hope you guys enjoyed!

Guestlist!

• @slutforsturnioloss @sturnioloblues @sturnsxplr-25 @deffonotjae @strnzzvsp @luvvs4chriss @pussypie456 @choclatestarfishwithahat @venusxsturnio @bagsbyclair0 @sturnstvs @dykes4chris @klaus223492 @hoe4matt @cayleeuhithinknot •

Please turn on your mentions to be on the taglist!

Reblogs, comments & likes are very much appreciated!

[haddonfieldwhore]

offline - vince dunn

streamer!vince dunn x reader

summary: everyone in vince’s chat thinks he’s in love with you, which makes hiding your relationship interesting

warnings: a few uses of y/n, i think that’s it. not too proud of this one

word count: 0.9k

“bluepanda2, thank you for the 5 gift subs,” you heard vince say into his microphone as you passed by his streaming room. he had been on for nearly 4 hours already, and while you were used to the long streams he did by now, nearly six months into your relationship, you did still get impatient waiting for his attention sometimes. you had been friends with vince for a few years, having met through a mutual friend and staying in touch via text, until one day he gained the courage to ask you out, and here you were now. knowing the stress that the public eye could put a lot of stress on a new relationship, you had both decided it would be best to keep your romance a secret, at least for the first little while. months had gone by and some people were suspicious, and some people just wanted it to happen from the few times you had appeared on or been mentioned in streams.

you didn’t always watch his streams, honestly not having the time to some days, and also feeling like you were spying on him sometimes when you did. but tonight you found yourself missing the man who was just up the stairs from you, and curled up on the couch in his living room with the stream pulled up on your phone.

“guys i’m gonna wrap things up soon. i have a friend coming over so i have to hop off early tonight,” he explained.

- is it y/n?

- i bet it’s y/n

- ^^ i wish they would stream together again

“maybe one day y/n will come over and come on the stream again. i’ll ask them.” vince smiled, reading the chat.

- he’s blushing!!!

- dunner is in love <3

- //youtube link - vince simping compilation//

- are you two dating yet?

- ^^ they’re just friends

- ^^ sure they are lol

"chat, i need you to stop linking clips about me crushing on y/n," he laughed, the crinkles by his eyes on full display, along with the dimple in his cheek that you loved so much. “we’re just friends.”

you smiled as you watched your boyfriend interact with his viewers, knowing how much they meant to him. hopefully one day soon you would be able to tell them the truth, but you both weren’t ready yet. vince wrapped up the stream, and you shut your phone off as you heard his footsteps coming down the stairs.

“hey, you’re offline early today,” you smiled as he flopped onto the couch next to you. “how was the stream today?”

“it was good. did you watch any of it?” he asked.

“i just caught the last couple minutes,” you smiled mischievously. “you know, when everyone was saying how much you love me.”

“hmmm,” he hummed, pulling you close and kissing your lips softly. “they’re right.”

“do you think we should tell them soon?” you asked, and he shrugged.

“i want to,” he ran his hand over his face. “i just know how people can be. and once it’s out there we can’t take it back, you know?”

“yeah, i get it. for now i’m happy having you all to myself,” you smiled, pulling on his arm until he laid on top of you, his head resting on his chest. your fingers ran through his curls, the soft locks slightly matted down from wearing his headset for so long.

“did you miss me or something?” he teased, and you flicked his forehead with your finger.

“yes, actually,” you pouted, and he laughed as he crawled further on top of you, his hands on either side of your head as his body hovered above yours.

“baby if you want my attention, you just have to ask,” he said sweetly, kissing you again.

“another quote that would get added to the compilation video?” you teased.

“definitely,” he smiled, and it was you that kissed him this time, hands tangling in his hair as you pulled him down. his teeth played with your bottom lip as you felt more of his weight on top of you.

“are you tired, vin?” you asked, and he nodded, laying fully on top of you now and burying his face in the crook of your neck. you giggled as he kissed your neck, his stubble tickling against your skin. “vince-“ you whined as he nipped at the skin softly, his hands on your waist, fingertips sliding just under the hem of your sweater. he only hummed in response as he left wet kisses up to your jaw. his lips finally traveled up to your again for one more kiss, before he sat up.

“i’m sorry i never pay enough attention to you,” he said, and you shook your head.

“it’s okay, i’m just being clingy,” you laughed. it honestly wasn’t an issue, there were just some nights you wanted to be close to him when you couldn’t. “maybe i could hang out with you on stream again soon, if the viewers are okay with it.”

“sure, you can tomorrow night if you want,” he said, and a devilish smile tugged at his lips.

“why are you making that face?” you asked nervously and he laughed.

“no reason,” he laughed, before pointing at your neck.

“but if you’re going to be on the stream, we’re gonna have to hide that hickey.”

•

prompt @novvasdreamscape

disclaimer: all screenshots, events, and/or interactions depicted in this are a work of fiction. i have no association with any parties mentioned

[halcyone-of-the-sea]

First off I LOVE your writing, I’m so happy you’re taking requests again so, may I please request something with Ghost? Like the reader is part of the 141 and Ghost has a soft spot for her and is very protective of her and both having feelings for each other but not saying anything bc both think the other one deserves better or just something like that🥹😮‍💨💖🙏🏻 feel free to keep practicing smut for this one!👀✨

You’re awesome 🥰💞

Blood Was Its Avatar

PAIRING: Simon 'Ghost' Riley x F!Reader

SYNOPSIS: Getting close to you was never his plan, but when he can't stop his self-protective instincts from pushing you away, will he be able to repair your strange friendship? Or will his body have to speak for him? (18+)

WORD COUNT: 8.9k

WARNINGS: Angst, blood, wounds, stitches, death, smut, p in v, throat f-ing, degradation, dom/sub dynamics, implied pain kink, hair pulling, hate sex? but not really?, semi-clothed sex, vulgar language, fluff at the end, etc. just pure filth.

A/N: This is sub-par because I was up until 4 in the morning today and didn't have the energy to edit in-depth lmfao, but enjoy Anon!

*I do not give others permission to translate and/or re-publish my works on this or any other platform*

All of Ghost’s problems started and ended with you. He was impressed with that fact, actually. 

They call you ‘Masque’ on account of the mission from years back, ‘07 Ghost recalls easily. When you’d been pinned down and surrounded, the dead bodies of your unit all around your feet. You’d chosen to act while the others had been yelling orders over the radio—rooting around the pooling blood on the ground and slathering your face with it; your body. 

You pretended to be dead. 

Quick thinking, Ghost had told you with a glint in his eye when you’d gotten back, those whites of your eyes ten times more noticeable. Like the moon hanging around a crimson-drowned sky. 

You’d cursed him out and said of course it was, quoting some poem from Edgar Allen Poe as a joke.

“Blood was its Avatar and its seal—the redness and the horror of blood.” The Masque of the Red Death. Your claim to survival apparently, as you had just read it a day before.

Ghost said you were bloody fucking crazy and found his eyes darkly watching the way you smirked at him. How the dried blood on your lips would splinter at your loud chuckle as you both entered the C17.

As he knew—all of his problems started and ended with you. Today was no different.

“Damn! Lookin’ good today Ghost, are those new gloves I spy?” You were always so…bubbly. 

“Masque,” the masked-man greats blandly, not even sparing you a look as you enter the meeting room. The screen on the far wall was hooked up to Price’s computer—broadcasting its news out into the dim lighting with images of mayhem and a loop of a video containing the bombing of an embassy building in the Netherlands. 

Profile pictures stain the screen of wanted subjects; captured or killed in the crossfire made no difference here, anyone could see it. 

You drop down into the seat beside his own with a huff, body shed of your usual black gear, and wearing casual fatigues instead—your tags jump on your chest and Ghost sees them glint in the light.

Your face shifts into a smile, prodding with a bump of your elbow. The Lieutenant turns and glares dryly while you carry on, “I asked if you got new gloves; they’re nice.” 

“Needed ‘em.” Ghost drawls, seeing no way out of this as he glances around at the multitude of other free seats. No one else was here yet, and Price had needed to step out for a moment to grab another report from his office one floor up. 

A small grunt echoes from his throat before his eyes dart back to yours. Shifting in his seat, his lax posture tenses before loosening. 

Raising a brow at Ghost, you stifle a laugh.

“That’s it?” He blinks at you slowly, those bright blues trapping you as they shine out from his skeletal visage; his great body hidden under layers of Kevlar and thick canvas cloth. Like some weird and deadly present. You tease him, “No attempt at a conversation, Ghosty? That hurts.”

You sarcastically put a hand to your chest. 

“Then suffer.” Ghost states like he’s reading the newspaper, stretching out one of his wrists by rolling it until it cracks the joints. Where was everyone else? “I’m not fuckin’ talking about bloody gloves, Masque.”

“It’s called a conversation starter!” Under the mask, he raises a dull eyebrow. You glower at him, but the smirk on your lips shows how much you enjoy this.  

“For who? Could have jus’ stayed quiet, then.” Scoffing, you roll your eyes and indulge him—pointedly going silent. Almost immediately an awkward nothingness covers the room with its metaphorical blanket and Ghost’s muscles slowly go stiff as he crosses his arms slowly over his chest. You bite your lip and stamp down a snort. 

A minute spreads like molasses. Two. Three. Five.

“Alright,” Ghost growls, breaking as you pick at your cuticles, humming horribly off-tune to a point where the Lieutenant’s ears were ringing and annoyance faired. “Fucking hell stop it, just say something already to shut up that noise. Sounds like my damn brakes squealin’.” 

You stop and laugh loudly, elbowing him again as he jerks away with a low grunt. Blue flashes, and his heart pounds.

“Jeez, Lieutenant, is my humming that bad for you?” The air rolls with tension.

“More effective than torture.” Ghost utters, his Manchester drawl violent and thick as it coats your ears. You take no offense—you’d been doing it on purpose, anyways; always the one to exploit cracks in the concrete. You'd found out a lot through your studies of the man beside you. Mostly, all of the small tics and unique qualities that made Ghost such a strange character. 

On the battlefield, the large man was resilient and patient. He could wait in one spot for days if he had to, sitting for a perfect shot. Nothing could break the line of purpose and authority he had over the units he was placed in or his fighting spirit. Gunbattles, torture, you name it he’d survived it. 

But he disliked anything below scalding hot tea, detested his objects and packs being messed with…and clenched his hidden jaw at small, repetitive, noises.

Low, horrible, humming, tapping fingers, tongues clicking over and over. You had no idea why, but the sight of making this experienced and handsome man glare at you with annoyance made your face heat up. 

You chuckle in the meeting room, eyes crinkling up at him before you reach for one of the pens and notepads on the table. Clicking the bottom, you shrug and start to scribble nothing into the side margins as blue ink bleeds like foreign blood. 

“What’s Price got for us today, then?” Your voice echoes, “We shipping out with the others or going Black again?” 

The Captain usually paired the two of you up for Black Ops for a reason—Ghost the strategic mastermind to your reckless bloodlust. Push and pull. 

Missions were rarely a failure. 

Ghost sighs, finally getting the sensation of control back into him. “Black,” he begins, “least for us. Old Man’s sending Garrick and Johnny out in hopes of drawin’ a few bastards out first. Netherlands. We slip in the back—off the books, ‘course.” 

He watches you from the side of his eye, gaze following your pen as you sketch out a small stick figure with a skull for a face. Ghost stifles a huff as he scratches at the side of his face.

“Well, of course,” you slyly tease, glancing at him before looking back to your pad. “Are we getting any soldiers?” 

“None. Just us.” 

“Ooo,” Ghost watches your lips curl and feels his body slowly still. “Sounds like fun.”

“It sounds like I’m going to have to babysit again,” you laugh again and dark blue seems to spark with some strange emotion. Ghost clears his throat and takes down a breath.

“Oh, please,” you chuckle, “I’ve saved your hide a few times before, Ghosty, be nice to me.”

“Nice isn’t in the job description, Masque.” 

“Well, it isn’t for you, grumpy. I think Johnny and Gaz are lovely.” Your nose tilts up teasingly as Ghost grumbles like a cat. “But that’s alright, I like you anyways.” Winking, you go back to your pointless scribbling as footsteps echo from the hallway. 

Ghost stares, his hands on the armrests slowly clenching into fists as he studies your expression. His eyes slid over scars and blemishes he’d already looked at a million times over, seeing in his mind’s eye the stains of blood and that every present smile—the burn of your presence beside him like a brand in his stomach. You never seemed to let him get too far away from you on Ops, but it wasn’t some form of obsession. It was worry; he’d seen it. 

You didn’t like it when you couldn’t see his back ahead of yours. Ghost guessed it had to do with your lost unit. He never pressed it. 

In fact, he’d noticed himself not eager to see you off himself. Had spent many a night in the onsite gym after missions because of it, where he’d given you the cold shoulder after. He didn’t like that feeling. That hesitation. 

Ghost knew only to trust people as much as he had to…so why did he like when you said nice things to him? His jaw clenches, shoulders rolling to dispel tension as he rips his eyes away from your body as if you were fire incarnate. Your head perks up at the sound of talking voices getting closer to the meeting room. 

Soap and Gaz enter a few moments later and Price shuffles in behind them. You smile warmly and greet them, shifting the notepad closer to yourself nonchalantly. 

Ghost grunts and stays stationary, straightening up when he realizes he's slightly leaned toward you during your conversation. His new gloves pull taunt over his knuckles and he suddenly wants to rip them off. 

—

You begin to wonder when you’ll be free from blood coating your fingers but know deep down you never will be. At least, not if this was how you’d be getting covered in it.

Sitting inside the hotel bedroom, you slowly extract a blood-coated bullet from Ghost's large thigh, grimacing when he grunts from over you. You’re in between his legs, kneeling, as the metal finally breaks free from the skin barrier—the entry wound is small but nonetheless dangerous. His pants were cut from thigh to knee, a long spit that showed pale, scarred skin. 

Keeping a tight grip on the forceps, you hum under your breath in satisfaction. 

“No bullet fragments—lucky you.” 

Ghost forces out, “Yeah, feelin’ proper lucky.” You chuckle, moving back and dropping the bullet to a food plate you’d put on the floor. Shuffling, you take up the rag placed over your upper arm and bring it back up. Patting the gushing wound, you frown and think back on the events that got you here as the Lieutenant shifts and bites his tongue. 

The intensity in his blue eyes burns into you, lungs deeply inhaling with a silent breath. Your fingers tingle, but you diligently press the fabric to the wound and try to ignore the heat from Ghost’s flesh or how his legs flinch with every trail of your nails. His muscles are pure iron around you, and you’re suddenly very aware of the position you’re in. 

Swallowing stiffly, you sigh and notice him slightly shiver when your breath caresses his upper leg. You stop immediately, lips going tight.

It had been fifteen minutes earlier when Soap and Gaz had set up in a far more open and less secluded hotel three blocks away—directly across from the base location for your gaggle of targets. As planned, you and Ghost would be off the books and go in when they were too distracted by the Sergeants’ in plain sight. 

Fire was supposed to be the cover story. Go in, take care of business, and set the place alight after the area was clear of civilians. But no one was counting on the targets being surrounded by three more friends. 

Of course, guns lead to bullets and bullets to flesh. You can still hear the ringing in your head when Ghost had jerked you to the slide and shoved you behind the far wall—skull snapping back to look in horror as his leg exploded with gore. 

Fucking bastard had been distracted by you and hadn’t had time to dodge. That wasn’t Ghost, but then again, Ghosty wasn’t quite the same, was he? Least, not to you.

“You’re a fool, you know that?” You huff, something swirling in your chest as your gloves peel the layer of cut pants farther down to see better. “You should have looked after yourself.”

“And what?” Ghost grumbles, letting you do what you wanted to him.  “Let you get fuckin’ shot, Masque—you have a bloody death wish?” His last word comes off with a growl as you press tighter into his thigh. 

His hand instantaneously snaps out to grasp the back of your hair tightly with an instinctual low groan. Naturally, a small whine exits your lips in retaliation.

You both freeze and the room jumps up to a hundred degrees; your lower body flips as your skin burns a million degrees. Fingers still, you feel your breath hitch when his calloused fingers scrape your scalp, your hair in his expansive palm. It was a pure reaction you knew, and when you’d asked him to let you help out with this problem you had thought this might happen—he’s a soldier after all, just like you.

But he hadn’t denied you. If anything, since six missions back, you were the only person who he wanted to work on him. He’d never said why. 

You look up at him from the side, eyes wide with shock and embarrassment. Ghost’s heart skips beats before he clears his throat, snapping his hand back immediately and slamming it to the mattress. A second of strained silence settles where you both try to forget what the fuck just happened.

“Keep bloody going then,” He says, deep and grating to a point where you shove down a shiver. Your head feels light off of his scent, and you have to ask yourself why you’re feeling so feverish all of a sudden. 

You bite your lip and nod, hand moving away to grab at the sanitized needle and thread with your forceps—dropping the rag back onto your forearm to let it hang. For once in your life you’re left mute by his actions. 

Mute to the fact that you’d liked them. 

Your face burns like a hidden fire; epidermis alight with the strength to rival the flames the two of you had started fifteen minutes ago. Lungs stutter and hands inside the gloves go clammy. It’s only after you were halfway done with the stitches that you mutter words.

“Shouldn’t have taken that bullet, Ghost.” He had been stone still the entire time, hands clenched beside him and his thighs like rocks. Feet firmly planted. It was like he was barely breathing, too. 

Ghost blankly stares, staying quiet as you continue. 

“You were distracted. That never happens.” His form was almost entirely shadowing you; great spanning shoulders from above tight like a looming statue. You dig the needle deeper with a push of the forceps, threading through yielding skin with quick punctures. He doesn’t even flinch. 

Ever since ‘07, there was an obvious aversion to partners stemming from you. You distanced yourself from forming close bonds with those who you hadn’t already known. In many ways, Ghost and the others of One-Four-One were the closest you could get to people now.

Ghost, you admit, was far closer than all the others combined. 

But this sentiment was known—both the aversion and the care you held. The Lieutenant wasn’t good with words, but he knew how to read you better than anyone; the way you carried yourself. He knew you didn’t like it when he got hurt in front of you. 

Ghost had to ask why he even bothered to shove you out of the way, regardless. You would have been fine. So why had his eyes gone wide and his iris flared with a dead glow when he’d seen the gun swivel in your direction? The man grunts at a deep dig from your sutures but you continue to mutter to yourself as he glares at the far wall, venom-like. 

His sin was that he had grown to care about you. His burden and his curse. 

This couldn’t continue. 

Ghost looks down at you with a sheen of distanced nonchalant-ness and when you lent back with a sigh of your lips, his body moved. You blink in surprise as you feel his muscles bunch and before you know it you’re being grabbed harshly by the arms and lightly shoved to the side. 

“Ghost!” You snap, eyes narrowing dangerously as he stands to his feet—blood training down his thigh and kneecap before disappearing back under the stained cargos. “What the fuck?! I’m not done with it.” 

Attempting to stomp closer, he swivels his head to you as his spine goes formal. Your feet stall from under you and your veins pump faster, forceps and slick gloves freezing mid-air. 

You blink. He’d only ever looked at you like that when you’d first met. 

Blue is a silent sheen of ice and cold death; black sockets behind his mask are more like voids holding chilled sapphires. 

Why was he looking at you like he didn’t know you? Once more you say, confused and suddenly small, “Ghost?” 

“Enough.” His voice was monotone and barky, the tone final. Your fingers tense at the sound. What…what was this? “You need to get your head back on, Masque. I can’t watch over you like a bloody Private every time you get stiff-legged, copy?” 

Your jaw slackens. Inside, your heart smashes itself into your ribs in a violent pang. There’s a moment of complete and utter silence in which Ghost remains standing with concrete tied to his feet. He sees the flash of confused hurt in your eyes, the way your muscles jump for a moment.

A suffocating wave of regret strikes him, but he felt like he had to do this—keep up boundaries. Even if his throat was closing in an attempt to make him shut up. 

Ghost’s accent makes him sound harsh and unforgiving. “Price’ll need us back in fifteen. Get your shit together.” 

He bends down and snatches bandages with a quick hand, beelining to the bathroom and closing the door with a firm hand. Blankly, you stare at the barrier as the wall rattles; face burning—unable to speak beyond a small sound in the back of your mouth. 

The two of you stay separated for the remainder of the time, not speaking, and not moving from your respective areas. 

When Ghost finally leaves ten minutes after he’d pushed back the self-loathing and guilt, freshly bandaged, he finds your stuff already gone. He glances around the area slowly, taking in the wails of the fire trucks from blocks away and the neighboring rooms of the hotel as residents speak in mutters from behind walls. The air is cold and lifeless. 

He grabs his things in total silence, swallowing down saliva paired with long breaths. Ghost’s eyes remain tight. Body wound and coated in rigidity that could rival a rhino’s armored plates.

Mind whirling, but still ever mute, he leaves the hotel and heads to the coordinates Price had given the two of you alone. The absence of your warm body beside his was more jarring than anything he’d expected to experience.

Ghost didn’t want to admit how many times his eyes trailed to the empty concrete at his left.

—

When you lose something in someone, you tend to lose it hard. Thus still, that was the case here. Ghost and you always jabbed at each other—it was in your nature to do so—but this was different. The Lieutenant could be cold, but…never to the extent to shove you away from helping him with his wounds. 

Both of you always did that with the other, if that be physically or just being in the same room, while getting fixed up. 

If Ghost didn’t want you around for whatever rage-inducing reason, you weren't going to grovel or beg. The sudden switch-up still stabbed you in the heart though. 

On the second week, it got easier. 

You passed by Ghost without a single comment, shifting into the meeting room once more. He grunts as you shimmy through the door right before him, his feet halting before he runs into you. 

“Fuckin’ ‘ell, Masque, you lost your bloody eyes or something?” You don’t answer, blankly walking to the end of the table and taking the single chair with steady steps; sitting down and dragging a notepad to your general area. 

Blinking, you look up at the projection and skim the small details they give over. 

Ghost stares from the doorway, clenching his jaw. After a moment, he slips inside and slowly strides to the table. 

The days had been difficult for him, struggling to re-situate himself to his isolation after you’d been with him for years. Sure he had Johnny, Gaz, and Price, but you were…

Ghost places a veiny hand on the back of a chair about four down from yours, knuckles white as he’d shed his gloves not five minutes ago. His eyes stay stuck to the tabletop, hips shifting. He hadn’t thought it would be this hard to push you out. Not only physically but mentally. 

He found himself thinking of your face at night. Like a phantom, it would snap into his consciousness when the lights went out and the shadows got long. Your smile and your skin. How your fingers would gently press into his flesh when you were threading a needle through him—shivers of pleasure and pain intertwined by the scrape of your nails. 

Ghost’s hand tightens on the chair, and you spare him a tense glance as he seemingly fights within his mind. 

The Lieutenant wonders at your willpower and your drive. He spent the weeks hating that he had gotten what he wanted, and then he hated himself more because of that fact. It was good to keep you away from him. Not only for himself but for you. 

You both were becoming too….attached. Ghost would have none of it. It had bled over into him using his own body to protect yours that was just…was just…

“...Those new tags, then?” You look away from the screen and shift your gaze to him as his voice bounces. 

Around your neck, the new reflective metal of your new dog tags glint. Your heart skips when he speaks to you, but he still doesn’t look your way.

“That an apology?” Deadpanning, your unimpressed gaze glares into his face as his hand strangles the chair. 

The room returns to strained silence. You huff.

“Pretty shitty one there, asshat.” Ghost’s shoulders roll under his gear, a great sigh quickly exiting him. Everyone had noticed the tension over time—it was becoming a detriment to the team.

The Lieutenant’s blue eyes darken, and in his body, a great heat was beginning to burn. Just looking at you provoked lucid and vulgar thoughts, and as the dim light from the projector makes shadows on your face, Ghost traces them with a chained desire. Being away from you was a physical pain to him, but he also knew that being around you was worse. 

All of Ghost’s problems may have started and ended with you, but they also grew in his own head. They’d been there in the back corners ever since he’d given you your nickname; found out he liked the way your face was wet with spilled blood and sweat. Your body. Your hands on the hard flesh of his upper thigh…trailing up... 

Ghost’s pants get tight as he stares without saying anything. Watching you scribble on your notepad. Glaring. 

“Why can’t I get you out of my fucking head?” Your ears twitch at the low growl as if coming from a beast; seconds later, your brain catches up to process the words. Your pen stops its pointless scrawling just as your breath does. Ghost spits out, seeing your form straighten in the chair, “Every bloody thought, you’re right there!” 

His boots stomp to the floor, and before you know it a hand is trapping the back of your head, fingers carding through hair to angle your chin up. Your breath gasps out as your wide eyes lock on Ghost’s, his hold tight but not uncomfortable; as if he knows the perfect amount of pressure to make your blood surge and your pupils expand.

You stare into volatile blue with silver flecks, a skeletal mask stained from dirt and blood. Ghost’s thumb digs into your scalp. 

“Answer me, Masque,” he grunts, accent so thick you momentarily struggle to string the words together in your stupor. 

Ghost’s nose is close to yours; breathing in each other’s air as the temperature rises. Your throat bobs with a swallow. Below you, you feel your legs clench together as the Lieutenant's fingers lightly pull on your roots when you don’t respond—small sparks of electricity run down your spine that make it straighten instinctually. A soft purr flies from your lips; face on fire as your lashes flutter. Your hands clench at the dull pulse in your lower body.

The Brit’s dead eyes stare down at you, glinting; studying you deeply with growing satisfaction in his heart and tension in his boxers. 

You both glare half-lidded, panting, and flesh heated. 

“Is this your apology?” He tightens his hand and you bite your lip, small whine meeting his ears as he represses a groan at the sound. Your voice was breathy but smug. 

“You fucking wanted this, you naughty little beast,” Ghost growls, moving even closer to tower over you. “You’re playin’ me.” You mold into him as you still sit in your chair, your chin set onto his upper abdomen as the midsection of your breasts presses into his crotch; brushing against his hardened bulge firmly. 

You shiver at the feeling, your core leaking out slippery fluids to stain through your pants one second at a time. Every twitch of his fingers leaves you wanting to arch into him. Feel him.

Ghost feels your hands go to wrap his open thighs, nails digging into the back of his pants as his mouth opens under the mask to force out air. 

“You liked me in between your legs, didn’t you?” Your tiny, teasing, voice serenades him as he quickly begins to lose control of his composure. 

“Shut it,” Ghost grunts, mind yelling at him to move away, “Shut your damn mouth.” 

Those pupils were so wide his eyes were almost entirely black, feral chest moving quickly. 

“I already know why you snapped at me…” One of your hands travels back to the Lieutenant’s front, skin tingling at the scratch of a belt and the rough fabric of his cargos. You leave it over his crotch and add a tight amount of pressure; mouth lightly opening at the weight and size of him as Ghost grunts deeply, thighs jerking forward. 

Blinking at his glassy eyes you breathe out into thick air and the veiled threat of something more. His hand in your hair is so tight that you feel your pulse under the tendrils—you enjoy every second of this cat-and-mouse game. 

After all, no one knew who the mouse was yet.

You rub your hand up and down and watch Ghost’s clothed dick, feeling his muscles straining to keep himself in control. He lets you continue as he watches with a clenched jaw, his pants getting gradually wet with precum; hips twitching. 

“...You can’t get enough of me touching you, can you?” Your statement ignites something immediately, and you’re being grabbed by your shoulders and forced to your feet. 

Staring wildly, you cringe at the soaking patch under your clothes but let Ghost place your backside on the table. He presses into your hips to keep you there—legs opened and feet planted to the floor below on their tip-toes.

The man breathes like a lion, nose in front of yours. You slightly smirk at the far-off haze in his eyes, lust and pleasure blending and bleeding into the almost bruising hold he uses to press you down.

He watches you for a minute or two—taking in your scent and the rabid instinct that infects the both of you now that everything was on the table. 

You knew you were right; he knew you were right. Licking your lips you look down and stare at his blatant hard-on hungrily. Your brow raises slowly.

“You going to let me take care of that, Ghosty?” He’s up and locking the door after he slims it shut.

“This is it,” Ghost grunts, “one time, Masque. That’s fucking it, you hear?” 

“Awe,” You cue, swishing your legs as he stomps back over, hand grasping his belt and whipping it off with a flex of his forearm. Your core tightens, hips trying to press back into the table. “That's so cute. You think once is enough.” 

A hand captures your jaw, “I said,” he breathes, the other hand going to shift up the bottom of his mask up to his nose. You gasp at the sight of blond stubble and milky scars. A strong jaw wound like a spring. Ghost’s musk invades your nose and you feel your palms so clammy. “...Shut it.”

Hard lips slam into yours.

Like some game between the two of you, your mouths fight one another with aggressive grunts stuck in your throats, sharp inhales of air between partings. Ghost’s lips mold and conform to yours, clinging around the supple flesh—there’s a deep-rooted intensity, a hunger, and a desire mixed with sweet stubbornness. The tang of metal and old canvas opens to you just as your mouth does when his teeth bite down at your skin.

Quickly sucking down breaths, you feel his tongue push past layers and slip into your awaiting clutch; Ghost groans lowly and explores as his hands bare down into your hips, one making its way to grip at your hair again. Your own dig into his waist as he leans over you. 

He latches onto your hair and peels you back from him, tongue sliding out of your mouth as he moves to nip at your chin—angling your head whichever way he wants to. Your skin burns as the man bites down at your neck, hot saliva stuck to your lips as your chest pants fast with a low whine at the mixture of pain and bliss. 

Below you, your legs are wide to allow Ghost to stand between you, his firmness leaving your hips canting at every hickey he leaves behind and how he shivers into you as you move against him. It was addicting to him—your taste and how your flesh yields to him as he clamps down on it ruthlessly and rapidly. In no time he’d traveled the length of the area behind your ear and down the swell of your shoulder; shirt pushed back by his nose.

“Oh, fuck,” you breathe, eyes glassy as you blankly stare into the far wall over the Lieutenant’s shoulder; your panties are soaked through and the evidence can be felt. A long whine exits your chest when Ghost licks at the deep marks he left behind, blown eyes coming back to stare at you head-on as if in a trance.

His lips are red and swollen, mouth open with silent, fast, breaths. His large chest moves quickly over yours. He orders you in a hoarse voice; strained, “Get on your knees.” 

Licking your lips your widened gaze stays locked on his, the hand in your hair tight and keeping you away from slamming your mouth back to his. The air is electric, both of your bodies yielding to one another's even if you don’t realize it. 

As much as you wanted to scoff and roll your eyes at the comment, to make him apologize to you for what he’s done, you realize that your body has already complied with the request. Slipping off the table, Ghost watches like a hawk and backs up two steps—feet splayed as you move for him. Your knees slowly lower you down to the floor, connecting with the carpet as you sag, fists clenched and shaking. 

There’s a small, heart-pounding, pause. “...Good girl.”

Your jaw drops at the smirk on Ghost’s face and those flashing dead eyes of his, blood thumping with a newly ingrained need. You swallow and feel your throat bob; legs shifting to push back the inner-body itch that grows by the second. 

“Now you can listen to me, yeah? Such a slut for it.” Ghost’s hands slowly trail to his pant’s zipper, sliding the piece down the teeth with barely audible metal on metal. Your fingers twitch at every small pop; how the zipper itself had to move forward with the strain of his sizable erection. You can’t even look away from it—how his pants are stiff against tense thighs and the sleeves of his shirt are rucked up to show the black ink of tattoos.

Ghost had tattoos. 

When the teeth had run out and the man’s hands grappled for the waistband of both his cargo and his boxers, you’d found out you’d been staring the entire time, pupils so wide they matched Ghost’s and the black stain of his face-paint. 

“Fuckin’ hell, Masque,” he grunts, knuckles white and going still, “bet your pretty little cunt is soaked and I ‘aven’t even shown you my bloody dick yet, eh? Well, the thing’ll ‘ave to wait, I’m puttin’ that mouth to good use first. Teaching it who to listen to.”

You startle back, blinking away the burning heat on your cheeks that leaves you uncharacteristically stuttering at the vulgar degradation. But Ghost doesn’t notice, doing what he can to move the various straps along his thighs and his upper hips to be able to free himself quickly—eager and dripping to be down your throat. 

The throat and mouth he’d fantasized about for ages. 

Stiffing down a whiny moan, you finally see the veiny girth of Ghost’s cock as it comes free over the top of the tight white cotton of his boxers; a happy trail extending up his visible abdomen when his wrist snatches it out. 

“Put to good use?” You breathe out, “Christ, you’re going to make me fucking mute, Ghosty.” 

“Well, Sweetheart,” he breathes a sigh of relief as he plays with the leaking tip with his thumb. Your hands itch to brush against your achy clit, the pressure in your chest almost enough to make you sob at the sheer nothingness. Sweat glistens over your forehead. Eyes glare at you as you watch thighs tense and loosen. “That’ll be fine by me. Don’t need you speaking when I’m paintin’ your damn cunt with my cum, do I?” 

Jesus, you both were in the fucking meeting room. Going to fuck in the meeting room. 

You lick your lips and stare as Ghost stalks close again, gripping your chin and opening your jaw with his thumb and first finger. His dick was right in front of you, and you can smell sex and sweat like an animalistic aphrodisiac as it coats your brain with lust as you moan out. 

Your arms tense with a want to reach and touch it, watch as Ghost falls apart below the twist of your wrist. It was so addictive you feel yourself clench at the visual, your body shivering violently. 

“Oi, fucking focus.” Your tongue sneaks out and licks Ghost’s finger and he feels his grip tighten on you with a puff of hot air. “Little brat.” 

He stares into your mouth and breathes deeply as a smirk peels the edges of your lip. Blue swirls with anticipation. 

“Keep it open, then.” Ghost’s hand drops from you and you easily keep your mouth open as his hand goes back to his cock, grasping it firmly as the other finds the top of your head. You shiver and shift your thighs under you, your body striking like a drum to oxycontin and adrenaline. “That’s a girl…” The Lieutenant growls, and the tip of his dick slips into your saliva-dripping mouth with hidden fever. “Fuck.” 

Your eyes flutter at the taste, letting him maneuver your face closer to the base as your hands snap to his thighs—nails digging in and eliciting a sharp inhale as you press into the two-week-old wound under his pants. Ghost curses under his breath but watches in flooding pleasure at the image of his cock disappearing farther and farther into you. Inch by inch you tell yourself to breathe through your nose; feeling the make of his veins and the mushroomed tip traveling farther and farther back. 

Moaning in the base of your neck, Ghost instinctually jerks his hips at the sound, feral grunts trapped in his chest. Your eyes go wide with the prickle of tears, not from pain but from the surprise as you gag. His hold on your hair tightens and you mewl as he continues to lose himself to the feeling of your wet heat. 

He was so big it was like your throat was ripping new sinews just for him, and you reveled in every moment of the feeling of his predatory gaze.

“So bloody tight for me—can’t wait to be in that cunt of yours…can’t be better than this. Have to test it.” He talks more when he’s horney. 

Slightly gagging again at the sheer size, his palming hand presses you deeper and you take him as well as you’re able, still space between your nose and his pelvis as your knees dig harder into the ground. Ghost groans gutturally, head slightly lulling back and panting like a dog, looking down at your red eyes and far-off gaze. Your hands kneed his upper thighs and he smirks slowly. 

Without another word and with sweat staining him under his uniform, bits and bobs from his gear start to clink together and dance as his hips set a rough pace; you find your head being puppeteered back and forth with his thrusts as your scalp flames from his hold. Tears burn immediately.

“Yeah, that’s it—such a good little slut for me, Masque. Gettin’ it down, fuck,” Ghost pants, as you hollow your cheeks, back arching into you and leaving your nostrils flaring to take down air for your spasming lungs. The sight above you was sinful. 

Your Lieutenant in full gear, pants and skin-tight boxers stretching and shoved down just under the clutch of his crotch. With every back-and-forth motion, the zipper grazes the underside of your engorged throat as every vein can be undoubtedly seared into your esophagus like a brand. 

Ghost’s eyes flutter and flinch, but never once does his hazy gaze leave your mouth as he continues to jerk your head back and forth. Saliva drips drown your chin and the nearly painful burn in your navel lets you know how true this was a relief not only for Ghost but for you as well. You wanted to touch yourself, but you can’t stop touching the Brit—not for a second. Shit, you think you could fall apart just by looking at this; you were sure Ghost was thinking the same thing. 

“Look at that, makin’ such a fucking mess of you.” His abdomen tightens and rolls with every jerk and rut, and your eyes roll back with a deep whine in the back of your throat when he hits the back of your throat. Sweat splatters down your temple as the air is steeped with animalistic desperation. Ghost whines thickly in answer and seems to speed up as your hands claw at his thighs. “You like that, pet? Huh? Being my little cock-sleeve.” 

Your nails dig deeper into his flesh and he shivers wildly; eyes flash at the sight of himself disappearing into you and exiting just after as the slap of wet skin reverberates. The tension in his chest increases and he starts to desperately kneed at your hair. 

“If I’d known you’d take it down like this, I’d-I’d have made you hate me sooner, yeah?” Tension fizzles up his jaw and you know he’s close by how he bites down into his lip and tilts his head back. 

Instinctual tears travel down your sweat-slick face, the thought of being used like this vulgar and as dirty as the sounds that echo in your throat and strike down your spine. 

“Fucking hell,” Ghost gasps, and his pace stutters as he twists your locks. Your teeth graze along his flesh as you dig your thumb into his wound to steady yourself. Whining loudly, the action seems to get to the man using your mouth for his pleasure, as not three rough thrusts later the warm feeling of his cum splatters the back of your throat in thick, hot, spurts. 

Choking for a moment, the widening of your eyes meets Ghost’s fluttering lashes from above. His free hand goes behind you to slam onto the tabletop; back curved over you as he shakes and sputters as he rides out his high. 

Cum drips out of the seams of your stretched lips, and with a deep breath through your nose, your hand lowers from Ghost’s thighs as you carefully pull your face back from his pelvis. The sensation of his cock leaving your mouth and bringing saliva and his fluids with it was animalistic at best, they spill to the floor and off of your chin like a small river. 

Licking your lips, you swallow what you can and try to catch your breath as your chest rages. Blinking rapidly, your eye twitches as you bring a hand up to your sore and ragged throat, Ghost’s heaving body stiff and hunched as he stares at the table blankly. Sweat dribbles down the side of his nose, sneaking out from under the top side of his mask. 

There’s a long minute of nothingness as you both try to breathe and understand the gravity of what you’ve both done. And then you both lock eyes and stare. 

The air stills over as Ghost’s large pupils stare at the mess on your face—seeing it drip down your throat as you tilt your chin up to him. His chest purrs like a cat and you don’t even think he realizes that he does it. 

Two seconds later you’re being manhandled up to the top of the table, backside hitting it as a hand goes to your belt. Lips connect with yours and groan at the taste, the clinking of metal hitting your ears as you submit to his prodding tongue as it licks along your inner flesh. 

Your fingers snap to trail around Ghost’s neck, moaning into him as he slips his hands into your pants, pulling back and ordering, “Up.” Eager and filled with lust, you raise your legs and he rips them down to your knees, dragging you closer to the edge. 

“Good girl.” He smirks, black-smeared eyes creased. If you could speak you’d tell him to shut up and fuck you already. 

Your slick skin meets the air and you gasp, Ghost’s hands waste no time trailing up the flesh of your hips, pitching to make you jump. Glaring, you try to drag him back into you but he’s built like stone, clicking his tongue. When his fingers collect the fluids that drip out of you, you whimper at the stimulation—two calloused fingers getting entranced by that as they stop at your clit. You stare desperately into amused blue eyes as he pressed deep, your thighs tensing as they jerk. 

“Any more of this and you’ll stain the table, won’t you, Sweetheart? I get you this worked up, yeah? Bloody hell.” You pant, and lines form on your forehead at the indecent circling of his fingers; not being gentle as he sees your mouth open and your lungs gasp. Sharp spikes form in your thighs, and they move in tandem with Ghost. “Look at that…” 

Deep chuckles mock you, but you both know this has to be fast—and with how worked up you were, it would be. 

“Alright, then, brat,” Ghost takes his hand away and you whimper before he grunts and grips you by the shoulders. Your lust turns to confusion. “Suppose you did well. Let’s make this quick, eh? Got work to do.” 

Flipped around, you squeak as your clothed chest meets the table, ass presented as your feet scramble to connect with the floor. Surprised, you whip your head to the side to stare back at a highly smug Ghost as one of his hands goes to grab onto your supple flesh, massaging it before it sneaks to your hip. 

“Easy with it, I’ll take care of you, Masque.” In little to no time he’s lining himself up with your dripping pussy, so wet it’s easy except for the fact that he’s huge enough to make you mute by a blowjob. Your back arches into the table with a long moan as the length slowly spears you open, instinctually widening your legs as best as you’re able. 

Closing your eyes, you press one of your hands to your mouth to stifle your noises, thighs spasming as Ghost curses under his breath; gear clinking into each other.

“So bloody tight.” With a swift thrust and a knock of your pelvis to the edge of the table, your eyes burn with the feeling of holding Ghost in your most intimate area and the knowledge that he would completely wreck it for anyone else. Your lungs fight for air, but a long mewl exits your fingers as the man shakes over you with restraint. “Christ.”

Tight wasn’t the way to describe it—you were like a fucking noose. Your sensitive walls know every vein and bulge, the scrape and dig, far more intimately than your throat ever could. Like a carved stamp, they’re reforming to Ghost’s dick every second. 

Tapping the side of your forehead to the table, the man can’t help himself anymore and starts to thrust into you; feral squelching and fluids staining the top of his pants. Your face burns, the rocking of the table hypnotic as your toes fight to stay on the ground. The sensation of being so full truthfully made your mind go blank, fingers twitching as Ghost continued to palm at your hip—his other hand going to press into your spine, keeping you stapled to the table. 

His gear slammed and rubbed into your ass, bruising it no doubt, but you found you didn’t care at all. Pleasure rocked down with every ruthless intrusion. 

“Can feel ya ‘round my cock,” you keen at the words, tears dribbling down the side of your face as you try to hold back sobs of pleasure. Ghost increases his pace, rabid slapping echoing off the walls as he feels his sole focus on your mind-shattering bliss. “Can’t have ‘em hear how loud you are, now, can we? Can’t let ‘em know I’m shagging you in their meeting room like a little fucktoy, eh?” 

He angles his hips higher, pushing your farther up the table as his hands only drag you back. Every moment leaves your core tightening even more; molten heat pooling as the edge gets closer. 

Footsteps echo down the hall outside, but both of you are too focused on the other and the ache that only increases like a pair of cuffs. Your mouth lets loose insistent gasps and moans while Ghost breathily groans at every other interval of his ravaging cock as it brushes your cervix. 

You whine loudly, spine arching and legs desperately trying to close. Ghost chuckles and your reaction spurs him on—hitting that same spot over and over again as you sob. 

“Right there, yeah? That it, Masque?” You nod rapidly, and the Lieutenant's grip tightens with a loud grunt, “Fuck, that’s it, bloody slut.” 

The coil in your gut gets tighter, shining with desperate shakes of your body and the numb way you try to meet Ghost’s thrusts before you entirely lose the plot of reality. 

“You’re close,” he breathes, feeling your pussy trying to keep him in, slick trailing down the insides of your thighs and transferring to the Brit’s clothes. His boxers were soaked. “C’mon, then. Don’t disappoint me, Masque. Lemme see you cum on my cock before I fill you up like the good girl you are, yeah?”

Your body spasms, thighs tensing and toes curling at the floor; fingers scratching down the table as you press over your mouth harder in a last-ditch effort to remain in control of yourself. The coil snaps and suddenly you’re digging your forehead into the wood below you, orgasm ripping through you like a knife as cum paints Ghost’s dick as he continues his relentless chase of his second release.

“There it is, fuck, look at all that, Love. Paintin’ me like a naughty fuckin’ portrait.” Ghost gasps, a hand coming up to connect to the table by your head, feeling you completely flood his pelvis—he doesn’t stop even when you whine in overstimulation, fucked-out eyes wide and mouth dripping drool into a small pool. The milky ring at his root grows and grows. With a loud moan, he looks down and watches the vulgar sight rabidly, pounding into your heat as his own end gets closer and closer. 

“Shite,” His forehead hits your spine, taking the skin into his teeth and biting hickeys as his open mouth leaves trails of saliva. “Took me so bloody well, cunt was made just for me.” 

His body shakes and with one last shove from his hips, he spills into you with a loud whimper muffled into your flesh. Teeth biting down so hard that you moan in turn, the spent releases dribble out of you like a stuffed bird. You feel his chest atop you as he places his weight slowly down; the fast-panting mirroring your own. 

Sweat connects the two of you as it bleeds through your clothes, the smell in the air and the scent of delirious sex staining your bodies. 

Your mouth remains open and hoarse, scraped dry. Ghost above you moves delicately as he pulls back up, moving back to peel your messy hair away from your blown eyes. After a moment his small voice hits you—the accent deep. 

“All good?” Your eyes slowly rove to him as he kisses your forehead, shivering violently as he slips out of you; the wet drip of cum hits the carpet in the still silence as you whimper at the feeling. “...Masque?”

Dull concern emanates from his tone and you blink back. You clear your throat and utter in a torn voice, “...P-pretty good apology, Ghosty…S…shit.” 

Smugness burns in his orbs, but the roll of his eyes hides it quickly. The puff of his chest couldn’t be hidden from you, though. 

His hands reach down and hike up your panties and cargos—both items completely wrecked. The large splotch on Ghost’s own clothes showed you that you weren't alone in that aspect. 

As he carefully flips your limp form back over and pulls you up by your arms, you groan in annoyance but shut up when his hands go to zip your zipper and clip back your belt. 

“Couldn’t have had a revelation in your barracks room?” You huff, itching at your throat. “You’re buying me cough drops, you ass.” The state of your voice was laughable. Anyone would know what happened if they spoke to you. 

Ghost sighs and begins with his own clothes, stuffing himself back into his boxers and growling at the chilled fluids on his pants as he pulls them back up. He goes and retrieves his belt before walking back. 

“Acting like you weren’t beggin’ for it.” He slides you a smirk before he grabs onto his mask and begins to cover his jaw. 

Your hand snaps out and stops him. Ghost startles, eyes flashing before his muscles stiffen. You raise a brow and he slightly calms. 

Scoffing, you lean in and place a final kiss on his lips—a tinier and tender kiss. Gaze wide, the man stares off as his heart starts to beat fast again at the firm press. After you’re done your hand goes up and grasps the fabric yourself, carefully re-shrouding the mystery of a man with a smile. 

He watches blankly.

“We okay?” You ask, tilting your head as your lower body aches when you shift on the table. “I miss my annoyingly gruff Ghost. This new one’s a jerk.” A small laugh graces your ears, and it makes you beam. “I know why you did it,” you admit, and hold out a hand between your bodies. “But pushing me away will only hurt the both of us. Let's try this, Ghost. Please.” 

“...You’re makin’ it seem like a good deal, Love…is it?” He holds out a hand of his own, large and scarred hands that had gripped you so tight before utterly loose and awaiting. 

“No clue,” you admit with a smirk, “Wanna figure it out?” Ghost watches as he always does and always will, searching into your eyes for any hint of hesitance or denial. 

“Always liked a challenge.” He grunts and encompasses his hand with yours. You squeeze it and nod, chest light as your normal breath comes back.

“You know what a real challenge is? Trying to take down your fucking dic—” The meeting room handle jiggles and you both snap into action. 

Ghost tosses you your notepad and you slide a shoved-away chair his way on shaky legs, slipping into a free seat with failing knees. You both sit side by side on the opposite side of the table, shoulders bumping and faces hot not three seconds later. Ears twitch at the sound of a key entering the slot. 

You try to act normal and begin messing around with your notepad, stealing a pen from Ghost’s gear as Price opens the door. At the sight of the two of you, he pauses and stands in the doorway.

“Ghost…Masque.” With a squint, Price looks around the room slowly, confused at the rod-straight spine from his Lieutenant and the way you awkwardly scribble nothing onto your pad. 

“Price,” Ghost utters as you look up and fake smile, waving as you tighten your hips under the table in an attempt to hide the evidence spilling out of you. 

The Captain continues to stare, scrutiny in his eyes, for at least a full minute. 

“Problem, then?” The Lieutenant asks. Price’s lips thin and he gains a sheen of deep annoyance. You groan under your breath and knock your head to the table at the next comment.

“In the fucking meeting room?!”

TAGS:

@emerald-valkyrie , @anna-banana27 , @blueoorchid , @cryingnotcrying , @writeforfandoms , @homicidal-slvt , @jade-jax , @frazie99 , @elmoees , @littlemisstrouble , @alpineswinter , @phoenixhalliwell , @idocarealot , @lavalleon , @facelessmemories , @h-leigh, @20forty9 , @glitter-anon-asks , @emily-who-killed-a-man , @neelehksttr, @aeneanc , @escapefromrealitysm , @i-d-1-0-t , @pparcxysm , @hawkscanendme , @caramlizedtomatos, @konigsleftkidney , @sanfransolomitatm , @maelstrom007 , @jemandderkeinenusernamenfindet , @pheobees , @glitterypirateduck , @uselsshuman , @fan-of-encouragement , @halfmoth-halfman , @ghostlythunderbird , @I-inkage, @pukbadger , @kopatych11 , @0nceinabluem00n, @cocrorapop , @knightofsexyness , @abnormalgeil, @smallseastone, @jacegons , @330bpm-whiplash , @simon-rileys-housewife, @4-atsu , @tiredmetalenthusiast

[lowkeyrobin]

HII so I was reading your who you write for and saw you write for Charlie Bushnell, so I was wondering if I could get like reader and Charlie at like the an interview???

Thank you -🍄

hell yeah of course 🙏🙏 ; thank you 🍄anon, hope you enjoy 🫶🫶 ; i dunno how but this got a little off topic?? I apologize

CHARLIE BUSHNELL ; the interview

summary ; youre a journalist, he's an actor

warnings ; language, little cringe kissing scene (totally sfw dw)

disclaimers ; I said "scandalous ankles" because back in the olden days ankles and showing any skin was considered scandalous, for anyone who didn't know. reader is described to be not into fitness stuff, also don't mind me not knowing shit about fitness/weightlifting

word count ; 883

masterlist

"Hi, welc-hum inside." You smile, waving to Charlie as he enters the room. You then cringe at yourself in embarrassment. "Sorry, hi, welcome." You awkwardly chuckle, "I apologize, my words are all tangled today"

"You're good" He waves, a comforting smile on his face. He wears a black t-shirt with a logo in the corner and design on the back, paired with some jorts and sneakers like he just came from the gym. You didn't mind though, you urged your guests to come comfortable over casual.

Video interviews that weren't in front of a live crowd were the best for both of you, thank God. Meeting this Godsend of a man nearly gave you a heart attack. Just looking at his gorgeous eyes and his perfect features, nothing was wrong with him whatsoever. He was genuinely a 10/10.

He sits down in the guest chair across from yours, watching you sift through a desk a few feet away, looking for something. Your dress pants rise at the ankles every time you make a step, revealing more of your scandalous ankles, covered by socks.

You finally sit down, apologizing for taking so long to find your notebook where you held a few questions and conversation starters. The cameras begin rolling, and you introduce yourself and Charlie as per usual.

"So, what's it like being on set, with all the cameras, lights, props, and green screens? What are the action scenes like?"

Charlie lightly smiles as he gives you an answer, using his hands to talk a little bit. He seemed a little tense and nervous, but you didn't point it out or blame him, it took you years to be fully comfortable where you sat.

"What even are you? Cause like, you're an interviewer but also a journalist, what do you prefer being called?" The curly haired boy asks you.

You shrug, "Journalist, I guess. Interviewer could be put like, inside the circle of journalism, I'd say. I'm a journalist before I'm an interviewer"

He nods, giving you a gorgeous smile that you had to quickly look away for. You discreetly hide your flushed face, looking down at your notebook.

You write down some memorable quotes as you sit and chat with him, bringing up some interesting conversation and learning more about being on set and the production behind media.

After the cameras are off, you thank him and invite him to stay for some aftertalk and lunch. You came in with a large bowl of taco salad you needed to finish before it went bad and were offering it to anyone who wanted it. He accepts the offer, staying back in the break room with you to eat some of that salad you'd brought in. In his words, it was very much better than whatever fast food he was going to go get before returning home.

Your conversation quickly turns into one regarding music and working out, although you weren't too into fitness, the occasional jog here and there keeping you healthy, apparently.

You both stand up, setting your bowls and forks in the dishwasher to get them cleaned. You stand against the counter as he leans his hand against it a couple feet away.

He pulls up his t-shirt sleeve, flexing his arm to show off his muscles. He's trying to impress you, mostly, but you had asked how frequently he worked out. Not his fault.

"Usually lift about 145"

You nod, paying more attention to his face than his muscles. Not exactly your question, but you'd take it.

"You okay?" He asks, seeing you zoned out staring at him.

"Yeah, sorry-"

"Am I that handsome to you?" He asks, lightly teasing you.

"Wh- I mean, hey now-"

He lightly giggles, stepping forward a bit.

You stare into his brown eyes, colored like a dark chocolate mocha. A smile tugs at the corners of his lips, seeing your eyes almost glimmer as they stare into his.

He's just a guy, you're an interviewer, a journalist. This is weird, isn't it? Is it not?

"May I?..." He whispers, looking down at your lips, then up at your eyes.

Triangle Theory.

You nod, a soft smile painting your face.

He quickly embraces your lips with his, hands resting on your waist. You melt into his kiss, your bodies tied together. He picks you up, hands resting behind your thighs, placing you on the counter.

You quickly pull away, hands on his shoulders as he stands between your legs. "Okay, what the fuck? Do that again"

He smiles, looking up at you. His arms are now loosely wrapped around your hips and waist area, his curls falling into place like dominoes.

"You're an interesting one"

"Says you, actor guy"

"Don't try and play me at my own game"

You open your mouth to speak, but shut yourself up, seeing the smug look on his face.

He holds your left hand in his right, a slight panic running through both of your heads as he rubs your knuckles with his thumb.

You speak up now, finding your stomach filled with butterflies.

"You make me want to grab a dictionary and manually find the words I'm looking for to describe you and how attractive that was."

He lightly laughs, kissing your hand.

"Whatever you say, journalist"

[sitpwgs]

“In light of everything that’s happened in the past three months alone, here’s some incredibly valid reasons to be pissed off at Taylor Swift, or simply not like her — as someone who loved her, and loved her music. First and foremost, Taylor Swift is personally burning a hole through the ozone with the amount of CO2 she uses. That’s not even the main point of this video; but this is a graph from 2022 of how much CO2 she produced of her 170 private jet flights, versus the average person. She has spent 70 grand on jet fuel alone. Taylor Swift, alone has used 170 tons of CO2 in the past 3 months. The average person only burns like, 16 tons. That’s not even the main part of this video. The main point of the video is the fact that she has not spoken up about Palestine. And the reason that is so fundamentally frustrating is that Taylor Swift has influence. Quote Brittany Broski, when she also didn’t speak up about Palestine — “if you have a platform, and you have people listening, you have to use it.” It’s criminal to not use it, and Taylor Swift uses it. This is from September 2023. Record-breaking registration numbers from one Instagram post. Literally stating, saying “I’ve been so lucky to see so many of you guys at my US shows recently. I’ve heard you raise your voices, and I know how powerful they are. Make sure you’re ready to use them in our elections this year!” They had a 72(%) increase in 18-year-old registrations. When it comes to Palestine, she’s completely silent. And now that it’s somewhat more socially acceptable to attend Pro-Palestine events, she’s been quietly going with Selena Gomez, but I for one, think that your Instagram is perhaps the best asset you have. If not, money. And I’m sure in a couple months, we’ll learn about how Taylor Swift was quietly setting up foundations for pro-Palestine, and that she was always for the cause and she’s always supported them, but all it takes is one fucking Instagram post. Especially when Israel Palestine is fundamentally a war of narratives. It’s whose story do you believe, despite the mounting evidence that proves that Israel has continuously been doing ethnic cleansing and genocide. They are still maintaining this narrative that they are not doing that. And all Taylor Swift has to do is say “hey, 22 thousand deaths in 3 months? The most in any modern war? This doesn’t seem right.” I don’t even want her to be that leftist or radical, but literally just to ask the question to her largely American audience, when US has bypassed Congress twice to sell millions in arms aid to Israel.  Just for her to be like “Should that many kids be dying, perhaps?” The bar is on the floor, but she still refuses to do it. And the reason why Taylor Swift in particular, not because of the influence that she has and not because of the platform that she has, but why her in particular, is because the IDF continues to use her songs. I know it was a public trend, but the fact that so many occupation forces felt comfortable and confident  to make like, dance edits to Taylor Swift’s music. I think it’s so important how an artist’s music is used because when the republicans wanted to use Eminem’s 8 mile track, he was like “absolutely fucking not, I do not give you consent to do that, and I do not associate with your politics. Don’t do that.” I feel like she should know that her music is being used as the anthem of the occupation forces as they go and bomb civilians. Her, and other artists like her, like Beyonce, who showed her film in Israel, and they’re all like dancing and singing, and saying “you’re not going to break my soul”, whilst they continue to bomb the shit out of civilians have said nothing. And I hope, as I’ve demonstrated in the video, for the people who are going to be like “What’s Taylor swift going to do? She’s not a politician.” Be serious. Be serious. She has a fucking chokehold on at least a billion people. She could’ve said and done way more than what she’s done, and also the CO2 levels." (from: this tiktok*)

* i tried to transcribe the tiktok since tiktok wasn't showing the captions for me but if i misheard anything please let me know!

[sparrowlucero]

Even if a creator is a bad person it's still okay to like their work. People need to mind their own business.

Honestly it's not really that sort of situation. I'll actively defend Steven Moffat here.

There was a huge hate movement for him back in the early 2010s - which, in retrospect, formed largely because he was running 2 of the superwholock shows at once, one of which went through extremely long hiatuses* and the other of which was functionally an adaptation of an already well regarded show**, making him subject to a sort of double ire in the eyes of a lot of fandom people. Notably, his co-showrunner, Mark Gatiss, is rarely mentioned and much of his work is still attributed to Moffat (and yes, this includes that Hbomberguy video. Several of "Steven Moffat's bad writing choices" were not actually written by him, they were Gatiss.)

People caricatured the dude into a sort of malicious, arrogant figure who hated women and was deliberately mismanaging these shows to spite fans, to the point where people who never watched them believe this via cultural osmosis. It became very common to take quotes from him out of context to make them look bad***, to cite him as an example of a showrunner who hated his fans, someone who sabotaged his own work just to get at said fans, someone who was too arrogant to take criticism, despite all of this being basically a collective "headcanon" about the guy formed on tumblr. Some if it got especially terrible, like lying about sexual assault (I don't mean people accused him of sexual assault and I think they're making it up, I mean people would say things like "many of his actresses have accused him of sexual assault on set" when no such accusations exist in the first place. This gets passed around en masse and is, in my opinion, absolutely rancid.)

On top of that a ton of the criticism directed at the shows themselves is, personally, just terrible media criticism. So much of it came from assuming a very hostile intent from the writer and just refusing to engage with the text at all past that.

Like some really common threads you see with critique of this writer's work, especially in regards to Doctor Who since that's the one I'm most familiar with:

A general belief that his lead characters were meant to be ever perfect self inserts, and so therefore when they act shitty or arrogant or flawed in any way, that's both reflective of the author and something the show wants you to view as positive or aspirational.

An overarching thesis that his characters are "too important" in the narrative due to the writer's arrogance and self obsession (even though this is a very deliberate theme that's stated several times)

A lot of focus on the writer personally "attacking" the fans or making choices primarily out of spite.

A tendency to treat the show being different to what it's adapting as inherently bad and hostile towards the original.

Just generally very little consideration and engagement with the themes, intent, etc. of the shows

This one's a little more nebulous and doesn't apply to all critique but a lot of it, especially recently, is clearly by people who haven't seen the show in like 10 years and their opinion is largely formed secondhand through like, "discourse nostalgia". Which. you know. bad.

I think these are just weird and nonsensical ways to engage with a work of fiction. I also think it's really sad to see the show boiled down to this because that era of who is, in my opinion, very thematically rich and unique among similar shows, and I'm disappointed that it's often dismissed in such a paltry way.

This isn't to say people aren't allowed to critique Steven Moffat or anything, but the context in which he basically became The Devil™ to a large portion of fandom and is still remembered in a poor light is very tied to this perfect storm of fan culture and I just don't agree with a ton of it.

* I'm sure most people have seen the way long running shows and hiatuses will cause people to fall out with a show, with some former fans turning around and joining a sort of "anti fandom" for it while it's still airing. That happened with both these shows. ** Doctor Who will change it's entire writing staff, crew, and cast every few years, and with that comes a change in style, tone, theme - the old show basically ends and is replaced by a new show under the same title. As Steven Moffat's era was the first of these handovers for the majority of audiences, you can imagine this wasn't a well loved move for many fans. *** I know for a fact most people have not sought out the sources for a lot of these quotes to check that they read the same in context because 1) most of them were deleted years ago and are very difficult to find now and 2) many of them do actually make sense in the context of their respective interviews

[luckykiwiii101]

How To Make Everything Sugar&Spice And EVERYTHING Nice After All ✨💗✨💗✨💗✨💗✨

(Everything you need to know):

Go back to the basics of manifestation. If you don’t know how, here are some resources:

“What is manifestation, and how do I manifest?”

+ For further understanding watch electrasoul’s videos: Part 1 & Part 2

“So how do I embody a state?”

Essential to the law of assumption. Methods are not what works. You make them work. And you don’t need any methods. Embodying a state is not a method. Methods like affirming and visualising are just to help you embody a state.

“What Key Concepts should I know?”

+ All you have to do is just return to the state of the wish fulfilled every time you naturally think of your desire. You don’t need to affirm or visualise etc for hours on end. Manifestation is effortless.

“I’ve got some doubts.”

Read the title of those posts and see if they relate to any questions you may have.

“I feel like over-consuming + quotes from @loasuccessarchive”

I really recommend reading this post. Contains reminders that are essential to loa!!!

“What happens to my reality when I manifest?”

How To Make Manifestation Even MORE Fun!!! (Optional)

“What If I Don’t Want To Persist?”

“How will things be for me when I persist?”

You will be just like the people on @loasuccessarchive 💗

“When will my desire materialise?”

Stop focusing on the 3D. If you are focusing on not having your desire in the 3D, then you aren’t fulfilling yourself. Every time you feel the urge to look for proof in the 3D, just return to imagination and KNOW that you have it there.

XoXo - Gossip Girl 💋 💌

[pancake-breakfast]

Sorry it took me so long to get these notes up. Between internet issues and pure busy-ness, it's been rough. But here they are! The notes from AX Day 1's Trigun Stampede panel! Now with images! (Sorry for Chilchuck's head in most of them. He's awfully tall for a half-foot.)

Trigun Stampede presented by Toho Animation, Studio Orange, and Crunchyroll

The guests for this panel were Yoshihiro Watanabe (producer at Orange) and Katsuhiro Takei (producer at Toho animation), with Steve Liu from Crunchyroll hosting. (They had a translator as well, but Watanabe promptly stole her job.)

One other thing I'm going to note before we get started is that this was Takei's first time talking about all this in front of an audience since Episode 12 aired. He kept looking out at the practically full auditorium (the panel was held in one of the ballrooms, so easily one of the biggest rooms at the venue) and seeing all the fans and cosplayers and just grinning from ear to ear. He was clearly very exited.

Introduction

They started off by playing a quick video recapping Season 1. (It really made me want to watch the show on a big screen. It looks great even on a projector!) After the video, Liu started in on the interview questions. Please don't take anything below as a direct quote unless it's in quotation marks; I'm not that fast with my notes, so I'm mostly paraphrasing and relying on my memory, either of which could include my own misinterpretation or just be flat-out wrong.

The first question was, how do you feel about the future of the series?

Watanabe said their passion (for creating more of the series) was burning within them.

Takei noted that when the show was initially announced at AX some years back, they were very nervous about it since they were remaking a well-known and well-loved title, but today, looking out at all the fans, he felt a lot more confident.

Behind the Scenes of Trigun Stampede

They then showed some concept art from the famed Trigun Bible. This included what Watanabe called "Vash's projection of Rem." Seems like they came up with this design before coming up with Vash's dark design.

They also shared some concept art of what most people assume to be spiky-haired Vash...

...but which Watanabe quickly noted is actually Vash in Episode 1. You know, when he's hanging upside-down. Takei added that Muto, the director, was a bit mischievous and had a tendency to lie to the staff about when certain designs would appear in the series. He apparently hid a handful of Easter eggs and foreshadowing (like Vash having spikier hair) throughout the series.

They also had some concept art of Knives and of Vash's wing.

They then showed some concept art for some friends all y'all might recognize if you read the manga....

...but in case you didn't, I'll identify the characters below:

Top Row: Vash the Stampede, Millions Knives, Meryl Stryfe, Roberto Deniro (the blank one), Legato Bluesummers

Bottom Row: Monev the Gale, Dominique the Cyclops, Leonof the Puppet-Master, E.G. the Mine, Nicholas the Punisher, Midvalley the Hornfreak, Hoppered the Gauntlet, Rai-Dei the Blade (his name doesn't actually look like Rai-Dei here, though, so they may be calling him something different or they may just be subbing in kanji; it's too small for me to tell), Grey the Ninelives, Livio the Double Fang, Zazie the Beast, Elendira the Crimsonnail

If you're sitting there thinking, "Aww, they came up with all these designs but we saw so few of them!" then I have news for you! Watanabe said we should be keeping an eye out for more of these folks in the next part.

Favorite Scenes

Next, Liu asked both of the guests about their favorite scenes, and before they got into talking about them, we were shown a video not just of the final scene, but the storyboard, the rough cut version, and the version used for dubbing, all on one screen.

Takei answered first, and he chose the scene from episode 1 where Vash goes up against Chuck Lee, a.k.a. the military policeman from July.

(The audience kept laughing at Vash's wonderfully goofy face in the storyboard.)

When asked why he loved that scene, Takei noted that everything they wanted to accomplish in Trigun Stampede was encapsulated in it. In the manga and '98, Vash is more funny and tough (although "a good-looking guy"), and here in Stampede, he's rather more wimpy (although "still a good-looking guy"). This scene is a good blend of both sides of Vash.

It also showcases a "good action scene," which he clarified by noting there aren't many anime where so much drama and emotion is centered around one bullet. Takei also noted (though it's hard to convey to you all via still images) that Muto trusted his animators to improve on the storyboards. He's not as strict as some other directors and didn't want them to feel confined to stick to it too closely, but rather wanted them to enhance what was storyboarded out as they felt was appropriate.

Which leads to Watanabe's choice for favorite scene: the one where Vash is running through his shattered memories toward Rem and finally breaks free of Knives' prison and yeets Knives himself out. (Alas, Watanabe did not, in fact, use the word "yeet.")

Watanabe said he chose this scene because he loved the details that the team added to it after the storyboarding. The storyboard just had Vash running, but they added all these subtle movements and emotion that created a much stronger impact. When the completed scene was presented in Studio Orange, all who saw it were in awe.

Upcoming Trigun Stampede Merch

First up, as many of you already know, we have the Special Edition DVD/Blu-Ray set, which is currently available via preorder on Crunchyroll.

Second up is a new Vash figure! So new they haven't finished coloring it yet, BUT they did note this will be Black Vash (a.k.a. Grape Juice Vash) from Ep. 12. Takei is particularly excited about this because he always wanted to get the Black Vash figure from back in the day, but wasn't able to, and now he's gonna be able to get his own Stampede version. This figure is actually designed by the same person who designed the Vash figures for the manga back in the day. Interestingly, after they picked him but before they met to collaborate on designs, he came up with the current design for the figure. This worked out exceedingly well, since the design Orange wanted for the figure was basically the same thing.

Also, this Vash figure will soon have a Wolfwood companion figure. Because you can't have just one of them. The Wolfwood figure is still being designed, so alas, no images of it yet.

There's also been a restock of the orders for the clothes collaboration they had with SuperGroupies before, so a bunch of that stuff will be available again soon. They're also adding a new item to the lineup, and that's a black version of the Vash jacket. (I checked their website and it looks like they might also be adding a Livio EoM jacket. Hot.)

Preview Stuff for the Next Season

Ok, first and foremost, I'm gonna note there was NO TRAILER SHOWN, so let's crush those hopes now lest they linger and lead to disappointment. What they DID show was this:

First, a preview image of the characters for the upcoming season....

TBH, the only difference I really noticed is Knives' hair seems fluffier, but new art is always nice! Also, this one looks like a win for foot, ankle, and/or hand fetishists.

Second, we got a lovely video thanks from Nightow himself!

(He said he wanted to be there, but unfortunately there wasn't a strong enough headwind for him to run to the con. And for the curious, he's wearing a Guillermo del Toro shirt.)

Nightow being a fan of Stampede and overjoyed that so many people love his story isn't new. (Wonderful, but not new.) What IS new is he drew this nice little piece of art for us all.

He said this was his first time drawing Stampede Wolfwood. He had to get them to send him 3D images of the Punisher to be able to get it right, but he enjoyed making it! He said "it felt old and new at the same time." He can't believe next year will be the series' 30th anniversary. (Congrats, OG fans. Now we can all feel old together.)

The third thing they released was this.

Given the amount of trouble I've had posting this, I'm sure plenty of you already know that the next season/final chapter is going to be called Trigun Stargaze. Liu asked Takei about this title, and Takei said something like, "I don't know what this is about. Trigun Stargaze? What's that? This is news to me." He then (after noting he had just been joking) launched into what little he could tell us about the upcoming season.

He said he can't talk about the reason for the specific title, but that manga readers can probably make some good guesses.

Trigun Stargaze will take place 2 1/2 years after Stampede. They want to keep in mind the original concept behind Stampede, that being that because the previous Trigun stories have been so amazing, what they create needs to be amazing, too. He said they're proud of what they've made so far. It went beyond your imagination. He hopes Stargaze will go beyond your imagination, too.

Cosplayer Highlight

They decided to call all the cosplayers up to the space in front of the stage next. There were SO MANY COSPLAYERS!! Foolishly, I didn't take a panorama.

Costumes included '98 and Stampede versions of Vash, Wolfwood, and Meryl, as well as a handful of Millys (Millies?), not one but TWO groups doing Barbie & Ken-styled Vash and Wolfwood (the Barbie Vashes shouted, "Hi, Barbie!" at each other when everyone went to sit back down), an old-school Legato, a Zazie, and a group fully cross-playing the characters (with Meryl and Milly being male while Vash and Wolfwood were female; they did NOT change the costumes for any of the characters).

Liu handed out prizes to a few of them (they didn't have nearly enough prizes for all of them), and then they had all the cosplayers bunch up and face the stage and the guests turn around and took a picture of everyone. (If anyone has a link to the picture anywhere, let me know and I'll add it here. No, you can't see me in it; I'm much too far over to the side.)

Guests' Closing Thoughts

They were actually running early on the panel, so Liu opened it up to any additional comments either of the guests would like to make.

Takei still seemed overwhelmed by all the cosplayers (like I said, he spent the whole panel grinning from ear to ear at the audience), and he noted he had been worried about the Stampede characters being accepted by the fans. This was his first time seeing all the cosplayers, and he said that made him "feel safe."

Watanabe said he loved looking at the "multiverse" of Trigun. It had these previous iterations, and now it has Stampede, and the fans have both adopted it and adapted it, blending the different versions together and even adding their own things, and he really appreciates that. Takei added that while they created Trigun Stampede, if in 50 or 100 years, a new Trigun series is made, that would be great.

The animation for Stargaze is in process. Watanabe said he just recently saw some of it (a clip of only a few seconds that he, of course, couldn't show us) and it blew him away.

Both Watanabe and Takei are fans of the manga and the original series, and Takei said he's really wanted this series to happen, so he hopes we all look forward to it, too.

[hotvintagepoll]

Propaganda

Harry Belafonte (Carmen Jones, Island in the Sun)—one of my favorite things in the world when I'm sad is kicking back and listening to him and Danny Kaye singing "Hava Nagila" together. Or who can forget this man singing the Banana Boat song with the Muppets?? immensely talented, a powerful fighter for civil rights and humanitarian causes his whole life, if you have any remaining doubts PLEASE look at the following pics [clips and pics attached below]

Buster Keaton (The General, The Navigator, Sherlock Jr.)—For me Buster’s hotness comes not just from his physical beauty but in the constant surprise and contradictions of the man, he’s simultaneously delicate/rough, feminine/masculine, confident/vulnerable, 5foot5 pretty face with an unexpectedly deep voice, at first glance you think oh he’s a cute little thing and then he takes his top off and it’s Superman abs underneath. He was intensely shy in social situations but had no hesitation in jumping off the top of a building. He famously never smiled on screen* but he exudes warmth and joy and laughter. He created some of the most beautiful, intelligent movies ever made but refused to acknowledge his own genius and talent as an artist, instead maintaining that all he wanted to do was make people laugh. If he was here in reality competing in this poll he would give it 100% but he would not be at all bothered if he didn’t win. And that’s why he’s the hottest vintage man. A vote for Buster is a vote for all that is good and decent in the world 💕 (*he did smile on camera occasionally despite his own assertions to the contrary 😄)

This is round 4 of the bracket. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage man.

[additional propaganda submitted under the cut.]

Buster Keaton propaganda:

"Just look at his freaking face...."

This entire Tumblr page was submitted

This post

This video

"And for those who have never heard it, here’s his lovely voice in action: link"

Submitted: Link to Buster Keaton car stunts

Submitted: BK fancam

Submitted: quotes about BK video compilation

"Ripped body, gorgeous unique face, beautiful personality too"

Harry Belafonte propaganda:

"Now let me say this about the songs of the Caribbean - almost all black music is deeply rooted in metaphor. The only way that we could speak to the pain and anguish of our experiences was often through how we codified our stories in the songs that we sang. And when I sing the 'Banana Boat Song,' the song is a work song. It's about men who sweat all day long, and they are underpaid, and they're begging the tallyman to come and give them an honest count - counting the bananas that I've picked, so I can be paid. And sometimes, when they couldn't get money, they'll give them a drink of rum. There's a lyric in the song that says, 'Work all night on a drink of rum.' People sing and delight and dance and love it, but they don't really understand unless they study the song that they're singing a work song, a song of rebellion." -Harry Belafonte