Talking about the sniper section bc it’s. My heart feels like that house.
First, BEAUTIFULLY DONE. absolutely perfect, every part of it. But rewatching, Joel never stops watching Ellie. Not for a second. He’s watching where she’s going and he’s watching behind her for infected. When she’s knocked to the ground after Joel shoots the one clicker, she spots an open window in a van. Joel is watching her and sees where she’s looking and knows exactly where she’s trying to go. You see his eyes move to the left to see the van. And she knows he’ll kill all of the infected in her way. Because she trusts him. And because he won’t let her die.
And once Ellie’s in the van, Joel’s fire ceases except for killing the ones behind it. He is only looking out for her. Anything gets close to that van, he’s there immediately. There’s a shot of him after the bloater surfaces of him just watching. Not firing, just observing the van. Watching for infected. Keeping her safe.
And then one comes up, a young girl in a BLUES CLUES SHIRT, and you see the panic immediately on his face. He goes from completely still to shaking. He fires and he misses. His reload even feels rushed. His breath is shaky, hitching even. His entire face is trembling. And then the clicker is in the car and he can’t see it anymore. He can’t protect her anymore. And it cuts again to him taking two quick, rushed, and paralyzing breaths. He adjusts his grip on the gun because his hands are sweating. And now he, much like she had to minutes prior, has to trust that she can and will get out of this, as much as he wants to be the one to save her from it
Then it cuts to Joel again when she’s outside the van.
This is panic. Fear. This is not knowing what’s coming out of that van. If that clicker ate a hole in her neck and it’s the one escaping. The fear of not knowing her fate and if he just lost her again. Of not being able to protect her because he can’t see her through the windows of the van. The fear of so many uncertainties.
And this is relief. His shoulders have even fallen back slightly, relaxing. When he sees she’s out and closed the door on the clicker. That she’s, in a weird, twisted way, safe again. Because he can protect her again. Because he can, and will, kill every infected in her path.
And then she’s on the ground and they can see each other again. Ellie looks over to Henry and Sam and sees them struggling under the car. She can’t leave them. She reaches for her shiv and she looks to Joel in the house.
She’s determined. And he knows it. He can’t see them under the car, but he can guess what she’s saying. What she wants to do. What she’s asking him to do. To continue to protect her (like he’d ever stop), as dangerous and heart attack inducing as it will be for him to see her do this. And he makes a face that Pedro seems to make in every role he plays.
This face. This face, to me, means a plethora of different things depending on his role. But in this context, it’s more of a ‘fine, I’ll do it. I’ve got you’ one. He even nods slightly. Really slightly. Deep down, he wants them safe, too. It’s dangerous down there. It’s full of infected. And he’d like nothing more than to get out of there with her in one piece. But Ellie has a big heart. She cares about Henry and Sam. And Joel knows that. He’s seen how she’s been with Sam. Laughing with him, reading with him, signing with him, playing soccer with him. How long has it been since she’s been able to do this with another kid? But Ellie’s asks him just a little more. I need to get to them. Protect me.
And he does, of course he does. He kills five(?) clickers that touch her or get in her path. And he’s no longer shaking. He’s as stable as ever in firing. He nails every single shot, killing every clicker in her way. Ellie gets to Henry and Sam, killing the clicker on Henry and stabbing the one on Sam while Joel finishes it off. And he watches for any more that come their way. And once he sees they’re in the clear, he leaves and meets up with them immediately
Main point being - protective dad Joel <3
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The White Star learns that Cale Henituse transmigrated from a body that he stole. He learns that the person inside Cale Henituse lived with the same curse that the White Star has to.
“Cale Henituse,” the White Star sneers, “or should I address the person inside of Cale Henituse?” Cale stiffens. What is this crazy bastard saying now?
“Yes, the man inside of Cale Henituse. How did my curse feel?” He shouldn’t know this information, but he does, Cale realizes. He has an informant on a god’s level. Raon flinches at these words, and Choi Han levels a deadly stare at the White Star. Oddly, Cale thinks, the blood draining from his face, it feels like he’s glaring at him. Cale doesn’t know why but it feels like he made a mistake somewhere down the line.
“You know the one. I’m sure all of your friends do too at this point as well. Was it fun? You must’ve lost your parents, or even been abandoned? Abused? Did everyone you care about die in a horrible accident?” Cale struggles against the sparking Records, trying to keep his mind on the White Star. In a way, Cale has experienced it all.
The past is the past.
“Raon, he’s stalling.” Cale whispers as quietly as he can, and Raon silently sends out the message to everyone. They need to be prepared. The White Star wouldn’t reveal this knowledge for no reason.
“Cale Henituse, you lived terribly, didn’t you? Yes, you must’ve been pathetic. No wonder you’re like this… You cling onto everyone you know but keep them at arms length, never daring to let the little bug within you know what counts as love, and what counts as use.” The White Star drifts closer, threateningly, and everyone flinches into position. Their eyes are shaking.
“You whiny bitch.” The White Star flinches, pausing in the air. “Do you think that’s how I lived? Is that how you see my actions?” Cale scoffs in disgust.
He’s wrong.
I took everything I could until everyone was gone.
I was selfish.
“We are nothing alike. We are not the same. You may be a disgusting liar, but at least I’m honest trash.”
I barely care about anything because it was always taken away. I don’t care about things because I don’t remember how.
“White Star, do you know what the difference between us is?”
Two similar existences stare at each other.
“Cale Henituse, stop rambling,” the White Star frowns.
Cale rushes at the White Star suddenly, grabbing onto his arm. Before he can shake him off, Cale whispers.
“I’ll tell it to you as a secret.”
Confident as ever, the White Star humors him. Cale whispers even quieter.
“You knew how to care before you chose to lose everything…”
“… While I never had the chance.”
An explosion erupts from their location.
Cale coughs up blood, smiling at the dour expression of his enemy.
“You throw everything away, but I hold everything as close as I’m allowed. As close as I’ve ever able to hold anything.”
Cale drops his expression, glaring up at the disgusting person in front of him.
“Just out of arms reach.”
The White Star launches an attack, and the fight begins again.
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My personal feelings in the Fionna and Cake ending is that it was perfect.
The story showed about how we can only control what is in our very personal and small world and not worry about or take on the responsibilities of that outside ourself.
We will make mistakes and wish we could rewrite them over and over and over until it’s perfect but we can’t. We will hate aspects of our lives and adore aspects of lives we don’t know the intricacies or hardships of but we can not insert ourselves. We have our own lives to live and rather than define it by a given purpose let us define the purpose as we go along. Not everything is revealed when it’s over, you may not get the answers but it’s okay to go somewhere and not know.
Some endings are happy, some are sad and some are just that, endings. They don’t have neat little bows or a “The End” on the last page but they allow us to put the past down and move on to whatever else lies ahead.
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Watching the Behind the Sofa features for the season 2 Hartnell episodes (surprisingly they’re on YouTube but who knows when that could get taken down) is a weird experience because a lot of the time it’s really enjoyable seeing the various reactions and they’re often very complimentary towards things that you don’t see people appreciate enough, which makes me quite happy, and then other times out of nowhere you’ll get odd comments of a few of the actresses perceiving certain lines as sexist or something. Specifically in The Time Meddler, which was otherwise a crowd favorite among them, Steven complimenting Vicki on being clever was apparently patronizing, and they acted as if the Doctor telling Vicki to keep her nose away when he was messing with the Monk’s TARDIS was him brushing off her questions as if she needs to stay in her place or something, when in context he’s dealing with precarious electrical wires and was telling her not to get her face so close because it could give her a shock — he says as much, but they talk over it. I enjoy very much that they were often appreciating things that people look over and really getting into a lot of it, but every now and again something like that would take me out of it. Don’t like when people attribute their own assumptions or biases as the meaning of something that was totally innocent.
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Echo following change if it means he can make more of a difference, help more people. A reflection of Fives, who had no question about challenging authority, of Rex who will do what needs to be done to get the job done, of Cody who thinks before he leaps, of Ahsoka who puts kindness and mercy above all else, of Hevy who didn’t fear sacrifice for the greater good, of Anakin who can’t just sit still when he can actively do something about it. His decision to leave is not a choice he makes lightly, it’s something he has been stressing over since season one, weighing keeping Omega safe, running from the Empire, and the knowledge that with Rex they could be doing so much more against the rising injustice. But ultimately it was still his choice.
His place isn’t running bounties and avoiding the Empire. Echo, like Rex, like Fives, will be on the front lines so long as he’s needed there, because that’s where he can make the most difference. It’s like Rex told him - “if that’s where you feel your place is, then that’s where you belong.” He belongs to direct action and making a difference just as much as he belongs with his brothers and sister.
The fact that he has a family, a future beyond fighting, is very important. He’ll always be part of the Bad Batch, and he’ll return to them again (I have to believe that), but it’s not his place anymore, not right now. And the fact that it’s his choice, one he did not make without consideration, is important as well.
(and maybe there’s something to be said for Cody’s speech about the choices you make and living with them, because even the right one for you isn’t the right one for someone else. fighting has a cost, a fractured group and a lonely kid - but it’s still his choice, and that’s important. here’s to hoping it’s not a permanent consequence)
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not me seeing this guy on the portuguese tv being like “we don’t know who is lying we would need a third party to tell us who is lying” and i’m just baffled because nobody said this about the russia-ukraine war everyone knows russia is the one doing propaganda but during a literal genocide you don’t know who to believe?? it’s obvious who you should believe! the civilians that have been bombed for years and years and are living in an open air prison and have no food and no water and have to see their families and others die on the daily THAT’S who you should believe there’s no way to stay neutral on this WHEN THE ANSWER IS RIGHT THERE IN FRONT OF YOUR EYES just say you support the oppressor and just wrap this shit up because this is embarrassing
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