#but i feel like the wrong things are being focused on

[fumifooms]

Falin who cares too much and too little - analysis

Been stewing on Falin thoughts for a while, I know I have an interpetation on her that differs from many but I’m jumping into the fray. I think there’s a lot to be said about what we do see of Falin. This shorter Falin analysis I made is pretty much essential prior reading. This analysis mainly explores her complex relationship with caring and so it’s sort of structured in two halves, with Faligon at the crux of it all.

Falin cares too little :

A lot of people assign Falin a people pleasing mindset and I… Don’t agree. We never see her care at all about people in her town or at the academy not liking her.

We do see her worrying about what people think of her… ONCE. And Laios comforted her, told her they didn’t matter and she should be proud of herself. She latched onto that hard. That’s why this scene was so important to be included during the dragon fight, relationship-defining; it’s always been them against the world. She grew to not care what others thought, to only focus on her close loved ones. No one else matters.

Laios’ words were her world. Her older brother who taught her how to feel comfortable with herself, who told her, you’re great, others are the ones in the wrong to not see that, I’ll always be with you, always be there for you. Older brother who always made great plans, who always knew more, who was better at wrestling to name the dogs, who she has always idolized. Laios who always spoke of traveling the world, to which she always said she wanted to follow. And she would, she’d follow him even if it meant leaving the academy and all she knew behind, she’d follow him to the ends of the world, and that’s what she did.

She didn’t care about showing to her classes or keeping up such appearances, she doesn’t even think of toning down her jumping into bushes when Marcille recoils, etc. She acts like an obedient pawn often, to her parent’s directives and then following Laios around no matter what he decides to do, but I don’t think the motivation is people pleasing, rather it’s being with & caring for her loved ones, and her go-with-the-flow attitude enhances the impression. Not that it’s as simple as that, mind you, but let’s talk about this for now.

Falin is perceived as selfless because we, the audience, have our perspectives revolving around the main people in her life (Laios, Marcille). They’re the ones she’s devoted to and people who care about her back a lot too, but to people like her classmates or the towspeople she probably must have seemed like someone who didn’t care about the people around her or her surroundings a lot, who just went on alone and did her own thing.

What matters to Falin? From what place does her kindness come from? Is a part of her keeping up appearances? And I think that’s the point, the horror of Faligon as well, that we can’t tell just how in control Falin the person is as the chimera (because we are shown that she’s in there, we just don’t know at what degree), that we don’t know her enough to be able to tell when she’s at her most genuine, her most raw. That even if you do settle on none of her being present as Faligon, we have to at least consider it, consider that she may be able to do something like this and have a part in it, brutal and uncaring. That even the lenses we see her through, the people who love her, may be unreliable.

And this is what’s very interesting about her too, she truly is so idealized by people around her as a saint. She’s so good and kind and caring to everyone etc etc etc. Laios, Toshiro and Marcille all see her as the paragon of goodness in the world. More cynical characters like Namari and Chilchuck have more layered opinions on her, the latter finding her somewhat unnerving because he can’t read her well. But then with that one flashback scene we see that… Her priorities are intensely focused on Laios and Marcille, she doesn’t care all that deeply about anyone other than them (+ maybe her parents). The rest of the party is in the same danger here but only Laios and Marcille who she’s speaking to get the special ,ention, and if they don’t cross her mind then of course she’d be ready to sacrifice strangers through a risky teleportation. That doesn’t make her not kind or caring!! Just that greater good isn’t exactly her priority. Any means is alright if the end result is her loved ones safe, it usually takes the form of healing and caring, but we see she’s ready to fight and make dangerous calls too. To me there’s this aspect to her that she isn’t as pure and magnanimous as everyone thinks she is, both in-world and interestingly enough meta wise as well, and there’s something interesting to that.

People pleasing implies a need to be liked, needs for the motivation to be that. A yes-man, etc. But if we analyze Falin, her general kind, smiling demeanor is more a matter of passivity I yhonk. Conflict avoidance is easier, so she’s friendly and hopefully things’ll be smooth sailing. It’s easy to be kind to classmates even if they act wary and rude if you don’t care about what they think either way. Of course she prefers good things happening to people over bad things, she is genuinely kind, but I think people tend to assign her a very grand altruistic way of life when to her the motivation is pretty self-centered. She doesn’t do what she does because she loves them, but because she loves them.

One situation that’s interesting to dig into for her way of thinking, and what I’m trying to get at, is Shuro’s proposal to her. I’ve seen people saying she hesitated because she didn’t feel comfortable saying no even though she wanted to, "I can’t say no, I don’t want to hurt him", something that sounds sensible and familiar, but it’s actually canon in the Adventurer’s Bible that the reverse was the case, that she didn’t feel comfortable saying yes. Because the offer was tempting, but it’d have been a loveless agreement on her end. And it makes sense she’d want to say yes too, like we see with the Toudens, marriage is very much a political strategical economical thing in their village, there’s even a bit on it on Laios’ Adventurer’s Bible profile about dowries, and both siblings were engaged very early. They lived poorly for a long time, it’s an enticing idea to marry rich, to have not only yours but your brother’s needs met forevermore easily, which at one point in their careers was their main worry and goal. Why shouldn’t she accept a life of leisure and wealth handed to her by a lovely friend?

So her hesitance was "yeah that’s convenient for me, but where it’s everything to him and heartfelt I’m able to be detached because I don’t care about it that much… Can I do that? I’m not reciprocating, not saying yes in the way that matters. Can I do that to him?" Very caring even though it’s not what you’d expect, isn’t it?

And central to my analysis, where I’m going with this is, I feel like that’s the thing with her character, that she doesn’t feel as strongly as she "should" sometimes, or feels a different way than she "should", or at least that she feels that way and others say she does. She didn’t mind suddenly leaving the academy, leaving Marcille behind and not seeing her for 4 years. She acted like it was no big deal that she sacrificed herself after getting resurrected after the red dragon fight. And in both those cases it upset the people around her greatly that she didn’t seem to get why it was such a big deal, didn’t seem to care about how they’d experienced her choices.

So it’s a tendency… And it’s not that she doesn’t care, it’s just that the way she measures what’s good for the ones she loves isn’t the same as what they themselves think it is (like Laios and Marcille not wanting to be apart from her). It’s an overt but quiet kind of care, it’s doing things like following them around and making sure they bathe and have a meal, even if that means she has to be dragged into misery too.

So yes she probably would know "not caring enough/the right way" is one of her perceived flaws, and that informs how she tries to handle her response to Shuro’s proposal. Her not wanting to accept like her first gut instinct, is because she’s thinking about reciprocity, about if it’d be right to go into this knowing that they have different priorities and she might not be able to keep up with the type and amount of emotions he wants/expects from her. And that’s a big part of her character isn’t it, having expectations pushed onto her. Her trying her best, but in her own way that may seem odd or even unfeeling. Not unlike when she exorcised the ghost as a kid too, unblinking and matter-of-factly, and not seeming to understand why people stared the way they did.

Even though she answered his proposal only post-canon, she’d been pondering it for a while even pre-canon and the Adventurer’s Bible explanation was released midstory, so I’m hesitant to assign her much growth about her hesitation and what I went on above, since she still didn’t react "right" with Laios after the red dragon fight (even if she apparently doesn’t remember sacrificing herself) and put herself in that situation in the first place. She hasn’t finished her arc on that flaw of hers is what I’m saying, she for sure still has it, but I certainly think her thoughts on Shuro’s proposal shows awareness, both of herself and social.

And awareness is a big analysis key word with Falin, especially here it can be hard not to conflate not caring with not knowing. How socially aware is she? It’s rather layered, because canonically she wasn’t aware of her ostracization in her hometown at all, and we’re not sure if she knew Shuro was interested in her before he proposed, but she generally seems more socially aware than Laios. She tags along on his caravan job to make sure he isn’t being mistreated (though doesn’t ask he get a salary), she catches social faux-pas more easily like in the genderbend magic mirror omake with Shuro, and interestingly enough she’s very good at empathizing with her parents and understanding their perspective. We see when she’s worried about Marcille coming that she does know about propriety and how appearances shape impressions. Being a chief’s daughter must at least have taught her a thing or two on that front.

She never stands up for herself, but when it comes to defending others she worries, strategizes and explains.

And this sort of understanding is part of why I think she’d notice the expectations pushed onto her like I was saying earlier, notice how she makes people feel when she’s careless. But if she changes anything about herself in response to noticing is for her to choose, and generally I think it’s a sort of inbetween of yes and no: that she becomes more complacent but also more reserved, complying but by hiding more of herself passively. She’s not sure wether to accept or reject Shuro’s proposal, doesn’t want to lead him on? She’ll just be taking a while to silently consider it, try to keep things as they are for the time being. The third, less conflicting option. She doesn’t feel heard by Marcille who keeps infantilizing her? Just bear with it. Retract yourself emotionally. Settle for it.

We see that when she was young she had a tendency to not read a room, and I think that’s here too. She doesn’t get why her nonchalance upset others but that doesn’t change that she doesn’t want them upset or hurt, so she tries, albeit in maybe a roundabout way. She always had a hard time deeply connecting with people, often keeping herself some amount of emotionally distant: erasing herself from the equation, from the two-way trade that relationships are and making it a onesided thing instead, where all their needs and emotions are directed towards her but she only lets out a bit of her own show. She takes everything upon her and deals with it and tries not to give others this same burden, though not on a conscious level, it’s just that she’s learned growing up that she doesn’t have much agency.

Like I went into with my analysis linked at the beginning, I think Falin is used to just taking what she can get and not asking for more, when it comes to social bonds. She’ll take spending time with her mother no matter what it is they do, she’ll follow Laios to the graveyards and stick by him even when he’s pushing her away (because he doesn’t want her borrowing his book or "No copying!" or such). Her father was always distant, cold and uncommunicative, her mother was considered sick from anxiety and the exorcism attempts were the main way they spent time together, at dinner tables there were only her and Laios. The dogs picked on her too even if she loved them— And so did the townspeople, maybe that being normal to her at home is why she didn’t notice the ostracization she suffered.

She’s always been the last to be asked about decisions or what she wants, never asked to play with at recess, neither her father or Laios asked before sending her to the academy or leaving the village. At home, in the hierarchy she was considered to be below the dogs by the dogs themselves, as someone they can disrespect. Dogs learn from example and behavior, so this means Falin must have been pushed around a lot, and that the family didn’t try hard to rectify the dogs’ misconception, likely worsened by Laios regularly wrestling with her as a competition.

So for example when Falin showed Marcille food, it was her way to implicitly ask to have lunch with her without voicing that question, without daring to take up space. Someone’s presence isn’t something you ask for, it’s something that’s bestowed upon you, you can follow them around but you can’t ask them to stay or to come with.

She’s used to her needs and wants not being listened to, so she’s learned to have less wants. Caring less about herself, caring less about other people beyond her safe zone, was a defense mechanism in part. She has a sense of learned helplessness too, like how when Marcille came to take her away from Laios, even though she didn’t want to leave with Marcille it felt so determined and unshakable to her that whatever Marcille decided Falin would have to comply with.

And still, it’s the "marrying you would be awfully convenient if it wasn’t that I’d feel guilty for not loving you back, the way you wanted me to when you proposed to me" and the "I don’t regret leaving the academy and leaving you behind without goodbyes but I’m sorry that you’re so much more upset about it than me". It’s the guilt of not loving people back the way they want to be, with the same intensity or fervor.

It’s the autism it’s the aroace of it all, it’s the emotional stunting and confusion but the pit in your stomach telling you you did something wrong again. The no object permanence even for people you love even for 4 years, it’s the feeling like you’re somehow at fault for someone having fallen for you and not knowing what to do with any of it. I’m not joking btw it isn’t uncommon for autistic people to not see their close friends for a long while, not having missed them all that much and for that to be really hurtful for the other if they notice/ask about it. "Hiii bestie! Oh umm you’re uh more emotional about this than I expected, hopefully you won’t feel alienated by me not feeling as intensely about it…"

So… Yeah. I think she thinks of things and relationships in a different way than most people, and beyond "good things happening to people is good" I don’t think she actually cares about people all that much. I’d argue that Laios shows more desire to connect with others and make relationships. And just like with Laios and his own issues with humans, that doesn’t mean her kindness is a lie or ungenuine or worthless! It just means that like, well it’s pretty straightforward really, she’s not all that social and doesn’t see casual bonds as meaning all that much and whatnot. She does want to see people happy, but it’s not as much like… A conviction or goal. She’s too laser focused on a select few people. "It’s not that they’re bad people, they just aren’t interested in humans."

And sometimes it feels like people get defensive about Falin in a meta way too, like if you ever so much as imply Marcille isn’t her whole world or that she isn’t the kindest soul out there then you’re saying she doesn’t care at all or she’s evil. And that’s actualy exactly the sort of vibe I wanted to get through with my analysis above here actually haha, that she does care and she is kind but it’s not in a way that’s quantified or understood in a way that makes people feel comfortable. In a way, that makes people feel insecure because they don’t have the same logic as her, don’t show love the same. And I think this is another stellar depiction of autism, of parts of it that feels unpalatable to many, if I’m making sense. The fandom idealizes her as well, which isn’t uncommon or surprising for the character embodying the trope of the perfect beloved to rescue.

And disclaimer, as I said in the tags I feel like the details of Falin are pretty vibe based when it comes to analysis, there’s absolutely a valid angle where she does super care about everyone always, feel free to disagree with me on the overarching angle of my analysis. There’s enough supporting evidence to tip the balance either way I think, and the reason I’ve chosen this angle is I feel it’s more compelling for the themes in Dunmeshi of idealization and being different, of desires vs wants, and because I think it neatly ties up Falin’s character arc as I’ll go over throughout the next section…

So.

Not feeling as much as she should. And……. Is this not Faligon pushed to the max?

You can’t tie down a dragon. As the chimera, she gets to just not care about everyone else and be on her merry way.

Part of it I think is finding comfort and freedom in the mindlessness, in not having the burden of feelings and connections and a consciousness (despite still ending up seeking those in a stranger, Thistle). Like when she’s dead in the purgatory as well, she gets to just… Hang around and do whatever. Similarly to when she played in the forest instead of going to class in her academy days. That’s what freedom and peace of mind looks like to her. Why she decides to roam post-canon, if only now with the goal to find herself instead, with her mind in tow and somewhere to go back home to.

There’s excellent analytic framing out there about how of course, Dungeon Meshi has a big theme of grief and letting go, and… Falin was always a symbol narratively, idealized by characters and often underconsidered by them despite their love. It was Falin’s choice to sacrifice herself for Laios, she thought it was worth it, knowing that it would be her end. Her resurrection and the process of it intertwining her soul with a dragon’s wasn’t done with her consent, and the subsequent opening it gave her to become a chimera puppet. She’s stripped of her agency consistently, and so… It’s very noteworthy that the final choice, of wether to go back to life or to stay dead, in that purgatory scene, was up to her. And she chooses life, but I do think about her in those fields and how at home she seemed there. Peaceful, by herself in a vast calm expanse she could explore, free.

Personally, I think freedom is Falin’s own subconscious selfish desire. And though to us becoming the chimera is obviously a shackle, I think it felt like freedom to her somewhat, too.

And if you think I’m going wildly off the rails here I want to talk about Laios’ wish of becoming a monster. And to be clear before getting into it, being mentally a monster is absolutely a big part of the appeal for Laios, it’s something that’s consistently referred to, something especially pointed out in the werewolf monster tidbit with Lycion. Right panel is from that, but left panel is from the extra with Izutsumi where Lycion talks about suppressing souls in a beastkin body, the human or the beast soul.

Finding comfort and freedom in being mindless, less sentient, less aware? While being unaware in her hometown might have saved Falin a lot of heartache although perhaps stunted her emotional growth, it’s always been Laios’ curse.

Actively, through his choices, he seeks to grow closer to people, to form deeper bonds, to understand and be undertood, but… On a deep seated level, what he desires is to leave humanity and civilization behind. He has an irrational hatred for humans, born from the trauma of ostracization, being different, being beaten up and rejected consistently through his life. Running away from problems is easier. He wants to be free from being a social animal from a social species who has deemed him the black sheep, he thinks it’d be simpler to just leave it all behind, people and his own humanity. At its core, to Laios becoming a monster is a power fantasy, a coping daydream of "if only I could be strong enough to never be hurt again, the power to destroy anything I want, the power to go somewhere better, if only it was possible for me to never feel hurt again. If only I could be someone, something, that can never be hurt". "If there’s someone you don’t like, you can gobble ‘em up in one bite. If you could fly, you’d be able to leave this village right now." It’s a childhood fantasy, from a deep sense of being misplaced and a desire to be able to stand fearless, thinly covering up resentment that Laios represses.

But you’ll notice, when the Winged Lion is enticing him in the last page, even now with his lifelong wish of becoming a monster on a silver plate, he still cares about his friends. He still has that sense of responsibility to his friends, doesn’t want to leave knowing they’ll be in danger and alone. The offer that his friends may be left unharmed is already good, but Laios also visibly flinches when the Winged Lion offers to specifically care after Marcille and rid her of her biggest fear. Laios’ care runs that deep. Not unlike with the succubus, he resists temptation until he gets reassured that everyone will be okay. But see, what he desires isn’t to stand alongside Marcille until her last days, it isn’t to stay and see how well his friends will live, it’s to go. It’s to leave. It’s to fly away, a monster both in body and mind. He wants to be free from caring here, wants to not have to worry about his friends, wants to just go do his own thing, but for that he needs to feel safe in the belief that said friends will be safe even without him being there to see it, because despite everything else he cares, he does. It’s again that dichotomy about caring and wishing you didn’t, or not caring and wishing you did.

In the end, it’s Falin who achieves that wish. Both by becoming a chimera during canon, and by going traveling post-canon. In the latter, being both free of human relationships as something chaining you while still being uplifted by them, by the knowledge that there are people out there you love and that love you. It’s a theme that can also be connected with Marcille, because she gets anxious over people she loves getting out of her sight, worrying they’ll get themselves killed, that time is passing while they’re away from her. But before she can get to the point where she can both have her freedom and being uplifted by her social bonds, regaining both her individuality and her connections, she has to get a taste of just one at a time. Before they can find balance in her life, she has to see what it’s like to have what she’s never had on its own. Unapologetic freedom, and power.

No one can blame you for not caring enough or caring right if you’re a fricking dragon!!!! You make the rules when you’re a beast and you can just… Fly away. From anywhere, from anything. And if a dog bites you you can just crush it. Instead of being pushed around by the dogs because you’re at the bottom of the hierarchy, you’re now at the top, the one with the power to be heard and do what you want without consequences.

I think she’s on autopilot. I think she’s on autopilot a lot of the time, even before being a chimera, and it’s partly why her will is so weak compared to regular dragons. (Again, read my shorter analysis.) It’s familiar to slip back into the role of following someone around unquestioningly. And that’s what is weaponized when she’s a chimera, that instinct she’s been nursing all her life to unconditionally support, defend and follow someone. Only now, that someone doesn’t matter in itself, only the symbol of it. She doesn’t mind, either way is fine. Her will is weak after all, because she’s trained it to take as little place as it could.

Falin cares too much

She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life.

So you’re probably seeing the duality I’m talking about here, Falin is very self-sacrificial but for specific people in ways that they often don’t recognize or appreciate. She cares but selectively, both in people, putting all her eggs in the same baskets, and in the ways she cares after them. She doesn’t care a lot, but when she does she cares a lot. Falin doesn't have a lot of earthly attachments, but when she does, they're her world.

In canon her arc, especially post-canon, is to grow beyond Marcille and Laios. Her caring for her close loved ones held her back from looking after her own self-fulfillment needs. And this is what I mean when I say she cares too much; she could gain from caring more about the world besides Laios and Marcille, both lands wise and people wise. She cares too little, but her arc centers her flaw around caring too much instead. Her pitfalls that Kui highlight over the course of the story, while of course her selflessness is appreciated for how she saved Laios and everyone, on a personal level is shown to be self-effacing and damaging. She’s undermined by Marcille, without the courage to voice her thoughts and wants, she would dedicate her whole life to Laios. And I mean, it’s text, in the response to Shuro’s proposal extra no less. And she’s so laser focused on her most loved people that she’s fine with being callous and risking others’ lives, even.

Post-canon, she needs to leave to find herself, away from them.

Herself. What if she wants to just be with herself for a while.

And this is me reaching but I feel like, not unlike Izutsumi who learns to feel this sense of never being alone, always having someone on your side what with having two souls, the dragon in her would make her consider herself more. She finds it easier to care after other people after all, and in the purgatory fields sequence she takes care to bring the bit of dragon left with her… Not unlike with Izutsumi, having two souls forces you to think about your identity and figure yourself out. Besides being this sort of duo now, where if she wants to care after herself she can channel it to that other side of her too… In meta dragons are symbols of greed, and I think the bit of dragon would push her to want more and listen more to her desires, primal and self-serving as they might be. The dragon soul which warped her human body with feathers and draconic features, her image of perfection marred, her weirdness externalized in a way that’s not palatable. But she doesn’t care, about if her appearance is palatable for most people, she hasn’t for a while now, and that’s great.

Notes & nuance

I’m struggling with the structure of this post, making my points organized, concise and strong at once. It’s difficult to make any statement without going "things are generally like this, but there’s this time that this contradicting thing happened too" or "it’s ambiguous enough that you should just follow my interpretation for the time of this analysis" haha, so this is the pit where I put all the stuff that wouldn’t fit well in other places but are interesting for Falin’s character. This section is pretty separate from the main thesis of the post, it’s just more Falin observations. The post has reached the 30 pics limit so I can’t just pull it up whenever it’s relevant but I really encourage scrolling up to read the stuff I highlighted in her Adventurer’s Bible profile if you haven’t already.

I think with the shy-looking loner type autistic kid archetype, and knowing she didn’t seem to mind others ostracizing her, it’s easy to lose sight of how she was by no means an unemotional child. In all the bits we see of her as a kid she’s bursting with energy and emotions. Canon confirms Laios leaving the village did affect her and make her lonely and she cried a lot, too. She may not be social in the traditional sense, but she was clingy with her brother, and she also never was all that shy about who she was, wearing her heart on her sleeve.And okay. Okay okay okay. Speaking of appearances. About what I said of her not caring about what people think of her, even seeming defiant with the caravan leader… There’s one istanxe of her caring actually, and it’s about how her face blushes easily. I remembered it as being because Laios’ said it and as I rambled Laios’ words are her world, but actually it’s ambiguous. It’s only Marcille imagining up this scenario where Laios says Falin looks weird because of it, there’s no evidence Laios said or thought that at any point. And on the other hand…

Her Adventurer’s Bible says: "5, Lovely Skin. She isn't particularly careful with it, but Falin's skin is fair and beautiful. Possibly as a result, her cheeks seem to flush easily. Marcille's always saying she's cute, and she secretly has a sizable complex about it." The phrasing makes me think the complex she has over her blushing might have developed because of Marcille more than Laios. "Marcille's always saying she's cute, and she secretly has a sizable complex about it." It could be related to how Marcille gets swept away and infantilizes her, calling her cute wanting her to wear cute feminine outfits etc. Again this feels like it relates to Falin’s struggle to be seen for who she is and what she wants to be seen as, her struggle to be recognized, having ideals and perspectives pushed onto her. Here Falin is insecure over her blushing implicitly because she doesn’t like being called cute over it, but that’s not how she wants people to see her. She doesn’t want Marcille to always see her as her 10 years old adorable friend. Like if your friend said you had puppy energy, it can be flattering, but it can also make you insecure.

Here’s a link to what I mentioned about her being uncomfortable wearing feminine outfits. It does seem to be more about comfort than the aesthetic perse, to me. Interestingly the shirt & shorts don’t seem like they show much more skin than her beach outfit, so maybe it’s more about the shirt and shorts being tight-fitting. Like the skirts and heels they feel stifling. Again a bit with themes of freedom and not wanting an aesthetic pushed onto her. So yes just to reiterate, I think this is more about self-affirmation and how her identity and self-image gets shown to others, rather than wishing to hide parts of her body like her blushing etc for people pleasing reasons. Makeup was a way for her to appear how she wants to and feel more confident. It was a way to take control over her own image. She didn’t keep doing it, the narrator stating the process to be ‘troublesome’. Ultimately she still prioritizes her comfort, and it was a lot of recurring efforts to go through.

And on the topic of appearances… A friend once asked me: "Does she really hide herself or not? I keep thinking about "falin is herself first and foremost" (in her Adventurer’s Bible profile) it’s just so. Hmmmmmmmm... I just keep seeing people say she hides her real self from people when I feel like the issue is more about her charitable traits straying too far into becoming flaws but people around her dont realize that..."

Imo the thing is, I don’t think she hides her identity, but I do think she suppresses her individuality for others’ sakes if that makes sense. In the way that only post-canon does she allows herself to go see what the world is like, but that’s not personality wise it’s needs and wants wise. And I do feel like that’s the closest interpretation of canon, she says it herself she doesn’t know what she wants because everything she’s done was always about Laios or Marcille, but she doesn’t change her demeanor or personality for others. But she *will* like, not ask for things she wants directly, like sharing lunches with Marcille at the academy, she suppresses her wants, doesn’t ask things from people and doesn’t hope for more, hope for better. I don’t think we ever see her actively repress her personality, except like what, being more laidback than enthusiastic but I do feel like unlike Laios with her it’s less ‘appearing stoic to fit in more’ and more ‘yeah i’ll just chill until I’m needed or something activates my enthusiasm’.

And speaking of passivity… I want to speculate about Shuro’s proposal some more. Shuro and her got along well though we don’t know how much, or how often they hung out, she even saved him from a nightmare. Why did she take so long answering Shuro’s proposal? Was it an effort to preserve or was she really just that conflicted? Procrastination probably yes, but what is the core motivation of itl Considering she ended up saying no to travel the world instead, I don’t think it was as simple as ‘she wanted to say yes for convenience’. Logically it’s what would have been best, but it’s not what she wanted for herself, but it was and still is hard for her to even know what she wants. Probably, since like she states it was a great offer and she doesn’t think she’ll get proposed to again, it’s that self-effacing tendency that yes it’d be convenient and logical, and that makes her want to say yes even if her spirit isn’t in it, because if it’s convenient then that’s more important than her feelings on the matter.

AND speaking of passivity!!! How much Falin is "there" as the chimera, just how much she’s master of her actions, is left ambiguous and intentionally so imo, but she’s for sure there & influencing the dragon’s action to some degree. Having a dragon’s foot on her in purgatory that keeps her from moving for sure visualizes how it must have been like, but there’s Falin calling out to her brother Laios, there’s the kind attentions towards Thistle that are so Falin-like, and most explicitly there’s the Adventurer’s Bible stating "Even after becoming a chimera, she has a soul that's as kind as ever", which I honestly dislike, a fantranslation puts it as "Even as the chimera, her caring nature remains" and either way to me it feels like confirmation that it’s her giving those berries to Thistle. Now, wether or not she has the mental capacity of a chicken or something closer to human Falin, no clue, there has to at least be some kind of mind bond between monsters and the dungeon lord, compelling or forcing them to go along with orders, or calling her to him in distress like with the fight on the first floor. But yes, it’s interesting to wonder what it is that a Falin, with her kind soul but without her human mind, would willingly do. On her profile, she’s described as Thistle’s guardian and servant. The power dynamic between the two are very interesting, I already went into how it might have felt like freedom to her while being fake so I’ll reign myself in and just mention it again. She’s still at the heel of someone, only now it’s someone who doesn’t care about her back. Going from being cared for so strongly that it’s suffocating and they would defy death and the world for you, to being devoted to someone who has not one feeling about you besides your utility as a paw . She has all this care to give and to focus onto others and he has none to send back to her and I think that’s part of it. In a way, being left with only her own feelings and a void, without expectations or feelings or ideals pushed onto her, it might have been soothing in itself, and eye opening. But yes the way I think of it, her care for Thistle isn’t unlike the care she gives the ghosts.

Interestingly, the care she extends for the ghosts is sending their soul to a peaceful death, freeing them, of life and any earthly attachment. Take that as you will with the themes of freedom and burden of life and mind, immortality and becoming a warped version of who you were, and such and such.

But going back on the topic of connections and bonds for a bit, I think academy days Falin & Marcille is super interesting bc we’ve never really see Falin form a connection besides with Marcille and even that is kept pretty ambiguous. When was the point that Falin started seeing Marcille as a friend and seeking her out? When was the "I’ll lay down my life for you" point? I’m so fascinated by how she wanted to share lunches with Marcille but never truly asked, only made little "hey want this? I found it isn’t it cool?" gestures of showing things to her… It’s the only way she knows to ask, or maybe it’s the only way she feels comfortable to. In all the scenes of young Falin and Marcille Falin seems comfortable in her friendship with Marcille, but at the same time… I think we see Falin at her most insecure around Marcille, because she really does care about Marcille and what she thinks of her so much, and while Marcille is a bit of an unstoppable force tornado style (affectionate) Falin is something of a doormat. I’d usually say showing her berries was her earnest way to connect and be like "Hey bestie look at this! :]" , but there’s a real possibility that she was self-conscious and holding herself back.

Friendship and Marcille! Involving Laios into this too but, again with the autism thing of not showing you care in ways that others understand, Marcille being very overtly affectionate and clingy was so so soo important… Marcille keeping on hanging out with Falin and caring after her, and being undeterred/unbothered by Falin not always seeming like she cares all that much back in the conventional way, as in Falin acts nonchalant and a bit like she didn’t mind wether she was there with her or not during her outings to the cave dungeon. Caring and being clingy and so affectionate despite that in such a classic Marcille way is soo needed, because so often people will get discouraged by say, their friend not keeping in contact regularly/well, seeming disaffected or as happy-go-lucky as ever even if you haven’t seen each other in a while or when they’re alone, and yes there’s potential for a strong friendship there but someone like Falin won’t be committed enough to reciprocating attention the same way… I hope I’m making sense but yes this angle in particular strongly correlates to autism. And the way Marcille always initiates physical affection, both Toudens being awkward about initiating touch because they don’t know if that’s allowed, if they’re going about the social interaction the right way, if they’re allowed to ask that out of someone…

Another fun observation to make is about the 4 years Falin and Marcille spent apart. Marcille despite being of a long-lived race treated these 4 years of separation with more gravity than Falin did. Falin brushed it off very dismissively to say the least. But then you remember that the amount of time Falin and Laios didn’t see each other after he left the village was 8 years. Double the years, double the time. And that reminder makes Falin’s actions so starkingly understandable. Of course she wouldn’t see 4 years of separation as a long time if 8 years of separation with her beloved brother is her point of comparison. Of course she’d see it as worth it to leave Marcille for 4 years if it meant ending those 8 years instead, especially if she was worried about him (the reason why she followed him into his caravan job).

A friend always says that while Falin is the center of Marcille’s world, Laios’ is at the center of Falin’s, and I tend to agree.

It’s fun to think of how her career dreams had always been shaped by Laios, even when they were kids. Of course there’s how traveling the world began as a dream they talked about and shared, but there’s how he reassures her by listing cool jobs she could do like traveling exorcist, etc. And then of course, she gave up on her magic academy and career path to follow him and do odd jobs, etc etc.

I should go into the violence of Faligon more tbh, because I think there’s an interesting parallel to how she has no problem wacking things with a mace, wether a ghost when she was a kid or a walking mushroom as an adult. Something that often surprises fans when they remember, I don’t really want to get into the whole " Falin hates violence and hates seeing people in pain to an intense degree. ‘If you die do it somewhere where I can’t see’ style’ interpretation, it has some weight but on the whole I don’t vibe with the theory she has a particular aversion to violence, she seems to be fine resorting to it as much as any other adventurer as long as it isn’t needlessly against ghosts. And Falin’s sudden mace hits are fun to me too because it’s not her becoming a berserker when the need arises as much as her becoming active because something she cares about is threatened, and that brings her out of her passivity from 99% of the rest of the time. Thistle included. Falin always could be violent, she just dislikes senseless carnage. The Shuro party vs chimera fight is a bit ambiguous on it, because you can argue she only attached after being provoked, presumably offscreen as well while the ninjas went off to fight the harpies. Falin becomes the most active when she needs to protect someone, she has no qualms doing whatever’s needed for that, wether it be leaving the academy & Marcille without notice no matter the consequences or what her parents think, or teleporting the party, etc

I’m working on a post specifically pointing out all the differences between Falin and Laios, but yes I think both of them selfishly desire freedom in different yet similar ways. Falin’s dark secret is "Ethics and risks are optional if it means I can protect those I love" like the teleportation, and Laios’ is "Ethics and risks are optional if I can be free of all this bullshit" aka humanity aka his wish with the winged lion.

Conclusion

Tldr: Falin doesn’t care all that much, she’s very go with the flow. For example if someone hates her she doesn’t really care because that’d require her caring about what they think of her in the first place, and she only cares about her loved ones. She smiles, but it’s more a state of being rather than out of active goodness: she’s canonically very genuinely kind, but it’s more out of a general want for pleasantness than active care itself. She’s passive, and softspoken because that’s just how she seems, but she has no problem hopping into bushes or getting heated if something calls to her enthusiasm or calls for action and a hit of the ol’ mace. Her loved ones needing tending or protective is what makes her go from passive to active. That familiar autopilot mode of making someone the center of her world and following their every move is what made her so easy to be controlled as the chimera, even ferociously defending him with her life. Faligon is most interesting to me with the theme of freedom. She’s shackled to Thistle and out of her mind, but there’s also a sense of empowerment and freedom from expectations and society. She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life. There’s a way of caring after others that can be selfish, not unlike Marcille being overly coddling and not listening to Falin. In Falin’s case, I think it was so selfless that it ended up looping back around to erasing her sense of self. In losing sight of herself, that devotion becoming neither quite selfish or selfless but a fact of life and a state of nature, muddled by its lack of direction.

She’s sooo used to never being able to ask things out of others, you get the crumbs of affection and approval that others offer to you unprompted and that’s it don’t hope for more don’t ask for more. (Also reflected in how she follows her loved ones around without complain or personal opinions and how she’s not willing to rock the boat and affirm herself in her relationships like with Marcille during canon)

Falin cares so much, so much and so laser focused on her few loved ones that it blinds her and she loses sight of everything else, she ends up neglecting herself and the rest of the world. As Kui puts it, Falin is herself first and foremost. She just had to remember the importance of that.

-

I see her as an enneagram 9, which can be surprisingly accurate and fun to research through the lense of Falin. Excerpt below from this book, but like my god, good way to put it

That’s it, ty for reading. Even if it’s a bit of a mess, hopefully you’ll have gained a thing or two from it. Falin is a character hard to pin down, but it is very gratifying when you find the way that the puzzle pieces fit together right for your own understanding of the story. Fantranslation of the shuro proposal comic by @/thatsmimi here.

Here’s my spotify playlist for her if you’d like

Sometimes love is about letting go, a lesson a lot of the cast needed to learn. Self-love’s important too, and just like with diets we need a healthy balance.

[befuddledcinnamonroll]

So with some of the takes I've been seeing in the Wandee Goodday tag, I wanted to share my perspective.

Just to note - I firmly believe art is subjective and what we see can vary a great deal based on our own perspectives and lived experiences. I'm not calling anyone wrong, I'm just saying this is my personal take on things. (I feel like this should be obvious, but nuance is so often lost online).

And my main goal with watching QL is fun and escapism. I'm here to have a good time. I tend to go with the flow, I like imperfect characters (I even like the fucked-up ones), and I trust the characterization and plot elements to be doing what they need to do until a problem shows within the narrative itself.

Ok, disclaimers done - here's my take on Dee & Yak's interactions around the fake dating idea.

I think all of their interactions are deeply affected by the degree to which they have already developed genuine feelings for each other, but are not yet in a place to admit it, even to themselves.

Do I think Yak has real concerns about being out as a boxer trying to hit a career high? Absolutely. But I think his quick jump to a "let's end this" reaction was mostly a kneejerk attempt to protect himself for what he felt when Dee, the man he is already emotionally connected to, and desperately wants to be able to kiss, dropped a request for fake dating over a real deepening of their relationship.

We don't yet know the level of societal homophobia this show is aiming for, BL land can go many different ways with this, but considering his brother's openness in the gym that he owns, training boxers, there is a tone being set. Yak literally holds hands with Dee in the middle of the street. He doesn't panic when people recognize him at the hospital. This may change, but I'm going to trust the signposts that his career concerns are valid, yes, but are not the dominant issue between them.

Similarly, is Dee competitive and overly focused on winning? Clearly. It's set up in his earlier conversation with Yak for a reason. But at the same time, his insistence that it has to be Yak is not just about his need to win - again, this is about genuine feeling. He wants Yak. This is a way to get Yak, and to frame it to himself in a way that feels less scary and vulnerable, especially after being hurt by Ter.

I know a lot of people saw Dee as being pushy. I do agree with that, and yes it is going to cause more issues for them in the future. But I wish more people also saw Yak holding firm to his boundaries and refusing to give in to the immature behavior from Dee, showing why he's such a good partner for Dee.

And sure, we haven't seen Dee support Yak as much so far, but the scene with the mother and child wasn't there just for kicks. Dee is empathetic and caring, and that will be important in his relationship with Yak as well. He is there for people when things are at their worst.

Some people see Dee on the bridge as being manipulative.

I saw Dee as finally cutting out the toddler shit and being emotionally real about why he's taking the scholarship too seriously, how sensitive he is to what people think of him, why Yak is someone he trusts implicitly, and how he knows it's not Yak's problem and it isn't fair to expect him to fix it.

Some people see Yak as finally agreeing to fake date as showing he is weak to emotional manipulation.

I see a man who has more agency than that. I see a man who is affected by seeing genuine vulnerability both because of how caring he is as an individual, and because of how much he wants a real emotional connection to Dee. And eyes-open, he makes a choice.

These are two characters who have never just been friends with benefits from the beginning. And the narrative has never been about what they are saying. It's about what they are feeling.

[cutielando]

i don’t know what to do ~ carlos sainz

Summary: After the news broke out that Carlos wouldn’t be extending his contract with Ferrari, it leaves you both wondering what was in store for the driver in the future, if anything at all.

Words: 1.5k+

Other works: my masterlist

♡♡♡♡♡ Nobody prepares you for the moment when your life is going to change.

There are no warnings, no signs to say “Watch Out! Your life is about to go to hell!”. There is no such thing.

You were on vacation with your fiancé, everything was going smoothly before he had to begin training for the start of the season.

Relaxing on the beach, soaking up the sun and basking in each other’s presence for a couple of more weeks before the chaos would resume.

But you didn’t expect your serenity to be completely blown out of the park with only one phone call.

You hadn’t thought anything of it when Carlos’ manager called him, having been receiving a lot of phone calls as the start of the season grew nearer and nearer. But seeing Carlos’ face as he listened was the first sign that something was definitely wrong.

It wasn’t until he ended the call that you really got a good look at him, at how pale he was and how lost his eyes were. His face held no emotion, his body rigid and his movements almost robotic.

“Amor? What’s wrong?” you took careful steps towards him, not wanting to freak him out or scare him out of his state.

He didn’t respond at first, staring at the floor and seemingly not even hearing what you were saying. He was somewhere deep in thought, not even acknowledging your presence next to him.

It worried you, the way he was staring off into space, a lost look in his eyes telling you more about his problem than he needed.

“They’re replacing me with Hamilton” you would have missed it if you hadn’t been so close to him on the bed.

At first, you thought you hadn’t heard him right. Replacing him with Lewis? Ferrari? That was not possible. Contract negotiations, to be fair, had not been going as well as you guys would have liked, but Carlos had been making progress about his contract for next season.

He had been almost confident about re-signing for another 2 years, minimum.

And yet, now everything seemed like it was for nothing. The call he had just received made his entire world crash down on top of his head, making him feel like he was drowning and there was no way out, your voice calling out to him somewhere far away, out of reach.

“Carlos, baby, I need you to talk to me” you spoke to him softly, trying to coax him out of the state he had been in for the past maybe 10 minutes.

Time seemed to stand still for Carlos, but this time, he heard you. He slowly started blinking, his surroundings coming into clear view once again. The first thing he focused on was the tight hold you had on his hand, the way your soft skin contrasted his rough ones.

Your touch, ever so gentle, lulling him back to reality.

“How could they do this to me? After everything I’ve done for this team, how can they replace me like that?” he questioned, not even knowing if he wanted an answer to his questions.

He was confused, hurt, disappointed, surprised. He didn’t know which of these feelings was more intense.

Your heart broke upon hearing the broken tone in his voice. You couldn’t even comprehend what he was saying, how it was possible that the team just stabbed him in the back like that, completely blindsiding him when they had just started figuring out the renewal of his contract.

“What am I supposed to do now?” his voice brought you back to reality, feeling him squeeze your hand tighter in his.

“I don’t know right now, but we will figure it out, like we always do. Together” you said, turning his face so he could look at you.

The moment he saw the determined look in your eyes, he slowly felt himself calming down a little. Of course, things were far from being solved, but he knew that he would figure it out with you by his side.

A couple of weeks passed since the news broke out that Ferrari would be replacing Carlos with Lewis from 2025, and the atmosphere was slowly starting to get back to normal.

Well, a certain type of normal.

After you let his entire family know about his future at Ferrari now being out of the question, Carlos Sr. had been managing the situation alongside Carlos. That involved many talks about his plans for the future, dozens of calls from team principals regarding possible contracts.

Especially after the Australian Grand Prix, almost every single team principal came calling at Carlos’ door, offering him a contract.

Your fiancé was overwhelmed, for lack of a better word. He seemed to be handling the situation fine from the perspective of someone who didn’t spend every day with him. But from your point of view? He was freaking out on the inside.

A lot of teams have approached him with both good and bad offers, some even with amazing offers any driver would take immediately.

But then why was it so hard for Carlos to settle on a team?

“Amor” you called out to him one night, seeing him hunched over some contracts in his office.

He looked up at you, tired eyes sparkling once landing on you. Your heart broke when you noticed the ever growing bags under his eyes, his forehead lined with creases. He wasn’t your Carlos, he wasn’t the happy and caring man you have come to love over the years.

You missed seeing him smile, seeing him let go of everything during his days off and just enjoying the time he would spend with his family. It seemed like your life nowadays was only filled with contracts and dozens of calls a day.

It was taking a huge toll on Carlos, and you were determined to help him out.

“What are you doing up? What time is it?” Carlos asked, confusedly looking for his phone, his eyes widening once he saw the time.

He had been huddled in his office for almost 4 hours, he even lost track of time.

“I can’t sleep without you, you know that” you explained, walking over to him and rounding the table, taking a seat on his lap and wrapping your arms around his neck for support.

He sighed heavily, tightening his hold on you and resting his head against the back of his chair.

“I’m sorry, I know I’ve been absent these past few weeks. I’m just really stressed about these contracts and can’t seem to catch a break” he apologized, closing his eyes once he felt your hands waving through his soft hair.

You hummed, focused on doing everything you could to get him to relax, even if for just a couple of minutes.

“I know you’re stressed, and I get it. But you’re overworking yourself, baby. This isn’t healthy for you, you’re wasting the little time you have at home with us on these contracts and we barely see you anymore. We all miss you, the old you” you said, your tone soft.

Carlos knew you were right, he had truly been neglecting everybody except for his manager, Carlos, whom he had been on the phone with almost constantly.

He had been overworking himself, and he needed to make it up to you. He couldn’t risk losing you because he was so caught up in worrying about his contracts. You were more important than them.

“I just don’t know what to do. I feel like whatever I do, I’ll make a mistake. I don’t know who I’ll be racing with next year for the first time in my career and I don’t know how to handle it properly” he confessed, his thumbs lazily drawing circles on the back of your thigh.

“I know, but you have to take some breaks. You’re exhausted, you’ve barely been sleeping or eating. I need you to let me take care of you” you rested your forehead against his, your palm cupping his cheek.

He nodded, closing his eyes and leaning up to peck your lips.

The feeling of his lips on yours felt like a breath of fresh air after drowning for so long. You hadn’t realized just how much you had missed him, how much you were craving his touch and the feeling of his body against yours.

You pulled away, gasping for air due to the intensity with which Carlos was kissing you.

“I promise I’m going to be better. No contracts starting from tomorrow, not anymore” he promised, making you smile and nod.

You pecked his lips once again before standing up, taking his hand and leading him towards your shared bedroom. You helped him change out of his clothes and got into bed, hugging him close to you as he rested his head against your chest.

He was asleep within a minute, the calm and soft strokes of your fingertips through his hair and down his back lulling him into a much-needed sleep.

You kissed his forehead before you let yourself fall asleep as well, basking in the warmth and comfort of your fiancé.

And, at the end of the day, no matter what the future may hold, you would always have each other.

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[bitchcakegreen]

I finally watched all four episodes of season 3 part 1 and I have thoughts, as a fan and as a screenwriter/former romance novelist, and professional director. I didn’t have netflix but I got it for this season. I did this kinds of analyzations and such during Game of Thrones. Hopefully people enjoy reading. Full disclosure, I have not read any of the Bridgerton books. (I’m about three chapters into Romancing Mr. Bridgerton)

First off, give me all the Pen and Colin all the time. I’ve been hoping they get together from season 1 and I’m so happy Shondaland didn’t make us wait another season, as the books go in a different order. There’s a lot of subtle nuance to Pen and Colin’s scenes, Colin always seeking out Pen wherever they are, the tent pastry scene followed by Colin clearly eating the same pastry as Pen did. The tent scene was freaking hot. I said what I said. Things of this nature make their love affair so lush. It’s that journey to getting to the carriage scene that’s so thrilling.

I didn’t mind Francesca’s subplot or the Mondrich one but I do agree with many I’ve seen here that the subplots almost took over. There was a lot of emphasis placed on things other than Pen and Colin which annoyed me somewhat. Hopefully when we get to part 2 there will be more intense focus on Polin and the subplots are just rotating around them because right now, with the pacing of these first four episodes, it’s the opposite. Polin feel as if they are somewhat an afterthought.

The Cressida redemption movement I don’t think will last into part 2. I think all this work is to try and make the audience sympathize with her and then when she goes after Pen, Pen as Lady D, and so forth we are supposed to think “OH! But she was being so nice.” Hopefully I’m wrong and they follow through on her storyline because if they don’t…they wasted a lot of time and storyline on her instead of focusing on Polin.

I’m ambivalent about Lord Debling, so meh. Sorry about it.

Anthony and Kate - absolutely unnecessary but I know why they brought them in. One, he is the Viscount so he would be around. Two, they are fan favorite. I get it. I accept it. It was just wasted real estate for me. But to each their own.

I love Mr. Finch and I LOVED he got to be such a beaming brother-in-law for Pen in the green dress. I do wish they hadn’t shown us the dress reveal in the trailer. It would have been such an awestruck moment for us to see it first in the show. Sweeping cape removal and glittering loveliness.

Pen’s sisters and their race to get pregnant. It’s all a setup for Pen to be pregnant first or with the male heir by the end of the season. Cute but really long winded in getting there. There is a now since deleted promo clip of Pen, with Colin standing behind her, where she takes his hand and places it on her stomach. So we’re getting a pregnancy nod somewhere next part. May even be why she faints in whatever scene they show in the trailer for part 2.

Eloise needs to get her head out of her butt. I don’t think she’s angry Pen is LW but more angry that she didn’t figure out Pen was Whistledown sooner. She’s mad that Pen didn’t try to see her during the offseason, yet she tells her at the end of season 2 to get the fuck out of her life. Get it together Eloise. I love Eloise, don’t get me wrong, I adore her. I just want her to stop acting like an ass and TALK to Pen.

There is discourse about the second Colin threesome scene, but there really shouldn’t be. There’s a reason for it. It showcases that Colin is done with the charade he’s been playing all season. He isn’t the bon vivant, dashing rake he’s supposed to be. It’s jarring but it’s a scene with a purpose.

All the Polin scenes are delightful. The balloon scene might be my favorite - the pastry scene I include in this. And of course the first kiss and the carriage scene (which lives in my head on repeat) but I have to say, I wanted more Polin screen time. I think if we spliced all the Polin scenes together we see that out of four hours of film, they have maybe a cumulative 1 hour of screen time. Which isn’t much for a couple that is the lead of the season. Hopefully the ratio will be better in part two.

Merit badges and raises to the Featherington coachmen and to Pen’s maid Rae. They are MVPs and are totally gossiping about Polin. You know that tea was flowing in the servant’s quarters about the carriage ride…

Scenes I hope we get in part 2.

1. Full on sexfest with Pen and Colin, the likes to rival Daphne and Simon.

2. Whistledown reveal to Colin. First I want him angry - that passionate angry we use in romance novels. The kind where the hero is always “I’m so mad at you right now I can’t see straight but I need you writhing with passion underneath me screaming my name RIGHT NOW!” kind of angry. I want ripped corsets and torn skirts. If you know you know.

3. Pen and Eloise make up.

4. Big stupid lavish wedding.

5. More unhinged Queen Charlotte wigs. Because reasons.

Sorry this was such a long post, but I needed to get my thoughts out. Thanks for reading if you made it this far. Now excuse me while I go watch part 1 elevenity million more times.

[bertoyana]

funniest thing to #Me about the use of charles' telepathy in charles' and erik's relationship in the prequels is how both of them suck SOOO bad at using it LMAOOOO

like, you'd think having a telepath in the dynamic would actually help things along with the communication, but they are both USELESS at making use of it

charles will use it to crossdress erik and tell angel how much he wants to fuck him and erik will use it to tell charles how much he wants to be controlled, but that's ALL they use it for. it's not even horny or funny anymore it's just SAD, man. they suck so bad at it

(the only time they ever make good use of it is when charles unburied one of erik's memories with his mother, and that's it)

erik just automatically assumes charles knows everything and that he knows WHY erik does the things he does (because charles is in his head, so he MUST know, right?) and charles automatically assumes erik understands the hidden meaning of every single thing he says (because erik is also in charles' thoughts, so he SHOULD know, right?)

(wrong. they are both stupid and they will keep going in circles for 30 years straight)

like. take their first interaction in xma as an example

(on the other hand, i don't even want to think about the "you are looking in the wrong place" line because it makes me want to k1ll myself in front of the writers)

they are in each other's heads right now, and yet they are not even LISTENING to each other, they are just going in circles because both of them are too wrapped up in erik's own grief to actively try to hear what the other is trying to say. and while you can tell charles is hurting for erik and wants to help him, he's probably not going about it the best way

also if you pay attention at the start of the scene, when erik feels charles in his mind he just... looks confused, curious maybe, as to why charles is there, but he doesn't get angry or defensive straight away. he just lost his family for the second time (simon kimberg i'm in your walls) so he's probably even welcoming the only familiar thing he still has left.

he doesn't get defensive UNTIL charles starts talking and just kind of... also starts putting his own foot into his mouth. bless his heart.

and the thing is, while they get interrupted by apocalypse... being there lmao, i don't think this would have pan out any different if it was just the two of them. as i said, they are not listening to each other. charles means well but he's not really listening to what erik is trying to tell him, and in response to this erik is rejecting any type of help charles wants to give him.

and we know apocalypse was using erik's grief (about magda and nina, about the camps) to manipulate him - *we* as an audience know that, but back in this scene, charles doesn't even NOTICE apocalypse. and this, plus the fact that as we've established, they SUCK at trying to listen to each other and communicate, just brings the entire thing to failure.

(also imagine being the most powerful telepath in the world and being too focused on your best friend to notice the god standing a few steps away from him... which could mean nothing)

(mind you. they are literally in each other's heads rn. they can hear what the other is thinking and feeling. AND YET)

and it's even funnier (no) how they are even WORSE without charles' telepathy. take as an example, both of their fights in the plane in dofp

from charles' point of view, erik was the one that left him. erik literally and physically LEFT him in cuba, took the only teleporter there was and left charles to bleed out (lmao). meanwhile, from erik's point of view, he might have left first physically, but he only did so after charles rejected him. so, from HIS point of view, charles was the one to pull away FIRST. when he told him they didn't want the same thing (rejecting erik's ideals and by thus rejecting erik himself as well)

(and charles also let erik to rot in prison for 10 years so he could be also referring to that lmao)

this also brings me to my other point. which is something that i do think is pretty much ignored by everyone, but to be fair, it's also ignored by the movie so,

and it's the fact that the movie establishes that erik has been isolated for 10 YEARS. again, we as the audience know that charles has been struggling for the past 11 years, we know he did all he could for the mutants and we know he's been struggling, and we also know he's been using the serum because he couldn't stand the voices.

mind you, erik doesn't know any of this. not only because he's been in prison for 10 years (and i doubt they let him keep up with the news) but also because charles doesn't tell him any of this (fair)

and the last thing erik said to charles before they parted ways in cuba was that they wanted the same thing, which charles denied.

so from erik's point of view, all that he knows is that charles promised him all those years ago that he wasn't alone, and then he rejected erik in cuba, sent him away, and then proceeded to give up on erik and on their cause by doing nothing when the mutants were being tortured and experimented on. and he started using the serum and living with hank like a normal human being, sacrificing his powers and 'betraying' their cause.

ofc none of this is what actually happened, and *we* know that. but erik doesn't. and for some reason??? that i find extremely hilarious??? no one ever BOTHERS to correct erik's assumption, lmao. also none of this ever comes up again in the movies which to me just means erik went on believing that charles just briefly gave up on their cause for 10 years LMAOOO

okay, moving on bc i still have things to yap about

the other plane scenes comes in. erik shows up with the chessboard, they actually DO talk a bit and erik tells him he didn't mean to kill jfk (can't believe i wrote that down these movies were insane) and then they settle to play chess. AAAND this scene comes in

and he apologizes for SHOOTING charles, because he never meant to hurt him, and he does regret that. but he's not apologizing for leaving, because, once again, from his point of view, charles left HIM

and then charles hits him with the most pathetic saddest wettest expectant look in existence (james mcavoy you are insane) because he thinks erik is going to apologize for leaving

and then erik hits him with this LMAOOO

and charles realizes erik is apologizing for shooting him (something i'm pretty sure charles didn't exactly blame him for? his biggest accusation was that erik abandoned him)

and you can see charles literally and figuratively backtracking and shutting down immediately AGAIN.

(because, again, charles thinks erik left him, and erik should apologize for that, but from erik's pov? charles rejected him, he pulled away FIRST so he wasn't the first to abandon the other. charles was)

(they both are wrong and right in a way. they also don't tell each other any of this)

then it's erik's turn to give charles the wettest and saddest look known in mankind, charles shuts down, refuses to even look at erik, he changes topics and erik lets him.

(they never talk about this again, btw)

(it probably blew up in their faces in genosha. i just know they make everyone's life miserable as hell in there . god bless)

anyways, i'm sure someone smarter than me could make a more interesting analysis of how you can tell they do genuinely care about each other, but their failing to communicate properly just brings them to their fall down over and over. especially because it's something that keeps blowing up in their faces all the time in the prequels. something something the failure of telepathy something.

[penkura]

hey! how are you?

hope you're doing well :)

I wanted to ask, If you could pretty please write a one shot about Sanji and reader, I'm watching the Zou arc now, and I really want to know how it would be If reader was with him in the moment he finds out about the marriage and leaves the note, she would cry and beg him to stay or something, you can decide If they were already in a relantionship or not.

Anyway feel free to ignore it if you don't want, and take care of yourself <3

PS: sorry If something got wrong, english it's not my first language.

Omg the Zou arc, pain with Sanji geez. I'm so happy for this request tho, I've not written this scenario before! I had an idea for their relationship as soon as I read your message too, so I hope this is what you were looking for! I kept it open for a part two if you'd like later on as well! I hope you enjoy it!

You and Sanji had been close ever since Luffy recruited you shortly after him. Something about the blond had just drawn you in and he was glad to entertain you and spend his free time with you. Even when you’d sit and watch him cook in total silence, Sanji welcomed it, he was happy to have company and someone to listen when he started talking out loud about what steps were next. You learned his most common dishes so well that you were able to rattle off the directions yourself, causing Sanji to become smitten with you quickly.

You’d fallen in the same way, after spending time with and getting to know Sanji. Despite his perverted tendencies at times, you found yourself drawn to and falling completely head over heels for your crew’s chef. He kept somethings about his life before meeting Zeff from you, the most you knew was that he was one of five children and from the North Blue, you didn’t dare pry too much farther. You didn’t want to push him away and ruin the friendship you’d built with him, especially once you realized your feeling for Sanji were more than just friendly.

Not like you’ll ever tell him, if you have it your way. You weren’t going to make things difficult for not only you and Sanji but your whole crew too. You’ve become content to just admire and pine after him, no matter how many times Nami tells you to just say something to him about your feelings, you refuse to do so. You won’t make things awkward, not when everyone is focused on their goals and now looking towards taking down an Emperor of the Sea in Kaido.

“The main event is a wedding,” Bege takes out an invitation and opens it for Sanji to see, “Between the third son of the Vinsmoke family and the 35th daughter of the Charlotte family, Pudding.”

You were content until this new development. A tea party invitation and requirement from Big Mom, a wedding to a girl he’s never met, the last name he’s never once told you about. You just believed he didn’t have one, like Nami or Usopp, it didn’t matter to you if he did or didn’t. He’s Sanji, he’s not this Vinsmoke Sanji. Your mind is reeling as he flat out refuses the invitation, while your crewmates shout their disbelief at this situation, you can’t even seem to join them. Everything moves so fast, the next thing you know, one of Bege’s crew members has whispered something to Sanji that’s got him going rigid, being getting a pen and piece of paper to write something down. You don’t even notice fully that he’s taken and ripped a piece off it, ignoring the looks he gets from the others around, wondering what he’s doing.

While Sanji slips the note he’s written to Nami, you try so hard to finally speak but the words won’t come out. He can’t leave, he just can’t! He’s so important to your crew, to Luffy, to you, Sanji can’t just go off and marry some random girl he’s never met! It’s not fair, even though you’ve never made your feelings known to him, you have no claim on Sanji. You’re able to get back into focus as he speaks to you all again when he hugs you.

“Please know, I never meant to keep anything from any of you.” He grips your shoulder just a bit tighter than he has before, and that’s what finally gets you to speak.

“Sanji, wait! You…you can’t go! I…I lo—”

He stops you with a smile and placing his hand on your head, nodding just a bit. “I know…but don’t worry, I’ll come back…and then we can talk, okay?”

You don’t believe him, even as he forces the four of you out of Bege’s castle, giving everyone a smile and promising to be back later. He’s never lied to you before, why shouldn’t you believe him? You have every intention of running after Bege as he goes to escape, but Nami reminds you that it’ll be pretty hard to do anything when you’re still chained up like the rest of them. Even after the Minks free you, you want to go after them, but she stops you again, with a hug that finally makes you start to cry over not being able to stop him.

At least, until you feel the scratch of paper on your shoulder and realize that’s what he was doing, when Sanji gripped your shoulder tighter. He was slipping you a note separate from everyone, now you can take it and see what he was telling you that he kept from everyone else. You don’t read it until you’re back to the room you and Nami are sharing thanks to the Minks, and all it does is make your heart ache and feel like you should’ve done more, because now you truly don’t believe he’s coming back.

No matter what happens next, I love you. I’ll tell you in person when I come back.

You’re going to help Luffy get him back, your mind and heart are decided.

[poppitron360]

I’d like to dive deeper into my thoughts on Caleo, bc they have been taking up most of my brainpower rn:

I get where Rick was going with it. I really do. They started off hating each other, Calypso thinking Leo was really annoying and just generally being like “why is this tiny human talking to me?”, but then they grew closer, realised they misunderstood each other, and bonded over common ground. It’s sweet. But the thing is, Rick? You’ve already got a character that did all that with Leo in the previous book!

And his name is Frank.

1. You’ve already set up that dynamic! Why not spend more time focusing on fleshing out that existing arc instead of creating a new one?

2. There’s SO MUCH more potential with angst- Frank being afraid of Leo bc of his fire, Leo being afraid of Frank because he’s twice his size and could easily crush his tiny body under his foot. Leo’s had to learn to survive on his brains and quick-wits in order to protect himself from bullies, and instantly gets defensive when he sees Frank. Frank is very insecure and sensitive, so immediately falls victim to Leo’s jokes. It takes a while for both of them to take those walls down, put aside their differences, and learn to trust each other.

3. It’s just hilarious how got-off-on-the-wrong-foot they were. A reminder that when Frank first met Leo, Leo had just destroyed half of New Rome. They both immediately judged each other completely based on looks- like it’s seriously funny how much you could compare these two to “Pride and Prejudice”. Also, the awkward misunderstanding that was the whole Sammy thing-

4. But they also have a lot more in common that Leo and Calypso ever did- similar trauma with losing their moms, and actually Leo is just as afraid of fire as Frank is. Both are incredibly insecure, and they both feel like they don’t belong among the other Seven.

5. You’ve also got that fun opposites-attract thing- Frank is big and muscular, Leo is built like a twig. Frank is big soft pookie bear, Leo is an absolute menace to society. Frank can turn into animals, Leo is a machines guy. Frank is Roman, Leo is Greek. You get the idea. They were written to juxtapose each other beautifully. They are the Yin to each other’s Yang.

6. They get so much more time together to establish a meaningful relationship. Their arc carries over three books, and we get to form connections as a reader to BOTH Leo AND Frank separately beforehand, so the payoff is a lot more satisfying. It takes time for them to open up to each other, and when they do it feels like they earned it. Calypso and Leo got a couple of chapters, that’s it.

It doesn’t have to be romantic! Leo can heal his trauma with friends and found family, learning to love and accept himself, learning that he doesn’t actually need the attention of a hot girl to be valid. He can find his place among his brethren with the help of all his friends, even Frank- the most unlikely of friends.

I wish Rick had put more effort into fleshing out the platonic relationships instead of just conforming to romance-centric ideals of “love fixes everything!” It’s lazy, and boring, and has been done to death. Platonic friendships make up 95% of our relationships, yet they are SERIOUSLY underrepresented in media. I’m calling for more interesting platonic dynamics. Leo and Frank could’ve been so much more, if Rick had actually taken the time to build on their relationship, and focused less on “Leo Needs a Girlfriend”!

So, when I say “Everything Caleo did, Valzhang could do better”- THAT is what I meant.

Also, Jason is so much better for Leo than Calypso, but that’s a whole other post.

[jq37]

neme(sis)

Summary: The Rat Grinders actually fight the Bad Kids on the Hangman instead of just sending dragons and Adaine has to do some quick thinking.

"Adaine Abernant."

Adaine winced, clutching her head as Raulothim's Psychic Lance pierced her mind. It figured Oisin knew the spell. Raulothim was a dragon after all. She wondered if he learned it in class like her or if he'd come to school already familiar with the spell because of his dragon ancestor who was currently trying to swallow Gorgug, axe and all. She didn't wonder for too long though. There wasn't time.

"See what you can do with access to proper spell components?" Oisin called from the other side of the room, his tone mocking.

"That spell doesn't even have material components!" Adaine called back in spite of herself. Insulting her was one thing but getting basic spellcraft wrong while doing it? Unacceptable. She ignored his expression, smug from getting a rise out of her no doubt, and surveyed the battlefield. The Rat Grinders had caught them on their back foot. Things were going OK but they were playing defense. And no one was where they needed to be. Spellcasters too close to melee, fighters out of range. Only Gorgug was arguably in the right place but he was far too close to being dragon food for her liking. Fabian needed to be closer to the action, Riz needed cover, and she…

Adaine suppressed a smile, idea forming in her mind. She needed to be in punching distance.

"Scatter," she said, raising a hand. Five creatures: Gorgug, Riz, Fabian, Kristen…and Oisin.

Her party members didn't fight the spell, well used to the feeling of her magic working on them mid-battle and knowing that it never meant harm. As she moved them to more advantageous positions, she was hit with a flash of the future: Oisin resisting the spell. She reached out and nudged fate just a bit. Nearby, Ivy walked dangerously close to a breath weapon attack. Oisin startled, moved to grab her, and--pop. Suddenly, he was standing right next to Adaine who was already rearing her fist.

"Counterspell!" Oisin called, runes on his forearms glowing. The expression on his face was even more smug as the blue energy charging on her fist fizzled.

"Predictable," he said.

"Gullible," Adaine thought, halting her fist without following through on the punch and stomping her foot on the ground to activate the teleportation circle they were both now standing on. Because of course the boy with the empty house and unlimited funds would have a teleportation circle installed so he could have his friends over as often as possible. Teleportation via spell needed a willing creature but a Circle? That just needed proximity.

As the spell went off, she concentrated. The benefit of a teleportation circle was that it couldn't go wrong like a normal Teleport spell could. It wasn't supposed to anyway. But any magic could be tweaked if you pushed hard enough. She remembered winding up in the wrong room in the twisted version of Mordred inside Riz's briefcase and concentrated on that feeling. She was sure she was going to have a headache in the morning but that was more than a fair price. She wrenched control of the spell, just enough to force the circle to spit them out a little bit outside of the paired circle in Mordred. There was a flash of light and--forget having a headache tomorrow. Her head felt like it had been bashed in with a pickaxe the moment they landed on the floor of her bedroom. She didn't think she'd be able to get back up for a minute or two--she didn't even try. Oisin didn't seem to have that problem though. He got up and stood over her.

He smirked. "I thought the elven oracle was supposed to be more of a challenge. I knew we'd come out on top but I didn't think it'd be so easy." He raised his hands, readying a spell, but the sparks at his clawtips died as quickly as they were produced. He tried the spell again to the same result, too focused to notice the sudden subtle sheen to the patterns painted on her bedroom walls.

A Sending spell pinged in her mind. "Ten seconds, dear sister."

A smile played on Adaine's lips.

"What?" Oisin demanded.

"Just that you all have been so obsessed with being our nemeses this whole time. But that was never gonna happen with you and me. That position is already filled."

There was another flash of light and before it even cleared, Adaine felt the tingle of magic settling over her like a second skin. Her sister's abjurer's ward extending to cover her reflexively. Just beyond the ward, she could feel the temperature in the room start to drop--a side effect of the Cone of Cold that was about to erupt from Aelwyn's outstretched hands.

"You're familiar with my bitch of a sister, right?"

[yuri-is-online]

I really love Sebek and Epel and Deuce

Sebek's Yutu would be a tad hilarious but also kinda sad because his dad MAY OR MAY NOT BE ALIVE because man

Malleus :(

Epel's Yutu tho......

I saw a fic where Epel can use a gun (mentioned in passing) so I'm imagining that while Epel's Yutu is a great farmer just like his dad

He's also got a rifle :)

You have given me a vision... the one thing Epel! Yutu wants... is to be a cowboy. Can you picture a baby who looks a lot like Epel with a little cowboy hat and boots, he'd be so cute. Also, I was having brain rot and decided to introduce one of the friends lovely @archetypal-archivist helped create for Yutu! Please check out their Azul! Yutu posting it's very good and I love it sososo much. Unfortunately this post does not feature Epel riding on a horse, I'll have to fix that sometime. And get back to Sebek later.

notes: they/them used for Yuu, context on the fyuuture kid au can be found here and here. For more fyuutre kid au, please check out the series section of my masterlist.

Yutu's earliest memory is of apples.

His parent had him in a sling as they worked, picking and packing the fruit as they softly hummed a lullaby to soothe his grumpy mood. He never was able to get over how big an orchard could be, even when he was old enough to walk under the trees and play with the other workers children something about that sea of greenery just felt magical. Like if he really focused the outside world would cease to be and he could wake up in a land of nothing but him, Yuu, and the acceptance you can only ever find in nature.

But that's not how things ever went. When he opened his eyes Yuu would pack him up and they would move to follow the harvest until the winters shut things down and it was back to that god awful place Yuu had been born in. He was glad to move away when Yuu found them a permanent place to stay when he turned 10, gladder still for it to be a farm even if it didn't have the orchards he loved so much. The old couple that hired Yuu on were impressed with how deeply the single parent cared for their son, and how eager the son was to to help his parent. It was the perfect set up for an ideal, if difficult, childhood that would nurture Yutu in to a strong young man.

But this isn't the happy family future, it's the bad one. And things were always going to go wrong sooner rather than later.

Mixing things up from the other posts, Yuu feels particularly drawn to farms and farm work when thinking about Yutu's father and ends up crisscrossing their country as a migrant farm worker until they're offered a full time position as a farm hand they happily accept in the hopes of stabilizing Yutu's education. Yutu genuinely loved his childhood and grew up having a deep respect for manual labor and agriculture. He assumes Yuu must have met his father while traveling and had a brief relationship that produced him, but accepts that whatever accident caused Yuu's memory loss will keep him from ever really knowing if that was the case. Yuu impresses on him that his dad was a hard worker with a bit of a temper who never backed down from a challenge. They tease him that he gets his "cute" side from his Pappa, which Yutu likes about as much as Epel probably would.

He's doing his time in the short king mines, Yutu won't hit his growth spurt until around 17 and how tall he gets is from that is up to you, but if he stays short just know he is not happy about it at all. Unless someone brings up the fact he could probably have a career as a professional jockey and then he will maybe think about it as being a blessing. Maybe. Yutu learned to ride pretty early on in life and he loves doing it, but he doesn't really want to race horses. He'd much rather be a cowboy with his own little farm and a family of his own with a big orchard to tend to. He's got big dreams of one day being able to introduce his partner to Yuu and give them a nice place to retire to.

Plays outside by himself a lot. There are some kids at school he befriends, but a lot of their parents are wary about letting their kids hang out with him at his house. Yuu is seen as a bit weird, even if the old couple they work for is well liked most people in town know their kids who really dislike Yuu and Yutu for reasons that escape Yutu but his parent seems to understand. "They think they're protecting their parents." As Yutu grows he thinks it has to be more about money, he and Yuu love working the farm but their kids all have different jobs they got college degrees for so they probably want to sell the land when their parents die. He's right about that last bit of course, and willing to let Yuu give them some charity but he doesn't think they care about their parents near as much as he cares about his. Otherwise they'd at least be nice to someone their parents considered part of the family and not ship their mom off to a nursing home before their dad was even in the ground. Or evict the outcasts they considered part of the family too.

You have no idea what to do as you pack up your few belongings, Yutu can tell that you are stressed and it makes him mad. He tries to focus on helping, taping things up and dragging them out to the beat up car as you listlessly stare at the kitchen sink. After he moves the second box he notices you're not packing anymore and goes to check what's wrong and his instincts begin screaming something's wrong. Your eyes are unfocused, staring down at a framed picture he remembers well.

"Do you ever think about how all of this is my fault?" You sound a world a way and Yutu guesses that you are, the photo of a younger you with a toddler him in a sling under the apple orchards stares back at you both questioning just where is it you plan to go from here. It can't be back on the open road, school is about to start and the entire point of staying here was to make things better for him. Yutu is about to ask you the same thing when he hears the wind pick up, and is that a carriage he hears? "If I hadn't forgotten you, then maybe I could have found a way back..."

"What in the goddamn-" Yutu is cut off by the glass being blown out and he dives on instinct to cover you as the world spins around him.

"I'm real sorry Epel, you don't have to forgive me but... even after all this time. I still love you... I still love you and how sad is that..."

Good news, Yutu doesn't have to sleep and a shitty motel tonight. Bad news, he's in the middle of some fancy private school shit and his parent is flat lining on their floor. He starts screaming bloody murder until Crewel comes and scoops him up and ushers him off to the hospital wing where they have a very tense conversation. Yes, he does belong here actually he was supposed to have been born in this world with it's magic, monsters, and annoying private school uniforms he finds himself shoved into and marched back out to that fuck ass mirror to hear what dormitory he belongs in. The fuck is a Pom-e-fee-or and why does that girl with the 2000s throwback hairstyle look like she wants to kill him for asking that?

That girl is the Vice Warden of his new house and she absolutely hates him on sight. Like, she's heard about Epel before, duh who hasn't? He performed in the VDC with the Vil Schoenheit and he had like a fun Magicam account where he promoted his family's apple farm. Didn't Yuu tell him anything about that? Ugh guess she'll have to do it and hey why is hE RUNNING AWAY DOES ELEGANCE MEAN NOTHING TO YOU?!?!?! WHERE IS YOUR POMEFIORE DIGNITY YUTU DON'T THINK SHE CAN'T CATCH YOU BECAUSE SHE'S GOT HEELS ON BITCH!!!

It's exactly where Epel's Pome Pride was when he first joined to dorm, down a drain someplace because Yutu thinks his dorm is the pits. Growing up like he did made him starkly aware of just how different people with money see people like him and instilled a deep hatred of people who make their personality their skincare routine. He thinks the way rich people spend their money is boring and hates that his dorm mates are spending their precious time in a literal apocalypse doing their make up and hair. His Vice Warden is irritated with him and asks what he does then when he can't control the circumstances around him and Yutu goes to snap back at her but finds he doesn't really have an answer.

"Have you even tried taking care of yourself before?" Peyton is looking over his hair in genuine disgust, it's different than the resting bitch face she usually has. Yutu has seen enough of both to be able to tell the difference now.

"I mean I don't not take care of it." Because Yuu had tried to get him to do things like a skincare routine before, and come to think of it they had phrased the reasoning much like Peyton is now. Take good care of yourself. His Vice Warden rolls her eyes and turns towards her vanity, the amount of homemade products and their labels immediately tells him they aren't all for her hair type.

"Yeah but you don't do it well. Look I'm not crazy about bougie stuff either but like, you just feel so much better when you put the effort into yourself and not what other people say about you." She hesitates before meeting his eyes in the mirror and adding. "Trust me, I'd know." And Yutu believes her.

It has got to be hard being a vocaloid stan in a dorm with a literal ballroom.

Yutu really does belong in Pomefiore. He's great with alchemy and magical plants, just like his dad Crewel is all to happy to tell him. They talk a bit about his dad and the situation in the Shaftlands, how no one has heard from Epel since the blot took over and it's insanely difficult to get anywhere near there since the Phantom Hunter makes your life a living hell if you try. Most people think he's dead, but Crewel isn't so sure. He thinks that the various communities across Mt. Moln could easily sustain themselves if they barricaded against the blot monsters, but they also don't have a lot of mages so actually defending themselves could be difficult. Then again this does mean that the stronger phantoms would be less interested, so who knows. In the climate of the day though it is probably best to brace for the worst.

The sports clubs still exist in a less intense manner than before to give people different ways to relax and things to do. Since Yutu loves horses he tried the equestrian club out before deciding it was way too "fussy" and settling in to the board game club since he never really had enough friends to actually play them with before. It's a lot of fun to compare all the ways these games are similar to ones he knows about from Yuu's world and yet completely different. It helps nurse his sadness over losing Yuu since they were the only one who ever played these sorts of games with him and he has fond memories of how they totally never let him win.

He takes a great deal of comfort in knowing his dad had similar struggles with his dorm placement and is overjoyed to learn about the family farm! He wishes he was there right now and drives Peyton absolutely bonkers telling her all about the tests he's run on the soil around campus, how he thinks blot might effect plant growth, and the ways he can think of to combat it. She's crying please just go talk to the Ignyhide kids they totally care about that stuff probably! His lectures end up being useful when they're finally unable to avoid going out on missions any longer as understanding the signs of heavy pollution makes the stronger phantoms easier to track.

It's a realization Epel has also had, secluded in his little village as he is. Harveston has heavily fortified it's position and bulked up it's population with the survivors of other surrounding communities. They have been gifted the ability to endure, but Epel doesn't know if their community will survive long term unless the phantoms are dealt with. The surviving members of his family from the Queendom told awful stories when they retreated here, if that's what's going on in the rest of the world he imagines S.T.Y.X. is probably involved so he tries to keep his eyes peeled for anything like their tech. He manages to find a busted drone in the snow one day and brings it home to work on it whenever he gets a spare moment. It helps him ignore his grief over losing Yuu, his child, and contact with all of his friends. When he's focused on not breaking the drone further, he can convince himself he's either worked through that already or that once he fixes it he will have everyone he lost back at home with him where they belong.

Unit 7954 cackles back to life with a stream of what sounds like a stream of curse words, but Idia has certainly never heard any of them before. He knows that joyful cackle though and he thinks he must have stayed up too long again because he as to be hallucinating. There is no way he's actually looking at Epel, but the whooping before he shyly calms himself down reassures him he is. The two frantically talk about the situation in the Shaftlands and the number of survivors before Idia smacks himself and remembers to mention Yutu's existence. Epel falls off his chair in surprise at the news and Idia is worried he's killed the man before he hears his sobbing. Breaking through the front lines of the Fairest Queen might be impossible, but a video call now that Epel has fixed the drone isn't and Ortho is nice enough to set one up.

"Sevens yer big." Yutu feels like he's 10 feet tall when he hears the drawl of his father's voice. "Bigger than I was at yer age I reckon." The man is certainly taller than him, with lavender waves he's tied neatly back to let him see better under his thick winter clothing. His smile is so warm and friendly Yutu wishes he could dive through the screen and be there with him right this instant. "'s ok if ya don't know where to start with the questions, I bet you got a bunch."

"Why'd you marry Yuu?" It's not what he expected to ask first. He wanted to talk about school, or ask something practical like tips about finding his unique magic or fighting monsters. But that was what he really wanted to know wasn't it? Why Yuu was so important, if he was important to this man and his different accent even after all these years. And the happy smile that relaxes his father screams that he is, it's as if he's shed years of stress and suffering just thinking about his parent.

"Be easier to list the reasons I didn't like them since there aren't any." Epel closes his eyes and thinks about that first moment he realized how much he liked you, tucked away studying in the library and bickering about how to do an assignment as he wondered why you were even there and if you thought he was cool at all. "Since Yuu was from another world a lot of us felt like they deserved a good home here, but that just meant I wanted to invite them over for the summer and stuff like that. Didn't mean I wanted to spend the rest of my life with them, that's what I thought at first anyway. But well, you know Yuu pretty well. They always somehow know where the good lies in even the worst of people. Or at least they knew where it was in me and made sure to believe in it right up until the last day I saw them." They both quiet at the thought of that, Yutu wondering if he should push further before Epel quietly adds. "I hope you know they'd be stupid proud of you for everything. Pomefiore isn't an easy dorm to be a part of but if you put in the work you'll really thrive there, and the both of us really believe you've got what it takes to do that yeah? If you'll let me speak on their behalf anyway."

"Of course you can." Yutu does his best not to cry, but Epel can tell it isn't going to work. "You- you miss them too after all." And isn't that the truth.

The plan to go back in time is decided on before the blockade around Harveston can be breached. Epel gives Yutu as much information as he can about the past and what to expect before he goes, making him promise to hug the younger him at least once in the hopes the memory will somehow flow across time and he'll get a taste of what it's like to hold his son before he sends him off with a "good luck" and "kick their ass!" Even though neither of them fully know who is responsible just yet.

Epel! Yutu has an easier time adjusting to the past than a lot of the other Yutu's thanks to Epel's descriptions of people like- well mostly just his description of Rook. He still comes off as weird but in an endearing way as opposed to an "I need to run for my existence literally" type of way. Unfortunately his dad might have buried the memory of just how in his feelings and jealous he got about Yuu pre relationship. He's rolling his eyes and ignoring everything Yutu says because he wants to monopolize your attention and Yutu is honestly kind of living for it. He thinks it's super cool that his dad is willing to fight for Yuu's affections even though he could be considered to have no chance. He's short, more "cute" than he is "hot," and poor by a lot of people's standards. Sure, Yutu loves the farm life and Yuu must have to raise him in it but if that isn't how you grew up he's super surprised you chose Epel. Surprised and grateful because Yutu really loves his dad.

That love gets through to Epel somewhat, he's super confused as to why the new guy thinks he's so cool AND why he wants to complain about it. Isn't that what he wants? To be seen as cool, strong, and reliable? Well sure but he wants you to see him that way more than anything, it'd make him so happy if he had your approval. He's happy to have your friendship but- well it would just be nice to have you around forever. He's going to miss you when you go back to your world.

Yutu considers re joining the board games club to get close to Idia, but sees Azul and moonwalks his way out of there in a move that definitely doesn't put him on either of their radars and announces to Yuu that he will be starting a book club instead. He does this so he has a reasonable excuse to spend a bunch of time in the library and request access to various archives but Sebek joins since it meets once a week on Saturdays and railroads it into being like. An actual book club. They have other members too and Yutu hates it because he isn't super fond of wasting his time reading things unrelated to his mission but some of the stuff Sebek recommends is good he guesses.

Yutu thinks he's doing a good job of flying under the radar of suspicion, and to be fair Epel and Yuu are a bit too caught up in each other to notice the stranger things about Yutu but Sebek is not and convinces them to surveil where he goes after the book club meetings. Grim is on board just because he's tired of watching Epel and Yuu make heart eyes at each other and he thinks he can get tuna out of it so they make a day of it. It turns out Yutu goes to Craneport every weekend without fail to meet up with... someone. He goes to an apartment building and it would be a bit too obvious if they followed him in there without more evidence (Yuu has to be the one to point this out because you know Sebek and Epel are ready to charge.) So they keep this up for a couple of weeks until one day Yutu cancels the book club meeting and leaves campus early. This time he heads towards the mines Yuu explored with Ace and Deuce for the mage stone that second night they were at NRC. There are several people there, and Yutu does something he's never done, not even around Yuu who he has described as a friend. He lets down his hood.

The shock of lavender that tumbles out from the hood has all three of you tripping over yourselves to cover your mouths. His facial expressions, mannerisms, and even the way he goes the pull his hair screams that he has to be related to Epel. He's admitted to being from your world, and the way he speaks, the shape and color of his eyes and the way he laughs have to come from you. Sebek isn't able to keep it in any more as he starts crying, then loudly denying he's crying, congratulating you on your marriage since you are a friend of the young master before yelling at Yutu for acting in a manner that could have brought dishonor to his parents.

All of this scares the phantom Yutu's friends were hunting out of hiding and forces everyone to fight it. Yutu is extremely flustered from Sebek's scolding but he is nowhere near as embarrassed as Epel who immediately starts taking it out on the phantom and cussing up a storm. It's one of the quicker fights Yutu has had with a blot monster, and he isn't really complaining when Epel drags him and Yuu into the Dwarf's Cottage for a chat.

"So I'm yer Pa, Yuu's m' spouse and ya didn't think to spit that out 'fer you went fighting shit fucks BECAUSE?" Epel is steaming mad, he's almost as red as Riddle which Yutu would be impressed by if he wasn't so embarrassed.

"Um. Cause I didn't think you would-"

"YER GODSDAMNED RIGHT I WOULDN'TA BELIEVED YA! At first anyway." Normal, or would it be fake? Neither Yutu supposes, calm Epel is back as he crosses his arms and really looks at him. "You look like me, and you sound like them. I bet there's things you can tell me about myself you'd have no way of knowing otherwise so why bother hiding yourself? Don't you want my help?"

"Our help." You speak up immediately and Epel nods, affirming what you said slightly embarrassed he let his insecurities forget that you were here too for a moment. Yutu doesn't answer immediately, instead he looks very firmly at the ground as if he would rather be anywhere else than admit what he's about to.

"... not if it means you both die. I- I don't think I can watch that happen again." And oh seven does that change the tone of the conversation, because what does he mean by again?

Yutu refuses to answer until he gets to hug Epel. He expects it to be awkward, but it isn't at all. His dad squeezes him so tightly Yutu is sure his future self has got to feel it as he slowly lays out his story about the bad future and how he thinks it got to be there. About growing up in Yuu's world and the pain of watching you die. Epel is mad as hell to hear about it and swears it won't happen and is halfway out the door before he even has time to process it. Everyone brings Sebek up to speed, who insists on informing the young master immediately; something everyone agrees is a good course of action given how Briar Valley was the first place they know of being effected.

Malleus is delighted that everyone agreed to invite him on their secret mission, but also deeply disturbed by what hears. As Briar Valley's King, it is his responsibility to make sure nothing like Yutu is describing happens for no other reason than it would harm his subjects, but he can't help but be personally insulted that whoever did this would rob his human friend of their happiness too. The only re-payment he requests is that when (not if) he saves the future that Epel and Yuu invite him to the wedding, baby shower, christening, and any other important milestone they have in their lives. It's an easy enough thing to agree to Epel thinks. He has the approval of Ace and Deuce already, so to have Malleus announce he accepts him as your man too? That's all of the family you've collected in this world so... it's not too much trouble to ask you to join his, right? He won't be tricked this time, promise. You will walk this life hand in hand until the eternal sleep takes you both, and that won't happen until Yutu is practically an old man himself. And you of all people should know what Epel can do when he sets his mind to it; he got you to fall in love with him after all, didn't he?

[circeyoru]

[Question for the Collector Series]

Does anyone, aside from Trick, from the heaven embassy like the Elders and the Seraphims know of our existence?

Does Seraphim Sera or Seraphim Emily know of our existence?

(obviously) This is for {Collection of Overlords}, check MASTERLIST for the work

Okay, good question and this can actually go both ways. So I’ll answer that first. As a whole, both Heaven and Hell are not aware of the opposite’s True Ruler/Supreme Being, Trick/Noir or Collector/you respectively.

Now I say that in the sense that its realm residents, so angels for Heaven and demons for Hell, don’t know what you and Trick are or the truth of what you are in the world/universe/etc. Obviously, the elders and angels in Heaven listen to Trick’s words through ‘divine messages’ or go along with what Trick has arranged through ‘divine intervention’. Then for you, you have your thing of being involved but not at the same time. 

However, it’s the basic realm residents that have absolutely no idea who or what you and Trick are, they don’t even know you two exist. As for the higher ranks of both sides, it’s different and how my answer is what it is in the beginning. Let’s break it down.

To what degree do Heaven’s higher-ups know about Trick?

A weak degree in simple terms. 

See, Trick is not like you, they don’t and didn’t make themselves know to anyone outside of you. While they the Heaven’s higher-ups that there is a god, Trick is most certainly not one. Noir played the role of god in the eyes of Heaven and Earth because it felt like the right thing to do with their powers over light and holy elements in contrast to yours. While Noir played that role, they still never made themselves known.

If we’re going with what was revealed in the show, or canon, there are the Elders, Seraphim, Exorcists, Angels (human souls that died and judged to be in Heaven), and Heaven borns (not sure if they are called angels or not, but there’s also the Cherubs from Helluva Boss’ canon). 

What about you? (explained with Trick)

⇒ Elders (incorrectly) know that there is a higher power than them. Trick’s existence is a guess but a wrong one since they view Trick as the ‘god’ of the universe. By default, they don’t even think that there’s a possibility of someone on equal or greater footing than their so-called god. So yeah, the elders don’t know about you nor do they guess that there’s someone like Trick in Hell. Since Trick is (in their minds) THE god of the world.

⇒ Seraphim. Now, there are 2 that we know of; Sera and Emily. 

So Sera is a no-brainer, no knowledge or guess to your existence. In terms of Trick though, she follows the Elders’ incorrect view but magitize it to seeing everything that’s unexplainable to be a ‘divine message’ or ‘divine intervention’ like needing guidance from the one above or to be shown that she has done something wrong. For example, when Sir Pentious appeared, Sera’s expression is that of shock and disbelief in a sense that she can’t understand why redemption was allowed for Sinners. Sera is more focused on doing right and just to please her god, so she also doesn’t see a being higher or equal to god, naturally you’re non-existent to her.

In Emily’s case, while she too follows the Elders’ teachings, she doesn’t stress it all too much because she is the one that brings happiness, so she can’t stress too much on it. In her view, as long as she is doing right, she’s fine. BUT! She does feel watched from time to time, she does ask Sera and the Elders about it, though it’s not the answer she wanted. They tell her that she was under the watchful eyes of god (when in reality it is Trick watching her and she feels it), it shows that her place in Heaven is secure and protected even though she isn’t as important. It’s after the end of Season 1 that Trick disguises themselves as a weaker resident of Heaven to talk with Emily. Trick does see potential in her that is missing from the others and is mimicking what you’re doing in Hell, just more focused on one individual. All in all, Emily has no knowledge or speculation of your existence.

⇒ Exorcists. Straight answer. No knowledge at all. Even when they have been to Hell to kill Sinners. That includes Adam, Lute, and Vaggie (formerly). You purely hide yourself even in Hell, you think they’d know?

Adam, even though he’s the first man, never even saw a or the god that the Heaven Elders and Sera are so obsessed over, so he doesn’t believe it no matter how many times they tell him. In his mind, if this god is so great, why did Lilith left him or why did Eve leave him too or maybe why did an Angel like Lucifer even get the freedom to rebel?

For Lute, she could care less, mainly because this god or divine being was never around nor was she punished for her actions. I mean, where’s the divine punishment when she cut Vaggie’s wings off and left her in Hell? She made the conclusion that she just needs to act like she cares in front of the higher-ups.

Other exorcists? Yeah, they don’t care much too. For all of them, when they don’t even care for Trick’s presence, yours is not even in their mind.

⇒ Angels. I mean this in the sense that they are the human souls that were allowed into Heaven after their death. This answer may surprise you. Some would guess your presence, specifically those that doesn’t believe in that one god. It’s the mindset of “if there’s a god of Heaven, then there’s a god of Hell since Heaven already exists”. They just never voice it out because Heaven is strict on rules and to talk about Hell’s ruler is like a major taboo. They just mostly stay within their lives and boundary, not caring about the bigger picture.

⇒ Heaven borns. Err… Not sure if this is even right. But if you watch Helluva Boss, you’d know what I’m referring to. The Cherbubs protects humans, it’s like a service provided, think guardian angels from in animal form. Granted that they go to Earth and interact with humans, somewhat. However, they are heavily strict on the rules as well and on top of that, focused on their work. Similar to Angels, they don’t see the bigger picture of concerns like god or whatnot. I mean, Hell’s not even on their mind, so yeah, they have no knowledge or even speculation of your existence.

[variousqueerthings]

@autistic-puffin i feel like i have nothing more to say about go2, like I excised my thoughts in one go 😭 especially considering it feels like so much meta/art has already been posted

(EDIT: AND THEN I WROTE THOUGHTS)

my main thoughts are also maybe a teensy bit hot take, because I'd assumed it was going to be a bit like certain narratives that are quite popular on here, but don't really do it so such for me, because they don't ground their queerness in anything substantial or they try to, but aren't informed enough to do it well (I admire the attempt and I have nothing against these pieces, I just don't personally enjoy them) and so it's more about the shipping or the memeable moments and that's not really what I get into things for

and it being disingenuous to fold it under narratives that are willing and fun enough, but ultimately made by people who haven't done toooo much work around queer themes before and fall (in my opinion) a bit for the simple narratives of "everything ultimately has to have stakes that aren't too high and play nice and don't distress their audience too much lest fragile LGBT+ people can't handle it" <- sweet narratives, easy to follow, a tad too candyfloss and ungrounded for my taste, often unbalanced in its comedy-to-drama scales and undermining sincerity by solving things too quickly and/or with too little delving into what these things mean

neil gaiman and john finnemore have been writing queer characters and themes for some time, and david tennant/michael sheen have played queer characters before (and heck, david tennant has at least one queer kid), it's not so surprising that this narrative actually isn't as mass-appeal as was assumed it was going to be before coming out (heh, coming out)

and by mass-appeal I don't mean that it doesn't have mainstream attention, but that there's seemingly confusion about what it's doing, when if you're into stories about non-conformity vs oppression (in this case mainly through a queer lens) it's pretty obvious, and I'm assuming very rewarding on subsequent watches

it's not fluff -- fluff works better for me in fanfiction than in original works, it's not aimless -- either in direction or in theme, it's not mainstream queerness -- although nina and maggie kind of have that "LGBT-unburdened-by-reality" kind of thing that I often don't vibe with, they're a part of three narratives about connection that ultimately ground queer non-conformity in action and feeling as explicitly dangerous to oppressive systems (in this case systems grounded in Christianity, which works very well)

there's a confusion in some reviews I've seen in the mainstream about why it matters that we follow these characters through thousands of years (well, millions technically, but the main thrust happens in the thousands), and coming to the conclusion that it's just because everyone's having a bit of fun, and then they're totally blindsided by the final 15mins and unable to place it in what they've watched previously

but it makes perfect narrative sense and I can pinpoint after one watch clues and foreshadowing leading to those final minutes, and why it matters that we follow the characters the way that we do, and (while I won't go too much into this because I think I'm late to the party and plenty of others have already spoken about it) threads that have been laid out that will clearly be picked up on in s3

I quite enjoy that this is a narrative about queerness that isn't so palatable to reviewers, and isn't for that matter so palatable to viewers who are used to measuring successful queer narrative via easy-to-follow tropes, I think that's one suggestion that it's done its job right in how it was constructed

I want especially straight mainstream reviewers to have to do the translation and if they can't, then it's not for them. that's a rarity in queer narrative that's released with so much attention and that also feels like part of the magic trick of the season -- am reminded of when black sails season 2 "revealed" that flint was queer and that this was a narrative centred around queer rage as an insight into other forms of oppression (which some things were done better than others of course, but that was the purpose, and madi really is that voice at the end!)

and how some straight dudebro fans felt cheated, while many queer viewers went... well yeah, obviously flint was queer, they signposted it (here I also note that some queer viewers didn't see it until that moment because we're also used to being signposted at and then not having follow-through because queercoding language is so ubiquitous to tv and film writing nowadays that many straight people don't know what it is or that they're doing it, or they went "hey we might do something queer winkwink" and then called fans disgusting for reading characters as queer ✌)

and that feeling is somewhat similar here in a way. "we thought we were in this for a bit of silly fluff, what's all this about themes? it's confusing, we don't like it, we're going to flatten it rather than acknowledge what is actually happening in the narrative, and then we're going to interact with that flattened version that we've created instead and call it self-indulgent and harmlessly silly."

so my hot take is that... it's not silly. well it is silly and fun and even at times indulgent, but it's also quite good at being a story that is Queer in ethos, and I prefer stories to be queer in ethos and not just have some ostensibly queer characters around saying the right words without knowing why or where those words originate

it's better than it's being given credit for, in ways it's not being given credit for, because it's not made palatable for a mainstream straight crowd or softened for fear of upsetting anyone

[saltyyetbland]

ngl im fucking terrified of how the fandom will act when the asian ccs get added and they are confronted with asian customs such as honorifics, asian cultural norms, and the language itself (ie words that are common in one language that sounds like a slur in another) and i know most of the fandom will be open and welcoming but idk im probably being way too pessimistic as someone who is asian and has seen the bs that people can spew esp regarding things like stereotypes

[dazais-guardian-angel]

kinda wild to me that one of the most compelling aspects of both Chuuya and Kunikida's characters to me, that I never really see talked about, is how they're heavily set on a doomed crash course towards complete and utter destruction, and how I am so, so worried for them both.....

[andthebeanstalk]

Uh-oh! You are like, SOOO awkward!!

You're so awkward that it is occasionally mildly uncomfortable for people!

You're so awkward that sometimes people are confused by you and then there are awkward silences!

You're so awkward ...... that ultimately no one is harmed!!

Oh damn!!! What a vile crime you have committed! What an unforgivable thing it is to make a fellow human briefly confused!

Why, if *I* were ever briefly confused and kind of uncomfortable as a result, I'd be devastated.... by the absolute net zero change in my happiness and health! - From which I might never recover!! Yes indeed! No punishment can ever be enough for you!!

So you better absolutely hate yourself for it.

Better be SO MEAN to yourself about every single missed social cue so you don't forget your horrible crime! Meaner than you'd ever dream of being to someone else for the same thing! This is YOUR responsibility!

Better accept that idea that bullies carry like guns in holsters - the idea that people who have trouble with social cues should suffer. Better carry on the burden they placed on you. Aid the cause of the callous by enforcing shame and suffering upon yourself extra hard; try your best to do their work for them. They're very busy.

Better not recognize that you need patience and kindness to heal from your trauma. Better not find out that it was trauma rather than personal weakness filling your head with self-hating thoughts. Better not find out it wasn't your fault.

Better not find out that awkwardness is not inherently harmful or unkind, and, in fact, the people who act like it is *are the ones enacting harm and being cruel.*

Better not get righteously angry when you realize just how much unnecessary damage this has done to you. After all, if you get mad, you might realize you deserve better. You might even feel brave enough to DEMAND better! You might build boundaries that keep you safe! You might make other people think they deserve to feel safe too! And we obviously can't be having that, so...

Better not show yourself even a little kindness a little bit at a time.

Better not make a habit out of it after all that practice.

Better not get confident.

Especially if you can't first wipe out every trace of awkward. (And you probably never will. Because people who experience absolute social certainty at all times tend to be insufferable assholes that enforce the status quo. And you just don't have the stock portfolio for that.)

Better not be confident and awkward because then you might confuse and delight people

- you might accidentally end up making other people feel less shame for their social difficulties

- you might make isolated, traumatized, and shy people feel like they deserve to be included in social situations

- you might even make them feel they can be themselves around you

- you might start loving the effect you have on a room

- you might enjoy conversations more

- you might forgive yourself and bounce back from shame more easily and frequently

- you might come to enjoy some of those moments of harmless confusion you cause because NOBODY expects the Confident Awkward, and that can genuinely be an advantage in social situations

- you might stop apologizing so much.

- you might find that socializing is like a video game: it requires practice but also a safe space for it to be fun and positive.

Or if you can't become assertive and confident, better not remain awkward and shy and quiet, and then love and forgive yourself anyway!

Why, it would be carnage!!

In either scenario, you run the risk of finding out that it's not your fault that safe spaces full of kind people can be really hard to find, create, and nurture. You could end up building a skillset that helps you do those things!

- You might realize that it was never your fault that it took so long to like yourself.

- You might realize that you were always worth talking to, even when you didn't like yourself and communication felt impossibly difficult.

- You might realize that you'll still be worth talking to even if communication becomes harder as you age and/or experience disability.

- You might know that you deserve to be heard even on bad days when words come slow and blurry.

You might discover that you were always deserving of kindness, first and foremost from yourself.

So. As you can see, it's FAR too much of a risk to take to cut your awkward self some slack for your many heinous and harmless crimes. Better to just leave it there.

[slashmagpie]

spotify wrapped-77?

Send me a number 1-100 and i will try to write a short fic based off whatever song that corresponds to in my spotify wrapped replay 2023!

“Oh, hello.”

The newcomer blinks. One ear twitches. Ren turns towards her, eyes wide, startled. 

“Lizzie?”

“It’s good to see you again,” says Lizzie, and she’s only a little facetious, only a little bitter.

“Where… are we?” Ren looks around. It’s dark. The void stretches on and on forever, flecked with specks of light.

“Dead,” says Lizzie dully.

“Oh.” He blinks, rubbing at his head. “I don’t know what happened, I was—I was Tango, for a bit, I think? And now—oh. Oh, I feel sick.”

“Yeah, it’ll do that to you,” she says, flicking a nail. “How’ve you been, Ren? I haven’t seen you in a while.” She stares at him through narrow eyes.

“I haven’t seen you either, my Queen,” he says with a bow. “It’s been far too long.”

She snorts. Hugs her knees to her chest. “Don’t make me laugh.”

“What did I do?”

“My Queen,” she echoes, mocking. 

“Well.” Ren hesitates. “You were.”

“Not anymore.” She reaches up, swipes her wrist across her eye. She’s not crying anymore, though. There are no tears to wipe away. It just burns. “Now I’m dead!”

“Are you okay?” Ren asks.

She laughs. “I died. It wasn’t even for my task! It wasn’t even cool! I just—I looked at an enderman—why wasn’t I wearing a bloody pumpkin?! I spent so long trying to convince Cleo to wear a pumpkin, and then I—agh. It was embarrassing. I’m an embarrassment.” She buries her face in her knees. “Don’t look at me.”

Ren is quiet. She thinks, for a moment, that he’s moved away, but then there’s a hand in her hair, and a voice saying, “I don’t think you’re an embarrassment, my Queen.”

She snorts. “Everyone else does,” she says lowly. “I died before Jimmy. Do you know how embarrassing it is to die before Jimmy? Everyone says he’s cursed! I’m just—I’m just—incompetent. And nobody even cared.”

“I care,” Ren says softly.

“You’re dead too.” She scowls into her skirt. “You weren’t even really alive.” 

“...That doesn’t mean I don’t care.” 

“You didn’t.”

“What?”

“Last time—Last Life—you—you didn’t want me anymore. And then I died. And this time—I was alone again. I thought I worked better alone. Certainly worked better than all that nonsense with the Fairy Fort. But—here I am again! Dead!” She laughs. “Stupid game. I shouldn’t have played.”

“I know the feeling, my friend.” He settles down, sitting beside her with a sigh. “It’s okay. You don’t have to play again if you don’t want to. God knows I don’t.”

She steals a sideways glance at him. “How come?”

He grimaces. “Do you know how I died last time?”

“No.”

“Grian dropped dripstone on my head. I didn’t even see it coming. It was—it was a one in a million chance, my dude, the luckiest shot in the world, and he made it. Everyone thought it was so cool. Nobody thought that it was sad that I was dead. Well, except for Grian, who thought it was sad that BigB died because of me.”

Lizzie tilts her head to the side. Peers up at him. “That must be pretty embarrassing for you, huh,” she says.

His ears flick back against his head as he sags. “So embarrassing.”

“Well…” She straightens up a little. Rubs at her eyes again. Says, “I suppose if someone must see me in such a state, it should be someone who’s just as pathetic as me.” Offers him a small smile.

“Aye, my Lady,” he says with a laugh. “What a pathetic pair we make.”

[dbphantom]

you know if you guys voted for stretch armstrong i probably would have shut up a lot sooner tonight