#but i want a space to rant

[akeedia]

if i get one more tiktok with a ttpd sound imma genuinely lose it, it sounds so bad and cringe and god pls spare me

[hollis-art]

i saw someone spread hate to Keiko bc they were a Bashir/O'brien shipper, and i do NOT agree with that.

why would you ever say such things when this was always an option?

this is obviously what's happening in the show anyways

[wistfulwatcher]

emily prentiss + leaving and coming back for her family

[necrotic-nephilim]

@profandomhopper i was going to reblog the original post this comment was left on but i felt it divorced itself from the original topic so much, you get your own post for giving me delightful permission to ramble about this. buckle in people this is long.

so, DC is a big fandom that expanses a lot of different types of content, and like anything, is subject to crossovers. the obvious ones like Marvel are for the reason of being a similar and equally popular superhero world, so it's easy to transpose the worlds onto each other and overlap the characters. both of these worlds deal with multiverses and endless, endless heroes. it makes sense and there's no real stretch to think Batman and Spider-Man could co-exist. i mean, there have been canon crossover comics. and even some more random crossovers like White Collar have pretty easy to trace origins, being an actor in WC was a popular Dick fancast back in the day so there was some bleeding over that led to a well-loved niche crossover space.

but Danny Phantom and Miraculous Ladybug are where it gets interesting. because at a surface, MLB sort of makes sense. it's a superhero world, you're following a teen girl superhero and sure the mechanics are pretty contained, but the crossover should make sense. but when you compare it to the crossover numbers of other superhero media like say My Hero Academia, Ladybug takes the *crown* with such a bizarre popularity. and of course, DP feels like it makes even less sense. sure, you *could* lump it into at the very least, superhero-adjacent media, but it's not a true hero world like MLB or DC is.

but, the thing to always understand about DC, *especially* the Batfamily (which is where the crossover content propagates the most) is this: a *very* good chunk of fans don't interact with the comics. i would venture to say even most Batfamily fans don't read the comics and actively talk about it. we've all read a very fandom big Batfam fanfic where the author's note mentions the writer has never touched a comic in their life. typically, these fans are either cobbling together their understanding from fandom content, or by frankensteining unrelated DC adaptations to understand each character. you take Bruce from Batman: TAS, you take Dick from the animated Young Justice, you take Jason from Batman: Under The Red Hood animated movie, you take Damian from the DCAMU Batman vs Robin, and you read some fandom metas to fill in the rest and well, you've got some sort of an understanding of these characters. read enough incorrect quotes, some genfic, a couple of character metas, and boom, you understand the Batfamily fandom enough to start creating your own content. and of course now. now you have Wayne Family Adventures so it's even *easier*. a pretty easy to pick up webtoon that's filling in all the gaps for you. but i've been in this fandom long enough to remember before we had WFA and even then, this was still a common, if not the most popular way, to ween yourself into the DC fandom space. you cherry-picked the canon you liked and then plunged into the depths of fanon.

i'm not here to make in depth commentary on if i think this is a good or bad thing. trust me i have that commentary in my head, but that would need it's own post. i'm very split on it and my feelings are complicated. my feelings on WFA are even *more* complicated. because oftentimes, the attitude expressed by these fans who are frankensteining this version of the Batfamily/DC world they have in their head is they don't *want* to read the comics. the comics don't contain the content they're after. and to an extent, i understand that. if you're looking for light-hearted vibes of the Batfamily all getting along and having the occasional hurt/comfort moments but in the end, they hug and make up, you're right. largely, you won't find that in canon. of course there are so many comics to recommend for Batfamily interactions, but you have to get specific. you'll find them interacting in small groups, Tim and Dick bonding here, Duke and Cass bonding there, but largely, the comics don't care to balance the ridiculously large cast they've given themselves. but fandom does. it's easy to toss them all in a blender and ignore the parts you don't like. the default argument to ignoring the comics or writing something OOC is always "well the comics are OOC and inconsistent too" which, while a flawed argument that massively misunderstand how comics work as a medium, isn't an entirely incorrect one. you could serve on a silver platter to these fans, an easy and accessible way to get into comics and they wouldn't be interested. it's not what they're here for. fandom is always character-driven above all else. it's driven by character relationships and dynamics. if someone wants to consume content where Tim idolized and stalked Jason as 'his Robin' and now is trying to help him rehabilitate and they're super complicated but have this long epic forgiveness arc, why *would* they read the comics? because they're sure as shit not going to find that dynamic in the comics. it's laughably OOC and not canon at all, but that doesn't matter. what matters is the sandbox. most Batfamily fans care *far* more about the sandbox canon gives them than the actual canon itself. feel how you feel about that, this really isn't being negative toward that attitude, but it is a common attitude.

so, you have Batfamily fans playing in the sandbox and building their own narrative. common fandom headcanons are so common, you could practically write a guide on how the fanon Batfamily works with how consistent people are about it. or you could just read WFA, which is practically the new manifesto of it. even now, with this sudden spike in people talking about canon accuracy and "actually this happening in the comics", they don't actually care about the comics, just what they can cherry-pick for fodder. (even if they rob it of so much context they're just as OOC as they were before. see specifically: the recent phenomena with Tim Drake going from the woobified weakest member of the Batfam who everyone needs to save constantly and he's the smart boy but he's also the one with a sad tragic neglectful past who gets overlooked being the way Batfamily fandom played with Tim for years. but recently, people seem to be pushing this idea of a ridiculously badass Tim, Tim who *totally* has a kill count because of his actions in RR (2009) if you take them completely out of context, Tim who bested Ra's and is even more badass than Jason and he's the 17 yr old CEO of Wayne Industries being cool and flawless it becoming the new fandom zeitgeist. neither of these versions of Tim are canon, and the second fundamentally misunderstands his arc in RR (2009) but the shift has undeniably happened and it's been fascinating to watch. the same thing happened with people suddenly deciding Jason isn't the "angry violent Robin", he was a sunshine sweet boy who was perfect as Robin. neither of these are true, but the second feels more transgressive and new to fandom from cherry-picked panels.) the point is largely, Batfamily fans would rather build their own canon than play with the actual canon.

and then, you have Danny Phantom. i'm not into DP and have no interest to get into it, but what i know about it via fandom osmosis is this: DP fans sort of also don't give a fuck about canon. once again, the canon of DP is a sandbox, not a rulebook. the concepts and the characters are the draw, not the plot itself. i've seen DP posts explaining characters who are essentially OCs, but have become so dominant in the fandom via fandom osmosis. there are concepts and ideas about how Danny's powers work and potential concepts with his ghost nature that either aren't in canon or only happened once in canon and fans decided to expand on that and doesn't care about it's own in-universe logic. i've seen a lot of DP fans also express they haven't seen the show and they don't have plans to see the show. because the show is just some children's cartoon with some inconsistencies and a simple plot, as you'd expect from CN. the show isn't the point. no one cares about it's plot, they care about it's characters. they care about pushing the concept of half ghost boy to a logical extreme and seeing what you can get out of that. can you make it weird and fucked up. how much can you highlight on his trauma and body horror. what identity crisis can you give him and how can you build his interactions with other characters in his world around that and also make those characters fun and unique on their own. sure, the skeleton of canon is there, but the meat lies all in the fanon.

Miraculous Ladybug also exists in this similar vein. the characters, the concepts, those hold intrigue. and not even mentioning the fact the original concept for this show was supposed to be aimed to an older audience, so you can see the bones of something a bit more mature and nuanced under this typical, villain of the week magical girl transformation show. the show itself is a bit shallow and that's not a *bad* thing, it's just the medium it exists within being aimed towards children. but the concepts of a teen girl who's basically a sort of chosen one, a boy who doesn't know his father is the big bad of the show, and their weird identity porn love... square thing. those dynamics are *so* complicated and such a fun sandbox to play in with character-driven fandom.

so, at the core, you have three fandoms that care more about the culturally accepted fanon than the canon, with a good chunk of people often not even consuming the original canon content. and well, DC is an *easy* world to transpose just about anything onto. a boy who's half ghost and fighting supernatural threats? that makes sense, DC has ghost heroes like Deadman already. a girl who has this magical item that gives her animal themed superpowers? i mean that's practically the same thing as Vixen's Totem so that one makes sense too. they fit in pretty easy, no needing to change the world to accommodate them. and of course, if you're a fan of *one* fandom where you don't care for the canon content and only like the fandom sandbox, chances are, you'll get drawn in pretty easily to another fandom with similar mechanics. if you can teach yourself the DP fandom rules/concepts, you can teach yourself the Batfamily fandom rules/concepts. and well, since there's so much crossover in fandom members, why not write the fanfiction? crossover fics will always exist, but with such a shared member base, you have a really big boom.

it's why the characters you see DP interact with in DC are *always* characters who are far more driven by fanon than canon. Danny and John Constantine is a *massive* concept. for people who don't read Hellblazer comics. my poor partner, @divine-dominion has lamented to me pretty often about finding DP content in the Hellblazer tag that is essentially turning Constantine into an OC. because whatever version of Constantine is being written about isn't one bit comics accurate, and really, isn't trying to be. and the same thing happens with Shazam. you watch Young Justice and understand him well enough, you get drawn in by the character concept that you just run with it. people put their favorite blorbos in the same place because hey, wouldn't ghost boy be pretty cool in a city like *Gotham*. how would Batman even react to him. and then, the shipping. because ages for the Batfamily can be easily hand-waved and moved around based on where you plop Danny into the timeline, you have your pick of the litter with him, and same with Ladybug. of course there are the most popular ships but largely, the world is your oyster.

i don't think this is the worst thing in the world for either fandom. it's not hard to filter out the crossover tags and scroll past content i don't like. and sure, i see the appeal of making your blorbos from two different places meet. i've got my drafts *full* of DC/MHA crossover ideas because well, i like them both and think that would be cool. i think my only gripe with it is when DP or MLB crossover content seeps it's way into the wrong tags. using the above example, if you're writing about Danny and Constantine but there's zero content of the actual Hellblazer comics, i don't think you need the Hellblazer tag, just the Constantine character tag. tbh i wish this extended onto Ao3 and people utilized fandom tags better. if you're writing Batfamily fanfiction that is very clearly and obviously WFA driven in characterization and concepts, i would far prefer those fics be tagged with the WFA fandom tag rather than the Batman (comics) fandom tag. because well, you're not writing about the Batman comics. and there's nothing wrong with that, but it helps if you don't confuse yourself for content striving to interact with canon more. (this especially extends to Young Justice, by the way. if you're writing for the Young Justice tv show please, please stop using the Young Justice (comics) fandom tag. i'm at my wit's end- /lh)

the whole thing is fascinating. i've got zero interest in entering DP or MLB as fandoms because that's not my speed, but witnessing it as an outsider is my favorite pastime. i see a *lot* of posts going around the DC x DP space that are helping explain to people who's who, what's what, and understanding the canon/fanon of both of these properties so others can better enter the space. which is not something you'd need in a fandom driven only by it's canon content, but it is sweet watching others try to help newbies enter the space. it's a very inviting fandom space, i think, whether you lament it's existence or not. they're just sitting in their corner with their blorbos, and i gotta respect that. the posts explaining the Batfamily to DP fans are always fun for me to read, even if i disagree with some of the characterizations in them because it helps shine a light on what the fans of this crossover regard as "important" enough about each fandom to be worth including those sorts of primers. very fascinating stuff.

[petitepatateuwu]

It's way too hot and I am way too tired to do any more efforts, so excuse the critical lack of quality here.

If you didn't know, Cole is my favourite Power Ranger :D

And while I was binge watching Ninjago I had the pleasant surprise to see him physically and mentally traumatized in season 5 😈

And since I'm a huge sucker for angst, my brain immediately thought of developing that idea in order to hurt my beautiful baby boy some more. That and also the fact that my brain immediately looks for logic in the laws of cartoon physics (I really shouldn't do that...)

So I bring you the "Cole is a Ghost Kind-of-Saga". I still have a few more ideas to exploit, notably adressing the ways the other ninjas will help him cope with his new condition :3

And maaaaybeeeee a small comic too 😇

Anyways, I will let my brain rest a bit for now and sleep.

[batsplat]

pecco rant please please

*spins wheel on possible topics* absurdly underrated but in a dumb way. you'd think you can stumble your way into two premier class titles. I don't care he's on the best bike - let's be honest, how often this century have the title winners not been on the best bike? 2004 and to a lesser extent 2005 you can say clearly weaker bike, 2007 late 2010s 2021 there's a clear enough disparity with anyone else riding the bike that you can say clearly the rider is making the difference/it's an unrideable wreck one guy is making respectable, then there's a few seasons where it's at least very close whose machinery is best or they're fighting with people on equal equipment, which pecco has done! but generally speaking, good/promising riders end up on good bikes and then they win. that's how the game works!

the thing about 2022 is that it had such a massive mid-season swing that overhauling a ninety something point margin cannot come down to any single factor. is it fair to say fabio lost that title? on balance, it's a bit harsh - yes, there were a few too many errors post-sachsenring, yes, some were driven by desperation, but also you can't really expect anyone to ride a flawless season. but pecco did win that title as much as yamaha lost it. I don't care if you're riding a literal rocketship with two wheels, you can't win four races in a row if you're not extremely good at what you do! if we're saying that title was worth less because the yamaha turned to shit in the second half of the season, then let's keep going. let's put an asterisk next to 2013 because jorge and dani both got injured (let's not even get into the 'if marc hadn't been injured' asterisks because that's where you get into truly silly territory). is 2006 not a legit title because of all the bad luck valentino faced that year? let's say all titles between 2007 to 2015 were worth less because at any one time only 4-6 bikes had a realistic chance of winning races. throw out any title before 2009 because they were constantly fucking about with the tyres and there wasn't a level playing field. if you're motivated enough, you can play this game with basically anything, but it's dumb and pointless because that's not how sports works! you can only win against whoever you're facing. it has always been thus and it will always be thus

it's narratively fun and juicy that pecco has these insecurities himself - but within the context of everyone else doing discourse over it, the whole thing is massively overblown! linked to some of the worst sports discourse about how much people love to disparage late bloomers, because they need every single successful athlete to fit the same mould of the ultra-talented wunderkind, apparently. it's more interesting when it's not always the most 'talented' (whatever tf that means), naturally gifted, *fast the second he touches a bike* bloke who wins. sometimes they have to work hard for it, sometimes they have to improve themselves year on year and be smart about how they do it, sometimes they have to be in the right place and right time, sometimes they have to be very lucky. sports is all about competition, and competition is all about contrast. it's a contrast that can be generated in a whole lot of ways, and in fairness to motogp they have come up with a bunch of interesting narratively tense contests that don't rely on a massive fundamental 'talent' differential - but at the end of the day, that's one of the best ones you can have! the more ways you can have to win in any given sport, the better, both in the literal sense of how you go about the actual process of winning and how you even become a winner. none of this means that pecco isn't very very good, it means he got there in a different way than every other multiple champ this century has. it fundamentally flattens the sport if you want every top-level competitor to be an alien-level talent... one of the best things about this current era is that it has given us something new and exciting in that regard, where you well and truly believe some very different blokes might have what it takes to eventually be champion

anyway, pecco is absurdly adept at digging himself into holes and absurdly adept at digging himself out of them. he's one of the worst frontrunners imaginable in every sense, biologically incapable of dominating without at least a perpetual hint of jeopardy, both in the context of a race and a season. but when his back is against the wall, somehow he keeps finding performances you never imagined he was capable of. his mixed up and slightly odd skillset, his strengths and weaknesses, how he's better and worse than he has any right to be... all of it lends itself to perpetual momentum shifts and thrilling seasons - because you never quite know what you're going to get. love him or hate him, he's a gift to the overall competitive landscape! god knows the racing hasn't been much to write home about these last few years (though, yes, we did have a good little run this season), but somehow he's managed to get himself involved in two out of the six title deciders this century back-to-back. is that not the dream for the viewer, to have a bloke at the top of the sport with a little self-combust chip in his head every time he builds too much of an advantage? build a hundred of those guys! throw a marc marquez at him and see what he does! I can't wait to see what he'll come up with next

[number-one-shadisper-shipper]

I swear if I see one more post complaining about Amy (and Rouge) not being in the third movie I'm going to scream.

YES OF COURSE I WANT THEM TOO

But I'd far rather have them introduced in their own stories that actually develop them as a character than shoehorned into a story that's already really full just for the sake of saying "we got the girls in here."

[rosesradio]

i try not to let dumbass fandom disk horse take up any space in my mind but now on behalf of the percico side of the fandom that had to deal with that entitled negativity i wanna write a percico drabble

actually the smuttier and more offensive the better

[tea-cat-arts]

Actually, I hope Jiaoqiu stays blind (at least for a couple years in our time) and just bullies the Xianzhou alliance into inventing disability aids and treating disabled people better

[serpentinegraphite]

So, first off, this is not an attempt to kink shame (dubcon and noncon are great!) but I do keep seeing a thing in fics (I do NOT see this irl in kink spaces nearly as often) where like. A character will interrupt the flow of the scene to check consent

And I don't mean in an "are we still green?" Or "what's your color?" kind of way, but I mean. The author has tagged the fic and indicated via prose and/or author notes that they are doing their Due Diligence to make sure this fic is Righteously Consensual from top to bottom, No Question About It

And a character will ask for full sexual consent either directly or indirectly or renegotiate the boundaries of the kinks being practiced AFTER the sex acts have already begun.

Here's the thing: horny brain isn't great at making decisions! irl in kink spaces, there's often a lot of emphasis on negotiating BEFORE the scene begins, perhaps even with a space between negotiation and the scene if it's with a new/unfamiliar partner (maybe it's a few minutes while things are set up, maybe the partners negotiate a day or more in advance! It depends!), and not changing the parameters of the scene after someone is already horny or god forbid already in subspace.

Again, these are perfectly fine rules to break in fiction, when the author is aware of it (most characters are not going to be fully familiar with safe, sane, consensual practices and the traffic light system, nor would we want them to be!) but I'm increasingly finding fics where the author DOESN'T seem aware, which takes a normal fic (in-character, with reasonable but perhaps even somewhat dubious practices, which the author isn't emphasizing or preaching about) into Red Flag Territory (a character, OOC, yanking me out of the scene to behave like a PSA about consent instead of conforming to the horny tone of the scene, and perpetuating unsafe practices anyway)

If you are writing a master manipulator or someone who wants to have a gotcha, you totally said it was okay on a character they are trying to bone (which is well in the realm of non/dubcon) that's fine! This PSA is not aimed at you. But if you are trying to write someone who Cares Strongly About Consent, then perhaps be more aware of when is an appropriate time to escalate the situation (sexually speaking) or ask for consent!

[kentopedia]

truthfully i want to back away from jjk but i don’t know how

[greenhairedfreakglobal]

thursday: 66.2

friday: 66.6

saturday: 66.4

sunday: 66.35 (66.15 at second weight in)

monday: 66.6

tuesday: 66.45

wednesday: 66.35

I hate myself, this week has been HORRIBLE

[doverstar]

the real trouble I have when writing Eleven/Rose stuff is that if it's gonna be believable to canon, he cannot just be randomly traveling with her. I did Lost and Rewritten. I already did that. and that's the closest thing I feel like getting to human AUs and domestic AUs etc. like oh it's fine with the Tenth Doctor, with him they can be doing anything, but with Eleven/Rose the circumstances have to be so specific. I don't want to write "Dimension Hopping Rose Runs Into Eleven" because that bores me personally. I don't want to write toughened lonely soldier Rose. I already did that. I want to write the Eleventh Doctor not with Clara and not necessarily dragging the Ponds along behind him, with Rose, but also not any kind of AU. which boxes me in QUITE A LOT-

[a-usernamelol]

YALL KNOW WHAT TIME IT IS!!!! MORE SCREENSHOTS FOR EVERYBODY!

Once again bringing up that I’m tired of seeing posts strictly for the female fans of the game. So here he is in all his glory, the absolute (bisexual??) icon of the franchise! Doesn’t matter if you’re a girl or a guy- or in my MCs case- something else, chances are he’s going to try his hand!

HAVE SOME FREE SEBASTIAN BECAUSE YOU DESERVE IT NO MATTER WHO YOU ARE❤️ PEACE AND LOVE ON PLANET EARTH

[ribbittrobbit]

hey mutuals hmu if i can complain with you about the phenomenon of t*ylor sw*ft bec its that time of year again

[transbot-brian]

I think its interesting that the "survivors" of the mechs albums still die at the end, excluding Cinders and Briar Rose (Its downright said by Brian that it wont work out between them because of all thats happened, but he could be a liar) its likely that they will all die like the others innthe albums.

The Acheron burns and the city is left in ruin, Daedalus was already severely injured and is left alone outside the vault

Arthur was shot off into space in close orbit around a star, the gravity would pull him in eventually if the heat didnt kill him first (I doubt the lifepod had the radiation shielding of the station)

Theres a lot of empty space between solar systems, Lyfrassir would either get consumed by the bifrost or die in their ship alone

It emphasises thst these stories are tragedies with no happy endings. We are told that someone survived but really, they dont