#but i'll get to it i promise

[esprei]

btw i have one more ask that i wanna add some stuff to so i will try to get to that soon (but probably not tonight because i'm very tired and it's late ;w;)

[bungobble-my-balls]

OK correct me if I'm wrong, but I feel like the main 'yin/yang' parallel with Atsushi and Akutagawa is not something like 'this one is bad but secretly has a good side and this one is good but secretly has a bad side'.

I feel like it's more about 'who they are at their core vs who they choose to be'.

At his core Akutagawa is kind and at his core Atsushi is not. But despite this Atsushi tries every day to make the kinder choices and I love him so much for it. He has to work so hard to be good.

He wants to be a bitch SO bad I know he does but he tries his best to help people and be nice (sometimes he fails but that's OK <3)

Atsushi doesn't always WANT to help people, a lot of the time he's selfish and scared, but he does help people anyway. He keeps helping people over and over again. There's still some selfish motivation to it, and his initial motivation for helping people was because the headmaster told him that's all he was worth, but overall he does care about the people he helps and it weighs on him if he fails to save them. And of course, as the series goes on he starts helping people more because he can rather than because he feels like he needs to.

In Akutagawa's case, he's still capable of being kind but his environment led him into being someone who chooses to hurt people. But he's always been a protector at heart. In the start he was bad compared to Atsushi because he was choosing to hurt people and keep the cycle of abuse going. Just like how Atsushi developed in why he saved people, Akutagawa starts to get redeemed when he chooses to not just act on his rage. Not only does he start to spare people, but he speaks more kindly to them (apologising to Higuchi and telling Kyouka he's proud of her). It all culminates into the moment he chooses to help Atsushi and sacrifice himself for him, going back to his core value of being a protector. Even when he's finally revived, he keeps this role in his new position as Aya's Knight.

I kind of see the streaks of white in Akutagawa and the streaks of black in Atsushi not as their 'hidden sides' but as their fundamental selfs. That's who they are at their core, and their main colours (black for Akutagawa and white for Atsushi) are how they're presented to everyone else and how they try to have people see them as.

[heartorbit]

bugs when you lift up a rock

[yawnderu]

CW: mentions of kidnapping and stolen body autonomy.

Find a way in, kill the enemy, retrieve the hostages, leave. A routine of sorts that gave his life some sense of purpose to avoid going insane for the past two decades. Simon liked to believe he got over what happened in his past... truly, he did; and yet Manuel Roba’s horrors seem to haunt him no matter where how many years pass.

“C’mere.” Simon’s voice held no hostility, he made sure of it, yet your stiff position never changed. Legs angled to the right, hands folded on your lap, and eyes looking forward, refusing to meet anyone’s gaze even if it’s been hours since your rescue. Garrick, Price and Johnny have already tried to get you to talk multiple times, all of them with different approaches. 

Garrick was friendly, trying his best to seem approachable, a bright smile on his lips that you didn’t seem to notice, too busy staring at a wall no matter how much he tried to hold a conversation.

Price seemed fatherly, never once laying a hand on you even if it was itching to comfort you, and so he settled with telling you you’re safe now, how no one will ever get you again now that they're here. His words didn’t seem to do much, either. 

Johnny was… something else. His first attempt was a shitty pick up line, getting a reaction out of you for the first time— a nose scrunched up in disgust, but a reaction nonetheless.  

And Simon… Simon’s approach was different. The man was used to barking out orders and obeying them himself, not to deal with an unresponsive hostage. His behemoth frame was nestled next to you, putting a tray on the table and observing your reactions. From the way you swallowed thickly the moment the meal was presented to you, to the sound of your stomach growling. 

“Go on, then.” Your gaze follows his movements for the first time, the feeling of your stomach rumbling makes you more aware of your hunger, so many years being fed nothing but what was necessary to keep you alive by Manuel and his associates, so many years of being trained like a dog to obey to their very order. 

Simon can see the hesitation in your body language, too tense to allow yourself to dig in the way you wanted, yet no longer as stiff as before. There was a sense of relief at the fact that they didn’t seem to want to hurt you —unlike Roba—, yet years of non-stop brutal training can’t be erased within hours.

Roba’s training was engraved into your brain, and while the sense of security the SAS blokes gave you is something you’re thankful for, nothing guarantees they’re not working for him. You’ve seen other military men come and go throughout the years, always Roba’s friends, and always sharing the same disgusting, sadistic desires.

“Eat up.” The rest of the men watch the way you move, curiosity and amusement mixing at how strange your movements seem, almost robotic. Your forearms rest on the table, elbows away from the cheap wood as you attempt to hold your own cutlery— attempt, because it looks fully foreign to you, trying out different angles to make it work, and yet it's the first time in years you've been allowed to try and feed yourself.

Simon is the first one to catch on, having lived under Roba’s rules for long enough to know he enjoys taking people’s autonomy, to reduce them to nothing but a pathetic mess that depends on him. His gloved fingers are gentle as he takes the spoon from your hand, scooping up some food before holding it up to your lips. His full attention is on you, relief starting to make its way into his body as sees your rather soft lips wrap around the spoon, eating whatever he was feeding you. Lucky for you, this time it wasn’t an MRE… or beans on toast.

His gloved thumb wipes the corners of your lips every time you’re done chewing, and he’s quick to pick up more food from the plate, nothing but patience and kindness shown in his actions, so unlike the brooding soldier he's known to be.

“... two goldfish are in a tank…?” Johnny’s loud groan gets your attention for a second, yet you quickly glance back at Simon, curious eyes looking up at him, almost as if asking him to go on. 

“One turns to the other and says… ‘you know how to drive this thing?’” You can see the corners of his eyes crinkle before he even finishes his joke, clearly trying his best not to laugh at just how awful it was. A small smile hides in the corners of your lips, and Simon takes that as a victory, ignoring the questioning looks he’s getting from his team, for now.

[starchbean]

The reason I'm diving so headlong into the SVSSS fandom when I also love TGCF (I haven't yet read MDZS) but haven't delved NEARLY as deep into the fandom is thus:

Fanfic for TGCF... well, it FEELS like fanfic. That isn't bad. I LOVE fanfic. But the story of TGCF is self-contained. The /real/ Xie Lian and Hua Cheng etc are them as portrayed by MXTX. They had the trials they will have, and now these poor old men get to rest in each others' arms, which is beautiful.

AND ACROSS THE ROOM

Scum Villain fic does NOT feel like fanfic, because IT IS REAL! It happened! It ALL happened! Thanks to the Bing-ge extra, the persistent existence of multiverse and multiple instances of Binghes and Shens etc is evidence that there is definitely more out there the original MXTX story doesn't touch on. And the best part is, it doesn't matter how wacky it is, it's STILL REAL!

Terminally ill Shen Yuan finds his way to a catgirl cafe where femboy catboy transmigrator Binghe is trying to work his way out of poverty? Mobei Jun kidnaps Airplane Shooting Towards the Sky and forces him to rewrite PIDW so that HE becomes the demon emperor because Binghe is real fuckin unstable and it's a headache--and every written change alters their world immediately after Airplane writes it? It's out there somewhere in the multiverse, surely!

And of COURSE they'd act slightly differently between iterations, BE slightly different--it's not OOC, it's multidimensional variation. No matter how hard you meme, it doesn't feel fake at all, and that's INCREDIBLE! It lends itself to being a superfandom!

I'M COMPLETELY NORMAL ABOUT THIS! ABSOLUTELY HINGED! HAHAHAHAHAHA!!

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[daily-odile]

guilty

[loverofpiggies]

Guys I know I havent done comics in like 3 years or something but.

I got the biggest inspiration to draw a Fionna and Cake comic about Simon and the Winter King and uhhh

It's already 24 pages strong.

[journey-to-the-attic]

one thing about ik is that she will always reach out

[leucoratia]

My favourite loser scientist (we are legally married)

Handplates!Gaster by @zarla-s (thank you so much for this AU it has given me life for the past 6 years)

[characterssaythedarnestthings]

Don't forget to tell me what their blog name would be

[demaparbat-hp]

Almost

[psychotic-nonsense]

"I'm sorry."

It's the first thing Steve says after everything.

After getting Vecna Cursed. After nearly dying. After a hallucination of Eddie saved him. After running through a looped forest. After finding sanctuary in Steve's memory of that Starcourt bathroom. After Eddie reveals himself as Eddie.

It's the only thing he can think of. It's not big enough to fit everything, but it's the only thing that fits in his mouth.

"Don't be."

Maybe that's the only thing Eddie can think of too. The only thing Eddie can bear to say.

Because don't be can't stop Steve's eyes from watering when he sees the vest in his closet. Don't be can't stop Steve's feet from dragging him to the cemetery every evening to clean Eddie's graffiti-covered tombstone. Don't be can't stop Steve from sitting beside Wayne and listening to him talk about the Eddie he remembers. Don't be can't stop Eddie's body from showing up in Steve's dreams, nor Eddie's corpse from his nightmares. Don't be couldn't keep the pain away enough, didn't stop Vecna from latching onto it while Steve was walking alone in the woods.

Don't be isn't enough for what Steve wants to hear. But even stuck here waiting, hoping, for someone to get Steve out, there just isn't enough time.

"I miss you."

"...Why?"

Eddie says it back so quickly, so quietly, like it's just unfathomable to him. Maybe it is, considering their last memories. But their eyes meet and he looks just as sad, just as longing, as Steve.

"You were my friend."

Steve can't help but say it like that. Like they were friends for years instead of days. Like Eddie was that important to him in their final moments. Like his heart really aches for Eddie every second of the apocalypse.

Can't help but say it like he means it.

"I wish we could've had more time..."

Steve's voice cracks a little there as he turns away, hiding. It's all he wants. It's all Vecna used to entice him with. It's all that's keeping him going, to finally fulfill the last request Eddie made. It's all he has left to feel close to Eddie.

The Eddie that's sitting right next to him, silent, his sight weighing on Steve's skin. Conscious and aware and the real Eddie. Trapped in Vecna's head as a backup power source, yet who still risked everything to come save Steve. Who Steve will never see again because killing Vecna means killing Eddie for good, and his heart doesn't want it, is begging for another solution...

But for once, his broken head overpowers his shattered heart.

"Maybe we did."

Eddie takes Steve's hand. Meets Steve's surprised look with his own small smile of hope. They're both suddenly tearing up, eyes glistening with life in this gray stall.

"Maybe in another world, we got a second first chance. A first second chance. Maybe even a third, or fourth. Maybe in a different life, we had everything we wanted. Because you, Steve Harrington, are too good for me to be doomed to meet just once."

And for a moment, Steve sees it. Feels it. Versions of them connected through the universe.

Little kids playing in the lake. One with bruised skin and shaved hair, loud but unfathomably lonely. One with a bruised heart and soft eyes, timid but stubbornly hopeful.

A rockstar with glittering chains, center stage in the spotlight. A set of eyes in the crowd or behind the curtain, watching only him.

A werewolf and a vampire, two cryptids of horror, meeting in the dead of a full moon night to feel safe with the only other one who understands.

A future where they won, where the only death was the one that mattered. A process of healing and learning, coming home to a family every single day.

A world without pain, without their hell, where two high schoolers found freedom from their shackles and company in each other. Hiding away together in the dark corners of the town.

Steve even sees other versions of them. Versions that he knows were originally never supposed to meet, yet forces so much greater than them pulled them together.

A metalhead drug dealer, constantly getting into trouble with one nail-bat-weilding cop.

A criminal's fugitive nature leading him to a rugged trailer park, and the dangerous owner within one such home.

An eccentric king in an old coliseum, always choosing one particular warrior as his champion.

A young programmer being pulled away from his work by sobs above his apartment, running upstairs to check on the law student that recently moved in.

Two actors, finding an easy friendship in the months of filming one season of a show that would change their lives.

In that moment, Steve's overwhelmed by the closeness he suddenly feels with the soul beside him. Falling into tears, he pulls Eddie into a tight hug, holding him so so close to convey everything he can't say. Feeling Eddie hold him back, hearing everything Eddie can't say in return.

Familiar music comes on outside the stall. Robin's voice calls out to him, telling him to come home.

And when he does leave, Steve hopes that someone out there will understand that he never can. Because here in Eddie's arms is the only place that will ever truly feel like home.

"Thank you... for everything, Eddie."

Thank you, Steve. For everything and more..."

--------------------

- List of AUs, in order, after, "Versions of them connected through the universe": Childhood Friends / Rockstar!Eddie / Werewolf!Steve & Vampire!Eddie / Eddie Survives / No Upside Down & High School

- List of Multiverse Steddie AUs, in order, after, "...yet forces so much greater than them pulled them together": Eddie x Gator / Baron x Michael / Geta x Sean / Keys x Eric / Quinn and Keery

[1caru]

what if there were minish who wore little nightgowns and stocking caps and would come chase away your nightmares and leave sweet little dreams in their place

[gotchibam]

Raboot ko-fi doodle for @lakefoundtheirexit!

I’m accepting pokemon ko-fi doodle requests here! ✨

[wavesoutbeingtossed]

Ok but I’m still gagged by the choice of the white dress covered in her spilled ink for the TTPD set.

The way it’s almost certainly meant to reference a wedding gown just like the music video and how that ties into the narrative of TTPD in general.

The way so many of these songs are about how she’s been wronged and how she’s angry.

The striking image of her floating around on stage unleashing her anger in Who’s Afraid of Little Old Me, or her collapsed on the platform in Down Bad begging to be beamed back up to the space ship. Very much giving dying on the altar waiting for the proof (in both meanings). She’s the jilted lover and the runaway bride. She’s the old widow who goes to the stone everyday and she’s the girl heading towards a shotgun wedding if she keeps this up. She's the unhappily married woman whose life is turned upside down by a man beyond her reach, with the chasm between them widening the longer the set goes on. And then!!! she's taken away (held back?) by the nurses at the asylum -- the crazy wife being committed for hysteria!!! (Actually I don't know what order that comes in in the set -- I'm going to have to find better videos.)

She said that the TTPD set is Female Rage: The Musical, and a lot of that is "I'm pissed off you let me give you all that youth for free." She sacrificed her youth to her demons and to people who never had her best interest at heart. She sacrificed her youth to bad actors who wanted to ruin her. She sacrificed her youth to men who traded promises of commitment for their own safety.

So to see that all symbolized in the white gown, saying "I love you, it's ruining my life," is so powerful. By the time we get to "The Smallest Man," she's covered up in the band (or army dress?) uniform, those dreams finally dead and buried, marching to her own memorial service. They all finally kill her, and her dreams of her future.

IT'S A LOT. A LOT A LOT A LOT.