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just-fandomthings · 3 years

Note

For the kiss writing prompt 💕 frostiron + 29. "...as a promise"

Read on AO3 (Post Avengers, 2012)

...as a promise.

“During my invasion, why did you offer me a drink? You were trying to stall, I’m aware, but why was that the method you chose?”

Stark startles, dropping the gauntlet he’s working on. “What the hell, warn a guy before you appear like that, would you? I’ve got a heart condition.”

“Apologies,” Loki says honestly. “I would have thought you were expecting me; JARVIS told me you agreed I could come down.”

“Yeah, I said you could, but I wasn’t expecting you to be here thirty seconds later. Doesn't matter, I heard you say ‘drink’, are you here to finally collect on my offer?”

“Sir, Loki asked permission to join you ten minutes ago,” JARVIS inputs.

Stark blinks. “Oh. Guess I lost track of time. So, what was your question?”

Loki clears his throat. “I was wondering why you offered me a drink in your tower when you first came to threaten me.”

Stark gives him a strange look. “Well, I needed the bracelets behind the bar so I’d have a suit in case we fought- or, in your case, if you decided to throw me out a window.”

The words are said lightly but Loki still grimaces. “That doesn’t explain why you offered me the drink,” he points out after a moment.

“Why not? I needed to get my bracelets and was planning to pour myself a drink to keep you distracted, so I offered you one too. I’m not sure what answer you’re looking for here.”

“I was not your guest, you owed me nothing. I was your enemy who had just killed your friend- you should have left your armor on when you came inside, instead of selecting a new armor to don.”

“The other one was damaged,” Stark says. “Needed the upgrade- besides, do I have to remind you that was my tower you were using as home base? JARVIS had my back the entire time.”

“Indeed I did,” JARVIS agrees.

“Is this you trying to tell me I’m reckless?” Stark squints at him. “Trying to tell me not to take on an enemy in battle when I’m out of armor or something? Because I gotta tell you, out of everyone on this team except maybe Bruce, I was expecting you to understand that I am more than just-“

“No, that’s not it,” Loki interrupts quickly. “Well, I would rather you not die since you are the least annoying person on this team I’ve been forced on, but I know that you are more than well-equipped to handle any difficult situation with no more than the clothes you are wearing.”

“Thank you, I don’t know why people always assume I’m helpless outside of my armor. And right answer, by the way, I was gonna stick Dum-E on you with the fire extinguisher if you were trying to pull a Cap on me. So, what’s with the third degree, what’re you trying to figure out?”

“I suppose, I am trying to ask why you were polite to me,” Loki mutters. “You did cleverly insult my manhood not a mere minute later, but you saw me in your building, in your home, and your response was to offer me a drink. You certainly weren’t expecting me to accept and talk with you, so why offer it?”

“Uh, common courtesy? Because I wanted to?” Stark frowns at him. “Either of those, both of them really, have your pick. I really don’t see what the big deal is, you know. It‘s not like I had time to stop and think everything through beforehand, so I just did it. And either way, I was going to get a drink as a stalling tactic so I could get to my armor, so why not offer you one too? You haven’t even taken me up on it in the three months you’ve been here, by the way, what's up with that? I thought you would have, to be honest.”

Loki is quiet for a moment. “May I do so later this evening?”

“Seriously?” At Stark’s incredulous inflection, Loki bristles, about to take it back, insult him, and storm out, but Stark surprises him by agreeing, “About time you took me up on my offer! I’m game, but I need to finish this upgrade first. Is my penthouse at eight-thirty alright, maybe later?”

“It’s not as if I will be busy with nefarious plans at that hour,” Loki huffs. “Yes, that is fine.”

Stark grins. “It’s a date then.”

The first two minutes of their conversation is stilted and awkward, with neither of them apparently knowing what to say. It lasts until Stark glances at him, drains the rest of his glass of scotch and goes, “Oh what the hell, I’m going for it. Please don’t smite me for this, okay, because I know you’ve gotten defensive every time someone has asked, but I really want to know about your Seiðr. How you learned it- I’m assuming you were taught- what the scope of your abilities is, and mainly, how it works. From one genius to another, can you please give me some answers?”

Loki blinks, retort dying on his lips. “You truly wish to know?”

“Uh, why would I not? It's probably the most powerful and complex thing I’ve ever come across- which hurts to admit- and I know nothing about it, which sucks, by the way. I hate not knowing things, especially things that interest me.”

“And my Seiðr interests you?”

“Yeah, thought I’d made that pretty obvious by now. I mean, Cap told me off for practically drooling during that battle last week when you eviscerated those doombots. I would have paid good money to see Doom’s face when he saw you literally rip his bots apart with just a wave of your hand.”

“That is but a simple trick,” Loki murmurs. “You are truly fascinated by my Seiðr, aren’t you?”

Stark’s gaze is expressive and searching for a moment before he nods. “It’s probably the coolest thing I’ve ever seen, and I don’t say that lightly.”

Loki exhales slowly. He thinks Stark might just be genuine. “What do you want to know first?”

It takes only an hour of discussion for them to rearrange the furniture of the penthouse against the wall to give them an open floor space so Loki can show off his Seiðr. Stark keeps up with his conversations remarkably well for a mortal, far surpassing Loki’s expectations, and he finds himself relaxing, indulging in discussion of the more technical aspects of his Seiðr.

When they finally call it a night, hours into the morning, Loki is surprised when he finds himself wishing to stay longer and discuss his Seiðr further with Stark. So few have ever been kind in consideration of his Seiðr, even less have expressed an interest in it, and for Stark to have done both...

Loki doesn’t have words to describe it.

(Later, Loki will consider that evening as the dawn of their friendship.)

It is invigorating to engage in a battle of wits and intellect with Stark, Loki soon comes to find. Such was what had initially impressed him about Stark when he had been under the control of The Other, but with his presence in his mind gone, Loki finds himself naturally drawn to the inventor now. Their conversations are thrilling, and Loki finds himself leaping at the chance to flex his intellect with Stark.

They spend the following months spending an increasing amount of time together, even more so following the cease of Stark’s relationship with Pepper Potts. (Stark isolates for two weeks after that, before he emerges with an impressive performance of being fine.) They discuss in length his Seiðr, Stark’s technology, and other pieces of their lives that they both find interesting.

Stark’s technology, in particular, holds Loki’s attention, for while the designs that Stark has managed to come up with are far superior to anything else on Midgard, a select few are also unlike anything he has come across in his travels of the Realms. It’s an impressive feat, and Loki tells him so.

Loki is also especially fond of Stark’s creations, finding himself impressed by how his bots seem to have such curiosity and personality. (Dum-E and U both, he quickly realizes, are fiercely loyal of Stark.)

As their conversations of his Seiðr continue, it grows impossible to go without mentioning Frigga. Loki isn’t sure what he expects Stark’s reaction to be when he first mentions her, but Stark’s gentle smile and, “She sounds incredible, she must be proud of how talented you are,” far surpasses anything he had expected. The sentiment touches him, and something in their dynamic changes that night.

(Perhaps, it is because that is the night Stark changes to Tony.)

Despite this, they still do not engage in conversation easily about personal topics, both of them with too many difficult stories to wish to recall such information. Still, however, there are many nights where their respective nightmares leave them stripped of their shields, with only vulnerability left behind. It is on those nights that their bond is solidified; empathy and understanding found through sharing stories of past tortures and betrayals.

During one of those nights, Tony tells him of a man called Stane, sharing with him how Dum-E first, and then Pepper, had saved his life. His voice is broken, no more than a whisper, and his hand remains firmly on the device in his chest the entire time he speaks; a further testament to the pain of that betrayal.

Loki vows to him in that moment that he will never betray Tony, he swears it, for he would rather stab his own heart than cause his (only) friend pain in any way.

Tony just looks over at him, his expression sad and resigned all of a sudden. “I don’t think that’s a promise you want to make,” he says quietly. “Not when I’ll likely give you a reason to break it.”

“You know me; I say no less than what I mean,” Loki tells him. “And I can think of no reason that would ever make me want to hurt you or betray you.” He has betrayed others throughout his life, for reasons so little as for fun (stabbing Thor), but he knows he could never harm Tony.

Tony just shrugs. He doesn’t seem to believe him, but he provides no further argument. The blanket covering their laps as they sit together on the sofa suddenly feels stifling, but Loki resolutely ignores it. He understands that Tony’s skepticism is not personal, it is just a mere consequence of being betrayed time and time again by the people he cared about most. Loki knows he would hesitate to accept such a promise as well, even from Tony. Life has taught them both that it’s not safe to trust.

(Perhaps together, they can learn to trust again.)

The other members of the team remain wary of him, distrustful to the point that Loki is certain he will never be able to earn an ounce of trust with them. Outside of Tony, Thor seems to be the most accepting of the fact he is serving a ten year sentence for his attack on New York as a member of their team. Knowing he has Tony‘s friendship makes it easy, however, to disregard the fact that the others do not trust him, even on the field of battle. Never mind that his Seiðr has been limited to keep him in check, they clearly do not trust him to fight on their side. Loki pays this no mind; their belief in him or lack thereof is of no importance to him.

When he finally meets Pepper Potts, Col. James Rhodes, and a man named Happy Hogan, they all threaten him past the point of any return should he hurt Tony in any way. He believes them. The CEO of Tony’s company, his ex, however is the one whose threat genuinely gives him pause. He knows better than to anger her.

But for all their initial threats, the three of them all seem to accept him as Tony’s friend, therefore, as a part of their lives as well. It is awkward at times to be around Potts or Hogan, or even Rhodes when he is able to return home, but those moments of awkwardness, he finds, are worthwhile if it means he can remain at Tony’s side.

It’s a thought that should scare him, that he wants to be wherever Tony is, but he finds himself oddly at peace with that fact. They have grown close over the last five, almost six months since they first shared a drink in Tony’s penthouse, and Tony is incredible, a force of light wherever he goes; it is impossible not to be drawn to Tony, he thinks.

It’s a brisk day in mid-March when he and Tony crowd together on the sofa in his penthouse with a video feed in front of them to watch the fallout of their latest prank on Barton. Tony bursts out laughing at Barton’s indignation and leans against Loki as he praises their prank, saying they absolutely have to prank Cap next. Loki is overcome with joy realizing just how lucky and happy he is to have a friend who partakes and enjoys mischief just as much as he does.

That is also the moment Loki realizes he’s falling in love.

Tony has gone quiet as his side, eyes still sparkling with joy even as he asks, “You okay, Lokes?"

“I’m fine,” Loki reassures. “Just thinking of what to include in our next prank against Captain America himself.”

“I love the way you think,” Tony laughs, snuggling into his side the way he seems to do so frequently, now that Loki thinks about it. “Well, hit me with it. What’re you thinking?”

It’s easy enough to conjure a list of possible pranks at a moment’s notice, and from that moment onward, Loki’s feelings fall to the back of his mind, always quietly lingering in his every thought. Given enough time, he knows they will become a force he cannot hope to control, but that is a problem he can deal with in the future; the present includes planning a prank, and that comes first.

(Later, Loki will consider the moment he realized he was developing feelings for Tony as the day everything changed.)

“Can I join you?”

Loki startles minutely, so caught up in his reading, so relaxed, that he had not been paying attention to his surroundings in any capacity. But this is Tony who has come to his bedroom, and Loki knows he need not keep his guard up when the inventor is around. "Are you alright?" Loki asks, lowering his book to his lap.

"Fine," Tony says automatically. He looks uncertain. "I know you're reading and it's late, so if you want me to leave, don’t hesitate to say so.”

“Nonsense, I always enjoy your company,” Loki reassures absently, frowning at Tony’s haggard experience. He gestures to the space next to him on the bed, adding unnecessarily, “Please, sit.”

Tony hesitates for a moment and then sits down on the bed next to him, leaning back. His hands twist unnaturally together; a sign of his anxiety.

Loki marks his page and sets his book on the nightstand. “Do you wish to talk about what has you so tense?”

“Not really,” Tony mutters. “Not like there’s much to say anyway though. I fell asleep working on an upgraded set of arrows for Clint and woke up screaming. J said you were awake still, so I came up.” He pauses and then adds, "You've been reading all this time? Usually you call it a night at midnight."

"I got enthralled in an old journal on Seiðr and lost track of time. When I realized it was past two, I figured I would wait until I came to a natural stopping point before I retired for the night,” Loki admits ruefully. "I'll be tired in the morning, but it will be well worth it."

"I think I'm rubbing off on you," Tony says lightly. "Staying up until all hours of the night to finish something is my shtick, not yours."

"You have a point. You did, after all, initially encourage my pranks, then you took to assisting me with them, and now you have me staying up to all hours of the night," Loki points out, teasing, participating in the lighthearted atmosphere Tony seems to be trying to create. A distraction for his nightmare, perhaps, and Loki is happy to help. "You are a rather bad influence on me."

"Guilty as charged," Tony agrees, snorting. "Though I'm pretty sure everything prank-related is a result of you being a bad influence on me."

"A mere pleasant consequence of our friendship. You knew what you were getting yourself into when you first let me share a drink with you in your penthouse."

"I did knowingly sign up for all the mischief and chaos, you're right." Tony shrugs, looking pleased. "But as Rhodey will be more than happy to tell you, I caused plenty of trouble throughout my life, so you sadly don't get the privilege of claiming responsibility for all of my evil ways."

"I plan to ask about those stories, just so you know."

Tony laughs, looking lighter now than he had when he had first appeared in Loki's doorway. "Pretty sure you'll have to clear your schedule for the weekend when you do- but keep in mind, Rhodey did also participate in a lot of my plans. He was my partner in crime. So don't let his exasperated tone fool you, he's just as much a prankster as we are."

"In that case, we will have to include him in our plans to prank Thor whenever both your colonel and Thor are present in the Tower," Loki muses.

"Deal," Tony responds instantly. He goes quiet just a moment later, his expression darkening a little.

Loki frowns at the sudden shift in mood. "What's wrong?"

"I should probably go, let you finish the chapter you were reading so you can go to bed."

“I am more than happy to have you here," Loki says carefully, sensing that there is something else weighing on his mind. "But if you wish to go, that is your choice to make.”

“I don’t want to keep you up.”

“Then prepare for bed and lay with me,” Loki says without thinking. He pauses, realizing what he just said. Norns, he had not meant to offer that, but the offer has been extended and he is not one to take back his words. Still though, he clarifies quickly, “It’s an innocent offer, no more than the simple opportunity for you to not be alone tonight, if you don't want to be.”

Tony looks startled. “You want me to stay?”

“You are welcome to, if you want.”

“Why?”

“You are my friend,” Loki says simply. “We have fallen asleep watching movies together on the sofa before and that is fine, is it not?” At Tony’s nod he continues, “So too would your decision to stay here for the night. Nightmares are painful, and if I can offer some small comfort or reassurance of safety, I would happily do so.”

“You’re sure?”

“I mean every word I’ve shared,” Loki says gently.

Tony sighs and leans against him, his head on Loki’s shoulder. “Thanks,” he says softly. “For letting me stay and for not judging me.”

“You know how common my own night terrors are,” Loki points out. "I have nothing to judge."

Tony shrugs but doesn’t offer a response.

“Go, get ready for bed,” Loki says, nudging him with his elbow. “I have placed an additional toothbrush and nightwear for you in the bathroom.”

Tony nods silently and gets up, disappearing into the bathroom. Loki uses the privacy to lay down, trying to quell his racing thoughts and pounding heart. There is something charged and vulnerable between them; it feels like he is balancing precariously on a fraying line. What may happen if it snaps, he’s unsure.

When Tony exits the bathroom a few minutes later, he pauses at the side of the bed for a moment before he pulls back the covers. He doesn’t lay down, however, just says quietly, “You don’t seem as bothered anymore to be serving part of your sentence on the Avengers.”

“Is that a question?” Loki asks, never one to make things easy when he can help it.

“An observation, I think. Am I wrong?”

“No, you are not wrong,” Loki says. He takes a shuddering breath and admits, “I hated this team in the beginning. I was no more than a collection of broken pieces being held together by pure spite, and being placed on this team felt like a death sentence. I expected to hate every moment of my time here, for an abundance of reasons.” He swallows hard, suddenly certain he should not keep going, not when he has already stripped himself bare.

“But?”

As always with Tony, he is the exception to the expectations and restrictions Loki sets for himself. He finds himself staring up at the ceiling and admitting, “But I made a friend, someone who cares about me genuinely for all that I am. It took the work of months before I realized that all the reasons I expected to hate being on this team were insignificant in comparison to the friendship I had found. These last several months, I have found myself slowly recovering from the damage The Other inflicted on me- I am trying to at least- I am trying not to be the monster I was destined to be, and I somehow even find myself happy on occasion, something I thought I was only capable of when creating chaos.”

His bedroom is quiet for a moment. “Sounds like your friend is pretty special,” Tony quips.

“Special is not the most accurate term; short, on the other hand, or perhaps, talkative, or even-”

“You're an ass,” Tony interrupts him, laughing. His expression is pensive, however, as he lays down on his side and looks over at him. “Is that all we are though, just friends?”

Loki freezes. It takes a moment for him to remember to breathe, and then he exhales slowly, rolling over on his side to face Tony as well. “I’m not sure,” he admits, “Are we just friends, in your mind?”

“I asked you first,” Tony points out, smirking a little.

“I gave you a response, however vague, and then asked your thoughts. It’s your turn.”

“Uh huh, you want my thoughts on what exactly? You haven’t really specified what we’re discussing.”

Loki refrains from rolling his eyes despite the way his heart is threatening to pound out of his chest. “What are your thoughts on us,” he emphasizes. “That is what I wish to know.”

Tony’s eyes search him for a moment, perhaps trying to assess if this is part of a joke or if he is being genuine. “I think that you’re a royal pain in the ass a lot of the time, as well as dramatic and passionate, but I like that about you. You’re also mischievous and clever; you're a genius that speaks the same language as me. I also think you have feelings for me, just like I do for you. And I want to see if there can be an us...but maybe after I kiss you?”

“Is that a promise?”

“The romantic speech or the kissing part?”

“The part where you mentioned wanting to see if there can be an us, do you mean that?”

“Of course I mean it." Tony pouts at him.

It suddenly is so easy now to see what has been in front of him for months: their close proximity to each other, the way they are drawn to each other's side, their flirting; it has all been leading to this.

Loki leans over and kisses him. Tony gives a quiet sound of surprise and then relaxes, easing into the kiss with an approach that somehow already feels familiar.

“We need to do this more often,” Tony murmurs when they pull back. He's grinning.

Loki laughs, happy. “That is a promise I can easily keep,” he vows, and kisses him again to prove his point.

End.

#frostiron #frostiron fanfic #tony stark #loki #my fanfic #this was a lot of fun!! the concept of a promise was something that was very difficult for me because I struggle with trust #it’s hard to write what I don’t really feel ya know? I had to build their trust in order to answer this #but it was a lot of fun! I just hope I got their characterizations and voices right #this one is also terrifying to answer for some reason lol...i've never attempted a fic like this #here's hoping it's well reserved lol #also Rel i adore you so much- thank you for this prompt! <3 <3

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charmedseoull · 4 years

Text

Interview with sugamins about her work House of Cards (Ao3′s second most hit English work and most hit BTS work)

Before You Read the Interview

Archive of Our Own Transcript

Reddit Transcript Part 1 / Part 2

House of Cards is documented within the Top 50 Most Hit BTS Works on Archive of Our Own Project, otherwise known as T50BTS, by Charmedseoul. It is the second most hit English work on the Archive of Our Own platform, most hit BTS work, and 16th most hit work overall. It centers around the internationally popular K-Pop idol group BTS (Bangtan Sonyeondan) with the main characters being Park Jimin, Kim Taehyung, and Jeon Jungkook. This work is being documented for historical purposes for the Fanlore website with its own page. Charmedseoul is a BTS-focused anonymous historian who plans to eventually document each of the top 50 most hit BTS work on Ao3 as in depth as this one. If you are in contact with any of the authors of these works, please contact her on Twitter @charmedseoul or on Tumblr @charmedseoull.

Parts of this interview have been edited with links to Fanlore and Wikipedia pages for understanding. Any information in [brackets] serves for further clarity for readers and elaboration of information.

Disclaimers: This interview contains spoilers for the BTS Archive of Our Own work House of Cards. The story’s Archive of Our Own tags contain violence and gangster activity, along with discussion of prostitution and drug use. The full tag list is:

Alternate Universe - Gangsters

Gang Violence

Violence

Drugs

Drug Use

Explicit Sexual Content

Explicit Language

Blood and Gore

Blood and Torture

Gambling

Gunplay

Undercover

Disturbing Themes

Homophobic Language

Attempted Rape/Non-Con

Xenophobia

Dom/sub

Threesome - M/M/M

Drug Addiction

Dubious Consent

This interview discusses an 18+ mature work and Not Safe for Work topics. Please read this interview at your own discretion. You are responsible for the content you consume.

House of Cards by sugamins is a multi-chapter Archive of Our Own fanfiction that follows police officer Kim Taehyung’s undercover operation into the gangster world of Haedogje Pa. Jeon Jungkook, shrouded in an air of mystery and dubbed “The Boy,” is the heir to this crime empire. Park Jimin lives with him, acting as a lover of sorts in a high, pristine penthouse apartment. The story follows the three and their complicated relationship where sex, violence, and drugs surround them. Kim Taehyung tries to take down the empire as his moral lines of black and white begin blurring into gray. In this crime-ridden alternate reality to Seoul, everything from the structure of the gangster world to the trust between three lovers is as fragile as a house of cards.

Now presenting the interview with sugamins, author of Archive of Our Own’s second most hit English work and most hit BTS work, House of Cards:

How did you start writing?

How did you get into fanfiction?

How much writing experience did you have prior to House of Cards?

Do you have any literary or artistic inspirations? Any other authors or works that have inspired you to create anytime before or after House of Cards?

How did you become an ARMY [ARMY stands for Adorable Representative MC for the Youth. It is the fandom name for fans of BTS, otherwise known as Bangtan Sonyeondan]?

I started writing fanfiction in 2012. But before then, I used to enjoy writing stories as a child and young teenager. I used to write and illustrate my own stories. I even had a sketchbook filled with my own comic book, which was terrible! But I've always been creative. It started with art and then I moved onto writing when I discovered I was able to be much more creative with my words rather than my pencil.

I first got into fanfiction through my years spent on Tumblr. I had always known that it had existed, but I had never really gone looking for it because I hadn't belonged to a fandom at that point in my life. It was back in 2012 when I stumbled upon an EXO fanfic that a lot of people were talking about (Arbitrage, you can find it on Livejournal.) I read it and then thought...wow, so this is fanfiction! From that point, I started reading more and more, mostly Infinite fanfiction. And then I decided to start writing with the encouragement of an old online friend, and here I am!

In terms of writing experience, I have never formally received education. I stopped studying English Language and Literature when I was 16, instead focusing on Art, History, and Religious Education (purely because I wanted to learn about philosophy and quantum mechanics) for my final two years at high-school. The only experience I have is through writing fanfiction. I started back in 2012, and I've developed a lot since then. I started off small, writing horror short stories and little collections. Brotherhood was the first 'long fic' I created. I was shocked that it managed to get so big because I had never created a story of that size before. Writing helped me gain experience and figure out what worked and what didn't work, what I was good at writing, and where I was lacking and needed to learn. I don't think you can really experience an art form until you start doing it. You can learn all about the techniques and the conventions, but until you pick up a pen and start writing or drawing, you won't ever know what it means to create.

My literary inspiration has always been Stephen King. Which is funny, as he has described himself as 'having diarrhea of the typewriter.' I think that applies to me sometimes. I am a bit of a wordy writer, though I've started honing it down for certain stories. Sometimes, a story needs to be floral and descriptive, sometimes, it needs to be punchy and direct. So, King was my major inspiration, especially with horror. I also enjoy the works of Poe and Lovecraft (I acknowledge the problematic themes in the work of Lovercraft and seek not to praise him as a person. He was a terrible person for sure, but sadly, he had a way with cosmic horror that is hard to find.) I also enjoy Chuck Palahniuk and the dark, seedy and overall zany stories that he has created. I like his style a lot!

In terms of inspirations for House of Cards, I was obviously inspired by the films Infernal Affairs/The Departed. American Gangster and Training Day were also major inspirations (and also because I love Denzel Washington's performances in both films. I mean, who doesn't love him?) But I also drew inspiration from other sources that were less focused on gangs, more focused on the dark, nihilistic state of the world around us. I couldn't recommend the TV series True Detective hard enough. It is one of the best series I have ever watched. It handles dark and disturbing content so well, and its fractured, unreliable story-telling and philosophical musing is some of the best I've ever seen on screen. I highly recommend checking it out, but be sure to check the content warning and triggers because it certainly isn't suitable for younger audiences and those with triggers. In terms of real-life content, I think Ross Kemps' docu-series are very good. Particularly Extreme World and On Gangs. His docu-series show the dark and disturbing side of criminal activity, the drug trade and more.

I became a fan of BTS [Bangtan Sonyeondan] back in 2013. I had already been a fan of K-Pop for some time by then, as I had started listening to various K-Pop and K-Rock artists back in 2009. I knew of their debut, but I had seen hundreds of new acts debut by the time that they broke into the scene, and so I didn't pay much heed. Someone I followed on Tumblr at the time kept posting about how much she loved them, especially Taehyung [BTS V/Kim Taehyung]. One day, I stumbled upon a gifset of Yoongi [BTS Suga/Min Yoongi] being sarcastic in one of their first interviews. I thought he was funny, so I decided to check them out. At the time, they had recently released We Are Bulletproof Pt. 2 [BTS’s second music video release with their debut album 2 Kool 4 Skool]. I followed them from that point, and their first comeback [A “comeback” refers to when a K-Pop idol group releases new music, usually done twice a year.] was also my first comeback. I liked their music [BTS released Boy In Luv and Just One Day in 2014, both music videos of songs from their Skool Luv Affair EP.], but I liked them even more as individuals. I loved watching their shows [Here is a link to BTS’s schedule during 2014 when they had their first comeback. You can find the shows and interviews they were on there.], even though they are incredibly embarrassing to look back on now. They just had so much energy and looked to be having so much fun that I was having fun just watching them. I was a fan, I liked a lot of their songs and followed their activities. But it wasn't until they released HYYH Part One [Hwa Yang Yeon Hwa Part 1 (Korean) = The Most Beautiful Moment in Life Pt. 1 (This is the title in English), released with the I Need U and Dope music videos.] that I really became a fan of their music. I had already created a couple of small horror stories for the fandom at that point. HYYH Part One [The Most Beautiful Moment in Life Pt. 1] inspired me so much that I created Brotherhood, my first 'long fic.' I joined AO3 [Archive of Our Own] and started posting there. I received so much support from fellow fans that I carried on writing, and the rest is history!

How has your experience being an ARMY [Adorable Representative MCs of the Youth, BTS’s global fan base name.] been? Did you ever leave the fandom then come back? How did you interact with others when you first got into the fandom and as you grew up?

How have you been since you wrote House of Cards? What have you been working on?

Are you okay with talking about how old you are now and how old you were when you wrote House of Cards?

Before you even wrote House of Cards, what inspired it? Any TV shows? Music? Movies? Books? Ideas? It could be anything.

How did you start writing House of Cards? Did you finish the entire story then publish it or did you write it as you went? What was the writing process like?

Did you have any beta readers or editors? If you did, are you still in contact with them now? How did they feel about your work?

My experience being a fan has mostly been positive over the years. In the earlier days, back around when I first started writing for the fandom, it was certainly much more positive. I've received so much support over the years, not only in my writing but in my personal life from readers and fellow fans that being a fan of the boys [The members of BTS] really has changed my life. That's not an exaggeration. I doubt I would even be here now without those years having such a positive effect on my mental health. I've never really been the kind to interact with others and form cliques within the fandom, I just like being in my own space and interacting with everyone that comes my way, I guess?

These days, I'm not as active as a writer or in fandom spaces however. I feel like my time in the fandom has started to come up and I don't know how I feel about it just yet. I feel nostalgic for the time when I was first starting out in the fandom and I didn't really know much, but everything was fun. It doesn't feel so fun now, but I mostly contribute that to the effect that Twitter has had on shaping the fandom's growth. Twitter has never been a good place for creatives within fandoms because of issues with algorithms and such. Tumblr was always the better website for hosting artistic content for a variety of reasons. So, I think the fact that everything is on Twitter now has been partly responsible for my decline in engagement and overall enjoyment. I'm currently taking a break from Twitter. The next couple of months will be what makes me either stay or leave the fandom.

Since writing House of Cards, I've been an active writer in the fandom. Over the years, I've added quite a lot of stories to my AO3 accounts and various pseuds. My largest ongoing story is another gang story, set in the 1980s, called Valentino Summers. I actually started writing and publishing it on Ao3 just four or so months after I finished House of Cards—which is wild to think about. Finally finishing House of Cards seems like such a long time ago in my mind, and yet I'm still working on a story I created that same year! I like contributing horror stories to the fandom, especially in the Halloween period. I like publishing series in the month/upcoming weeks before Halloween—though I won't be doing so this year [2020].

When I started writing House of Cards, I would have just turned 22. It was inspired by the song 'Wires' by The Neighbourhood. I might be mistaken, but I believe that Jungkook [BTS Jungkook/Jeon Jungkook] posted a tweet with the song in it. [Jungkook did tweet about this song. Here is the English translation.] I had never heard of the band before, but my partner was a fan of their music. She sent the song to me and I was very interested in the lyrics, so I started discussing them with her. One thing led to the next, and then we had basically come up with the entire plot of the story. We just needed to create the characters. We spent a little while doing so, and then I started doing some research and started writing the story. There really isn't a grand backstory to House of Cards, it just happened so fast. We often come up with story ideas like that, and my partner is responsible for a huge amount of my stories. She has the creative visions, which I then turn into words. We make quite the team, haha~ The inspirations, I mentioned those in my previous answer regarding films and TV shows.

I published the story as I went, though I staggered the updates because I didn't want to post too frequently. I had the entire story planned out from the start——I didn't change a single aspect of the story no matter what I received in terms of feedback. I think a lot of readers assume that writers might tweak things if they sense the audience wants something to happen in terms of plot or relationships. Personally, I don't like doing that. I like sticking to my plans even if I know my vision might not be what the readers want. I think it's important for the story to be created the way I see it because my vision is what made me create it, if that makes sense.

The writing process was surprisingly smooth! You might not think it because the story is big and there are a lot of characters and plot threads to keep on top of, but it went smoothly for me. It flowed just as smoothly from start to finish as Brotherhood did. I never struggled once with writing the chapters, nor did I ever get stuck and wonder if I should change the content in order to make it easier to write. I'm surprised that I managed to complete it so easily because that's not the case with writing now! I tend to be a lot slower now, more deliberate and more open to changes in order to ease the process and the overall flow of the story. In a way, this change has been for the best. I do wonder what House of Cards would be like if I were to write it now, with my different approach to planning and writing. It would probably have a quicker flow, and the word count would either go down as a result of cuts, or go up because of additional scenes I would have likely included.

I didn't have any betas, which you can probably tell from the work. My stories are so big that I never wanted to put the burden of fixing them onto someone else. I know they are imperfect, oftentimes bloated things, but that's just what they are. I did try creating a story with another writer in the past, but it didn't go very well. She would often have conflicting opinions on things and would not have any leeway for anything I suggested, whereas I always had leeway to allow her to change things. Even to the point of completely changing the plot of the story that I had already started writing, and then allowing her to add graphic sexual content she didn't even want to be in the story. She actually stopped writing fanfiction randomly in the middle of us creating the story! She made a post about it being disgusting and nasty and then bowed out. I have no clue if she ever came back! So, my negative experience with attempting to work with someone else when creating a story kind of made me not want to have a beta. It's a wild story, I know!

House of Cards is praised for its realism and accuracy with weaponry, torture, sex, and violence. How did you research these things?

How did you come up with the gangster universe in House of Cards? How did you develop Haedogje Pa?

How did you name the original characters in House of Cards? Did any characters in particular take inspiration from existing characters in TV shows, anime, books, any type of media?

How did you decide on Vminkook as your main characters for the story? What do you see in their dynamic and them as characters?

Jimin is claimed to be one of the best written characters in the entire story. What was your thought process when characterizing him and developing him?

Taehyung is an especially dynamic character whose morals get tested time and time again in House of Cards. What was your thought process when characterizing him and developing him?

Jungkook is one of the characters that the readers spend the least amount of time getting a perspective from, but is incredibly well written in his character progression. What was your thought process when characterizing him and developing him?

When it came to various aspects in the story, I did do research. Most of it never really had an impact on the story itself. For example, I would be looking up gun models that are used by law enforcement agencies around the world and trying to find specs of them so I could learn how many bullets each gun held, or how much a magazine could hold. In action scenes, I didn't want my characters firing off 20+ bullets for a gun that—in reality—holds far less. That's a fact that doesn't really mean much to the average reader, but it meant something to me! I've always hated how many bullets fly through the air in action scenes in films and TV shows because I'm always wondering if it's possible with the firearms featured in the scene haha~ In terms of torture, I've come across the subject through various documentaries and TV shows about gangs, crime and serial killers. I didn't really do much additional research into the topic, beyond reading up on what I had come across to make sure it wasn't fictionalised for drama purposes. Obviously, there will be some lack of realism in my story because I couldn't possibly write a realistic portrayal of gang violence and torture when I have zero personal experience with it. My aim wasn't to give the story 'full' realism (I'll explain more about that in the next question) but to simply create a world that felt real, even if there were little aspects that had to be exaggerated for the sake of the story. Taehyung's behaviour when undercover certainly broke many procedures. The only thing working in his favour that allowed him to get away with it is that the crimes he committed couldn't be directly traced to him. But a real undercover agent would never do the things that he did on behalf of the gang. Basically, this means that the entire story is unrealistic! But of course, it wouldn't be very entertaining if Taehyung simply observed from the background and didn't dirty his hands. So, I had to bend and break the rules a little!

For the universe, I knew that I couldn't base it too much in reality. Because of basic Korean law, it would have been impossible for me to write the gang operating in the way they did in the story—especially with guns. Most Korean gangs tend to use other forms of violence and weapons in order to control their respective areas, rather than guns. My other story, Taste of Ink, has what I would consider a more realistic approach to gang activity—with the main weapons being knives, baseball bats, etc. and the main forms of violence being assault instead of flat-out murder. So, for the sake of allowing guns to appear in the story, I had to create a Neo-Seoul, so to speak. I took inspiration from Korean gangs, and mixed it with influences from other gang cultures in order to create 'Haedogje Pa.'

When it comes to naming original characters, I honestly don't put much thought into it. I like to use real names for inspiration. I often Google various Korean films I've watched and read the cast list in order to find interesting character and actor names. This is because I have a habit of reusing names sometimes. For example, readers of my stories might have come across a couple of Daesu and Goohee characters. Do you know where I got these names from? I picked Daesu from Oh Daesu - Choi Minsik's character in Oldboy. Goohee comes from the manhwa 'Let Dai' - he is the stubborn gang leader that actually has a good heart beneath his rough exterior. I ended up liking him the most by the end of the story, so his name is one that often comes to mind when I need to pick an original character name.

I never really consider real life dynamics when I'm writing because my stories are so detached from reality that it seems pointless including any inspiration from reality. I chose the three main characters simply because, at the time, they seemed to fit the character moulds the best. The other characters fit their respective characters so well (especially Namjoon [BTS RM/Kim Namjoon] and Yoongi) that I simply thought it was best to have Taehyung, Jimin [BTS Jimin/Park Jimin] and Jungkook as the three lead roles. I chose them more based on how I thought they could personally fit the characters, rather than focus on the dynamic. To use Taehyung as an example, I thought that he would fit the character of the informant in my story because in reality, he is intelligent and seemed like he would suit the role. For Jimin, I thought he would be a good choice for a character that some might think is vulnerable or even weak. He is actually very strong and the most important character for the plot progression. For Jungkook, I liked the thought of someone with such an innocent outer appearance hiding a dark secret.

I'm so glad that readers took to Jimin so positively on a whole. I know there are some that hated him, or that hated the fact I chose him for such a role (a 'negative' sex worker role). But Jimin is the most important character for the plot progression. It is through him that the entire plan finally culminates in the explosive finish. I wanted to treat him with care because I understood that his character could go very wrong if not handled correctly. It would have been easy for him to simply become nothing more than a sexual prop, should the story have focused too much on Taehyung and Jungkook as the key players. So, I decided to subvert it by giving Jimin the ultimate hand in the story and allowing him to have more control than Jungkook in the end. If Jimin had not decided to follow through with the plan, if he had decided to snitch or had simply refused to do his part in exposing the gang, the story would've ended drastically differently. But I also didn't want to write Jimin taking control of the entire situation at the end because it would've felt ingenuine. He is a character that has been deeply affected by a lifetime of trauma. I was worried that some might take my portrayal of his trauma the wrong way, and see him not as a character that has suffered immense mental damage but rather as an annoying, weak character that gets in the way of more 'interesting' dynamics. I'm sure there will be readers that think that. Mentally traumatized individuals are often seen in such negative light, be they fictional characters or real people. When writing his character, especially in the later scenes, I wanted to make sure the trauma he experienced would shape his behaviour. Writing the scene of him getting ready to leave, when he is taking his pills and he doesn't think he can do it, it was hard. It was hard getting into that headspace of feeling so powerless in the moment and knowing that freedom is in reach, but not knowing how to achieve it. He was a difficult character to write, but I think he turned out just right in the end.

Taehyung was probably the best character to write. I love characters that start off so morally upright and pristine, and by the end of the story, their backs are bending and close to breaking from the weight of their conscience and misdeeds. His character has many facets to him that made his perspectives so interesting to tackle. From his green days in the gang, where he is horrified by the violence he sees, to the changes in his psyche as he starts to become desensitized to it all. Fundamentally, Taehyung begins the story as a good man, a hero, but by the end, there is no black and white thinking. He has become grey, muddied from his time spent in the gang. Is he a hero for bringing them down? Would a hero do the things that he did in order to bring down the gang? He killed people. He tortured people. He threatened a man with a gun, a man he knew had a deepset fear of guns that would severely trigger him. I think it all depends on how the reader sees it. The hardest thing to write for his character was his troubled descent into the relationship between him, Jungkook and Jimin, and how it affects his thought processes and emotions. I didn't want House of Cards to be seen as a romantic story when I created it. If readers see it that way, they are more than entitled to their own interpretations. I cannot tell them how they can interpret my art, that is not my role as the creator. I don't know if I effectively portrayed the co-dependency between the three main characters as well as I would've liked. But I had never tackled such a story and themes before, and so it was all new to me.

I didn't know that Jungkook had the least perspective from the three main characters. Similarly, I never really put that much effort into creating and developing his character! Jungkook simply 'happened' in the moment. He would appear in the chapter, and then his character would basically take control of the scene. I never really knew what he was going to say or do beyond my rough plans for each scene. I just waited until he appeared and let the creative spirit flow through me. That's how he came to be! I've had that happen many times in the past with characters—they have a life of their own and I've no control over them. In my story, Brotherhood, Taehyung happened the same way. It was impossible to write his character in that story because he was so wild and free-spirited that it didn't feel right unless his behaviour was a total spur-of-the-moment reaction to the other characters and new plot points. But with Jungkook in House of Cards, I don't know why I didn't have him planned out like the others. It's interesting to think that he might've had a good progression when I never planned any of it in detail!

Were there any original characters you particularly liked writing or enjoyed?

When you wrote for the BTS hyung line, how did you determine their roles in the story and characterize each of them?

Is there a reason behind Namjoon saying “brother” or was it a consciously written character quirk?

When you handled more serious subject matter in House of Cards, how did you feel when writing it? Were you ever startled by your own work?

Was there any type of purposeful titling for the fanfiction chapters?

What was your reason for House of Cards’ open ending?

I liked writing Lim, the original informant that helped Taehyung join the gang. I like writing characters that come across as sleazy. In his case, the sleaze was all an act and wasn't true to his character; he was affecting it for the sake of creating a persona. But I enjoy writing absolute sleaze balls too—the kind of guys that have chest hair and wear gold chains and thick watches, who practically ooze oil. I just find them fun! Lim was a good teacher, even when he was rough around the edges. It was sad doing what I had to do to him for the sake of the plot. But I feel like Lim understood the game as well as everyone else, and so he knew he was running on borrowed time.

Of course, I loved writing Bae Goohee too! He was an absolute bastard! I loved writing this figure that is spoken about throughout the story as a frightening man, one so brutal that the readers are already wary of him before he even appears in the story. I believe that Taehyung refers to him as a 'guard dog' at some point. I think Bae is the scariest character in the story for me because he is so ruthless and willing to do any order that the Jeon clan give to him. That kind of blind and unwavering devotion is frightening!

I also enjoyed writing Sungah and Jangmi. I think they're the only female characters in the story that have dialogue? Sungah has a great backstory that I unfortunately couldn't go into too much in the story, but it shaped her character a lot. I like how frank and intelligent she is—she holds her own even in a department filled with men that receive far more praise than she does simply because she is a woman. She also allowed me to add an angle about the unfair treatment of women in jobs that have power, drawing parallels with how Taehyung faces discrimination from his fellow officers when his sexuality is abruptly revealed during the investigation. As for Jangmi, I just liked writing about the wife of a mob boss! And not one that is simply a trophy wife, but actually has a lot of power and influence across the city. I wish I had been able to feature her more, alongside her husband, Jeon himself. But I like the scenes they appear in and I enjoyed writing them.

For the rest of the members, I had Namjoon and Hoseok [BTS J-Hope/Jung Hoseok]'s characters planned right from the start. I had also created plans for Yoongi and Seokjin [BTS Jin/Kim Seokjin], but I wasn't sure how much of a role they would play in the overall story. As I started writing them, I realised that Yoongi would play an important role in both Taehyung and Jimin's character development, and so he ended up featuring a lot more than I had expected. I planned their jobs and then let them influence how I would write them. Namjoon and Hoseok's characters came naturally. Yoongi's character completely took over his job role and basic description and became a really strong character that I'm proud of. Seokjin was a little trickier because he doesn't appear in too many scenes—but the scenes he does are integral to the plot. I needed to make sure that his character said everything he needed to in his limited scenes. He has quite the bombshell to drop after all! Seokjin was also tricky because I wanted him to have an air of mystery around him. I wanted him to be the kind of guy that not even Taehyung and his police connections would be able to unearth much about; a ghost in the system. I would've also liked for him to feature more in the story, but I feel like his character appeared in the essential scenes that the story needed. He was going to feature more in the planned sequel, being one of the first characters to appear alongside Yoongi. He was going to serve an important role, so I'm disappointed that I didn't get to show those scenes to readers.

With Namjoon, I wanted to portray him as a mature character, but not one that was conservative and stiff. I thought about having him say things like 'man' but that seemed too casual and didn't suit his character. 'Man' made him seem more like a surfer than a police officer. But when he said 'brother' in one of the scenes, I realised the word suited him better. It was fraternal, and it allowed him to show some affection towards the other characters without having to have physical contact with them. It's not the only Namjoon I've written that says 'brother' a lot. In Valentino Summers, Namjoon has experience with hippies in the neighbourhood that he lives in, so he also refers to other characters like Jimin as 'brother.' It just seems to suit him! I guess it's because I like creating Namjoon characters that are intelligent and mature, but still have a gentle and warm presence. I could picture him saying it in real life (I'm certain he already has!)

When writing serious subject matter, I'm surprised to admit that I was never shocked by what I was writing! I guess it's because I already knew that I was going to be handling dark themes. I wouldn't have tackled such subjects had I not felt comfortable doing so. Dark content isn't for everyone, and by that I don't simply mean consuming it. Creating it can be very difficult for some writers, and can even cause distress. It's not easy diving into a world that is filled with crime, pain and fear. It's even harder putting yourself into the shoes of a character that is suffering/has suffered. I was never writing in a desensitised state though. Far from it. I'm actually very sensitive to violence in reality. In fiction, it depends on the violence—but I'm usually not too affected by it. I've been a fan of horror since I was a child, and so I've seen a lot of nasty films filled with gore and 'shocking' deaths that never really had much of an effect on me. Unrealistic violence doesn't scare me. But when it comes to personal violence, that is always frightening to me. It's far scarier writing a scene where a character feels threatened by another character and doesn't know what is going to happen to them then, say, writing a scene of a character dying a bloody, ridiculous death in a horror story. Personal violence is much more realistic, therefore it is more unsettling to write. In House of Cards, the violence is very personal. It's in your face, it's inescapable for the characters that are involved in it. But at no point did I ever feel like I needed to stop writing because I was uncomfortable or scared by the content. If I had been uncomfortable, it would have been very reckless of me to continue writing the story.

My word of advice to fellow dark content writers: it's always important to recognise your own boundaries. There's nothing wrong with removing dark content from a story if you get a bad vibe or feel strange when writing/reviewing it. Always follow your gut instincts and never put out work that you don't like.

When writing stories, I vary between titling the chapters and leaving them blank. For House of Cards, I cannot remember the exact method for naming the chapters. Sometimes, the title comes to me when I am writing the plans and I have an idea that just suits the mood of the chapter. Other times, I have finished the entire chapter and I have to spend some time reviewing the content to decide that the title will be. In some cases, I have finished most of a whole story and I'm still not certain what to title it! I feel like with House of Cards, the titles came after the chapters were finished, or at least when they were works-in-progress.

There are some titles that really stand out to me. 'Nice Teeth' for example, is a really ridiculous title. Going into the chapter, I don't think many readers would've imagined what it could mean. 'Submachine Sodomy' is even funnier. I really can't believe I chose that as a title! I'll bet a lot of readers saw it and thought, "Oh no! Not another gunplay scene!" Luckily for them, it wasn't a reference to Jungkook's predilection for firearms in bed.

In terms of chapter titles that I really like: 'Delusions of Grandeur,' 'I Own This Fucking City,' 'Sleeping Dogs Bite' and 'Carpe-fucking-Diem.' I just feel like these titles are very well suited to the contents of the chapters. They are the kind of titles that have bite to them, that hint at action or an important plot point.

As for the open ending, there are a couple of reasons. First of all, I had planned to continue the story in a sequel that would pick up after the events of House of Cards, roughly a year on after the investigation. However, I did not pursue this sequel. I wanted House of Cards to end on an open note for the sequel to continue the story. When it comes to certain stories, I just feel that closed endings aren't always necessary. I often enjoy stories with open endings. With House of Cards, it didn't seem right just closing the book and saying it was over. There was still so much that needed to be explored. Unfortunately, I decided to not continue it. But I still think that House of Cards' ending fits the story.

Were there any scenes or moments or lines in House of Cards that you were particularly proud of or want to highlight?

If you were to write the Yoomin sequel to House of Cards, how would’ve that looked like?

How were readers’ reactions to your work in the beginning?

Did any reader comments stick with you in particular?

How did you take the criticisms and hatred towards House of Cards for its serious subject matter? When did those types of comments start appearing? Also, where did the hatred come from? Twitter? Tumblr? Ao3 comments? Did people harass you at all or hurt you? How did you heal from that?

House of Cards has a lot of scenes. I'm proud of most of them and I think I did the best I could when writing them. I do not really like the sex scenes, but that is because I wanted to write them in a dirty, sleazy way. If I could, I would change them. I like the action scenes, especially the Gold Monkey Casino and police raid scenes. Action scenes are hard to write! Fight scenes in particular are so tricky. I often sit there, choreographing the fights so I can describe them! I loved writing Yoongi's introduction to the story, when he walks into the scene wearing nothing but his underpants.

One scene that I really liked writing is the scene where Namjoon and Hoseok investigate the USB stick that Taehyung sends to them. I personally love Namjoon and Hoseok's characters. I always enjoyed writing them. In this scene, I liked getting to write them in a setting that was not the police department office. A scene where they got to relax and banter with each other, even though they were still working. They discover a horrifying crime ring in the city, but they are left with no choice but to keep it secret because they do not want to risk blowing Taehyung's cover. I do not know why I really like this scene, I just do.

In the sequel, which focused primarily on Jimin and Yoongi, the plans were to have them reunite through Seokjin—who has avoided jail time through a plea deal with the SMPA. They undergo a healing process together as they try to come to terms with what happened to them. Yoongi has a lot of unhealed trauma from his childhood, much like Jimin, which I only got to briefly touch upon in House of Cards. They grow closer from bonding over their traumatic experiences, and they become happier and healthier as a result. Taehyung and Seokjin were also going to be main characters, with Jungkook, Namjoon and Hoseok making supporting appearances over the duration of the story. It was going to be drastically different from House of Cards because it would be lacking in action and violence. It would have been much more intimate, with much more scenes of characters talking and discovering things about one another.

I cannot remember early reactions to the story, I just know they were positive. There was a lot of positive support from the start. As I updated and started to get more and more into the story, I received a lot of support on tumblr too. I started posting chapter previews there, as I used to get asks [On Tumblr, users are able to ask bloggers questions through an “Ask” function. This can be done anonymously or with their own blog username associated with the question.] requesting them. I got A LOT of asks on my original Tumblr from readers that wanted to discuss the characters and certain scenes. It was really interesting seeing just how much the readers were interested in the story, so much so that they wanted to learn even more about the characters and the universe I had created.

Through House of Cards, I have received comments and messages from readers that had addictions. They told me about how they recognised their own behaviors through Taehyung, and this helped them realise what was happening to them. Those comments stuck with me for obvious reasons. I have family members with addiction issues, and knowing that I could help some stranger I have never met before come to terms with their own addictive behaviours had a massive impact on me. Funnily enough, a negative comment stuck with me. It was not a bad comment, by no means meant to cause offence. It was a comment that was left on the story when I was posting the early chapters. I recall the reader asking when the story was going to pick up the pace because it was too slow. It stuck with me because, at this point in the story, Taehyung had already trained to become an undercover agent, had enrolled in the gang, had met and interacted with Jungkook, and had murdered a man. I was surprised that this amount of development had been seen as 'slow' by a reader, as I had thought the plot had been moving very fast.

I never really had any hate posted on the story when I was updating it. I got angry reactions when I had finished it. Because the story had not ended the way some readers had wanted, I think that was what caused the negative reactions. On my original Tumblr, I even got an ask about how an anon reader was going to write their own ending because my one was bad. I told them that I did not want them to take my story and change it like that. I have no idea if they ever posted the ending anywhere. The angry reactions were mostly from shippers, who were upset with the story not ending the way they had wanted. To them, I ask: what were you expecting from the story? I thought it was always obvious that Taehyung was going to do what he had set out to do from the start, so I do not think I misled readers at all. It was a story about an undercover agent taking down a gang—and that is what I wrote.

I know there was some animosity towards me on Twitter too. Twitter is a whirlpool of negativity, I am not surprised. Writing House of Cards made me appear problematic. My partner used to follow an author a long time back, who tweeted about me being problematic—despite having never interacted with me or admittedly read my stories. It was shocking to me that people were making assumptions of who I was as a person based on a story I created. I have never created stories with the aims of hurting or upsetting others. I am a very quiet and private person, and I hate the idea of hurting others. It was strange to me that people could assume me to be this cruel or even dangerous individual, intent on hurting others, because I created a fictional story. Do they think the same of script writers for television shows? Or film directors, who create films with dark subject matter? Do they think published authors are problematic people for writing dark and disturbing content? Do they think certain genres should not exist because they do not personally like them?

I do think it is strange that fan fiction writers are placed on these ridiculously high pedestals of moral absolutism. Fan fiction was created to be a space for creative outlet for marginalised individuals, particularly queer individuals. The heavy censorship of dark and unusual content is putting this entire ethos at danger. I understand not wanting to have certain topics included in stories because there is a risk that the content can be used for grooming or can be presented in a way that can negatively affect young consumers' perceptions (like pedophilia for example.) I certainly agree that there needs to be boundaries in place to stop the community from being flooded with such illegal content. But I think there is a difference between wanting to remove dangerous content, and wanting to get rid of content you do not like. Content can be problematic to you, but that does not make it dangerous, illegal, or bad. For some readers, the content they create is their way of dealing with trauma. Maybe this is not healthy for them. But that is their decision to make, not yours.

I orphaned the story because I did not want to handle the potential backlash. To put it simply, I do not handle negative criticism well. Not because I am stuck-up and think I am perfect, but because I am a very anxious person. Just reading angry comments makes me feel very uncomfortable, often nauseous. I know that House of Cards has received overwhelmingly positive feedback from readers, and for that I am thankful. But I had to distance myself for the sake of my own mental health. Since orphaning it, it exploded in popularity. I am thankful that I orphaned it because that amount of attention would frighten me a lot, haha~

What was your reaction to the fanfiction trailer by Sappiamur?

How did you come to the decision to reveal your real name in the end note of House of Cards?

How did you feel when you finished House of Cards?

How did you come to the decision to orphan House of Cards?

Did you ever anticipate the overwhelming fan reaction to House of Cards?

How do you feel knowing that House of Cards is one of the most read fanfictions on Ao3?

What do you want House of Cards to be remembered for?

What do you hope people take away from House of Cards?

Why do you think House of Cards became so popular?

I had to go back and watch it. It's been some time since I last have, and I'm still as amazed by it now as I was back then. The trailer is insane. I cannot imagine how much work went into making it. It's so good and it fits the vibes of the story to perfection. I think the first time I watched it, I was in shock. I must have repeated it at least 10 times in a row, just to make sure it was real and I wasn't imagining it. Then I think I screamed about it on my social media accounts, haha~ If you reading this have not watched the trailer, consider doing so. I promise you won't be disappointed.

Back when I first started posting fanfics, I used to get a lot of asks wanting to know my name, my pronouns, stuff like that. I thought by adding my name at the end of the stories, it would help cut down on these requests. But I also did so because I used to get a lot of asks referring to me as 'author-nim' and I didn't like being addressed by this honorific. I'm not Korean so I have no right to receive that honorific. So, I included my real name so readers could address me with it when sending me asks and interacting with me. I don't add my name at the end of my stories now, but my name is in my Twitter bio for those that want to know.

When I finished it, I felt relieved! I was so calm in the moment! Looking back on it, I can't remember much. But I do remember finishing House of Cards without any issues. The final chapters flowed smoothly, it all clicked into place, and I had a great time writing them.

I came to the decision to orphan the story after several nights of contemplation. I was considering deleting the story, along with a few others, but my partner and some friends told me I shouldn't do so. They suggested orphaning it instead. So, I did so. I didn't want to delete it in case readers that had started it had not gotten to finish it yet. I would've felt very mean robbing them of the opportunity to finish the story like that. I don't regret orphaning it instead of deleting it. I didn't want to destroy the story, I just needed some distance between me and the story.

I didn't anticipate it, and I still don't understand it! I'm shocked that House of Cards got the reaction that it received. Do I think it's a good story? Yes, I think that I worked hard to create a story that is enjoyable to read. But did I ever think it would get the reaction it did? Not in a million years! I thought that it would be one of my more popular stories because a) the pairings and b) the content. Gang stories usually tend to get a lot of attention because it's a popular genre in fanfiction. I just didn't expect it to reach such a vast amount of hits, kudos and comments.

I'm in shock that it is one of the most read stories on AO3. I don't think I will ever be able to create another story that will garner that kind of attention and feedback. It's a once in a lifetime thing, so I'm immensely proud of myself for achieving such a feat. But really, it's all because of the readers that it achieved such a goal. I'm so thankful for every single one of them.

I just want it to be remembered for being enjoyable, I think. I don't have any grand and lofty ambitions for the story. I think so long as the readers enjoyed it, that is all that matters.

I'm not sure what I would like readers to take away from House of Cards. I guess I want them to reflect on the idea of morality and that not everything is black-and-white. Good people can do bad things, and bad things can happen to good people. It's hard to answer this question because House of Cards isn't a story that I consider to have deep messages in it? There are no messages about acceptance and love and healthy relationships and such, like some of my other stories.

Honestly? I don't know what made it get so popular. I assume it's because of the pairings or the setting of the story. I know that a lot of readers say they love the story because of how well it's written, but I can't comment on that as the creator, haha~ I can't say my story is well-written as I'm not consuming it from an outside perspective. What I can say is that I do think I created a story that has a lot of twists and turns and betrayals, which I think adds to the enjoyment factor.

How are you now in 2020? Are you writing professionally in real life at all?

How do you feel BTS fanfiction has changed over time? Since you’ve been writing for it for so long.

Do you have any messages for people who may read this interview in the future?

I'm not writing professionally. I have self-published two books via Amazon and Lulu. One was a basic re-branding of my story babes in the woods. The other was a total rewrite of Brotherhood, which I called 'Brothers,' featuring a whole new setting and roster of characters. I published them as readers showed an interest in reading original stories. I have been considering rewriting House of Cards as an original work in the future, but I can't say for certain that I will do so.

Since I started writing, I think there's been a lot of changes in the fandom—not only in fanfiction but in general. There's been popular trends that have come and gone (I was around for the explosion of social media and text-based AUs, which I personally am not a fan of) but there's also been a lot of push for more inclusive content. I'm really happy by the amount of inclusive content that I see these days. Despite some pushback from non-queer fans that sometimes have an issue with queer subject matter (for example, trans characters) I think it's wonderful that artists of all colours, genders and sexualities are now proudly creating content they want to see, and not simply just what is 'in demand' from the fandom.

The message that I would like to share with readers of this interview is: stay healthy, stay happy, and most importantly, stay you. I also want to take this moment to tell them this - if you are considering becoming a creator, but you are worried about reception to your work, or that it might not be good enough, stop right now! Stop doubting yourself and just give it a shot! I was once like you, scared that my weird and niche interests and writing would be ignored or even mocked by the fandom because no one would like it. Had I not decided to take the plunge, my life would be so drastically different. I've made so many friends, fallen in love, and completely changed my life by creating fan content. It can be scary, but once you take the leap, you will find your feet coming down on solid earth without any danger.

Thank you for reading this interview. Further below are reminders and information about this interview and Charmseoul’s Fanlore project.

sugamins is still writing on her sugamins Archive of Our Own account today if you are looking for her works. Charmedseoul will not be sharing the author’s social media or contact information.

This interview is a part of the Top 50 Most Hit BTS Archive of our Own Works Project by Charmedseoul. The project documents the works and authors of the top 50 most hit BTS works on Archive of Our Own. All work for this project is done through Fanlore, which is run by the Organization of Transformative Works. However, Charmedseoul herself is not associated with Fanlore or OTW directly. All information documented through this project is done with full transparency.

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This interview was conducted through email from September 23, 2020 to October 25th, 2020 with sugamins’ consent and protections under Fanlore’s Identity Protection policies. Unauthorized reposting of this interview is forbidden. Quotation and screenshot share of this interview is allowed.

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Thank you for reading. If you have any questions, please feel free to ask and I will do my best to answer them.

Charmed Seoul. Fandom Historian based on Fanlore.com. Twitter. Tumblr.

#bts #bangtan #bangtan sonyeondan #bts fanfiction #bts fanfic #fanfiction #fanfic #interview #house of cards #house of cards fanfiction #bts house of cards #house of cards by sugamins #sugamins #archive of our own #ao3 #fanlore #charmedseoul interviews

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austennerdita2533 · 3 years

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I am absolutely in love with your blog! Books, klaroline, taylor swift and so much more that you post! I wish I had a friend like you in real life! I am curious though what is your favorite TS album? And song? Do you have a ranking?? Do you associate any song with your favorite book? I am always associating songs with favorite characters and make scenarios about klaroline in my head (embarrassing I know!)

Dawww, you are so sweet! I’m really touched by that, thank you. 🥰 I’m glad you like it here and that I haven’t scared you away with my spam posts or my tag nonsense yet (because there’s a lot of both haha). I think it would be awesome to be friends with someone like you irl. Since we seem to enjoy so many of the same things, we’d probably never run out of things to talk about. It’s a shame so many cool people live far away, isn’t it? We can be virtual besties, for sure, though! I always have room in my life another lovely person. ❤️

Oh gosh, it’s so SO hard for me to pick a favorite TS album. I’ve been a Swiftie since the beginning. I’m the same age as Taylor - both of us are born in 89 - so I almost feel like I grew up alongside her and her music. A lot of what she was writing about feeling in her songs I was experiencing myself at the exact same time so whenever I hear certain ones, like You Belong With Me, for instance, I can close my eyes and drift back to that particular time in my life. It’s like I’m there again. But then there’s also this sense of wistfulness, too, you know? Because I’ve grown into myself more and changed a lot along the way but I still remember how it felt to be my younger self. To feel the potency of everything - heartbreak, disappointment, infatuation, butterflies - so acutely. I love her music for being to do that, you know? Push me forward while also reeling me back.

On the whole, though, if I had to pick, I think I’d say Folklore and Evermore are my favorites. I’m a lyricist at heart and I just loved seeing how much her writing and poetry blossomed in those albums. Her story telling was just exceptional, it was on another level. And lately, like everyone else on the planet, I’ve been re-obsessed with Red. The initial release of that album in 2012 helped me get over a terrible heartbreak, my first love, so obviously that one holds a special place for me. That whole album is like a goddamn open wound. Still. After all these years. I REMEMBER IT ALL TOO WELL MYSELF. 😄😭

I don’t have a ranking for her discography overall, though. Not a favorite song, either. I’m very much a mood listener so I tend to gravitate toward certain songs or albums depending on where I’m at emotionally. Or, you know, if I’m writing and need/want to get into a particular headspace. I also jam to her faster-paced stuff at the gym while I do cardio a lot. I love running to The Man, I Forgot You Existed, You Need to Calm Down, I Did Something Bad, Blank Space, etc. And when I’m feeling nostalgic and want to reeeeally sink into it I will listen to songs from Fearless and Speak Now that remind me of VERY particular people from my past. Sometimes to remember, other times to torture myself lol. I will also love Teardrops on my Guitar and Tim McGraw into perpetuity. There’s such an innocence to those songs, it reminds me of my own as a teenager.

Oh honey, take heart. Associating songs with favorite characters, ships, or books is a favorite pastime of mine as well and I am constantly composing little stories for them in my head. So fear not, you are not alone! I definitely have a treasure trove of TS songs I associate with Klaroline, too. And Literati from Gilmore Girls. And Pacey and Joey from Dawson’s Creek. And Jaime and Brienne from GoT. And Jisbon from the Mentalist. And Shirbert from Anne of Green Gables. And Darcy and Elizabeth from P&P. And so on and so forth. (You see the problem here. 😆)

How about you? Do you have a favorite song or ranking of her albums? I’m super curious! :)

#insencity #replies #the loveliest of lovely people #ashlee bree talks taylor swift

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doomedandstoned · 3 years

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Italian Doomers BRETUS Tell Ghostly Tales on New LP, ‘Magharia’

~Doomed & Stoned Debuts~

By Billy Goate

Artwork by DamianaMerante

Hailing from the City of the Two Seas, Italian doomers BRETUS return with a new album of ghost stories. Longtimers know that Bretus and Doomed & Stoned practically grew up together. Though the band has been active since the turn of the century, our first exposure came with their debut full-length 'In Onirica' (2012) and subsequently we formed a friendship with the Catanzaro doomers that continues to this very day. It's hard to believe they're already over two decades old (okay, 20 years young, if you like). And what do they have to show for it? A handful of LPs, an EP, and a split with fellow Italianos Black Capricorn.

If you're as much a fan of vintage horror movies, H.P. Lovecraft lore, mysticism, and the occult as Zagarus (vox), Ghenes (guitar), Janos (bass), and Striges (drums), there's a whole world of story and sound awaiting your deep dive into the Bretus catalog. Adding to their already excellent discography, a fifth album now reveals itself: 'Magharia' (2021).

I won't spoil my interview with the band (see below) if I tell you that the album concerns, shall we say, several tales of the supernatural variety. An ominous gong is struck to the backdrop of monastic chant as Magharia opens in epic fashion "Celebration of Gloom," a song characterized by a chugging proto-trash tempo, trve metal stylings, and Gothic vocals appropriate to it's subject. It's a rather grim account of a certain sacrilegious priest and his daliences with young women of the church. As a preacher's kid, I've seen this kind of thing play out a hundred times and can assure you these sweeping romances between clergy and laity never end well. In this case, it winds up with a ghoulish rite and a victim's vengeance.

"In the sky lightning strikes...wicked laments rise from the ground." Welcome to "Cursed Island." True to the spirit of the lyrics, this track really let's it all hang out, with quasi operatic vocals that occasionally erupt in maniacal laughter (reminding me vintage Reagers-era Saint Vitus, with its lusty swagger). And why not? This is after all about the mystery that surrounds one of the most haunted islands on earth.

Thus far, the record's been sporting a pretty up-beat pulse, so surely you're ready for some good old fashion doom? "Moonchild's Scream" concerns a albino girl accused of being possessed by the devil for her appearance. One day, she disappears in the dungeons of a castle and legend has it that her cries can still be heard every five years during the Summer Solstice. Doesn't get more doom than that, folks!

After a brief interlude ("Necropass"), we arrive at my favorite track of Magharia. "Nuraghe" concerns the spirit of a woman judged and condemned for a crime she was innocent of still roams among the ancient stones. Boy, the ancients sure did have a hang-up with free-spirited, independent women, didn't they? The song itself is possessed by the spirit of Pentagram in its biting guitar work and rhythmic attack. Love the riffage on this one! Some of it could have been played out just a little more for my taste, like the all-too-brief Soundgardenesque motif at the two-minute mark. It returns a minute later, again in brief. C'mon Ghenes, let your inner Kim Thayil loose! Maybe we can convince them to improv at this point with a bitchin' guitar solo at their next festival appearance. Then again, perhaps this fits artistically with the song, which speaks of obscure "grim dancing bats" and a ghost that haunts through swift shadows passing over glimmers of light. Once again, Zagrus expressive song style comes through to distinguish this as a gem of the genre. I shall be revisiting it on my personal playlist often.

"Headless Ghost" strikes graceful Goatsnake groove as the yarn is spun about the restless and tormented soul of an ancient Roman warrior who has risen from his place of rest. All he wants is the skull that was looted from his place of burial. Give it back to him! "No one will be spared tonight," the lyrics warn, as the song shifts down to a dire doom dirge as the night unveils a strange moon and the wanderings of a cursed soul, seeking his head and not more. "He is living again in this hell."

"The Bridge of Damnation" is one of the creepiest of the record, said to be about "a bridge, a young boy, and his three torturers." The mood is quite dark, with esoteric atmosphere, reverberating vocalizations, guitar and bass trading off notes. Oh, and did I mention this tale from the crypt involves death and resurrection, as well? The riffmaking and drumming are absolutely on point, as is the singing -- which by now in the record I'm not only am accustomed to, but have grown to admire. Another keeper!

"Sinful Nun" winds and grinds as Zagarus croons about the inner torment of a Sister who has never gotten over her beloved, who died under such unspeakably tragic circumstances that she decided to consecrate herself to God in celibacy. However, her vows are in vain as she still pines for her long lost lover. The verses are sung to the accompaniment of a galloping tempo, which seems to represent the fevered anguish of a soul forever stricken by grief and the haunted memories of lost love. This is juxtaposed in the chorus by a cursed riff that seems to speak as the Hand of Fate itself. "Farewell to this life," are the Sinful Nun's final words.

At last, we reach the album's namesake and though "Magharia" is entirely instrumental, it would be a mistake to assume you know what it's going to do. Around the four-minute mark, I had to check and make sure I was listening to the same album, as dark synth busted out a metronomic rhythm, leading to a declamatory section of keyboards to accompany the math-like guitar play and an improvisation of almost creepy seventies-sounding prog, which after its playful fit dissipates suddenly in a bluesy collapse.

Bretus have cooked up a remarkable horror soundtrack that, though it speaks of ancient lore, is very much a fitting backdrop to the unreality of our own times. Fitting somewhere on the stylistic spectrum between Candlemass and Paul Chain, Reverend Bizarre and Cardinals Folly, Margharia may be the band's finest effort to date. Certainly, it rewards repeated listens, and will haunt you for many years to come. Look for the record to drop this weekend (pre-order here), with multiple physical formats releasing via The Swamp Records (compact disc), Burning Coffin Records (cassette), and Overdrive Records (vinyl). Until then, you can stream it all, right now, right here!

Give ear...

Magharia by BRETUS

An Interview with Bretus

What is the concept behind the new album and what themes do you explore?

Musically the new record is most "in your face" than the previous album. Also our approach to the recording was different. We rehearsed and arranged together more than before. The result is an album more raw to us. It is a concept album born around different italian old ghost tales. Some of these is supposed to be legend or myth, who knows.

When did you write it? Was it during the pandemic lockdowns?

We had more ideas about new stuff long before the pandemia arrived. We spent this time working on the pre-production of the tracks.

Can you give us a track-by-track explanation of each song on the album?

For sure!

"Celebration of Gloom" is a strange song because there are many influences in it. Including a solo flute in the middle of the track. However is a very loud and gloomy song.

"Cursed Island" probably is the most rock 'n' roll song of the album. If you know what I mean. Rock in the attitude. Also the first video of the album.

"Moonchild's Scream" is 100% pure Doom with a heavy mid-section.

"Necropass" is like Caronte travelling the damned souls across the Stige River.

"Nuraghe" is a heavy oriented track with a very dark feeling.

"Headless Ghost" has a more stoner trend than the others and in the end there is a psycho riffing.

"The Bridge of Damnation" includes our '80s dark influences into our sound, probably the most haunted track of the album. The story is based upon an old weird story that happened in our native city, Catanzaro.

"Sinful Nun" is like an experiment and neither of us can explain really what it is... ah ah aha! For sure the most heavy track of all.

Finally "Magharia." You cannot believe it but the idea comes from a Who's album, Quadrophenia. Either of us wrote a part of the song. The result is a kind of horror soundtrack.

Magharia by BRETUS

How do you feel that your basic style or approach to song composition has changed since you first started writing songs in the early days?

You already know a lot of things about us, we know you from so long ago! Please don't ask how old we are. (laughs) Basically our approach is the same from the beginning. Of course we listen to a lot of new stuff during these years so every album brings different "colors."

Where are you most looking forward to playing live once pandemic restrictions are eased?

Everywhere! We are angry for live gigs or simply to drink beers with friends.

Follow The Band

Get Their Music

#D&S Debuts #D&S Interviews #D&S Reviews #Bretus #Catanzaro #Italy #doom #metal #doom metal #horror #occult #stoner rock #HeavyBest2021 #Doomed and Stoned

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alextriestowritestuff · 4 years

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House of Hades Read With Me

Hey everyone, I’m back with an update. If you haven’t been following this thread, I’ve been reading the Heroes of Olympus series by Rick Riordan. I read the first three books in this series back in 2012 and never finished. If you want to know my background with the PJO series and my thoughts on the Son of Neptune (I started my re-read with that book because Lost Hero is trash imo), you can find that here. My thoughts on Mark of Athena is here. So let’s get into the House of Hades 50% update that will include spoilers so you’ve been warned.

Okay so I’m going to use two images to convey my thoughts on this book so far:

Okay so let’s address the first image... um. I’m fucking terrified. I’m scared of Percy and I’m scared for him and Annabeth (She told him that she loves him ahhhhhh, I need him to say it back tho). My past read with me’s have been pretty harsh on the HoO series so far but I really like this book so far. Dear gods, please let the other half of the book be good! Rick you’re doing amazing sweetie (kind of-we’ll get into it). So far, I’ve cried at Percy and Annabeth thinking about each other and how tired and hungry they are. And when Percy and Annabeth were surrounded by Kelli and the other empousai and I really thought it was done for them (I know they don’t die but the fear I felt was real) then Bob came in and saved them. And when Percy was surrounded by the Arai and Annabeth was temporarily blinded by a curse. Like he literally says, if I’m going to die, I’m not going to let them hurt Annabeth and he went out fighting (out meaning unconscious in this case) ughh my heart. It was torn out of my chest!!

Brief pause because the Arai said that Calypso cursed Annabeth because Percy left her and I just can’t really emotionally deal with that fact because Battle of Labyrinth is my favorite PJO book BECAUSE of Calypso’s appearance. I’ve held a torch for that girl to find happiness for years and to think she cursed Annabeth (Obvi she didn’t know it’d actually affect Annabeth years later), that shit kills me. But I remember thinking in the Last Olympian why Percy didn’t ask for some sort of amnesty for Calypso when he was telling the gods to claim their kids, etc. So I’m glad he realizes he f-ed up there but ugh why Calypso?? It’s okay, I know that her and Leo get together so she’ll be happy eventually. I just have to wait.

But let’s also talk about the fact that I’m starting to feel bad for monsters? Annabeth and Percy have been reflecting on what it’s like to be sent to Tartarus by a demigod and slowly reforming. And all the curses the Arai gave Percy were manifestations of how he killed those monsters so he felt their deaths which seeing him in pain, put me in pain. Like Rick don’t do this to me. I don’t want to feel bad for monsters but I do. I’m curious to see how this experience will change Percy and Annabeth’s willingness to kill monsters in the future. I really like this presentation of the monster’s perspective, I think it’s very interesting. In relation, I’ve noticed HoO is a lot darker in theme (even before this book) just by the way they phrase things. Like the demigods will say ‘kill monsters’ or ‘kill’ very easily compared to PJO where I felt that death was sugar coated because it was a middle grade genre. Most deaths were off screen (off page?) like Beckendorf’s. Or not very grim. And this series is much more in your face about it, especially in House of Hades. It was hard to get used to at first but I think it shows maturity, it’s well within the realm of YA to kill off characters and explicitly say so it’s just strange going from PJO to this imo.

Moving onto the next image, the slowly being seduced one. AHAHA Um can someone tell me why I was briefly seduced by Frank and Percy?? So Percy, I’m always seduced by, that’s not new. But him being scary makes him 100x more attractive. Like imagine if Percy had been on the titan’s side? The gods wouldn’t have had a chance. Here’s some quotes:

(This is after Percy kills Arachne, on pg 6) Percy kicked the dust on the rocks, his expression grim and dissatisfied. “She died too easily, considering how much torture she put you through. She deserved worse.” Annabeth couldn’t argue with that, but the hard edge in Percy’s voice made her unsettled. She’d never seen someone get so angry or vengeful on her behalf. It almost made her glad Arachne had died quickly. “How did you move so fast?”

Then when Percy convinces Bob to kill the reforming Hyperion, Annabeth thinks this:

How was he keeping his cool? The way he talked to Bob left Annabeth awestruck…and maybe a little uneasy, too. If Percy had been serious about leaving the choice to Bob, then she didn’t like how much he trusted the Titan. If he’d been manipulating Bob into making that choice…well, then, Annabeth was stunned that Percy could be so calculating.

He met her eyes, but she couldn’t read his expression. That bothered her too (22).

Like what?!?! Please come pick me up, Uncle Rick. I’m scared. What’s happening to Percy?? I need them to get out of there STAT! I have no theories as to why he’s acting like this (maybe it’s the energy of Tartarus) but I’m excited to see where it goes. But Scary Percy is also right up my alley so ugh, I’m conflicted.

So next, Frank. Rick did something hella problematic here but before I get into that, here’s the line where I was slowly being seduced by him:

Frank was faster. He lunged at Trip and slammed him into the wall, his fingers locked around the god’s throat.

“Think about your next words,” Frank warned, deadly calm. “Or instead of beating my sword into a plowshare, I will beat it into your head” (19).

Like ngl, that choke thoo?? I’ve never been attracted to Frank but my god, the dangerous tone, the threat. I had to put my hair up and get a cold glass of water when I read that. Frank was the last person I thought would do something like this but I am not mad at all. Very Ares of him.

What I am mad about, however, is the fact that after this scene, Frank (or it’s Hazel that notices) notices that he’s becoming taller and better built. Because Mars/Ares gave him a little ‘grow spurt’. Now let me say this: I’m not one of those people who think that everything problematic was meant to be intentionally offensive/stereotyping/harmful. I know that Rick has had his fair share of controversies ever since he’s been incorporating diverse characters. That comes with the territory of writing marginalized character-I’m black and I still have watch myself in how I portray black characters. He has do the research and I don’t he did it. Sorry.

And I’m sure I haven’t even caught half of the problematic things brought up in HoO (there’s times where Hazel’s hair or skin is described as cinnamon, like food when other non black characters don’t get that kind of description. Also the fact that her name is Hazel like Hazelnut has always bothered me but I digress). Back to Frank’s growth spurt. Prior to that, other characters have described him as a bit on the chubbier side, baby faced, ‘big guy’ (that bothers me tho but that might be an internalized societal mentality that any word like fat or big = bad. And that’s not always true but I personally don’t feel comfortable calling someone that), etc. And he’s of Asian (spec. Chinese) descent. For what it’s worth, I’m not Asian so this may be out of lane to talk about but from my personal life experiences, Asians tend to be on the smaller end of the scale when it comes to size. I am 5″7 ish, size 6 and I would be considered overweight in mainstream Asian stores but in Western stores, I’ve never had an issue fitting in something or finding my size. I also tend to have a lot of options fashion wise. I have an Asian friend (Lmao I feel like one of those yt people who are like I have a black friend so I can say this and that. sorry I’m trying to get a point across) and she is plus sized. She doesn’t fit into the straight sizes in America so by Asian standards, she’s considered anywhere from moderately to morbidly obese. And she faces a lot of judgement from her Asian relatives because of it in addition to the fatphobia that has infiltrated American society as well.

My friend doesn’t see a lot of representation for Asians her size. If she does she sees Asians that isn’t as thin and small, it’s people with my size who are considered thin by Western standards but ‘big’ by Asian sizing. My problem with having Frank be given a growth ‘spurt’ is that it’s erasing that plus sized Asian representation. This wouldn’t have been a good thing to do to ANY character that was plus sized but do you see where it’s even more problematic to do because of his Asian ancestry? It would’ve been fine if at the end of the series, he got hella fit and happens to be more in shape because of all the fighting he’s done but to be given that growth spurt implies that there was something wrong with his size in the first place. And so far, the other demigods have been taking him more seriously (Frank notes that Leo has stopped teasing him as much) which is kind of thin privilege esque to me. Frank may not be my favorite character but he deserved respect, no matter his size. I think this growth spurt aspect was hella problematic and Rick shouldn’t have done it. It was also unnecessary as hell. He looked fine before and could do everything the other (thinner) demigods could do just as well.

This is getting long so let me get to my last couple of points: Nico and the many, unnecessary POVs.

As y’all know by now, I think Nico deserves rights. He deserves friends and place to call home where he belongs. Both Frank and Jason didn’t want to be alone with Nico because they thought he was creepy and I can see where this is a set up to eventually have him fit in but damn, he’s just a kid. Be nice to my son. I feel like one of those mom’s who just wants their kid to make a friend at school. Will Solace as his love interest please come sooner. Again, I’ve been spoiled to this. I’m interested to see how this pans out and if this relationship will be a kind of aside mention like the fact that Grover and Juniper are dating or will it be given the same focus as opposite sex couples like Percabeth and Jasper. And I already knew Nico liked Percy but I didn’t expect it to come out in the way it had. It makes his relationship with Percy make a lot more sense. And I see how Nico could view him in that sense after Percy saved him and Bianca in Titan’s Curse and how he was like the real life version of his Mythomagic games (also I totally forgot he played that, he’s not that excited little boy anymore ugh, his innocence left ever since Bianca died). Overall, I think Nico being gay was handled well-Jason’s reaction was very straight but supportive so he gets a pass there. My point is Nico deserves the world. That’s all.

The POVs. Again, I don’t know if people who aren’t writers would have an issue with the POVs in this series but I do. So far, we’ve had Hazel, Leo, Frank, Annabeth, Percy, and Jason narrate. I said this before, Rick needs to stick to 3 or 4 POVs because this shit don’t make sense. Annabeth and Percy are in the same setting together, they can’t even go on side quests because they’re in Tartarus so like why do we need both of them to narrate?? If they separate at some point, maybe. Don’t get me wrong, I love their narration but it’s jarring as hell to keep bouncing from POV to POV. I also saw somewhere that they don’t get a narration POV in Blood of Olympus in which case, I sure as hell don’t want to be reading the POV in the HoO characters who I don’t really jive with except Leo. So Hazel is going to be important to the Mist thing whatever, it makes sense she gets a POV (and she hasn’t had one since tSoN/same with Jason but the Lost Hero instead) but Frank and Leo? And I really thought since it’s 5 demigods (Percabeth in Tartarus) they’re going to be able to do side quests with all 5 of them that we didn’t need so many POVs but guess I was wrong. Idk it’s driving me insane, Rick should’ve done third person omniscient (Think Harry Potter and it can still follow different people like Percabeth in Tartarus).

Damn, if this is how much I have to say about the first half of HoH, I’m really excited to get back to reading the last half. I’m HELLA looking forward to have Reyna join the quest temporarily (where I left off, she is on her way to the 5 demigods). I want the Piper/Reyna/Jason thing to be resolved (a lil drama would be nice) so Piper can stop being annoying and insecure. I want to know who Coach Hedge has been talking to and is he a good guy? Oh and another thing that’s been bothering me is Gale, Hecate’s polecat? It just farts all the time. And I have to remember I’m 20 and this books isn’t targeted to me so juvenile humor isn’t funny to me anymore but it’s just kind of gross and unnecessary??

Anyway, I’m going to have to start a new post for the last half of my HoH read with me because this thing is long. But you guys, I am invested into this book. It is on par with my love for PJO books so far. I could give this book a 4.5 stars (despite some faults) if it keeps going this way. Thanks for reading!

#House of Hades #Percy Jackson #PJO #percabeth #HoO #not writing #read with me #alextriestowritestuff #rick riordan #rick riordan problematic

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lostlonelylotus · 4 years

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Another Hiatus?

straight up thinking of taking another hiatus from Tumblr...I hate to, but I’m thinking maybe this place just isn’t good for me, even after such a long time away in the first place. More under the cut, if anyone wants to read it.

So, I struggle with a lot on a daily basis. Things that I don’t even tell what few people are around me in real life, because frankly, I don’t really have anyone to tell that I think would want to help. I’ve had to end a great deal of my friendships because they were unhealthy/toxic and others ended because I’m disabled and cannot keep up with more “social” or outgoing people (which unfortunately is usually interpreted as disinterest because of constant rescheduling or inability to go out).

No one even knows that I’ve started a particularly hard round of chemotherapy that involves painful injections, because I worry that people just get sick of hearing how I’m actually doing versus the image of me they think should be real. I lie and say that I’m fine, when I’m struggling mentally and physically. Very few people know that I’m in such severe constant pain that even with strong opiates, medical cannabis, benzodiazepines and constantly watching my diet, I’m spending 12+ hours a day in bed. I never get below a 6/10 anymore. I can’t remember what anything below that feels like. My body tortures me every waking minute.

I’m back to where I started when I began treatment in 2012 and my mental health has taken a nose dive because it all just feels so futile, you know? Treatment after treatment, surgery after surgery, fighting tooth and nail to have the bare bones of a life only to fail and wind up at square one is...Hell.

Add onto that, that I can’t get a FT job (so no PTO or good health insurance) despite having multiple degrees and that I had a position lined up before COVID that might now no longer even exist when this is all over + that the Part Time job I have that I love has completely changed now that I’m work from home and I HATE these new tasks and miss my coworkers + that I live with an actively abusive family member + that I have no friends beyond surface-level acquaintances despite so much effort to try and make and keep friends + that I’ve struggled my whole life with internalization of everything...and you’ve got a walking disaster of a human being who should probably nowhere near this site.

My therapist is through the school I graduated from, so I can’t even see them, and it wouldn’t matter because our relationship has progressed too far and they just treat my visits like a social hour and we never even talk about my real problems. It’s pretty damn pathetic when your needs don’t even matter to your therapist.

In real life, I’m a doormat to people’s needs. You need a house sitter? That’s me and they’ll pay me pennies to do it. You need someone to teach your children during COVID because we’re co-distancing? You need someone to drop everything and help you? That’s me. But when I need something, anything? A cup of tea or a genuinely asked “How are you?”? Forget it.

I miss fandom. I miss the escape. I miss the discourse. I miss the photosets and the freaking out over characters. I miss fandom buddies.

My experience of fandom since I last left Tumblr maybe 2-3 years ago has been very solitary. AO3 fics that I *do* comment on or discord servers where I’m one of dozens or more of people that no one can really remember because it’s hard to try to “compete” to be heard with 5 other people who are friends that are talking in depth about parts of fandom that you are new to...that and Google bloody Images have been my fandom for the past 2 years.

It’s fucking lonely out here. I feel like a fandom cowboy, alone on a prairie, occasionally passing by other cowboys and wrangling the livestock together for a moment before heading on with a half-hearted tip of our hats. It’s more than likely the reason why I haven’t published a fic in nearly 2 years, even though I’ve completed 1 or 2 little ones. I used to write all the time, all the time. Fics, ficlets, drabbles, headcanons. Screaming into the void is so much harder than just sitting there with your eyes closed and pretending there is no void.

I got into Classic Doctor Who and back into a few “older”/smaller fandoms, and when there’s no fic to be had...your only option really is Tumblr. I was writing again (am writing again?), and the photo/gif sets and the meta had me fucking inspired for the first time in...so long. I was addicted to writing again. Wrote more in the last two weeks than I have in years. Started writing a fic that’s already longer than any I’ve ever written before.

I thought I could handle it, Tumblr helped so much before in the Golden Days of Tumblr. I became part of a huge fandom friend group on Skype back then. I had friends. I had true fandom, not this bizarre one-person-imaginings experience of fandom.

I was able to see something triggering or an opinion I disagreed with or deal with bad anons or any of the bad parts of Tumblr. I was able to see just the good, overall.

But, now, I don’t know that I can? I’m too internalizing now? Someone replies to a post with a minor disagreement and it makes me hate myself. I get a slightly disgruntled anon and I cry. People don’t tag very triggering or super stressful political items anymore, so I can’t “unplug” when I need to avoid seeing things about riots and horrendous crimes against people and so I wind up with an additional panic attack because I can’t do anything about anything.

I don’t know if the vibe of this place has changed or if I’ve become one of the dreaded and dreadful “snowflakes” who just can’t handle shit. I think both, honestly.

And it fucking sucks, okay? Because I was starting to get back into the swing of liking this place. I was starting to branch out and reconnect with folks I knew from before that were/are wonderful or make new fandom acquaintances. I had the carrot of having a collection of true fandoms in front of me. Of feeling connected in this time of horrendous isolation (both for the world and me personally).

But the stick is so much bigger than I remember. So much larger and harder; a tree trunk log instead of a twig switch. I’m not taking little love taps or slightly stinging slaps, I’m being beaten with it. By it.

I don’t know what to do. I want to keep Tumbling. I want to keep building friendships and talking about dumb fandom things. I want to reblog old gifsets and have convos in the tags. I want to share fics/art back and forth. I live for the discussions that I’m starting to have again. I live for seeing 3 bloody notes on an original post I made. I live for knowing that someone, somewhere is seeing something I wrote or made or said and likes it.

I don’t want the internalization of disagreements, of a perceived inferiority to other users, of feeling bad about myself over things that aren’t even a big deal on Tumblr but are to me. I don’t want to feel even more ‘less than’ than I already do.

I don’t want to feel extreme anxiety over the insanity of the world that I can’t escape even on here because tagging is a thing of the past and it’s apparently a major faux pas to ask for tags on triggering content, even if I fully support the matters tagged. I live the insanity okay? I’m a queer, disabled, person of color, in the small-town Midwest living in poverty. I’m not some racist who just doesn’t want to see your protest content. I’m struggling to get by.

Maybe I’ll just stop producing content? Only reblog and like? Only comb through character tags or chat with some of the fantastic people that have offered? My inspiration is declining, along with my mood.

I’d honestly contemplate a permanent hiatus (just not a deletion) if all of the fandoms that I was in had discords, but they don’t. If they do, I don’t know about them. Though, honestly, discord is not the same, and I always feel even more insignificant there. Drowned out or unimportant.

Huh. Drowned out or unimportant, that could really be the title of this pity post. Possibly the title of an autobiography, if I was ever self-indulgent enough to write one.

If you’ve read this whole thing, then wow. Thank you, because you’ve just given more of a shit about me and my feelings than anyone in a long, long time.

This post probably won’t be up long, it was honestly meant to be a pity-party cathartic release of feelings and will, no doubt, make me feel more pathetic the longer I leave it up.

#fandom #personal #I'm contemplating leaving Tumblr again #I just don't know

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eloquent-music · 4 years

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THE POSITIVE & NEGATIVE: MUN & MUSE

Fill out & Repost ♥ This meme definitely favors Canons more, but I hope OC’s still can make it somehow work with their own lore and Lil’ fandom of friends & mutuals. Multimuses pick the muse you are the most invested in atm.

Tagged by: @polyhexianchicken

Tagging: anyone who wants to do it!! Just go ahead and say I tagged you

> Putting under a read more bc of the length <

MY MUSE IS. canon / oc / au / canon-divergent / fandomless

* is your character popular in the fandom? YES/NO

* is your character considered hot™ in the fandom? YES (from what i see from a lot of people in the fandom including myself)/ NO / IDK.

* is your character considered strong in the fandom? YES / NO / IDK.

* are they underrated? YES ( I believe there’s more depth to him that some don’t see) / NO.

* were they relevant to the main story? YES (Sorta?) / NO.

* were they relevant to the main character? YES (Kinda sorta esp to Megatron) / NO

* are they widely known in their world? YES / NO.

* how’s their reputation? GOOD / BAD / NEUTRAL.

HOW STRICTLY DO YOU FOLLOW CANON?

I try my best to follow canon as best as possible. I do put in my own twists here and there. I have added things into his character have been shared later on through Tweets on Twitter from Jro and Milne. I take their portrayals and incorporate them into my Tarn. For example, Milne said that Tarn was Pharma’s new lover and they had a special relationship and since I’m weak for that pairing I really wanted to incorporate that in. Also Red doesn’t help we both feed into each other ilu <3 ALL IN ALL though, I do like to keep him canon and not too much off character to where he isn’t Tarn anymore. I want him to be Tarn not someone else

SELL YOUR MUSE! (aka try to list everything, which makes your muse interesting in your opinion to make them spicy for your mutual.)

I could sell Tarn for hours and a few friends know this very personally. IM SORRY. ANYWAYS. Some may find what I love about Tarn to not what they like but it’s my opinion on him! So here goes.

I love his damaged nature (I’m sorry Tarn muse). I find his addictions interesting, even though they weren’t technically shown in the issues. It’s part of who he is from who he used to be (however they came about). I will always love his flaws and I enjoy showing those sides of him so be aware that I will show his addictive personality (through Transformation, Nuke abuse, and murderous tendencies).

Which brings me to... His murderous/torturous nature. We see killers a dime a dozen in the series but to be a leader of a torturous group? Like that’s pretty rad and completely different from a lot of other characters. Can you tell I like the baddies? sdifhoisdf This brings up this ONE side of him. He doesn’t like killing / taking part in the demises of SOME of their victims. Why? I think I may know the answer to that. Why does a mech like him want to advert his gaze while the others have their way with them. Talk about something deep we never got to understand that.

He has a soft spot for musical pieces, especially classical piano music. I love Chopin the most, so you’ll see me post that all the time!

He apparently loves pineapples and just I LOVE THAT SO MUCH UHG.

He’s a big tank with Daddy (Megatron) Issues! You gotta love it LOL He’s got biolights literally everywhere. FLASHY

When he’s only around his team, he can be a little bit more calm even though he can drop it at the drop of a dime.

He’s a touch starved mech odifhsodif

NOW THE OPPOSITE! (list everything why your muse could not be so interesting (even if you may not agree, what does the fandom perhaps think?)

Even though I kinda sold him on this I thought I should mention it here too. I don’t think people find him interesting for how dark he is as a mech. Push aside everything and look at how purely evil he can be. He’s cruel. He’s torturous and very sadistic. He will thrive off of every little bit of pain you give him. He can be manipulative at times.

Tarn is a huge hypocrite. It shows so much throughout the comic issues if you really look at it. I show it a lot (he will deny it sometimes but don’t worry I know he’s one) Probably one of the biggest hypocrites in the whole 2005 IDW Series.

Tarn is easily-influenced and persuaded by certain situations (to not look weak) and mechs.

He is very easily angered from the smallest things.

He holds onto grudges

WHAT INSPIRED YOU TO RP YOUR MUSE?

I know I’ve been asked this before and when I’m asked again I forget the GOOD reasons why I was so inspired to write him so I hope i do okay this time around. Even though I know I will leave out the good shit. Idk why I just dont draft on what truly inspired me. Just watch, itll come a day later and I’ll add it in just wait and see

I started rp’ing him on here as soon as he debuted in the MTMTE series (i think it was back in 2013 or 2012?) I did kind of poof for a few years due to being so busy sdiufhs. Anyways, I fell instantly in love with his character. I loved his dark ways and how he was so drastically different of a villain. His musical tendencies. And how he could offline a mech with ONLY his voice? Like damn sing to me all day you Musical Angel. He is dark and mysterious. NOT TO MENTION, black and purple my favorite colors.

His design was flawless and MTMTE #7 sold me on who he was and from then on I just couldn’t stop loving this murderous tank. I love how Jro and Milne have come out later on to answer more questions about him and just I love him that much more. Looking back years later on it, I see a little bit of myself in him.

WHAT KEEPS YOUR INSPIRATION

He’s pretty easy to flow out honestly. Just like my other muse I have. If he does struggle some, I just pop on some Chopin and he’s good to go. What really does keep me going more than anything is continuously exploring who he is as a mech and as a Decepticon. I want to know so much about him literally everything. Even though I could write headcanons all day and drabbles too, I love making him interact with others to find that personality. It’s really just my never-ending curiosity for him.

SOME MORE PERSONAL QUESTIONS FOR THE MUN.

* do you think you give your character justice? YES / NO. ( i hope I do! )

* do you frequently write headcanons? YES / NO.

* do you sometimes write drabbles? YES / NO. ( i love writing drabbles!!!)

* do you think a lot about your muse during the day? YES / NO.

* are you confident in your portrayal? YES / NO.

* are you confident in your writing? YES / NO. (Most of the time, I know sometimes I mess up and its honestly just me not seeing it for whatever reason. Im so sorry if my replies come through scattered sidfhfs)

* are you a sensitive person? YES / NO. (Not really at all. I don’t get offended or anything but certain things can bug me)

DO YOU ACCEPT CRITICISM WELL ABOUT YOUR PORTRAYAL?

Only if its constructive criticism. I love it when friends bounce ideas or talk to me about him. I will take into consideration of changing him slightly from only my close friends and that’s because we’re close. I will not change my character for anyone because they don’t like how I portray him because he is my portrayal of him, not yours.

DO YOU LIKE QUESTIONS, WHICH HELP YOU EXPLORE YOUR CHARACTER?

I love all the questions you all send him, either on anon or not. Even the most awful ones! Tarn may not like them but most I find absolutely hilarious. I think the more personal questions really help for exploring who he is or if I post drabble prompts, go ahead and send me one! Even if I dont send in one and you wanna know more about him I will try my best to respond to it.

IF SOMEONE DISAGREES TO A HEADCANON OF YOURS, DO YOU WANT TO KNOW WHY?

This is a hit or miss question. I don’t really want to exactly know why unless if I ask you personally on it (which is usually just between close friends because sometimes I just aint thinkin straight). I don’t mind bouncing off ideas but ishdfoisdfh i really truly don’t know the answer to this one

IF SOMEONE REALLY HATES YOUR CHARACTER, HOW DO YOU TAKE IT?

I honestly don’t care. People won’t like every character out there and that’s just part of being human. I understand why people would hate his character in the series in all honesty. But I love him for all his flaws.

I don’t blame people for hating Tarn but I do not want hate sent to me. That is unacceptable and not okay. You don’t have to like my portrayal but please don’t shove it at me that’s just uncalled for. If your character hates him that’s totally different but don’t come attacking me for any reason.

DO YOU THINK YOU ARE EASY GOING AS A MUN?

I think I am. I’m usually fairly quiet. But once you get to know me, I am kinda strong on the goofy/funny side and a bit blunt/straight-forward sdoifhodsf. I tend to be really easy going and laid back. My personality has drastically changed since I’ve gotten into my mid-20s. I don’t like drama and dont wanna be apart of it.

#{Mun and Muse}

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thedragonlover · 4 years

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10 for 10 for 10

Ooh, once more into the brink! This is a game where if you’re tagged, you answer that posts 10 questions, then write your own 10 questions to then tag 10 people to answer. 10 10 10.

This time I was tagged by @miss-laney ! o 3 <

1; Have you ever fallen in love with a fictional character? ahahahahahahaha *cries in Husbando*

2; Do you have a muse or a character you roleplay? Oh SO many. The OGs being DL which was just Me But Braver, and Shadowpaw, that feisty cat who started as a Sonic fancharacter. :’3

3; On a scale of 1-10 how friendly would you say you are? If we’re averaging out my lifestyle, I’d say a good seven. I try to be super nice and funny! But I tire out from social interactions and need to be A Recluse for periods of time. And there’s a threshold of crap I’ll take before I speak my mind.

4; What’s your favorite book? That’s so tough!!! Especially because I haven’t read a super lot lately... Manga, it’s The Ancient Magus’ Bride because myths and lore and gorgeousness and horrors. Novel, I’ll go with The Dresden Files series, I guess the first one Storm Front, both for the fun modern fantasy adventure and for the story behind its publishing motivating me.

5; If you were stuck on a deserted island, who would you bring with you? can it be a fictional character I love or my OC uh shit I’m not sure? Some friends I’d love to have with me but wouldn’t want to torture them with that experience. Other friends I think could handle it better but might not always jive with me in-person. I honestly don’t know how to answer this soooo I’m going with Godzilla because, because.

6; What weapon would you use if you knew how to use it? It’s such a toss-up between bows or axes. Sure, swords are really cool and all, but you don’t always get the Murderous Vibe from a person with a sword than you would an axe, that shit be feral. But I also like ranged precision stuff and it’s almost meditative so I’d love to wield a bow.

7; Would you ever go back in time to fix a mistake? Only if it was a mistake that injured someone or cost someone their life. This could also include taking away someone’s livelihood where life becomes a struggle for survival.

8; How long have you been on tumblr? Uhhhh shit I gotta go look it up again HOLD ON. ...SINCE FEBRUARY 2012. Hot damn I’ve been here for eight years, wtf am I doing with my life

9; You Have a pretty smile. This isn’t a question. rfjuwaithjiasy THANK, RIGHT BACK AT YOU!!!

10; What games do you own? Ohhhh boy that’s a lot. It might be easier to just... take pictures of my game collection. I’ll put those under the read more at the end!

I can’t think up 10 more questions AAAAAAAA too much brain power. IF ANYONE WANT TO DO THESE QUESTIONS OR THE ONES IN THE OTHER ONE I POSTED, BE MY GUEST!!!

Too lazy to crop these bastards RIP

Pluuuus a few on my desktop, uhh more Heroes of Might and Magic games, Sims 4, Deltarune ch1, Enter the Gungeon, Guild Wars 2, Dead Space, Minecraft, Dauntless, and whatever’s on my Origin library that I don’t feel like opening rn LMAO I’m DONE

#10 for 10 for 10 #text post #get to know the dragon #dragon talks #dumb dragon #pic post #long post #only because of the pics

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taenys · 5 years

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“does it bother you that i’m still friends with *insert ex’s name here*”

oof. wasn’t ready for that one. my brain shut down the moment he said it. the way it shuts down whenever he mentions talking to her. yes, it does bother me that he’s still friends with his ex, but not for the reasons he probably thinks and not for any reasons i felt i could share during the car ride home (honestly probably a better discussion to have in writing, i might cry in person lmao). it’s not because i’m stupid and jealous and feel "threatened.”

it’s because a few weeks ago i made the grave error of snooping deeper into her facebook, and seeing a link to her personal writing blog. i too am a writer, a poor one yes, but still. and so i wanted to see her own work, torture myself and see what kind of romantic sonnets she may have written while she was with tom. i figured they’d be beautiful. and what can i say, i love to suffer.

anyways, i went back to 2010 on her blogspot, to when they first started dating and i saw?? nothing about him? nothing about her feelings for him? which freaked me out because why wouldn’t she document her journey falling in love with tom. i mean, i certainly have on my own blog. all she wrote about was about her ex. romantic stuff about missing said ex. did i have my dates mixed up maybe? no, no. because then there was a post where she literally says she’s still in love with her ex while she’s with tom and how she knows that makes her a shitty girlfriend. um yeah. very fucking shitty. did tom know this going in? i know tom dropped everything and moved across the country for her (he told me that before), but did he do that knowing she felt this way? did he sacrifice so much of himself knowing she loved someone else? if so, why? i have to assume she was tom’s “great love,” you know? that one “epic” love of your life that presumably only happens once. which is why he was willing to do seemingly ANYTHING for her.

when i think about it now, i can’t picture tom being that way. he’s too mature and sensible now. i have to assume he learned a lot from that relationship, and a lot of his outlook on dating has shifted over the years as a result. his dating profile had something like “i’m not looking for someone to ‘complete’ me” and emphasized that he’s perfectly happy on his own. that’s definitely not the same person who dropped his whole life, school, work, family, friends, and moved across the country to be with the girl he loved...that’s the kinda shit you read in cheesy teen romance novels and corny movies (that i love, btw). but still, it was a lot. and he did that for her without hesitation. and just purely based on her personal blog ramblings, she didn’t show a lot of gratitude for it. maybe that’s just because she only chose to document the negative, i don’t know.

there was one post that she wrote like a year into their relationship where she writes about feeling like she made a mistake by being with him. because of how affectionate he was with their cat, it made her jealous and that those affections should be for her only because they were promised to be. really? SHE made a mistake being with him? HE’S the one left it all behind to move out here and be with her. my god. it made me angry. and then months later she wrote another post saying that she doesn’t deserve tom, because of all that he did for her, and how little she’s done in return. he did his best to support her, financially (since she didn’t work) and emotionally. and she, in her own words, admits to being an “ungrateful bitch.” well, at least she was self aware because HOLY FUCK.

and then in the next few posts, just months after admitting that tom deserves better (can’t disagree there!), she’s writing about how she’s “through” with him. she insults his body/weight (which made me so fucking angry and disgusted) and then she openly admits that she’s no longer in love with him. and i look at the date on that post: 2012. they didn’t break up until 2015. i mean, fuck. there were like no posts in there about how much she loved him. little to no posts about how hard he was working, how deeply she loved him, it was like she was never actually in love with him? or if she was it wasn’t long lasting. i mean, she definitely didn’t express it in her writing. she wrote plenty of deep romantic shit about her ex before tom. but nothing for thomas, who she was with for 5 years and who he devoted so much to. and it just...killed me to see that. to think that he wasn’t loved the way he deserved to be. why did they stay together so long. how did he survive. giving so much of himself...and perhaps getting nothing much in return? it just...made me hurt. but that’s my own fault. those words were never meant for my eyes. who’s eyes were they fucking meant for, i don’t know.

she was very clearly going through a lot emotionally, she was very depressed, which i understand. fuck, do i understand. depression is the worst fucking illness. i still struggle with it every day. but it became very clear to me reading her old posts that tom’s purpose in her life was....to fix her. she wanted him to fix her. she demanded him to fix her. and him moving out here for her with the purpose of “taking care of her,” must have meant that he went in thinking he could? god, that just made me sad. using someone else to...make you better...fix your mental health...make you “whole,” relying on them completely and becoming so overly dependent on them that if they aren’t EXACTLY PERFECT ALL THE TIME, you grow to resent them and blame THEM for your mental health issues...it just...my god it was so wrong and it was so unfair to tom.

but it’s all in the past. this is all shit from 2010-2015. it’s been 4 years. they’re still good friends! cool! but not really because i guess after reading all of that, i just came to really...dislike her, to put it mildly. yeah, i’m okay with him being friends with his ex, as long as he’s okay with me not really being her biggest fan. i’ll probably make the :/ face when he mentions her, just as a reflex. but i’m okay with that. i’m sure she’s a better person now. she’s stable, happy, married, mature, etc. but i’ve been tainted. and it sucks. ‘cause what if someday he wants me to meet her or something? i’m going to be screaming internally the entire time. when i hear her name i just think about all that stuff. i think about how much work tom put into their relationship, how much he sacrificed, how much emotional energy he poured into it, physical energy working non-stop to support her, and she was in the meantime writing about being in love with her ex, writing shit about his “belly,” and getting pissy because of much he adores his cat.

i think to myself, my god...i would never want to be friends with a former partner after going through that. if i read my ex’s blog and they had stuff like that written about me i’d never want to speak to them again (though knowing me, i would’ve been reading their blog from day one and would’ve ended it as soon as i read “yes i’m still in love with my ex”). but maybe tom never read that stuff. if so, GOOD. it’s vile and depressing and he doesn’t deserve those words. but if he had read them and he’s okay with it? then, WOW. he’s a much stronger person than i ever could be. maybe he wasn’t okay with it at first, but they’re both better now in their own separate lives and it’s been years so he’s over it? i don’t know. maybe it doesn’t matter.

i’m caring too much about things that don’t matter anymore. i just. fuck. i love tom. so much. and reading about that part of his past made me sad. i can’t help it. i love him, i want to take care of him. i’m feeling the hurt that i (assume) he felt. the weight of all of that. i’m feeling that pain on his behalf. it’s the “empath” coming out lmao. curse my empath superpower!!!11!!1 my main thought after reading all that shit though was...tom...i’m going to love you so good. i promise. the last thing i want to do is drain you emotionally or make you feel unappreciated. because i know what it’s like. to pour your heart and soul into something, someone, for a long time, and have them take and take and take from you and give you scraps, if not nothing, in return. it’s takes the life out of you. and i never want to do that to you.

i know sometimes i get quiet. cold. distant. i’m too in my head. i’m dealing with my own depression and trauma. but it’s me, it’s not you. it’s never anything you said or did. it’s me overthinking. assuming the worst and then feeling the worst. but it doesn’t last (it might seem like it lasts longer than it does just because i am too afraid to come back to your arms for fear that you’re annoyed with me. exhausted by me. i’ve pushed you and now you won’t want me back). the quiet space i use is me talking myself down. coming back to reality. coming back to where you are. because that’s where i want to be. i’m trying. so hard. because you deserve that. i won’t ever ask you to fix me because that’s not your job. i will work hard, okay. it won’t be easy because i’m a mess too, riddled with flaws, but i love you. that i know. you won’t have to doubt that. but we’re a team. you can trust in that. we’re in this together. i promise that i’ll always support you as much as you support me.

#personal #maybe i should just have him read this lmao #fuck. i mean if i'm jealous of anything it's that she got to have your love first. and for longer.#but if i'm lucky i'll get to beat out that last record at least. can't change the past. can only focus on the future.#god that turned really mushy and reflective in the end. oops #to tom #i literally might link this post to him tomorrow because i want him to know these things. and i don't want him to think i AM-#just being petty and weird and 'no don't talk to ur ex >:( grr' when it's not really about that #but it's too nerve wrecking to say all of this in person :/ it won't come out right. my brain will implode on itself

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wolfenm-marveling · 5 years

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There are three big reasons I have not and don’t want to see Endgame ....

For one, I wrote a lengthy article about that will run in June at Sequential Tart (I'll update this post with the link when it goes live *EDIT* Here it is: The Subject of Character Death, Revisited - http://www.sequentialtart.com/article.php?id=3362 ). The other two, I'll talk about here; they involve Steve and Bucky.

I know what you’re thinking: Wolfie, how can you form an opinion on a movie you haven't seen? Well, I do have mental health issues (undiagnosed and untreated because I have no insurance or job, yay), so when the film was released in China, I found someone to spoil me so that I might make an informed decision as to whether or not I could *handle* seeing it, given some worries I had (and especially since 3 hours without a bathroom break was not going to work for me or my companion). I determined from that convo that it would be a Very Bad Idea for me to see the film.

Even seeing the constant posts about it -- especially ones that called it a “beautiful” or “perfect” end, etc. -- was triggering anxiety and mental anguish / circular thoughts (admittedly in part because there were similarly “bad” things happening in other fandoms of mine -- it was too much at once). And I'm STILL having massive issues with circular thoughts about it.

This essay isn't meant to tell anyone they’re wrong about how they perceive / feel about the film, BUT, while I know I shouldn't care what other people think, the sitch still makes me feel how I feel: frankly, a bit disturbed that people are loving things that are making me so awful. I feel like I've stepped into some sort of Bizarro world -- like I'm somehow in the wrong universe. It’s very distressing. (I mean ... they call it mental *illness* for as reason, right?)

In this franchise where I once found such great joy, I now find little more than anguish. It’s actually been making me physically ill to see the posts -- or to look on my massive Marvel collection; I've had to box much of it away for now. Hopefully some day I can enjoy it again. (I can't exactly stop using my $60 Captain America backpack I begged for, for my birthday, though. :/)

I find that when my thoughts get like this (like I'm on a runaway train that keeps revisiting the same stations), the only thing that helps even a little is to sort out my thoughts on the page -- even if I’ve done it before, as I have with this in the comments section of friends posts. (You may have seen other people express similar thoughts, too.) And really, I don't want to rain on my friend’s parades, so I figure I’ll post it in my own space, and then if people ask me my thoughts, I can just point them here. And hopefully this post will help others who are similarly struggling (I know there are at least a few).

As for the old chestnut “It’s just a story/ a fictional character”, well, for one thing, let me repeat: mentally ill here. If I could control how I feel, I wouldn’t BE mentally ill. But also, I'm a writer who feels writing is a sacred calling, so when I feel a story is badly told, I tend to take it personally. Yes, I know my opinion is not the be-all, end all -- if you think it’s a good story, yay for you. Me, I feel betrayed by this story in a way I have rarely felt before (the other biggest instance having happened the week before the film's release, so double-whammy, yay).

Warning: if you read any further, I assume you either saw Endgame or don’t care about Spoilers.

(*edited to add* If you need some solace too, check out @antiendgame to find other people who are upset.)

The first upsetting points for me were the Noble Deaths (and, in Loki’s case, lack of resurrection) -- I hate that trope with the fire of a thousand suns. But that’s what I wrote the article on (including how 2012 Loki’s escape doesn't make me feel any better), so no more on that here.

Now, let me preface the rest of this by saying no, I wasn’t expecting a romantic presentation of Stucky. And as hard as I ship them fanon-wise, I don’t actually hate Steggy -- I adore Peggy in her own right (and like the idea of them being a threesome with Bucky).

What I DO hate is that Steve abandoned Bucky for her.

Aside from Steve’s moral compass, Bucky was the impetus behind pretty much *everything* Steve did in his trilogy. He found the missing soldiers because Bucky was amongst them. Bucky’s death broke him -- and finding him again in Winter Soldier seemed to give Steve, who was clearly depressed, new life. Despite Sam insisting Bucky was Gone, Steve wouldn't kill Bucky to save the world. And in Civil War, Steve fought other dear friends, and was willing to throw away his own freedom, to protect his best friend. So how the FUCK is them being *separated pretty much forevermore* a satisfactory end to that story???????

TL;DR, the Captain America movies were about the repeated separation and reunion of Steve and Bucky … and yet we barely got to SEE them together before Steve said sayonara to the man he’d been best friends with for over a for over a decade, to go be with a woman he’d known for about a year.

A woman who’d already had a family without him.

Yeah, we can say her family still exists in the original timeline -- but I have seen soooo many different explanations of how the time sitch works out, it’s not even funny.

Really, that’s the third reason I don't want to see the movie: I HATE time paradox, and this movie sounds riddled with it. Also, as I understand it, the writers and the Russos are saying different things, with the Russos saying it’s a different timeline (which apparently Steve would be going *back* to after the shield pass, for some reason, and yeah, that bothered me, that he didnl't even give his best friend that momento, and sent their last onscreen moments together talking to SAM), and the writers saying no, the alternate timelines were only a thing when the Stones were in play. So yeah, Steve could spend the rest of his life with Bucky then ... but that means he also would have erased Peggy’s family (and maybe her work). Unless he was the man she married all along.

Either way, it would mean that Steve let Bucky suffer, and let HYDRA infiltrate SHIELD, neither being things I could see him doing.

And if it IS a branched-off timeline, I LOATHE that time theory, because it means NOTHING WE DO MATTERS. There’s always a version of us that’s our worst selves, and people who suffer because of it. That’s hella depressing. (Even if it would explain why I feel like I'm in the wrong world.)

At any rate, the ONLY end I really wanted was to see Steve and Bucky get to be together, no matter how -- “just friends” would have been fine. It was literally the thing I wanted most in the whole damn MCU franchise (aside from seeing Loki be redeemed and then fight alongside the Avengers. *sigh* At least I didn't have high hopes there ...). I would rather Steve had taken Bucky back in time WITH him, even if Steve still married Peggy; time paradox issues aside, I could have lived with that -- yes, even if it meant we didn’t get The Falcon and the Winter Soldier. (And honestly, how much am I supposed to look forward to that anyway, when Sam has been such an *inexplicably* uncompassionate asshole to Bucky in WS and CW? A guy who runs meetings for people with PTSD holds a grudge against a guy who was brutally mind-raped? It's like they made him OOC for the lolz!)

As for “Oh, but Bucky knew and he was okay with it!”

Uh, if he was okay with it, it's just because the writers *wrote* him that way for their own convenience, so they could do this ending. I have been besties with someone most of our lives. We broke up a few times, but we managed to keep finding our way back to each other. We don't live in the same state, so we rarely see each other, but at least we DO sometimes, and we write each other. If this person said they were going to go live somewhere with no way to communicate with me ever again, so they could be with someone they loved, of course I wouldn't want to say don't leave, because I'd want them to be happy, and wouldn't want to stand in the way … but that doesn't mean I'd be “okay”. in the slightest. And I wouldn't WANT other people I care about to go through such pain, much less think it beautiful to watch.

Plus, as I always say, this is fiction -- I don't need *that much* “reality” in my escapism. Temporary angst is my bread-and-butter -- it’s cathartic -- but I need a happy ending to be the payoff. To me, A TRULY happy ending for Steve -- and the one that would have been the best payoff for the narrative we’ve spent a decade watching -- would have been for him to not have to choose between the two people he loved most.

Edited 5/11/19 to add: For all those who are all “Oh, they’re just friends, they aren't gay”, I am more or less fine with sexual Stucky staying fanon; they still love each other platonically, are SOULMATES, ACCORDING TO THE SCREENWRITERS THEMSELVES (Christopher Markus and Steve McFeely), who wrote this as part of the intro to the graphic novel Captain America: White - “…Of course, this is still a rollicking adventure tale, and no adventure is complete without a love story. And yes, these books have one – the longest, most tortured one in Marvel history, in fact. We’re talking about Steve and Bucky, without smirking or innuendo or raised eyebrows. Platonic though the relationship may be, from the meet cute to the tragic separation, their bond has all the elements of a classic romance. These two men love each other – as any pair of friends who faced exclusion, combat, inhumanity, and death would. Their bond stretches across half the twentieth century. The loss of it gnaws at Steve throughout the modern day, and it slices his heart in half when the Winter Soldier rears his tormented, homicidal head. Just as Jeph and Tim’s earlier Daredevil: Yellow, Spider-Man: Blue, and Hulk: Gray all dealt with the major love interests in the heroes’ lives, so too does Captain America: White. Steve and Bucky are each others’ soulmate, if you will, because no one on Earth understands what either of them has been through as well as the other does. The book deals deftly with the strengths and weaknesses that relationship engenders. As the Red Skull himself says to Bucky, “The captain has a … ‘soft spot’ for you. A spot I intend to put a bullet through this very evening.” Soldiers fight for their country. They fight for themselves. They fight for each other. And sometimes they die for these things, too. The ones who don’t carry the memory of the ones who did for the rest of their days. Steve Rogers is no different.”

So he's gonna leave his soulmate (no matter the nature of their love) behind forever? FUCK THAT NOISE. I am completely baffled ow two writers who see Steve and Bucky that way would go on to give them that ending.

And retouching the whole for Bucky “knows and is okay” thing, the Russos also said that Bucky is too damaged still to be Captain America. Uh, THAT DOESN’T SOUND LIKE THEY REALLY THINK HE’S OKAY.

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