I’ve been kind of brain dead for ideas lately but an old one that I was batting around the other day was, following Jack Drake’s death everyone was scrambling to figure out what to do with Tim. Bruce wanted to adopt him, Dana was going to take him when she was well enough, Dick probably threw his hat into the ring to give the kid options.
Now Tim has this grand scheme to circumvent all this by hiring an actor to portray a made-up uncle but he looks out at the city one night and is Tired. This city stole his peace, bits of his flesh, his friends and now his dad. Suddenly he doesn’t want to live there anymore. He makes a phone call and a few days later, he’s on a bus to Smallville to be fostered by Martha Kent.
Kon was a little surprised at the call but Martha didn’t hesitate to sign those papers. She’d seen the fallout of Tim when his mother died, if no one else would take care of Tim then she would. He arrives with a backpack full of clothes and a U-Haul of computer equipment which he sets up in the back guest room barely leaving room for a bed.
He goes to Smallville High with Conner, eats an early, homemade dinner by Ma who kisses his forehead before he Zetas back to Gotham for patrol. He’s still Robin, still fights and bleeds for Gotham. But he can’t live there, not right now. Bruce is doing his pouty hurt dad routine, Dick thinks he’s trying to make a move on Kon but really Tim is tired of the brutality of the city and wants some peace for once in his life. He Zetas back early in the morning, quietly knocks on Ma’s door so she knows he’s back and heads to bed.
His allergies give him hell in the country but he still insists on helping Kon with chores. Conner laughs at how badly he fumbles through livestock feeding and crop tending and starts working on ways to make it more efficient. He sleeps through class and spars out in the open fields and, when he’s feeling homesick, Kon will fly him real high and drop him and he can pretend like he’s just dived off a skyscraper. Martha reminds him to eat, to sleep, to wash behind his ears and stop looking at gruesome crime scene photos at the dinner table. Tim’s never had a happy, normal family situation. It unnerves him but it soothes him too as he works, really works, on some of his more self-destructive habits. For Ma’s sake. Martha knows this is only temporary, that Tim can’t, won’t, stay away from Gotham forever. But she drapes a blanket over his shoulder where he’s fallen asleep 5 minutes into a movie on the couch and brushes his hair out of his sleep deprived eyes. She loves Bruce like a second son but Tim is her baby now too and she’ll tear B to shreds if he doesn’t properly care for Tim when he returns.
Kon and Tim, who’d been kind of dancing around their feelings for years, are now in an equally strange dynamic of ‘are we brothers now? are you just a bud crashing indefinitely at my house? we come and go from Titans Tower together what does everyone THINK is happening???’ and settle for just doing nothing. They do stay up late on nights Tim isn’t in Gotham talking about bad tv shows and how lame school is and rocket ships and the latest supervillain scandal. As weird as the situation is, Tim looks happier and healthier than he has in ages. Plus it’s kinda rad to have a sleepover with your best friend every night. As far as he is concerned, Tim never has to step foot in Gotham again.
Clark comes back to the farm from a long space mission to find Batman’s latest sidekick typing up a storm typing on a computer with one hand and stirring soup with the other. “Sup,” Tim mumbles as he remains focused on both his tasks. “Sorry, guest room is mine now. I’d offer it up but it’s a pretty tight fit in there with all my gear.” And that’s how he found out his Mom may or may not have legally kidnapped Batman’s sorta maybe I guess not kid from under his nose and he’s Clark’s unofficial little brother. All he knows is Bruce is going to be a nightmare at the next League meeting.
460 notes
·
View notes
What About The Kens?
I'm already seeing guys complain about the Barbie movie end, how they wanted Kens to be equal in Barbieland but were only given a small part on the Cabinet.
That's the point.
You're meant to feel bad for the Kens. Believe me, women aren't partying over the 'Returns to Matriarch' ending. Some will be, but the ones who also clocked the meaning behind it won't. Most women will also feel bad for Kens. Because it's an exact parallel to how women are treated in reality.
Men, you're meant to be upset. You're meant to question it. Because you're meant to feel it, and feel what that is like, so you can finally understand women. You're upset at seeing it in a movie, now imagine living it in reality. That's being a woman.
Kens were shit on so you could feel what it was like for women this entire time. Kens were being used as a placement so you could see yourself in a woman's shoes. A world dominated by the opposite sex. When Ken leaves, and sees male presidents (All men) for the first time, men being doctors and lawyers, etc, realising he is more than just a prop for Barbie, that was on purpose. Because that is the feeling that Barbie gave to women. It's why you cheer for him at first before he goes a little overboard.
It's exactly why the real world was an exaggerated Partriarchy and Barbieland an exaggerated Matriarchy. Neither wins. Neither is equal. None of them change for the better. It's why you should want women in the real world to be respected, and Kens in Barbieland to be respected.
The thing is, women also didn't win. Not in the real world. In Barbieland, yes, but not anywhere else. The real world didn't change. But you didn't notice, did you? That Gloria (The mother that helped Barbie) also didn't get a position on the Mattel board? It was still all men? Her idea was ignored until it made a profit, and the men will likely get the credit? She'll still just be the receptionist? The women representing the real world didn't get anymore opportunities, neither did the men in Barbieland.
I was hoping that Gloria would be offered a position on the board, and that the Barbie Cabinet would introduce another entire Cabinet to represent the Kens, but neither happened. They're complete mirrors.
But which one did you actually notice? Which did you actually care about? Now tell me again the ending was unfair. Because it was. For both parties. That's the point.
The difference is, Barbieland is fictional. You will walk out of the theatre with the reassurance that at least it's not real. Women won't. Women can't. Companies not giving women equal opportunities or voices isn't fictional, and that was just one example. There are no women presidents (USA at least) for us to go look at in the real world. We don't have somewhere to go to realise it could be different for us like Ken did. Barbie and make believe is all we had when we were kids, or even now.
You're supposed to be mad, just not at the movie.
8K notes
·
View notes
yesterday while feverish i wrote about how boats can moor next to each other like pigeons, cooing with the gentle rap of water against their hull. you once said that that the way i see things - birds in the water, feathers in marina paint - was "childish and naive." you said i'd been misdiagnosed - "it can't all be adhd. you might be just kind of stupid and lazy."
i still do certain things like how you taught me - turn the pillow case inside out before putting it on. drive defensively. hate myself entirely.
the prompt for this poem is "mahler's fifth." i wish it wasn't, but mahler's fifth was our song. it ended up in my book. every person that knows your name has promised me they'll give you one swift rabbit punch, right to the face. dean read the book and showed up on my front porch, drenched in sweat from running the 8 miles at 4 in the morning. he was shaking. pacifist and gentle - he works with children - i'd never seen him furious. a punch isn't going to do it, he said, and then said i'm sorry. i had to come to see if you were okay.
mahler's fifth was mine first, like my girlhood. i like the way each movement piles onto the next movement, each instrument bleeding into the next. i like the horn version the best. before i met you, i danced to it on grass still-wet from sprinklers.
later you would tell me that the way you heard it was somehow better. you understood something in it that i couldn't quite wrap my fingers into. once, on our anniversary, you asked the classical music radio station to play it for us. we missed hearing it because we were fighting. one of the things people get wrong about abuse is that sometimes victims are, like, brutally aware of the stupidity of our situation. what do you mean that you thought i wasn't good enough for you? you? you're just... nothing.
sometimes people can pull the poetry out of your life. i watched my words become clothesline, and then thin out into kite twine. i watched you chew through every good syllable of me. so many good songs and places and moments were ruined. i am glad you didn't like most of my music - less to tie back to you.
but still mahler's fifth. the music swells, and i am 21 and throwing up in a bathroom on my birthday. a woman i will later refer to as lesbian jesus runs a cool hand down my back, her perfect pantsuit starch-pressed. she told me to leave you. she said - and this is true, and not an invention of rhyme or fantasy - i'm you from the future.
i am 22, and i got home from an award ceremony, and i remember you telling me - you act so proud of yourself when you're actually so fucking embarrassing. i took you to disney world. you took my virginity. i gave up visiting spain for a week with my family - i instead choose you, to spend the time just-cuddling. you called it "our fuck week." the music swells. it probably should have been a red flag that for about 3 years - i just gave up on crying. my grandfather died and you said nothing. my uncle died and you ghosted me for 3 weeks. you said i need to protect myself from your ongoing tragedy.
every so often i come back to the memory of one of our last afternoons in person. i had just told you that i wasn't going to law school, despite the free ride - i was going to join a creative writing program. master's in fine arts. i was going to finally do it - i was going to follow my dreams. this blog was already internet-famous. however reluctantly, i would occasionally refer to myself as a poet. i got into umass amherst's writing program for fiction authors. it is one of the the top 5 programs in the country.
wait are you seriously considering actually attending that? dumbfounded, you turned completely towards me in your seat. for the 3rd time in our relationship, you almost crashed the car. you actually want to be a writer?
the first time i went viral, it was for a poem i wrote about you:
he wants to say i love you
but keeps it to goodnight
because love will take some falling
and she's afraid of heights.
every time i see that, i want to throw up. you weren't in love with me, you were in love with the control you had over me. a little truth though: i am afraid of heights. you caught a rabbitgirl and skinned her alive.
mahler's fifth still makes me sick.
give me that back. give me back music. give me back everything i had before you. give me back fearlessness. give me back bravery. give me back a scarless body.
give me back what you took from me.
2K notes
·
View notes
DP x DC Prompt
…
There are no more heroes.
Well, okay. Rewind a bit.
Danny has been doing the hero thing for a while now. He’s had a big reveal; everyone has accepted him (including his parents), the GIW disbanded, the Anti-Ecto acts repealed, and generally, everything is going great. Some of the A-Listers are even training as junior ghost hunters to help give him a break from his rogues! (Being Ghost King makes things hectic sometimes, and he just needs the extra help. Sue him!)
The point is, literally nothing is wrong with Danny Phantom’s afterlife.
And then Valerie Gray, the Red Huntress, disappears in front of his eyes.
Danny is baffled! She’s just…gone! Valerie just popped out of existence, like she was never there. But no matter how hard he searches in the Ghost Zone, he can’t find her soul anywhere. His core isn't broken in grief. So she’s not dead. Which is good. So then, where is she?
Some of the others come forward with ideas on how to find her. A few ghosts volunteer to go out into the mortal realm, an area Danny had declared off-limits, to see if she was out there. Danny approves it. He rounds up some of the friendlier (i.e., discreet) ghosts and Amity Parkers and demolishes the outside travel ban.
So everyone spreads out, looking for their dear frenemy and teammate. But it becomes apparent very quickly that something is wrong with the rest of the world.
There are no more heroes.
Every single living superhero on the face of the Earth has just…vanished. Villains are running amok; the countries are in chaos! Some aliens are invading Earth, mythical deities are trying to take over, and society is crumbling to the ground. Everything is on the brink of collapse.
Well, Danny was still there. And so were his people. They were pretty spread out, so could they just…take up the mantles? He also knew where to find the souls of dead heroes in the Zone; surely they wouldn't mind coming out of retirement for a little bit, especially if they couldn't die again. Oh! And that skeleton army leftover from Pariah Dark's reign might be useful in repelling those invading forces.
Honestly, there were more than enough hands to go around! And with the heroes gone, Danny didn't mind letting everyone out for a little break, as long as they followed his rules. They wouldn't stop the search for the other heroes, but hopefully, when they found them, the heroes wouldn't mind Danny's intervention too much. :)
In other words:
Someone fucks up, and all of Earth's living heroes are either wished out of existence or are whisked away to some far-off realm where Danny hasn't checked yet. In the attempt to figure out what's going on, Danny lets the dead run amok over the Earth as they search for clues. The skeleton army repels the invading armies, the souls of dead heroes deal with the world leaders, and his rogues and other Amity Parkers set up shop in place of famous heroes, trying to get the cities under control again.
Basically, they just do their best to keep everything from imploding until the Justice League and others are back.
(And why is it that Danny hasn't disappeared? Well, whatever caused everyone to go poof! only affected living heroes. Anyone heroes that were dead in the first place, or even just half-dead, stayed behind.)
3K notes
·
View notes
Are people seriously being mean to Neil Gaiman right now? Y'all, the man not only wrote a magnificent Season 2 that is gay and thoughtful and creative and fun and Gay AND MOST OF ALL, there will probably be a Season 3! Neil said he's working on the script. King Neil gave us what we wanted, and is promising us more! Don't be mean. Support the show, support the strikes, and there will be more where this came from.
2K notes
·
View notes