morning, mourning
the fold of you
in pale and bed
counting fingers to the sound
of kitchen water and
rain.
sore and cotton knotted
silence like the absence
of interstate, scissors
sit to halve us
on the bedside table.
i kept them in my pocket
till i saw you again
jailed behind a fence row,
smoking the street
into a haze of winter.
i’m still trying to make this
radio work and i only pick
up the
sharper things now,
but i want you
to think of hearts
and what's inside them,
how to fill a hollow
place.
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A poem by Jeffery Donaldson
THE WORD ON COOTES PARADISE
The bay was called Cootes Paradise after
an Englishman named Coote. A foot-wide path
loses the last, stone-grey, staggered roof-tops
with a casual turn and does not fold back
until across the break it stands in clear
prospect of Arcadia. Below the hills,
the thumb of a small lake might seem to press
(from where a passing coot circles above)
into the soft dough of the wood, rising
on three sides around it, lightly crusted
and browned by the November fallen leaves.
The pond-side gathers debris like tea-bract
at the brim, glinting ciphers from the stirred
duff and sediment that I have come to read.
A sudden night frost has dropped in the bay
a clear, brittle patina, an ice-skin
that puckers on the water, where the coot
now circles down, goes out and prints its name
with dibbled steps in the snow and flies off.
That sheen over the bay's black element,
for a while, will brace the morning's flurry
where it fell, and rose winded like cold down.
But by noon the ice will have long darkened
to lake-blues, and the mild light will sop up
the nervous, scrawling, dotty signature
of our English migrator, long gone,
who anyway always made it a practise,
so the word goes, not to walk on water.
Jeffery Donaldson
Photograph: American Coot in flight by Kinan Echtay
Jeffery Donaldson's works copyright © to the author.
More poems by Jeffery Donaldson are available at the Canadian Poetry Online site.
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https://romaniasweetromania.com/2024/01/irving-layton-sunt-destul-de-convins-ca-sunt-un-geniu/
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REVIEW/PROMO: POLAR STARLIGHT & POLAR BOREALIS
Figure 1 – Rhea Rose
Hi, there—welcome back! (Or maybe someone should say that to me, since I missed last week.) This week is going to be a departure from my usual movie/TV or book review, or even from my nattering on about my fannish life or stuff like that. Normally, I would do a review of the two things I’m going to present to you, but in this case I can’t; I must recuse myself from reviewing…
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Spring Forward - an online poetry reading on March 22nd, 2023
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Ian Iqbal Rashid
Gender: Male
Sexuality: Gay
DOB: Born 1968
Ethnicity: Indian
Nationality: Tanzanian / Canadian
Occupation: Poet, writer, screenwriter, journalist, producer, director
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Leonard Cohen
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perhaps one day i might find myself
amongst the québécois,
should my brother follow through
with plans to see montreal
and if my friend wishes for
a weekend or two spent with her;
i might find myself thinking of you then,
perhaps just a distant ache
or a fond winter memory,
walking the cobblestone of the vieux
and admiring the flora in the jardin;
how popular is parc du mont-royal?
how beautiful is the notre-dame,
and how sweet the produce of jean-talon?
would we have affaired within the city's sights,
in its days and its nights?
i know the thought might come, and
i know it will likely pass, but i know—
not without the heart heavy with regret;
perhaps i might wonder of another life,
perhaps i might hope it was true,
but perhaps one day i might find myself
amongst the québécois,
and perhaps i might think of you.
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Nicolas Delort
Ozymandias. 2023
"I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert . . . Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed:
And on the pedestal these words appear:
'My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!'
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away."
P. B. Shelley, 1817
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Lmao ok so maybe not
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Canadian poet and novelist Margaret Atwood (1939) is best known for her searing explorations of feminism, sexuality, and politics in books like The Handmaid’s Tale (1986), a dystopian novel that takes place in a United States, which has become a fundamentalist theocracy where women are forced to have children. She started writing the book on a battered, rented typewriter while on a fellowship in West Berlin. The book became an international best-seller. Atwood’s daughter was nine when it was published; by the time she was in high school, The Handmaid’s Tale was required reading. Atwood once said, “Men often ask me, ‘Why are your female characters so paranoid?’ It’s not paranoia. It’s recognition of their situation.”
Atwood was born in Ottawa, Ontario. Her father was an entomologist and the family lived for a long time in insect-research stations in the wilderness. She was 11 before she attended a full year of school. About growing up in near isolation, Atwood said: “There were no films or theatres in the North, and the radio didn’t work very well. But there were always books. I learned to read early, was an avid reader and read everything I could get my hands on — no one ever told me I couldn’t read a book. My mother liked quietness in children, and a child who is reading is very quiet.”
One day she was walking across a football field on her way home and began writing a poem in her head and decided to write it down. She says: “After that, writing was the only thing I wanted to do. I didn’t know that this poem of mine wasn’t at all good, and if I had known, I probably wouldn’t have cared.”
Her first novel was The Edible Woman (1969), about a woman who cannot eat and feels that she is being eaten. Atwood likes to write in longhand, preferably with a Rollerball pen, and is even the co-inventor of the LongPen, a remote signing device that allows a person to write in ink anywhere in the world using a tablet and the internet. Her books include Alias Grace (1996), Oryx and Crake (2003), and The Heart Goes Last (2015).
About the writing life, Margaret Atwood says: “You most likely need a thesaurus, a rudimentary grammar book, and a grip on reality. This latter means: there’s no free lunch. Writing is work. It’s also gambling. You don’t get a pension plan. Other people can help you a bit, but essentially you’re on your own. Nobody is making you do this: you chose it, so don’t whine.”
#TheWritersAlmanac
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"Let laureates sing with rapturous swing
Of the wonder and glory of work;
Let pulpiteers preach and with passion impeach
The indolent wretches who shirk.
No doubt they are right: in the stress of the fight
It's the slackers who go to the wall;
So though it's my shame I perversely proclaim
It's fine to do nothing at all.
It's fine to recline on the flat of one's spine,
With never a thought in one's head:
It's lovely to le staring up at the sky
When others are earning their bread.
It's great to feel one with the soil and the sun,
Drowned deep in the grasses so tall;
Oh it's noble to sweat, pounds and dollars to get,
But; it's grand to do nothing at all.
So sing to the praise of the fellows who laze
Instead of lambasting the soil;
The vagabonds gay who lounge by the way,
Conscientious objectors to toil.
But lest you should think, by this spatter of ink,
The Muses still hold me in thrall,
I'll round out my rhyme, and (until the next time)
Work like hell; doing nothing at all."
--Laziness, Robert William Service
I am still jet-lagged, and I've caught a violent cold, returning from warmer climes; thus I can say, without any shame, I am thoroughly enjoying a little laziness!
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Quintessential Listening: Poetry Online Radio Presents A Poetry Reading for International Women's Day, March 8, 2023
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Jillian Christmas
Gender: Female
Sexuality: Lesbian
DOB: N/A
Ethnicity: Afro Canadian
Occupation: Poet, writer
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