#coding and information theory

[theoutcastrogue]

"Films entering the public domain will soon face a significant shift. In 2030, films governed by the Hays Code will start to enter the public domain. The Hays Code was a set of self-imposed industry censorship guidelines enforced from 1934 to 1968 by the Motion Picture Producers and Distributors of America (MPPDA), under the leadership of Will H. Hays. Designed to regulate morality in Hollywood films, the code dictated strict rules on depictions of crime, sex, and “immoral” behavior, shaping the creative boundaries of American cinema for decades.

In a comment on one of the Internet Archive’s social media posts, Bluesky user josiahwhite suggested an interesting idea: that due to the restrictions of the Hays Code “[t]he public domain will get a lot more boring.” While this idea might at first seem true, upon further examination it actually clouds the clever ways in which filmmakers of the time navigated the restrictive influence of the Hays Code to tell creative and compelling stories.

To illustrate this point, we shall explore three films—It Happened One Night, To Be or Not to Be, and Double Indemnity—each of which engaged with the Hays Code in distinct ways. Through these case studies, we will see that while the Hays Code imposed restrictions, it did not stifle creativity. Instead, filmmakers found ingenious and often subversive ways to work within and around these constraints, producing films that remain influential to this day.

[keep reading]

[wasabikitcat]

I had this realization a few days ago when reviewing what we know about Gaster while theorizing about the mysterious Valentine from the newsletter and idk if other people have pointed this out yet, but I haven't seen anyone else talk about it:

I don't think Gaster's disappearance has anything to do with Core.

The Core is only mentioned in relation to Gaster once, in this dialogue from one of the Gaster followers:

This dialogue is why most theories and fanon built around the idea that Gaster fell into the Core, which for reasons unknown to us erased him from existence. But I'm now pretty convinced that this is a red herring, because it doesn't actually say Gaster fell into the Core. It says he made the Core, and that he fell into his creation.

It does not say that this creation is the Core.

The dialogue is written in a way that leads you to assume the creation he fell into was the Core, but that doesn't really make much sense considering the rest of the dialogue.

The dialogue says "they say he created the Core," which implies this is second hand knowledge, but then says with certainty "One day, he fell into his creation." Why do they know for sure he fell into "his creation," but only knows he created the core from what others say?

If you talk to the follower again, they say "Will Alphys end up the same way?" Why would Alphys also fall into the Core? As far as we know, Alphys doesn't maintain the Core; if I remember correctly, a few monsters at Mettaton's hotel are stated to work in the Core, so wouldn't this follower be more concerned that those monsters will end up like Gaster and not Alphys?

And another question that I think fanon has just ignored due to the assumption it was something we don't yet know about, but I am now wondering about: Why would falling into the Core erase Gaster from time? When traveling through Hotland and viewing the Core in the distance, Alphys says this:

And while this dialogue may at first seem indicative that the Core is more mysterious than a normal geothermal power generator (and it is in some ways), remember: Alphys didn't build the Core. Alphys doesn't understand how the Core works, not because it has some unnatural property that could erase people from space time, but because she didn't build it. Not only does this mean that the Core is likely just a power generator that utilizes the lava in Hotland to produce geothermal energy and convert it to electricity, it also means that Alphys doesn't work on the Core, because she doesn't know how it works. So why would the Gaster follower worry about Alphys ending up like Gaster if she doesn't have any involvement with the Core?

Additionally, that Gaster follower is the only one to mention the Core in relation to Gaster. In fact, one of the other followers says something that could be interpreted as actively contradicting his erasure being caused by the Core:

This follower says "his experiments went wrong," and doesn't mention the Core. Why would Gaster be experimenting with the Core? And if he was, we don't know anything about it.

But you know what experiments we do know Gaster was working on, because it's literally one of the only pieces of dialogue we have from him?

And do you know what other creation was presumably made by Gaster, as Alphys is unfamiliar with it's operation? That is also a creation that was actively being used in experiments, which Alphys is continuing to perform herself? Experiments that are directly involved with something we already know can alter time and space? A creation that is located in one of the most mysterious areas in the game with several oddities in it that are straight up never explained, multiple fourth wall breaking moments, and a couple explicit references to things we believe are associated with Gaster? A creation that suspiciously resembles in appearance the form of a character who canonically can alter time and space, not to mention resembling the thing that's literally called a GASTER BLASTER???

[faineantgrl]

uugoguhoguh i have so many mixed feelings about fnaf due to a lot of factors. but unfortunately. i feel this new game gave actual standing to my big hunch with some random evidence that mimic [or ig m2??] was psychic friend fredbear. piece and love on planet kb

[tsfennec]

.

[m0e-ru]

tohruest adachiest manager's choice experience as compiled by the tumblr branch moel gas station 2023

helloooo my dearest okyakusan my most wonderful customers whether you have a membership card or just passing by. Here is the manager's choice of how to have the most tohru adachi experience ever 📣📣📣

this post will have a breakdown of the whole diagram with highlights, and my own opinions of each medium stated. Otherwise, here's a summary as a list!!

YES!!

Persona 4 (PS2 2008)

Standalone Drama CD Vol. 3 (scattered cameos)

Manga Adaptation (Sogabe)

adachi jumpscare table

Vol. 10; Chapter 54

Vol. 12

Arena Ultimax; Episode Adachi

Arena Ultimax Manga Adaptation (Rokuro Saito special mention!??)

this is a bit cool too

The Golden Animation

Blu-ray/DVD Vol. 2; Bonus Drama CD: A Sense of Gratitude

Blu-ray/DVD Vol. 4; Bonus Drama CD: Boo ~ I bear a grudge on you ~

The Animation

Standalone Drama CD Vol. 2: You'll understand when you get older

The Golden (PS VITA 2013) (Social Link, new events, etc.)

um

The Golden Animation

Episode 6: See? I told you Yu.

Episode 7: It’s cliché, so what?

Unaired Bonus Episode “Another End Episode”: Thank you Mr. Accomplice

other opinions 

I’ll be linking all available online resources for everything I’ve stated!! If a link is broken or the media is inaccessible, hit me up!! I have my own personal archive.

YES!! segment !! wahoo !!!!! this is where i constantly stuff my nose in whenever i want a good reference on adachis character. AND THEY'RE ALL PERFECT TO ME!! <- about the media

Persona 4 (PS2 2008)

Back to basics everybody!!! Let’s remember who this goofball is from the start. Forget he has a social link and see him be the bumbling fool for plot exposition and the real murderer !!!! Just like how I tell you not to reference the attendant during 3/20, we can put Shadow Adachi’s mannerisms and his influence under literal god aside and try and focus on what that means as symbolism and extra information on Adachi himself!!

Standalone Drama CD Vol. 3

THIS IS A FUN ONE he has scattered cameos throughout the drama and was essentially being dragged around by Dojima.

Basic premise of this volume that it’s sports festival season!! Yasogami’s at it and the IT are participating, as well as Nanako—although she worries that her dad won’t even come to see her and that she wouldn’t even be able to do the family three-legged race.

Adachi’s appearances here are so stupid, he says he was an “elite” then flops trying to help high-schoolers with homework because Naoto’s there. He does his usual begging and whining with Dojima etc etc he also drove Dojima to compete with Nanako after saying the man finished all his reports as fast as possible.

I like this one because it reinforces who Adachi is based mostly from the main game. With the context that fans listening are aware he’s the culprit (or not), they do sprinkle in his “emptiness” (<- no i'm exaggerating it sorry) and bring it to the front of the picture a bit.

Translated Transcript: https://docs.google.com/spreadsheets/d/14uOTyzic9Ij9DjN4ZRNBLFTcGe0UF-PvX4qMnqcs2Fk/edit#gid=283104639

Available video link: https://youtu.be/p3yDNbczEqg?t=228 (timestamped to 3:49)

Manga Adaptation (Sogabe)

SOUJI SETA TRUTHER COMING IN STRONG also i just adore Sogabe’s adaptation on the game as a whole. While I am Marie lover#1, this manga did begin in 2008, and I like to think it’s the hypothetical that Marie really was expunged completely OKAY WHERE WAS I

As mentioned, this whole adaptation focuses on the game before Golden was ever a thing. No scooters, no extra events, no nothing. Although, Sogabe did write in a bit of Adachi’s Social Link in a context best suited for Souji.

I like Sogabe's take on Adachi in the manner of how he draws him and writes him as a character. It's not as whimsical or lazy like the anime, and the way he took the downhill spiral of the Hospital arc, from November to December, just actually felt like my emotions were ready in the right places. Surprisingly, in every adaptation, I was really enamored to see how Adachi acted differently in each one.

In the manga, he didn't seem as slack jawed as he did in the game at least. He looked like he was trying so hard to act concerned when he he actually feels guilty for everything going down !!! OR MAYBE NOT !!!!!!!

compared to the game, you can really how much he exudes of being so. plastic. ung kaplastikan. and you're mad not because you're stuck with ps2 limitations of three polygons of an arm waving around, but you're mad that he reeks of faking concern. But also unlike the game, you don't understand what's going on anymore because of the things that have transpired in relation to Adachi's character. Which is Sogabe's adaptation of his Social Link with Souji through having dinner with each other.

and Souji doesn’t know him! They share things with one another that one dinner but otherwise, Adachi’s never rambled on about himself as much as he does in a normal Social Link run. There is a different sort of motive with Souji and he wants to some things wrap things up while everything else is falling apart around him. If there’s a chance to help someone, even if he’s only talked thoroughly once or twice and that the other party’s opened up a single time to him, he’s the boy who wants to get through to people either way. What if Souji’s a bit selfish himself and wants to be in control of things when everything in his life and vision are literally blurring as he breathes? (takes place in november when nanako's hospitalized btw)

I love the lack of intimacy between the two, contrary to what majority of the fan base wants or even BELIEVES. Souji is a kid with a year in Inaba, of course he does a million other things with his time than hang out with an adult that’s some kind of darker version of himself and a representation of a possible bleaker future considering how similar they are. 

As for the specific chapters, I think it’s fulfilling to go through the whole manga from the start. Like, forget everything you know about P4 for a second and experience it as fresh as possible. Then you get to Chapter 54 to see Adachi’s condensed Social Link and get to Volume 12 to see things come together. Sure, I start getting a bit iffy with Volume 13 but I enjoy the parallels between the two, genuinely.

i have more stuff locked and loaded but uhmmm yeah 👍

Available manga link: https://manhuascan.me/manga/persona-4-official 

VISUALIVE (stageplay)

you will never see adachi ever act like a cunt like this ever again. he only does it once because hes gay.

i have made a million essays about this this is the foundation of this gas station itself

Available video links to the only things i’ve subbed ever because they’re the most important ones to this fruit’s development:

https://youtu.be/mWRB1dIgFNE

https://youtu.be/QRps3M9uXiw

or you can watch the whole thing because Masami Itou’s portrayal of him is just delightful: https://youtu.be/7oTpjmeD-mk 

Arena Ultimax; Episode Adachi

hahaha. haha. laughs weakly. haha.

I would kindly ask everybody to do this in Japanese dub but otherwise ehmmm yeah ! Episode Adachy. I do enjoy how they try to elaborate how his personalities are coalescing into a single face as he doesnt have to fake around people anymore. Like the fact that his lame humor is still present and he’ll do stupid voices, which makes you wonder if he was always like this or that it’s something he adopted while acting out the last facade he’s done for over a year—or more. 

HE IS SO FUCKING OPINIONATED AND THINKS HES SO COOL he has SO MUCH PRIDE but also he doesnt at the same time. you think hes a soldier surviving in the idgaf war but hes still dying in the mines he planted and crossfire for multiple reasons. hes simultaneously a teenage girl and a man in his late twenties.

Adachi is totally giving a fuck, not just in a white girl bully “I’m better than everyone” kind of way but like he’s totally giving a fuck about a lot of things. “Oh I gotta stop whatever this god has going down for this city in bumfuck nowhere because the case is going to go around in circles and i’ll never serve jail time in peace” how many times has he turned corners in an alleyway maze just by saying this.

hes literally trembling in his shoes with everything happening in that hour but hes just so good at bottling up emotions from others and HIMSELF. Theres only so much he’ll admit in his own monologue—in his own thoughts. That hes aware of things but he’ll never say it out loud even in his own head i’ll tear him apart with my bare hands <- i am just genuinely annoyed he can do this and not me but i should be grateful that i can express myself than be an emotionally repressed asshole 

He finds kids who are mirrors where he sees himself in. One, a goody two-shoes who has it all, the other an actual brat with a fucked up life from loneliness, isolation, and abuse (a million other things). And he’s not annoyed only because he finds similarities between him and them, but the fact that they’re children and they have at least a decade more than his ass which he spent sulking about with.

He’s mad at Bancho because he has his way from the kindness and generosity of his time he’s spent with others, something Adachi didn’t do; in which he could use his situation with his family and education as an excuse, but he never brings that up because as much as he likes seeing others eat shit and he has his way, Adachi also considers himself a fuckup. can you see this irony. So many chances to get out there and socialize, but he stuck his nose in his studies thinking a good future’s already laid out for him—BUT THE BUBBLE POPPED which is what fucking happens when youre in Japanese economic depression after the bubble economy. and you dont bother to leave your comfort zone either EVEN WHEN YOU DONT NECESSARILY like the things youre doing because it’s the only damn thing you’re used to !!!!

He’s sick of Sho because he’s an oversized 10 year old who’s doing the exact same thing Adachi’s done in the past and Adachi is sick of that. he hates himself. and he’ll hate a kid for acting the same way. He’ll project so much he’ll fix another person’s mistakes not out of pure goodness of his heart, but because he doesnt like himself as a person no matter how much he tries to deflect these thoughts in his own head.

Adachi’ll scoff and nitpick Narukami because he doesn’t want to admit this better version of him is better. That he’s not this other guy, but rather, he’s just himself. He complains and whines about Dojima and even says he “hates him,” but is everyone not aware he’s the second biggest tsundere in this series next to Marie at this point. they are COMPETING for that number one title.

no matter how many times he tries to sever connections for the sake of the other party, those bonds are developed enough for the other party to WANT to tie it back together. he doesnt know how to build bridges, but he doesnt know how to properly burn them either. hes sloppy at everything he does. he is gay.

okay sorry about that im sososo dizzy honestly. where was i. i talked about his issue with his Persona before and how it isnt his Persona a million times on this blog sorry i really everything's spinning right now 'and you're still writing an adachi essay?' hushup

Japanese Bubble Economy: https://www.britannica.com/topic/bubble-economy 

Available Video Link: https://youtu.be/0TkRLCGqT3g 

Arena Ultimax Manga Adaptation (Rokuro Saito)

this is a bit funny. i read it mostly for Sho like. while i do adore it as very beautiful adaptation. when it comes to adachi uhh. hmm. looks around. the rokuro saito effect. he did mementos mission too if you're wondering and what I mean by this.

I mean he did reinforce Adachi getting proper police training and essentially being above average to the top of his classes (krav maga, shooting accuracy, detectivisms, etc.). His humor and mannerisms are also delightful i think personally with the way they're illustrated and essentially visualized. Rokusai has his quirk for drawing everybody really pretty which he does really well for Persona characters, but it also caught me really off guard when he works on adachi like okay! sho breaking his ribs can fix everything itsok.

Available manga link: https://m.manganelo.com/manga-cn116859

OH now this is the section where im a bit iffy with the characterization here but i still like to reference it sometimes

The Golden Animation

Blu-ray/DVD Vol. 2; Bonus Drama CD: A Sense of Gratitude

Adachi doesnt have a big part here he’s literally there to help with the Dojima garden and Narukami plants cabbages for him.

Available Video Link: https://youtu.be/1SNKljdyUcY?t=640 (timestamped to 10:40)

Blu-ray/DVD Vol. 4; Bonus Drama CD: Boo ~ I bear a grudge on you ~

THIS. this, goodness gracious it was so silly. Adachi’s here for a few segments with Dojima in the pub. Detective yaoi if thats what you’re into I guess. He also sounds a bit cheeky here in speaking tone and the scheme he’s pulling to call Naoto to do their job while Dojima’s knocked out on duty.

Available Video Link: https://youtu.be/PasKTZtKx_c?t=720 (timestamped at 12:00)

The Animation

i dont have much to say about the actual anime i dont really watch it, but i respect the Narukami truthers out there. It’s just not for me, nor do I reference it for Adachi at all. why does he look like this

i dont have that much judgement to say if it's good enough to use as reference for Adachi besides it visualizing how much of a goofball he is, I guess I could mention that. I have issues of it depicting lore but otherwise i dont think it's that much different than what the base game pulls besides it different pacing to better fit the animation medium.

Standalone Drama CD Vol. 2: You'll understand when you get older

Not particularly partial with this one because the anime gave Narukami a face, like he’s his own character here. Dojima makes Adachi go to Okina and deliver something because his clown ass forgot to hand it over to the other prefect police who visited within the day. Narukami’s off to go help Ebi stand in line for a makeup promo and Dojima says they can go together. There’s a subplot with the IT where they think Narukami’s being arrested lol so they go follow him throughout the rest of the drama.

Adachi just hangs out with the silly billy that is his boss’ nephew who has so much kindness and generosity that it could get the kid killed one day.

Available Video Playlist Link: https://youtube.com/playlist?list=PL2Wysh6PBhe_jyqxxIcyt_XrW6GcKHRn0 

The Golden (PS VITA 2013)

I scratch my head and wonder what they were going for with Adachi’s Social Link besides the fanservice. I mean thats what they did with akc in royal i guess. <- has my own opinions about this but im closing my mouth.

It feels a bit too… intimate for me? What’s the deal with WANTING to invite him for dinner… without Dojima around either. Like they’re a two in one package for me, you can’t see one without the other most of the time. Like Adachi’s slacking off work while Dojima’s slaving away by himself? I’ve always believed they get off at the same time or something because of the subordinate status.

I did enjoy the Junes segments though, it kind of felt like it was a good placement—if you move things around a bit. Him hiding behind your back while you’re doing groceries so it looks like he’s busy was a bit funny, and him chatting you up while you’re supposed to be busy yourself is also silly if you consider that Bancho himself wants to bail and was just caught into his chismosa and whining. He has enough of a degree of association with you as you’re putting your nose into the murder case and that you’re his boss’ nephew, so that’s kind of why you’re the only few people he can talk to.

(pauses yes or yes ) i also ate ice cream where was I going with this

dont make me talk about the accomplice ending that thing’s pretty corny to me but also unnerving i dont want to think about it alot.

With the way things have gone for Adachi’s new characterization with the added Social Link and the new events for Golden, it personally made me think twice about it all, especially when his TV studio and Shadow self ended up the same. There’s a lot to go about this? (<- deranged) and I will admit that I myself got sucked into the idea that he’s an antagonist and couldn’t truly experience everything right at that point. whoopsie. Then again, looking at it at this point in time after a few years makes me realize yeah maybe this does make a bit of sense! The nature of the fog has changed, which can explain the drastic change in character between Namatame and Adachi. which is an essay for another day I really feel a bit out of it.

The “um” segment. Stuff I dont really like to reference nor put in the pot that makes adachi soup because im really iffy with it and how the writing was taken liberally for the sake of the audience rather than the reinforcement of source material itself.

The Golden Animation

The Adachi centric episodes 6, 7, and the accomplice ending bonus episode lol, as the whole Golden anime was really for Marie and other new Golden add-ons like Okina and scooters and ski trip and etc. 

how do I put this. im really opinionated on this segment it’s okay if you dont take my word for it. I dont like the production quality. The animation is honestly really bad and the artstyle itsnt tasteful with how it’s executed. There’s enough frames of Marie that people looking over my shoulder while I watch would call her Adachi. It really is a boatload of a cashgrab and fanservice that kind of adds new insightful things to the lore but honestly? I don;t trust it. Like the writers forgot what they were writing about and started writing fanfiction of what they originally made.

It did give some insight with Adachi, but I hate how they just made Narukami the way he is for this adaptation. Like the boy does have all the time in world and hes not an overworked high-schooler with so many commitments now he can… make a man dinner and deliver it to him…? I would definitely say “> Adachi doesn't seem to lead a nutritionally balanced life...” and leave it at that, i am not making him dinner i dont have time for that. can someone get this guy a girlfriend please. Don’t get me started how they treated his character development and lore surrounding him overall im sick of it. At least Sogabe made it all look pretty.

anyway here’s the part where i can add my closing thoughts as someone who fills a niche solely because they think and enjoy things so differently than the present majority. I don’t think im mature enough to enjoy things peacefully in a community full of different people but also because im losing the idgaf war myself. I’m glad I can enjoy a media in general and I’m so happy when people can enjoy it with me. (had to stop the cat from clawing on the vacuum he likes the texture apparently) where was I

hold my hand as i go through a hundred coming of age arcs in my life and that one day i wont be as embarrassed as i am now to admit i like tohru adachi as a character and talk about him with a restraint so childish because I dislike how a majority depict him. he’s part of my journey as i learn things about myself as much as mimi but in a more human way because. hes human. or something. one day i can forget his reputation in the community and create all the things i make with pure love that is not fueled by spite to be right and correct. I already know i am right and correct because everyone can enjoy things their own way and find things that they like in one thing that are different from things others like. for now, i will still treat him like an insufferable uncle older brother thing whose arm i periodically chew on until i reach bone and let him carry me back to bed when im tired of being annoyed of him. 

[demodraws0606]

I just fucking realised, I'm pretty sure I remembered that it was hinted that the reason why the Eggs disappeared was to protect themselves/hide from something evil on the island.

Considering how it seems the Codes might be linked to their disappearance, it might be possible that the eggs are being protected by the code somehow ???

Maybe it's why the spaceships have been appearing with photos of the eggs, because the codes are trying to communicate to the islanders that the eggs are safe ?????

In fact it would also explain why the black concrete somehow allows the eggs to communicate to the Islanders, it's possible the Code allowed it. Similar motives to the photos, it was done to calm the Islanders down.

Because as much as I want to believe the black concrete is related to Cucurevil, the big Etoiles fight had a bunch of black concrete even surrounding the chest where he retrieved his shield.

Of course there is the question of why the fuck did the Codes kill the eggs if they're gonna protect them but like it wouldn't be the first time they do contradicting things.

It would also pose the question of again what is the third evil thing on the island and why Cucurevil seems to have access to the Egg's accessories.

Which I want to say even if Cucurevil DID take the eggs it still wouldn't make sense because we see they have their accessories in the photos.

In the end what I want to say is...

What if bringing the eggs back actually puts them in more danger ?

[arolesbianism]

So I may or may not have spent a good chunk of my day trying to learn how to look into onis code and while I may not have yet succeeded I will likely keep fucking around with shit tomorrow and if I manage to succeed it'll spell great doom for my sanity as oni becomes the interest I've officially poured the most effort into analyzing

[hypersanity]

Join the community adventure, unlock free new applications and resources, or contribute and get your art immortalized in the ARGame. Become Immortalized | Hyper-Sanity ARGame -------------------------------------------------------------------------- TAGS: #arg #game #educaiton #vedic #gnostic #equality #free #community #outcasts

[tmarshconnors]

Cryptology: The Science of Secrets

Cryptology, the study of codes and ciphers, has captivated me for years. It combines elements of mathematics, linguistics, and computer science, serving as a crucial part of secure communication in our increasingly digital world.

From ancient times, when messages were hidden through simple substitution ciphers, to modern encryption methods used to protect sensitive information, cryptology plays a vital role in safeguarding privacy and security.

As we delve into cryptology, we uncover the challenges of decoding messages, the history of famous codes, and the impact of cryptography on national security. It’s an intriguing field that highlights the importance of communication and the lengths we go to protect our secrets.

[theoutcastrogue]

Great job compiling and comparing them!

I think that the Comics Code Authority was worse if we only take into account how much it affected the industry, i.e. American comics. It basically killed all other genres, left only superheroes floating, and kept the entire medium infantile for a generation. If you're interested in comics as an art form, it's a horrifying result.

But if we widen our view a bit, and take into account their impact on society at large, I think dumbing down the movies was much worse. Movies were indeed in the process of critiquing the establishment, and they were doing it effectively (prison films are my favourite example on this), and then the Hays Code came along and they stopped, and to a large extent public opinion followed. (In comparison, when comics critiqued the establishment before the CCA stifled them, it reached a lot less people, and didn't have enough sway to move public opinion, I think.) That's not only an artistic disaster, it's a devastating result even if you don't give a shit about art!

I also want to comment on this from the Hays Code:

Theft, robbery, safe-cracking, and dynamiting of trains, mines, buildings, et cetera (having in mind the effect which a too-detailed description of these may have upon the moron); (I guess the idea was that the MPPDA believed very strongly in the idea that media could affect people's behavior through imitation, but the use of the word "moron" gives me eugenics vibes.)

So the vibe here is a pattern that predates cinema, and first appears with respectable people complaining about the theatre (back when theatre was for the masses, and not considered highbrow like now), and opining that books MAY depict crime or immoral acts, because by definition they address educated people, ergo smart people. Whereas plays should NOT, because they address the base unwashed masses, poor uneducated people who are not equipped to engage critically with the material, and might get ideas in their head! And start doing crime and immoral acts!

“In the penny theatres that abound in the poor and populous districts of London, and which are chiefly frequented by striplings of idle and dissolute habits, tales of thieves and murderers are more admired, and draw more crowded audiences, than any other species of representation. There the footpad, the burglar, and the highwayman are portrayed in unnatural colours, and give pleasant lessons in crime to their delighted listeners. There the deepest tragedy and the broadest farce are represented in the career of the murderer and the thief, and are applauded in proportion to their depth and their breadth. There, whenever a crime of unusual atrocity is committed, it is brought out afresh, with all its disgusting incidents copied from the life, for the amusement of those who will one day become its imitators. With the mere reader the case is widely different; and most people have a partiality for knowing the adventures of noted rogues. Even in fiction they are delightful: witness the eventful story of Gil Blas de Santillane, and of that great rascal Don Guzman d'Alfarache. Here there is no fear of imitation. Poets, too, without doing mischief, may sing of such heroes when they please, wakening our sympathies for the sad fate of Gilderoy, or Macpherson the Dauntless; or celebrating in undying verse the wrongs and the revenge of the great thief of Scotland, Rob Roy.” — Charles Mackay, Memoirs of Exrtaordinary Popular Delusions (London, 1841), from the chapter “Popular admiration of great thieves”

This exact rationale will reappear in 1915 in an American Supreme Court decision (since overturned), which decreed that Freedom of Speech does not apply to movies (or apparently "the theatre, the circus, and all other shows and spectacles"), but only to the press:

[Films] may be used for evil ... the audiences they assemble, not of women alone nor of men alone, but together, not of adults only, but of children, make them the more insidious in corruption... a prurient interest may be excited and appealed to.

See, books and newspapers are read by learned men, but anyone can watch a movie, and we must protect these poor impressionable souls from evil! With such a mentality, I think it's glaringly obvious who are the learned ones (white + well-off + men) and who are not (everyone else).

I think the Hays Code uses the word "moron" in the sense of a dated psychology term, it basically meant "of abnormally low IQ". At the time, psychology and criminology were…. bad. Slightly less absurd than Lombroso's heyday (which wasn't that far back!), but still, very bad. So this is 100% eugenics, and a pseudo-scientific new take on an old unfounded prejudice.

…An unfounded prejudice that somehow STILL has hold, today, in the 21st century. What the fuck is up with that? No, engaging with fiction about bad things won't make you do bad things, how many times must we debunk this shit, good grief.

Was the Comics Code as bad as the Hays Code?

That's a really good question!

I suppose it depends on what you mean by "as bad" - are we talking about the overall impact of the Code on American pop culture or are we talking about the actual content of the Code and what it banned and/or mandated in terms of artistic expression?

I've written a little bit about the Hays Code here, but my main focus was on subtextual judaism in Hollywood generally rather than what the Code was and what its impact on American cinema was.

So what did the Hays Code actually include?

One of the few positive things you can say about it is that the men who devised it were quite clear and forthright about what would and wouldn't be allowed, in comparison to the vagueness and inconsistency of the modern MPAA. So here's the list of what couldn't be shown:

Pointed profanity—by either title or lip—this includes the words God, Lord, Jesus, Christ (unless they be used reverently in connection with proper religious ceremonies), Hell, S.O.B., damn, Gawd, and every other profane and vulgar expression however it may be spelled; (You'll notice that the Code is very much a snapshot of the transition from silent movies to "talkies," with the discussion of how profanity is spelled as well as produced via "lip.")

Any licentious or suggestive nudity—in fact or in silhouette; and any lecherous or licentious notice thereof by other characters in the picture;

The illegal traffic in drugs;

Any inference of sex perversion; (i.e anything having to do with LGBT+ people and culture. For more on the impact of the Hays Code on the LGBT+ community, see the excellent documentary the Celluloid Closet.)

White slavery; (the 1920s version of sex trafficking, but with added racism!)

Miscegenation;

Sex hygiene and venereal diseases;

Scenes of actual childbirth—in fact or in silhouette;

Children's sex organs;

Ridicule of the clergy;

Willful offense to any nation, race or creed; and (this one was really honored in the breach more than the observance when it came to nations, races, and creeds of non-dominant groups in society.)

The following things could be shown, but "special care be exercised in the manner in which the following subjects are treated, to the end that vulgarity and suggestiveness may be eliminated and that good taste may be emphasized:"

The use of the Flag;

International Relations (avoid picturizing in an unfavorable light another country's religion, history, institutions, prominent people and citizenry); (again, depended a lot on what country you're talking about.)

Arson;

The use of firearms;

Theft, robbery, safe-cracking, and dynamiting of trains, mines, buildings, et cetera (having in mind the effect which a too-detailed description of these may have upon the moron); (I guess the idea was that the MPPDA believed very strongly in the idea that media could affect people's behavior through imitation, but the use of the word "moron" gives me eugenics vibes.)

Brutality and possible gruesomeness;

Technique of committing murder by whatever method;

Methods of smuggling;

Third-Degree methods; (i.e, torture)

Actual hangings or electrocutions as legal punishment for crime; Sympathy for criminals; (this was a big one; Hollywood had done very well from gangster films, so a lot of creators had to do some careful threading of the needle to keep the genre alive. One dodge that they came up with was that they would have a duplicate "final reel" in which the gangster would have their inevitable comeuppance, and then remove the final reel when the censors had left the theater. Very popular with white rural teens.) Attitude toward public characters and institutions; (again, Hollywood shifting from being anti- to pro-establishment.)

Sedition;

Apparent cruelty to children and animals;

Branding of people or animals;

The sale of women, or of a woman selling her virtue;

Rape or attempted rape;

First-night scenes; (i.e, wedding nights)

Man and woman in bed together; (hence the eventual TV practice of showing married couples in separate beds in the 50s)

Deliberate seduction of girls;

The institution of marriage;

Surgical operations;

The use of drugs;

Titles or scenes having to do with law enforcement or law-enforcing officers;

Excessive or lustful kissing, particularly when one character or the other is a "heavy".

So in general, we can say that the Hays Code was extremely sex-negative, very concerned about crime and anti-establishment thinking, sexist, racist, and homophobic, and in general afraid of offending anybody.

So what about the Comics Code Authority?

So this is what the Comics Code looked like in 1954:

Crimes shall never be presented in such a way as to create sympathy for the criminal, to promote distrust of the forces of law and justice, or to inspire others with a desire to imitate criminals. If crime is depicted it shall be as a sordid and unpleasant activity.

Policemen, judges, government officials, and respected institutions shall never be presented in such a way as to create disrespect for established authority.

Criminals shall not be presented so as to be rendered glamorous or to occupy a position which creates a desire for emulation. In every instance good shall triumph over evil and the criminal punished for his misdeeds.

Scenes of excessive violence shall be prohibited. Scenes of brutal torture, excessive and unnecessary knife and gunplay, physical agony, the gory and gruesome crime shall be eliminated.

No comic magazine shall use the words "horror" or "terror" in its title.

All scenes of horror, excessive bloodshed, gory or gruesome crimes, depravity, lust, sadism, masochism shall not be permitted.

All lurid, unsavory, gruesome illustrations shall be eliminated. Inclusion of stories dealing with evil shall be used or shall be published only where the intent is to illustrate a moral issue and in no case shall evil be presented alluringly, nor so as to injure the sensibilities of the reader.

Scenes dealing with, or instruments associated with walking dead, torture, vampires and vampirism, ghouls, cannibalism, and werewolfism are prohibited.

Profanity, obscenity, smut, vulgarity, or words or symbols which have acquired undesirable meanings are forbidden.

Nudity in any form is prohibited, as is indecent or undue exposure. Suggestive and salacious illustration or suggestive posture is unacceptable.

Females shall be drawn realistically without exaggeration of any physical qualities.

Illicit sex relations are neither to be hinted at nor portrayed. Rape scenes, as well as sexual abnormalities, are unacceptable.

Seduction and rape shall never be shown or suggested.

Sex perversion or any inference to same is strictly forbidden.

Nudity with meretricious purpose and salacious postures shall not be permitted in the advertising of any product; clothed figures shall never be presented in such a way as to be offensive or contrary to good taste or morals.[16]

You'll notice the similarities when it comes to the Codes' attitude to sex, sexuality, crime, and symbols of authority - so to answer the first part of your question, I would say the CCA was pretty similar to the Hays Code (in part because Charles F. Murphy, who drew it up, was deeply unoriginal and basically cribbed off the Hays Code throughout).

However, there are also some significant areas of difference that have a lot to do with the unique circumstances of the 1950s moral panic over comics. See, in the 1950s, superhero comics were considered deeply uncool and old hat - they had been huge in the 40s during the war, but by the 50s the biggest genre in comics were horror, crime, and romance comics (with cowboy comics bringing up the rear). To quote myself from another post:

"This gave rise to a moral panic in the 1950s, although more accurately it was part of the larger moral panic over juvenile delinquency. The U.S Senate established a Juvenile Delinquency Subcommittee of the Judiciary Committee in 1953 to investigate the causes of juvenile delinquency and comics became a major target. While Wertham’s book is best known today for its assertions that Batman and Robin were teaching young boys to be gay and Wonder Woman was teaching young girls to be lesbians, the main focus of the Subcommittee [edit mine: and Wertham's academic work] was on horror and crime comics for their depiction of sex, violence, and “subversive” attitudes to law and order."

The CCA made it impossible to publish two of the most popular genres in the industry for a generation (the CCA relaxed its stance on horror stuff a bit in the 70s, which is why Marvel trend-chased werewolves and vampires the moment they could get away with it), which not only scrambled the medium (and potentially created space for the Silver Age of superhero comics to flourish) but drove the former titan EC Comics practically out of business. (Indeed, William Gaines of EC Comics believed that the CCA had been specifically worded to drive him out of business.)

So in some ways, the CCA was worse.

[secretaryofdarkness]

Something that I fear will get lost in all this that I cannot in good conscience let people ignore is that James Somerton is also just incredibly racist?

Between his willingness to rip off the works of asian writers, his total *unwillingness* to fact-check any of his own claims about laws and customs in asian countries (specifically China, I'll note), his enthusiastic citing of information from right-wing cracks who openly conspiracy theorize about China, and his gleeful theory crafting of whole new conspiracy bullshit about China in his attempt to frame all media discussions through his overly clouded lens, I think it's fair to say James Somerton is just racist. There's no sugarcoating it just because he doesn't espouse direct hate or use slurs. The passive liberal brand racism is still racism. Like, someone doesn't invent fake claims about Chinese box office coverups and help spread myths about censorship laws in Japanese television code out of nowhere. These are not the ideas of a man who has healthy or well adjusted views about Asia, these are pure and simple orientalism.

[lord-squiggletits]

I'm not inclined to believe in the gray morality idea honestly bc if JRO really meant to imply that Pharma was always suspicious/a bad person so him breaking at Delphi is just an extension of his bad moral character (ew), he really didn't go out of his way to actually write Pharma as being a bad or even mean person at all in all the opportunities he had?

In all the flashbacks of Pharma we have (including one written in a Roche issue), all we see him doing are:

Delivering emergency care to Chromedome and telling him to "hang in there" while looking him in the eye and looking emotionally invested (not like afraid but Pharma certainly doesn't look detached or cold)

Asking Ratchet whether he should go to Delphi or not. Purely conversational + Pharma doesn't display any signs of arrogance or meanness and is just going "so Prowl wants to deploy me to Messatine but idk, what do you think." So mundane of a scene that you can't even read into his sense of morality at all

A panel or two in the Functionist Universe where Pharma and Ratchet are side by side

(Roche LSOTW) Pharma running in alongide Ratchet to help the cadets who got transform-drilled to death. During which Pharma is again behaving in a very mundane way and even commenting "poor chap" at one of the corpses they find. So again, morally neutral or at least sympathetic/concerned if you read into it.

The issue to me (and not dismissing you, this is something I've thought about a lot re: "was Pharma intentionally written to have such depth") is that if JRO really wanted to make Pharma an evil/suspicious guy, he had multiple flashback opportunities to do so and yet chose to present Pharma more or less as a guy just doing his job every single time. This is especially noteworthy since Pharma is a minor character with few appearances, so any establishing character moments need to be explicitly clear in defining Pharma's past/personality in a limited amount of time. Except we don't see a guy being evil, we just see Pharma was for all intents and purposes just a normal doctor.

Even in the present day when people talk about him in a derogatory way, it's almost always with some mention of "for most of his life he was a good doctor" "he was doing [x medical research] before he started killing patients" so even the people who hate Pharma most overtly are confirming that Pharma was morally innocuous and even a really good/smart/talented doctor. You'd think if Pharma was actually a bad person the whole time people would be saying "I always knew there was something off about him" and not "He was a good doctor for most of his life."

yk I was wondering why Pharma's Autobot insignia is grey. it expecially picked my attention since grey insignia means mourning as we know from Lost Light comics. So I searched for flashbacks with Pharma to check if it was always grey and LOOK

here, in the retrospection (issue #40) his insignia is red. So I started thinking hm. maybe it's bc of Delphi. not bc of the plague he started (as his insignia is grey in First Aid story before the plague too) but bc of the patients he killed for the T-cogs. that would be a suspicious thing to do probably for him but also explainable, he was an ambicious and talented doctor who was losing way more patients than before, others could understand it like that, while for him it was a way to channel his guilt. BUT. then i checked Chromedome flashbacks in issue #17 and...

yup. chronogically this flashback must be from earlier than the retrospection from issue #40. so it kinda ruined my theory. now I just think it's a part of the design, ment probably to forshadow his, em... dubious morality (expecially if we treat autobot insignia as symbol of morality. symbol of morality greying is... well, pretty easy to read), has nothing to do with mourning and in issue #40 somebody just maybe made a mistake with coloring, bc person responsible for colors changed. but its a fun thing to make headcanons about. if someone had a theory/headcanon or actually know what is that grey insignia about i'd be glad to know!

[drwhataretheodds]

GOOD MORNING! here is my attempt to recap everything we've found so far on deltarune.com

for those unaware, last night toby released a new newsletter giving information about deltarune's release date. he also released a clip of an alternate ending for the sweepstakes for if silence would've been chosen instead of freedom. (for those even MORE unaware, the spamton sweepstakes were a 2022 2-day event raising money for a charity where all sorts of hidden pages were shown on the DR website.

now, my (and many other people's) immediate reaction to seeing this, as well as this passage in the newsletter,

was that surely the site had been updated with some new content. and it has, a lot of it! and so this is my attempt to document everything so far.

/sweepstakes/silence/

this page features this short video revealing the alternate ending for the sweepstakes. in it, spamton a. spamton is simply wiped out of existence. not that exciting, but fun to see!

the page also includes a barren version of the main /sweepstakes website, with all the text deleted.

HOWEVER! at the bottom of this page, we can see two links. both of these lead to pages already found in the ORIGINAL run of the sweepstakes.

the rest of this will be under the cut, to avoid spoilers for those interested in exploring the site themselves.

/code

this page is accessible by clicking on the purple square. it was originally found from the main sweepstakes page, on the listing for noelles "fur-thentic cardboard box" from chapter 2. this link leads to the /catpetterz page of noelle's blog, which explains how the Cat Petterz 2 breeding system works. it ends in "Until one day..." which leads to /egg, continuing the story on the previous page. the link at end of /egg brings you to /code, which links back to /egg.

nothing seems to be actually changed on this version of the site, and it only serves as a way to get you back onto /egg.

/egg

this page has all the same text as the 2022 version of the site did, with one exception: the text "secret cats" is now a link! this link leads to /rain.

/rain

this page is an as of yet unseen post from noelle's blog. she describes the experience of staying home from school because of the rain, and a friend coming over to play cat petters. this friend is called "she," making it unlikely to be kris, and as this story takes place in her childhood, it's unlikely to be susie. the postscript says that her friend came over because "she thought that means that I was going to pet HER," which makes me think it might've been catti? if anyone else has any theories, let me know.

the rest of the page discovers another one of noelle's strange cat petters glitches. her "guide to the rarities of different cats" includes "blue ora (aura?)," "rock & roll," and "angle wing" and "super holy angle wing" are listed at 0% and 00000% respectively. another addition to the pile of mysterious connections between noelle and angel symbolism....

she also describes finding a cat that "lowered the amounts of point she had," making her die immediately. the MOST significant thing on this page by far though is a link to "try it yourself," which leads to a simulation of the cat petters minigame she described.

/rarecats

this page links to a cat collecting minigame. one of these green dancing cats will bounce around the screen like the DVD logo, and clicking on it gives an amount of points. the tab title simply displays the number of points so far.

cat-001.gif

this cat gives 10 points. it's probably the "normal" cat that noelle describes.

cat-002.gif

this cat gives 50 points. it's probably the "blue ora" cat that noelle describes.

cat-005.gif

this cat gives 250 points, and plays a guitar chord instead of the sparkling sounds that clicking the other 2 does. it's probably the "rock & roll" cat that noelle describes.

cat-006.gif

this cat gives 1000 points, and plays a very dramatic musical flourish. it also causes a window sprite to briefly appear before disappearing, as seen below.

this sprite links to the /windows page when clicked on. this cat is probably the "ANGLE WING!!!!" cat that noelle describes.

cat-007.gif

this cat gives 3000, and also generates a window sprite linking to the /windows page. it plays a more extended musical flourish as well. it is probably the "SUPER HOLY ANGlE WING!!!!" cat that noelle describes.

other cats

cat-003.gif

this cat looks like a yellow version of the "blue ora" cat. i don't think there's a way to get this cat in the game.

cat-004.gif

this cat looks like the "rock & roll" cat without the flame effect. i don't think there's a way to get this cat in the game.

cat-008.gif

this cat seems to be an even more powered version of the other two angel cats. it may be possible to get in game with even smaller odds, but since noelle's page only lists 2 "angle cats" i think it's unlikely.

cat-009.gif

this is a png of the yellow and pink smile that appears in spamton's basement. the inclusion of it here suggests to me that it is in fact some kind of "cheshire cat" character/allusion, like people have theorized before!

/windows

this page is simply the stained glass window sprite from /rarecats looped over and over. the tab title reads "Are you forgetting something?" each of these links to a page with the words "forest" "grow" "lost" "the" "where" and "would," in seemingly random order. an example of a few of these are

/wherewouldforestlostgrowthe /thegrowlostwouldforestwhere /thewheregrowwouldforestlost /growwherethelostforestwould

only one of these actually leads anywhere, the rest all lead to the "dogcheck" page which is the default for broken links on deltarune.com.

/lostwheretheforestwouldgrow

this page contains an image of a tree, overlayed with an edited version of the water image that seems to be a recurring motif in deltarune, used most recently in "jockington grows the beard". clicking on it plays a solemn piano chord. after clicking a few times, it instead links to /window. the tab title reads "ROOTS."

/window

this page contains the same repeating stained glass windows as /window did. the tab title once again reads "Are you forgetting something?" this time, each links to page with the letters "cdeehhilnooprrt", in seemingly random order. an example of a few of these are

/lonpecrrohedhit /pdolhehrnriceto /ecrorltipendhoh /creohnptredilho

once again, only one of them leads anywhere.

/thepoorchildren

this page is another black screen. this time, you have the ability to draw with the mouse. clicking creates a trail of white squares. the tab title reads "Therapy".

drawing in the middle of the image for around a minute causes a sprite of the "egg room" tree to slowly fade in.

after drawing for a bit, the tree will move to the front and become clickable. clicking on this just returns you to the /egg page mentioned earlier.

as far as i can see, this is everything to be found on the "noelle's blog" side of updates, the ones accessible from the purple square. unfortunately, tumblr has a limit for how many images i can include in a post, so the stuff from the other link i will include in a reblog! be sure to check it out, it's where stuff gets REALLY crazy!

[ldknightshade]

morality: a character creation guide

creating and understanding your oc’s personal moral code! no, i cannot tell you whether they’re gonna come out good or bad or grey; that part is up to you.

anyway, let’s rock.

i. politics

politics are a good way to indicate things your character values, especially when it comes to large-scale concepts such as government, community, and humanity as a whole.

say what you will about either image; i’d argue for the unintiated, the right image is a good introduction to some lesser discussed ideologies… some of which your oc may or may not fall under.

either way, taking a good look at your character’s values on the economic + social side of things is a good place to start, as politics are something that, well… we all have ‘em, you can’t avoid ‘em.

clearly, this will have to be adjusted for settings that utilize other schools of thought (such as fantasy + historical fiction and the divine right of kings), but again, economic/social scale plotting will be a good start for most.

ii. religion + philosophy

is your oc religious? do they believe in a form of higher power? do they follow some sort of philosophy?

are they devout? yes, this applies to non-religious theist and atheist characters as well; in the former’s case… is their belief in a higher power something that guides many of their actions or is their belief in a higher power something that only informs a few of their actions? for the atheists; do they militant anti-theists who believe atheism is the only way and that religion is harmful? or do they not care about religion, so long as it’s thrust upon them?

for the religious: what is your oc’s relationship with the higher power in question? are they very progressive by their religion’s standards or more orthodox? how well informed of their own religion are they?

does your oc follow a particular school of philosophical thought? how does that interact with their religious identification?

iii. values

by taking their political stance and their religious + philosophical stance, you have a fairly good grasp on the things your character values.

is there anything they value - due to backstory, or what they do, or what they love - that isn’t explained by political stance and religious and/or philosophical identification? some big players here will likely be your oc’s culture and past.

of everything you’ve determined they value, what do they value the most?

iv. “the line”

everyone draws it somewhere. we all have a line we won’t cross, no matter the lengths we go for what we believe is a noble cause. where does your character draw it? how far will they go for something they truly believe is a noble cause? as discussed in part iii of my tips for morally grey characters,

would they lie? cheat? steal? manipulate? maim? what about commit acts of vandalism? arson? would they kill?

but even when we have a line, sometimes we make exceptions for a variety of reasons. additionally, there are limits to some of the lengths we’d go to.

find your character’s line, their limits and their exceptions.

v. objectivism/relativism

objectivism, as defined by the merriam-webster dictionary, is “an ethical theory that moral good is objectively real or that moral precepts are objectively valid.”

relativism, as defined by the merriam-webster dictionary, is “a view that ethical truths depend on the individuals and groups holding them.”

what take on morality, as a concept, does your character have? is morality objective? is morality subjective?

we could really delve deep into this one, but this post is long enough that i don’t think we need to get into philosophical rambling… so this is a good starting point.

either way, exploring morality as a concept and how your character views it will allow for better application of their personal moral code.

vi. application

so, now you know what they believe and have a deep understanding of your character’s moral code, all that’s left is to apply it and understand how it informs their actions while taking their personality into account.

and interesting thing to note is that we are all hypocrites; you don’t have to do this, but it might be fun to play around with the concept of their moral code and add a little bit of hypocrisy to their actions as a treat.

either way, how do your character’s various beliefs interact? how does it make them interact with the world? with others? with their friends, family, and community? with their government? with their employment? with their studies? with the earth and environment itself?

in conclusion:

there’s a lot of things that inform one’s moral compass and i will never be able to touch on them all; however, this should hopefully serve as at least a basic guide.

[arolesbianism]

Y'know now that I'm seeing a small handful of ppl actually giving a shit abt oni lore it's making it so much harder to not become a nerd emoji every five seconds anytime I see someone talk abt oni because I forget that every source of oni information is comically outdated

[dirtbagwitch]

MAGIC FOR THE CITY DWELLER

CHAPTER ONE: WELCOME TO THE CONCRETE JUNGLE, WHERE MAGIC NEVER SLEEPS

magic isn’t just for the deep woods and moss-covered stones. it’s not limited to candlelit covens or ancient runes etched in a sacred grove. magic is where you are. in the humming neon signs, the flickering streetlamps, the rhythm of bus doors opening and closing, in the energy of walking amongst a crowd on a busy street.

urban magic is about finding the mystical in the mundane, harnessing the city’s restless energy, and using every graffiti tag, liminal space, cracked pavement, and forgotten coin as a tool for enchantment. the city is alive—a churning, breathing, chaotic organism—and if you listen closely, it’s whispering spells in the wind between skyscrapers.

this isn’t some high-brow, ceremonial magic doctrine. here, we work with sigils written on coffee shop napkins, metro card protection spells, and phone screens charged as scrying mirrors. this is magic for the streets, for the punks, for the witches in walk-ups and studio apartments, for the ones who find the divine in the hum of a dive bar at 3 AM.

WHAT MAKES URBAN MAGIC DIFFERENT?

the biggest shift between traditional and urban magic is the environment. instead of sacred groves, we have community gardens. instead of rivers, we have storm drains. instead of bonfires, we have neon lights and power grids pulsing with raw electricity.

but just because the setting is different doesn’t mean the magic is weaker. city magic is potent as hell, because it’s charged with movement, history, technology, and millions of lives overlapping in real-time.

ELEMENTS IN AN URBAN CONTEXT:

• earth → concrete, bricks, asphalt, parks and park dirt

• air → the wind between high-rises, the whispers of overheard conversations, the endless streams of information moving across the city

• fire → electricity, neon lights, the heat of a crowded bus, a match or lighter

• water → rain pooling in the streets, sewer systems, fountains in public squares, water dripping from rooftops

• spirit → the city itself, the collective energy of its people, the ghosts in old buildings, the echoes of everyone who’s walked these streets before you

this practice isn’t about forcing the old ways into a modern setting. it’s about adapting magic so that it fits your world, your reality, your city.

THEORY & FRAMEWORK: CHAOS MAGIC, QUEER MAGIC, AND CITY SPELLS

urban magic thrives on three key principles:

1. ADAPTATION – use what’s around you. city witches need to be resourceful as hell. your “wand” can be a pen, a drumstick, or a crowbar if that’s what speaks to you (though a crowbar is a little extreme). your “altar” can be a windowsill, a shoebox, or even temporary like the back of a bus seat where you traced a sigil in the condensation.

2. INGENUITY – urban magic is subtle, fast, and often disguised. your ritual circle might be drawn in spilled coffee, your sigils hidden in street art, your glamour spells worked through fashion choices and body language.

3. INTERACTION – the city is alive. talk to it. work with the spirits of your apartment building, the crows and raven and wandering city cats who see a lot, the graffiti messages that seem to answer your questions in cryptic scrawls, street names that feel like answers to questions. trust your gut, keep watch for the synchronicity

MAGICAL SYSTEMS THAT THRIVE IN THE CITY:

1. CHAOS MAGIC: THE DIY APPROACH TO WITCHCRAFT

urban magic truthfully falls under the umbrella of chaos magic.

chaos magic is sort of like punk rock spellwork. no rules except what works. it’s the belief that magic isn’t just about ancient texts and strict traditions—it’s about belief as a tool. hacking reality, using symbols, and experimenting with what actually gets results. if something stops working you chuck it and move on to something new.

• create sigils from street signs, corporate logos, and subway maps.

• use “reality hacking” spells—like placing intent in a QR code or whispering an incantation into a social media post before it goes viral.

• swap out outdated correspondences for modern tools—your phone can be your scrying mirror, your router a beacon for intention-setting.

chaos magic thrives in the city because cities are chaotic. they’re full of random encounters, glitches, synchronicities waiting to be tapped into.

2. QUEER MAGIC: BREAKING RULES, BENDING REALITY

witchcraft has always been the domain of outsiders, rebels, and the marginalized. queer magic embraces fluidity, resistance, and radical self-expression.

• use genderfluid deities, archetypes, and spirits in your workings.

• cast spells at drag shows, pride marches, and underground raves—because those are modern sacred spaces.

• turn self-love into a spell, defying the narratives that say queer people don’t deserve power, joy, or love.

urban queer magic is loud, unapologetic, and built on the bones of those who paved the way before.

TOOLS & MATERIALS: USING THE CITY AS YOUR SPELLBOOK

urban witches don’t need fancy supplies. we use:

• 📱 smart phones – scrying mirrors, digital sigil boards, enchanted playlists

• 🎫 metro cards & transit tickets – protection charms, travel blessings

• 🗝 keys – for unlocking opportunities, closing doors that need to stay shut

• 🖋 pens & sharpies – sigil-making, graffiti spellwork

• 🪙 spare change – prosperity charms, offerings to city spirits

• 🧾 receipts – paper magic, petition spells, glamour workings

if it exists in your daily life, it can be a tool.

EVERYDAY SPELLS & RITUALS

🔮 PROTECTION SPELLS FOR NAVIGATING CITY LIFE

• “doorway ward” – rub salt along your threshold, whispering “no harm may cross this line.”

• “metro shield” – imagine a glowing energy bubble around you before stepping onto public transit.

💰 PROSPERITY & SUCCESS SPELLS

• “lucky coin” – pick up a found coin, say “bring me fortune,” and carry it for a week.

• “resume enchantment” – anoint your job applications with cinnamon for luck before sending.

💡 HACKING REALITY WITH CHAOS MAGIC

• “digital sigils” – set a sigil as your phone wallpaper and charge it every time you unlock your screen.

• “parking spell” – whisper “open the way” as you search for a spot—watch as one appears.

🌀 COMMUNITY SPELLS & URBAN COLLECTIVE MAGIC

• “city-wide sigil work” – drop the same symbol in different places and see what manifests.

• “full moon offerings” – leave a quarter at a crossroads to honor the city’s spirits.

THE CITY IS YOUR ALTAR

this is your grimoire, your spellbook, your guide to turning the city into a magical playground. don’t just live in it—work with it, enchant it, let it enchant you back.

magic is everywhere, babes. you just have to know where to look.