#damn everything else

[thegoblinwitch]

got to see my pup recently, even got some cuddles and puppy kisses, so was a very happy kit indeed. but i really loath having to leave him behind every time i visit. crossing my fingers that with a bit of luck we'll finally be reunited by the start of the coming school year. it's literally been a year, and it's taking its toll on the both of us.

[future-crab]

It's been said before, it will be said again, but it's still worth saying: the fact that art centering on straight romance is allowed to just be bad, but art with queer romance in it always has to be indicative of A Serious Problem With the Way We Tell Queer Stories makes being a queer person making queer art deeply stressful

[spacedace]

Yo here have this dp x dc snippet from ages ago I forgot I wrote until I found it just now lol:

Joker had died just after sunset, when darkness had settled fully on Gotham. Beaten horribly with a blunt, metal object of sickeningly familiar description, then finally killed in the concussive force of an explosion from the various bombs the warehouse had been filled with.

It felt obvious who it had to be.

Except, of course, that Dick was looking at cctv footage and official court documents showing just how fucking impossible it was for Jason to have finally taken the clown out for good.

At the time everything had to have happened his little brother was across the city, in a public place, with official witnesses.

Official, official witnesses. They - one Margaret Tinsel - had signed their name as such, right next to their notary stamp and the date on the marriage license.

Marriage License.

Because Jay had been over at the courthouse next to city hall getting married.

Dick only found out he’d been dating Jasmine Nightingale a couple of weeks ago. He hadn’t even properly met her yet, just saw her from the roof across the street as she and Jay sat on her fire escape sharing a pint of ice cream, laughing and looking stupidly adorable and smitten with each other. And now they’re married.

How in the fuck was he going to explain this? Bruce was already spiraling on the idea that Jay had killed Joker, he’d want specific details on just how tight of an alibi Jason had for the crime. He’d want to see that proof himself.

And then he’d want to talk to Jay. Who hadn’t told any of them what the fuck was going on in his personal life. Who had very purposefully tried to keep Jasmine Nightingale - shit, no she applied for a name change, they both had, they were both Nightingale-Todd now - away from the family and their meddling.

Babs on the other end of the line seemed to share his utter loss over the situation.

“I did some digging.” She said, drawn out enough to let him know that whatever she found - while not bad - sure as shit wasn’t going to make things any easier to explain. “They’ve uh…as best I can tell, they’ve been dating for about three years now.”

Three years.

Jesus Christ. How in the hell is he going to break that news? Did he even break that news? That’s something that Jay should do.

Except Jay just got married less than two hours ago at the same time the Joker was violently - and karmically satisfyingly - murdered and there was absolutely no way that letting Bruce go over there to talk to Jay while all Batman-ed up was going to lead to anything but a fight, which means that he has to break that news or else Jay and his new wife - his wife holy fucking shit - are going to have to deal with a pissed off Batman on their honeymoon and -

“Oh.” Tim said from where he’d come to stand at Dick’s shoulder at some point during his internal freak out. “I guess they decided to do the courthouse thing after all.”

The train wreck of Dick’s thought process, at that point, entirely exploded.

[vcrnons]

the many faces of hansol vernon chwe, part 2 / ∞

bonus, feat.dino:

[deathberi]

HARUKA SAKURA | WIND BREAKER

[yuwuta]

half of these tiktok relationship/break up/whatever pranks would work on most of the jjk boys, but nanami is esp funny because he just becomes immune to it. you tell him you two should break up and he just sighs and nods, continues making dinner even as you flutter around him and try to start a fake argument. “kento, hello? i’m saying we’re finished!” and he just hums, and chops the vegetables, “that’s nice, dear. did you want red or yellow peppers this time?” 

[pensymbols]

ah yes the brook/franky/robin/jimbei polycule also known as the babysitters also known as monkey d luffys biggest enablers

[divorcedfiddleford]

it is friday my dudes (little hearts added by @tazmiilly)

[phvnthom]

[mamashenanigans]

So, I’m revisiting something I’ve already discussed. I took a gander at the My Hero Academia Wiki’s All for One page and was quite surprised at the skewed view on his relationship with Yoichi, most notably when he killed him.

The wiki states that he killed Yoichi “without hesitation or remorse”, but leaves out the visual and narrative context of what’s happening. It also conveniently leaves out AFO’s thoughts on Yoichi before he blips out of existence.

I’m going to break it down since it’s quite apparent people either A.) have no reading comprehension concerning comics and/or B.) they so want AFO to be a “born evil” character and disregard the subtext and context of what’s occurring.

Here we have the last two panels of the chapter prior to the reveal of Yoichi’s death. AFO is focused on Kudo and Yoichi’s hands. His attack only leaves Yoichi’s hand, but that doesn’t appear to be what he was aiming for, especially when examining the first few pages of the following chapter.

In the first panel, AFO looks surprised at what he’s done. His mouth is slightly open and his eyes wide as Yoichi’s blood splatters onto his face. The next panel is AFO just standing there, hand still outstretched, almost like he’s trying to process what just happened. Given the look of surprise and how he freezes, allowing the one that stole his brother away to be able to flee, it’s clear that this was the result of a possessive rage and AFO only meant to attack their hands instead of obliterating Yoichi.

We also have the narrative subtext.

When we first see Yoichi being ripped apart, the narration tells us that AFO named his brother after the fact he was the first thing given to him in life. This hints that Yoichi is more substantial than other people. The word “precious” is used to describe Yoichi after AFO kills him. This narration juxtaposed to AFO killing Yoichi clearly suggests that AFO didn’t mean to kill Yoichi, but probably only maim him.

If he truly cared so little for Yoichi as to purposefully murder him, then he would have quickly moved on to killing Kudo and Bruce who are shown still in the water and trying to get away. Instead, he just stands there, frozen in his initial position, looking like his brain just glitched.

Furthermore, we have AFO keeping Yoichi’s hand, all that remains of him, and is even eating dinner with it as shown here…

If all he wanted to do was take back the Quirk and move on(before finding out that Yoichi still exists) then why even embalm the hand? Instead, he seems to be sitting there, with a glass of wine and a plate of food, just contemplating his brother’s hand. Once he concludes that Yoichi “still exists”, he goes on a huge conquest to get him back.

We also have prior flashbacks to work with here. The first one we got had AFO telling Yoichi he loves him and asks his bodyguard to go easy on him. Next, there’s the flashback in the vault and AFO’s monologue is to convince Yoichi to stand by his side. He calls him “dear little brother” earlier and then tells him while giving him the stockpiling Quirk that he matters to him/so dear to him. Once he finds Kudo, he also presumably (due to Kudo’s retort) asked where Yoichi was as he considers the Quirk to be his brother.

Now, don’t get me wrong. AFO’s “love” for Yoichi was very possessive. When his conquest to get back OFA is shown, AFO claims his tears were just “alligator tears” and that all he wants is to make Yoichi his.

However, the last thoughts about Yoichi that AFO has, and is conveniently left out of his wiki page, is that he needs Yoichi/without him everything is for nothing. This could definitely mean that AFO’s thoughts during his killing of the holders of OFA were of an unreliable narrator and more him trying to convince himself that the tears meant nothing.

This is such an important line. AFO finally admits that it was all about Yoichi and that nothing matters if he isn’t by his side. That refutes the idea that AFO didn’t care about Yoichi and only wanted to possess him. The original translation only has “Yoichi, I need you” and of course the official English translation has to say it differently, but that right there changes the entire perspective of what he was trying to achieve. It’s no longer a “I want to make you mine”, but a clear “I need you”. Which makes sense given that they only had each other growing up.

It’s also pertinent to remember that AFO often “talks” to Yoichi in his inner thoughts, particularly during battle. Following his admittance of needing Yoichi, he continues to “speak” to him about what he was trying to achieve.

With AFO blaming Kudo for everything, it’s pretty obvious that AFO can’t accept the fact that he messed up and accidentally killed his brother. It has to be Kudo’s fault for taking him in the first place.

So, in closing, the idea that Yoichi meant nothing to AFO and was just another toy or that he purposefully killed him doesn’t add up when taking into consideration all the context. Yoichi did mean something to AFO and that’s why he did everything.

He’s still a bastard, but my god, don’t leave out all this important stuff.

[clockwayswrites]

Danny/Tim, Blue, Tooty Fruity

@ailithnight Prompt fill #4. Feel free to continue this if you want! I was going to add more, but no, not, this is best right here.

-

Tim stops on the threshold to his apartment. His fingers tighten on the doorknob. Slowly, he leans back enough on his heels to to glance at the unit number by the door. Alright, yes, right apartment. He glances back into apartment. Back to the unit number.

Still the right number.

Tim is at his apartment, by all accounts. He shouldn’t have this much doubt. It’s just that… well, the apartment looks like a high school theater set for Gilligan island threw up in it. There are broad leaf plants framing the door and effectively hiding the sleek, modern kitchen to the left. Tan, sand colored drop cloths cover the floor along with a scattering of plastic sea shells. A large hammock hangs in the center of the room and there are colorful beanbags to the side. (Tim wasn’t sure where his real furniture was). The back wall is covered by a questionably painted landscape. The focal point is the volcano that leads up to the TV, mounted over the mantel, that’s playing a video of rising smoke over a tropical sunset. There are ocean noises.

He’s pretty sure he sees the edge of a plastic kiddy pool behind a bird of paradise.

His boyfriend appearing from behind the plants in nothing but by very small, very green speedo and a fabric flower lei doesn’t help Tim’s understanding in the least.

Danny’s face lights up with a smile though. “Tim! Aloha! Welcome to your topical vacation!”

What?

“What?”

[alienssstufff]

ANALYSING Q!SLIME'S FINAL BIRTHDAY GIFT [12/08/2023]

With the addition of the underground railway within the mines of q!Slime's Eggxile base, the choices on the birthday build (from the lead-up, the threshold, to the house itself) adds so much on to q!Slime's character as well as gives hints on the bigger picture of the Federation and the new wave of codes.

Prior to today's Birthday stream, the two significant builds in Eggxile are the Altar to Lil J and the Basement - two builds that represent q!Slime's religious devotion and his familial devotion respectively. I did an analysis comparing the two in another post HERE as a Part 1 - big recommend to read through that one before this one when you can!

This time I'll be going into detail specifically about the underground railway and how it represents q!Slime's 'devotion' to the island itself and the Federation.

long rambling ahead be careful [EXPLANATION UNDERCUT]

PREVIOUS KNOWLEDGE: Quick SparkNotes summary about Slime's way of building:

Slime's builds are simplistic, symmetrical layouts (preferably circular)

Comprised of mostly local, easy to obtain/manufacture materials

A lot of flora interior

NO security, little-to-no input from the Create-mod

These characteristics were derived from the similarities between Slime's existing builds of the Altar and the Basement. The uncanniness of the Birthday Build is that it is an extension NOT built by Slime, but instead is the Federation's attempt to imitate his style and forcibly insert itself into his life.

We can presume that this is the Federation's doing and by extension JuanaFlippa's current identity by the context clues during the scavenger hunt. The main giveaway being the location of the START placed at the QSMP Dinner Hall: the first sightings of the Egg Codes and the location of Gegg's assassination. The detail of the FIRST CLUE as well being Slime's train ticket to the island supports this theory in assumption that it was the Federation that both brought the original 17 residence to the island and is currently withholding the tickets themselves.

The scavenger hunt goes as planned, all in all directing Slime back to his Eggxile base. (Note the poster being placed IN FRONT of the school's only exit)

THRESHOLD BETWEEN THIS WORLD AND THE NEXT: Not much of Slime's actual base is touched in the scavenger hunt other than the nook in the Basement Slime had originally designed to be JuanaFlippa's area. Here it is decorated with the carpet, two chairs, and two presents. Everything before that (lamps including) was made by Slime.

After Slime collects what he believes is the last of the presents the lamps in the Basement are progressively removed directing him to the only other light in room being the black wool platform and chest. These lamps were destroyed NOT turned off. The contents of the chest read as follows:

Hostile architecture is defined as a design strategy to purposefully guide or restrict movement (targeting mostly the homeless. it sucks). And by limiting Slime's vision here is the first of many examples of the Federation restricting Slime's movement as the path progressively becomes more and more forced.

From here to the mine entrance Slime is still given a physical choice whether or not to follow the light. This is the Federation's way in giving Slime the illusion of free choice. 'You chose to follow the light' 'You chose to break that wall in the mines' 'You chose to activate the train carriage'

The train carriage and its small, difficult to move around, interior being the last direct choice Slime makes. It locks him inside and sends him on a trip that goes no where but down, deeper into the mines.

It's worth noting that originally these mines originally belong to Slime. He made this entrance and he was able to freely explore any part of these caves. What the train carriage does is give Slime a strict path to follow and a very limited window to look through - no straying from the path here. Look only where the Federation tells you to.

Given the connection between codes and trains, symbolically this can also represent Slime's gradual spiral (the shape of the tracks) into hell - the madness that is the island led on by the Federation.

JUANAFLIPPA'S HOUSE: The road ends at a small house at the very bottom of the lush caves. It's a nice house! Supposedly trying to replicate the arched partition walls in the Basement... But not quite perfectly imitating his style of build. The giveaways being its asymmetry and the choice of materials: a variety of different wood types, most NOT local to Eggxile (also the fake house just looks prettier wwww)

Here's the two houses for comparison (Slime's house is an 8x8 block square)

Stylistically, the vibe of this house given the location and purpose remind me of that one Cold War bunker in Las Vegas. An underground mansion designed to look like the outside world - a secluded, controlled paradise for a family to live in.

The confirmation that the underground house being a facade becomes clearer the deeper Slime explores the inside.

Normal interior. Normal kitchen. Normal table: 4 chairs (like the outside bonfire), 3 mugs (Slime, Mariana, Juanaflippa). Shelves like Slime's old house in Sacapuntas. A passageway in the wall leading to Juanaflippa's room.

All these things portraying the life Slimeriana and Juanaflippa could have lived. A happy family tucked under from all the dangers of the outside, far far away from the world. Until you look deeper into the cracks only to find out it was all fake, there is nothing back there. A mockery in disguise of a gift.

THE FEDERATION AND SLIME: Prior to the birthday stream with the assassination of Gegg, Slime had initially come to terms that Juanaflippa was well and truly dead and had told ElQuackity (a member of the Federation) that he no longer had any attachments to the island, and because of that would try to be himself. The Federation responded to this twice: the first being ElQuackity offering a position to work with them and ElQuackity win the Elections (this fails as ElQuackity is assassinated by q!BBH); the second being this birthday stream.

So far the Federation has not destroyed anything Slime has built but instead added on top of it. These decisions both give Slime a reason to stay on the island whilst pushing him to do things aligned with the Federation's goals shown by the gifts he gets in the scavenger hunt (Ghillie suit, landmines, grappling hook, dark metal ingots).

Interestingly the 2nd prize during the scavenger hunt is quite literally called the CHARLIE Flag and is the nautical symbol for YES. While the purpose of this flag is for whatever mission the Federation is about to send Slime on, this is also metaphorical as the only response Slime can give right now is YES.

Additionally the flag metaphor could be applied on the controls at the beginning of the tracks: Red flag both socially and in Nautical terms (BRAVO) meaning danger/carrying dangerous cargo.

These are literal red flags in the world in the architecture that are warnings to Slime that once he 'agrees' to these terms and conditions, life for him will only get more dangerous with no way in turning back. Deliberate decisions made by the Federation in guise of Slime's actions and the places he's impacted in the world.

In the end, Slime is a product of the early QSMP and how its history shapes a person and is represented physically by the builds he makes. By the interference of the new tech and prettier structures, the Federation overwrites Slime's creations against his will, creating a world unfamiliar to him - blending what is the truth of the past with the new, augmented present. In another context, change like this can be a good thing - but in this circumstance presents itself as an invasive decision into Slime's private life. This is the Federation forcibly applying itself as one of Slime's priorities in sacrifice of rewriting everything Slime has gone through.

[ludaroace]

honestly that was incredible shout out badboyhalo for a 6 month payoff that went crazy im so glad i got to see it live and i CANNOT wait for whats next !!

[tobisiksi]

the disastrous life of saiki k its only a comedy anime because we see everything from kusuo's pov and the things that's happens in the episode are just a normal day for him so he sees everything like normal and even comedic

I just KNOW that if it was from someone else's pov the anime would turn into psychological horror

[shadows-coffeebeans]

[trlvsn]

play disco elysium to adopt the world's most horrible child, miss your wife and decide which political ideology is humanity's least doomed coping mechanism in a world that's both hopeful and hopeless. there are twenty six voices in your head the whole time, but hey, kim is there, so it's okay