#date (almost) anything

[clarisse-doodles]

inspired by this post, in which Damian does not know what Vine is

[yuutaguro]

happy 3 years of gonana 🐈

[poorly-drawn-mdzs]

Feeling Fruity

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[ectonurites]

Byler Week Day 5 — Secret Identities

very loosely interpreting the prompt for today but i've had this idea for a while and... secret identities, Superheroes, that works. anyone who knows me well probably could have seen something like this coming LMAO

also trying to draw Robin & Superboy costumes that look thrown together and home-made when i have spent so much time drawing their actual designs was a challenge

[haunted-xander]

Very excited to see how they'll do this scene in Rebirth

[total-drama-brainrot]

i now wanna hear your very long character analysis on how the drama machine affected alejandro

Yeah alright.

So I haven't actually watched All-stars, but I did skim through this video to get a feel for Alejandro's characterisation in it, since All-stars is the only canonical material we get from Alejandro post Drama Machine.

And by skim I really do mean skim; I was mostly looking out for signs of his imprisonment's influence, which for the most part seems to be as follows:

His legs fell asleep.

He developed a minor case of agoraphobia, mostly in the context of sleeping in open spaces.

His standards of human interaction have plummeted; something he's aware and accepting of.

Interestingly enough, he doesn't really seem to acknowledge the volcano itself (outside of an offhanded comment) or the injuries he got from the explosion. His focus is solely on his time in the suit, not what out him there in the first place. He even skirts over a memory loss issue, which could contribute to this.

I'll tackle these three points in more detail, and then give examples of how they can be developed into actual characterisation points instead of (for the most part) gags.

Number one; Leggy McLatin and the paraplegia scheme.

Alejandro's inadvertant and unintentional escape from the Drama Machine, and subsequent readmission into the competition (as himself, instead of as the machine) is, for the most part, entirely focal on the fact that his legs no longer work after his year of entrapment. It's a big deal - or, at least, as big of a deal as any injury or ailment can be in the context of Total Drama, considering that he doesn't miraculously get better in the span of an episode. Of course, we learn fairly early on that he's faking the paraplegia, but it's fairly heavily implied that his legs really were asleep initially (and that, in all likelihood, the massage we see him getting from an intern is what "wakes them up").

What's interesting about this particular plotline choice is that it would, realistically, be entirely feasable for Alejandro to have mobility issues after spending a year inside a robot.

Now, I'm no doctor, nor do I have any formal medical training, but I do know that not being able to move your body for an extended period of time results in a serious case of muscle atrophy. We see in canon that Alejandro was essentially locked in a seated position for the year; his arms, head and (assumedly) torso had place to move around, but he couldn't really stretch out his legs. This would explain the "weakness" of his legs in the first episode - i.e. their wobbliness, and the fact that they couldn't hold up Alejandro's body weight. The numbness he cites would be explained by poor circulation - again caused by him being sat down for a solid twelve months.

Or it could be nerve damage from the eruption, but given that Alejandro doesn't seem to have any long-term issues that stem from the volcano itself, it's unlikely.

So it can be assumed that the numbness of his legs was offset by the massage he gets after the first challenge. The masseuse kickstarts the blood circulation back into his legs, resulting in him regaining sensation in them - enough feeling to notice a crab pinching at his feet.

And, if I really want to reach into headcanon territory/realism, the reason he keeps up the "ruse" is because, despite having feeling in his legs, the muscles there are still fairly atrophied and he has a lot of trouble walking, let alone running, for extended periods of time. Though, as it stands, any long-term impact on his health would be entirely headcanon/fanon territory, due to the nature of the show itself.*

Then there's the psychological aspect to consider. Alejandro's a very prideful person by design - that's evident in both the way he portrays himself and the physical standards he holds himself to. Having use of half of his body stripped away from his is bound to be distressing, perhaps even traumatising. Hence why he tries to make himself as useful to the team as possible despite still recovering; he needs everyone to see that he's still capable.

Eventually his legs fully recover, because this is Total Drama and things like "realistic healing processes" and "lasting damage" don't seem to exist in-universe.

Number two; snug as a bug in a rug.

Alejandro's shown to have started sleeping in a sleeping bag throughout All-stars. He even canonically states that he needs to, because of his time in the Drama Machine. He cites that sleeping whilst srpawled out makes him uncomfortable, unspokenly referring to the fact that, for a year, he'd only had the option to sleep in an incredibly cramped position/environment.

This is interesting since, for the most part, you'd assume that someone held in close-quaters captivity would develop claustrophobia instead of a form of agorophobia, and yet Alejandro seems to have internalised the need to be in an enclosed space to sleep. Maybe it's symptom of just how long be was encased for - a year is a long time - or maybe it started out as claustrophobia, but the indefinate nature of his captivity morphed the initial fear into a twisted sort of coping mechanism.

It begs the question; what else can't Alejandro do in open spaces?

Is he perpetually uncomfortable with the openness of the outside world? Does he resort to hermiting himself into closed-off corners and enclosed rooms, just to feel a semblence of normalcy after he escapes the confines of the Drama Machine? Would he take to wearing tighter but more concealing clothing, just to immitate the feeling/pressure of being trapped in a too-tight enclosure?

Is his need for a snug sleeping space indivitive of him missing his isolated imprisonment?

Which brings us nicely into the third point.

Number three; long-term isolation and the effects thereof.

Alejandro explodes out of a glorified toaster and one of the first things he really comments on is Heather's off-putting personality and her facial hair. In a positive manner. He's so starved for human contact that he attaches himself to the first "friendly"/familiar face he sees, which in this case is Heather, and focuses on the aspects of her that make her human.

If he were a "weaker man", I have no doubt Alejandro would be clambering for attention from his team, mostly for proof that he's no longer completely isolated. It's a well-documented phenomenon; people who experience a long time in isolation, or who suffer through long periods of loneliness, become desperate for socialisation (and physical contact), to the point their immune systems and biological rhythyms (from circadian to infradian) start to deteriorate.

Realistically, Alejandro would've come out of the Drama Machine a desperate and sickly mess, riddled with insomnia and paranoia and incredibly touch-starved. But, as established, the show isn't exactly true-to-life when it comes to things like this, so...

As it stands, the fact that he emerged from his prison and immediately jumped back into his charming persona attests more to the fact that his flirtatious act is so deeply ingrained into his psyche than it does to his mental wellbeing. It could be argued that he's using the same act/mask/persona as a tether to his old self and an anchor to normalcy, as he'd likely crumble into an inconsolable mess without the scaffolding of his "TV personality" keeping him upright (metaphorically of course, as Alejandro is in fact not upright in the show. He's upside down for the majority of his time on All-stars).

Or maybe he's just built different? Who's to say.

We don't exactly know what went down during his year away, so it's impossible to make any concrete statements as to whether Alejandro was afforded the luxury of other people's company, or if he really was kept 100% isolated in the machine. The only thing we do know is that he likely had access to a phone, though didn't have the capability of using it without assistance, since he calls Heather out for never trying to contact him but also states the impossibility of him doing the same in turn.

Number four; lava damage and the lack thereof.

It's sort of explained during his scene at the end of World Tour, but Alejandro's whole "being trapped in the Drama Machine" deal - alongside being a parody of the scene where Anakin Skywalker is first put into the Darth Vader suit - is stated to be for his own benefit. He's essentially being locked away into a healing suit. Again, just like Anakin - they both even sport similar burn wounds.

He mentions at the beginning of All-stars that he doesn't really remember being put into the machine, and it's safe to assume that the majority of his time in the contraption is likely fuzzy to him as well; being fully concious of complete isolation for a whole year would be enough to drive anyone completely mad, and Alejandro is decidedly not insane (for the most part). Ergo, it's also a safe assumption that the inner mechanisms of the Drama Machine act as a sort of stoporous healing chamber, keeping Alejandro semi-concious and healing his various lava burns over the course of his concealment.

Sort of like a medical coma. Inside of a robot. A portable medical coma.

The "healing properties" would also justify why Alejandro's whole body hadn't deteriorated from muscle atrophy, or developed any (visible) burn scars from his stint in the Hot Sauce. Of course, as far as burn scars go, unless they're significantly deep they do tend to fade into near-invisibility over time. That, paired with the ~magical healing properties~ of his confinement, likely resulted in his lava burns scarring over into insignificance.

Then again, I once again have to take cartoon logic into account - the show itself likely just didn't consider the semi-realistic consequences of a year of entrapment, and wanted Alejandro to be near-enough the same character he was at the end of World Tour before the consequences™.

The main point here is this; Alejandro doesn't seem to remember the majority of his injuries following the volcano eruption in the World Tour finale, or if he does he's had a year of semi-conciousness to work through his thoughts and feelings on the matter, and as a result he doesn't seem to carry any (reasonable) trauma regarding lava, volcanoes, or other related stimuli.

He does, however, retain some "quirks" from his time in the machine.

Number five; an overview.

Alejandro comes out of the Drama Machine with a surprisingly little amount of visible trauma, both in terms of physical damage/scarring and observable mental changes.

He developed a very minor case of agoraphobia, spurned on by him becoming accustomed to existing in a very small, very cramped space, but otherwise attunes himself to the outside world incredibly fast.

Is this probably related to his social training, as a diplomat's son, and his heavy reliance on a "suave and charming" persona. He's likely battling with a lot of internal issues throughout the season, but squahing down his inner turmoil under his determination to win, which explains how/why he falls so easily into his scheming mindset - it, in and of itself, is a coping mechanism, though not a very healthy one.

*The paralysis of his legs was in all likelihood genuine, and a result of poor circulatory issues and minor muscular atrophy, which was almost immediately treated by the masseuse intern after the first challenge. Realistically (and how many times have I said that word) he'd have some lasting weakness in his legs, and maybe require the use of a mobility aid and/or physiotherapy. This is not the case, because... Total Drama.

There are subtle signs of the mental impact of his imprisonment, mostly in his immediate attachment to Heather (despite her taking away his reproduction privileges the last time they spoke, and her being Heather) and his innate need to prove himself as useful/capable despite his gameplan riding on him appearing pitiable and unthreatening (due to his "sleepy legs"). He's so starved for social interaction and validation that his actions are directly contradictory to his gameplans.

Though in the case of his Heather attachment, he could just be like that. He was also fairly infatuated with her in the latter half of World Tour, and the pineapple scene speaks for itself.

In conclusion; Alejandro is either completely goated and (for the most part) just shrugged off the trauma of being trapped in a tiny box for a year, or he was already so traumatised that the imprisonment was just another needle in his haystack of turmoil.

[wavesoutbeingtossed]

I know it’s been talked about ad nauseam, but I think one of the things that got lost in the discourse about TTPD and the muses and whatnot is how one of, if not the core trigger points of the album is the yearning for commitment and perhaps even more poignantly, motherhood.

The reason she was so susceptible to falling for the “conman’s get love quick schemes” is because she was grieving that imagined life with the person she had long assumed would be the one to give her that. What has been beyond clear in several albums, let alone interviews etc, is that those plans for building a family were very much real and top of mind for years, and she kept holding on and shifting her world in service of making that happen. And when whatever happened happened that pulled that rug out from under her, it left her bereft not just for the relationship that had once been her world but also the imagined family she had been hoping for and sticking out the hard times for.

And that’s likely why she was swayed by and trusting of the promises of someone who knew her history and knew how unmooring that loss was to her. It may have been partially about the person himself or lust or whatever, but the core issue was the pain of giving up the dream, and sublimating that dream into this new opportunity in front of her, because she was so desperate to hold onto the last scraps of that imagined life she wanted so badly. (And I don’t mean desperate as in pathetic or negative, I mean as in fighting within the last ounce of energy and hope she had.) It wasn’t rational and it wasn’t love, it was grief, not just for a relationship but even more so for the family it represented.

So to me the core issue of TTPD isn’t just the Joe vs. Matty or whoever of it all: it’s Taylor and her yearning. She wanted a family badly and a life that was theirs and was processing losing that in all kinds of ways. It’s all over the album in overt and subtle lyrics. It may not have been grieving a literal death but I’d bet it felt pretty darn close.

And I’d also bet that’s why we’re seeing… what we’re seeing now.

(I have so many more thoughts about womanhood and motherhood on TTPD but that is another post being worked on piecemeal in my drafts… this is just a little Saturday morning post-zoomies reflection)

[ffxivtribehydrae]

Oh Sister...

[winter-sol]

Spoilers for Lesson 11!

About Solomon, MC and their relationship with demons.

There's this pretty interesting thing I noticed about Solomon's perspective compared to MC's when it comes to their vision towards demons.

Solomon made clear he sees demons and angels as creatures that underestimate humans and won't ever treat us as equals. I don't actually blame him for this, as he is not even wrong. We've seen them call us "mere humans" or belittle us for being humans in both games. So his approach to demons is mostly from a utilitarian and confrontational point of view.

He needs to prove humans can be equal or surprass them, and for that, he's willing to do anything. He's willing to use demons, become more powerful and defend humanity above anything else. He was even teaching MC his way of dealing with demons, as in "leveling the playing field" to face them because "When it comes down to it, that's what negotiating with demons is all about, really".

He then proceeds to talk about how he plans on changing that, and to almost manipulating us into making a promise about siding with humanity no matter what. That, in a place that probably binds us to said promise or something like that. It was... shady, but if anything I got even more intrigued about his intentions. (as a Solomon enjoyer, I'm living for how his character keeps getting more complex).

Then we have MC.

See, I'm really curious about how this game will deliver its promise about making choices matter because if there's an intereting branch in this game, it's probably about MC either siding with humanity/Solomon, or the demons they love so much.

No matter what we choose in L11, MC will end up handing out the grimoire out of their own will, and making a promise on either protecting them or letting them find joy. And I think that speaks loud about MC's vision on demons and how it's opposing to Solomon.

MC refuses to see demons as potential enemies, and their approach is not confrontational like Solomon's. It's from love and understanding.

MC was able to do something Solomon could never, and that is making a pact with the Seven Rulers of Hell, and actually gaining their trust for these powerful demons to be willing to obey them on their own will (even if, magically speaking, they are being forced). And the main difference is, MC didn't achieve it through becoming the most powerful sorcerer or taking advantage of them, like Solomon did with Asmo.

At the end of the day, the seven brothers chose to have a pact with MC, and keep choosing MC no matter what.

Solomon and MC have opposing views. They've been working as a team, but they will inevitably collide.

So, what will happen next? I'm waiting for next lesson! But for now I'd like to wonder.

I'm not sure if MC will have to deliberately choose to side with either party, since I believe MC wouldn't purposefully betray the demons because they're too important for them and already proved they're on their side. Also, I don't think MC would like to turn against Solomon, as they still trust him and need his guiding. But how long will it last?

I want to believe our choices regarding our relationship and trust in Solomon will affect the plot.

If MC is too passive and diplomatic, Solomon could end up having his way, whatever that is, since his intentions are one of the biggest mysteries of Nightbringer. I'm not necessarily trying to frame Solomon as a villain or antagonist, that still remains uncertain. But I think we can all agree he has a very important role, and that role is highly related to his ambiguous morals and actions.

If MC is too reckless, they might end up messing up with the timeline, their relationships and the demons themselves or even Solomon and humanity. (does anyone else want bad endings??)

I wonder if MC's trust in Solomon, and vice versa, will eventually break, or they'll find a way to work it out. He already seemed dissapointed at us handing out the grimoire instead of using it, as if we're already proving we don't have the same intentions he has regarding humanity and demons.

What kind of decisions should MC make in order to keep a balance between humans and demons without betraying either side?

Does MC actually care about balance, harmony and humanity's well being? Or will they only act based on their feelings, wherever that takes them?

I love Obey Me's MC, I think they hold great potential, but they've been relying on others' help a lot. It makes sense, since they've been just learning about this world and building their own way to grow and become more powerful. But I'd like to see them deciding and facing bigger consequences for their actions. And I'm dying to see how this plays out ;)

As always, I'm open to talk more about this :) Bai-bai.

[milkbreadtoast]

OC💙🧡 (drops w no context)

edit: ok some context.. it's all the same girl! Her name is 이설/Yi Seol. the long hair is a disguise/fake identity (for plot reasons)... I think I'll make her fake name 김노을/Kim Noeul

[shadyhouse]

happy pride im going on a date today for the first time in years 👉👈 im nervous as all hell tbh

[ay-chuu]

Unpopular Obey Me! Shall We Date? opinion:

The year that fandom was at its most vibrant was 2021...

[infraredss]

im like "SLUT ERA‼️ I want to MAKE OUT with women!" and then experience debilitating levels of homosexuality if a woman leans in close to me for any reason

[forestgreenlesbian]

.

[theloveinc]

Shinsou "I dont know why she's into me either" Hitoshi

ALWAYS on his "am shy and humble or actually just cocky" shit because sometimes this means he's holding your palms in his hands and getting all watery-eyed because he thinks you're WAY too good for him ... and other times it means cheers-ing someone when they get snotty about how you're out of his league.

They're trying to piss him off, meanwhile he's just raising his glass an tipping a shot back, kinda smirking, all: "cheers, I'll drink to that!" (then going home to make sure you aren't about to leave him--as if he doesn't have ROCK HARD ABS he wants you grinding against every night. why would you ever give that up????? adjflakdhj)

Not to mention all the times Denki asks him how he managed to score you and Shinso genuinely goes blank and has to take 20 minutes to ponder it too:

[onyourowndaisymae]

patience is a virtue

the devs may have forgotten about asmo's birthday but i sure didn't!! justice for my boy!! it only feels fitting that my first piece of smut on this page belongs to the avatar of lust.

word count: 546

content warnings: smut!! nsfw!! minors dni!! sub!asmo x dom!reader, birthday sex, wrist restraints, whiny asmo, our favorite demon being fucked out and needy, begging, usage of "pretty" and other praise

"happy birthday, asmo."

he whines in response, desperately trying to roll his hips up into yours, tugging at the silk restraints around his pretty little wrists.

"mc, don't tease--"

"i said i'd take care of you, didn't i?"

his pretty pink lips curl into a pout. asmo looks so pretty like this, all fucked out underneath you. love bites and hickies created a trail from the crook of his neck, down his collarbone and sternum, across his abdomen, all before stopping just shy of his pretty, perfect cock-- the one buried deep in your hole, slick with an obscene collection of your spit, lube, and his cum, all mixed together in a sloppy mess pooling at the base of his cock. three orgasms in and he'd already begun to lose his patience.

his cheeks were flushed pink, his chest caught in a needy, rhythmic rise-and-fall as he watched your ever move. asmo was silent now. his impatience was tangible, but held back by a fear that continuing to plead and beg would lead him to an impasse much like this. didn't he know all you wanted was to take care of him?

"good boy. such a good, gorgeous--"

you began to rock your hips nice and steady against his, feeling a spike of pleasure bloom in your hips. champagne curls sprawled across the pillow as he threw his head back. asmo's hips began to grind in time with yours, a symphony of delicious friction making your head fuzzy. whiny moans fell from his lips as he pulled at the restraints holding his wrists above his head.

"--demon, all pretty and fucked-out underneath me. you like when i ride your cock until you can't think?"

"wanna touch you, mc, please. i need you so bad."

"i wonder what people would think," your hands wandered across his pale chest, fingers brushing across each and every mark along the way, "seeing the avatar of lust begging for a human like this. do your other lovers touch you like this? do they fuck you like i do?"

"no, fuck, i-- nobody makes me feel like this. please. i wanna touch you too, mc, i'm begging." he laughs, but it's sharp and desperate, like the coy filter he usually has melted into goo the moment he slipped inside you. "god, you're so fucking tight. i feel like i'm going insane."

"oh baby, we're just getting started. lay back and let me take care of you, mkay?" you fingers brush the hair off his forehead, before running carefully across the silken knots around his wrists. "and if you can behave, i'll untie you and let you have me however you want, wherever you want. sound like a deal?"

the avatar of lust nodded, a new determination filling his warm cheeks as he watches you in anticipation.

"good. cum for me, okay pretty boy?"

with that, the slow grind stops, as you slowly lift yourself off his cock, until you're empty of everything but the tip. then you begin to bounce on his cock, setting a truly ruthless pace, spurred on by the needy cries of the sensitive demon underneath you. after all, this was the gift he asked for. you'd make sure he got everything he wanted for his birthday-- and more.