#did i do this instead of all the work i have to do? thats a secret i'll never tell

[u5an5]

Just watched Deadpool & Wolverine with polish subs based on dub and I have to be honest, there's much more funny stuff than I expected, considering that the rest of it made me glad I'm not watching it with actual dub

So, things that picked my interest:

Instead "207 when I watch Gossip Girl" he straight up says "207 when I watch porn" (Gossip Girl isn't especialy popular show here so reference wouldn't mean anything for majority of audience anyway, but to straight up say it instead replacing it?)

"Ok peanut, 'guess we're getting that team-up after all" got replaced with "Okej ptysiu, nie ma to jak seks grupowy", which translates to "Okay cutiepie, nothing better than group sex" (??? we're still in the first 5 minutes of the movie)

"you know what they say, when one door closes, your locker at work opens" translated to "Jak to mówią… Jak zamykają od przodu, to ładujesz się od tyłu" which translates roughly to "Like they say... when they close the front, you get in the behind" which I find kinda funny

Peters line about seeing Wade in suit comes of gayish cause he doesn't say he wants to see him in the suit again, he wants to LOOK at him in it again, you know what I mean

intead "This guy looks ready to throw it all away for me" he says "This cutie would gladly get hugged by my bowels" which is a lot more straightforward than I expected

Wades spiel to comic acurate height Wolverine is much more insulting and instead being all "what a cwute short king you awe" translates to "Oh fuck, a furball dwarf? Was there even dwarf like that? Furballs mommy drank lots of booze when she was pregnant? Maybe daddy was a ratferret? Don't even come near me, 'cause you surely have ticks"

"I need you to come with me, right now" to "Zapraszam cię na randke, i to natychmiast" meaning "I invite you to a date, and I mean right now" (Logan replies with "Złotko, nie kręci mnie to" which translates to "Sweetie, I'm not diggin' it" and by "it" I'm honestly not sure if he means Wade himself, the fact that Wade said he's only here because he's the Wolverine just a second ago, or because his suit looks like fetish gear)

"It's quite common to Wolverines after 40" to "It's normal when going trough menopause, I get it"

they replaced "peanut" to different endearments to not be repetive but the most often used one is "ptysiu" (ptyś is a choux pastry; if I had to translate it as english endearment, I'd go with cutiepie). its cute imo

Logans "bub" also got replaced by endearments/insults losely fitting situation but the stupidest one has to be Logan calling Johnny "misiu", which translates to "little bear" and let me tell you, it's HILARIOUS cause it's equvalent of calling a random guy "sweetie" but in the "your grandma asking if you want seconds (yes you do, no you don't have any say)" way

"my boy's wicked strong" is translated to "mój chłopak zna się na rzeczy". It's slightly like the papi situation from spanish dub cause yes, "chłopak"'s direct translation is often "boyfriend" but it is also used as "boy", "guy" or "dude", usualy towards guys younger/about the same age as you. However, the addition of "mój"/"mine, my" makes it much more angled towards boyfriend, wherever they wanted to or not. There are at least three different ways to translate it and make it less gae I know and the've still chosen this one.

They made, in my opinion, the "its a common curtesy to ask" "Its good thing I don't give a fuck" lines better by translating them to "you shoud've ask, thats polite thing to do" "and you can politely fuck off"

they replaced Star Trek reference with Star Wars one, using Han Solo instead Spock and idk. on one hand they did it to THE spirk moment but on the other they made, and I may be reaching, but it seems like covert reference to "I know" scene so ??? (star trek is nowewhere near as known as star wars here so they would probs replace it either way but it also can be just "star trek and star wars sound so much alike, they have to be basically the same, right?" haha joke)

them instead innuendos using the most over the top forms of insult that no one ever heard is kinda funny but only because I only had to read them; if I ever heard somone call somebody "kutasina" irl I would find a way for at least one of us to not be able to hear anything ever again ("cockleter" is my best attempt to recreate this horseshit)

If you guys want to share some treasures from your native dubs/subs, feel free to

[dreemurr-skelememer]

Hello :D

I have been following you for the last year or so (a few days after I got my Tumblr lmao) and I absolutely love your art!

I have been wanting to study your art style for a while but don't really know where to start,,,

Could you please show me a small portion of your art process, if it isn't too much trouble of course. Thank you and have a nice day!

hello. oh my god. this took forever to find. im sorry it took 2 WHOLE FUCKING MONTHS for me to respond to this but i wanted to put it off until i felt happy with my art process again, so here it is

my fall 2024 rendering tutorial! (this will be very very long)

FLATS AND WHATEVER YOU WANNA DO WITH LINES GIRL. then make sure to recolor the lineart to better match your base. trust me it helps, bold dark lines are Not your best friend when rendering. wait for that post-rendering

i start off with a doodle or a sketch, and then filling it in with flats and other details such as blush

FIGURE OUT YOUR LIGHT SOURCE. FIGURE IT OUT GIRL YOU CAN DO IT you can make it as simple as possible, make it as big as possible, dont even THINK about the details.........just make it really fucking big so you at least know where the shadows and the light goes THEN add smaller shading details LISTEN TO ME. LISTEN TO ME OKAY!!!!!!!!

my key point with this is for you to learn lighting fundamentals. it's SOOO ANNOYING but alas......they are all correct. it helps a lot.

one thing i also really want to point out is that i like creating a big shadow shape first before fixing up the little details (such as folds and whatever) because it helps me focus on the way the lighting actually works instead of tunnel vision-ing into making the shading make sense on the clothing.

contact shadows (i dont remember if thats what theyre called okay) theyre fucking ugly because im not actually thinking sorry 💔

okay so basically: contact shadows (if that's what they're called) are the spots in shading and lighting where light will NEVER hit.

shadows are still influenced by the colors and lights around it (it's why a blue shadow and a yellow shadow feel completely different, despite both being shadows) so it's not always COMPLETELY dark. BUT! there are small points in shadows where light never hits, and they're almost always super dark or pitch black.

it's hard to explain shadow and light so briefly for a tutorial, but you'll notice it when watching fundamental studies and when trying it out for yourself

YES i unclipped the multiply layer YES its ugly and terrifying but it makes coloring the multiply layer easier okay the colors merged w multiply so now it looks cool and has depth overlaying colors that actually make sense

so basically what i did was color the multiply layer that i used to shade the overall drawing

adding a band of red/orange/yellow around where the light hits, and blue where the shadows get big and wide, gives it a fake ambient occlusion effect in the way that a person would get if they stood under the sun with a clear blue sky

the colors don't have to make sense, especially because i never draw backgrounds, but coloring the shadows really help it give a sense of depth and extra subtle detail and effect that just helps make the painting look nicer

around the end, i also put in colors (in an overlay layer with a low opacity brush) that actually make sense in context of the drawing, which is the lit cigarette and the yellow eyelights mostly because none of the colors were making sense and i needed to actually make use of the lighting that DOES exist in the drawing lol

adding a muddy golden yellow pin light layer (opacity turned down to like 40-50%) to make the light colors less ugly lol

i SWEAR by the fucking pin light layer style. it's so useful and so so underrated.

i used an almost brown-ish gold color on stop of all the layers, and with the pin light layer, it helped make the bright (almost blue-ish) white colors more warm and more yellow. it just helps make things more warm (something i prefer)

i could probably show what it looks like without adjusting the layer opacity to truly show off what i mean (like in the coming section) but i sadly forgot to do that lol

make a layer on top of your drawing with this color in these ranges YES the drawing is fully merged NO don't be afraid, the base was fucking ugly anyway 💔 make this layer into an exclude/exclusion layer style TRUST turn down your exclusion layer opacity from a range of 10% to 40% literally until you're happy with the contrast and the way the color over the drawing. use your eyeballs. i know you can do it im so proud of you

this is pretty self-explanatory instruction-wise, so i'll go into why i do this instead

i really like art that seems like it has low contrast, with almost mid-gray shading and lines. i don't personally use dark and bold lines and shading, unless i find it necessary for the tone of the piece, so using this method helps lower the contrast of the art and make it look "pleasantly muddy" in the way that it's easier and softer on the eyes.

the inverted blue color also helps makes things warmer! the exclusion layer style is still a bit of a mystery to me but i really like the effect it gives, even if i don't completely get how it works lol

if you want an alternative method to this, and if you have access to it (because i primarily use sai and sai only), i absolutely encourage you to play around and experiment with gradient maps. there are so many out there you can make yourself or even get from others that just give the painting an extra amount of depth and color variation. they're SO fun.

personally, if sai2 gets a gradient map update, it's over for y'all it will literally be so over no one will be able to stop me

then i merged everything and actually adjusted the contrast back up because it was looking too muddy for me 💔 but the color adjustments are still there so all hope is not lost here's a comparison of the adjusted contrast in black and white (adjusted on the left) (newly merged layer without adjusting the contrast on the right)

as you can see, i actually turned the contrast back up (despite talking all about how i liked things with less contrast lol)

i wanted to demonstrate that doing adjustments should be done in moderation, and is why i adjust layer opacity often when making color effects you are free to play around with colors to help your style, but don't lose your initial idea and colors along the way. you still need to trust your own colors and intuition!

along with that, i just want to say that it's completely okay to change your mind mid-painting, and it's okay to make somewhat drastic changes. don't be afraid to change things you don't like or change your mind about certain aspects way later on that's basically the whole thing of this!!! don't be scared!!!

now im gonna hold your hand when i say this..........but you need to learn how to render by yourself. it seems like i can teach you but i literally can't, because rendering is different on every piece and depending on how clean your base is. i have to render A LOT because of how fucking ugly my sketches are LMAO to simplify it, think of it as obsessively cleaning up every detail you can see, but with a color picker and a clean, hard edged brush. if you have shit lineart, you don't have to redraw it cleanly over and over, just paint over it. that's basically what rendering is

THIS especially is where you need to be brave and stop being scared. like i said, i can't teach you how to render, and it's something you have to discover yourself because rendering is something that will always be personal to every single piece you make. the way you render on every piece is different. on one piece, you will barely need to render, and on another, rendering is more than half of your ENTIRE process.

don't be afraid to paint over your old art. rendering is a process that's both very perfectionist yet also very careless. find your balance and just go for it.

and then that's it……..u did it………..now yuo know how to paint and render. it's literally just layering shading and lighting knowledge until you think it makes sense and looks okay lol additional note: since i render in only one layer (you don't HAVE to do this, but it'll be harder for you…), i also made slight adjustments with the transform (and liquify, if you have it) tool to make things more proportionate. (i drew the head too big lol)

if you compare the finished piece to the final unrendered base, you can see that a LOT changed, including a bit of subtle proportion adjustment. particularly, the sleeves changed A LOT (because i really didn't like them) but it's also over all cleaner and more coherent, instead of having haphazard colors and shading just thrown about.

rendering is when you finally use all 100% of your brain to finalize and figure out where the shading should go, where to clean up your lines, where to ERASE or ADD BACK in lines, and make sure all your colors look coherent.

it's not as intimidating as it seems, i only use a hard edged brush with a little bit of color mixing and my color picker. it's like dragging and dropping colors to cover up mistakes, it's really quite fun when you get used to it i wish i could explain it clearer but it's hard to describe without visuals!

i hope this helped, and i hope all my yapping isn't annoying (art as a special interest beloved)

have fun studying and trying to render in my art style!

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[puppyeared]

ive made myself more wet and pathetic

[novella-november]

Is this fanfic friendly? I feel like an outlier.

I guess this is my sign it's time to throw together a FAQ post to link to lol.

Yes, every event for this blog is fanfic friendly :D

Though as I mentioned on my Ominous October post, for events that include multiple short stories, I encourage everyone to flex their creativity and take one of their planned short story fanfics, and at least *attempt* to turn one of them into something entirely original; rebuilding a character and story from the ground up to stand on its own two legs is no easy feat, and that is what makes it so fun!

It really gets your creative gears turning, to make an "au of an existing material" to be something entirely original, and you can be pleasantly surprised about the things you come up with!

As a few people say, its not just a matter of "filing the serial numbers off" -- you have to add in just as much *or more* as what you take out when you are turning a fanfiction into something that is original and completely divorced from its original source material / inspiration, and that is a hard, but very rewarding challenge!

Obviously, this is not a requirement (there's no hard requirements for any of the challenges, other than no cheating, including no using AI),

but if you would like an extra challenge for the short story events and you're planning on doing entirely fan-fiction, I highly recommend trying it out at least once, and seeing where it leads you--

you may find yourself pleasantly surprised by what you find down that rabbit hole!

[jadewritesficshere]

The boy is mine (Jade's edition)

Eddie Munson x Reader

Summary: Eddie has a plan for a romantic night, but things go awry (2k words)

Contents: Anxiety, Eddie is self deprecating, hurt/comfort (kinda), no gendered terms for reader except mention that their hand is smaller then Eddie's and reader is called beautiful, a literal fire (please look up fire safety), fluff

A/N: So I saw this the first day it was posted and I thought it was a fun idea and saved the prompt by @carolmunson. I've been writing this for a bit,, but like I have had such bad mental fog and generalized pain recently I have been having a hard time focusing...I think I kind of misinterpreted the rules a bit...so here is sad lump of a contribution. Call me Stitch the way I am telling myself "it may be little and broken but still good".

18+ only

The night had started well, at least Eddie thought it had. He promised you a romantic night in. He even prepped for it.

Eddie rented sappy love movies, getting advice by Harrington and Buckley surprisingly. Harrington stated flowers were the way to go, but then started arguing with Buckley. While entertaining, Eddie learned more about the languages of romance from Buckley then he did about romantic gifts. But he wrote down to get flowers.

So he watched the movies. And Eddie was high paid a lot of attention and basically learned to make a grand speech. Big pour out your heart moment. Which, he felt he always talked your ear off, so he could totally do.

Eddie then read those magazines all the cheerleaders gossiped and giggled over. He didn't learn much except some tips for the best kiss. Cup the person's cheek and lean in slowly. Build the suspense. Eddie could do that.

Give you flowers. Make a speech. Cup your cheek as he kisses you. Eddie had this in the bag! Each point written in his little notebook.

And then the reality of you coming to his trailer hit him when you called to confirm the date was still on that morning. He hung up the phone after flirting a bit and looked around his house. Nerves flooded his system as he looked at it with the perspective of an outsider. He didn't want it to look bad. And it was, well, it wasn't bad but definitely could be cleaner.

So Eddie had vacuumed and dusted the entire trailer. Tossed empty pizza boxes in the trash. Sprayed some cologne around the trailer to cover the scent of weed, then cursed himself for using the expensive cologne when there was a bottle of air freshener in the bathroom.

Had picked up his clothes scattered across his room and shoved them all, clean and dirty, into the closet. Had made sure his bed had more then one pillow, grabbing spare throw pillows and tossing them towards the headboard. Even if he didn't think there was a chance you would enter his bedroom tonight, he wanted to be prepared.

Eddie had even started dinner before you arrived. An easy roast that Wayne had made hundreds of times. Thrown meat, potatoes, onions, and carrots into the pot, seasoned it and thrown it all in the oven.

It was newer, this thing between you, and he wanted to get it all right. You'd been friends for years, just recently evolved into dating. It was easy to hold your hand and throw an arm around your shoulder before, stealing those small intimate moments and pretending it meant something more. But now it does mean more. Truly, it always had, but neither of you had said anything. Because like usual, Eddie was the coward and ran.

He spent what felt like minutes (it had been hours) looking back at the notes, the plan. He had even sketched some pictures of you and him as he studied. Gave himself some sweet new tattoos and piercings and muscles while you had hearts around your head. By the time he stopped rereading the same points over and over again, he realized you would be there within the hour.

And he already failed the first point, flowers. It had completely spaced him what with the studying, but he had other things he had been wanting to give you so he figured he could wing it. He rehearsed everything in his mind, having various conversations with you. He would take your coat, be charming as ever, and you would fall for him even more then you already had.

But the plan immediately left his mind when you had arrived. Eddie could feel his face flush as his eyes trailed up and down your figure. All the rushing thoughts in his head suddenly stopped. All he could think was Damn, how'd I get so lucky?

"You're beautiful." Eddie mumbled in awe as you had shrugged off your coat. And then you smiled and Eddie realized he had messed up the plan. He thought he had went through every variable but he hadn't. It wasn't you that was going to fall more in love with him tonight, but Eddie was going to fall more in love with you.

Eddie twirled a piece of hair around his finger, unable to meet your eyes. His heart was beating wildly in his chest and his palms were begin to sweat. He couldn't help but shift from foot to foot. "Oh I uh....got you something," Eddie smiled and turned to leave before hesitating and motioning to the couch," You can uh sit...or stand, standing is good too! I'll be right back."

Eddie cursed himself the whole time he walked away because of how stupid he was. He could stage elaborate campaigns but couldn't seem to form a single sentence in your presence. Eddie grabbed the gift off his dresser and inhaled slowly, mentally yelling at himself to be cool for once in his life.

And faltered in his steps.

Because you were sat on the couch. Not just on the edge of the cushion like those who he dealt to who couldn't wait to get out of his presence. No, you were fully relaxed into the cushion. You looked comfortable. You looked like you belonged.

And Eddie couldn't squash the butterflies that took flight in his stomach. And he sat on the cushion next to you, fighting the urge to wrap you in his arms and hold you close.

"I got you this," Eddie declared as he handed you a rock. A small, smooth stone that fit in the palm of your hand. Your mouth parted but no words came out. Eddie bit his lip as you slowly turned the stone over in your hands, staring at it.

"I saw it and I thought, well, I thought of you and it matches your eyes and-" Eddie huffed out a laugh and shook his head," Sorry, it's stupid just give it back."

Eddie moved to grab it out of your hand but you slapped at his arm and clenched the stone in your hand. "No, it's mine!" You held your hand to your chest and glared at him. "It's stupid," Eddie looked down. "It is not." "It is!"

"Are you serious? If you don't stop we're gonna have a problem. This is the most thoughtful thing anyone has ever done for me." You beamed at him. Joy and adoration written clearly across your face. Eddie slowly grinned back as you dared to open your palm and look at the stone again. "My precious," you wiggled your eyebrows at him, making him bark out a laugh as he relaxed.

"Let's save a ring for a later date." He joked, even as his mind raced. You quoted Lord of the Rings! You were sitting on his couch holding a rock he thought was the same shade as your eyes and you liked it!! He was done for. Completely head over heels fallen for you. Said he would never marry yet here he was planning his vows and everything.

"Seriously, Eddie, this is so sweet." Your hand grasped his. Your hand was smaller then his, fitting perfectly. Fingers interlocked hesitantly and then more surely. Eddie's eyes fell to your lips. Your tongue darted out slightly and wet them. And he started to lean in.

The air was thick, and not just with the tension, the anticipation. Your lips were milliseconds to coming in contact with his when Eddie's nose twitched as he caught a familiar scent. Your lips landed on Eddie's cheek as he turned so quickly to face the kitchen he gave himself whiplash.

Thick smoke started to waft out of the room. "Oh fuck!" He jumped up as the smoke detector finally started doing its job and screeched out an annoying beep. Eddie ran into the kitchen with you hot on his heels.

Eddie opened the oven door, smoke billowing out," SHITshitshit-" Eddie cursed as he slammed the door shut, coughing slightly. Your hand reached past him to shut off the oven before darting over to the window and throwing it open.

Eddie's eyes darted to the sink below the window. Stop, drop, and roll- wait no that was if you were on fire. But water beats fire in almost every scenario, right? Except oil, shit did he add oil? No, he didn't add anything except the food and the seasoning so it should all be good right?

"Stand back!" Eddie yells over the screeching alarm. Grabbing the pot holders, he throws the oven door open. Smoke billows past him as he makes a mad dash for the pot, grasping the handles and throwing it in the sink. He throws the faucet on, water pouring over the burnt food and pot.

Steam billows up with smoke, mingling in the air before flowing out the window. A hissing sound from the cool water hitting the hot pot fills the air. You fan the flames towards the open window. "Oh fuck." You cough as your eyes fill with tears from the smoke. Eddie winces as flurried apologies fall from his lips.

The pot, not on fire at least, starts to lessen up on producing smoke. Eddie deems it safe to leave and grabs your hand, dragging you outside. His hands on your shoulders guide you to sit on the steps as you continue to intermittently cough. Eddie rushes back into the kitchen, double checking that the oven was off, and quickly grabs a mug holding it under the still running faucet.

Eddie rushes back outside to you, almost missing the step and face planting. And wouldn't that have been the icing on the cake. Would that make Eddie or the embarrassment of faceplanting be the vanilla frosting? Who even created that saying? Cake was good and this was not good. Eddie shook his head of these thoughts as he sank down on the step next to you.

Eddie hands you the mug of water. You drink it in big gulps, a small dribble of water falling out of the side of your mouth towards your chin. Eddie wipes it away with his thumb as he apologizes," I am so sorry, I don't even know what happened."

"Is this Garfield?" You peer at the mug, as if Eddie almost didn't kill you. "Uh yeah, was in a rush, sorry I didn't grab like a nicer cup. I just ran out...to you..." "Don't apologize, I like Garfield," you mumble taking another drink of the water.

"Are you okay?" Eddie asks, hands running up and down your shoulders, eyes checking you over. "Think I hacked up a lung from all the smoke...," you rub your sternum," Man, my lungs do not like smoke...and you like that?" Eddie let out a nervous laugh," Yeah no sorry, only when its weed. Never really inhaled a straight fire before."

You look up into Eddie's eyes that are full of concern. "Well, I'd recommend like not doing that. But I'm okay, it startled me more then anything," You give a soft smile. "You sure?" "Positive." You knock his shoulder with yours.

Eddie's eyes search your figure, ensuring you aren't lying to him. You ignore him, opting to set the mug down on the ground. Fingers brushing against a dandelion, yellow and bright. You pluck it from the ground and twirl it between your fingers.

You're okay. You're holding a dandelion and you're okay. You aren't acting like you hate him. You aren't making excuses and leaving. You aren't leaving like everyone else-

Eddie's shoulders relax as the tension leaves his body. You're okay. Your relationship is okay. He didn't ruin everything. You're smiling at a fucking dandelion while his heart feels like it has run a marathon.

You're oblivious to his plight as you lean over and tuck the dandelion behind his ear," Maybe don't smoke that. Looks pretty on you." "Not that kind of weed." "Yeah dumb joke sorry."

A slow exhale escapes him as he shakes his head,"No it's good I'm just," Eddie waves his hand in front of him," like what the fuck just happened? I am never cooking again. I'll just take you to Enzo's. I fucked up. Sorry for ruining the date."

Your hand cupped his cheek as you ducked down to meet his eyes," Hey, no. You didn't ruin the date." Eddie rolls his eyes slightly," Almost killing you? Yeah, pretty sure i ruined it." You bump your knee against Eddie's, "it's not ruined and you didn't almost kill me. Small food fire, happens to everyone. I lit popcorn on fire once. Besides, if you did happen to kill me, at least I would have died happy and in love. And you'd be stuck with me cause ghost me is absolutely haunting you."

Eddie can't help but laugh slightly," Oh? You think you'd be a ghost and not get another chance at life? Be reincarnated or whatever?" "Well, even if I was reincarnated, I'd find you again."

Eddie scoffs, "C'mon, don't say that.. That's not even true, you'd totally be able to move on. You wouldn't need little old me." You grab his face and peer into his eyes," Eddie Munson, I will always need you. In this life and whatever happens after. You and me? We're it. Maybe it should be too soon to say, but I feel it in my bones. You're it for me Eddie. Together now, forever, and when everything ceases to exist we'll be in nothing together. I will always be with you because I will always love you."

You lean in and Eddie thinks his heart stops. Your hand holding his cheek in place, thumb lightly brushing back and forth. His eyes flutter shut as your lips finally touch his. It was soft and sweet, lips slowly parting and melding together in a dance that sent shivers down Eddie's spine. He sighed into the kiss as you leaned closer into each other. Your hands threading through his hair, his wrapping around your waist. Lips moving in tandem, tongues darting out tentatively.

You only part when you both are gasping for air. Soft smiles and longing glances shared as the sun sets. "I love you too." Eddie traces your cheekbone with his finger. "You better." You joke. Your combined giggles fill the air as you continue to steal kisses from each other.

The night may not have been the most romantic. Or gone to plan, like, at all. But it was one Eddie already knew that when he thought about he would be able to feel his heart swell with love. And as he kissed you Eddie thought, yeah you were it for him.

[icewindandboringhorror]

examining a seemingly normal image only to slowly realize the clear signs of AI generated art.... i know what you are... you cannot hide your true nature from me... go back where you came from... out of my sight with haste, wretched and vile husk

[monotone-artist]

[id in alt]

some wip junk, i loveee being inconsistent with how i draw characters. also shadow with the terios scar because the implications of that are. hm. very interesting

[spamtoon]

i would take their poison

Sketch + Line Art for those Clicking Under the Cut(tm) (archival purposes honestly)

[thedrotter]

not-yet-dead-person

silly comic of a conversation in-game i thought was too funny not to make something proper for instead of a doodle ww

(timelapse + wip images (thus silly process commentary in read more if you like artist commentary :3)

i think the sketch looks silly and goofy and funny so i find it important to share with you the mere presence of the faces i drew on it. i drew it on top of the boxes without staying inside its borders because i find my proportions can get wonky if i draw them cropped in a restricted space. and I feel trapped otherwise and i will draw BAD!!! give me spaceeeee to go wild!!!!

the head circles are there for emotional support

very low res speedpaint because truth is the canvas was much bigger than the space where my comic was placed. i didnt account when exporting my timelapse in 720px that that tiny space would look so pixelated ... but it's able to be percieved, so its okay.

(i will now comment on my process and it is not brief sorry)

usually i would try to clean up my sketches and figure out what goes on top before jumping into linework, but since there are multiple panels and drawings i chose to jump into inking right away for the sake of brevity. i just went in with a brush that uses pen pressure and drew what was needed. i added extra line thickness and contrast in areas around the face because it helps direct your eyes there more easily that way.

according to her equipment rei has a chain belt but i only remembered it existed once I was going to color, and i did not like that discovery... I chose to ignore it to maintain my peace. i already have the color palettes for these characters figured out, and i didnt really want to think about a new element at the moment www I tend to overthink those things a lot so i skipped it

the rest is rather straightforward! not that anything else wasn't, but in here i could turn my brain off and sing. linework and sketching require mumbling so i cannot turn my brain off. just block in the characters with a solid color so i can have a mask (something along those lines,) where the color can stay inside. then just color in !!!

Base colors just had slight cell shading on the skin, and for the hair i airbrush a bit of the skincolor in low opacity near the forehead... I'm not sure what it means, but i can look at the faces easier with it somehow. i like the gentle subtlety it adds even if you cant really tell. it makes things look nice.

background was just me blocking in the color of the wall and floor, shade the wall a bit, then slap a noise and free use wood texture on top. work smarter not harder ! yet it took a bit to make it look stylistically fitting with the characters, and even now i think bottom middle panel looks odd. whatever!!!

for the middle panel i thought itd be funny if the background was a solid silly and colorful one to contrast the next panel's sketchy black one. a contrast to how the word widow is seen. on that note my handwritting is not pointy. i gaslighted my hand into thinking that it was indeed pointy in that moment so i could write "not-yet dead person" in letters that didn't seem cute. my hand did not fall for it but it complied anyway

that's basically it! I'm not sure what else i could say that doesn't feel barebones because it really is that straightforward. if you're curious I used clip studio paint for this. only special brush used was for linework (a brush named Lemon Brush), the rest used were just the default. my computer gets the least credit. it was trying to convince me a 20mb file was going to nuke it all the time and hardly let me save multiple times so i do not appreciate it

[nerdie-faerie]

Just when I think the day's going well, I crash a golf cart

[zymstarz]

yeah sure that's how i'll [re]come out

[hazardsoflove]

thinking about social worker percy again

[ink-asunder]

Having demand avoidance in a medical setting is literally hell. Like, patient autonomy is already absolute ass. It's only made worse when doctors CONSISTENTLY tell you what to do and act like you HAVE to do it instead of consulting with you first like normal fucking people.

[buwheal]

Also I super appreciate the support you've given for my ask box!! I doubt it'll be as big as yours but I'm excited to get the ball rolling >w<

Have a nice day and don't push yourself too hard ^^

YEAH!!!!! OF COURSE!!!!! Its so exciting to see!!! I hope you have fun with it lol ^_^ its great character exercise!!! & You too!!!! :-)

[dreamteamemojis]

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