#digging deeper

[songlyricswonderland]

Digging myself deeper and deeper. I see what I rejected to see in the past.

Borderline // SUNMI

[cygnetbrown]

Week 7 of My 12-Week Year

This week I managed to keep up my normal routine, but I also found ways to move beyond my routine. On Sunday, I had a great conversation with my daughter about her writing. She’s started writing a murder mystery who-done-it role-playing game where they try to figure out who-done-it and any of them could be the murderer. She’s enjoyed developing the characters.  I suggested that she create this…

[aangarchy]

I absolutely love Miya Cech, I follow her on insta and she seems adorable. But I doubt this is the right track to follow for a character like Toph. (I'm also certain this wasn't Miya's decision but rather the writers, but they are once again letting the young actors take the fall for them just like they did with the changes in Sokka's character, I'm noticing a bad pattern here.)

The whole point of Toph is that she was raised with femininity and grace forced upon her, manners and etiquette being an important part of high society. Being feminine for her also meant not being able to fully embrace her element, seeing as earth is often associated with brute force and strength.

Being feminine just wasn't her, and in running away and embracing who she really is she rejected it completely, learning to love herself in her own way. Toph being Toph drove forward the story! And yes, this came with a bunch of flaws. Toph had a big mouth, was aggressive, rude (which she chose to be), not hygienic, and chose to exhibit bad manners.

I once again notice this pattern of the Netflix writers taking any flaws a character might have and trying their damnest to erase them. Katara wasn't allowed to be a thief, or decisive, or angry. Sokka wasn't allowed his sexist -> feminist arc. Aang wasn't allowed to actually run away from responsibilities. And now Toph isn't allowed to be the brutish girl she is.

[kingmlem]

Hey, let's talk about that champagne for one whole second.

And how Tommy 100% did not have a shift later.

Because if Tommy really had a shift later, I don't think he would drink.

This man denied the beer in Buck's loft, because he had a shift.

This man drank orange juice at a bachelor party, because he was on standby.

And sure, it probably would've worn off if he had a later shift...

But I fully believe he didn't, and that's just been the go-to excuse that he uses whenever he needs to get out. Maybe it has been for years.

There's no specifics, no 'crosstown traffic,' nothing. Just him quickly dropping the proverbial smoke pellet and disappearing once again.

So, yeah I fully think Tommy would've stayed, that he had plans to stay, didn't have a shift and would've made some mean mimosas with that champagne.

He just cannot handle confrontation.

[lightfromandromeda]

first you get into doctor who (2005) and youre like "wow what a beautiful piece of sci fi with heartbreaking moments and well written characters"

then you get into the original classic doctor who (1963) and youre like: "oh wow the shows history is vast and rich and full of great stories and a huge variety of characters and the practical effects are so fun!"

then you get into the doctor who expanded universe and youre like ".......why the fuck is doctor who on tv. we cant keep letting them get away with this"

[rocketbirdie]

i don't want to lose you. i don't want to lose this

[childofthestone]

"the elves needed a win so we made them a monolith by erasing city elves from the narrative so that only the dalish matter & also had them embrace the Ultimate Truth of their deities being evil mages so that none of them are swayed because certainly nobody would want to follow an evil person" is not the good idea these execs thought it was

[bayetea]

truly one of the biggest letdowns in piper's writing in hoo specifically is how it doesn't dig deeper into charmspeak and what a disturbing thing it is to have the power to control someone's mind. like I swear this is interesting stuff and more people would get into piper as a character if this were explored a bit more in the text. you definitely see piper disturbed by her own power and hesitant to use it (and note that like many other characters, i.e. leo and hazel, her powers have always been a source of trouble in her life - like how she got in trouble for stealing a car even though all she did was ask for it), but in my opinion the books spend way too much time in piper's perspectives on other stuff when charmspeak is such an unusual and fascinating and terrifying power that offers so many interesting avenues of character exploration

and I really wish the books would have talked more about the canonical fact that charmspeak is more effective against people who are (or could be) physically/sexually attracted to the user. this is a power that children of aphrodite have - a power that is implicitly tied to sexuality as a defense or offense. like this inherently necessitates that piper weaponizes her sexuality against monsters and deities and giants and any other antagonist that want to harm her. which is crazy. especially because she's a teenager and especially because piper is initially characterized as an underconfident girl who goes out of her way to downplay her appearance (do you guys remember how much harassment piper goes through in the books and what little gravity is afforded to those moments... like she has dangerous characters aggressively flirting with or expressing attraction to her A Lot, and she has to play into that attraction to save herself or her friends no matter how uncomfortable it makes her)

I think there's such a dark undertone to all of this that's worth investigating. we know that piper doesn't like herself, doesn't like her powers, and doesn't like demigod life. hoo has her on a journey to become more confident in herself as a person and as a daughter of aphrodite but it's always going to be fucked up that part of her role in the prophecy seven is becoming confident enough in herself that she gets better at weaponizing her ability to violate the free will of others - and her ability to use her sexuality as an armament of war

[royalarchivist]

Tubbo: I don't know my left and right!

Bad: What do you mean you don't know your left and right?!

Tubbo: I'M DYSLEXIC!!!

Bad: That's got nothing to do with left and right!!!

Tubbo: Oh my god, it literally does! That's not even a bit, it's like the main thing of dyslexia! [Laughs]

Bad: I thought it was just like, mixing up the letters! You're saying you actually mix left and right difficult?

Tubbo: MATE– EVERYTHING'S MIXED UP!

Foolish: You know what, we'll see you on Twitter, Bad.

Bad: I– didn't know that, ok? I feel like– that's not a real thing!

Tubbo: WHAT?!? I'm sat right here!

Fit: Hmm... That's a little problematic, isn't it? It's a little problematic. 🤨

Tubbo: This is just like the chairs! He hates everything about me as a person!

[ Full Transcript ↓ ]

—

TRANSCRIPT

Bad: Go to the left, go to the left and–

Tubbo: I don't know my left and right! This way?

Bad: Left. Left left left!

Tubbo: [Shouting over him] SORRY!

Bad: What do you mean you don't know your left and right?!

Bad: You got it!

Tubbo: Thank you.

Bad: Yippee!

Foolish: [Laughs as he imitates Tubbo] "I don't know my left and right!"

Tubbo: I'M DYSLEXIC!!!

Foolish: [Chuckling] That was awesome.

Bad: That's got nothing to do with left and right!!! I think you're just dumb!

Tubbo: Oh my god, it literally does! It literally does.

Bad: No it doesn't!

Tubbo: I feel– Dude, I– [Puts his head in his hands] Mate.

Bad: [Sounding a little less-certain] ...Does it?

Tubbo: Yeah, it does!

Bad: Does it actually?

Tubbo: Yeah, it does!

Bad: Wait, really???

Tubbo: YEAH!

Foolish: Way to go Bad, now you're just an asshole.

Bad: Aw... :(

Tubbo: That's not even a bit, it's like the main thing of dyslexia! [Laughs]

Bad: I thought it was just like, mixing up the letters! You're saying you actually mix left and right difficult?

Tubbo: MATE– EVERYTHING'S MIXED UP!

Foolish: You know what, we'll see you on Twitter, Bad.

Bad: I– didn't know that, ok? I feel like– that's not a real thing!

Tubbo: WHAT?!? I'm sat right here!

Foolish: [Laughs]

Fit: [Sarcastic] Yeah, it's not real guys, it's not real.

Bad: No, I feel like he's making this part up!

Foolish: You see how he was mansplaining it to you? He was kinda mansplaining it too...

Tubbo: [Rubbing his temples] Just mansplaining to me dyslexia.

Fit: Hmm... That's a little problematic, isn't it?

Bad: No! I'm just asking if he's being serious or not!

Fit: It's a little problematic. 🤨

Bad: So it really isn't obvious, like your words?

Tubbo: This is just like the chairs! He hates everything about me as a person!

[jicklet]

Ember and Wade in Elemental (2023)

[sigilmint]

hating Romeo and Juliet is fine if you had a shitty English teacher and didn't care about school at the time or whatever but if it's been many years since then... I'm giving you permission to let go of that opinion. the problem in Romeo and Juliet isn't the young love story, it's the stupid family rivalry that gets both heirs killed. that's what it's about. it's about closed mindedness and pettiness leading to tragic consequences. these adults hated each other so much, were so determined to hate each other, that they let their children die over it. the love story is romantic and dramatic, but hating the play because 'some dumb teens die bc they think they're in love' isn't it. they are in love. teens can be in love and it can feel like the most important thing in the world. and they shouldn't have to die bc of their families' bullshit.

[fraternum-momentum]

thinking abt,, collar and leash made out of barbed wire

[stealthetrees]

So this is more of an AU of the fandom AU where the Coruscant Guard live in a shitty run down building that’s falling apart. But Commander Fox finds this unacceptable so he clears out a warehouse used for storage and builds a shiny new headquarters. The original building they fix up, but only the lobby, a couple offices, and the med bay so troopers on senate duty can stay there due to its proximity to the senate building. Their new building they can go nuts with, adding all sorts of stuff that they arnt allowed to have.

An entire room is filled with tv monitors so they can slice into security cameras around the planet and see everything. They get a nice rec room, an area for the engineers to play around with ideas, even an office for the medics to make you talk about your feelings. A server room is dedicated solely to storing and orgonizing blackmail collected on pretty much everyone worth mentioning on Coruscant.

But after one secret building, what’s another? Areas of strategic importance are carefully chosen and a new headquarters is established nearby. They are each given code names. The original building is still Headquarters, the new main building is the Barracks. The Office is where they run intelligence and investigations from. IT Department is next to the industrial district. The Kennals are much lower than some of their other buildings, a small station set up to monitor the rancor infestation (Thorn moves down there to become a cowboy after he “dies” on Scipio). The Lobby is set in the lower civilian levels as a way to help the people who arnt rich enough to bribe politicians into getting what they want. The Med Bay started as just somewhere for big surgeries, physical therapy and prosthetics, but which the “generous donations” they acquire it grows into a hospital for civilians as well, completely free, and they start hiring nat born doctors, surgeons and nurses while paying them well and proving a great work environment. Adding a therapist office helped a lot of troopers as well.

The system takes a long time to build and works perfectly. Until Fox figures out Palpatine is a Sith. It’s not actually world shattering news, but it does give him a panic attack after realizing Palpatine though Fox already knew, because he had threatened the chancellor with a slug thrower instead of a blaster. Through questions to his batch mates with Jedi generals he learns that Sith can influence people’s minds and decides that in order for the clone rights bill to pass Palpatine needs to die.

And die he does. The rest of the conservative senators are swayed by a mix of blackmail, bribes, and bomb threats. The bill does pass, and most of them are instantly arrested for sentient rights violations, assault, and various other crimes because government property can’t serve as a witness in a civilian court of law.

The timing of all this could not be worse, as two of Fox’s batch mates where on planet, Cody and Wolffe, and they loved to stick their noses in his business. Which means when a lot of Corries are injured in the fight with the senate guards and private security while trying to make arrests, Cody and Wolffe help get them back to Headquarters, because it’s much closer than the Barracks. But Headquarters has a very small med bay because so few troopers use it. So they are over crowded and run out of bacta.

Also Cody gets turned around in the hallway and discovers how bad the rest of the building is. So Fox has a choice to make. He grabs Cody and Wolffe and drags them outside and back to the GAR barracks while texting Thire and telling him he has an hour and a half to make Headquarters look lived in. Then Fox opens a one way comm line with every Corrie so they can keep the story straight as he answers his brothers questions.

Fox commits to the bit so hard they believe the Guard is suffering horribly from abuse and budget cuts while in reality they just steal money from what ever rich person they have the freshest blackmail from. He could just tell them all the illegal things he’s been up to, but Fox would rather die than tell someone more than they needed to know.

[androidsnsteroids]

watching fabian try and ultimately fail to not show emotion and vulnerability about wanting to see his father hurts. “don’t be needy about it” is so heartbreaking like ?:!;?

[annymaght]

Something I wanna talk about with Kenji's character in Chaos Theory is the recurring theme of Claustrophobia.

Mickieart, who designed the interior of Kenji's trailer, said that they designed it to feel minimalist but also claustrophobic.

(By mickieart on Instagram)

When Kenji has his panic attack after losing his dad, he tries to open the door despite the car not having even stopped yet.

Claustrophobia is a really strong way to convey Kenji's emotional state.

He feels trapped in his current life, having lost Brooklynn, then Darius when he hid from everyone, and his dad is in a halfway house. Not only does he feel isolated, conveyed geographically, but he can't escape that mindset that everyone around him is disappearing and he can't reach them, either because of death or resentment.

He must also feel trapped in the feelings he still has for his father, that he still loves him even after everything, which is why he lives so close to him. But of course these feelings haven't quite risen to the surface yet.

So when he dies, those feelings boil up and he becomes even more claustrophobic than before.

Kenji trying to open the door in that scene is a small action that speaks volumes. Amazing.

[askoverkill]

Ooc//

I really love that the Favour Tree is a Well now. Something something instead of being something that points up it's something that points downwards something something points to the broken and wrong nature of the world

// VERTICALLY SYMBOLISM MY BELOVED!!!!