#especially bc one of the major plot ideas is something i now understand people do not like 😭

[gammaraydeath]

the conflicting desire to talk about ocs and story ideas and the compulsion to men in black wipe everyone's memory of anything even resembling a creative thought you've had

[spaceshipkat]

What's your revision process like? Do you do multiple drafts, plot first or just completely spontaneous and run with the idea?

hi anon! so really, my revision plan looks different with every book i write, especially now that i have an agent. but this is how it usually goes and also how i've explained it to other people asking about revision advice before, so hopefully something will appeal! granted, this is just my way of doing it, but it's worked well so far!

so, when i'm drafting, i don't usually do big edits as i go unless i realize something that i want to change earlier than the revision process because it'll affect the future trajectory of the plot. but what i do when i sit down to write is reread the last scene or chapter i wrote so i can maintain the tone and voice of the story, and also just remind myself what happened. sometimes, this means i do minor edits on the scene, but rarely anything big.

after i finish the book, i set it aside for a week or two, sometimes longer depending on my schedule/life/work, before i return to it to do a quick reread wherein i don't do any major edits (sometimes minor ones, like tweaking sentences or grammar or adding setting description, since my settings are usually pretty sparse on draft one) but make notes of things i need to edit in revisions. then i open a new draft (i just use the "make a copy" function on microsoft word and label it "draft two" or whatever, since my first drafts are always labeled "draft one") and start on the big picture revisions. once those are done, i read the draft again to continue the smaller edits and make sure everything i've rewritten/written/changed matches up and makes sense. sometimes this takes a couple drafts.

when that's done, and i've reached the point where i'm sick of reading the book (which is always my sign it's time to send it off to other people), i send it off to my readers. the number varies depending on people's schedules and my deadlines. if one of them sends an edit letter, i read it a few times through and then set it aside for a couple days to let the ideas percolate. then i return to make a plan the same way i did with my own revisions.

after those revisions, the draft is sent off to my agent. depending on her schedule and where i'm at in the lineup of their clients' manuscripts (they read by order of when books are sent in and if there's any extenuating deadlines), this can mean i'll hear back in a month to a few months. my agent will then send me an edit letter identifying the big changes i need to implement in revisions. we'll also set up a time to have a call to discuss the changes, usually in a week or two so i've had time to let the notes sink in and to come up with a battle plan. the revision plan for my current romcom is a page long, front and back, because it doesn't require as much as my last romcom did (bc i've become a better writer since then, because i better understand how to write a romcom, because it's a romcom without any fantasy element, even though it does have genre elements w the heists and adventures). after i've run everything by my agent and she's given her input on what i've suggested and provided any ideas my ideas spark, we set a deadline for me to get the revised manuscript back to them (for instance, this romcom's revisions are due in april). now that i have an agent, she's the one who decides when a manuscript is finished enough that we can send it out on sub.

before i had an agent, it was usually when i was happy with the manuscript, didn't have any new ideas of what needed to change, and my readers (i usually had them in succession, so one or two would read my manuscript pre-reader revisions, and one or two would read after those first reader revisions were completed) were happy with it. another big factor was what i mentioned above: when i was so sick of revising the manuscript that i couldn't stand to look at it anymore. that was always a good gauge for "yeah this is done"

i hope that explains it well enough! :)

[edoro]

🥺, 🤡, 🎯, 🤗

🥺 - Is there a certain type of moment or common interaction between your characters that never fails to put you in your feels? - ohhhh yes. so many but i think special shoutout to

abuse disclosure, i have written, what, four of those by now? i absolutely love getting someone to tell someone else what's happened to them, especially when they have trouble sharing, or when it's difficult and messy and weird. most of the ones i've written have been more soft, willing (if nervous) disclosures, but i honestly really love the one i wrote in A Deeper Understanding where Hunter just hurls it at Darius in the middle of an argument to try and hurt him, i love it when people use their own trauma as a weapon, i could read that all day.

very similar vein, but, the genre of fic where it's "people observing someone else and realizing slowly exactly how fucked up they are", which i've so far spent 80k words doing in PTB and am not tired of yet.

actually have not written nearly as much of this as i would LIKE but sex scenes where one or both people have Trauma(TM) and they end up finding a way to be intimate with each other that doesn't work like Normal Average Regular Sex. i get so emotional over the concept of Therapeutic Kink.

🤡 - What’s a line, scene, or exchange you’ve written that made you laugh? - okay pretty much every interaction that Hunter and Luz have in every human touch before Philip shows up to make everything so much worse is very funny to me.

What is his name, again? It’s on the tip of her tongue, but she can’t think around her thwarted panic at being dragged away when she’s so close. It was sort of funny, she remembers that, kind of redneck vibes… Tanner? Skeeter? No, she would remember if she met a Skeeter. 

🎯 - Have any of your readers accurately guessed major plot points? Care to share which? - someone in the comments on Paint The Blood got me dead to fucking rights about what's going on in the fic and figuring out how to respond to them (bc i respond to most comments, so ignoring that one would have looked suspicious) while neither confirming nor denying was probably the hardest thing i've ever done.

(under a cut bc the answer to the last question is long)

🤗 - What advice would you give to new fanfic writers that are just getting started? - oooh. hmm. hmmm...

i think one of the biggest things for me is having people who i can workshop ideas with. everyone has their own process but i find that i generally figure out how a story is going to go by talking through it, and rubber duck debugging (basically just problem-solving by explaining the problem out loud to someone or something else) is incredibly effective.

ALSO, having people who are invested in your stories and get hype about them and who you can talk to about the sick plot twists coming up and stuff is really effective in motivating me to write; i have a person who has read SO many handwritten pages of the first draft of PTB and those pages absolutely would not exist without them.

it is important imo to not link up like, your sense of self/accomplishment/worthiness with how much or what kind of feedback your fic gets, though. like, yes, getting feedback and engagement and interaction feels GREAT, not getting it sucks, and getting it vs not getting it can often be the difference between feeling motivated to finish a project and not, and that's fine, but you CANNOT let yourself fall into the trap of letting the popularity of your works dictate your self-esteem, because that will destroy your urge to create.

don't be afraid to just be shitty! if you're stuck on something, play a game i like to call Lower! Those! Standards! and just write it in a basic, boring, crappy way. you can come back to fix it later, or you might find out that actually what you think of as the 'shitty' way is fine, but either way, an imperfect thing that exists is better than the perfect version that exists only in your head. also, nobody else knows what it was supposed to look like in your head, so they only have the existing version to go by.

also, experimenting with different like, organization/outline/drafting methods is fun. you don't have to have one or have any kind of System, it definitely doesn't need to be elaborate, but if you find yourself often getting stuck, it's worth it to sit down and try to figure out where, exactly, you're getting stuck AT in the writing process, what's tripping you up, and see if there's something you can tweak about how you're coming up with, writing, or organizing your stories to try to fix that problem.

(i myself have several different processes - i tend to do a thorough outline broken down scene by scene that will inevitably change a lot as i go so i don't end up going "okay now what?", bc outlining at that level of detail helps me find where i have plotholes.

i ALSO have done a lot of handwriting, bc this frees me up from blank page anxiety and allows me to just jot stuff down without worrying too much about the quality, and it's also very satisfying in a tactile way that typing isn't, so it feels more like having DONE something, and then i already did the hard work of coming up with the ideas so my typed second draft goes way faster.

i also ALSO have written pretty much all my recent fics in scrivener - you don't NEED fancy software to write, but sometimes playing around with different available word processors can help! the ability to break a work down into scenes and add individual notes per scene that i can refer to as i'm writing is immensely helpful for me.)

and, hmm... i also think... try to have fun with it! remember that you're doing this because it's fun, it's a hobby, and you should focus on the things that make YOU happy. if you want to write the same type of scene or interaction over and over again, go for it! if you want to write stuff that doesn't have a 'point' other than that it makes you happy to do so, go for it!

and honestly, don't be afraid to post WIPs. i'm bad about this, tbh, but MOST multi-chapter fics end up unfinished. getting to see a glimpse of the idea someone had and get interested in the world and imagine what it would be like and play with the idea in your own head is a lot of fun, and if you post your wip and don't end up finishing it, then someone still gets to do that with what you posted! i don't think there's really such a thing as 'wasted' writing - it sucks to have to scrap a huge chunk that took a lot of time and effort and start over, it's frustrating, but writing something you don't finish or end up changing/editing/whatever still 'counts' as having written, and imo it's still good practice. if nothing else, you figured out how you DON'T want the scene to go.

if you want to materially improve your writing significantly (which is not a requirement at all, because you can just write your stories for fun and not worry about that, but if you ARE wanting to improve):

1) write a whole fucking bunch

2) read a whole bunch

3) read critically - which doesn't mean with an eye towards criticizing, but rather, when you read, look at how the author uses things like metaphor, imagery, the rhythm of language itself, foreshadowing, exposition, etc. figure out what you like about how they describe scenes, or do dialogue, or communicate stuff about characters, or develop their world, look at how they link the parts of the plot together and how and why various emotional or plot developments work (or don't work!), look at how the characters relate to each other, look at the tricks the author pulls in the narrative in order to get you to think or feel certain ways about certain characters/events - you can do this with fanfiction, published novels, movies, games, tv shows, etc - and honestly, starting to read reviews and analysis will help you get into the mindset of thinking about things this way too.

uh... gosh... there's probably more i could say but i think that's all i can think of for now!

[gay-snom]

contextualizing lwj’s coming to terms with his feelings subplot!

i wanna talk about the role of confucianism in this subplot because i think it’s something some western fans might not pick up on. basically, the sociopolitical climate of confucianism in his character arc, and a little bit about his interaction with the public image theme.

disclaimer: i’m not chinese but i do have a double minor in chinese and asian studies and have written a few papers on confucianism.

we’re gonna be talking about the novel bc i feel its a little more in-depth and nuanced than lwj’s “what is black, what is white” monologue in cql. namely the tension and misunderstanding in wwx’s first life and how lwj got his scars. i feel like it’s pretty well accepted that wwx made lwj reconsider his world view, so i’m just gonna expand on it. also i want to point out it's pretty unspoken in most of the text, but lwj is also affected by/used to explore the public image themes, as his image the is ideal confucian scholar.

confucianism is centered around the ideas of how to behave “good” in sociopolitical contexts. basically it boils down to a belief system on how society should be run. if everyone follows confucian beliefs, you will have an ideal society. the main text is the Analects, which you can read here. it’s been around for a few thousand years (like around 200 BCE ish), had a huge revival in the tang dynasty (618-907 CE). it was put on imperial exams, the emperor’s cabinet had confucian scholars, etc. this is just to say confucian values are important to historic society, especially upper-class scholars, which seems to be a role cultivators commonly fill in xianxia. here are some basic tenants:

being a gentleman/scholar/superior man (君子 jūn zǐ) : partly being learned in the arts, literature, music, poetry, etc., mostly behaving righteously and dutifully.

filial piety: usually described as obedience. it's not simply obeying everything elders tell you, it includes doing it with reverence and thankfulness for their sacrifices for you.

leading by example: if leaders/the government is righteous, the people will follow. lwj has his flock of juniors that are all strong cultivators and the lan sect is just generally known for being moral and good.

rites/rituals: a focus on politeness and holding proper ceremonies, sacrifices, and funerals

speech: there’s some great meta about the register he speaks in here, i just want to touch on think carefully before you speak, only speak sincerely, etc.

tldr; lwj is THE perfect gentleman (even his title contains the character suffix 君 -jūn, like lxc. which, while this character is not uncommon for cultivator titles, it wasn’t chosen carelessly either. also not to be confused with 尊 -zūn). seriously, look at almost all of book 10 and you'll see don't do/consume in excess, don't talk during meals, sit only when your mat is straight, etc.

okay, so Why is understanding his feelings for wwx so troublesome?

1.2 "They are few who, being filial and fraternal, are fond of offending against their superiors. There have been none, who, not liking to offend against their superiors, have been fond of stirring up confusion... Filial piety and fraternal submission! - are they not the root of all benevolent actions?"

in other words, people who are filial will never create political tension. so like, morally, wwx should be considered horrible person! he’s not only snubbed the jiang sect. he was a head disciple who undoubtedly had younger students looking up to him. and then he goes and stirs up some huge political issues! he is now a bad role model for the people below him and disrespected the people above him. lwj has an entire image to uphold, he has poured his entire life into following these rules and beliefs, and then wwx comes along. would continuing to be in wwx's life taint lwj? there are some contradicting teachings in regards to interacting with wwx:

15.4: "Do not take counsel with those who follow a different Way"

15.28: "When the multitude hates a person, you must examine them and judge for yourself. The same holds true for someone whom the multitude love."

15.36 "When it comes to being Good, defer to no one, not even your teacher."

this is part of the reason lwj had so much trouble accepting his feelings. he didn’t know how to handle this situation, making him appear distant during/directly after sunshot. if he judges wwx's intentions to be pure, it's then not wrong to be friendly with him. but wwx still is morally wrong by society's standards. now, lwj has to not only figure out his feelings, but also reconcile this with how he still thinks wwx is Not a bad person, despite everything. what if he does get "tainted" by wwx? will it hurt the reputation of his sect? that would be un-filial, right? he spent his whole life memorizing rules that are probably extremely similar to sections in the Analects, and now these mixed messages (coupled with the relatable gay panic) are overwhelming.

onto the next! there’s something unspoken in the scene where wwx discovers why lwj has the whip scars. as other posts have mentioned, lwj taking wwx back to the burial mounds and nursing him is high treason. however, this action is also extremely un-filial. also his entire image is built around being a perfect gentleman, if this were to get out to the public he would lose absolutely everything. he would be just as irreparable as wwx.

“I was worried if those from another sect found you first, WangJi would be considered your accomplice. The best scenario was his name being forever tainted, and the worst was his life being taken away right then. Thus, along with Uncle, we chose thirty three seniors who had always thought highly of WangJi... ”

there’s no way lwj didn’t know what would happen if he did this. obviously as lxc says, if this got out, he would lose basically his entire face. and even though lxc didn’t mention this, it would definitely lose a lot of face for the lan sect as well since lwj is so prominent. the decision about what elders to bring is also notable.

“...As if he knew all along he would be discovered by us, he said that there was nothing to explain, that this was it. Growing up, he had never talked back to Uncle, not even once. But for you, not only did WangJi talk back to him, he even met with his sword the cultivators from the Gusu Lan sect...”

so yeah, he obviously knew they would come for him and what the consequences would be. and he still talked back! that’s already not a good look for the lan sect. but attacking them? totally unforgivable! lwj gives up how he was raised and the importance of filial piety, what he has held on to until this major plot event. since it's basically the biggest "fuck you" to his uncle and his clan, this was not a decision he made lightly. lwj shows them he cares more about wwx and His Own ideas of right and wrong than the sect’s or society’s.

Wei WuXian dug his hands into his hair, “...I-I didn’t know... I really...”

when was the last time wwx was at a loss for words? wwx spends a few paragraphs after this lamenting how he hurt lwj, but he's not unaware of the gravity of what lwj did. it's an underlying assumption from being raised in the culture. i would argue his first instinct is "oh god he gave up what for me?" since those lamenting paragraphs are after lxc finishes speaking.

"But he said... that he could not say with certainty whether what you did was right or wrong..."

this is something thrown around a lot in the Analects, that not even confucius can say for sure what is right or wrong. what better way to show lwj is still a perfect confucian than have him paraphrase confucius himself?

“...WangJi was a model for the disciples when he was young, and a prominent cultivator when he grew up. In his whole life he had been honest and righteous and immaculate--you were the only mistake he made!”

here’s the confirmation that the world and even his family thinks of him as a perfect gentleman, the top tier of society, and it was all thrown away for wwx. this is just so heavy. the mistake thing? thats not only because lwj is fraternizing with an enemy. lxc and the rest of the sect who knew are terrified this will forever corrupt lwj personally, not just publicly. lwj was so devoted to believing this was the right thing to do he offered up everything he had. the gravity of this decision is insane. it’s very obvious that he loves wwx, it’s just that he struggles a lot internally to accept everything that is happening.

as for helping wwx leave after the massacre, is this gentleman-ly of lwj? was it actually in-line with his image? is it more honorable to save someone who is dying, at the cost of your own health, than to look away? isn't looking away a form of resentment? i wasn't able to find a specific passage about bystander-ness, but personally i think it qualifies as "bad intentions." there is also this passage for what it's worth, originally it was about government suppression:

12.19: "...What do you say to killing the unprincipled for the good of the principled?" Confucius replied, "...why should you use killing at all?..."

lwj is always more actions than words, and he was not fucking around. his core beliefs really haven't changed, and remain very strong throughout his life. he is still righteous enough to accept his punishment, graceful enough to search for wwx's body since there was no one else to do the funeral rites (10.22/10.15), caring enough to take in a-yuan, upright enough to still spend his years going where the chaos is.

just with this one action, the audience knows he has come to terms with realizing that authority isn't always just, and neither is the public opinion/opinion of other gentlemen. he has reconciled. this is him standing for what he believes is right. this is his devotion. this is his own choice. just. poetic cinema...

anyway that's it for my first meta post! i would love to hear your thoughts, feelings, opinions, discussions, other meta ideas, whatever! thank u for reading! <3

[someobscurereference]

For one: whenever the concept of the Nohrians meeting the young trio comes up, my first thoughts are 1) Inigo being cripplingly shy and terrified of Xander 2) Severa being Extremely Unreasonable and Aggressive especially toward Camilla and 3) Owain gravitating toward Elise because she's reminiscent of his mother, because he's a mama's boy who probably lost his mom very recently and that's pretty fucked up!!

That being said, I'm screaming at the idea of Owain gravitating toward Elise because mother, Xander because cool sword, and Camilla because cool armor, and Not Trusting Leo because he's a Dark Mage and Dark Mage Means Plegia Means Grima Means Evil (almost always) and Leo being so upset about it. It turns the tables entirely, where Odin was originally the one who thought both Leo and Niles were so cool and they thought he was a weirdo idiot until he proved himself, now he thinks they're creepy and Evil and have to work for his trust. And I will always love the Nohrians realizing the trio were Fucked Up Kids and the idea of them watching the three of them take down a faceless with Brutal efficiency because of how much more dangerous Risen were...I'm so into this. AND!! The trio fucking hating each other!! They're so used to them being Best Friends and Inseparable and understanding each other on a whole different wavelength. And now? Sev and Inigo aren't very kind toward Owain's dramatics, Sev and Owain are Bothered by Inigo's flirtations, and Severa is just so harsh with both of them (and most people). Of all the people they could be stuck with, they would Not choose each other. I'm rambling but I'm so into it I'm so so into it. One of the previous asks you linked spoke a lot about Inigo, but if you could talk a bit more about Severa and Owain? Especially if their adult selves were involved with their lieges and partner retainers and how different the dynamic is now and the way they each react when realizing the trio went through something so clearly screwed up and beyond even what they've seen

(prev ask) Ayyy, glad you got a kick out of all of that, lol. And yes!! Leo Trio origins reversed!! With Niles and Leo being the ones who have to prove themselves to Owain instead of the other way around. And the Trio not getting along!! They're 100% there to save each other when they think they're in mortal danger, but as soon as they realize they're not in Plegia? Don't touch me, don't breath on me, don't look in my direction, any of you. Owain & Inigo can't be alone in a room together or else they'll scuffle, Severa stomps away whenever Inigo tries to compliment her, nobody wants to talk to Owain, etc.

Also sure! I spoke a lot about Inigo in that last ask because I wanted to be clear about what I meant with the shyness thing, but for Severa & Owain...

I don't know if they would have been in romance with their lieges before this! I obviously ship the royals & their retainers, but I don't ever see the appeal of that dynamic in deaging fics? I get the idea of like "oh, this is a new side of my partner I've never seen before," but the deaging part is such a huge part of the plot that I don't really see the benefit to that dynamic in these types of fics.

But just in general! The friendship/platonic shift!

I mentioned before about Camilla trying to dote on little Severa but struggling because Severa rejects her So Hard, lol. In general she'd want to dote on Severa because of her personality and how Severa is a tiny version of her beloved retainer, but the more it becomes clear that Severa has issues (especially re: family, which is a major reason Camilla feels the need to dote on Corrin), the more she wants to spend time with her and make some happy memories with her. Which makes Severa's rejection of this attention even stronger bc who the hell are you to presume you know her? And also you're not her big sister/mom/whoever.

Eventually, I almost feel like Camilla would?? I don't want to say "give up," but eventually you're going to get more flies with honey than vinegar. By which I mean the less Camilla tries to push the relationship, the more open Severa might be to spending time with her. But I'm not sure Camilla would get to this point within the timeframe of the Trio being deaged! I think this would take many days or perhaps even weeks to figure out. If the Trio return to normal before this, I think Camilla might feel different (Hard to say how... maybe guilty??) about the way her Selena dotes on her and wants her attention all the time vs little Severa rejecting her. But!! If the Trio stay deaged for a while and Camilla learns to stop pushing the relationship, Severa may slowly grow to approach Camilla on her own and may then be open to being doted upon once they understand each other more (bc she canonically wants all the foods and fun stuff Camilla is offering; she just wants it from someone she trusts. And primarily from her parents ((see: awakening supports w/ parents)), but they're not here).

tl;dr Camilla would have to go against her doting instincts if she wanted Severa to get comfortable with her. Otherwise Severa would avoid her/take advantage of the things Camilla is offering while not wanting to be near her very much.

Re: Beruka!

Unlike Camilla, who has a lot of sad and sympathetic feelings for Severa, Beruka really leaves feelings out of it. Which is probably to her benefit in this scenario, as she's approaching Severa's trauma's from a logical (perhaps even detachedly relatable) standpoint rather than sympathetic. She's more direct than Camilla, so Severa might be a little more comfortable with her, just because she knows what to expect.

Severa, for her part, may even seek Beruka out once she knows they're partners because (1) she wants to know what sort of person her future partner is and (2) she wants to prove that she's the better retainer than Beruka. Which of course she can't do because (a) Beruka would never compare them like that, nor Camilla and (b) Severa is younger, more hotheaded, and less skilled than her older self, so anything she tries to prove now, she'll probably fail at and will blame on her older self having more experience. This competetive spirit may start as an inferiority complex thing, but with Beruka never really fanning the flames, Severa may eventually calm down about it and just feel more driven to get better on her own/respect Beruka as her partner (sort of like her Cynthia Supports in Awakening, though a little different).

Leo & Owain, I already talked about. Owain will immediately take note of the fact that Leo & Niles are his future lord & partner, which he is very curious about, but once Xander, Camilla, & the other very cool people with melee weapons come into the picture, he's very drawn to them, which makes Leo jealous, lol. Leo dedicates himself to "solving" the deaging issue, using this as an excuse so he doesn't have to spend time around Owain and get compared to his "cooler" siblings. HOWEVER, joke's on him bc the fact he's avoiding Owain means Owain doesn't get the chance to quiz him even more and tell him about how cool Brynhilder is. When this finally happens, Leo feels incredibly foolish for trying to show off for Owain & avoid him in turns. Owain, meanwhile, may or may not have ever picked upon on the fact Leo was feeling weird about him at all (although he will admit he felt nervous around Leo at first bc Pelgian Mage Memories and had to take time to get over that).

Niles is a little hard to consider because I actually think?? He'd be good with young/immature folk when he's genuinely trying to be? (See: Niles's interactions with Elise & Nina). However, he can also be quite cruel to people who don't really deserve it (See: Mozu C & B supports) despite having a motto of only insulting "people who deserve it," (Peri Support). So!! I think Niles's interactions with Owain ultimately come down to how well he respects Odin/how good their relationship was. If they were besties when Odin gets deaged, then I don't think Niles will purposely try to make Owain feel bad, though a lot of what he says with metaphors & double meanings will probably go over Owain's head anyway. I also don't know if he'd purposely go digging for information or not?? Depending on how much he feels asking would be a betrayal to Odin's trust vs his own curiosity and all the hints Owain doesn't realize not to drop?? I think Owain would really determine what Niles does or doesn't learn about him. They have the potential to have a really good talk where Owain talks about his parents' deaths and the struggles he & the kids are going through and Niels talking about his own life on the streets. (BTW, despite Owain literally going through a war & both parent death, I think he might think Niles has the worse situation bc he's never known parental love at all, which baffles Niles).

Similar to Leo, I think Owain would be really cautious around Niles at first, both because he's an intimidating sort and because he takes cues from how everyone acts around Niles too. But!! Also just like Leo, if his future self trusted them, obviously that means something, right? So he'd approach Niles a bit more after a few days of settling in.

Niles & Owain's interactions are really hard to imagine because they depend on so many factors that I haven't decided upon! But hopefully the other ones make sense, lol

Thanks for asking!

[astudyinfreewill]

hey this may be a stupid question, but it's already been a long time since ive read trk so i don't remember everything properly, so can you explain to me why exactly ganseys behavior in the book is seen as problematic??

hey! don’t worry, there are no stupid questions in my book. in fairness, it’s not about gansey’s behaviour in trk, it’s about his behaviour throughout the whole series. most of his problematic actions all come down to the same basic flaw: self-centeredness. for all that gansey is a generous and loving person, he can’t help but make everything about himself. he is driven by anxiety to define his place in the world beyond his privilege, yet he is blinded by that very same privilege - a bad combination, and one that leads him to show very little empathy for the people he loves.

like many teenagers, he’s looking for affirmation from his friends... but then resents them for not giving it, while failing to see that (most of) his friends are dealing with traumatic issues. when his friends reject his input - because it is not what they need or want at the moment - gansey always, always takes it personally. at no point does he try to ask himself, okay, if this isn’t what my friends need, then what do they need from me and how can i be a better friend? instead, he goes straight into self-pity mode, complaining that his friends reject his support and walk away from him. thing is... it’s not real support if it only makes him feel better and not them.

i don’t really have the time to write an extensive meta on all of the interactions where gansey’s lack of empathy comes into play, but here’s a list of just the most glaring ones in the series, in no particular order:

gansey consistently tries to pay for adam’s way and persuade him to move in with him, even though adam has told him multiple times that he is uncomfortable with it because independence is key to his sense of self as an abuse survivor. sometimes he does this even when he’s fully aware that it will start a fight. despite that, adam is usually the one apologizing, at least on page

notably in trb there’s a scene where gansey tries to get adam to move in with him, but when adam asks what’s going to happen if gansey leaves henrietta - is adam just supposed to drop out of aglionby and follow him? - gansey doesn’t reassure him that’s not gonna happen. he just says adam will have to start again at a new school. 

as i said above, this is not true support because it helps gansey feel better without inconveniencing him, but it is not what adam wants. if gansey wanted to support adam, he’d at least promise he would stay in henrietta for their final year of high school, instead of expecting adam to follow him around the world.

when adam rejects that offer and says he’ll stay in the trailer park, gansey takes it incredibly personally and his first response is to victim-blame adam for his abuse, saying things like: “you let your dad pound the shit out of you. you’re as bad as [your abusive mother]. you think you deserve it.” when adam still refuses to move in, and tells him, rightfully so, that gansey doesn’t know what it’s like for him, gansey follows that up with “don’t pretend you have anything to be proud of”. this is past mean and straight into cruel.

adam is the one who apologizes after this fight. let that sink in.

when thinking back on ronan’s suicide attempt, it is strongly implied in the text - and was made explicit in deleted scenes - that gansey appears to have taken ronan’s suicide attempt not just as a traumatic event, but as a slight against him, and is always vaguely guilt-trippy when it comes up (i.e. you promised me you wouldn’t get suicidal again)

gansey does illegal things on ronan’s behalf, multiple times, without ever wondering if this is what ronan wants, see: bribing school officials to keep ronan in school when ronan explicitly wants to drop out, because staying in school is what gansey thinks he should do. even if gansey’s heart was in the right place (i believe in staying in school), he is essentially involving ronan in illegal dealings against his will.

gansey is happy to share his search for glendower with the others, and delegate tasks to them (adam especially) as long as they do things his way. when adam acts against one of his decisions, gansey is absolutely unable to let that go. and while i understand that he is hurt by the breach of trust, because adam went behind his back, his language is telling: “i did tell him that we were to wait, right?”. you don’t “tell” your friends what they “are to do”. that’s not an equal relationship. 

this is also seen in the way gansey acts with ronan in more of a parental role, actively ordering him about. you know there is a problem when an outside character refers to ronan as “gansey’s dog” and neither gansey nor ronan disagree with this.

there’s the infamous hospital scene in trb, too, which has been excellently analysed in this meta post by @bleachersmp3 and @mericatblackwood, but i’ll say a few words about it anyway

in this scene, adam has just been beaten into losing his hearing. he has just come out of the hospital, bruised and traumatised, and has been told he will now have a permanent disability as a result of his abuse. he is now also homeless, because by pressing charges against his father to protect ronan, he has ensured his parents will kick him out for good. so he is forced to move into monmouth - something we have been told from the start of the book he absolutely did not want, because it was critical to his sense of self not to depend on gansey’s wealth. so, he’s bitter about it.

and okay, that’s not entirely fair, because it wasn’t gansey’s fault. but if your friend had just undergone such horrific trauma, surely you would be a little lenient, and understand they’re not being objective atm, right? well, not gansey. instead, gansey launches into a tirade at him: “what is your problem, adam? [...] is there something about my place that’s too repugnant for you? [...] I’m sick of tiptoeing around your principles!”

when adam snaps at him that he’s being condescending by using highbrow words (we can assume that this is a discussion they’ve had before, because adam tries to get gansey to use more everyday words multiple times in the book, especially when it’s clear that blue doesn’t understand something, so it’s something gansey already know adam finds condescending), gansey goes straight to victim-blaming again, this time with a classist twist thrown in: “i’m sorry your father never taught you the meaning of repugnant. he was too busy smashing your head against the wall of your trailer while you apologized for being alive.”

gansey does not apologize at any point after this fight. 

when adam sacrifices himself to cabeswater - which he does explicitly to stop whelk from murdering one of them and save gansey - gansey takes it as a slight against him, because it goes against what he told adam to do, and sadly asks adam “why? was i so awful?”, showing he has completely misunderstood adam’s reasons. adam tells him, and not for the last time: “it was never about you”.

it clearly doesn’t sink in bc they have the same discussion in the dream thieves, when gansey again asks him why did he go to cabeswater against his orders. he does this in an emotionally manipulative way, too - implying that ronan and blue both think badly of him while gansey has been defending him so adam owes him. adam again tries to tell him “it wasn’t about you”, which gansey refuses to believe, and reminds adam that the glendower search “belongs” to him. adam replies that if gansey wants adam’s help - which gansey relies upon frequently, as it seems like adam is assigned a very large share of research and coming up with ideas - he needs to treat him as an equal

after the fight, when adam has a mental breakdown due to the combination of stress, ptsd, and magically-induced hallucinations, and is found wandering along a highway, clearly dissociating and undergoing amnesia, gansey is still so bitter about their fight that he contemplates leaving him behind in dc, so that “adam will have to apologize for once” (for once???)

consider all this emphasis gansey puts on how much adam betrayed his trust; consider that gansey then spends nearly two books seeing blue behind adam’s back (starting in tdt, through bllb, and halfway through trk)

consider that despite the fact adam takes the reveal gracefully and thanks gansey for his honesty, when adam later in trk is honest with gansey about his feelings for ronan, gansey’s immediate reaction is to assume adam is using ronan as a sexuality experiment and warns him not to break ronan’s heart, because ronan is just so fragile and adam is just so cold

consider that the only basis gansey has for making this assumption is that “adam has hurt him (gansey) so many times before”, but never stops to think about his own responsibility in their disagreements, or whether he ever hurt adam 

as you can see, the vast majority of these are in the first two books, with the exception of the “shovel talk” in trk. i would like to say gansey grows over the series, but i think unfortunately it’s more to do with the fact that starting with bllb, the plot is split between gansey/blue and adam/ronan, so gansey just doesn’t get as many interactions with adam and ronan (he’s still bribing school officials on ronan’s behalf though, including selling monmouth which at the time is where ronan is also living). 

gansey isn’t a bad person, and doesn’t (always) mean badly. he does love his friends. unfortunately, his refusal to see things from anyone’s perspective but his own makes him a toxic friend on a great number of occasions.

[joneswuzhere]

hello join me in thinking about some books and authors that are, or might be, part of s5′s intertextuality

5.10 in particular offered specific shout outs, and also u know i’m always wondering what might be ahead so i have some ideas on that:

- first, as mentioned in a previous ask post, i know i wasn’t alone in keeping an eye out for 5.10 parallels to the lost weekend (1945) the film that gave episode 1.10 its name and several themes - or to the 1944 book by charles r jackson which the film is based on

- s5 has not been shy about revisiting earlier seasons, especially s1. altho i feel that 1.10′s parallels to the lost weekend centered characters other than jughead (mostly betty), a 1.10-5.10 connection involving jughead and themes from jackson’s story (addiction, writers block, self reflection) seemed v possible if not inevitable

- but like,, , for a hot minute after the ep, i was really stumped on understanding how anything from the book or film could apply, even tho the pieces were almost all there

- jackson’s protagonist don birnam goes thru and comes out the other side of a harrowing days-long drinking binge that could be compared to jughead’s one-night hallucinogenic writing retreat

- but jughead is struggling primarily with traumatic memories, not addiction and self control like birnam. and tho drinking activates birnam’s creativity, it paralyzes his writing as he gets lost in fantasies; he’s never published anything. jughead’s drug trip recreates circumstances that already helped him write one successful book. even the rat that startles him mid-high doesn’t line up with birnam’s withdrawal vision of a dying mouse, symbolic of his horror at his own self-destruction thru alcohol

- and maybe the most visible discordance: in the film there’s a romantic motif around a typewriter. first it’s an object of shame; birnam’s failure to write, tied up with his drinking, makes him flee his relationship. he tries to pawn the typewriter for booze money and finally a gun when shooting himself feels easier than getting sober. but with the help of relentless encouragement from girlfriend helen, he quits drinking, commits to her, and focuses on typing out the story he’s dreamt of writing. rd goes so far to avoid setting any comparable scenario that jughead has brought a wholeass printer into the bunker so there can still be a physical manuscript to cover in blood by the end, even without his own typewriter. the subtle detail of his laptop bg image is a little less noticeable than his avoidance of betty’s gift

- tabitha might be closer to a parallel than jughead is, but she’s still no helen. both refuse to take advantage of the inebriated men in their care, but birnam takes advantage of helen, financially and emotionally. jughead refused a loan from the tate family and now has resolved to deal with his shit before he considers a relationship with tabitha. instead of helen’s relentless and unwelcomed attempts to get birnam sober, tabitha reluctantly agrees to help jughead trip safely bondage escape notwithstanding. she even helps him get the drugs.

- whatever potentials exist for parallels to jackson’s story, they were not explored for this episode. ok so why tf am i even talking about this? what was there instead?

-  i have arrived at the point

- s5 has been revisiting s1, not directly but with a twist. and jughead’s agent samm pansky is back. u may recall, pansky is named for sam lansky

- jughead’s trip-thru-trauma is a story device tapped straight from lansky’s book ‘broken people’

- lansky is like if a millenial john rechy wrote extremely LA-flavored meta but just about himself no jk very like a modern successor to charles r jackson. both play with the boundary between memoir and fiction. lansky is gay; jackson wrote his lost weekend counterpart as closeted and remained closeted himself until only a few years before his death. both write with emotional clarity and self-scrutiny on the experiences of addiction, sobriety, and the surrounding issues of shame and self worth

- i feel like a fool bc after this ep i had been thinking about de quincey and his early writings on addiction (c.1800s), but i failed to carry the thought in the other direction, to contemporary writers in the genre, to make this connection sooner

- lansky’s second book, broken people, follows narrator ‘sam’, mid-20s, super depressed, hastled by his agent to write a decent follow-up to his first book, but too busy struggling with his self-worth and baggage from several past relationships. desperate, he takes up an offer to visit a new age shaman who promises to fix everything wrong with him in a matter of days. not to over simplify it but he literally spends a weekend doing psychedelics and hallucinating about his exes. jughead took note

- unless u want me to hurl myself into yet another dissertation about queer jughead, i think his parallel to sam - who, unlike jughead, has considerable financial privilege and whose anxieties center on body dysmorphia, hiv scares, and his own self-centeredness - pretty much ends there

- But,, the gist of the book could not be more harmonius with a major theme shared by the 2 films that inform the actual hallucination part of jughead’s bunker scene: mentally reframing past relationships to get closure + confronting trauma head-on in order to move forward

- so that’s neat. what other book and author stuff was in 5.10?

- stephen king and raymond carver get name dropped. i’m passingly familiar with them both but u bet i just skimmed their wiki bios in case anything relevant jumped out

- like jughead, carver was a student (later a lecturer) at the iowa writers workshop. also the son of an alcoholic and one himself

- i recall carver’s ‘what we talk about when we talk about love’ is what jughead was reading in 2.14 ‘the hills have eyes’ after he finds out about the first time betty kissed archie (at that time he does not respond as would any of carver’s characters)

- this collection of carver stories deals especially with infidelity, failings of communication, and the complexities and destructiveness of love. to unashamedly quote the resource that is course hero, ‘carver renders love as an experience that is inherently violent bc it produces psychic and emotional wounds.’ very fun to wonder about the significance of this collection within the s2 episode and in jughead’s thoughts. and maybe now in the context of the s5 state of relationships. or, at least, the state of jughead’s writing as seen by his agent

- anyway pansky doesn’t want carver, he wants stephen king

- i have too much to say about gerald’s game in 5.10, that’s getting its own post someday soon

- lol wait king’s wife is named tabitha uhhh king’s wiki reminded me of his childhood experience that possibly inspired his short story ‘the body’ (+1986 movie ‘stand by me’) when he ‘apparently witnessed one of his friends being struck and killed by a train tho he has no memory of the event’

- no mention of that in this rd episode but memories of a train could be interesting to consider with the imagery that intrudes on jughead’s hallucination. i still feel like it was a truck but the lights and sounds he experiences may be a train

- ok now we’re in the speculation part of today’s segment

- if jughead’s traumatic memory involves trains, then it’s possible this plot will take influence from la bête humaine <- this 1938 movie is based on the 1890 novel by french writer émile zola. this story deals with alcoholism and possessive jealousy in relationships, sometimes leading to murder. huh, kind of like carver. zola def comes down on the nature side of the nature-vs-nuture bad seed question (tho i should say he approaches this with great or maybe just v french compassion). also i can’t tell if this is me reaching but, something about la bête humaine reminds me of king’s ‘secret window’ which we’ve observed to be at least a style influence on jughead post time jump

- but wow a late-19th century french writer would be a random thing to drop into this season, right? then again zola also wrote about miners, which we’ve learned are an important part of this town’s history + whatever hiram is up to this time.  and most notably, zola wrote ‘j’accuse...!’ an open letter in defense of a soldier falsely accused and unlawfully jailed for treason: alfred dreyfus. archie’s recent army trouble comes to mind.

- since the introduction of old man dreyfuss (plausibly Just a nod to close encounters actor richard dreyfuss, but also when is anything in this show Just one thing) i’ve been wondering if these little things could add up to a season-long reference to zola’s writings. but i had doubts and didn’t want to speak on it too soon bc, u know, it’s weird but is it weird enough for riverdale??

- however,,,

- (come on, u knew where i was going with this)

- a24′s film zola just came out. absolutely no relation to the french writer, it’s not based on a book but an insane and explicit twitter thread by aziah ‘zola’ wells about stripping and? human trafficking?? this feels ripe for rd even outside the potentials here for the lonely highway/missing girls plot.

- that would add up to a combination of homage that feels natural to this show

- anyway pls understand i’m just having fun speculating, most of this is based on nothing more concrete than the torturous mental tendril ras has hooked into my skull pls let go ras pls let go

[pendraegon]

i understand if you don't want to share too much, but can we know what your novels are about? just genre, inspirations, anything vague like that! i love your writing and think all your interests are just. well, interesting! and would love to hear more if you don't mind sharing !!

wait waaa this is so sweet like.... im genuinely always a bit flabbergasted (in a good way!) whenever people say they like my writing bc like.....there's a difference between me liking my writing vs other people liking it as well, you know?? (even though i am like...my own target audience alsfjdlksj)

oh my god i did not mean to write this much why is it so long im going to put it under a read more

ooohhh okay so my big project is this high fantasy concept that's been haunting me for the past year and at first i kinda thought it was going to be a short story situation but it keeps GROWING and now im like.............well there's the main country it's situated in BUT the place it begins at would undeniably have a different kind of feel and culture than say the capital or the major cities out east, right? and then im like. well. there's not ONE monolith of people because that's insanity and so on and so forth and now im talking about mountain ranges?????????? and how people in one province in the mountainous region are different from those in the valleys and hamlets by the sea but how they're VERY different out past the Highest Point in the World but also how they're very definite and believe more in the tale of the Sun Shooting since they do live, in the shadow of the place where it occurred (or so they say) a few centuries ago. my main inspo is coming a lot from folktales, fairytales, and mythology! i didn't want it to seem like im repackaging already well known stories and i REALLY dont want this to seem like another high-fantasy-book-but-it's-really-just-a-lotr-ripoff-and-a-bad-one-at-that-too...i think ive been a bit too conscientious of that maybe alsjdflsa i try to take maybe my most favorite bit, like, in the changsega how there are two moons and two suns until seokga fucked up and there's so many stories about archers (and i think archery is cool!) that i took that element of multiple celestial bodies and the main myth or belief of this world is that there was "balance" before the Archer, shot one of the suns out of the sky, and thus, misfortune stalks the land, especially for those who live under the mountain range where the crime was committed (or so they say). i also like.....obviously am into knights so one of my main characters is a knight-but-really-a-mercenary for one of the noble families who is then planning a coup of the government and their coalition asklfjsa this might be a pet peeve (that probably sprung from fandom ngl) but i personally hate the phenomena of when magic is used as an allegory to racism but then characters of color are treated like shit by the plot line/fans themselves on basis of magic = oppression so i threw that out the window and had magic be something akin to a skill anyone can learn but some are more "destined/attuned" to it. i love the idea of a wayfaring stranger with gentle hands and a cold gaze and if you know anything about jouka, im REALLY into the being "cursed" narrative so im trying to bring elements of that around and the either of being a cursebreaker in a world where anyone can easily inflict lasting curses on one another (but ah! the purity of one's heart! and if it will truly stick or not! yadda yadda). i think it's fun when stories start out as well with one character not knowing ANYTHING of what's going on so you can explain everything about the political system, the Big Bad(TM), what is and isn't important, etc so there's one character like that thrown in there and boom we have a mini found family<3 are they all morally sound?? uh............... well........

for my other one uh...it was originally based off of this one place in wisconsin where i almost got hate crimed (BEAUTIFUL gorgeous place though. scenery? breathtaking. food? delicious. some of the people...well....... would i go back?? honestly i shouldn't but like..the pie is SO good....) for not being white and it was originally going to be about a college drop out in a tourist trap town in the off season and works in her aunt's souvenir shop who then comes across a ring of a dead man and then starts to see his ghost and there's also some immortal dude (they are NOT getting together because i think that trope is really fucking creepy) who is like "oh man. what the FUCK is going on here" and the dead guy's ghost is a journalist who didn't die because of personal murder (which everyone THINKS what happened) but because he leaked the news of a company's less than stellar policies to the public????? but then i was like. hm. what if i made it into something that is like magical realism to the MAX so that's getting like revamped and i have no idea if i want to stay with what i have above or a more kind of mystical moving spell shop kind of vibe with the same characters but........idk yet i dont know what i like better askflsafa if i do end up keeping the first one ill probably go back and delete this chunk asjfdsafa

i think in general i kinda always knew as a kid i would write high fantasy???? or at least attempt it, like......i was not like "im gonna be a famous author FOR SURE" although that was my dream, but i've always found a home in stories and i was always very bookish but as for my shorter story um. get hate crimed in a beautiful place up north and then you get inspo on your ride back home???? the most truthful answer is that i have my head in the clouds almost constantly and i think storytelling is maybe one of the few things i genuinely can maybe excel at and im trying to actually like #live my life so why not try my hand at it???

i have no idea if i answered any of your questions at all but i hope this is like.......marginally in the ball park :3c

[mrpenguinpants]

Oh lore?? I read your post on Dainsleif and BOY it gave me a lot to think about dsfjgkd

Along the same vein, what do you think of the relationship between the unknown god and Kaenri'ah? In Albedo's trailer they seemed to reference two new elements (time and being) and if perhaps the unknown god is the god of time, then does Khemia make use of "being" in its creation of life?

In Mihoyo's other game (honkai) they introduced a new "type" about halfway through the story which seems to me to be similar to the abyss in Genshin. The quanta type is independent of the three types that were present from the beginning of the game and it's tied to an abyss style region called the Sea of Quanta. Maybe I'm reading too much into it and they don't plan to imitate what they did in Honkai but?? Time and being as new "elements" introduced a few years into the game seems possible at least?? Maybe they're exclusive to delusions bc there's only the seven Archons at this time so no one can grant time/being visions lol

Djfkdj I hope this was at least slightly understandable I love looking into lore especially for things I write about!! I'll end this now before it gets too long lmao the new tumblr asks give me too much power XD

TUMBLR DELETED MY REPLY AHHHHH I HAD TO RE-WRITE EVERYTHING. THAT’S WHY I’M LATE TO THE PARTY. I’M SO SORRY CATTY 😭

---

Major spoilers for Khaenri’ah and minor spoilers for the unknown god

:DD I’m glad you read my word vomit haha. I love talking about lore so much, ty for enabling me. 

What do you think of the relationship between the unknown god and Khaenri’ah?

The logical side of my brain thinks:

They either have nothing to do with each other and Mihoyo really likes using the same star for everything and Khaenri’ah just happens to live in the void or sky so the easiest way to distinguish citizens from there is the star (or it was just hot to put star pupils in and you know what, they were right). 

Or there’s some sort of connection between the Eclipse dynasty that ruined Khaenri’ah and the unknown god. Since genshin really likes to do that (see Zhongli and everyone calling him Morax before 1.1 dropped). 

Re-watching the prologue cutscene and “we will be reunited” (Gonna refer to this a WWBR) Aether drew the same two stars into the sand which makes me believe that either a. stars literally have nothing to do with anything and Teyvat only knows how to draw one star (which doesn’t hold up well considering Mona’s outfit and pin) or b. there’s some kind of connection there. The way Paimon phrases her question she says: 

“But when you wanted to leave and go onto the next world your path was blocked by an unknown god?”

It implies that Aether and Lumine have already travelled through Teyvat since we see two yellow stars travel over Liyue and Mondstadt. I know Aether was sent into some sort of deep sleep and only now awoke and met Paimon (since in the trailer we can see the lantern festival and the genshin upload was in march (chinese new year is in feb) but I’m not super sure on these details but I’m pretty sure it’s canon that this happened based on WWBR). 

Then when the unknown god appears and the same 3 red stars appear [tumblr throws a fit when I try and upload this]

She refers to us as Outlanders and calls herself 

“The sustainer of heavenly principles. The arrogation of mankind ends now.”

This could be a reference to “being” that was in the Albedo trailer while Dainsleif is “time” since time is "not something he lacks". If we’re going on the theory that Dainsleif is actually a god then maybe they are fighting? Or in some type of push and pull war. It would make sense since the Unknown God believes in heavenly principles (so the rules either set by Celestia or Gods themselves) and believes mankind is arrogant and wishes to either destroy it or remove it entirely. The complete opposite of Dainsleif who believes in mankind and hates anything relating to the Archons.

Or dainsleif has nothing to do with the unknown god and is just a final challenge to the player who will then face off against the Unknown God. 

In Albedo's trailer they seemed to reference two new elements (time and being) and if perhaps the unknown god is the god of time, then does Khemia make use of "being" in its creation of life?

In this theory, this would make the Unknown God the god of time, which is also equally as valid. Since she does talk about time and how the arrogation of mankind ends now. I think it’s right to assume that Khemia makes use of being in its creation of life since we see Albedo talk about chalk and turning things from “nothing” (it’s not really nothing, he’s still using something or the “being” in order to transform it) to something. 

If Dainsleif uses Khemia or even created it then taught it to the people of Khaenri’ah to help them survive in their archonless land, that could be a valid reason why he believes in the strength of mankind. Since the unknown god’s power seems to consume the person trapped within (as we see in the prologue). Plus in WWBR we see first hand how destructive that power is. This could also be the time where Dainsleif lost faith or hated the celestial beings. 

---

In WWBR, according to the wiki it states that our sibling was taken to another point in time, in an unknown location. But this event leads the sibling (Lumine) to become the leader of the Abyss Order. 

Lumine says: 

“But until the abyss has engulfed the thrones, my war with destiny will see no end.”

Lumine seems to know about the archons and the abyss mages follow her so it’s safe to assume that the “abyss” she refers to is either something entirely new or the red blocks we see here. It seems as if she’s trying to change destiny which could be why Dainsleif wants to save her. 

I will say right now, I really hope the theory that Paimon is secretly the unknown god doesn’t come true. I know it’s funny and I would enjoy seeing our emergency food pull a turned table on us but unless there are more instances where it’s hinted or it’s handled really well I would not like it. I just finished a manga and I felt like I was watching 20M plot twists happen in the span of 3 pages. I would totally be okay if the unknown god and paimon were somehow related (I can understand that) but I unless it’s handed really well or as the story progresses and we get more info on paimon. it would just be really out of left field. I haven’t seen any theories on this and I honestly try and stay away from lore posts until I’ve finished mine because I feel that might make my ideas biased.

The “everything must be connected into some kind of plotline or I will make it a plotline” brain thinks:

Now, this is just be spit balling and making up my own headcanons with no lore to go off on. This is pure indulgent stuff with no research to back it up besides very loose threads. 

I’d like to believe that since the Eclipse Dynasty was the last dynasty before Khaenri’ah fell. That might be what is being depicting above in WWBR. Perhaps khemia backfired or the unknown god turned against the people for their arrogance (I’m not sure if people know the myth but in short terms, a giant stole fire to help the people who were cold. He was punished for going against the gods and saving the people, this could be similar to Dainsleif). 

Perhaps Lumine and Aether had stopped this event from happening and as they were about to leave, the unknown god appears and separates them for their arrogant actions against the Gods and sends Lumine back to the past. Without her brother she ended up failing in saving Khaenri’ah. Or, the image we see is actually the future and she goes back in time to try and prevent that event from occurring, still trying to beat destiny but this time in the future. 

Or another idea, Lumine has only seen the evil that’s depicted and hasn’t personally met any of the archons. We actually got to meet Venti and Zhongli so we obviously want to protect them from Lumine’s point of view, that might not be the same so she aligns with the abyss order that tries to control Dvalin. So her goal is to somehow defeat the archons and that could be why the Cyro archon is trying to collect them all in her war of peace. 

Honkai and quanta

It’s kinda funny but there’s no reliable wiki source for this sea of quanta like there is for genshin, or at least I couldn’t find anything. I think they might nod at certain things between the two but I think it’s totally fine to believe they might do some sort of crossover and take some inspiration. We have Mona who was able to read the stars and Scaramouche who said the sky was a giant hoax so I think time and being becoming new elements is very possible. But I don’t really know a lot about Honkai so I can’t really say too much about it haha. 

---

Yep no worries, it was fun talking about some more lore and if you have any more I’d love to hear them. Haha, honestly pop off I love getting long asks. As always, it’s nice seeing you again catty 💕💕

[jpegjade]

Writer’s Block - Spencer

IT HAS BEEN A LIL BIT SINCE I ACTUALLY COMPLETED SOMETHING. literally i’m jumping from job to job. i barely found time to write this lmao. 

this is for the lovely anon who requested this: can we have a fic where the reader has writer’s block and spencer is helpful? 

here you go anon, HELPFUL SPENCER 

warnings: all fluff and a lil bit of a reference talking about weight but it’s all fluff and nothing seriously deep. 

_____________

“Ugh.” You yelled, throwing your hands in the air. “This is pointless.” 

Spencer was sitting at his desk when he looked up to see you having a partial meltdown on your shared apartment couch. 

“Please tell me why I decided to do this. I can’t think of a single reason why anyone would go through this torture willingly.” You groaned to Spencer, who just smiled in response. 

You were glad he found this so amusing because you surely didn’t think any of it was cute in the slightest. 

“You’ve got a psychological inability to produce a substantial amount of content to satisfy your drive to create.” Spencer continued smiling at you. 

“Cliff Notes version, please. I’m mentally spent.” You said, looking over at him. 

“Writer’s block.” He said, as if he couldn’t just say that in the beginning. 

“At the worst time possible.” You said, groaning again. 

As an author, you were used to the words coming to you easily. There were so many ways to describe a single feeling that you just knew how to craft the language most of the time. It’s one of the many things that made Spencer fall in love with you: You crafted a world of your own through imagination and you were able to pull other people in to experience it with you. It was something special about you that set you apart from so many other writers in your genre. 

Getting up from his chair, Spencer walked over to your spot on the couch to sit next to you. He put his arm around your shoulders, pulling you into him. 

“How far have you gotten on your story?” Spencer said, leaning over to see your laptop screen. You turned it away from him so he couldn’t see anything. 

“Baby, you know I don’t like you to see my works in progress. I only want you to see things when they’re complete.” You said. 

“Baby, I want to see every stage of your creativity no matter how rough.” Spencer smiled. “Maybe I can offer some advice and corrections.” 

“I don’t want you to see everything bc plot holes and such. And I don’t want you to know the plot until it’s complete.” You closed your computer screen so he couldn’t see anything. 

You turned to stare at him as he pulled his arm back, leaving on the back of the couch. The two of you stared at each other, both holding your own secrets. 

Your secret was that you secured a book deal for a Young Adult book. While the signatures were still needed for paycheck negotiations to close, you were holding out on telling Spencer until your manager confirmed everything was official. The call could come at any minute so you were checking your phone every few minutes. You weren’t superstitious but you didn’t want to tell Spencer something before it was completely confirmed. You didn’t want to get your hopes up but more importantly, you didn’t want to disappoint Spencer. He was so proud of you for your constant writing and he loved to read your stories after you sent them to your editor for content when your story was chosen for different magazines, contests, and blogs. If you secure this book deal, it will be huge for you and Spencer, making your dream come true. 

Spencer’s secret was that he was off for a month. He just got back from a case that lasted 3 weeks and before that, he was gone for the larger part of 2 months. There were a lot of back to back cases that ran right behind each other. The two of you made a sarcastic joke that it was serial killer season because it was like clockwork that these cases would come in. It was sad that so many people were hurt and killed in the process but there were countless lives saved by the team and their constant, tiring work. They needed some time off, especially with the last case draining them so greatly. 

“I won’t push you but just know, I’m excited about everything you do. I’m so proud of you for being so persistent in everything. You know, the word persistent is a great word to describe you because it’s more than just the determination to accomplish a task, although many people use it in conjunction with the word. Based on the definition by the Miriam-Webster dictionary, the word persistent means to exist for a long or longer than usual time continuously. You’ve been determined to continue your writing but it’s more than that. You’ve evolved from only writing for whoever will read your work to writing for yourself. You connect with...” Spencer wanted to go on before he noticed your phone vibrating. 

“Hold on, Spence. I’m so sorry.” You said, pulling out your phone. 

It was a text message from your agent. 

“Closed and complete. Sealed the deal. Mucho bueno mi amor.” Your agent followed that text with celebration emojis and you couldn’t look away. By calling you her love, your agent meant nothing by it any more than you called your friends your girlfriends. Your agent knew you well so she was very friendly. 

Your heart was beating a mile a minute, your breathing strained. You didn’t know whether you wanted to laugh or cry, or both at the same time. It was real. It was really real. It was entirely real. A tear ended up slipping through the floodgates, quickly followed by another. Spencer immediately saw the shift in your body language before you were able to hide it. 

“What’s wrong?” Spencer said, worry crossing his face. He didn’t understand how such a happy moment could go south so quickly. 

“It’s not you.” You said, trying to hold back the fact that you were ready to start sobbing. You wiped the tears away and put your hands back in your lap. Fresh tears were right behind those and you weren’t going to stop them this time. You hung your head, chin barely touching your chest, watching the tears fall on your hands. 

“What is it? You can tell me, lovely.” Spencer grabbed your hands from resting in your lap. His thumb immediately began gently rubbing your hands, which only made you cry harder. 

Readjusting how he sat so he could pull you into his lap, Spencer was so confused and so hurt because he didn’t know how to fix it. He couldn’t fix it when he didn’t know what was wrong. He just wanted you to be okay and you seemed far from it. You fought him a little bit. 

“I’m going to flatten you.” You said, finally calming down. 

“Then I will be the happiest flat man alive. You won’t flatten me, lovely. You’ll put your cute butt in my lap, swing your arms around my shoulders, and hang onto me for dear life as you let go of whatever just happened. You don’t have to feel alone if you’re sad.” Spencer said. 

You got up, sat on the couch next to him, and put your legs over his. It was much more comfortable that way and made you less self-conscious. He was staring at you with his puppy eyes and it melted your heart all over again. 

“I have something to tell you.” You said, taking a deep breath. 

“Okay…” Spencer looked concerned, stoic even. He was even a little bit scared. 

“I’ve been hiding something from you and I feel so bad about it.” Tears sprang to your eyes again. 

“Lovie, whatever it is, we can work through it. There are very few things in this world you can tell me that I would be upset about. I”ve seen the worst of the worst. Working out a minor bump won’t break me.” Spencer slightly smiled. 

“No, no. It’s not bad. I promise it’s not.” You let out a sigh you didn’t know you were holding. “I got a book deal.” 

Spencer was silent for a second before he broke out in the biggest smile you had seen from him in a while. He obviously didn’t have a problem being happy as his emotion. Joy overcame him and he gently put your legs on the ground and stood up just to kneel in front of you to cover you in kisses. He kissed every major part of your face before kissing you. A slow, gentle kiss but it still took your breath away. 

“You know you’re amazing, right? You deserve this out of anyone.” Spencer held your face gently in his hands, his thumb slowly rubbing your cheek.  

“I’m stuck, Spence. How am I supposed to finish the book when I can’t even finish the short story I’m writing.” You couldn’t meet his eyes. 

“Maybe I can help. What’s it about?” Spencer stood up, sitting back on the couch next to you. 

“It’s the story of this brilliant teacher who moonlights as a spy. Not the most original idea but it’s not supposed to be original. It’s just a short story that someone requested on my blog.” You grabbed your computer and put it back on your lap. 

“So you’re writing about me.” Spencer smiled. 

“You’re not a spy. You moonlight as a teacher.” You said, opening your computer. You couldn’t bear to look at Spencer’s face right now as he thought about how you were basically writing about him. 

You always took character inspiration from him. He was such a big part of your life that all of your writing had hints of Spencer in them, no matter how hard you tried to leave him out of things. So it was a big deal for him to even figure out that he was largely related to this story. 

“What if…” Spencer started, “You wrote about his dashing butt?” Spencer said, beaming at you. 

You choked on your spit. 

“What?” You said, in between coughs.

“His fabulous behind in pants. You’re always telling me how amazing I look in my black slacks. So why not write about that for fun? I’m sure your blog readers would be quite amused.” Spencer was so hilariously serious that you couldn’t stop laughing. 

“Okay, fine. You win. I will put in something about your butt.” You said, turning your computer on. 

“And insert something about his beautifully flowing hair.” Spencer said. 

“Baby, your hair is short right now.” You said. He allowed you to cut his hair a few days ago and he missed his longer hair but he really liked when you gave him haircuts. 

“I know but if he’s a badass super spy and a teacher, he needs to have versatile looks.” Spencer ran his hand through his hair, a new habit he started when you cut his hair. 

“Baby, you’re going to overwhelm me with ideas.” You said, chuckling. You felt a little better about the writer’s block and the book deal the more Spencer made you laugh. 

“Good. Maybe we should go on a walk and figure out more ideas. Exercise is good for ideas because your blood flow to your brain is increased. You also get mental clarity. Over the next 6 weeks, we can do that more.” Spencer quickly walked to the door to grab both of your running shoes. 

Sitting down next to you, what he said finally hit you. 

“Next six weeks?” You asked, putting your computer on the coffee table. 

You didn’t care that all you were wearing were some cozy shorts and an old t-shirt that was way too big for you. 

“Oh, I didn’t tell you.” Spencer got his right shoe on after a little bit of struggle. “I’m off for 6 weeks after the last case. We all need the break…” He said, his eyes going to a dark place for a moment. You gently touched his arm and came back to life, in the moment with you. 

“So… You can help me?” Your mood got significantly better as you realized he was all yours for 6 weeks. 

“Every step of the way, y/n.” Spencer said, popping up from the couch in his shoes, ready to go.

[a-libra-writes]

who do you think would prefer an s/o who’s charming, more of a people person, using their words to get what they want vs an s/o who’s more quiet, strategic, and plans and schemes to get what they want? is it a case of opposites attract, or would they want someone to compliment them? 👀

.......so i ended up having a lot of thoughts about this LOL 

okay so i think this depends on the s/o’s morals! like you can be scheming to help others instead of hurting them. so let’s go with that bc i dont wanna brainstorm a low ethics/morality s/o (this makes me think of 7KPP, a fantastic visual novel that’s the only decent Court Drama Simulator vn i’ve come across). Also there’s a loooot of characters so imma just list the ones I have Strong Thoughts on and sort them by region oh lord what have you done my dork is showing

Northbois

So while I feel like Robb and Ned would prefer a more outgoing and charming sort of person ... I really can’t help but ship them with someone whose more cunning and can actually play the game of thrones. Like lord someone help these Starks because their intrigue score is 0 and they need someone protecting them from Tywin, Roose and Walder LOL. I can really see both father and son thinking their s/o is this sweet thing and not having a clue of how much scheming they’re actually doing to protect Winterfell... Ned would probs catch on after a while but Robb would just be blinded by love and devotion haha. 

Sansa would probs want the first ideally, but as she gets older she’d greatly appreciate someone who has that sort of cunning and uses it for good purposes. Also she’d like a calm and steady personality to rely on.

Jory is a straight up honest guy to a fault, kinda like Ned, so he’d also prefer the first type of person and appreciate them more.

OKAY SO you’d think Roose would go for the second type but HEAR ME OUT. I think he’d go for both equally, or a mix of the two. Listen. I have a strong HC that he would be very attracted to someone who is his opposite in many ways - outgoing, charming, sweet and kind. If that person also happens to be cunning as hell and willing to manipulate anyone - even him - to protect what’s their’s, oof. He’s gone. I think he’d really get off on the idea of having an s/o who everyone is shocked he’s involved with bc “omg they’re sooo nice” and only he really knows their “other side”, so to speak. Realtalk I don’t think he’d go for someone just as morally awful as him bc he’d see them more as a threat than a potential partner.

Ramsay is a little shit that would also be attracted to the first kind of person but honestly needs the second type to keep his ass in line. That’s the sort of person who would figure him out and manipulate him accordingly so he isn’t skinning the goddamn neighbors. Also he wouldn’t give a damn about their morals so go off i guess just dont start any revolts in the north

VERY Northbois

Jon really doesn’t care for schemes, even if he acknowledges they’re useful, and he’d be attracted to someone who knows just what to say and is charismatic bc lord knows he’s struggled w that for a bit.  Benjen really loves outgoing, charming and talkative peeps esp when they wiggle their way out of stuff or convince the upper command of the Watch to consider a different plan. He’ll be soooo attracted to that. Edd is kinda meh on both I’d feel? Like he’d prefer a quieter person but not a scheming sort, that’s too troublesome to deal with. I think he could come around to the first one eventually.

Mance super respects the second type, he finds it very attractive actually, especially when they start manipulating him into something and he catches them. Tormund is a dork and prefers outgoing people, totally doesn’t notice when he’s being taken in lol. He rlly hates the second sort of person, sees them as snakes.

Southbois

Edmure would absolutely be drawn to a gregarious and outgoing person! And if they can talk their way into or out of things thank god bc fishboy has a habit of putting his foot in his mouth. I really don’t think it’d work out with a schemer person bc of that Tully honor, and unlike Ned or Robb, Edmure would start to catch on (I don’t buy into the show characterization of Edmure like frack that he’s not an idiot). Brynden has a lot of experience and has seen a lot of BS, so he’d understand the risks and sacrifices his s/o would be making when they’re playing the game, and he’d really wish they wouldn’t!! Like yeah it’s to protect their family and friends but he wishes they didn’t have to do that. He wants to protect them on his own.

Brienne REALLY prefers someone whose honest and can talk their way in and out of things!! Like the Starks she’s very honorable and has no patience for lies and manipulating even if it’s for something good. It’d take a lot for her to trust and be attracted to that kind of person, they’d have to like... be very honest with her about what their plans are and why they’re doing them. 

Kingslanding bois

oh lord Stannis okay so INITIALLY he’d be put off by both personalities for diff reasons - outgoing because socializing and diplomacy is something he just sucks at and the second one because holy hell he hates dishonesty and scheming. Now, he can admire a strategic and collected mind, but as soon as dishonorable plots roll in he starts side-eyeing. I think it would take some time for that latter personality to gain his trust, and if this is like... his wife we’re talking about, she’d probs have to scheme behind his back, even if it’s for his own sake. For an outgoing person, he could eventually befriend or fall for them once some common ground is found. He wouldn’t be able to admit how much he admires their people skills haha.

Davos understands that sometimes manipulating and scheming is needed and can be used for good, but personally he prefers a more diplomatic, out in the open approach. So the first type is def his kinda person. He could still befriend the second type as long as they’re not assholes, though.

Tywin would honestly work with both sides of the spectrum and in between, but ultimately, you’d have to understand who you’re dealing with. There’s no honor or high ground being involved with Tywin Lannister, and the s/o should expect to get dragged into his schemes, esp when he trusts them ... and that’s no easy feat. Ultimately it’s less of how you get what you want and more of ... what are you willing to do to get it. Pesky morals and all that.

Tyrion has had enough of his dad’s bullshit that he’d only be romantically involved with the first type, someone who uses sass and flattery like he does. He can still respect and befriend a more cunning person, though. Jaime also prefers the first type, he thinks it’s just because “oh I like outgoing and forward people” and not...”i’ve spent years dealing with lies and schemes from father and cersei”, yanno that old chestnut. Bronn definitely prefers gregarious and cheeky peeps, schemes go over his head and bore him.

Sandor dislikes both sorts of personalities for different reasons ... He’s offput by someone who would be very talkative and outgoing with him (like why are they talking to him wtf), and he also hates scheming and lying and all that, he’s seen too much of it. The first type has a better chance of befriending and getting close to him, the second not so much. 

Petyr very much respects and admires both but like ... you know he’d prefer someone that he thinks he can outwit and manipulate, so probably more of the first type of personality because they seem less cunning and more of “just” a people person. Given his obsessive/yandere tendencies he probably wouldn’t notice he was being taken in by someone friendly and kind. 

like okay weird thing to think about but just consider this... I really wonder what it’d be like if Robert had an s/o like the first one you mentioned. Not Cersei, certainly not his beloved Lyanna - a third party, a gracious and likeable queen that kinda makes up for his faults and she’s TRYING hard as hell. like idk if they’d ever fall in love but like idk i feel like his depression would be slightly lessened to have a partner that’s very beloved and tries to help him and put him in a good light in his subject’s minds. Am I making sense? She’s not perfect but she wants what’s best for the realm and if she’s gotta do it herself she will. IDK sorry this is a tangent, i think about major change AUs and their political consequences a lot

Heckin south n east bois

Margaery is a Big Gay and you can’t fight me on this, you will lose. She’s super attracted to the first kind of gal bc that’s def how she is herself! So she’d love to play those little word games with them. The second personality type she’d just write off as “eh quiet person” but once she got closer and began to realize their cunning and wittiness she’d def take an interest, esp if she found out about some good things they did. Then it’d be a classic “outgoing babe dating more reserved babe” and yall both would be VERY well-known in court. absolute power couple

Oberyn likes both equally! Especially if your motives are to help others and/or save your friends and family. He loves that kinda loyalty and he really admires someone who has a way with words and schemes in equal measure. Hell he does both himself. He might lean more toward an outgoing person just because that’s how he is too.

idk where to put Beric but he rlly likes the first kind of people!! He’d probs ask you to get supplies or money on the Brotherhood’s behalf, and he actually kinda likes it when he finds himself doing something you wanted cause you asked so nicely or talked him into it ..... Thoros calls him a simp and it’s true ok don’t bully he can’t help it

& lastly Essosssss

So, I think Daenerys would be a lot more drawn to the second kinda person. First of all: Very mysterious, ooh. Secondly, she’d appreciate a cool head that will tell her the truth and is willing to do more unsavory things bc they believe in her so much. Obvs she would need someone with unquestionable loyalty, and once she tests and is reassured of that loyalty, then she could start some kinda romance. She’s def attracted to someone who can get shit done that way.

Jorah is a big opposite in that he’s kinda had to do that unsavory stuff himself and is still ashamed by it, and generally doesn’t trust people like Littlefinger and Varys and Illyrio, etc so he’d prefer someone who is just genuine and talks their way out of things. Also yall know him he can’t resist once he starts liking someone like cmon

Grey Worm is absolutely in the first camp too but for diff reasons! Scheming and all that shit just makes him nervous and he distrusts it, even if it’s for Daenerys’ sake. He just wouldn’t associate with the person ... Someone more outgoing would definitely fluster him more but at least he could feel like he could trust them. Missandei can go either way - she knows the power in both diplomacy and manipulation, and would likely admire and be pulled to someone who uses both to help people. 

sorry i got so wordy and a bit repetitive lol both are like, my fav kinda character archtypes, esp for court settings.

[sourstiless]

Hot take: i don’t want the live action at all (I want this stupid renaissance to be over already), but if ur not even going to give the LA a chance bc ur ship won’t happen, u weren’t a real fan of the show in the 1st place; just a fan of ur ship. Zk shippers still enjoy atla even tho zk isn’t canon, bc we understand tht the show was abt more than ships. Ig themes of found family, war&loss mean nothing if kat@@ng doesn’t happen.

yeah, i can definitely see where you’re coming from. ive always been super skeptical on the idea of a live action avatar, especially since we saw what happened with the movie. it was never something i had super high hopes for. the biggest thing i was looking forward to was the casting just because there’s such an amazing opportunity for representation, but even that i don’t have super high expectations for.

i don’t necessarily think there’s anything inherently wrong with watching a show for specific characters/relationships/tropes. i mean you’re missing out on a lot of good story telling, but i don’t necessarily think it’s a bad thing. it’s just, with this fandom in particular, i’ve noticed people tend to ignore the plot and ignore development until it’s convenient for them or until it works in their favor. ive been in the fandom for years, prior to the avatar renaissance last year, and it’s always been like that. the new fans have just added to it.

and like i said before, i really don’t think there’s anything inherently wrong with watching a show for a specific character, relationship, trope, etc. and i don’t really think it’s fair to split people into groups of “real” and “fake” fans. at the end of the day we’re all fans of the same show, and it is entertainment. you watch it for however it makes you happy, but harassing other people for watching it the way they want to is just fucked. the reason so many zk shippers gets defensive when anon hate messages come rolling through or when people cross tag is because we have been harassed and forced out of the fandom since it was airing way back in 2005-08 and you’d think after so many years people would just get over it. but they don’t. and it’s been like 15 continuous years of harassment, death threats, r@pe threats, racism, etc. i cant speak for everyone else, but for me especially, the way people ignore canon until it fits their agenda annoys me because they use it as a way paint people for being homophobic and racist when 75% of the zk fandom is bipoc or lgbtq+. i rarely encounter that kind of vitriol in other fandoms i’ve been in, and i’ve been in a fair amount of big fandoms. the atla fandom is probably the worst case of it that i’ve seen.

and im not going to lie and pretend that it was JUST zk antis throwing hate, because over the years both sides have been guilty of it, but specific to right now, a majority of the harassment is coming from antis. like ship what you want to ship, it’s cool, but blaming people who have absolutely no say in what happens in pre production and bullying literal minors for a non canon fictional ship is just fucking disgusting. like no one is forcing you to watch the show. if you don’t want to don’t do it like i don’t know what else to tell you. but complaining about it and harassing people over a rumor that didn’t even mention ships is just so unjustified and a complete overreaction. no one cares if you hate zutara that much.

[ghoulishhusband]

I just realized I can actually talk here. Like this is my account fuck u

Fucking uhhhhhh, hi ig lemme ramble abt my God ocs yea?

Ignore this part if you don't wanna hear (likely) unedited rambles lol it doesn't matter

CW: neglect/abuse, assholery/narcissism, manipulation, tread lightly!

read the under cut owo

Also don't steal my art I'll fucking?? Fight you????

So

I have three main gods that I wanna talk abt especially bc they've been on my mind lately.. Less get it, side notes are in (parentheses) and are bolded cause I have perception issues whoo I don't want it to jumble together is my point lol

First up is my asshole,

Giodine

they/them (preferred)

god/godself (i like pronouns that fit my characters, so I'm giving a bunch away for one night only at--)

ID : Giodine is colored with gold-ish yellow skin and ginger hair. Their eyes are a muted purple and they have tiny eyebrows. Their lips are a muted brown and are full looking, their nose is sharp and points down. They have wings for ears and is wearing a blazer with a long-sleeved, collared shirt underneath it. The background is beige with a yellow square and a dark purple square partially encompassing it. It is signed GH (for ghoulish husband), Spork, 21.

(lemme know if that helps at all! I'm sure I can do better so lemme know!)

If they look weird here it's bc I accidentally made their face too long but believe it or not this is in fact just a doodle Ik I'm so fuckin talented babes.

Anyways, they're basically the first God to ever exist on my version of earth (though even that is fickle rn, world-building is hard unless I hyper-focus on it, and haha Guess What I Haven't Been Thinking About) and they're very egotistical and selfish. As I'll probably yap about later is how they're manipulative as well, especially to another God I'll mention, and very neglectful to the other... other one.

Their partner(professionally), or fiend as they call him, is sam who for the first few eons was, unsurprisingly, absolutely terrible to him. A few tender moments are few and far in between in what could only be described as a completely rancid relationship. I'll describe giodine's side and in sam's lil ramble, I'll describe his :]

I have to explain this because it's a big part of the lore and how they can't work together, even when one of them is very much near The Void (technical death for gods) BUT basically, with Sam, giodine created purgatory. The issue here is that they basically seduced sam into doing it. Well, even if they hadn't, sam was in lesbians(happy pride month lmao) with giodine and would've done it anyway. But the ISSUE is that with the creation of purgatory came complications. See, my gods have to take time to develop into their power, and considering giodine was first and sam was around 666th.. you see the issue. Sam wasn't into his complete power yet and thus lost a giant part of it that went into purg.

See, giodine saw no problem with this (until much later, they do get a VERY SLOW BURN redemption arc cause this ain't even the worst of it), they got what they were aching for out of them and thusly had no need for..sam. They laid him in the spot where she was made (fwi it isn't inherently sexual, it can be, but literally, they just merged together-- taking bits and pieces of each other (which sam did not have enough of) and earth and light yadda, yadda I'll post the story I wrote for that later if I'm up to it) and left him there in the grass.

Again, they saw no problem with that, the deed was done, they didn't care anymore. A common issue in their qualms, sam and Giodine. They did find an issue in Sam finding an issue in the lack of aftercare, which resorted to any message going to or coming from sam going straight to his assistant and going back through them for a couple of thousand years. They found that infuriating-- how could he not face them over something so small! and for years?! it was ridiculous. After forcing a face-to-face meeting, a heated proclaim of hurt from sam, and a bitter agreement to meet up every now and again, they got what they wanted from him. Again. It was a business after all, there was no point in making it harder than it needed to be. 

Giodine doesn't necessarily like boundaries and tends to overstep sam's frequently. They also don't like his reaction to his boundaries being long jumped over, which thusly ends up in disgruntled messages being sent back and forth between them and his assistant for a month or three. It slowly gets through to them, but they tend to say some stupid shit and if they want sam to stay, they have to try and avoid mentioning how "overly sensitive" he is to something that happened eons ago.

(quick mention, there isn't like. time. here. so in all honesty, giodine probably counted earth days instead of Heaven 'days' to get that) Soon into their arrangements to meet, they seem to get on at least tolerable terms, obviously, a few meetings where neither of them feels like going apeshit and taking proper shapeless (or in sams case, he's got a newfound form for ANGER OO just for giodine 🤗) forms isn't going to fix a grudge that has yet to be apologized for by the way. But it's a start to a very long process down the road. Tolerance.

Giodine as an entity is very fickle and rude and demanding. They tend to have a short temper that no one else is allowed to have or comment on-- They were the first therefore they were the most important!

This is very obviously an issue. But it's mostly directed to purgatory. Almost all of their seething rage is pointed towards the poor entity, she's barely been alive yet and they already seem to hate her for things she doesn't know how to do. Honestly, I don't think Purg will ever fully forgive them for the unnecessary abuse of her character, but just as Sam and Giodine get on better terms, they had barely just begun fixing the hole in their relationship. As of now, Sam/Giodine don't have any minor plot points with purgatory other than the major one so I don't have a lot to say about their relationship right now. Maybe one day.

I'd go into details, seriously, but I just wanna ramble about their relationships with each other and their impact on each other's existence. Hope you don't mind a few secrets 😉

But, now, it's time for a new God, one I think most people take a liking to...

Sam (Samuel)

He/him

ID: Sam is surrounded by clouds in the light blue, fading to a darker blue sky and the yellow sun. His horns are a darker beige, which is being highlighted by the sun shining down on him, he also has pointed ears. His skin is red which is very prominent in the sun. His eyes are completely yellow, his hair, beard and mustache are also black. He has an orange scar crawling up to his Adams apple. His wings are a darker grey which is also being highlighted by the sun. His nails are painted black and his hand is holding up the black fabric barely covering his shoulders. Around the painting is a gold and red shaded frame with swirls complimenting each side and a crystal at the bottom of it. It is lightly signed GH, for ghoulish husband.

Sam, Sam, Samuel.

If you don't realize right away, Sam is basically Satan, he's the ruler of hell

Like how giodine was the first to appear on earth, as mentioned before sam was 666th for funnie reasons. Sam was made from bugs, dried blood, and sunlight which sounds pretty gross, but he's far from it. He's a silly, yet neat, guy. He wears Hawaiian shirts and khakis (not around giodine lmao) for cryin' out loud! how bad of a person can he be? Apparently to giodine (for a while obviously) he was the most retched entity to exist. This very much hurt him considering the amount of fake care they showed him before. With a mixture of confusing feelings (which wasn't supposed to be a thing but Univerce went "lmao you'll be fine" and left... short explanation, Univerce is the Universe and is the entity who simply builds these planets and gods that'll appear there and leave them to their own devices, xyr not extremely important in this story. Nor would they care.) and feeling used, he decided that no he wasn't going to take that.

If there is one thing Sam knows how to do is to self preserve himself, even if that means getting passive-aggressive notes sent to him every once in a while. While this period, Sam was surprisingly the least productive (unfortunately giodine knew this and eventually mentioned it in one of their meetings which made him hide away cause like hell giodine was going to be critical of /him/) but he managed. It wasn't terrible, but unfortunately, Sam being able to talk it out with someone who does practically the same work as he does and gets newer, more helpful ideas was better in the long run.

Unsurprisingly, Sam was the first to initiate the healing of his and giodine's relationship but it wasn't reciprocated. Who would've figured, aye? Giodine kept pushing it back onto him and ignoring any progress that could've been made before. Which was frustrating.

The painting above was 'painted' by giodine, which is sorta where their relationship gets somewhat on an understanding of each other. Giodine gets to take a deep long look into who Sam is and tries to express it but it never fit him, it makes them realize that they never really-- truly got to know him. And all it does for Sam is make him even more confused about his place in giodine’s mind. He figured it's another fluke to get him to do something, so he ends up distancing himself when they start actually reciprocating his friendship advancements.

Suddenly, like a flash, Sam was forced to stay with giodine which is where the majority. I'll explain.

Sam...isn't actually the ruler of hell. Anymore, anyways depending on the timeline. His and purgatory's relationship has always been complicated, she always avoided him, and when they talked she always seemed scared of him. So in the end, they've never been close. Distant. Sam always wanted to talk to her, he made her, but if she didn't want to talk to him he wouldn't force it. But imagine his surprise as Purg singlehandedly took over hell in a hazed frenzy.

And not only that, had a personal vendetta against him!

Well, that would be the only explanation to Sam considering how he ended up broken and barely 'alive' at the hands of her. Horns broken and in tatters, pain and almost obliterated it felt like a hate crime. He didn't know what to do when he made it to the office, Purgatory was creating chaos outside his door and barely being able to breathe he felt like it was the end. So he called giodine. 

Purgatory

She/her

ID: Purgatory is surrounded by flowers that are dark grey and white. The light fades down into a dark green. The light shines down on top of her straight, white hair that has yellow flowers tucked into it.  Her skin is a dark brown and has a orange-ish yellow scar on her shoulder trailing up to her neck. Her skin is also highlighted by the sun. In one of her eyes, her sclera is black with an orangey, glowing iris. As for the other eye it it has a white sclera and the same, glowing orange iris. She has wings for ears, one dark grey and one white along with beige horns. She has a white fabric covering her chest. The frame is gold with white accents, but also has vines and moss crawling up the side. 

(may have goofed a bit and forgot to color the sclera of her other eye white but ignore that pls)

Purgatory was made by Sam and Giodine, but to her it felt like a mistake. Why make someone that you’re going to be terrible to, she believed. Giodine seemed to hate her and eventually made her section almost obsolete because she simply wasn’t able to keep up with the backlog that she wasn’t taught to deal with. Not only that, she didn’t have any help with any of it, it was almost like she was expected to just do it on her own. Until Death came along to help, but that’s not what we’re going to be talking about right now. 

And also, Purgatory is Purgatory yadda, yadda, I wont insult your intelligence.

Giodine’s thought process (other than wanting to be Real Close to Sam and once that thought filtered out, promptly ignored it) was that all the extras that don’t fit in either category of their thought of good and evil they’d go to her. (doesn’t matter cause in Sam's system it filters through ‘levels of assholery’ and depending on how bad you are you either just vibe in the upper city under rule of capitalism and possibly many under paying jobs or being actually tortured for his amusement if you’re just evil. Morally grey. Anyway, it could work p well in heaven if giodine wasn’t such a damn stickler.) But in the end, every day, less and less people ended up in purgatory, leaving her with barely any people and more verbal abuse from giodine who ‘HAS to take them or they would be more dead than they already are’. You see the pain she has to go through, right? 

~Idea section, this is probably not canon anyways so dont take it serious~ 

My thought is that another oc (BA, you may have heard of him idk) takes over simply because Purg took multiple hims from alternative timelines (which isn’t allowed but what’re they gonna do, undead a dead clown? multiple times from multiple timelines???)) because she adored him and they figured ‘well we gotta redo purgatory may as well do it like this’ and make him a demi-dead-god. i think thats a cool idea right? anyhoo

~Idea section over uwu~

Purgatory overall is a fairly timid character, she doesn’t like conflict, is easily overwhelmed, and generally keeps to herself. She doesn’t see the point in being in any drama if she’s just going to be yelled at and scolded even if it’s not about her. The only way i could describe her taking over hell is this: 

She was tired. She was angry and after feeling like nothing was in control or in her hands, she snapped. Why doesn’t she get anything or get to be ‘all powerful’ but they do? She knew if she took on Giodine she’d likely get thrown to the void, but sam? He felt fair game. Considering her fear of both of these gods, she planned and got her courage up to take him over. She had considered negotiations but in the end, she ended up going into a haze and ruining everything in sight. She was more powerful than she thought and once she started, she didn't stop until Death restrained her and Sam was already in pieces at God’s doorstep. 

The aftermath was fuzzy for her and for everyone really. Godine was planning a take back hell while actually worrying for sam, sam was planning for a retirement, and she was being consoled while trying to get in contact with sam to apologize. Giodine wouldn’t dare let her talk to him, until she just showed up in their office. She didn’t have a problem with Sam, honest, she just was going to take shit over, but it got out of control. 

Spoiler, Sam took her apology and they actually became.. somewhat closer after reaching an understanding. 

I wanna say that giodine took them being okay and sam retiring as good as sam did about purg running hell, but they didn’t. Giodine and purgatory actually barely got along in the first place, and only begun ‘working’ on their bitterness toward each other because they both had sam to encourage it. I can’t say for certain if they’ll get better, as theyre both undying and have time, but I’ll just say for now its uncertain. 

Also, Death is Purgatory’s girlfriend after all of that lmao.

And.. yeah, i hope this makes sense and that you like my drawings and ramblings about my lil story in my head, i guess this is my way to develop it without just keeping it to myself cause god forbid i keep things to myself hshsh. If you made it to the end, thank you for taking the time to read and attempting to process everything, and even if you didnt read and just looked to look at my art thank you to!!

I may post some art over on @ghoulishhusbandart cause.. it was my art account before i completely forgot about it but i might reboot it! But if you wan art NEOWWW follow me on insta (ik cringe lmaoo) by the same name as this account @ghoulishhusband​ or just click that insta link! also ignore the fact that giodine is the only one without a portrait, maybe I’ll replace it the next time i draw but im graduating on monday and my dad’s coming TOMORROW?? so i won’t have too much time to do it... but i hope you like my art anyways :]

ok!! ty!! ily!!

[cowboypossume]

so i reread keeper of the lost cities and here’s my fresh input:

a note before we begin: you know how people fake throw up at things on tik tok? this book is the reason i now unironically do that.

dex and fitz really have the enemies to lovers troupe going for them and i’m ok with it. i really am.

so do sophie and biana at the beginning but it fizzes out so a better description is enimies to friends to lovers

marhella and stina give me such power top energy i cannot express how much i think that contributes to people not liking them

speaking of stina i wish sophie didn’t just immediately hop onto the bandwagon of “oh she’s evil” without investing further, especially with how much she is written as a ‘good’ person (which i can and will defend to the day i die that good people don’t exist but that’s for a different day).

there’s way too much heteronormativity and Patriarchical Ideas mushed into the book. like three hole pages of a 488 page book of teenagers being like “oooooo girls like guys and guys like girls” only for della to join in. not to mention the amount of times keefe is the reason for those ideas because he’s teasing like “oh fitz has a girlfriend”

keefe and fitz didn’t have as many bonding moments™️ in this book as i remember, but they stil know each other really well, have comfortability around each other, and would make a 10/10 best friends to lovers troupe.

oh my god s o many crushes i swear. like two teenagers of the opposite gender really can’t not like each other apperantly

i miss read a line and really thought there was cannon sexism for me to do a whole ass rant about in the notes part of my analyzation but n o p e

but we do have classism, sexist stereotypes, and the fact that there’s been SO many characters who’ve spoken and ✨🌺far too many of them are white🌺✨

oh also: no ones disabled. which annoys me because their society is described as ‘euptopic’ almost implying that it’s something that makes people problematic, which,,,, no

ok a side note on the society, i understand that the story’s message (kinda) is that things that seem perfect are probably deeply flawed, but something tergan said stuck with me. on a page i can’t remember at the moment he says something like “[the black swan exists] in a society that doesn’t have rebels”, which it suck with me bc that’s boarderline dystopic if it’s not there already. it’s one thing for laws not to be broken, but when you think your society is so perfect despite it having obvious flaws and you think that no one rebels, then i really hate to break it to you, you have a massive rebellion about to occur; it’s just scented as foul under your resplendent nose.

please stop flirting. i get its part of teenagers being teens but i swear if i read “s/he realeased a breath” or “their heart fluttered” or literally ANYTHING like that god no.

yall. i missed dex. he actually has more role in this book than ‘you can gadget and we need one’ and oh boy i really missed him. he’s a BEAN and deserves better.

hole’s said everyone deserves better and i absolutely agree so we’re adding that note here.

if you do what i did and read this book out loud to one of your best friends who has no clue anything about this weird fandom and give fitz a really deep voice for no reason it’s comdy GOLD.

i really think i’m reading too much into this point but iggy seems,,,, symbolic to me?

like ok with humans, sophie didn’t ‘fit in’, right? like she grew up hearing things like “why can’t you be normal like your sister” (which i can do a whole other rant about how that will affect her for the rest of her life just a s k)

not to mention looking really different from her family and graduating high school at age twelve 

but you know who never judged her?

m a r t y

so anyway sophie meets this teal-eyed, movie star smiled wonder boy who takes away her entire knowledge of everything she’s known while taking away her family too

and it turns out even in a place of weirdos she still manages to be the exception to everything

and she doesn’t have the comfort to hear what people are really thinking about her anymore (which as i said before say the word and i’ll deadass write a whole speech about how everything she heard will completely fuck up every relationship she has) which unfortunately means that she grew used to confirming people didn’t like her but now she doesn’t have that

she has to adapt to this new space and feel like she’s always felt, like an outcast in a place that was accepting, but yet again, she the exception to everything

but about halfway through the book she starts to become more comfortable around grady and edaline and that’s when iggy comes in

she finds him while cleaning garbage, and grady compliments her. they have a bonding moment and it’s because of this t h i n g. and then sophie actually feels proud not only does she take up a room, but she did something

and her new parents are proud of her

so she finally feels like she BELONGS because she helped out at the place where she lives/they work

to me it seems iggy is kinda a manifesto of the world building and character development that happens in this book

i think the plot/character arc is fixated a little too much on how different sophie is. like, i get it, she’s exception to everything, but the plot really didn’t need her to be that quirky. yes, she’s different, but there’s a lot more to the plot and her character than how different she is.

also, i had to reread pages a lot bc i needed an exact paragraph number and,,,, it’s really paced like a fanfic

some questions i have about the society is:

it’s established that they use books, physical papers, etc., and the only thing i remember about trees is the speech alden gave her about how she doesn’t know the name of their most popular tree, and the fact that people become trees when they die. even then i don’t think the second one is in this book. never o n c e do i remember something about planting trees that aren’t dead elf’s, so do they feel the affects of deforestation and that jazz?? like if they use trees, will they run out of them? can they??? and do they use the coffins of elf’s for paper??

this is more of a rant than a question, but here it goes anyway. in foxfire, students have a testing system very similar to the one in america: a huge test at the end of the year determines the future of a student. that in of itself doesn’t sound too drastic, right? well,,,,, not necessarily. several studies have shown that tests in general, but especially these types, don’t work. despite how good or bad of a teacher i think my past and current teachers have been, every single one of them hates this system that we have in place. they know it’s an unfair assessment that does it’s damnist to make you fail, and they’re trying so hard to denounce it. however, that doesn’t happen at all in the lost cities. in fact, most of the teachers pride themselves on failing students. so if elf’s are in such an advanced society, why do tests still exist? especially in an environment where the consequences are far greater than just staying back a grade. 

so sophie’s figuring out that major problems exist in the world the elf’s created, right? i wonder if more society structured problems exist more than ‘oh bad people do things and the law justifies which is what’. like, as i’ve previously stated, there’s sexist stereotypes presented (like girls like dresses and guys don’t), but does sexism still exist? does racism exist? it’s established that poverty isn’t a thing because of the fund elf’s have at birth and their limited usage of money (which if you understand please explain bc i don’t really get how they buy stuff but still don’t use money) but if someone gets shipped off to exile, do they lose their money? is it possible for elf’s to starve to death because they can’t afford food? do they pay for food?? if they did starve who would they call? because someone on this website, who’s post i tried to find but i couldn’t so if y’all know what i’m talking about please link it, brought up a good point that elwin is a school physician, he shouldn’t be dealing with the near-death experiences sophie has, so who would they turn to? especially if they don’t have access to foxfire because they got exciled??

is therapy a thing in this world? sophie and dex could really benefit from it, yet mental health has only been brought up when someone went insane, which REALLY shows how little they think about it.

that perfectly transitions into my next point: sophie and dex’s trauma. i really don’t get the vibe that there was much thought going into their kidnapping, other than sophie needed something to trigger her inflecting ability and establish the black swan are on the good side, which really sucks because wow trauma doesn’t happen lightly. and the fact that it happened seems rushed to me, but i’ll come back to that. but anyway, their trauma doesn’t get developed that deeply in this book because it wasn’t given the space to. they were beaten, tortured, starved, gagged, and who even knows what else for t e n d a y s, only for them to find them again, repeat the process, but someone saves them and dumps them into an illegal city and they both nearly die from dehydration, coldness, and lack of concentration, and you’re telling me after three days of conscious of bed rest sophie wants to get her failing out of school over with? ma’am, it takes more time than that to adjust to THAT alone, not to mention the realization that “hey your entire life is fake because people genetically altered you to be their weapon in a war so much bigger than yourself” that was recently dumped on her. like,,,, you really expect me to think that three days is what made her feel prepared and CONFIDENT? no sir. i don’t buy it.

coming back to it being rushed: the book starts out slow and then really hits the ground running and doesn’t stop. so much more stuff happens in the second half of the book than the first and it never gets fully developed it feels like. in the first half sophie moves away but gets a new family and struggles a bit but adapts, fires maybe but hey don’t worry about it, dex hates fitz, fitz is ✨d r e a m y ✨ but our main girl doesn’t like him like that, right?, stina’s a bitch, and sophie is a quirky girl and telepath but can’t tell anyone. pretty basic stuff, not too plot intensive. the second half though: sophie almost fails her midterms but doesn’t, grady and elaine want to unadopt her (which that’s never really explained as to why they do that but ok) fires exist in san degio but they’re fine but they’re actually a rebel elf so..., sophie accidentally breaks a law but it was an accident so it’s fine, update on the fires: sophie burns herself trying to get the evidence that it’s a rebel elf and it works, she’s the moon lark and basically a weapon bc no one knows her well enough to evaluate her safety, sophie and dex get kidnapped but fitz can now transmit to her and she has two new abilities so it’s all good, trauma doesn’t exist except for nightmare you can fix with sedatives, sophie doesn’t fail out of school, and yayyy her family doesn’t want her remove their adoption. there’s probably a lot more that i missed, it’s just that’s a LOT of stuff crammed into a little bit further than the second half of the book that really could have been devolped or explore further instead of forcing into less than 244 pages, ya know?

fitz’s eyes are mentioned seven times, the first time being on page TWO of the novel

his smile is mentioned three times

alden says “no reason to worry” five times, he writes it once, and sophie points out he says it a lot so he chances it slightly to something like ‘don’t stress about it’ so i didn’t count those though i should have

speaking of alden, in this book he’s absolutely creepy, but something that stands out to me is how much he calls sophie girl. i didn’t count it, but he said “that’s a good girl” to sophie too many times for it to be normal especially when you consider how he doesn’t do it to anyone else.

i kinda forgot i was annotating for sophie’s anxious habit of pulling out her eyelashes so i got she did it twice, but i highly doubt that number

but i will keep adding to this when i actually do the words with my annotations.

[welllpthisishappening]

Okay can we talk about ACOSF???? Bc on booktok all I’m seeing is so much negativity about how people don’t like feysand or don’t like nesta but?? I read this book, loved it, thought nesta grew SO much and we got to see feysand from a different POV which gave them depth! Plus a baby!!! I can talk about it forever

We can absolutely talk about ACOSF. I have thoughts, feelings, opinions and this is going to get long. And, uh, any of those super negative critiques:

Alright, alright, alright, so initial feelings? I enjoyed it a lot. Like, way more than I thought I would honestly because going in I was like eh, Nessian, but I loved Nesta’s character development and the flirt-to-roast ratio with her and Cassian and every single time Cassian called her Nes or God help me ARCHERON, my soul reached another plane of existence. Don’t even get me started on that one time she called him General. The noise I made was not audible to human ears. 

That said, there were some parts that I was like: oh ok, that’s happening. So, because I cannot function without organization, let’s break down some of the major things that happened into a LIST WITH OPINIONS ATTACHED

Sexual Tension Fucking fuck, these two idiots. Pining after each other while both desperately wanting someone, anyone, to be like — please stay in bed and cuddle me all night?!?! Idiots. Both of them flush with power and the ability to make people legit terror before them and they’re so goddamn soft with each other. Which is kind of hysterical because they are also able to rip each other to shreds? Oh my God, some of those fight scenes, I just—my heart was in my throat. And I do not want to hear a single word of how CASSIAN IS MEAN TO NESTA? Were we reading the same book, internet? Bro is In Love. From the G E T. 

Which leads us to—

S O L S T I C E  God, rip my romantic-loving heart out of my body. Learning what was in the box from the solstice before made me screech and then the music. THE MUSIC. Can we talk about Cassian, feared general, dude who has canonically lost track of how many people he has killed, cornering an ENTIRE ORCHESTRA to recreate music for Nesta? I just—f u c k. It was a lot. A lot. And then we circle back around to how soft they were and there’ll never be another and I am going to have to pace around a bit. I loved it. I love them. I nearly screamed when it took Nesta a few more chapters to realize it was a mating bond, and then Cassian just bolted because he also couldn’t quite deal with it, and I am still not super sold on the mating bond, like, as a thing, but I kind of went into this book pretty certain this was going to happen, so...good. Also them arguing by the Sidra, oof. 

There was a lot of sex in this book. I knew there was going to be a lot of sex in this book. I must have told my husband four different times, “God, there is a lot of sex in this book.” Some of it was good. Some of it was kind of cloying in its descriptions. I genuinely lol’ed at Nesta fantasizing about being straight up railed by both Cassian and Azriel. (Why was that in there? Still don’t really know, felt a lot like very obvious fan service, but it was also kind of hysterical.)

JEALOUSY DIDN’T MAKE ME WANT TO RIP MY EYES OUT I hate jealousy plots. HATE THEM. It’s one of my biggest pet peeves in relationship writing, but I was super into it here??? Cassian cutting in on the dance and TAKING DANCING LESSONS. It was good. I enjoyed it. 

Nesta’s Power Yo. YO. This was really cool. She was terrifying and out of control, while also learning how to be in control and intimidating and I was like YES, GET IT. When Rhys flew into the House and Nesta was just wrapped in silver flames, that was super cool. Also Rhys being freaked out by her? Kind of bad ass, honestly. But. But! I wish it was explored even more. I wish we got to learn what she could really do and the extent to which she could do it, because I thought it was a fascinating possibility to parallel Nesta to Feyre and I don’t really think we got that. Like, Feyre Cursebreaker — with power given from all the High Lords, this bringer of new life and a fresh start for all the courts. Then her sister — with power stolen from the Cauldron itself and death at her fingertips. With all the comparisons of Feyre and Nesta, I really figured we’d be gunning towards that eventually ESPECIALLY with Feyre being pregnant, and the idea of life in that capacity. Also, what was the point of Lucien saying “Gods help you all” or whatever he said when he was watching Nesta train if...nothing ever really came from that? We’ll circle back around to that in a second, during what will be my ending-based soliloquy, but first let’s talk about—

Feyre Being Pregnant, Why That Kind of Felt Like Twilight and Why I Get Why Rhys Was Being an Idiot Listen, part of the reason I wanted to read this book was for what I assumed would be the Feysand crumbs we’d get. Most of me was convinced that this book would not take place in Velaris and I was mentally prepared for that. Color me pleasantly surprised when it wasn’t and we got an IC feast. But. But! Part two! I’ve mentioned how I’m never really here for...pregnancy being like this ultimate endgame, and I understand why Feysand wanted a kid and I get it, I do. Just the whole thing with she’s going to DIE felt very Bella Swan, was kind of dramatic in mela-sort of way and I TOTALLY GET WHY RHYS KEPT THE WINGS A SECRET. Was it idiotic? Yeah, of course. But I don’t think we talk about his trauma enough, really. Those fifty years under the Mountain are not just gong to disappear, and I cannot really blame him for totally losing his mind at even the idea of Feyre dying. This is not a dude who is trying to control Feyre. I’ve never felt that way about Rhys. At all. This is a dude who has already lost ALL of HIS control and is desperately trying to hang on. He’s already had his entire world shattered six ways to Sunday, this was obviously going to destroy him. Aside from, y’know, straight up killing him too. (That was dumb, guys.) And I think telling Feyre would have made it REAL for Rhys, which he obviously could not cope with. Was I surprised that Feyre’s pregnancy was such a big plot point in a book that was supposed to be super Nessian focused? Yeah, for sure. But also—I like established relationships and Feyre and Rhys could not stop making eyes at each other. Not totally here for the deadly pregnancy trope, not totally here for using family as a trauma recovery, but sort of understand it. 

Training, Valkyries and Friendship Bracelets Like I said, I thought this book was gong to take place in the Illyrian camps way more than it did, but I L O V E D the training sessions. Adored Nesta, Emerie and Gwyn’s friendship and how often they teamed up to snark Cassian and Azriel. I was painfully here for all three of them together and the sleepover in the House warmed the cockles of my cold, dead heart. Especially when the bracelets proved so important during the Blood Rite. Which—let’s talk about the Blood Rite. Didn’t expect that!! Was pleasantly surprised by that!! Nesta drawing the literal line in the dirt made me fist pump the air. (And is another parallel to Feyre and her taking inspiration from old Fae legends, but that’s neither here nor there, whatever I’m not here to harp on missed opportunity.) I thought it was really important that all three of them got to showcase their own power too, and how they worked SO WELL together and I was just really glad that there was such focus on this sisterhood outside of literal sisterhood. I thought those relationships were so well done and it was just such a joy to read about their growth and strength and I loved them. Am I here for Gwyn and Azriel? Maybe. Possibly more here for Emerie and Mor? Maybe maybe. 

The House I thought it was Amren, for a very long time. Like secretly helping Nesta still and I was really into that idea and really into Amren not being able to totally let Nesta go and I wasn’t really into Nesta bowing to Amren. 

THE ENDING Oh my God, so much happened. So quickly. With some occasionally jarring scene cuts. The Blood Rite surprised me, but I was not surprised by Cassian getting ensnared by the crown. Fully expected something like that to happen, was still making ridiculous noises when he tried to turn the dagger on himself instead of killing Nesta. LOST MY MIND WHEN NESTA UNMADE THE QUEEN. I’m still sort of...confused about the Trove, though. I know there are a fair number of hanging plot threads that are gong to lead into other stories, but I just—I don’t know, when they were talking about the High King and everything I sort of thought they were leading towards Nessian being that. I know the whole IC was very into Rhys and thematically it made sense, but also let’s consider—I don’t want that? Rhys needs to get his shit in order and his own Court to calm the fuck down and again I think the potential for LORD OF THE BASTARDS and LADY DEATH to ascend to this position of power and lead the world into this new era was there and I just, I don’t know, I liked the idea of it. Particularly when so many people have referred to Nesta as a Queen. That whole thing in the prison happened, y’know? I’m not sure (read: I’m fairly positive) that won’t happen now, especially because Nesta gave up so much of her power to save Feyre. And I know that’s a TALKING POINT™ but also...I was pretty cool with that? Once it came out that Feyre was going to die, it made sense that Nesta would be the one to save her—to twist death again, and kind of seize control of it. Granted, I’m still a little confused by the Trove and what everyone’s going to do with all that power, but Nesta saving Feyre was this perfect sort of wrap up. For me, at least. I think they balance each other out in a lot of respects, and that was really the last step of Nesta’s growth. Also, uh, back on my Feysand ‘ish and Rhys screaming and crying and trying to get to Feyre? o o o f. Also, also, RHYS BOWING TO NESTA. I CANNOT TELL YOU THE LAST TIME I CRIED AT A BOOK, BUT I CRIED AT THIS BOOK. RHYS, BABY, I ADORE YOU. 

Nesta Finding Herself I just really—liked it. I think sometimes in these sorts of stories we get people who are so focused on characters being “the bitch” and having an edge and we have a tendency to think that’s what makes them STRONG. Nah, that ain’t it, son. I don’t want to read about someone being a dick just for sake of being a dick. Nesta was NOT IN A GOOD PLACE. She was self-imploding and destroying herself and getting her POV made it blatantly clear that she thought she deserved that. That she truly believed she didn’t deserve anyone else. And as much as the romance was good and the friendships were fantastic, the key to this story was Nesta (as cheesy as it sounds) learning to love herself. To find worth in her own self. Reading about Nesta simply learning to want to live again, for no one except herself, was really, really good and I think, for the most part, well done. Which is why it makes sense that Nesta gives up some of her power. This isn’t about being A BAD BITCH, PATENT PENDING. This is about love, and joy and embracing your own faults. I get the disappointment over Nesta losing her power. I do. But I’m not sure she totally did? Maybe that’s too positive, or too naive, or something, but...whatever. 

Other things that I really enjoyed, include but are not limited to: Cassian having allergies Nesta absolutely decimating Tamlin. And Tamlin’s just like...a lion all the time now, huh? And, uh, also is Tamlin Gwyn’s dad??? Like, is that a thing? Am I crazy?  Nesta telling Elain to fuck off (Also, Elain—darling, I wish you got more character development. Elain is to SJM what Belle is to me in CS fic. Sometimes I think she just forgets about her.) Azriel calling out Cassian for getting BLOWN at the dining room table Azriel getting Nesta a Solstice gift and then THEY HUGGED Nesta wanting an over the top mating ceremony. Get it, girl.  Feyre going full on Court of Nightmares in the Hewn City Nesta making it down the steps

Other things I thought we’d get more of and just...didn’t Whatever the fuck Lucien has been up to, and more on the continent with Vassa and Juran More stuff in Illyria Reaction to the trio in the Blood Rite Amren and Nesta reconciling. I know Nesta apologized, but Amren kind of got on my nerves.  Nesta understandably criticizing the IC and their tendency to get a little sanctimonious.  THREE SISTER PEAKS. THREE BAT BOYS. THREE VALKYRIE. WHAT IS IT SARAH? WHAT DOES IT MEAN? 

[vwildmonk]

4, 7, 8, 12, 19, 20, 28, and 33 for Lin!!!!

Thanks Whirl! This was a fun mix!

4. Do they cuddle/snuggull/hug in their sleep? Do they talk in their sleep?

Oh Lin for definite is a sleep hugger. This monkey when not Absolutely Drop-dead ‘I will lie where I keel over and wont move at all’ exhausted practically burritos herself in whatever she is wrapped in. If someone is nearby her hand and tail do just unconsciously wrap around them, and she does curl around or on them slightly bc if you are someone she would Let herself fall asleep around you are Trusted and she will ensure you are kept safe and know you are loved even when she isn’t awake. Protective like that.

Talking? It varies. There are either very content monkey chittering noises and the odd happy swear... or on the worse nights if someone really listens they do hear her repeating names. She’s protective, and unfortunately sometimes the mind twists that into worst case scenarios backlit by fangs... at least the nightmares are rarer nowadays.

7. Do they prefer warm, mild or cold baths/showers?

Warm! This monkey likes this luxury. Cold blast to start so she actually wakes the peck up or changes track from her thoughts and can enjoy it, but after that it’s as hot as she can get. Do NOT ask how long it takes that fluffy fur to dry and brush out afterwards. Network has to ‘help’, which certainly ends up fun.

8. What's their view on socks/shoes/pants?

Pants- very important! They have pockets! Also very fond of skirts as they are flowy and quite frankly peckin’ excellent and can have secret pockets!

Socks- she can give or take them, honestly prefers barefoot as then she can get good grip on things when on smooth floors, but can be nice, and are good in shoes.

Shoes- Loves them! Loves shoes so much! She can wear them again! They make fun noises as she goes about on different surfaces and it is the most Peckin’ Fantastic thing. Now she has the 1ft tall heels from Lethe she is even more pleased, she’s SO tall (she’s really not, she’s 4’6, she is still shorter than the majority of folks she knows but shhhh, she’s having a blast).

12. If they could live anywhere, where would it be? What kind of house would they have?

House wise? Network always. She honestly can’t imagine living anywhere else as Network-Sweetheart-Nettle is not just a house, they are her Sweetheart, her home, the heart of everything she has known for a long time. The idea of NOT coming back to them is unfathomable.

However if she could move Network to somewhere else? I think she’d most certainly move out of Toontown, even though it is the place she knows So well- better than she knows the back of her hand in fact. She knows the roofs and the streets and their familiar patterns and connections to the detective world very easily. But it would be nice to get away from the constant noise and chaos and it’s many plot-starting and plot-related scenes that send her heart and mind racing not always in the best way. Go somewhere a bit quieter or at least less extreme constant action packed; where she could go to Toontown for jobs but also know that some case or misadventure wasn’t going to burst through her doors at odd hours or the radio constantly blare the local crimes on a loop. She’s got a place in mind that she would move herself and her lil Rai to if she felt she could, has tried to think how she would ask even though she knows the answer would most likely be positive. But as she Refuses to leave Network it’s a shelved thought.

19. Who do they miss the most right now?

Honestly, she’s been doing pretty great on reconnecting with people. For the gap period of time she Deeply missed her dear mentor/partner Almond and her lil niece Wendy. As well as her Stagehand family she had been pushing herself away from to keep as safe as she could from herself (with certain factors and the red tinged nightmares further deepening that desire to get the distance from them all). Then when on the run there was the compounding with her new family and connections, but she’s rekindled all of those now. Makes sure to visit her old family and her new family often. Even if just for a tea and chat. She’s certainly got her favourite places to go and her key triangle (Network, Manor/Halloweentown, Dulcis Agency). She’s doing genuinely, honestly, well in this area of her life.

So in a sense? Right now she misses her past self. The young Pompom who saw the world with such wide-eyed optimism and hope. The Goldie who was a little less world battered and paranoid. The Lil Lin who didn’t flinch at things that she can’t quite understand Why, who didn’t freeze or panic or have to take a chill pill and clutch her broach to stop phantoms rearing their heads. Who believed every crime could be solved with a happy ending and every case if she worked hard enough could be solved with no one getting hurt. Where everything was safe. They were rose tinted glasses that got cracked a long time ago, and her scar even though it is now healed is a constant reminder of what lurks in the dark. Why she can’t let herself just be happy and relaxed… and every time someone she has loved has dropped to the ground or some news she Should have known if she had just Looked comes to light has cemented this. She misses when she ‘Knew’ everything was safe and would be alright, even as she knows now the Best state things can be in within this Plot-driven world is Truly Fine.

20. What kind of touch do they need the most right now? Forehead kiss? To hold someone? To be held? [Insert other options here]?

She needs a Giant F-ing Bearhug, a grounding force good, safe, squeeze.

Lil Lin is a toon who has seen so much and still feels as though she has to scale a mountain to combat and fix everything. Always So Much to do. To keep Einquell safe, to keep Toontown and Halloweentown safe, to keep Her Family safe. She wants to make the world safe for her nieces and nephews and her CornMaze family and her Dulcis family, not to mention her Son- who has been through so much which she has to keep working to ensure he is safe and hidden from those who hurt him before. She can’t rest as she has to do All The Stuff. She needs a hug to make her Stop. Even just for a minute. Help her come back into her own mind and her own body, especially when she gets frazzled or something hits a trigger that sends her off kilter.

Lin doesn’t like viewing herself as small, but she will admit it’s nice to be held and have someone support her for just a minute. She would also admit with some prodding that just being able to sit with gentle contact is nice. The casual and absent minded gestures of familiarity that show people are comfortable around her.

But also the more deliberate touches are wonderful: she has her favourites. A hand cupping the back of her head or ruffling her hair, hand wrapped around hers, being tugged to see something or grasped to mentally show her things through Echo by Lethe and Rai, knuckles brushing as mugs are tapped together. Those little memorable touches that are interwoven through all her memories. Her hands are one of the favourite things about herself she has, that sort of touch with others is both needed and cherished.

28. What would they do if they could go back in time?

In an ideal world: Be there.

Be there for her Lil Rai when he had no one. Be there to find the information and stop things that would happen to so many different folks, get them to better places sooner, find out Why they are the way they are- like what the peck is up with Teal perhaps. Take the stress off Almond and lessen some of those new scars she now sees. Be there when the folks she knows so dearly were hurt- those she met on a certain demi-plane and witnessed their stories spring to mind here. She would go back and stop that terrible moment in the maze and at the dinner party and the times when things went wrong and where people hit the dirt because she was too slow or too blind or wasn’t enough to stop any of it. She’d fix all the things she wasn’t good enough to do or be there for.

But when not thinking of others… actually she’d always think of others. As even if going back in HER story, she would have stopped the first stagehand going missing before stopping the exact moment she got bit- if she’d just noticed and got on the Shady Deal case sooner, brought in Almond and got to that warehouse at the very start- took it to the source sooner, maybe it would have helped. (She doesn’t know this but it wouldn’t have changed her narrative much at all, once she was noticed... ) at least it would have meant less people under her care would have gotten hurt.

But she can’t change the past, so she has to do the best to do and solve Everything Better now. She just hopes she catches enough.