#every second of the damn day

[bixels]

Just gonna have to wait and see, right? Just wait and see! Just gotta wait and see! Who knows, we'll just have to wait and see! It's anybody's guess, we'll just have to wait and see! The future is exciting, we just gotta wait and see!

[hoejism]

these rp accs drain the fucking life out of me

[justaz]

merlin told arthur his favorite color was the color of the sky during sunset when it shifted into a deep violet. arthur gets a tunic made in that exact shade. its the best thing merlin owns. arthur was hoping that would mean he’d wear it almost everyday but merlin almost never wears it. the only time he does wear it is when royals come to visit (which isn’t all that often). arthur “subtly” asks about it and merlin is like “it’s the best thing i own. i’m not gonna dirty it mucking out the stables or serving rowdy knights wine while they splatter food on it” and arthur is like “why not wear it when nobles come to visit? look at least a little presentable for them” (cough nice save). merlin doesn’t see the point in it bc nobles don’t care about him at best, view him as less than human at worst.

arthur really just wants to see his boyfriend servant in the tunic he had made for him (bonus points for sending a message that merlin is his. not that merlin seems to notice. man is too much of an idiot). merlin wants to preserve his favorite tunic and gift from his boyfriend king.

[s0fter-sin]

soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart

sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers

and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure

the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish

soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down

he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill

we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan

he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost

he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them

he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted

he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much

[biillys]

billy hargrove: in every scene — 2.04 chapter four: will the wise

[luck-of-the-drawings]

"And soda; runs off into the street..." "...and soda... is totally okay!"

[caelysiiium]

TanFang from We Are คือเรารักกัน (2024) + some of my favourite romantic book quotes

[arostormblessed]

Season 6 gang (two + jamie + zoe) literally Thee physically affectionate tardis team. these mfs were constantly holding hands, hugging, leaning on each other, straight up clinging, climbing each other like jungle gyms, and nothing was stopping them. they are cats, they are pack bonded, they are a package deal, etc. keep together do not separate

[around-your-throat]

my ass is not getting into heaven with these pink haired pete wentz pictures on my computer dawg 🤣

[ingravinoveritas]

A couple of thoughts on today’s events in the GO fandom:

- OMG

- I did see it, but in the interest of keeping things under wraps until July 28th, I will not share any leaks or spoilers publicly, but at the same time...

- How did that even happen?!

- Amazon Prime is to blame for the leak, not the fans. There is no faction of “good” GO fans who haven’t shared the spoiler vs. “bad” GO fans who did because they were genuinely excited and saw something shared by an official source. People have the right to be excited after months (years, even) of no content of any kind, just as much as people have the right to be disappointed or not want spoilers.

- ...But Neil reblogging and agreeing with this post is almost certain to create division and once again sets up fans as targets. The coddling of Neil is also disconcerting to witness, as if he is a child rather than a grown adult man. There was no context for the spoiler and nothing else to give us clues for what was happening and while yes, it’s understandable that he feels frustrated/upset, that does not give him the right to further punch down on the fans (who are undoubtedly easier targets than his boss(es) at Amazon).

- We absolutely must have promo interviews with Michael and David in the weeks leading up to July 28th because they will be the stuff of legend and if we do not get any interviews, I will simply perish.

- In conclusion, Michael Sheen’s face in this picture:

[eggsistential-breakdown]

Ian and the twice-divorced gray-eyesed rift Ian from the first chapter of @reblogincarnation-blues's fic!

anyways the closest experience I've had to the the feeling of reading the second chapter is taking my roommate to the ER for four hours for suspected appendicitis only to come back with a UTI diagnosis and an antibiotic prescription. and it breaks your one year streak of roommates getting appendicitis. in a good way.

[bacchuschucklefuck]

it just idea .......

[moonlitkissing]

Having someone turn their head when i walk by is hell of a drug

[no27-autonation-honda]

congratulations to Mme. Pascale Leclerc, who has surely just experienced both the funniest and most unhinged weekend a mother could ever have. Dear fucking christ, I hope your middlest son brought you a bottle of champagne for yourself, ma'am.

[saintmalosunsets]

How much screen time Doc Roe has per episode

Bastogne (basically the whole thing)

The Last Patrol (2:24)

Points (1:53)

Currahee (1:52)

Carentan (1:33)

The Breaking Point (1:20)

Replacements (1:04)

Crossroads (55 seconds)

Why We Fight (37 seconds)

Day of Days (23 seconds)

That’s a total of 12:01 minutes of screen time besides Bastogne. 7:18 of those minutes are of him performing medic related duties, leaving 4:43 minutes where he isn’t.

7.1% of poll voters correctly guessed The Last Patrol!

Note: This is even more exact than my previous post about his screen time (I’ve since edited it to be exact though!). I got the times for that post that from compilation videos I made of all his scenes (which has a few seconds every now and then where he’s not on the screen bc I didn’t want to cut any dialogue off/have any awkward cuts), but for this I needed exact times so I narrowed it down to only include when he’s visible on screen.

[quirkle2]

more zombie au :] (1.2k words)

The odor of rot has joined the damp growth of life from pots. Even if some things die off without human aid, there are always stronger elements that thrive in their absence.

The aisles are overgrown. Ritsu brushes past the vines as gently as he can, wooden floor groaning under his worn soles. There’s a gap of empty space in the middle of each aisle that he slots through, eyes roaming the shelves of largely useless things. Stronger stems snag onto his backpack and he tugs distractedly while perusing the labeled pots along the tables.

The barn is quaint, and Ritsu thinks he would love to stay. Moss eats at the boards under his feet and bugs swarm around him in the hot air incessantly, but it’s peaceful and there’s a constant sprinkle of sound to his ears that have grown so used to silence. Whoever owned this place beforehand put up a few wind chimes indoors—they must’ve always had the front entrance open for customers.

It’s a quiet little homemade garden center, or something similar, on the side of the highway. It’s an overgrown property with something dead in the backyard that Ritsu refuses to acknowledge or let Shigeo near. The shingles and boards in the roof have been replaced with polyethylene sheets—a barn-turned-greenhouse, uprooted from the hay and cattle it likely used to house and settled back into the Earth to be a paradise for plants.

There’s a large branch hanging through a hole poked into the plastic overhead. It sways with the wind and the chimes that follow, and Ritsu whistles with the leadless melody and gives it a direction while he studies old seed packets.

They didn’t stop here for any particular reason—a garden center doesn’t have much for apocalypse survivors, but Shigeo has always liked overgrown things. He’d always enjoyed taking care of their mother’s plants back home, and then Reigen’s at the office. His brother likes the humidity of greenhouses and the smell of soil and dirt and must.

He sees the top of Shigeo’s head over the aisles, across the barn. He walks past a shovel hanging on the wall and yelps out a grunt when it clangs to the floor behind him. Ritsu shakes his head and smiles, running his fingers along faded price tags.

The feeling of greenhouses has always had this… wet fullness, to Ritsu.

When he breathes in it’s like he can taste the life that breathes out and it feels like a conversation, a question and an answer, both of which he’s not sure how to articulate. The leaves wave to him and he waves back, the once-active sprinklers pepper his skin with dots, with compliments, with proclamations they are eager to share. The vines weave between fencing just to reach him, just to talk.

He understands why Shigeo likes it, and why he’d always asked to accompany their mother on trips to get new seeds. Ritsu hadn’t really understood, then, how pretty it could be, how full it could feel.

Shigeo had always been right about loving the little things. Ritsu wishes he’d seen that sooner.

His brother ambles down the aisle ahead of him and he listens to the quiet patter of his sloppy footwork, moving around a table of seed trays. His whistles carry across the barn, sort of aimless in their own right instead of leading the wind and the chimes somewhere worthwhile, but the sounds soak into the overhead plastic nicely, so he keeps going.

He pulls back a layering of vines and leaves to scan the contents of another shelf, and then he notices Shigeo stop in his peripherals. His dirty shoes stay planted in the corner of his vision, leaves burying the toes, and Ritsu looks away from the products.

He means to say something, to ask him what’s up even if saying things to Shigeo very rarely results in productivity, but he stops when he realizes his brother’s head is… tilted.

He’s looking at him with as much inquisitiveness as his dulled down awareness can muster, pale eyes flickering across Ritsu’s face like he’s working out some puzzle. He instinctively stops whistling, brain lagging behind on this new info of this new behavior, and the sound fizzles out into a little huff of air that leaves the greenhouse feeling oddly empty.

Shigeo studies him for a moment longer, blinking slowly, and then he straightens his head out as Ritsu stares back. His brother’s gaze lingers there on his mouth, like he’s still confused, like he still expects something to happen.

Ritsu blinks once, twice. The wind chimes call as wind pokes at his greasy spikes, as it prods at the ends of his jacket and fills the silence with a different flavor of itself. The interest in the zombie’s eyes fades a little, gaze straying to the vines around them.

Very tentatively, Ritsu wets his lips and blows. The whistle grabs his brother’s attention immediately, and he’s suddenly tilting his head like a curious dog.

He can’t help the laugh that spills out and makes the whistle a mess of exhales. His shoulders shake a little and he hurries to keep the tune steady and consistent; a few seconds pass and Shigeo tilts his head the other way, exhausted eyes big and more alert than they’ve been in days.

Ritsu experiments, and ventures around with the sound—goes lower and higher and watches his brother twist his head back and forth like he’s trying to understand calculus. There’s something very innocent about it, about the look in his eyes that reminds him of when they were kids and their father would show them magic tricks.

It’s muted by the ever-present fog there in his pupils, but Ritsu thinks he sees a spark of that life in them, of that curiosity born from a mind that knows little. He gives him a simple sensation, a simple experience, and his brother is eating it all up like he’s four again, like he’s new and everything is colorful and unknown and big.

Ritsu watches Shigeo tilt his head back and forth, watches the rusty gears behind his window panes move. He changes tactics, because some sad part of him tells him to, and whistles Shigeo’s favorite song instead.

He remembers the name, but he doesn’t need the name because when he thinks of the tune he thinks of his brother, and that’s all that matters. It’s happy, because Shigeo likes happy music. It’s chipper and yet it meanders, like it’s willingly getting lost, like it’s wandering where it wants to and it’ll eventually find its roots again. It’s happy the whole time. The whole adventure.

Shigeo stops tilting his head, and the gears behind his eyes churn a little bit faster. His gaze clings to Ritsu’s and his brother makes actual eye contact, sinks his own being into Ritsu’s head when he’s least prepared for it. The recognition in his gaze has his soul souring.

He keeps whistling. He doesn’t want to stop, because Shigeo feels like Shigeo right now, and he doesn’t want that to stop.

His brother stares. Ritsu’s grief tints the music.