the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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Thanks to artfight, I’ve finally finished a detailed, official dbhc cub reference! :D
(I’ve put his Artifight description below the cut, which has a more detailed explanation of his timeline, lore, and aesthetics! >:3)
-ˋˏ ༻ ❁ OVERVIEW ❁ ༺ ˎˊ-
Name: C.B.F.N.4000 (Cub)
Pronouns: He/Him
Species: Android
Height: 5’9’’
Associated Visual Themes: vex, ghosts, explosions, mischief, scientist aesthetic, potions, potionmaking, sleepy/tired aesthetic, conspiracies
-ˋˏ ༻ ❁ ABOUT ❁ ༺ ˎˊ-
CBFN4000 is an au version of MCYT Hermitcraft’s Cubfan, set in my DBHC (or Detroit Become Hermitcraft) AU! This au is inspired by the 2018 game Detroit Become Human, but not because it really has anything to do with DBH—I simply yoinked the android mechanics and incorporated them into the world of Hermitcraft. It began as a S8 au, and has roughly followed the hermitcraft timeline up to the present!
Cub was the last android made during Season 8. While many of the hermit androids were made at the beginning of season 8 and a few were made for season 9, Cub was finished and activated mid-late Season 8, around the time when Hermits started noticing the Big Moon. Cub’s model ended up being a sloppy experiment in deviation, as Doc suggested they try to transfer deviancy to an android upon activation to try and avoid traumatic situations that might cause an android to deviate violently or upsettingly, such as Etho’s, Tango’s, or Mumbo’s experiences. While this went relatively well initially, it clearly wasn’t very thoroughly thought out, as Xisuma (who is normally so adamant and detail-oriented when it comes to assuring the androids’ safety with experiments like this) wasn’t truly himself due to external manipulation and mostly left a relatively young-deviant Doc to carry out the project himself.
Cub, though adjusting to sentience rather well at first, very quickly became wrapped up in the Big Moon happenings on the server, new personality and inexperience to emotions like fear and ignorance completely overwhelming his young system. He became obsessive over the implications and consequences of the Season 8 Moon Apocalypse, joining the Mooners and spreading his conspiracy theories religiously throughout the server as he descended into madness. The insanity was like a virus to his programming, pervasive and all-engulfing, and Cub’s final attempt to free himself from the Moon’s impact with the Earth—to launch himself on a llama into space via potion-powered TNT(insane btw)— left his hands and feet singed and cracked to ruin.
The experiment, considered a horrific failure by a deeply shameful—and more awake—S9 Xisuma, left Doc and Xisuma with the decision to reset him for the new season, and they ended up pairing him with a hermit like they had done with the other androids until they had found deviancy enough to pursue their own projects. So, at the start of season 9 and fresh after a reset, Cub was paired with Scar. Naturally, because Scar is… Scar, Cub deviated almost instantly after being given to him, and very quickly adopted the iconic lazy, stoic, amused attributes normally associated with Cubfan. Scar’s tendency towards mischief and general shenanigans grew instantly on Cub, and the two were an immediate inseparable pair. So much so that when Scar began rambling one day about his Season 5 Hermitcraft Shenanigans (where deals with the Vex may or may not have been involved), Cub immediately stated he was interested in being in on it. Whatever “it” means. It’s unclear if Cub also made a deal with the vex or became connected to them in some other way, but… well, he got Doc’s help to trick out his eyes, hair, and back to best fit the part. Scar is very jealous that he can't magically make himself have the same features to match.
Cub is closest with Scar, but he gets along just as well with any of the other hermits! He’s close with Jevin and many of the other redstoners like Etho and Doc, who are the other two androids I’ve put on artfight!
-ˋˏ ༻ ❁ EXTRAS ❁ ༺ ˎˊ-
Cub's eyes can light up in the dark, and he’s the only android who has edited his programming so that the default state of his LED is white, not blue. It still will go yellow and red if his processors are working particularly hard, but he’s replaced the blue setting on his LED with white to better match the Vex vibe. Cub has all of the vibes of a fae. If that’s anything <3
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(DCxDP) The obligations of a rogue versus those of a parent (pt. 2)
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Tw: N/A
Will be crossposted to AO3 eventually
(Pt. 1 here) - (Pt. 3 here)
(Masterlist/subscription post)
—
It was a beautiful morning. Somehow, against all odds, the sun was shining through the thick smog perpetually covering Gotham.
And Danny hated it.
He was in pain, he was exhausted, he was grieving, and all he wanted to do was sleep for at least a week.
In an act of celestial mockery, the sun shone regardless.
After around twenty minutes of tossing and turning in bed, trying to get back to sleep, Danny gave up and pried himself out of bed.
He stumbled through the hallway and into the living room, staring openly at every splash of color he saw in the small apartment. He hadn’t forgotten what color looked like in the time he was in the lab, but it was comforting to see.
Someone cleared their throat. Danny whipped his head around, eyes falling on a scrawny, gangly man sitting down in a worn armchair, hunched over a laptop. He was looking at him with a dull, bored expression.
Right. Scarecrow.
His escape.
The chase.
His mom.
“You look a lot less terrifying without the mask,” Danny blurted out, slapping his hand over his mouth. “I didn’t mean that.”
“Well, I certainly wouldn’t call my normal appearance frightening,” Scarecrow hummed, focusing his attention back onto the laptop, “that’s what the costume is for, after all.”
“Oh.”
After a brief moment of excruciating silence, Scarecrow spoke.
“You any good with computers, Danny? Hacking, and all that?”
Danny jolted. Scarecrow needed his help with something! This was great! Now, he’d have more of a reason not to get rid of him!
“Oh, uh, yeah! Not as good as my friend Tucker, but I think I’m pretty good.”
“And you’re familiar with the GiW’s systems specifically,” Scarecrow continued, beckoning him over. Danny complied, shuffling over awkwardly. “Right?”
“Well, I guess? My friends and I got into their stuff a couple of times before they…”
“Wonderful,” Scarecrow said, standing up with a stretch. He shoved the laptop into Danny’s hands and gestured for him to sit down on the couch. “Then you can hack into their system and extract whatever files you can find.”
Danny stared at the man like he’d lost his mind. He looked back at him expectantly.
Danny sat down.
“Yeah, I-I can do that. Tuck and I built a back door into their system ages ago,” he said, checking the screen. It was clear that for all the skills that Scarecrow had, hacking was definitely not one of them. “But, uh, don’t you have someone else that usually does this sort of thing for you? Not that I’m complaining!”
Scarecrow scowled, and Danny felt his heart fall into his ass.
“Usually, I do,” Scarecrow huffed, “but I chose to leave my most recent job with the Penguin early, so now there’s no way that he or Eddie will help me with anything until I make it up to them somehow.”
“Oh,” Danny said.
He had no clue whatsoever who Eddie was.
Danny got to work quickly, hoping that if he ignored the gangly man, he would leave him be. Luckily, he did just that, leaving to go work on something in another room.
Danny checked the laptop’s security before continuing Scarecrow’s progress, making sure that the GiW wouldn’t be able to grab their location.
It was…threateningly good. Whoever Eddie was, he had somehow crammed the functionality of a top-of-the-line PC into a tiny, beat-up old laptop. It almost reminded Danny of Tucker and his terrifying competence with his PDA.
Tucker.
Amity park.
Home.
Danny snapped himself out of his thoughts, tabbing back into the application Scarecrow had up and began to work his magic.
He had near full access to the entire GiW database within half an hour.
Mumbling out a quick thank-you to Tucker, he called Scarecrow over to appraise his work.
“Fixed up some food for you while you worked,” the rogue said, handing him a bowl of oatmeal, taking the laptop into his lap as he did so, “didn’t know how well you could eat, considering you’re recovering from… surgery, so I decided to stay on the safe side.”
Danny had no clue what this guy’s deal was.
He definitely did not tear up at the first genuine thoughtfulness he encountered in weeks, and he did not look away as he ate so that Scarecrow couldn’t see his face.
At least Scarecrow was too focused on the laptop to notice or care.
Or, maybe, he was just mercifully ignoring him.
Either way, Danny ate slowly, not wanting to make himself sick. He allowed himself to absentmindedly look around the room for the first time, taking everything in.
It was strangely homey. The space was filled with warm browns and yellows, a few splashes of color on the wall in the form of (obviously gifted) paintings. There was a beat-up bookshelf against the wall, clearly second-hand, filled to the brim with psychology books. On every available surface there was a different colored candle, all at different stages of use, clearly collected over the course of years.
Danny knew that the man next to him was a crazed, murderous criminal, but his home was oddly reminiscent of Jazz.
He was not about to cry.
“Danny,” Scarecrow hummed, snapping him out of his spiraling, “can you explain this to me?”
He looked over. The rogue was pointing to a new report, seemingly posted only a few hours ago.
Nodding, he took the computer into his lap, pouring over the contents.
He read the report again.
And again.
And again.
Danny swore loudly, crumpling like a wet paper bag, head in his hands.
“What?”
“It’s…” he swore again, glancing back at the laptop, “they…since you became liminal from synthetic ectoplasm, when we’re within about 500 meters of one another, our ectoplasm signatures resonate, and they can’t track us with any of their technology.”
“How is that a bad thing?”
“If we’re not that close to each other, they can track us down from anywhere in the world.”
Scarecrow went dead quiet. After what felt like the single longest minute of Danny’s life, he let out a truly exasperated sigh, slumping over in his seat.
“Yeah, me too,” Danny mumbled, utterly miserable.
“…I’ll have to move my plans back a little,” Scarecrow sighed, “I can’t drag an injured child with me when I attack the Gotham GiW base, you’ll just get in the way.”
“Oh come on,” Danny whined, “I can take care of myself just fine. Besides, Batman brings kids with him to do dangerous stuff all the time, and he’s fine!”
“Might I remind you that the second Robin died violently,” Scarecrow snapped, “and that Batman most likely has more traumatic brain injuries than all of the Gotham rogues combined. That really isn’t the winning argument you think it is.”
Danny paused, trying to think up some way to win the argument. Then, he realized what he had ignored before.
“Wait, Scarecrow, you’re gonna attack the GiW?”
“That’s the plan,” he nodded, “and call me Dr. Crane. I’m only Scarecrow when I’m in the mask.”
But,” Danny sputtered, “Sca—uh, Dr. Crane—that’s insane! The weapons they’ve got- they’ll rip you apart!”
“Not my first time,” Crane said, making Danny wince. “Besides, I have plenty of experience avoiding gunfire. I’ll live.”
“You…” Danny was silent for a while, trying to think of something to say, “fine, but you have to take me with you wherever you go. As soon as they see either of us on their radars, they’ll hunt us down.”
Dr. Crane sighed.
“…Fine. I need some time to plan anyways. Now, you’re going to help me download these files, properly format them, and send them out.”
“…Why?”
“Well, some of the other rogues might appreciate the heads up, and I’d quite like them to be indebted to me. Besides, I still need to pay back the Penguin for ditching him, and he loves knowing things that other people don’t.”
Danny paused.
“That’s an awful idea, no offense. If any of the rogues know our weaknesses, they—”
“Danny, we’re censoring everything. The only things they need to know about are the GiW specifically, and any sort of laws surrounding them.”
Danny snorted.
“You care about laws now?”
“Yes, because if we get taken to Arkham, they’ll hand us off to the GiW the moment they ask, and it’ll be completely legal.”
Oh. Danny had honestly forgotten that Arkham was an option.
“…Ok. I’ll help you. Who are we telling?”
“I don’t think you really need to know,” Dr. Crane said, the faintest shadow of an amused look on his face, “but I’ll humor you for now. We’re sending the files out to the Penguin, Riddler, Poison Ivy via Harley Quinn, Two-Face, and Red Hood.”
Danny nodded. He could live with that.
“Alright, then let’s get to work.”
—
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