#experimented a bit with my usual comic style in this one

[pianokantzart]

Mario's normally the last one to stress about visitors. But there are exceptions.

[waokevale]

Guess who?

Plot: Leshy's being bullied by a bunch of followers and decides to hide, Yellow cat (Who I strongly want to HC name Femur) accidentally finds him while picking berries, that escalates to Leshy telling him his entire life story, as you do ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯

I decided to experiment with my formatting a bit, do you guys like this style of comic? It's much faster to produce than the usual more detailed ones I do.

[ask-whitepearl-and-steven]

i understand that its cool to receive fanart, but ur really lenient about people who draw these characters thinner than they really are, and as a steven universe blog with art that is really respectful about bigger bodies its really disappointing to see u supporting these people skinnyfying fat characters

Here's the thing about your message:

It assumes everyone drawing bigger characters skinnier is doing so with fully acknowledged malicious intent

It assumes that openly shaming people for it will fix the problem and make them draw fat characters 'properly'

I'm going to be completely honest with you for a moment.

I'm a teacher. I teach kids from ages 8 to about 15 (currently I'm teaching younger grades, but I've worked a lot with the older demographic as well.) So take what I say with the comfort that I at least know a little bit of what I'm talking about.

Why does this matter? Because a lot of the fanart that is gifted to me by this community comes not from adults, but from children. Sometimes, they're teens who have been drawing for a few years! Sometimes they're younger kids who have only recently begun to develop their skills.

Here's the reality - drawing bodies is hard. ANY bodies - skinny ones, fat ones, unusually shaped ones. In order to get good at it, you have to draw them a lot! And in order to draw, you need to find ways to practice. Usually, this happens by the budding artist looking around at other artists and copying them. Or looking at tutorials.

Here's another reality - unfortunately, the majority of art online, the majority of tutorials online, don't touch on drawing larger characters. They simply pretend it's not a thing. Finding references to larger people can take work! Getting started drawing larger people if you only have skinny-people references... is hard!

You know what doesn't make it easier? Getting shamed and told off by another artist for drawing characters 'too skinny'.

I teach English to students who have never learned English before. From 8 year olds to 15 year olds, you know what the one thing that remains constant is? Learning happens best through kindness and positive reinforcement. Not through shame and grabbing the child's attention and smearing it in their mistake like you're punishing a puppy that peed on the floor.

In fact, yelling at people of ANY age about their mistake pretty rarely gets them to stop making that mistake. What ends up happening more often is that they end up hating that activity altogether.

There's a reason I consciously and indiscriminately reblog all sorts of art - all of it has something that the artist excels at. Do all of them have great body proportions that are correct for the character? No. Some art is clearly made by people who are not used to drawing anything except super skinny characters!

But all of them ARE kind enough to read my comic, which I try to fill with body types that are diverse, true to the show itself. And that, in and of itself, is exposing them to art styles that don't have to over-rely on anime or CLAMP-esque noodly kids that look like they just popped out of Wonka's Laffy machine.

So yes, maybe they draw Steven or Rose too skinny. But they're also looking at Rose and Steven and clearly find them adorable, and maybe someday, they'll try something different for a change. It's not my job to rub their nose in the fact that they haven't gotten the chance to experiment yet. It's also not my job to ignore them if they don't have the 'correct' proportions, because like it or not, that's also punishment.

I do make it my job to try to reblog the fanart I see and promote it, because getting positive reinforcement and being encouraged to continue to experiment with art is what will make kids and teens AND adults confident enough to go beyond the socially-accepted weight-limit for MCs.

I know it can feel demoralizing to see a lot of character with your body type erased and made skinny as if that's a 'prettier' version of them. But 90% of the people drawing Steven skinny aren't doing it because they hate you. It's because they haven't been told it's ok to draw characters chubby. Or fat. And the unlearning part of that sort of thing is a process that needs support, not shame.

I don't expect you to be kind if you're hurt by that. You can react any way you want, and anger is a healthy emotion in this case.

But if you want ME to react with malice on your behalf, then I'm afraid I won't. I have another job to do, and that job is teaching with kindness.

[indieyuugure]

How do u draw your characters bc I want make a comic series just like you but my art teacher isn't teaching me shit so I was wondering

Should I do paper comic (doing it on paper)

Or digital (which might be a bit hard to step as I wouldn't have the stuff on hand)

Ps art style is fantastic 👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏

Lol, I’ll try to help the best I can!

Okay, so, I’m not exactly sure what you’re having trouble with specifically, so I’ll just try to keep it general.

For starters, drawing a person at all, typically I start with a sketch that looks something like one of these:

Notice the usage of circles as guides for the joints. I find that this helps me to understand where in 3D space the character’s elbow or knee or shoulder or wherever is and can also assist with proportions before the drawing is being finalized and would be a pain to fix/erase.

Not sure how helpful this is, but here’s showing how the drawing evolves as a sketch. The circles help to predict where things’ll be so when you go to draw a rough outline, you have a guide to help you.

I draw chests as usually a trapezoid-esk shape and the hips as triangles(however I recommend drawing it more like a heart when doing girls). The head is kept a circle or oval depending on the character’s face shape and things like hands and feet are basically just a mix of squares and triangles.

Something to keep in mind, is the lack of detail on basically everything. I know from experience how tempting it is to do the detail as you go, and it’s not a good habit to have. Always try to sketch everything in as little detail as possible.

Once you’re done with your sketch, though, you can go crazy!

Here’s the second picture I did with some details.

Unfortunately, I can’t really help you with detailing since this step starts incorporating your own art style, personal flourishes, clothing taste, even level of detailing, it’s really something you have to learn on your own.

But, GENERALLY, this is where you establish key characteristics like the face, anatomy, clothing, hair, etc. Aka make it pretty!

Again I’m not super sure where you’re struggling, so this is just a general how-to, though hopefully it was helpful!

As for what medium to do your comic on, I suggest doing it in whichever you’re the most comfortable in. If drawing on paper is better for you, sticking with it is perfectly fine. I will say though if you ever plan to post said comic on the internet, digital is a lot easier to upload on the internet. But as I said, which ever is most comfortable is probably best.

If you have anymore questions about this, feel free to message me, I’ll try my best to help you to the best of my ability!

Good questions! :]

[rootsofdread]

Autism be damned my brain can hyperfixate anyway wowowo requests >:D

Could i get reader who (before they were taken by the entity) was a professional tag player and can hide on the cellings and parkour really well? With Leon, Ghostface, Trickster romantic and platonic Legion (Any/All how you prefer)

ALSO look up professional tag on yt cuz MY LORD THEY'RE FAST AND GOOD

did actually watch a little bit and i was amazed, honestly love parkour sm and am sad it fell out of style. anyone who says parkour isn't cool is LYING

Leon S. Kennedy:

Leon feels confident having you by his side. Sure, he’s known for his cockiness, but he feels it’s warranted this time — a professional tagger could run a killer around for hours while he and the others work on generators. It’s perfect! And besides, if you end up getting caught, he always has a surplus of flashbangs ready to run and save you because you’ve bought him so much time to make them.

He gets a kick out of watching your loops from a distance, seeing you almost instantly lose a killer thanks to your prior experience. Seeing them confusedly look around for you until they decide to leave always makes his day, honestly. 

Until you decide to loop him, too, when the two of you are just running around. He laughs harder than you’ve ever heard him laugh when he realizes you’re now on top of something, or up in the ceiling.

You make trials much more tolerable for him by making him laugh with your antics, plus he appreciates your almost supernatural ability to buy him (and the other survivors) time. You aggravate the living hell out of the killers and he loves that, there's no one else he'd be more proud to call his.

Danny Johnson / The Ghostface:

Danny is endlessly amused by your shenanigans. He usually hates variables and unpredictability, but he's always been charmed by your variation and unpredictability. It makes things more exciting, more fun.

You always manage to run him around for a few generators, where he's usually aware enough to know when to leave someone alone. He just gets so caught up trying to catch you and having fun doing it, he almost forgets there's more survivors to go after. 

He tries to match your skills during chases, he's not too bad at parkouring himself. He can nearly keep up with you most of the time, narrowly missing you with his knife. It just motivates him more.

After he realizes a few generators have been completed, he then realizes he should leave you alone so he can get some work done. He'll stop and get your attention, leaving you with a cute little wave and his signature 'call me' gesture.

Ji-Woon Hak / The Trickster:

Ji-Woon is exhilarated having someone fun to chase around. Someone who he sees as a performer like himself — someone who takes pride in their talents. He loves that about you, your confidence and your talent.

You're wonderful target practice for him the way you bob and weave and jump and duck, you're nearly impossible to hit. But he tries, he's always trying to nail you and get better. When he manages to hit you, you'll hear his maniacal little giggle. You know he’s having fun.

Like Danny, Ji-Woon is pretty good at matching your movements, he’s quite acrobatic himself (probably even more so than Danny). He enjoys leaping and running around with you, chasing you all over trialgrounds, all while trying to land some knives in you.

He doesn't even particularly care if he loses matches to you, if it meant you were both having fun and honing your abilities. Practice makes perfect, after all, for him and for you, and he wouldn't want anything less than perfection.

Frank Morrison / The Legion:

Frank mostly finds it comical. He especially loves hearing you tell him about other killers you ran around and tricked into losing you, he’ll usually bring it up to them later to poke fun at them. You’re his best friend and even if you’re more modest about your talents, he’ll boast about them for you. Well, maybe boast isn’t quite the right word…Brag, more like.

He’s often astonished by your ability to completely lose him. He’ll spend a few seconds looking around for you, ducking around walls he was sure he last saw you between. Then he hears you laughing above him…High up on the dilapidated wall, curled over the edge like a cat. He cracks up.

You’re one of the few people who can outrun or simply outlast his Frenzy, and that amazes him. It’s a feat he feels he has to congratulate you on at least a few times when it happens, during a trial he’ll just give you a quick nod to acknowledge your accomplishment. But afterwards, he’ll give you a slap on the back and tell you that was great. He really has fun with you.

He loves seeing the reactions from other survivors when they witness your professional skills being put to use in the realm. Meg is the most athletic of any of them, but they’ve never seen her pull stunts like you do. Sometimes he’ll quietly watch their amazement, then when they finally realize he’s standing there, give kind of a nod in your direction, signifying he knows you and he’s proud of you.

Susie Lavoie / The Legion:

Susie finds it the most fun out of everyone, really getting a giggle (more than just one, actually) out of your antics. She loves seeing you dart and jump around like crazy to outrun her, you can hear her maniacally giggling the entire time she’s chasing you. At some points, she’s laughing too much and has to take a break. But she knows you’re hiding nearby, just out of her sight, waiting for her to kick back into gear.

Sometimes she’ll get you in a chase just to see what crazy tricks you have up your sleeve. She’ll even steer you to specific areas of realms to see what you’ll do there, how you’ll use the environment to your advantage. It’s amazing to her how you can use just about anything to dodge the swings of her knife.

She absolutely asks you to teach her some moves outside of trials. She wants to use them to impress and distract other survivors during chases, and use them to cut chase time and get to them faster. She knows you’ll be a great teacher for her, and she gets so excited to try doing some stunts of her own during trials.

If you hide up in the ceiling or on top of something tall when you’re getting chased by her, she’ll actually stop and offer you help down. She knows you can do it yourself, but you’re her friend. She holds her hand out to you and stands on her tiptoes so you can actually grab it and she can pull you down.

[randomyuu]

the way it follows you home, the stories i never told

My guy Vox once again graced us with lovely Goyuu fanfics, and the way it follows you home, the stories i never told, made me go FERAL.

Time travel? Two Gojou Satorus? Double affection for our sunshine Yuuji? Yuuji sandwich? What feels like possible continuation of (you'll whisper, serpent tongue) what you fear you have become???

FUCK.

I need to stop indulging my imagination too much. I should’ve been content with writing long-ass comments but noooooo, my brain goes “you gotta draw it”. DAMMIT VOX, YOU AND YOUR DELICIOUS WRITINGS HHHHHH

So… usually I should’ve picked a favourite scene that is within my drawing capability, but I just… love all three chapters??? So I made a questionable time investment? I can’t stop??? Help???

This is probably the most ambitious fanart project I’ve ever done so far. Fair enough, considering I might combust if I keep these welled-up emotions inside from reading Vox’s Goyuu fics. Fuck.

Fic info:

Title: the way it follows you home, the stories i never told

Author: @voxofthevoid

Pairing: YuuGoGo. Future!Yuuji, Future!Gojou, Teen!Gojou

(idk why I laugh writing YuuGoGo. I’m beyond help)

Currently, it is 3 chapters out of 8. And it’s gonna be NSFW chapter 4 onwards, so don’t forget to read the tags first, folks!

The drawings are under Read More, because I have lots of thoughts surrounding each chapter and drawings. It’ll be hella long if I didn’t hide it here. It was a mess down there. A combination of hours before, during, and after I read said fic. I’d say good luck finding the art among the sea of jumbled words but… you’ll find them easily. Don’t worry about it haha

SPOILERS FOR ALL 3 CHAPTERS! I highly recommend reading those first before diving into these drawings!

Also for the comics, read from right to left please!

From here on, I will be referring to the Future!Gojou as Gojou and the teenage one as Satoru.

Overall, drawing all these is fun! Really fun! This project pushed me quite hard, forcing me to test my limit (because I rarely draw this much back to back). Since this is a combination of drawings and comics, the coloring style will not be consistent. In a way, I want to try some brushes I never get to use, as well as try out my new graphic tablet. Drawing these got me giggling because I was finally able to let loose during line art. It's much easier to do so, and sometimes I just get to reread the fic and giggle to myself for the nth time.

CHAPTER 1:

Whooo. Whooooooooo—

Ok, ok, the premise is just that good. It intrigued me, fascinated me, and I just… oomph. I cannot refuse a Time Travel Yuuji Sandwich. Sign me up.

Honestly, there are two scenes that are just… a bit too clear in my mind when reading this chapter. That would be the one I drew above, and the other is when Yaga called Gojou to come outside of the class. I love, loooove how Vox wrote Satoru’s POV. And when Yuuji fucking giggles?

I lost it.

Can you imagine, drawing Yuuji grins, with shiny stuff, maybe some sunlight, just purely happy and indulging Gojou?

Help me, for I am drowning in my love and adoration for Yuuji.

Page 2 is an experiment on using harsh black as shading (kind of?). I really enjoyed colouring Yuuji, and drawing those buffalo skulls! I wish I can grasp the concept of contrast a bit better tho :v

CHAPTER 2:

This is probably the only chapter where I picture still images instead of comic panels. A bit like those cool chapter covers in mangas. The one I really, really want to draw is the scene with Satoru on the table. Can’t pass the opportunity to highlight Satoru being a brat, albeit a really cool brat.

Cool idea drawing always proves to be a challenge, because of course my artistic skill just so happens to be below the requirement. Thank you, Sketchfab, for the chair and desk’s perspective otherwise I’m screwed lmao

The second scene that I want to draw the most is this:

Gojou is one step away from climbing Yuuji. Also, I have a bit of a problem picturing a man pouting that makes him look crazy instead, so please have Gojou pouting adorably instead. Because, as Yuuji said (with love), Gojou is (also) a brat.

This is possibly my favorite art in this project, after Yuuji's in Chapter 1 page 2. It's clean because I don't have to draw background, and I was having a fun time drawing Yuuji. And Gojou's squishy cheek as well.

Oh, actually, there is a “manga” scene in this chapter. It’s when Yuuji said, “I love Satoru.”

I just—

AAAAAHHHHH YUUJIIIIIII YOU AND VOX ARE GONNA BE THE DEATH OF ME. That secure relationship between Yuuji and Gojou? Satoru’s description of how Yuuji’s smile could blot out the sun??? Not me screaming 💀 I also see bits of hints of possible co-dependency, though I could be reading those wrong, but either way I’m good. Secure and possessive relationships are fun to consume hhhhhh

But yeah. There are too many wholesome Yuuji smiles in this fic, and I… I am not confident enough to draw genuine happiness. It’s too much for me ∠( ᐛ 」∠)＿

For this chapter, another reason why I chose these two scenes is just because I want to try and draw cover-worthy pictures of Yuuji and Satoru, and Yuuji and Gojou (cough)

CHAPTER 3:

We start the chapter with Nanamin. Ah, Nanamin. I forgot what his teen self looked like and was surprised to see his design again lmao

I want to draw Yuuji and Nanami scene because… I just want to, I guess. I have never drawn him before (Yaga as well) so that's an interesting challenge. I got two ideas on how I want to draw it. One is a bit painting-esque, and the other one is like another chapter cover. In the end, I chose the cover one because I want to emphasise the difference between teen!Nanami and the Nanami from Yuuji’s original timeline, and how the watch feels like a connection between the same (yet not) person. It’s a bittersweet feeling? In a way?

I’m not really good at explaining my intention ∠( ᐛ 」∠)＿

I love Yuuji’s answer to Nanami's question.

AND FINALLY.

A Yuuji SandwichTM scene.

And oh B O I do I love it. Have I told you I like every chapter? I probably have. But this one? Satoru’s curiosity, Yuuji’s on-brand self-deprecation, and Gojou come strolling down to show more of Yuuji to his mini-self. I want to draw this whole scene, from Gojou finding them, feeding Yuuji snacks, bitch-slapping Satoru into the backroom, to Yuuji growling. Them trying to hide a boner from Yuuji’s growl got me cackling so hard I LOVE IT 😭

I love it all. Please love Yuuji in my stead, Satoru and Satonyan :3

Oh! Also! 40-finger Yuuji sounds really, really cool! I’ll be happy with whatever Vox will give us in future chapters, but 40-finger Yuuji… possible scene with this timeline’s Sukuna… my god. The action! The drama! The bloodshed! One can only hope.

However, as much as I love that whole scene, it’s still too much for me :”) I’m still not yet confident in delivering the humour and action. Also my already-long drawing plan had my brain groaning in protest so I can’t push my luck :'D

When Gojou said "He looks sweet, but he's a bit of a beast", I kept picturing Yuuji staring innocently, but there was an edge to his look. As if the moment Satoru looks away, he will pounce. But in the end I just stick with innocent-looking Yuuji because I accidentally drew his eyes that way and I want to keep it in lol

Since Satoru points out how soft and cuddly Yuuji is, I also want to draw soft Yuuji :v

And the last one… is the last scene. For some reason, I read that both Gojou and Satoru share Yuuji’s lap and was having a frustrating yet fun time figuring out how it’s… physically possible, without having their butts on the ground because they both are not small at all. As I lined the art, I reread it again and… perhaps I read it wrong? Satoru is beside Yuuji, and not on his lap? So yeah, this one might be the least accurate, but hey, at least you can view it as a crack drawing or something :v

AAAANNNDDD I HAVE EXCEEDED TODAY’S BRAIN CAPACITY OF FORMING WORDS

Have I told you I love this fic?

…I probably have.

Have an amazing week (❁´▽`❁)*✲ﾟ*

[fallenclan]

Related to FallenClan designs! All your designs are super amazing, what’s your simplifying process/how do you decide design for cat pelts? Cause I always struggle with simplifying/deciding how they look especially bengals and cats with white patches… thanks if you respond!

I’m ADHD and struggle with consistency and simplifying lol, though more complex designs are pretty, I lean more towards what you do w/ you’re cats as they are simple but still super pretty + it makes it easier to consistently draw them all for stuff like this! (These comic like moon updates :])

(Also hope none of this came off as offensive, it’s all meant positively! I really really admire you and your designs :])

ty for the compliments!!! very sweet ask and I shall do my best to give a good response o7

generally my method with designing characters/drawing is to just wing it. fuck it we ball basically. but i DO take a lot of inspiration from other people's warriors art, taking the time to analyze what i like about their styles and what different sorts of patterns i can use

(i also regularly consult the Clangen Sprite Guide for better looks at white patches/tortie patterns and such, highly recommend)

the first thing i decide when i'm designing a new cat is what fur texture i want them to have. i have four that I pick from (pictured below, in order), wavy, spiky, curly, and square.

i decide the fur pattern based on the cat's personality (a more stoic cat might have square fur, while someone more bubbly might have curly, or someone more excitable have spiky, so on and so on), and also based on their parents/how many cats i've designed with that fur pattern recently.

after that is snout shape, which is probably my favorite part. i love to draw cats with a very pronounced snout, not unlike an oriental shorthair, but i generally slide around between that and a more typical, stubby snout, occasionally veering off into the very square snout of a maine coon. this is also a great spot to determine how sharp you want their jaw to be, which is something that can really help set a design apart! (a couple of snout examples below)

then i usually move onto colors. i like to pick an undertone for the cat first, so i know what sort of pallate to work with. as you can see in the pictures below, ravenstar has a purple/blue undertone, and toadbelly has orange/red undertones

this helps me make all the colors look nicer together, so i don't end up doing something like making a very warm colored cat with blue-toned white patches (which would make the white patches look super cold/too bright), which can be a really cool stylistic choice, but isnt what i tend to go for

once i've drawn out the cats fur shape and picked my colors, i'll move onto the base coat. over my time of having the fallenclan blog i've discovered that having a very simple pattern underneath the normal pattern can add a lot of visual interest to a cat, and make them look less plain.

here's a good example! one of the first cats i designed, oaktuft. their pattern was super basic--one base color, plus the inside of the ears, and then the color of their patterns.

and here's another cat that i designed a little more recently--Shiverspots! you can see that even just the small change of adding a bit of a lighter color to her underbelly made a world off difference. plus my style got a lot more defined lol

i have a couple of different base patterns that i use. here's a few more examples. i've even started to experiment with more than two colors!

once i've got the base done i move onto patterns. this part can definitely be tricky; trying to make a dozen brown tabbies with short fur be distinct can be . a challenge. i like to follow the steps of what i've already designed--a cat with spiky fur might have very sharp, angular stripes, and a cat with curly fur might have much rounder ones.

i think a good rule of thumb for if your pattern feels a little too basic is just to throw some more colors in there. another shade of orange, a more pale tint to some of them, whatever. and don't be afraid to erase it and start again! sometimes a design just won't work, and thats fine :)

the final thing i do is to add little design quirks. a particularly sharp jawline, downturned eyes, a crooked smile or a gap tooth, whatever! little things can really give your cats character.

i really hope that this helped!!!

[meanbossart]

Asks about VaM, art advice, and miscellaneous stuffs

HI! Real quick please refrain from referring to Sad Sack as S/S for the uh... Obviously reasons LOL We call it "sads" for short!

If what you're asking for are recommendations for a website to host that kind of thing, Neocities, Twitter, Itchio and as you mentioned AO3 are all perfectly good options! Patreon too (depending on how gnarly you're planning on getting) but I'd suggest keeping that as a secondary host option because I don't think it lends itself super well for getting your work circulating. I believe Bluesky allows that kind of thing too, but I'm not too sure since I don't use it.

Now, If you're asking about public reaction rather than guidelines, anywhere you go you might find people that don't jive with the work you do 🤷 just be upfront about the type of content you're making right off the bat to avoid having anyone stumble upon it by accident to the best of your abilities, otherwise, I wouldn't worry too much. I know we're constantly exposed to examples of overwhelming harassment and "dogpilling" happening to others but... Truth be told, most of us won't ever get to the size/internet level of fame where we experience that. I think the threat is a little bit... Overstated, nowadays. Not to mention that most of the time people are getting harassment for things that have nothing to do with their work, and rather relating to their behavior and attitudes. Play smart, be responsible, and be honest! Whatever comes next is in god's hands LOL

Thank you for the ask! Not sure I was of much help 😅 but frankly when you're just starting out it's best to focus on getting the work done first and just throwing it out there, wherever it may be. You can worry about technicalities like that later!

I GOT YOU MAN the full sketch is now up on my patreon!

YES AND YES WHETHER IT BE STORIES OR ART OF DU DROW AND YOUR CHARACTERS SLAMMING PINTS TOGETHER BE MY GUEST PLEASE

I love seeing everyone's take on my weirdo so much, anything is honestly welcomed!

AW DUDE thank you so much! Especially for suffering through the mammoth of a story that ANE turned into - writing has never been my strongest point so I'm always shocked to hear from people that enjoy it 🥲

About the booze question, honestly I'm not picky at all, I usually go by price and by that I mean whatever is cheapest LOL but I prefer a dry white as far as types go.

You only have to pay for it once! You get a code that unlocks the software and all of it's features and you're free to cancel your subscription after that. At some point the code might change or there might be an update that requires subscribing again - but that seems like a very rare occurrence so I wouldn't worry about it.

OH NO I HAVE DEFINITELY TRACED MY OWN REFERENCE BEFORE, but not entire poses! When something is challenging I'll make a point of drawing it out the usual way.

I can remember a couple of instances from Nick and mine's comic where I traced pictures I took of myself, just as a time saving measure. Again like I said in the post, there are several ways to employ tracing your own material that is perfectly acceptable. I have also traced bare-bones 3D backgrounds that I made for the same reasons.

I know you specifically asked about tracing when something's complicated, but I still wanted to be upfront to demystify the practice under different circumstances. The rule of thumb is to never use it when you know it would be inhibiting your skill development!

Happy to hear you wanted to pick up the skill! I definitely understand the urge too LOL since playing BG3 and becoming so invested in the stories and characters my art has improved a ton, simply from forcing me out of my usual style and making me want to capture different moods and scenarios - finding something you're passionate to draw is, frankly a great damn start.

I replied to a bunch of asks asking for pointers and advice a while back, one of the questions was very similar to yours and I still stand behind the advice I gave then. Hopefully you can find something helpful here! https://meanbossart.tumblr.com/post/740543514692173824/some-art-advice-asks-ive-been-meaning-to-reply

HMMM I don't usually think of myself as the best teacher/tutorial guy, but funnily enough I can think of a few things about this topic that I could elaborate on lol. If I do that in the near future, I'll put it up on my patreon (for free as with everything else.)

If there are any specific things about it that you (and anyone else who would be interested in it, for that matter) find challenging and would like for me to focus on, let me know!

---

That's all for now folks, and as usual thank you so much to everyone who's left a nice compliment, word of encouragement or funny tidbit in my inbox as well! I can't reply to you all individually, but I see and read all the messages I get c:

HAVE A LOVELY REST OF YOUR WEEK

[bluginkgo]

"Nice Corpse House My Guy" Remastered Behind Scenes!

The most glaring and obviously annoying thing that's evident in this comic- if you even wanna call it that- are the god forsaken BACKGROUNDS. There was a lot of experimentation going on for backgrounds here. Because the first couple pictures, THAT is what I used to draw backgrounds as. Trees are sticks and grass is flat. I realized that wasn't gonna cut it. I didn't like it at all. So I started experimenting and boy was it messy. It finally sorta settled on the style by the end of the comic. I'm still unhappy with it, but it'll have to do for now.

Here's a small comparison

One thing that I ran into was how I was gonna show that N was in his "killer mode." I could have placed the X's over the pupils, but found it unnatural looking in my style. So instead, it was settled to a concentrated light in the pupils.

Best seen between these two. The second N snaps out of it, the X/light in his pupils disappears, and the normal light returns to his eyes, which is similar to Uzi's.

Another thing I started slowly including was Uzi's little tooth on her beak.

The jutting out portion on her beak is a personal touch. Although it doesn't really matter, I included it to separate her from the rest of the "worker drones." Seen as she's an absolute solver host and has a solver form, something was going to creep up in her crow design, hence the little teeth. Doll would have them too, given I draw her in the form I've been thinking about.

Another thing I ran into, was WHAT WAS UZI GONNA TAKE N DOWN WITH?! This is a bird vs. a dog! No way was a bird gonna decommission a whole dog! Then this scene came up in my recent rewatch of Murder Drones.

And it clicked. Loooong long time ago, I had a very specific hyperfixation: birds. One thing I learned that some pigeons do, was they're capable of doing a somersault. And in mid-air, too!

I was finally set. The SICK AS HELL RAILGUN was downgraded to a simple piece of shiny glass/pebble that attracted Uzi- and crows love shiny things. And the same pebble will be used to launch at N's sensor that made him trip over. Because I was also not going to draw N doggo losing his head. I love gorey and bloody shows and art- hence why I watched Murder Drones- but I honestly had no idea how to recreate that, and I suck at drawing gore in general, I mean, did you SEE the crow N was chewing on? That was my best try honestly.

Here are some progress shots and how the layers worked in the scene where N is bonked with a stick.

As per usual, start with a sketch, this is actually 2nd sketch. The first is much rougher, just some circles and random shapes to outline his body form.

Then, this is all outlined and rendered. Along with some additions like the stick and the little rock.

The background was the hardest, aside from some weird angles I picked to draw Uzi and N at. I suck at backgrounds, like I've mentioned many times before. So, this needed a lot of testing and experimenting. Most of this works because I found some cool brushes to use. But aside from that, I honestly still don't like how it looks. It's slightly better than my stick trees and flat grass though, I guess.

Put it all together, add a black layer to simulate nighttime, put some lights to show moonlight through trees and voila, you've got an N doggo that got bonked by a stick! I see this project/comic mostly as practice and testing. Background testing mostly, and some brushes. The background/brush testing actually spilled over into another post of the solver Uzi I made a bit back. I'd say I was pretty happy how it turned out, but brush wise, I was going to test around a little more.

NUzi comic 'Sleep' is my next project. Uhhh, don't ask me when I'm gonna have it out, I have no idea. I'm guessing sometime end of Jan and beginning of Feb. But that might be delayed seeing as Murder Drones ep7 should be out sometime soon too, so I'll need to go crazy about that for a bit and then I'll go back to my usual thing ^_^ 'Sleep' will take place still between the Pilot and Heartbeat.

P.S. I have all 26 pages story boarded... good god what happened to the 'mini' part of the comic 😭

Anyways, why are you still here?! Have a cookie ^_^ you made it! Have a nice day now, bye bye <3

[hydr0phius-art]

Painting Chiss Skin

Before I start this, I’m just going to say that I attempted to do an in depth version of this part and then stopped and did dot points because it was too overwhelming. 

A lot of what’s in here can be applied to different body parts. Some of it may also be applied to traditional art, but most of this is for digital art. This post focuses on faces. Eyes and scars will be another post that'll hopefully follow this one relatively quickly.

Picking colours (and some other tips)

> Experimenting is good!

> There’s blood beneath skin and it’s going to show through at different intensities based on what your lighting is doing. I’m assuming Chiss blood is red, so I usually make any blush on my Chiss purple. (Red + blue = purple. Basic colour mixing thingz, you know?)

> The fairer the Chiss’ skin is, the more vibrant you can be with that purple blush in my opinion.

> Temperature, colour, and intensity of light determines what the skin looks like. 

> Having black shadows on a coloured artwork is a good way to flatten the whole piece; when I paint shadows on a Chiss face, I go for a dark blue or purple and blend it with what’s already on the canvas. Playing with layers and their opacity function is also good.

> Laying down a base blue before starting with the rest of the colours is good. You can see that I did that in the speedpaint I’ve attached to the end of this post.

> This website about colour zones will help.

> This website about colour blocking will also help.

References

> I find a face reference of an actor I want to Chiss-ify. Then I have my blue skin reference, which is usually one of the Na’vi from Avatar.  

> I use the Na’vi because there’s a lot of images available with variation with temperature of light and quality of light to observe. 

> Make note of the colours that appear in their flesh as light interacts with it. 

> Warm light will have pink that transitions to purple, then to blue as shadow starts to come back in. I’ve put Ar’alani next to the reference I took inspiration from (link here) for comparison.

> You want to go and paint your reference as it is, except blue. When you get to adding highlights and shadows, look at the Na’vi image and see what colours appear in that light. 

I think that’s pretty much all I do when I paint Chiss. Here’s a speedpaint of Thrawn with Lee Pace as a face claim if that helps somewhat :3

(Ignore how I erased his uniform; I could NOT be bothered with that sorry).

Also, Here are some artworks that helped me when I was figuring this out. I’ve done a bit of analysis that might or might not be helpful. Take what you like from it.

Magali Villeneuve

View this post on Instagram

A post shared by Magali Villeneuve (@magali_villeneuve)

In my opinion, Villeneuve’s Thrawn portraits are the best official artworks of him that we have right now. They’re my main go-to for inspiration. The lighting plays across the skin in a way that gives it a fleshy, warm, alive feel. Even the colour zones are present, which gives it that extra bit of depth. If you can’t see them, that’s fine; it takes a bit of time to get used to looking for them.

Rod Reis

The first of Reis’ Alliances cover is also up there with good official Thrawn art we’ve had fairly recently, imo. His style is different to Villeneuve’s, but he follows the same processes with the colour zones and how the skin interacts with the environment around it. The shadows aren’t flat or black; they have colour to them that adds more dimension to the portrait. There’s also that hint of purple-blue blush around his cheeks with more yellowy-blue tones on his forehead and more blue tones around his jaw and chin (again, colour zones are present :3). The light is cooler than Villeneuve’s in the Chaos Rising Portrait, which you can see in the lighter teal hue on the right side of his face. Cool light usually brings out the lighter blue tones in the skin (that’s just what I’ve noticed, though).

And that's it! If anyone has questions, feel free to ask them :3 I'll try and get this eye post out soon <3

[guppyfish77]

Another year Another summary of Art! An Entire Year of Submas lets gooooooooooo!!!! This year I feel like I really pushed myself when it comes to illustrations and I feel like I've learned a lot! But at the same time I feel a little tired, next year I think I wanna relax and experiment a bit more, I gotta learn to loosen up! Might get more art out if I do :p

I also feel the Submas grip ever so lightly relaxing (unless they decide to do Unova remakes haha XD), so I might introduce some of my numerous ocs in 2024! I'll probably start with the conductor oc ;]

Thank you for all your support! (you are all very nice! ToT), I still have a good amount of submas stuff planned in the works so look forward to that (๑•̀ㅂ•́)و✧

If you are interested, I also have some commentary and behind the scenes for some of my submas illustrations! I wanna talk about it and now seems like a good time to do so now that the year is over! (Beware! its going to be long!)

All titles are linked to the original post

Lunch Break

hoho! This one is the sort of AU thing in which the only thing that changes is that I give Emmet a Victini friend (not a part of his team, I dubbed them the "victory duo" because Emmet likes winning and Victini is the Victory Pokemon), I planned out a few wordless comics regarding the idea, they were all very lighthearted slice of life kind of stuff, usually Victini causing some mischief and the brothers having to deal with it

and here's the thumbnails for this piece! I played around with various angles but decided to keep it simple and choose a straight on angle. It was originally a snack break and Emmet sharing a granola bar with Victini, but as I was planning it, submas unexpectedly showed up in the Pokemon Anime where they were serving ekiben, after learning about it it quickly turned into a lunch break! (how fun when new information lines up with an art piece you are working on hoho! ^ ^) After studying what foods Ekiben usually have in them (there was quite a variety!) I took what I learned and try to make the food look like the gear station logo :D

In the background there are children drawings because in the battle subway one of the trainer classes you can face off against are preschoolers, and I thought at least one of them would share their drawings with the subway bosses (and of course why wouldn't they hang it up?), there is also a trophy in which you can get in the players room if you beat the subway bosses on the super trains (one day, battling competitively is not my forte), I did my best to make Emmet's office feel lived in by adding a little bit of clutter (like adding a note) but overall very organized

(hey hey that joltik mug looks familiar in the corner there, its the same one Rei is holding in the christmas drawing)

Bonus Emmet and Victini Drawings

aw come on dude, not on the trains!

ah this one, it gave me quite a bit of frustration! This piece I used to challenge myself on perspective, and challenge me it did! The version you see now is I believe the 6th iteration of this drawing! The reason for restarting so many times is because I originally wanted it to be in 3 point perspective, but I couldn't get it to look right so its now in 2 point... Haha Some valuable lessons learned there!

This illustration was inspired by the history of New York Subway Trains and Graffiti! I read about it when I got to visit the New York Transit Museum and found it super interesting!! Then I went I gotta do something with this! Since Unova is based in New York after all!

I got so many subway surfer comments, they don’t know I forgot subway surfers existed while making this and that I am a huge nerd lmao

I had a lot of fun designing the graffiti on the train (yes it says among us) stylizing the fictional letters was so fun! I studied some graffiti to see how they do it, I could've pushed the graffiti style more but then it would be illegible! I also mixed in elements of Grafaiai graffiti, and trainer that is running away is the artist trainer class in SCVL because they are graffiti artists! And the train that got graffitied is the Wifi Train, due to BW (and the DS) servers being shut down, I doubt that train gets used much anymore, which makes it a perfect target!

Derailed!

hohoho! This was a fun one! I'm not sure how many of you guys read my tags, but in there I did state that this piece was based off the fact that model trains are powered by electrifying the rail it runs on (very low watts mind you) and the fact that Joltik eats electricity, but thats not the only inspiration, it was also inspired by those videos of cats laying on the layout and derailing the train!

Theres quite a variety of thumbnails for this idea (including a comic!), and the idea was there in 2022, but this year I decided to fully commit to it! I started rendering the top right one and almost finished it, but it felt really boring to me, so I switched it up and made some thumbnails in a new perspective and viola! thats what ended up being finished!

The train that is being derailed are Sanriku Railway Type 36s, based off a model train I have in my collection! (While sharing this fact on the original post Haiku Bot detected it as a Haiku?! and this art went out of my target audience, that certainly was a day (⊙□⊙;))

Also I straight up put a picture of Thomas the Tank Engine in the background, I'm not sure if people noticed cuz its quite blurry, the fact that nobody said anything means I probably would’ve gotten away with it before sharing this fact, so hehe :3c

Unexplained Melancholy

eyy! this one! It started out wholly different

It was originally me dropping Warden Ingo in various natural landscapes around Hisui as I didn't feel like drawing anymore linear perspective (ah, but heres the thing, all environments require a little bit of perspective lol), and it was just going to be Warden Ingo hanging out in a lush forest, specifically by the train rock that was shown in his concept art! but after sitting on it, I realized I could do something more with it! by making it a snowy environment I could make callbacks to Emmet's coat being white! hence the "SNOWY!!!" being scribbled there, that was added like weeks afterwards, Then I realized I could push it even more by making the whole environment about Emmet's colors! So the new thumbnail is in color because thats whats its about!

The moon smile thing was stumbled on by complete accident, while working on it it felt empty there and I added Emmet's smile to fill the space before going "moon!!!"

The piece is also a sort of a parallel to last years piece “I am Emmet, I wish for Ingo and I to be a two-car train once more” composition wise, sort of, I tried to at least 👍

Black Tower and Whitetree Hollow

Ah! I was quite proud of this one! Black City and White Forest are some of my favorite places in Unova mainly because the parallels are so very cool!

As the thumbnails suggest it was all going to be in complete black and white, as I was working on it though I could not help but add some values in there so yup! I quite like both compositions but the perspective won me out, plus that one focuses more on the characters than the other one (as much as I love backgrounds, it really is supposed to be about Emmet and Ingo U_U)

Being places of duality and having a battle challenge in there, it really fit them!

Emmet drops the hottest single of all time 🔥🔥🔥

Not really much to say about this one since it was very much done on a whim, but

its not the first time I drew Emmet with his hat backwards, I did this little doodle around the same time I did the train graffiti piece, been wanting to do something with this silly idea, and when I heard that audio, I went :o

Following Some Rumors of a Time Machine

the finale! I decided to choose Area Zero because its a very cool place! I am inspired by cool places! and I decided to give it my all for this one!

The thumbnail I made was more for jotting down the idea, and the landscape was going to be more eyelevel? Later I decided to make it so you were looking down into the crater and you get to see the fog blocking the crystal caverns, to show that Emmet was going deeper into Area Zero and the Deepest part is his destination (the time machine, not the underdepths, I didn't know about that yet haha!) I was always going to make Emmet encounter a Slither Wing, with it being based off Volcarona, a gen 5 pokemon :]

Anyways, That's all I have to say! I hope you found it interesting! (and enjoyed my varying quality in sketches and thumbnails XD) Thanks for listening! see you in 2024! ✌

[risunsky]

2023 review

So, was it a good year ?

I think so, I've enjoyed challenging myself, I've tried Beksinski for a second time, Klimt twice, I've done a crossover hellraiser which I'm quite happy with… I made cement for the first time and it was great!

At the 2022 review I said I wanted to do more horror, so I went for gore with all my emaciated skeletons and I'm very happy with that.

September is my favorite of all.

Outside of my fanart world, my biggest freelance achievement has been completing a big comic commission on time and now that the book is out and I've had good feedback from both commissioners and readers I'm relieved and quite proud. It's been a stressful time so it's nice to see that it hasn't all been for nothing. So, even though I'll never stop considering myself as a learner and experimenting with new things, I think that this year I've finally managed to settle on a style, or a range of styles, that I like and that I think I'll stick with for a long time. I've been drawing for a very long time but this is the first year I've felt so strongly that I've found MY style. As for my universe, it seems that somewhere in the horror area of dark fantasy it is my home.

What's planned for 2024?

In terms of priorities, the gift commissions, yeah.... I'm soooo late. I've finished one, but two are still on hold, and have been for at least a year now. I'm terribly sorry about that, because I haven't been overwhelmed like that for a long time, and I intend to sort it out as soon as possible.

It should also be the year I finish the Goya remake. Ideally, I'd like to finish in February because that's my birthday month, or March because that's the anniversary of my discovery of Ghost.

For the rest, don't take it as a promise, because I tend to let myself be carried along by my desires and they are constantly changing. For example, I was planning great things with Nunussy but the poor thing was left on the side of the road. My interest in it just died. it seems that shipping characters and writing an alternative universe for them is not my thing. I have at least 3 shorts comics ideas, more or less ghost related but always mixed with something else. I really really want to work on it but it's a lot of work and this year I need money, like more than usual so I don't know... I also want to do Bloodborne fanart.

The fails

I haven't kept to my plan to draw the other characters in the Ghost lore, oopsy. I still haven't had the time to open any commissions, but last year was really special, working on a big contract that kept me busy for months and that was something new, it was stressful enough. 2024 should be different. I had to show a bit more of my traditional technique, let's say I do it with the Goya project, it's a semi-failure.

Not really a failure: I still haven't come up with a design for an official t-shirt. I think that's because I'm more of an illustrator than a designer and for a good design I need to find a special thing. It's not a big deal for me, just, if it happens it's cool, if not, well, not the end of the world.

To finish

I'd like to thank all those who follow me and who like and share my drawings, including those who remain silent in the shadows - I'm myself a lurker so I understand! Of course, a huge thank you to those who have supported me on ko-fi, it's the first time I've tried this system and I'm happy to have had some support pretty quickly!

my apologies if there are any English mistakes in this text, which is still too long

Have a great festive season!

[possamble]

Followed for the fic but im staying for the correct dunmeshi takes! That Marcille knows shes cute but doesnt understand why is such a good read!

Im curious what you think of Falin, then? Does Falin think herself attractive? I think shes no longer insecure about her blush, but that is a hint that shes though about her physical appearance.

Aha thank you! For Falin... the funny thing is that the makeup comic confirms that, while she was super self-conscious and insecure, she was ADHDing too hard to actually follow through on any kind of beauty care routine no matter how simple.

I think she falls into an experience I've felt is really common amongst ADHD women (and people functionally regarded as female for most of their lives) is just kind of... accepting it? going with the flow? having a few moments where we'll try for a bit then just forget entirely again?

Falin seems pretty unconcerned with her appearance in the canon, and I feel like that comes from a combination of literally not having much awareness of herself most times and a resignation that she'll never be as pretty as people who can be regular about upkeep.

As for what we see of her post-dragon... her new style of clothing clashes with her old wardrobe in really interesting ways to me. Before, she was wearing mostly very baggy clothing, surprisingly gender-neutral healer type stuff. After, she's wearing tight trousers, bustiers/corsets, and shirts with the sleeves rolled up.

Now, that could just be because she's more active now and climbing and clambering with loose clothing is annoying as hell. But in my experience, aversion to tight clothing is usually caused by a certain discomfort with one's body -- for me, the fact that she actually seems to prefer that kind of clothing afterwards implies that she feels comfortable with herself now.

And I think that's a really lovely subversion of the "came back wrong" trope. Falin came back to life as a half-monster, and feels more at home in her own body than she ever did before.

[the-cu-genswap-au]

Behind the scenes post #2

continuing where we left off

#4. Production trivia #3: a tip for making comics: I want to talk about this random shot of the wall here

- In comics, when you have a scene with two characters talking to each other, it gets really boring when the entire scene just keeps cutting back and forth between the two over and over for the entire conversation. You want the scene to feel dynamic, like these are two people moving and existing in a fleshed out world.

- My strategy for this is usually to cut away to an important object within the same scene, or something in the background, just to avoid making the scene feel monotonous. You can see the same thing in this panel

- The problem, though, is that sometimes this strategy doesn't always work as well

- With the random wall panel, I only added it in because I knew I wanted to cut away from the characters for a bit, but the setting they were talking in (random empty alley behind the playground) didn't have a lot of interesting background elements to switch over to. So, I settled for the wall behind them. Admittedly it's not the most visually interesting thing to cut to, but I'd rather have this than keep cutting back and forth between the characters.

#5. Real world influence:

- This shot of the playground was partially inspired by the playground at my own elementary school! I remember we had a fenced-in basketball court that faced out towards the park outside the school, and the entire fence was surrounded by trees and bushes. It made a nice shady spot to sit down and read in during recess.

- I draw a lot from my own elementary school experiences for this AU. I threw in a reference to Jerry Spinelli because we had to read a lot of his books in fourth grade, and a lot of smaller props the characters use are based on ones I remember using back then.

#6. Recurring detail:

- Sometimes I like to shade Melvin in a way that's meant to evoke Melvinborg. Not because Melvinborg is relevant to the AU, but because I just think it looks cool :)

#7. Complaining about my own handiwork: this is a really quick personal gripe I wanted to get off my chest

- Out of all the environments, vehicles, perspective shots, and crowd shots I've had to do so far for this comic, the hardest thing to draw by far.... has been George's arm in this panel.

- I don't know what happened here! Anatomy is usually so much easier to draw in the CU art style but this arm just didn't want to work for me! I genuinely spent hours trying to make this arm look good! Here's the sketch:

And here is where I considered giving up and drawing him a completely different arm position I thought might be easier to draw:

Ultimately I did go back to the original pose, though. It just felt a little more dynamic, and the scene really needed more dynamicism.

#8. Another little detail:

These two panels actually have some foreshadowing in them :) :). This will make sense later.

[gamesception]

Sception Reads Cass Cain #21

Ghost / Batgirl #1-4 Words: Mike Kennedy Pictures: Ryan Benjamin Additional Work: Randy Emberlin, Howard Shun

One impression I used to have that going back to look at ~all~ of Cass's early appearances has forced me to reconsider is the idea that she didn't appear outside of her own books very much. While later on that is more the case, early on she does have a fair few guest appearances and cross overs, including in this bit of non-canon dual publisher cross promotion with Elisa Cameron, aka Ghost, a Dark Horse character with a solo that had been running since 1995.

The miniseries pits long time Batman villain Harvey Dent against brand new Ghost antagonist Malcolm Greymater - a (fictional) confederate general turned zombie libertarian corpse reanimator - in a conflict over Greymater poaching some of Dent's employees (ie reanimating goons that Dent killed). Babs, Cass, and Elisa get caught in the middle and are forced to work together after following separate threads of a bombing by Two Face and bodies stolen by Greymater only to be sold off into unsavory employment after failed reanimation experiments.

I don't want to go through the whole thing with a plot summary - it's four issues of non-canon stuff after all. But as a stand alone story it works fairly well, worth a read if you're a fan of early Cass. In particular there's solid characterization of Harvey Dent and what it's like to work for him - pretty bad actually. You can see why he'd get upset at someone trying to poach his guys, working conditions for goons in Gotham are terrible, if word got around of better conditions in Arcadia (Ghost's hometown) or wherever else then Batman's villains could easily find themselves suffering a labor shortage. The mere idea of that is funny enough to me that I can't help but like this little mini series, and it's an idea I'd love to see brought back. Goons On Strike - now there's a solid idea for an ongoing Gotham event crossover.

Anyway, Ghost/Batgirl is definitely a higher fantasy story than we usually see from Cass, at least back in the early days, but there's a focus on the individual lives and humanity of the underlings working for the villains that's very grounded and down to earth. That fits in really well next to the "street level" focus of Cass's early solo title. As for the book's cross-promotional function, it does make me curious about Ghost, though probably not enough so to go back and look at her solo title. I like her villain here, but Malcolm Greymater and his crew seem to be more or less exclusive to this crossover? Comicvine is telling me he maybe appears in a single issue outside of this, so that's kind of disappointing.

So setting aside the story, how's our girl in this? Well, first of all, she's being drawn by new hands. In costume she's mostly fine.

Sleek and spooky, glossy black. The details of her form are sometimes lost in the darkness, which loses some specificity in the action panels, but in a way that mostly works aesthetically. My only real complaint here is that her facial expression doesn't really show through the mask. You don't get a sense of what she's thinking or feeling in costume, she's just this dark angry spooky form, not so much a person or a character. As I've said in the past, though, that's as much or more a criticism of her costume design as it is of how any particular artist draws her in it.

It's also worth noting that, as with Cass's early pairing with Azrael, her costume contrasts very nicely with Ghost's. White with round hood and billowing cape vs. Cass all black and pointy. Aesthetically it's a great fit.

Out of costume, though...

I don't know. Just doesn't quite look like Cass to me? I know, I know, comic character facial features don't have the same specific canon as their costumes do, different artists have different styles so characters will look different, and there's definitely a stylistic element here that isn't gelling with me. The overall shape of the head is too thin, maybe, making her look a bit older than she should, where I'm used to Scott's more rounded face, stronger jaw, bushier eyebrows, shorter, poofier hair.

Scott's style, at least at the time, also just packs in more emotional expression, which is absolutely critical for a silent protagonist.

By contrast Benjamin's Cass, when she's not in costume, is often just standing a bit behind Babs with a sort of blank, neutral expression while Babs interacts with other characters or the audience for her.

...

Which also kind of brings us to the writing for Cass here. Ghost / Batgirl is probably the best example yet that silent Cass was a mistake, because yeah, the creators of this book just do not know how to convey her character to the reader without words. The first image starts with Cass looking out over the wreckage of a bombing, and of course there's pseudo noir internal monologue all over it, because how else do you start a bat-book, only Cass can't narrate so Babs provides the narration even though she isn't even in that scene.

Babs goes along on the adventure mostly so the writers have someone who can talk for Cass, or even in some panels quite literally talk over Cass.

Cass is an intimidating physical presence in costume, but in this book she functions more as an extension of Babs than as a person in her own right.

...

It's not all bad, though. In particular there's this one bit introducing an additional ability for Cass that makes perfect sense with her backstory and yet sadly I don't think is ever mentioned again in a canon Batgirl story:

Cass gets poisoned, but she survives, and recovers remarkably quickly, because she has a natural resistance to many poisons and venoms built up from repeat exposure to tiny amounts when she was a child, because of course that's something David would do. You could just imagine little Cass and David having drinking contests to see who could take the most poison before passing out, or even sneakily poisoning each other as a little game of escalating pranks.

...

So yeah, overall a nice little stand alone series with maybe not the best depiction of Cass, but one that is illustrative of why the major change to have her start speaking, while I still don't like how it was done, was probably for the best.

[brainyrot]

Hello fellow “Bendy is actually very mischievous, weird and creepy but actively represses himself to be accepted” truther

Here’s a question: do you think if Babitim bendy didn’t have to practically raise Boris, he would’ve been more mischievous as a kid?

What are some odd or freaky things you think lil bendy did in his childhood?

Well, taking care of boris is surely one of the reasons why he had to hold back. He had to be an example, and taking care of a child while you're a child yourself dosen't allow you to freely be yourself, as you put all your energy on the child. It's frustrating, it's just draining.

but his main reason, in my head at least, is society. He grew up knowing he was wrong, he was just born wrong, and he was evil. and this fucked up his mind. He grew up working and working endlessly, even now, to be liked, he had to be a specific way even if he wasn't that was at all.

He's not evil, he's mischievous. He likes doing pranks, he's chaotic. He's the usual demon but as the childish version. He doesn't kill or wants to, but like any demon, he's a fan of chaos and mischief, but he wasn't allowed to be "the usual demon" or "himself", he was forced to be a father, he was forced to be silent, obedient, anything that would have made people like him.

if he actually truly showed his actual personality, people would have mistaken his innocent mischief, as something like bloodlust or simply as "being evil".

If he was allowed, he would be exactly like in the crack up comics, maybe a bit different because of the story, but pretty much the same.

he was supposed to be zany, that's why chaos likes him so much. Because he naturally bends the rules. He naturally is a zany, he's just the way he is, but he repressed himself so much he turned out to be this closed off TEEN, who is afraid of even using some of his powers because he was convinced they would hurt people, when he showed that he could use them for good things.

At least, that's how I see it.

but, for the question, here's some of my thoughts:

- pranks. kind of Halloween style, just this little kid scaring others by just yelling "BOO!", y'know, hiding and then scaring, sneaking up people so he can scare them with just the sound of his voice, that stuff. And it's canon because he did them in the orphanage, but only to people he didn't like

- the small naughty kid who steals candy. He would steal food and just eat it, this is also a small reference to a bendy short where he refused to pay

- he would convice kids to do things for him to get stuff, nothing too serious, but he would definitely be that kid who would make others take stuff so he can eat them. Like taking the jar of cookies.

(remember that all of these are thoughts with the idea that the others aren't immediately afraid of him)

- he would be that type of kid who would appear innocent but he's just doing anything naughty. That good kid who never gets in trouble because he never gets caught. (Me. I'm that kid.)

- generally the kid who likes going out to explore creepy places like haunted houses or take home wild animals, from racoons to snakes to baby alligators.

He would scream "HEY GHOSTS, IT'S YA BOY!"

- despite him being naughty, he's nice. He's a sweetheart. He would give kids flowers and candy and SHARE with no problem, even if they don't ask. He just wants to share.

- he would have no filter. you're ugly in his opinion? You'll know that soon. You're pretty? You'll know it next time he sees you.

But he wouldn't be interested in anything romantic, he just wants to have friends to play with.

- unlike in the fic, where he wasn't able to experiment with his powers, if he was allowed, he would have. Shadows and shapeshifting mostly I think, he would treat them like a magic trick to impress other kids.

- he's that kid who can't sleep so he spends the night eating whatever.