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#fabulous job op
eustasskidsfattits · 29 days
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You know I had to
This line art is SO fun! I had a blast coloring it! Thanks @thamaris for sharing!!!
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luxthestrange · 5 months
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OP Incorrect quotes#33 No paperwork~
Imagen being Crocodile's Old secretary...You had no devil fruit you were just INSANELY good are doing errands, doing paperwork keeping everyone on schedule giving your soft appearance you softened the intimidating vibe Crocodile had...your motto is "Minding my own business" to a lot of...the obvious evil deeds your boss and his crew did ...a paycheck is a paycheck...course in the end you didn't mind the straw hats and was happy things went better for Arabasta...
UNTIL YOU SAW ON THE PAPERS YOUR EX-BOSS IS FREE AFTER A PRISON FIGHT...which would be explained...him now at your door under the "rain"...begging for you to work for him again with his new partners-
Croco*Leaning on your...small door frame with a bouquet of flowers* Y/n, my tender, oozing blossom, you’re looking fabulous today. Is that a new haircut? Tell me it’s a new haircut. It’s got to be a new haircut. New makeup? You had a lift? You had a tuck? You had something? Something has been inserted in you that makes you look… Listen, I need a favor. I...admit your the best worker I ever had-Work for me in my new business-…
EX-Secretary!Y/n: Well, isn’t that nice? But guess what?...You didn’t turn in your homework the night I needed you to do it...the one job I need your attention and seal...and you didn't pay me my usual overtime to fix your mistake?~.
Croco*Actually feeling abit flustered, coughs into Hook looking "Shocked"...knowing he was probably celebrating early his victory* I didn’t… I… no paperwork?
EX-Secretary!Y/n*Closes door on crocodile’s hand*The office is now closed!~
Croco*Felt pained as you slammed the door on his hand with no mercy* YAAAAAAAAAAAAAAH!
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...could this be a thing?...
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mocktortis · 5 months
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So recently I've been seeing this bit of information around that "Lewis Carroll was a mathematician and he was inspired to write Alice in Wonderland because he was really frustrated by the contemporary math of his time." Specifically people kept bringing up imaginary numbers.
And that struck me as weird, because I have read a lot of writings on Alice, and I had never come across this before. I have the mega-version of the Annotated Alice, and multiple copies of Alice with introductions from pretty well-known Carrollian scholars. They all mentioned that Carroll's real identity was the mediocre mathematician Charles Lutwidge Dodgson, but never really tied that with Alice. Even The Annotated Alice, which was edited by the math guy Martin Gardner, only has math related footnotes when math (usually arithmetic) is specifically brought up by the text (such as when Alice is struggling to remember her times-tables). I should probably warn you now, there will be math in this post.
So... where does this claim come from?
I asked people for sources, and I got one response that was actually useful. They admitted they didn't have an academic source, but told me to try googling "Alice in wonderland math". It was the best lead I had (one person told me verbatim "Google is free". Classy), so I put it into Google and came up with a decent amount of results. The first article I found linked to another article from 2009 by a doctoral candidate at Oxford called Melanie Bayley. Unfortunately, the article is only available if you make an account with New Scientist, which I was not keen to do. I moved on, continued reading through poorly written articles and 10 year-old blogs, looking through their sources to see where they were getting their information... and every single article and blog post linked back to Bayley's article from 2009, or an op-ed she wrote for NY Times (also blocked behind a give-your-name-to-the-fae type deal). Fortunately, one of my family members actually has an NY Times account already, so I just asked if I could use their account to access this article.
Eureka. After reading through so many misinformed and poorly explained sources (one of which just copy-pasted Bayley's article into their blog), reading Bayley's actual article was like a miracle. It was so well-written, well-researched, and actually solidly convincing. I was nearly crying at just how beautiful the thing everyone else was ripping off really was. This encouraged me to make an account to read her New Scientist article.
Bayley references back to a paper published in 1984 by Helena Pycior, At the Intersection of Mathematics and Humor. Pycior is a Professor at University of Wisconsin Milwaukee, an MA in math, and a historian. Her paper is rigorously researched and does a fabulous job of explaining mathematical advancements (especially symbolical algebra) in the late-18th to mid-19th centuries, Lewis Carroll's own education in mathematics, and his more serious writings on math as Charles Dodgson. Pycior also highlights a line in the chapter Alice's Evidence, when Alice remarks, "I don't believe there's an atom of meaning in it, which is eerily similar to a line in Augustus De Morgan's Trigonometry and Double Algebra ("With one exception, no word nor sign of arithmetic or algebra has one atom of meaning throughout this chapter,"), a math textbook Carroll definitely read. Pycior's paper is very technical, however, and might not be for everyone. But it is a great foundation for Bayley to base her claims.
While I would highly recommend reading Bayley's articles, I understand not everyone will be interested, so I will summarize:
Bayley's analysis mainly focuses on sections added by Lewis Carroll after 1864. Carroll's original manuscript, written for Alice Liddell and her sisters, is missing several scenes from the final published version, and there are some scenes in the manuscript that were extended in the final version. The scenes Bayley dissects are Advice from a Caterpillar, Alice's first meeting with the Duchess, Alice's conversation with the Cheshire Cat, and A Mad Tea Party.
Bayley first covers the chapter Advice From a Caterpillar. She connects it to De Morgan's Trigonometry and Double Algebra. Helena Pycior points out that Carroll was "clearly inspir[ed]" by De Morgan, and references De Morgan in a few of his academic works published under his real name. Bayley draws attention to De Morgan's use of the Arabic phrase: "al jebr e al mokabala" —the original Arabic name for algebra. Bayley explains that it means "restoration and reduction". I actually don't think I can put it much better than she did, so I will use an excerpt from her article:
"Restoration was what brought Alice to the mushroom: she was looking for something to eat or drink to “grow to my right size again”, and reduction was what actually happened when she ate some: she shrank so rapidly that her chin hit her foot."
A little later, Bayley adds:
"De Morgan... proposed... that symbolic algebra should be considered as a system of grammar. “Reduce” algebra from a universal arithmetic to a series of logical but purely symbolic operations, he said, and you will eventually be able to “restore” a more profound meaning to the system – though at this point he was unable to say exactly how."
Part of the Caterpillar's "advice" to Alice is "Keep your temper", after Alice complains that she keeps changing in size. Alice assumes he means not to get angry but, as Bayley explains "To intellectuals at the time, though, the word “temper” also retained its original sense of “the proportion in which qualities are mingled”" ie. tempered steel, tempered glass, tempered chocolate etc. Bayley proposes that the Caterpillar is using this meaning of the word temper— meaning his remark would be advising her to keep her proportions the same, even if she can't stay the same size. That remark becomes relevant after Alice tries changing her size with the two sides of the mushroom: when she tries just the small side, her torso shrinks and brings her face so close to her feet she can scarcely open her mouth; when she tries just the large size, her neck stretches to ridiculous lengths. Only when she tries a bit of both in a balance— tempering them— is she able to change size while keeping her proportions.
Alice next encounters the Duchess in her kitchen, and the Duchess' notably ugly baby. As the Duchess leaves for croquet she throws (literally throws) her baby at Alice, who catches the baby and takes it outside, reasoning to herself that the violent Duchess and her Cook would likely kill the baby if Alice were to leave it there. As Alice looks down at the baby, she realizes it is turning into a pig, and she releases the baby-turned-pig into the wood.
Bayley's interpretation of this scene is as a satire of projective geometry— and specifically the "principle of continuity", laid out by French mathematician Jean-Victor Poncelet. Poncelet's description of the principle (via Bayley) is “Let a figure be conceived to undergo a certain continuous variation, and let some general property concerning it be granted as true, so long as the variation is confined within certain limits; then the same property will belong to all the successive states of the figure.” In Bayley's NY Times article, she explains it more clearly as, "[the principle of continuity] involves the idea that one shape can bend and stretch into another provided it retains the same basic properties— a circle is the same as an ellipse or parabola."
Bayley suggests that Carroll's rebuttal to this is based off Poncelet's use of the word "figure". If the figure of a triangle can change its shape while remaining a triangle, then the figure of a person (or baby, in this case) can also change its shape. As Bayley puts it "What works for a triangle should also work for a baby."
Skipping ahead to the Mad Tea Party, Bayley proposes that the characters of the March Hare, the Mad Hatter, and the Dormouse, are paralleling the concept of quaternions, proposed by William Rowan Hamilton in 1843. Hamilton's Lectures on Quaternions was the first way of representing rotations in three dimensions with algebra, and it was well-known enough at the time that it is reasonable to assume Carroll had read it, or at least seen arguments relating to it.
Here is Bayley's explanation of Hamilton's quaternions:
"Just as complex numbers work with two terms, quaternions belong to a number system based on four terms. Hamilton spent years working with three terms – one for each dimension of space – but could only make them rotate in a plane. When he added the fourth, he got the three-dimensional rotation he was looking for, but he had trouble conceptualising what this extra term meant. Like most Victorians, he assumed this term had to mean something, so in the preface to his Lectures on Quaternions of 1853 he added a footnote: “It seemed (and still seems) to me natural to connect this extra-spatial unit with the conception of time.”"
Breaking that down a little more (serious math alert): a complex number is a number with two terms, a real portion (represented by a), and an imaginary portion (represented by bi), and is written as a+bi. One of Hamilton's quaternions would be represented like this: a+bi+cj+dk. (I don't really know how they work either.)
In A Mad Tea Party, the Mad Hatter says, "It's always six o'clock now", trapping the party at perpetual teatime. The Hatter's explanation for this is that he quarreled with the personification of Time, and in retaliation, Time is keeping the clocks at six for the foreseeable future. Without Time, the Mad Hatter, the March Hare, and The Dormouse keep rotating around the table, as if in a two-dimensional plane. It is possible that this is Carroll's way of poking fun at the absurd idea that time would factor into an expression meant to determine the movement of objects in space.
And it is this final section of Bayley's article which gets misinterpreted into the claim, "Lewis Carroll was inspired to write Alice in Wonderland because he was frustrated by imaginary numbers."
I want to end with this: we have no proof Carroll intended any sort of mathematical allegory in Alice's Adventures in Wonderland. He seemingly did his best to keep his life as a mathematician and his life as a popular children's author separate from one another. Most of his surviving writing's on his inspirations for Alice make no mention of Math. That said, Melanie Bayley's article provides a truly fascinating interpretation of some of the most beloved episodes in Alice, and I wouldn't begrudge anyone who wants to believe it.
If you're interested in reading more, this is a free PDF of Melanie Bayley's NY Times op-ed. The first page is an email someone sent to friends that contained the article, but the full article is underneath.
Also, this article by Art Publika has a great overview of both of Melanie Bayley's articles, plus some extra background on Carroll, and so many pictures.
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kaybaeisgay · 1 year
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alright here we go…. these are my One Piece: Live Action thoughts and critiques now that i’ve finished binge watching the show!
overall rating is a 6.5/10 on a Netflix original scale with some episodes being below that and some being above. (EDIT: before you throw tomatoes pls know that i highly enjoyed it!!!!! just had some thoughts on how it could have been improved in my own humble opinion!!)
(spoilers under cut)
initial praises:
the FUCKING CAST. they are all so good!!!! i admittedly had low expectations for some characters prior to watching (i.e. shanks, mihawk, garp) due to how iconic and mysterious they are, but i feel like they all did a phenomenal job bringing these characters to life
THE STRAW HAT CHEMISTRY. from the second i saw the cast interviews, i knew they were gonna be perfect, but the core cast truly was brilliant together
BUGGY 🗣️🗣️🗣️ listen. i’ve always been a buggy denier…… i understood the Power of His Ponytail for others, but never really got it for myself. that being said…….. JEFF WARD POPPED OFF. imo buggy had potential to be either just okay or the worst part of the show. and jeff, my guy, you knocked it out of the fucking park
visuals!!!!! the practical set was beautiful, and the coloring was so perfect for how fantastical the one piece world is. it was really immersive and i was super impressed!
makeup and costumes were fabulous. i know people clowned arlong’s design from the trailers, but i always really liked it bc of its practical effects and watching his full performance in the show was icing on the cake. the fishmen all looked incredible! absolutely spot on from the costume and makeup departments
drunk usopp???? need it like i need air
suave but unpervy sanji???? please, oda, bring him back i BEG
luffy’s curly hair 😭
zoro and nami’s interactions?? chef’s kiss. loved how they made each other work for their trust and friendship
all the little cameos to diff characters in wanted posters
the cgi they did use looked so fucking flawless. like the sea king and buggy’s devil fruit? it was truly a spectacle
the bad and the ugly:
the writing. i have to say, while i thought some parts were fine, i thought other aspects of the writing (namely the parts NOT written by oda) were lacking and stereotypical. it seemed like there was a real need in the writers room to spell everything out for the audience about the one piece world, when i really don’t think that is necessary. part of the charm is how whimsical the world is and how unhurried the east blue beginning arc felt. and they inserted a lot of weird bullshit i felt didn’t fit the original story
on that same note: the straw hat bonding was weak imo. i am a nami-stan to the day i die, but i really felt like they used her character to override the developments between luffy and the other straw hats. i think having nami present in axe-hand morgan’s base with luffy/zoro immediately discredited the initial bond that the two boys were supposed to have. i get why they did it, and i never thought i’d see the day where i wouldn’t want to see more nami, but i feel like her presence during that moment, her convo with kaya, and her staying for baratie really stole important bonding moments from luffy and each of the boys.
similar to that: luffy’s characterization. (note: i adore iñaki! this has nothing to do with him, just how the writers wrote luffy.) i don’t think the writers knew how to approach writing luffy or even zoro for that matter—which, to be fair, they are difficult characters to write. but i think they got very focused on trying to explain or make sense of luffy for the viewers when i truly think the appeal to pre-time skip op is how both the audience and the straw hat crew are constantly learning more and more about who luffy is through his actions. and in tandem, they didn’t know how to flesh out luffy and zoro’s relationship. where animanga luffy and zoro are bonded because they innately seem to just get one another, i think the LA writers didn’t trust that either their script or the actors portraying them could get that across as well without having them literally spell it out for us. and in turn, i think it really watered down their connection when that bond should be one of the absolute strongest.
okay i’m beginning to realize that all my critiques have to do with writing
like, they didn’t show us how much each village comes to love the straw hats???? which is a HUGE part of why we and everyone in the world adores them??????????
little (and big) things about the characters that got lost in the LA: zoro’s sense of humor, usopp’s love of bugs (seriously, he wouldn’t be spooked by a damn spiderweb, cmon), nami being a weather prodigy, usopp being a sniping prodigy, bellemere and nojiko having hope bc infant nami was laughing, luffy only doing stuff bc he wants to, luffy and zoro not caring about the details of nami’s history, sanji bonding w luffy bc he was strong and kind and joining because luffy asked him to, helmeppo’s falling out w his father (like if you’re gonna put so much of him in there at least set up his backstory correctly???), arlong seeing zoro’s wound from mihawk, arlong park walk???!, and so many other things honestly…..
in general, the whimsy of the world was lacking. so much of what sets one piece (especially at the beginning) apart from other shows is how much fun it is. i get that netflix wanted to netflixify this world, but that’s not why we fell in love w the show. we want to see them goofing off, we want to see all the silly, ridiculous jokes. we want the hilarity of it all and how each character (no matter how cool) is still subject to being a fool at times. usopp’s character really brought a lot of life to the show after he was introduced, which i am infinitely grateful for, but i think the writers forgot the core of the show: the fun of it all.
OH. and here is my biggest gripe of them all……. THE FUCKING MARINES. like holy shit, i didn’t realize i was watching a fucking military propo??? i understand they wanted to make koby more relevant for the story but fuck, did we really need fifteen minutes every episode dedicated to the marines???? i loved koby and garp’s actors, but all the focus on them (WHEN THEY ARENT EVEN IN THE EAST BLUE MUCH AT ALL) really soured me on their characters tbh. they robbed us of so much time that could have been spent on any of the above issues listed just for the sake of adding fish-eye-lens close-ups of them shootin’ the shit with each other. it’s like they didn’t want new viewers becoming unsympathetic to the fucking military even tho oda specifically wrote marines as antagonists lmao. truly, i think all the issues i had w the show could have been fixed if they simply didn’t make so much of it about garp and koby.
along w that thought: someone—anyone—please tell me why they needed a garp and luffy confrontation in this first fucking season. please, help me understand. because imo, that was the most atrocious thing they could have done. they literally cut out KEY PARTS to the arlong park arc just to make room for it. the arlong park bit was so badly fumbled imo. making nojiko and the villagers actually hate nami instead of pretending to??? TOMATO TOMATO TOMATO. saying nami asked to join arlong instead of him forcing her to?? FUCKING AWFUL. having luffy chase nojiko down for the story instead of his “i don’t need to know it, i just need her to rely on us”???!!!! fine, go ahead and erase a crucial part of his character. and don’t even get me started on how garp’s moment completely replaced nami’s iconic “goodbye” to coco village and genzo telling luffy not to make her cry. seriously, i could go on for hours about those episodes alone.
additionally, they made the whole “luffy didn’t tell us about his grandpa being a marine” thing like an issue in the crew when that is not at all how it should have gone. the entire point of garps original intro as luffy’s grandpa in animanga is that we AND the straw hats have spent enough time with luffy to understand that he doesn’t say more than what needs to be said. while we were all surprised, no one (not even his crew) are upset about him withholding that. so to introduce garp so early in the plot and then make it a whole moment of dissent for the crew is fucked up and pointless.
i really think they only added so much of the marines because they were worried there weren’t enough “stakes” to push luffy and the crew forward in the narrative, but that is utter bullshit because the ENTIRE point of the east blue arc is that it’s BEFORE luffy ever has a bounty—before he ever is being truly chased—so EVERYTHING he does is simply for the pure sake that he WANTS TO. and that is precisely why each crew member loves him. that’s why WE love him.
last but not least: where tf was hatchan??? ☹️
overall, my problem with the LA so far is that i feel as if the writer’s don’t have a full grasp on the straw hats, and while they were writing the story, things that should’ve been central to their personas got left behind. it felt like since they didn’t feel like they understood luffy as a character, they tried to overcompensate by making him into something he isn’t.
the outline for everything was there and i think it was still a very fun watch, but im left longing for the magic and catharsis of the original story. in the end, it was entertaining but really just made me want to rewatch the anime to get the full effect of oda’s wonderful storytelling
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letstalkwhump · 1 year
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Let’s Talk Whump No.3
Welcome to Let’s Talk Whump!
I’m Malice, from @whumpers-inc and today I’ve got the fabulous @brutal-nemesis in the house to talk about her experience with and love for whump!
Let’s talk about you! Tell us something about yourself :)
Yo, I'm Nemi, I'm in my 20s and a whumper all the way, baby. Outside of whump, I like rocks (like have an entire degree in geology like rocks), video games (Octopath Traveler, Pokemon, FE, Nancy Drew PC games...), anime (don't ask me about Chainsaw Man, I won't shut up), and hiking (rocks but in their natural habitat).
What does “whump” mean to you?
I get to stab men and laugh about it. I love violence, I am very sadistic
Your fearsome reputation is something of a legend around here. How did you find whump and what made you want to join?
Very long rabbit hole but to be less long about it, I saw some whump stuff on the blog of a pokemon tumblr I stalked (because I didn't have an account) and I was like, Hey This Is The Shit. I lurked for a while but as time went on, I wanted to talk to people about whump and share my own shit cuz I've never really had anyone to talk to about that sort of stuff (at least not without making them really concerned lol).
Being able to talk about wanting to beat up/stab/restrain a guy without concerned looks and questions is so therapeutic, honestly. Do you have a favourite(s) whump trope?
Gore, noncon surgery & body modification, vivisection, female whumper w/ male whumpee, and just general depravity!
Female whumpers, my beloveds! Speaking of favourite pieces, tell us one that you’ve written?
Uhhhh what have I written at all...mmm, well, as far as Castys things, if I had to pick one, it'd probably be Cycle-stys of Yikes . Basically it's a nice little overview of Castys losing his damn mind while he's stuck in a lab for like 240 years. It's probably one of the darkest things I've written as far as, uh, what happens, and that's saying a lot. Idk I just feel like I did a good job with describing these really fucked up actions as...whatever the hell he thought was happening.
For Erebus and Terror...it's hard. I'm really proud of the whole series, tbh, just how I've been able to develop both Erebus and Neteri over time as they change each other, but for a standout chapter...Maybe Chapter 14, Red, White, and Blue , cuz I really love the way I wrote Erebus's panic and what was happening to him from his POV without explicitly describing what was happening. And what's not to love about how upset he is in that one :)
Damn, Red, White and Blue! You’ve definitely earned your reputation..that was brutal! Is there anything new you’re working on at the moment?
Yare yare...I should get started on the next chapter of E&T at some point, shouldn't I? I mean, I have a huge AU stockpile that's basically all between me and one person and we just sit on them, so probably nothing from there for the people...So yeah, probably the next chapter of E&T whenever I get around to that and then I'll probably try to come up with something for Castys since I'm sure people miss him.
Take it from me, the people definitely miss Castys! Care to share what your writing routine usually looks like?
Hahahaha who knows, man. Back before my lil hiatus, I used to write every day whenever I had time and felt like it, but then I became Gamer Mode for a few months and I'm still working on getting out of that habit. But usually just on the couch or in my room with either my video game/anime OST playlist on shuffle (she's 59 hrs long!) or my weeb playlist (anime ops and whatnot) because if it's English words then it's harder to focus on writing,  y’know. Usually I jump around in whatever chapter or piece I'm writing, writing the scenes or bits of dialogue/description as they come to me, and slowly stitching the whole thing together until it's one whole blanket boy.
Is there an easy thing for you to write, something the words just pour for? Anything you struggle with writing?
The easiest thing in the world is whatever bullshit thoughts Castys is having. He is incredibly easy to channel. Any of his dialogue or what he's thinking about comes without much thought. The words also usually flow for my classic™ incredibly long run-on sentence paragraphs that have like no breaks in them cuz it's all go go go, baby. Erebus and Neteri talking isn't too hard either, especially if they're bickering. As far as hard, probably descriptions of pain because it can hard to say how much a thing hurts over and over without being repetitive. I am also not a researcher.  I will just be out here making shit up because it's MY fantasy world so I can have whatever bullshit I want!
Do you have any words of wisdom or writing advice for us?
Well, my old habit that worked for me was to try and write every day, for at least half an hour. If I end up going more, great, but if it's not working at least I tried. That and inspiration is everywhere. Steal whatever shit you like and cobble it together into something unrecognisable. It's not plagiarism cuz you're making something new. Like, E&T came from Stephen King's Misery and a magical girl anime. Go crazy, go stupid.
Go crazy, go stupid. I love it! Let’s give a shout out to your favourite writing/whump blogs, bffs or people who've inspired you. We're hyping everyone up here!
Can't not shout out the bestie @galaxywhump who has impeccable taste and bomb writing and we talk a whole lot everyday and yeah, queen shit. @just-a-whumping-racoon-with-wifih-wifi is another good friend and amazing writer and she's got so many different stories that everyone can find something they love. Ugh, there's a lot of other people I could talk about, but I'll give the last shout-out to @whump-side cuz her art just always hits the spot for me, so fuckin good.
Thank you so much for taking the time to talk to us today. Is there anything you like to add?
Don't be afraid to be a little bit silly, lads, we're here to have fun and it doesn't have to be the most serious shit in the world for it to be good whump. we love being silly and crazy.
Thanks for dropping by @brutal-nemesis ! 
And to all the readers, have a whump-derful day!
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peachonified · 1 year
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A hint of the next AoKi fic
It's AoKi day... and due to various reasons I only got a fic STARTED. and I have a new rule: no more WIPs on AO3 unless they are finished. (except for the ones I am finishing up...) but this isn't AO3, so I am going to share the opening.
Just a few short notes... when I asked for ideas, @formlesscopycat said prison au, and @slicesofapple said a dom Aomine.
So I smooshed them together and you can't tell where it is going yet, but I love the start!
(It was originally called 'where you belong' and I was thinking about jail, but I already have an AoKi fic called 'Where you belong(by my side)' so that doesn't work)
~o~
Kise has never been to jail before.  And he can’t believe he’s going there now!
“I didn’t do i-“
“I don’t really care,” the officer escorting him to his new home informs him. “You have a problem, then get your lawyer to deal with it.”
And that, was that.
~o~
Okay not really. The trip to the prison is long and slow.
“Surely prison vans can go the speed limit?” he asks, entirely innocently, cos weren’t there rules about how slow you could go and the highway? “What happens if the driver is arrested? What if-“
“You really need to shut up before I do something about it.”
Mr Prison Guard was tetchy. Kise sniffs and and is silent for all of 84 seconds, until he can’t deal with it any more.
“I just think we should-“
The scream the prison guard gives is not quiet.
~o~
He happily drops him off at the gate.
“You’re leaving?” Kise asks, a little sad. “I felt like we were just getting to know each other, and-“
“He’s all yours. He’s all fucking yours,” Kasamatsu snarls. Kise feels inordinately proud that he got a name. But it was a four-hour drive, and Kasamatsu got sick of being called Mr Prison Guard about two and a half hours in. That was after establishing that he is a driver, but Kise thinks it’s still a job where he guards prisoners, so he’s a prison guard.
~o~
Intake is almost as slow as the drive him. Which Kise informs the new prison guard.
Who blinks at him from behind his glasses.
“You want this to be… quick?”
Kise nods, decisively. “Yeah, well, I’m innocent, so the sooner I get in, the sooner I get out right.”
Glasses kind of stares at him. He goes to speak twice, shaking his head each time, before he (slowly) pulls Kise’s paperwork. “Says here you were soliciting and then tried to bribe the police when they arrested you?”
Sighing, Kise flops back, placing his handcuffed wrists as attractively as possible. “I know what it says, but I never sleep with people for money. I only have sex with people I want to have sex with, because that is the point of sex. Not that I am anti sex work, by the way. But I make my money modelling. At least at the moment. I’ll be a pilot one day -  I need to get my license while I still have 20-20 vision. I read that even if you need glasses, if you get them after you become a pilot it’s still okay. And don’t worry! I’ll still look fabulous. Not everyone can rock the megane look, it’s true, but I absolute-“
“So you weren’t soliciting?”
Kise sniffs. “It was bad timing. We’d been at a party, so I was in costume for that. And can I tell you, I looked good! It was a take on angels – normally angels are all icy silver and white, but I don’t look good in white, so I changed it up for ambers and golds and-“
“Why didn’t you go as a Greek or Roman God? Or acolyte, or whatever. More colour op-“
He’s interrupted by Kise’s wail. “Oh my god you are right! I could have had so much fun! I mean, I looked great as a golden angel, but I could have had options and I hate-“
The guard (who was probably Imoyoshi, given that is a name plate on the desk) stops him. “Well, innocent of the crime or not, you do seem pretty innocent.”
There's a double meaning there, and Kise can’t let that pass! “Look, I’m not saying I’m a slut or anything, which would still be okay by the way, but I’m not innocent-“
Kise continues to rant, until he notices that Imayoshi isn’t paying attention. In fact he looks a little worried. And that’s not great. Kise leans forward, an earnest expression in his face.
“I’ve been sitting here just talking about myself, and here are you needing some help. I’m a very good listener, and pretty good at advice too.”
Imayoshi looks at him, speechless. Kise nods encouragingly, but inside is a little worried. This is now two prison guards who could barely speak. Who were they hiring? Surely this was a job that needed good communication skills?
Letting out a breath, Imayoshi laughs. “Yeah I’m worried, but about you.
They’re at the door, when Imayoshi stops short. “Wait, I have to know. What was with the official corruption?”
“The what?”
“Bribing a police officer.”
Kise frowns, then his expression clears. “I wasn’t bribing anyone! I thought they were at the costume party too, and the police outfits didn’t match at all! So I offered to help them out of their uniforms, and then more turned up and I thought they might have been strippers and then they weren’t and-“
Someone weaker than Imayoshi would have laughed.
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curried-mermaid · 6 months
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A Review: That Time I got Reincarnated as a Slime Volumes 1
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Author: Fuse Illustrator: Taiki Kawakami & Mitz Vah Publishers: Kodansha Comics  Age Group: Teen  Genre: Isekai Type: Manga
Content Warnings: death; very slight naughty thoughts 
Spoilers ahead
Plot
Average, unexceptional, 37-year-old salayman, Satoru Mikami has found himself in a gooey situation. After getting killed while saving his coworkers’ lives, he gets a new lease on life—just not the life he was expecting. He has been reincarnated in a fantasy world as a magic-wielding slime creature. Under his new name “Rimuru Tempest,” this once-normal man will have to learn to survive in this strange, new world—and with his incredible wit, affable nature, and a few powerful allies, he’ll quickly ooze his way into the hearts and minds of everyone he encounters along his journey. 
Character Development
Rimuru is an interesting character. He’s kind of a grouch but a decent guy at the beginning. Once he becomes a slime, he’s a bit more logical and friendly. 
Veldora, a dragon, is the first living entity that Rimuru encounters in his new life as a slime. Veldora is a proud dragon but kind of obnoxious. I love the duality in each of the characters. We get the expected with a twist in the development of each character. We glean a lot of Veldora’s character through the fun Veldora’s Journal at the end of the manga. It’s written in his style of thought and speaking which is very different from the rest of the manga. 
Each character, including background characters, have great backstories and are important to the story. Each has a purpose. Not only that, but each character has a specific way of speaking so we get bits of their personality. 
World-building
Artwork paneling is simple and doesn’t bog down each panel. Easy to follow pictures. Love that when Satoru (Rimuru) can’t see the paneling is black with white to highlight what is going on - the opposite of normal. It creates some great world building so the audience experiences everything Rimuru does as he gets used to his slime body. It also makes it easier to focus on characters with just enough background for context. The artist, Taiki Kawakami, does an excellent job of adding enough detail that the brain of the reader can fill in the rest while focusing on the story and characters. 
I love that Rimuru refers to his slime life as an ectoplasmic life. It creates an interesting effect in the reader’s mind as ectoplasm is usually associated with ghosts. It’s also the name for the outer layer of the cytoplasm of amoeboid cells. The slime would be considered an amoeboid as it can change its shape much like amoeboid cells can. 
Magicules are one of my favorite ways that describes how magic is in the world. They’re molecules just like oxygen or nitrogen in the air. It’s fascinating. The magic sense skills allows one to view the world using these magicules, creating sight by letting the person see the aura of all things. 
Themes
Being friendly with others can bring about unexpected results. We see this when Rimuru chooses to help the Goblins. He finds a place that accepts him as he accepts them. 
Observations & Predictions
It’s fabulous and creates a great dynamic between characters along with personal growth for each of them through Rimuru’s eyes. 
Veldora’s Journal is like a recap but from Veldora’s point of view. It’s interesting to read because he’s got a very strong voice. We also learn bits and pieces about Rimuru we didn’t know before from the manga. 
One of the things that Veldora mentions in his journal is that Rimuru is not a normal slime and always surprises him. Veldora’s observations about Rimuru is that he is a unique slime with very unique skills. As we see how Rimuru goes about his life, we see that he’ll be an OP protagonist. 
Recommendations
For something with a similar vibe: So I’m a Spider, so what?  By: Okina Baba
For an Isekai a bit more serious: How the Realist Hero Rebuilt the Kingdom By: Dojyomaru
For an Isekai a bit more pervy and weird: Do you Like your mom and her two-hit multi-target attacks By: Dachima Inaka
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enfyswanders · 1 month
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Manchester, Part 2: July 8-11, 2024
This week of the trip was supposed to be Liverpool, but when I went to book it, I found hotels to be very expensive for some reason (I'm guessing some big event was happening).
I did a little bit more sightseeing in Manchester, in particular their cathedral and "Shambles" area:
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I love the little painted bee by the cathedral!
But the highlights of this week were seeing some of my favorite colleagues from my day job, and taking in another Chris Tavener show at Manchester Fringe!
Josh and his fiancé took me for a beautiful walk through a nature preserve and to a fabulous dinner in suburban Manchester at The Lead Station, where I tried a Pimm's Cup for the first time (it's tasty!).
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The next day, I got to meet up with several local colleagues, including Josh, at a lovely coffee shop called The Feel Good Club...
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...followed by a tasty Japanese dinner with my colleague Simon afterwards.
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Much like my visits with David and Tal earlier in the trip, I was surprised how easy it was to be around colleagues while I was on sabbatical. I wasn't stressed out hearing about how things were at work, and I really had fun connecting with everyone. I think that speaks really well to both how much I like my job and how much I like my colleagues, while also affirming my good mental boundaries around my sabbatical in refusing to let any current work issue distract me overmuch.
Later that evening, I went to see Chris Taverner debut his planned Edinburgh Fringe show at Manchester Fringe. Though the song set was almost entirely the same as the set he performed at the Thomas Benjamin Wild, Esq. show earlier in the week, the structure was different, and he had a local crowd consisting of a lot of friends and fans, so that was cool to see. He's such a talented performer and I'm so glad we met.
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This week's Adventures in Doing Laundry necessitated me using an expensive service/app called LaundryHeap, because there was no coin-op laundry place anywhere downtown. They did a nice job and picked up my clothes from the hotel reception and dropped them back off at reception the next day.
Another food highlight from Manchester is these delectable crème brulée Japanese soufflé pancakes from Fluffy Fluffy:
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And the giggle of this part of the trip is brought to you by this shop name:
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The last thing I want to say about Manchester is that Terminal 2 of their airport is an absolute nightmare for neurodivergent people like myself.
First of all, despite the traditional advice to arrive 3 hours before an international flight, the Aer Lingus desk for check-in didn't open until 2 hours prior to my flight, around 12:30 p.m. There were no chairs, so I sat on the floor for an hour until it opened up.
Once I checked in and figured out how to get to security - which was a task because the signage in the check-in area is terrible - the security staff there were particularly thorough and persnickety, making for a high-anxiety experience even for a seasoned traveler like myself. After that fun, I had to walk through the sensory-overload-endless-mall-of-duty-free for several minutes, and then when I finally got beyond that, I found a big central waiting area with some restaurants and more duty free shops, and they announce the gates only about 10-15 minutes before boarding closes, so passengers have to really hustle. My flight showed up on the board promising to announce the gate at a certain time, and that promise never changed despite it not being announced for 15+ minutes after said promised time, right around when the flight doors were supposed to close, according to my ticket. My anxiety could not have been higher at this point.
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(If you open that photo up and zoom in a bit, you'll see that almost every flight simply says "relax" where the gate should be. I can't relax, Manchester Airport. You are making it almost impossible for me to do so with the way you run these shenanigans.)
When I finally got to the gate area (which, for all passengers, is a 5-15 minute walk from that central cattle-call area, depending on the gate), there were almost no chairs, and I had to stand in a crowded narrow hallway for an indeterminate amount of time until they decided to start boarding.
It's honestly the worst terminal I've ever been in. Ugh. Do not recommend.
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luffington · 2 months
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real the bebop dub is a masterpiece! i tend to alternate and lean towards the sub depending but the op dub is fabulous
i’ve seen a couple clips and it seems really good! they did a great job with saul’s dereshishishi so i’m curious about the other silly laughs hehe
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Text
PowerWash Simulator
Developed by FuturLab
Published by Square Enix
Release Date 2022
Tested on Xbox Series X
MSRP 24,99 USD
youtube
There is always a product that comes along and we, as the consumers, ask ourselves “why did this product not exist before?”. This was the ultimate question and query in our minds when PowerWash Simulator got released last year, it sweeped the whole social media and gaming outlets with its clear and precise promise: you get to wash and clean dirty places and objects. 
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First of all, my reaction was “Oh God, I even haven’t made my bed in years, and now a game requires me to clean cars, stairs, fences, doors and whatnot and they expect me to enjoy myself ???”, well, I was equally right and wrong about it.
All in all, this is a zen and chill game in first person genre which includes easy-to-navigate main menu, you can kick off your career right away without trying to find your way in the menus, this is something I deeply appreciate. Besides the conventional career mode, you have Bonus Jobs, Free Play and Challenge Mode.
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Bonus Jobs is where you find non-career missions, such as cleaning a mini-golf track, a spacecraft etc.
Free Play gives you all the freedom you can ask and this mode is even chill-er than the rest of the modes. 
Challenge Mode is where things get even tougher, you fight for speedruns in specific maps, this is the perfect mode to duel your friends.
Also it should be mentioned that every mode supports online co-op up to 6 players, which could turn out to be a fabulous online party game, chilling out with your mates, having a chat over cleaning mini-vans, what more could humankind wish? I played the game around 1 hour alone and half an hour with a friend of mine and when I showed him the game his reaction was precious as if he had been waiting for a game like this all along, he is a type of person that watches Insta reels in which extremely dirty and mouldy carpets are being cleaned, it is almost hypnotic for him. When I handed the controller to him, he was in the ‘zone’, he worshipped the promise of the game.
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The game also presents you various gadgets, for example Power Washers, equipment, cleaning liquids and clothing. In a general sense, the game developed with casual players in mind and you don’t have to worry about these equipment that much, the game instructs and guides you what to use and choose as needed.
Here is where I am with this game: this title is one of the best games if you are looking for a lean-back-to-the-couch-and-rewind experience, on the other hand I got *really* bored of the game after an hour, due to lack of any captivating action and repetitive gameplay. 
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imxthexhandler · 2 years
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🥸- does my muse like disguising themselves if their job calls for it?
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It depends on what the disguise is and what purpose it is serving.
If it's simply dressing a certain way to assume a type of persona, yes, she likes it. If she is pretending to be a real person, since Amelia is the type to overthink, it is more stressful.
Wigs tend to give her headaches if she wears them for long periods of time, and while she does not have a thing against blondes, she personally does not like being one (she thinks it makes her look too pale).
She does not like wearing the Photostatic Veil very much. It is a fabulous piece of equipment that Tech came up with, and it is very effective, has helped out on a lot of ops before, but that invention does creep her out.
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lantur · 3 years
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I had the most wonderful birthday yesterday. Probably one of my best ever. I went for a walk in the morning and I talked to my biological parents and my parents. My relationship with all four of them was incredibly messed up for many years due to a variety of reasons, and I'm so glad that we're all on good terms now, occasional issues with my mom aside.
I came back home to find that Derek deep cleaned the entire kitchen, which is normally one of my chores on the division! He did a fabulous job. He's much better at cleaning then I am. It was honestly such a gift, since I use the kitchen so heavily.
Derek and I spent the day playing our favorite board game, Spirit Island. We also played Spiritfarer, which is one of my new top favorite games, in co-op mode for the first time :) Westin crawled into our laps while we were playing (he is so long he takes up both laps) to be close to us, and fell asleep. I took a nap too, and we went out to dinner at our favorite all you could eat sushi place. We also watched the new episode of Wheel of Time when we got home. It was all really special.
I felt very lucky yesterday. Everyone in my life was so kind, and I hope that I can make others feel as appreciated as I felt yesterday.
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thr-333 · 4 years
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Drastic Measures- Part 5
@daminette-december2019-2020
~Sweater~
Shoves romance to the side and shoves friendship in your face!!!
Ao3
First< Previous > Next
----------
“Marinette,” Adrien whines as she opens the curtain the second they get back, “Sleep,”
“Just a minute, I want to design Damian something,” Marinette takes up residence at the desk, throwing open her sketchbook, “I will be friends with him!”
“Wasn't he kind of a jerk to you?” Adrien flops onto the bed, Plagg rig after him, "I think we should go back to that point, maybe sleep on it,"
“You were a jerk too~” Marinette sing-songs finishing up a rough sketch of a sweater.
“I was trying to get the gum off your seat!” Adrien slams his hands down.
“Sure you were~”
“Mariiiiiii,” Adrien collapses back into the bed covers, muffling his whining.
“Come on you,” Marinette collects her sketchbook, “Come get material with me,”
“No, it’s time to sleep,”
“It’s midday,”
“Your point?”
"Ok, Plagg 2.0 should I get you some camembert while I'm out too?"
"I'm up!" Adrien sits bolt upright, "Never call me that again,"
Marinette ends up dragging Adrien out of the mansion he pouts as Alfred delivers them into the city she thanks him profusely.
“We were just in the city why didn’t you pick up fabric then?” Adrien walks by her side down the street.
“Because I’m stuck between 2 concepts and I need to see the fabric before going forward,” Marinette bounces along looking through the windows there are quite a few craft shops in the area which suits her just fine.
“Please don’t run off,” Adrien gently holds her sleeve, “Marinette this city…”
“It’s filled with a dark energy,” Marinette agrees, even in this nicer area had something ominous hanging over it, “It’s like it’s seeped into the city’s very bones,”
“And the Akuma aren’t helping things,” A child across the street starts crying and they both instinctively lookout.
“On the plus side at least hawkmoth doesn't send Akuma after every little thing,” Marinette forces herself to relax, moving on as the kids parents comfort them.
“On the downside, he sends them after emotions that are a lot worse,” Adrien follows along into a store as Marinette filters through the shelves.
“Maybe but we can handle this,” Marinette absent-mindedly raises her fist, meeting Adreins, “Do you think I should make something for everyone, you know as a thank you?”
“I haven't gotten them anything,” Adrien takes the armful of fabric Marinette passes him as she brings out her sketchbook to select old designs.
“I’ll handle the making,” Marinette ticks off a vest she thinks with be perfect for Bruce, “And you handle the finances,”
“I stole my father's credit card,” Adrien says with a grin, “He’ll probably find out where I am soon anyway so might as well start using it,”
“In that case,” Marinette pulls out a roll of incredibly expensive fabric, “We also need new phones,”
“And we should go out for lunch,”
“Get our hair done?” Marinette adds, looking at her half hacked off hair “I still need to fix mine from this,”
“I was thinking our room could use a chair?”
“And the bookshelf is looking a bit empty,”
“A nice expensive rug would really liven up the room,”
“Would it be completely inappropriate to get a motorcycle?”
“Yes,” Adrien agrees, “Let's do it,”
They stop to get new phones first, having destroyed their old ones when they ran away. Adrien finds the most expensive restaurant in town, but it's on the far end so they stop to get a motorcycle first.
“I didn’t know you could ride,” Adrien gestures for the waiter in their private room, “Yes can I please have the duck?”
“My Nona taught me,” Marinette sips at the most expensive drink she can legally buy, “I thought you hated duck?”
“Oh I do,” Adrien grins, which drops when his phone starts ringing, “How did he even get this number?”
Marinette looks over his shoulder to see Gabriel trying to call. Adrien purposefully hangs up rolling his eyes.
“We should go do our hair next,” Adrien leans over the table with a manic grin, ”I was thinking of dying it hot pink,”
“Love the concept,” Marinette cringes at the very thought, “But the execution is flawed, you need to dye it a color you actually like not one just to spite your father otherwise he's still just controlling your life, just in a different way,”
“You're right,” Adrien sighs leaning back examining his blonde locks, “What do you think?”
“A nice pastel or cherry blossom pink would look amazing,” Adrien perks up at the suggestion he can still keep the pink, “Actually I might do that too- oh wait! Will that affect our transformation?”
“Not unless you really want to deep down,” Tikki explains, her and Plagg gorging themselves on expensive cheese and treats.
“Well deep down I really don't want to give away our identities like this,”
“It’s a plan then,” Adrien smiles, “Now do you want to order anything else?”
“Thanks but I’m full,”
“What's that got to do with anything?”
 ---
 “Looks great Nette,” Adrien gives her a side hug, the hairdresser shooing him away while he does the final touch-ups.
“Are you talking to me or yourself?” Marinette smiles at the new and improved shock of pink hair.
“Well obviously I look fabulous, but you look great too,” Marinette rolls her eyes at him looking back in the mirror. Instead of evening out her hair, they had made it look like her little episode was actually intentional giving it nice layers and even doing an undercut on the other side. Unlike Adrien, she didn't go all pink, instead the tips being white ombre up to pink and then her natural hair color.
“Thanks, you have to send a picture of your hair to Nino he's more invested in your teenage rebellion than you are, he’s probably also hurt you left him out of the running away part,”
“He has suggested, more than once, running away together,”
“Why what's wrong with Nino's family?”
“Nothing at all,” Adrien quickly covers, “I think he just really wanted me to run away, his mum offered to pack us lunches,”
“Well, maybe we could have used the turtle,” Marinette sighs, “But I could do that to Nino, you already had to leave Kagami behind, have you given her a call yet?”
“Oh um, about that-" Adrien points at her tapping his chin thoughtfully, "Never mention it again,”
“Adrien,” Marinette scowls, “Call your girlfriend,”
“She’ll kill me,” Adrien hides partly behind a seat looking meek, “Also you don't get to lecture me, you haven't called your parents,”
“That's different,” Marinette groans sinking into the seat, only to get told off for moving, “They’ll want me to come home, how am I supposed to explain that I can’t,”
“They’re your parents,” Adrien stresses, “I’m sure they’ll be happy enough to know your ok,”
“Maybe,” Marinette hums, the cloth being removed from her shoulders letting her get up, “I just feel so bad for putting them through this,”
“Maybe one day they’ll understand,” Adrien walks with her to the front to pay.
“Maybe,” Marinette looks down at the bill, “Wow this is a lot more expensive than the usual dye job,”
Made sense because they were in the higher income distinct of the city.
“Why Marinette,” Adrien grins swiping the card, “That's the point,”
Ten minutes later they were laughing as calls kept pouring in one after the other. They are only interrupted when they get the distinct feeling of an Akuma.
“Duty calls,” Adrien sighs putting his phone on silent.
“Seems so, at least we can call out skills multiple times," Marinette walks casually into an alley with him, “What are you up to?”
“About three,” Adrien shrugs transforming, “It takes about double the time for the transformation to drop now,”
“Same, wish I could say that gives us the edge but really it only keeps us from falling off the cliff,” Marinette also transforms, her new costume bringing a smile to her face.
“How eloquent my lady,” Marinette playfully pushes him, Chat catches himself catapulting over the building, she quickly follows behind.
The Akuma is standard, Marinette guesses the akumatized item is the wrist watch. The problem comes with their recurring thorn in her side.
“Ladybug-”
“Get out of the city,” She cuts Batman off, “Yeah, yeah let us handle this first,”
Marinette throws her yoyo out just in time to deflect an attack headed at Chat.
“Do you need any help?” Robin asks, Marinette smiles, partly at the aghast face Batman makes.
“Do you think you could tag-team it with me?” She asks formulating a plan, with the extra help she might not need the lucky charm, “Make your attacks big and draw his attention, grab the wristwatch if you can,”
“On it,” Robin gives her a nod jumping into the fray, Ladybug doesn't give batman a chance to object running after.
Robin does a good job they work in perfect sync falling back when the other moves to make an attack. When the Akuma focuses on them too much Chat swoops in and gets their attention giving them the chance to swipe at the wristwatch. It goes on she sees Robin get thrown back after another failed swipe at the wristwatch. Ladybug takes the chance to move forward grabbing for the wrist, she isn't watching out for the other arm, the impact hitting and sending her flying back.
“I got you,” Her momentum is stopped by a hand bracing at her back, saving her from crashing into the adjacent building.
“Thanks, Robin,” He helps steady her as she finds her footing again, “I’ll move in you follow me up,”
“No need,” He smirks brandishing the watch.
“You did it,” Ladybug beams, taking the watch and smashing it to the ground, “Great job!”
“Ah, thanks,” Ladybug doesn't pay attention to how Robin brushes, focusing on purifying the Akuma and fixing the damage.
“We made a pretty good team,” Ladybug turns to Robin when everything is settled, “Pound it,”
Robin meets her fist with some hesitance, which disappears when she smiles at him again.
“Ladybug!” Batman yells heading their way.
“Ops sorry,” Ladybug cringes, “Sorry! Cant stop gotta go, bye bye!”
They run from the scene faster than Batman can hope to catch them. They end up back at her newly brought bike stacked with fabric and protected by a bit of luck. Marinette races home to make everyone's gifts, knowing just who she wanted to start with.
 ---
 “There you are!” Marinette exclaims, having spent the past half hour searching the manor for him.
“What do you want?” Damian snaps as if he wasn't just playing with the cat on the floor half a second ago.
“Nothing, I made something for you~” He continues to scowl but Marinette doesn't let it discourage her, “Here, I didn’t know your size so I made a baggier style, do you like it?”
Damian takes the sweater holding it up to where she put it on him looking down a little shocked. Marinette almost wants to laugh at the expressions trying to shift back from awe to disinterest, it’s cute. She smiles wondering what his face would look like if she made a matching one for the cat, and maybe Titus too.
“.... It’s well made,” Damian eventually allows, folding it over his arm, Marinette notices how his fingers linger on the soft fabric.
“Good to know,” She smiles, bidding him goodbye before the moment can be ruined. She bounces down the hall humming to herself.
“Someone's happy,” Tikki flies out of her bag.
“He liked it, why wouldn't I be happy?”
“Someones really happy,”
“Stop it Tikki,” Marinette giggles, making the kwami laugh in turn.
“Just like adrien~” Tikki sing songs floating down the hall ahead of her.
“Well then, keep Kagami far away from this one,”
“Don’t turn into a stuttering mess and we have a deal,” Tikki agrees.
“Please Tikki I’m not thirteen anymore,” Marinette brushes her off, ready to go make the others gifts, if she spent the whole time humming to herself Tikki wasn't going to explain why to Adrien.
---------
Taglist? nope don’t have one, horrible at keeping track of them sorry~
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marshmallowloves · 2 years
Text
Zelda OC #4 - Tesni
>> (list of posts for other OCs)
(this has become kind of a trend - this post is very long under the cut, due to how much development went into this character. You have been warned, and I am very sorry if you accidentally click "read more" on desktop and have to scroll through it all kdjfhg)
I had Iphenia as my main Zelda OC for a long while, and replayed Skyward several times for the sake of dialogue so I could have more shipping fuel with Cawlin and meme material for Ghirahim's weird ass. Not long after, my friend lovingly introduced me to Hyrule Warriors on her WiiU. I'd never touched a Warriors game before, so this was an absolute blast to play, especially co-op. I remembered playing mostly as Midna, probably because I also had a massive crush on her at the time. Since I was coming fresh off the trails of Skyward, I also messed around with Fi and Ghirahim, who were both very fun to play as (despite people's protests that Fi was one of the weakest characters, but I had no trouble with her git gud deku scrublords). Slowly, Ghirahim became my preference for several reasons - not only was Midna was a bit tough to get the hang of, but Ghirahim's attacks were quick and powerful, Anri Katsu did a fantastic job with his voice this time around, and... oh. Oh no.
It's worth mentioning that around this time, I started realizing that I kind of had a thing for voices. Despite hearing a lot of Ghirahim's voice while playing his source game, I was too preoccupied with the fact that he was a total creep the whole time to really care for it. However, I'm sure Mr. Katsu was told to crank up the Large Ham factor to 11 for his Warriors reprise - which included the anger, the boastful laughs, and the, um... bizarrely suggestive sounds of self-preening. And that's when Marshy broke. This was the first time I had gained some form of attraction to a character I had previously mocked and tossed aside in favor of others. And I went into such hard denial about it that I created an entirely separate OC, with the intention of tossing her aside too, all for the sake of venting this weird sexual frustration (because let's face it - that's what it was). Enter Tesni.
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Tesni's first iteration was very different from where she is now. In fact, I think she went through the most change of all my OCs, in terms of background, personality, and appearance.
The very first paper about her was simply a written concept, where I labeled her a "secret Zelda OC" due to my utter shame in my attraction for the Demon Lord, as well as labeled her simply as "Ghirahim's slave." Bear with me here, even though I know you're probably looking into the camera like you're on The Office.
Tesni's original purpose, first and foremost, was supposed to be a vessel, entirely separate from myself, for the purpose of exploring this weird attraction. My brain, for whatever the hell reason, figured that if Ghirahim would be into anything sexually, then his sadistic ass would favor a vessel of his own - someone to use to vent his frustrations, to play with however he liked, to relieve any stress of thhe'd want to be the master of a sex slave okay
Despite the mindless, baseless, loveless and purely indulgent nature of her creation, a small part of me wanted to add a bit of substance. I gave her a fancy name and made her a Twili - the latter of which I specifically remember doing because of a post I came across about making a good Zelda OC, which stated in one part something along the lines of "make your OC of a race that isn't very commonly used, like a Rito or a Twili!" and I was like "oh hell yeah, I love Twili!"
But at the end of the day, she was still just Ghirahim's property, as evidenced in the clothing she wears in the image above. Skimpy, yet reminiscent of the fabulous Sword Spirit. And even though this was the case, I didn't write or draw anything about it. Everything pretty much consisted of saucy daydreams and images in my brain that came and went and didn't pay rent. Nevermind the question of how in the world a character from the timeline of Skyward Sword came to possess a Twili from (presumably) thousands of years in the future.
...Except, somewhere down the line, I must have felt the need to justify this bizarre crossover. Or I started becoming more serious and less wanton about my attraction to Ghirahim. Or both. I honestly can't remember, but whatever the case, I decided to pull a small origin story (and a slight redesign) from the place where all my greatest ideas come from - my ass.
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(The first drawing here is from 2015, when I first started developing this origin story. The second is from 2018, after I'd fully established the story I have now - and I also gave her outfit the sleeve from her original design~)
Now Tesni was a young girl who had become very close with Princess Midna after the latter helped Link defeat Ganon - to the point where the two Twili have an unspoken but mutual romantic affection for one another. My way of shoehorning in my less shameful crush on Midna, I suppose. Tesni turned from a blank slate into a sweet, demure, and rather airheaded ball of curiosity who loved to roam and explore the realm she called home. One day during a walk, she comes across a strange red light that pulls her in and drags her to another world, where the Demon Lord greets her and bullshits an explanation as to why he brought here there.
This explanation became more and more thought out as I continued to descend further into "ah shit I actually like this pile of trash" hell over time, but I can't exactly create an extensive or detailed timeline of development from this point on. Adding more substance to Tesni as a character and her backstory was a very gradual process, and thus it's hard for me to divide it into a step-by-step like my other posts. All I can really say is that over the course of a couple years, Tesni went through a vague process of:
blank vessel to vent sexual frustration
vessel With Some Substance™
a whole entire OC
okay I'm putting way too much time into this
self insert (for various reasons)
...as well as share the (relatively) condensed version of the story I've settled on. Just be warned that it really makes zero canonical sense, because to this day it's purely for self-indulgent purposes - that much has not changed - and I'm really not too worried about keeping true to canon. 😂 Also it's lengthy, so be warned!
The current story starts out much like before - Tesni, a close confidant and mutual crush to Princess Midna, wanders the paths of her home in the Twilight Realm, eventually being lured and captured by a strange red light into an unfamiliar world. She is greeted by a man who calls himself Ghirahim. He had performed a magic ritual, intending to summon a being with enough power to revive his master, the rightful ruler of this realm. At first glance, Tesni doesn't look like she'd fit the bill - Her timidity is palpable, and she's hesitant to speak to him. But Ghirahim is certain he performed the summoning perfectly as he always does, and doesn't wish to lose out on an opportunity to further his goals. So he does his best not to scare her away and spins a sugar-coated lie...
According to Ghirahim, his master was a glorious king who ruled the entire realm and was respected by his subjects, but was wrongfully imprisoned by jealous and self-righteous creatures who yearned for his position of power. The means that these villains used to seal him away could only be broken by a power so strong it rivals even the gods' - and Ghirahim is confident that with enough training, Tesni can help him achieve this power, so that his master can regain his rightful place as king of this world and punish those who stole his throne.
Though Tesni is hesitant, it tugs at her heartstrings to hear that this world is without its rightful ruler - especially since what Midna had to go through was so similar. She eventually agrees, and Ghirahim begins to train her while they both eagerly search for the only power that can break the seal - the Triforce. During this long stretch of time, the two grow closer, all while Midna frantically searches the Twilight Realm for her lost friend.
Somewhere down the line, Ghirahim and Tesni must separate and regroup, and the former later returns bruised and battered. He reveals that he was able to see his master for a short time, but got into a scrape during his visit - and he accidentally lets slip that it was his master that left him like this. Tesni of course questions why such a "glorious and respected" king would treat his own second-in-command in such a way. Up to this point, Tesni's cooperation has been crucial to their success in finding the Triforce. But Ghirahim not only fears this will cost him his best chance at doing so, a small part of him also fears of losing Tesni as a companion.
He takes a huge risk and comes clean about his master's true identity and nature - Demise, a ruthless and cruel demon who desires power for the sake of power, and who will do worse than just renounce Ghirahim as his right-hand man (or rather, tool) if the latter fails in his task to revive him. Thus, Ghirahim had no choice but to string Tesni along, though he feels guilty for it after having come to know her as a person.
She's understandably hurt at the prospect of being used by him, and it makes her question what else he's lied about - namely, Ghirahim's own care for Tesni that he's supposedly grown to have. But, true to her nature, her care for him is still very much real, and it pains her more to see that he's being treated in this way. So she suggests that they keep searching for the Triforce, but for a different purpose - to create a new, separate realm in which Demise can reside and have an endless bounty of power and slaughter at his disposal, without actually affecting anyone.
Since Ghirahim was literally created to serve Demise, he has an inherent and incessant need to please him, but he also has a degree of autonomy (shown in game by the fact that he's not stuck in the seal with Demise, he makes his own decisions and crafts his own plans to revive him, etc) - and in this instance, Ghirahim makes the decision to protect both himself and Tesni while still fulfilling his master's wish.
At some point (which is to say that I... haven't actually thought this part all the way through kjdfg), Midna finds the portal that Tesni had gone through, and searches for her in this realm as well...
And that's the end of the story I had written. Yeah, no, really. I completely blanked at this point. I always vaguely imagined that when Midna found the two of them, she and Ghirahim would fight but be stopped by Tesni somehow and things would be fine. I wanted to ship the three of them together - or rather, I wanted to ship Tesni with both Ghirahim and Midna, and have the latter two just kind of tolerate each other for the sake of their shared love interest. But I never knew how to go about writing that, so that's where it just kind of... drops off. XD
Perhaps Midna finally finds Tesni and Ghirahim just when they have the Triforce within their reach, and after learning of what happened, they both agree to let Tesni make her wish, which lets Demise get his own realm and lets Tesni be with the two people she's come to love most. It'd be a total BS explanation, but hey! That's kind of what this whole AU is about.
In the end, Tesni (as well as her ship with Ghirahim and Midna) was never about making a decent Zelda OC to one-up the old ones. She started with self-indulgence, and ended with self-indulgence. At this point, I've devoted so much time into this character and ship, not to mention that it got me through some less-than-good times during my school days, that it's become too precious to me to change much, and honestly that's perfectly fine with me.
Tesni, I think, is a reminder that not every character you make has to be "good" or "believable." Sometimes you just want to have a little gal be in love with her tall girlfriend and taller evil boyfriend, and it costs zero dollars and zero cents and is not illegal to do. ❤️
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Sparring Partners
Chapter Two: Preparation
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A/N: Thank you guys so much for the love on the first Chapter of this fic, I hope you enjoy this one just as much. I’m aiming to post a new chapter each week, not sure yet how many chapters this’ll have yet. Feedback and comments as always are so welcome, I’d love to hear your thoughts, and if you’d like to be tagged for the upcoming chapters just let me know! xxx
Pairing: Agent Whiskey x F! Reader
I have also just created a playlist for ya’ll to listen to while reading. I hope it gets you even more invested! ✨COCKY COWBOY PLAYLIST✨
Summary: You and Agent Whiskey are long time rivals. As Statesman agents you both have been put up for the same promotion and this mission is your final chance to prove yourself. Have you got what it takes?
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Word Count: 3.3k
Warnings: Slight Language, mentions of food and canon-typical violence
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CHAPTER TWO: Preparation
You both leave the conference room minds reeling from all the information that was just given to you.
As one of the younger agents at Statesman, being chosen as a potential candidate for Champ’s position was a real honour. It showed that Champ really thought highly of you and your skills. After 8 years of working as an agent, going on your fair share of dangerous and difficult missions, taking a bullet more than once, and now training the new recruits with Tequila, you knew you had worked your ass off to get where you were.  However, even with all this experience it paled in comparison to some of the more senior agents, some with 10 or more years under their belt. Hell, the person you were up against had been on the job for about 15 years, making a name for himself as one of the most fearsome agents that Statesman had to offer. You knew for a fact that Whiskey had been hoping for this position eventually, it had been something he mentioned to other agents that you heard in passing. At the top of his game and at the height of his career you realised, this cowboy was going to be one hell of a challenge to go up against.
Whiskey mulled over this new mission and Champ’s offer over and over in his mind. He wasn’t particularly surprised that Champ had propositioned him as a potential candidate for this position, he was one of the most senior agents at Statesman. Probably the closest in age to Champ and with the extensive experience he had it seemed rather obvious, but Vodka? You were still so young, in your mid 20’s the world was yet to break your spirit. Mind you, you had that bossy tone down packed. He chuckled to himself. He was hesitant to admit but you had a certain leadership quality that you didn’t see in most of the agents here. Most were contented to follow orders and carry out missions as asked, but you always had your own way of doing things, always taking the initiative. He supposed you had a fresh and young perspective that Champ must see as endearing. He however, found your constant need to take charge rather infuriating. You always seemed to think you knew best and even if you were correct, more often than not he was resigned to admit, it was still frustrating as you always seemed determined to show him up. He knew you were going to be a challenge, so determined to prove yourself, and a damned good agent to boot. Fuck this is going to be harder than he thought.
Both of you walking in the same direction out of the room, neither of you realising the other is turning to walk in the opposite direction. Both too caught up in your own thoughts you collide into each other your head smacking into Whiskeys chest. Quickly recoiling from the unintentional contact your rub your forehead with the palm of your hand. “Dammit Whiskey, watch where you’re going for Christ’s sake.”
“Well jeez Vodka how am I supposed to avoid you and that ego inflated head of yours?” He scoffed, eyeing you up and down.
You scowled at him, “You think I have a big ego? Have you looked in the mirror lately Whiskey? You and that cocky ass grin of yours have got a lot of nerve talking about my ego.” Rolling your eyes, you swiftly turn and storm away from the narcissistic cowboy.
“If you liked my smile so much you should have just said so… sunshine.” He calls back to you as you walk away. You could practically hear the smirk in that smooth as silk southern accent.
What an absolute dick. He knew exactly what he was doing when he spoke to you like that. It infuriated you. The way his southern drawl echoed in your ears, his words dripping like honey, they way he called you those stupid little pet names. Everything about Whiskey drove you up the wall, he always knew just how to get under your skin. “Fuckkkk…” You growled to yourself as you stormed into your office your heeled boots clicking angrily through the hall. Why does he always have to be so intensely irritating? You needed to get that stupid fucking smirk out of your head and get prepared for your new op. Slamming the door shut and sitting down, you start reclining in your office chair taking a deep breath and relaxing. Whiskey’s scent had lingered on your clothes creating a cloud around you after you had slammed into his chest. Inhaling the smell of cinnamon and sandalwood, a soft oaky smell, your breathing began to slow and calm. You would never tell him but that was one thing you did unfortunately enjoy about Whiskey. He always smelt good. Why did he always have to smell so damn good? Shaking your head to clear your mind of any remaining thoughts of Whiskey you leaned towards your desk and opened your laptop. This was going to be a long night…
***
Pushing the door closed with your heeled foot, you stepped into your apartment and sighed. You were exhausted. Checking your watch, you realised it was now 10 minutes past midnight. Swiftly moving to the bedroom, you flopped onto your bed groaning as you flipped yourself over and pulled off your boots, quickly changing into your pyjamas. Finally laying back down in bed you stared up at the ceiling running over the research you’d done over the course of the afternoon and evening, and the plan you had organised for tomorrow. You had spent the afternoon working, collecting copious amounts of information on CleanPlanet and the history of their company. It seemed that they were attempting to pass as an almost ‘mom and pop’ style family-owned business “Dedicated to the bettering of the planet and all the people who inhabited it.” What a load of rubbish. You had uncovered multiple articles from smaller news publications questioning the companies credibility, some families of recently passed away individuals even coming forward and accusing the company of foul play in the deaths of their relatives. CleanPlanet was owned and run by Howard Jacoby and his wife Constance, two very well-off socialites and academics who were every bit as snobby as they appeared in pictures. At least you wouldn’t be dealing with them directly thank goodness you hated dealing with high society types, that would be Whiskey’s issue.
There was a particular video that had caught your eye whilst combing through their internet presence, a TedTalk style video starring the one and only Howard Jacoby. He was speaking about how the planet was struggling with things like overpopulation and pollution, a speech which sounded eerily similar to Professor Arnold’s work, the man who had assisted Richmond Valentine and encouraged his plot to wipe out most of the planet. You shuddered at the thought. Either way you and Whiskey would get to the bottom of this. If the company and its owners were planning on anything like what Valentine had tried to execute then you needed to figure it out quickly. Deciding you’d brief Whiskey in the morning about your hunch, you set your alarm and curled up in your soft cotton sheets. Looking out your bedroom window at the twinkling of the city lights, your head sinking slowly into your pillow. You drift off into a restless sleep, anxious of what tomorrow would bring.
***
You arrived at Statesman the next morning rubbing your eyes. Your sleep had been restless, anxiety of the coming days keeping you from a comfortable evening. Pushing the door to your office open you hear a chipper voice behind you. “Well mornin’ Vodka. You ready for the op today?” You turned to see Whiskey standing in your office door frame, leaning his broad shoulder against it with a large smile plastered across his face.
Rolling your eyes at his unnecessarily wide grin, “And what’s gotten you in such a fabulous mood this morning?” You say with an exasperated sigh as you drop into your office chair with a small thud. As soon as the words fall out of your mouth his smile somehow grows larger as he pulls out the arm that was behind his back forward as he saunters into the room. Holding a large paper bag, which as soon as you spot the smell hits your nostrils. Fresh pancakes. You look at him with sudden excitement and surprise, your mood instantly lifted and the last feeling of tiredness leaving your body as you inhale deeply.
“I thought I’d bring us some breakfast to get us in the right headspace for today. I also thought we should probably trade what we found out yesterday during our research to make sure we’re both on the same page…”
“Oh, so this is a bribery breakfast huh?” You questioned as you drag your eyes away from the mouth-watering food on the desk in front of you, finally taking a proper look at Whiskey for the first time this morning. The first thing you notice is that he is not currently donning his regular black Stetson, a rather big change from his usual cowboy appearance. Instead, he was showing off his thick, brushed back hair, his wireframe Statesman issued glasses resting on his strong nose, obscuring his dark brown eyes. He was wearing a gorgeous grey checkered suit with a white dress shirt underneath, a casual yet striking look on his glowing tan complexion. It was a very nice change for the cowboy. He cleans up well, you thought. Your gaze flicks up and you notice Whiskey’s cocky grin once again. He must have thought you were eyeing him up, not that you weren’t but you weren’t about to let him know that. You roll your eyes at him trying to keep his knowing smile at bay. “So, what are you after then Whiskey?”
“Well sunshine, since you always seem to know everything, I thought I’d get your run down on things this morning before we both head out to our separate ops today.”
“Ahhhh there it is, the usual candour I’m used to from you cowboy. I was worried when you showed up this morning with a kind gesture that I wouldn’t be enjoying any of that snarky wit I have become so accustomed to.” You look down at your computer and notepad, focusing on the research notes you had made last night in somewhat of a delirious, fever dream state. “Alright let me have a look…” you trailed off.
Whiskey sits down across from you at your desk pulling the steaming pancakes out of the paper parcel you had brought this morning. Setting up the two meals Whiskey observes you, wearing a pair of simple black high waisted work pants tapering at your waist, a simple white blouse tucked into them, the buttons undone just low enough to show off your neck and the top of your chest. He darts his eyes back up to your face, so you don’t catch him staring, nose scrunched up in concentration under your matching Statesman glasses as you palm through your somewhat excessive amount of research notes. He lets out a light breath of amusement seeing you like this, confused but copiously prepared, it was a nice change of pace from your usual so certain self.
Looking back up from your notes as you find what you were looking for you see the small meal containers opened on the desk, filled with pancakes with a small pot of maple syrup on the side. Turning your focus back to Whiskey you begin to go through what information you’d gathered that you thought was pertinent to the both of you. You ran through the notes you had made, both of you working your way through breakfast, Whiskey chiming in occasionally with a mhmm and a nod here and there. “One thing that kept bugging me last night was that Ted Talk type video of Howard Jacoby… talking about the human race being a plague on the planet that needed to be cured so the earth could thrive again…”  you trial off as a look of concern crosses your face, “It was really eerie and reminded me a lot of that professor that assisted Richmond Valentine in his attempt to have the world turn on each other.”
“Well, it seems I missed that video, that sounds mighty concerning…” Whiskey trails off, leaning his elbow on the side of your desk slowly pushing his glasses back up to the bridge of his nose. “Wonder what their testing at those new hospital facilities of theirs then…” He turns to look at you, the same worry sparkling in his eyes.
“My hunch is that they must be testing something similar to what Valentine did, something that can affect extensive groups of people on a large scale. Something that would be easy to distribute and spread, but obviously more related to the medical profession because of the labs…”
“Maybe some sort of virus or infection?” He chimes in.
“Seems more than likely… I guess we’ll find out more today. Speaking of…” You glance down at your watch realising it was almost 8:30am. Still so early for your tired demeanour, but almost time for you to both be heading off. Ginger had organised a cover story for you last night and sent in for a ‘staff transfer’ so that you could get into the CleanPlanet facilities and gain access to the hospital quickly. You needed to get to the bottom of this puzzling situation fast, especially as it seemed to be becoming more concerning by the minute. “I think its time for us to head off.”
“Seems it is.” Whiskey nods and swiftly packs the remnants of breakfast back into the paper bag, throwing it into the bin beside your desk.
“So, you know what my, rather detailed I might add, plan is but you have yet to share how you plan on approaching this op.” A slight leer in your voice, aiming to provoke him. “Care to share… cowboy?”
“If you must know, Vodka,” he drawls, the civilised tone from earlier gone in a heartbeat as the two of you pick up your bags and make your way down the hallway to the elevator. “I will be posing as a one of multiple wealthy investors eager to take a tour of CleanPlanet’s new business acquisitions. A high society gentleman looking to expand my portfolio into areas I have true passion for you could say. As it so happens, it seems that Howard Jacoby is searching for some people who share his vision and have a healthy wallet.” His voice dripping in sarcasm, for this type of persona was so unlike himself. A charmer by nature his honeyed voice had made many a lady fall victim to a one-night stand, but a high society man he was not. Whiskey cleaned up well, but he was certainly a working-class gentleman with a love for simple living.
“Well, your certainly dressed the part.” You say as you eye up Whiskey admitting to yourself that he was pulling of the sleek look. You shake your head clearing your mind of the potential minute attraction forming, focusing once more on where you were going. Stepping into the elevator and tapping the basement level button, you continued. “You definitely look like a pretentious asshole.” You say, chuckling to yourself as the elevator started to move.
Suddenly Whiskey was directly in front of you looking you up and down. “Don’t pretend you haven’t been eyein’ me up little lady.” He says, voice velvety smooth. Pinned down by his gaze you suddenly feel cornered, claustrophobic in the small metal space. You feel your face begin to heat up with an incriminating red tint, uncertain whether it was from anger or something more primal, you quickly sidestep his imposing figure. The elevator dings and you swiftly exit the elevator, “You wish cowboy.” You respond, a quick exhale escaping your mouth as you calm your racing heartrate. Why was he trying to rile you up before such an important op? Why does he have to be such a cocky arse? Eyeing him up? He’s got to be kidding. He’s the absolute last person on the planet that you could ever be attracted to. He does nothing but irritate you. He may be attractive, you begrudgingly admit, but you certainly were NOT attracted to him.
You hear him chuckle behind you, “Did I touch a nerve there sunshine?” he drawls behind you as you both head towards the garage where Ginger would be waiting. Rolling your eyes in anger to yourself, you choose to ignore him. Responding would only make him continue.
Pushing the doors open to the garage you see Ginger talking to one of the mechanics. As she hears the doors swinging, she turns to you quirking her eyebrow, seeing you seething with annoyance. “Everything alright here agents?” She says, confusion evident in her tone.
“Fine Ginger,” your voice comes out strained attempting to mask your irritation, “So what have you got set up for us for the next few days?”
“For you Vodka I’ve organised this ID card so you will have access to the basic areas of the hospitals but there are higher clearance areas which I wasn’t able to duplicate. You’ll have to figure that out when it comes to it.” She hands you a small ID badge attached to a clip which you then hook onto the belt loop on your pants. “I’ve also got small earpieces for the two of you to keep in communication while inside the facilities. They’re undetectable but very effective so try not to scream while wearing them if you can.” She passes you both the tiny in ear tech piece.
“Thanks Ging.”
“Now for you Whiskey,” She pulls out a small wallet and a set of car keys, “Here’s a new wallet with your cover identity and some cash to show off of course.”
He chuckles to himself pulling out his new drivers’ licence, “Introducing Duke Silver!” He smiles and bows towards you and Ginger. You roll your eyes again, scoffing at his ridiculousness.
“And… If I can finish, Duke.” Ginger continues giving Whiskey an exaggerated frustrated look, “Here is your new automobile.” Handing him the keys she gestures to a car sitting behind her. A brilliant turquoise blue Shelby Cobra 427 with white racing stripes down the middle.
“Alright… Now that’s what I’m talking about!” Whiskey dashes over like an excited child to admire his new personas gorgeous ride.
As Whiskey admires his new toy you turn to Ginger, “What do I have the luxury of driving to ‘work’ then Ginger?”
Passing you the keys she gestures to the car behind Whiskey’s, a slightly beat-up silver Toyota Corolla. “Sorry hon, you unfortunately need to blend in as a semi-broke medical student.”
You sigh, clutching the keys in your hand. “Thanks Ging.” Walking over you pass Whiskey, still ogling his own ride, making your way to the new car you’d be enjoying for the next few days. A far cry from your own beautiful red Mustang you sighed once more. The two of you hop into your cars and adjust the inside to what you need, throwing your bags into the back seat. You look over at Whiskey and slump into your seat, incredibly jealous. “That looks like one fun car to drive…” you mutter to yourself, green with envy. “Lucky bastard.”
Whiskey revs his engine excitedly, “Thanks darlin!” He shouts to Ginger over the loud purr. Turning to you he winks, bringing your irritation back with full force. “Have fun at ‘work’ then sunshine. Talk to you later!” His voice ringing out across the concrete as he drives off, the garage doors opening as he takes off out of the facility.
“I guess I’m off too then, see you later Ginger!” You smile at her as you close your door, taking off after Whiskey ready to face whatever the day would bring.
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sullustangin · 3 years
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Theron Clothing Headcanon, Post Nathema.
I’ve always envisioned Theron as having a capsule wardrobe from KotFE through to Nathema -- he doesn’t have many clothes, but everything he does have coordinates with the pieces to the Classic Theron outfit we see onscreen. He doesn’t care or have time to get anything else.
In my headcanon, as time goes on, Theron becomes a Master of Spies. Not a spymaster, like Lana claimed to be during Iokath, but someone who creates and trains agents to collect intel.  Essentially, he creates his own SIS for the Alliance.  He’s still active in the field, but he’s never doing another infiltration op like Nathema again.  As a result, since he has people looking to him, the wardrobe changes. The red jacket is around and makes appearances when he goes out with his spouse, but when he’s on the job, Theron dresses more seriously.  
In my head, he wears black and grey while on the job, with shoulder holsters for his blasters.  The best approximation I could get of that in game was using the Carth Onasi outfit, paired with Theron’s belt and gloves, with an Honorable General Dye Pack from the cartel market.
I did try the Elegant Duelist set on him, but the lower, flared part of the shirt didn’t compliment his assets (ahem).  Elegant Duelist looks fabulous on Eva though!
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