atrociousbmoc

[the-gayest-sky-kid]

god i love my friends. shout out to people who love their friends. this is a post for friend lovers

[ardri-na-bpiteog]

Also increasingly aware that a LOT of people "manage" getting through the 40+ hour work week by sleeping less than is healthy and relying on stimulants like coffee and energy drinks to keep them going.

For people who are unwilling or unable to do this...work really does just dominate your life. Like we really should not have to rely on unhealthy practices just to have a social life or keep on top of housework or whatever.

I know I post about this a lot but I'm so TIRED all the time and it's just so depressing that this is how we're expected to spend the one life we have.

[hamletthedane]

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

[tofixtheshadows]

I've been thinking a lot lately about how Kabru deprives himself.

Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.

Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.

Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.

I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.

He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).

First, we get this:

Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.

They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.

It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.

We don't see him eat again until the harpy egg.

What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?

He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.

In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.

Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!

...but he doesn't get to enjoy it like he wanted to.

Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.

And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.

I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.

And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.

Meals are the privilege of the living.

[w0lp3rtinger]

"- I have a lot of problems with Biden. He is clearly the better of the two options, which I recognize is a very low bar. Being better than Trump cannot be the standard, because Donald Trump is the absence of a standard.

"But the truth is, even if Trump looses, that won't be the end of this. The people who cooked up Project 2025 will just move onto Project 2029 instead, because for them, this is so much more than just one election, or indeed, one candidate. Project 2025 is born from impulse as old as America. It's an impulse that says one class of Americans is entitled to lead, and the rest of us are lucky to be allowed to serve- that thinks there should be a limited government when it comes to rules they have to live by, but also a unitary executive to keep the rest of us in line. These are old, old ideas that have been shouted from podiums-... but have now been placed into a new handbook for an only too willing president to use on day one.

"And in a perfect world, I would love if we had an opposing party better able to articulate a strong defense of our country's ideals and that also consistently lived up to them. People are entitled to hope for more from the next four years than someone just not being Trump (and for at least two supreme court justices to die)-...

"And for anyone tempted to think, 'Well, we survived Trump's first term,' first, not everyone did, and it should hopefully be very clear by now a second Trump term really does promise to be far, far worse, because if Trump's first term was defined by chaos, his second could be defined by ruthless efficiency. That should be troubling to absolutely everyone because Project 2025 is a movement who's members joke about wanting a white homeland and insist women have to have more babies to uphold western society.-

"We need to be better than this."

-John Oliver, June 19th of 2024

[mwagneto]

i genuinely dont care if the creation of all media comes to a screeching halt btw i will very gladly live with no new movies no new tv shows no new anything for years if that's what it takes for the people who create them to be treated like human beings. i hope every other facet of the entertainment industry goes on strike too and i hope all the ones that havent unionised yet will. i want media creation to become completely impossible and i want the people who could make it possible again to hold out until they get every single thing they want. btw

[caemidraws]

Eclipse

[notherpuppet]

Sketchy sketchy outfit swap

[auriidae]

Ethubs Adventure

[lotus-pear]

he’s begging kuni to let them eat pancakes for dinner

[egophiliac]

everyone out of the way, this is the only thing I'm going to be thinking about from now on.

(okay, there is one more thing)

[varpusvaras]

Titans: ...what do you have there, Roy?

Roy: oh! This is my daughter, Lian! Say hi Lian!

Titans: She doesn't much look like you...

Roy: oh yeah she takes after her mom more

Titans: and who is she?

Roy: Chessire

Titans: ......the assassin who has tried to kill us so many times?

Roy: Yep!

Titans: ......okay, warn us next time when you get into a relationship, please-

-

Roy: Hey! I know it's been a while, but I thought I should tell you, I'm dating someone!

Titans: oh, we're happy for you! Who is it?

Roy: Red Hood

Titans:

Roy:

Titans:

Roy:

Titans: .....the same Red Hood who cut off people's heads and put them in a bag, attacked the Tower and has tried to kill or maim Batman and everybody else in Gotham multiple times?

Roy: Yep! 🥰

Titans: .......we are sensing a pattern here and it's a worrying one-

[ladiablesse]

idk to me it’s just like,,,black people coined the phrases say her name and rest in power for a reason and im gonna focus specifically on say her name because it was black women who wanted to call attention to the systemic violences that we have faced that have resulted in the deaths of so many of us which were left unrecognized. it was specifically addressing an issue within the black community wherein black femicides (particularly at the hands of the police/intimate partners) were not given the same spotlight as the murders of black men. we are always forgotten in life and in death and that is part of why the violence against us has been permitted to continue to the point that we are at a significantly higher risk of homicide than any other race. and the statistics are even more grim for black transwomen and femmes. for every nonblack victim of transphobic violence that gets recognition in their horrific death, there are 10 black victims whose names we never know. like that is the whole point of the phrase this shit is life or death for us and we know that the moment race is decontextualized from the nature of the phrase then that is when we are once again forgotten. but yall are acting like we’re trying to start genz tiktok lingo/aave co-opting discourse.

[chloesimaginationthings]

The Mikes and Vanessas celebrate 10 years of FNAF!

[mossattack]

on a side note, bianca looks better than ever

[tapakah0]

Animation based on this gorgeous animatic that I kept rewatching for 2 months (and finally gave up) made by @wolfythewitch