#for reading and enjoying

[katsinspats]

Thematically appropriate comic for Make a Terrible Comic Day!!

I saw the original post this morning and it made me get out of bed to make something, so thank u Pseudonym Jones mission accomplished

[smittyw]

TEMPO DI ZUPPA

[eddiediaaz]

(you don't have to be a frequent enjoyer of either to vote. weed can mean any type of marijuana products: joints, edibles, oils, etc.)

add where you're from in the tags if you feel like it!

[autumn-may]

Mostly spoiler free summary of my viewing experience

[thatskindarough]

“‘I just…I thought you might like to come back, one day,’ Crowley said very quietly. Aziraphale’s foot pressed against his again, and Crowley drew in a sudden breath, as if he hadn’t been breathing properly since Aziraphale had stopped touching him.”

This piece was a commission from the lovely @fellshish for their lovely friend, @alphacentaurinebula ‘s fic What Are You Doing Here? This fic is cute, funny, heartwarming, and incredibly spicy, and I’m very much looking forward to finishing it! Thank you Fells for being wonderful to work with, and happy (belated) birthday to you Alphacentauri, I’m very happy I could do this for you!

[catmask]

sometimes while i think about that while a lot of adults did not treat me very well as a kid i also get a lot of 'in hindsight this person was so good to me and i didnt even realize it until now' as an adult. today i was thinking about how the first anime convention i ever went to was when i was 10 and i asked the man working the manga cafe what manga was/what a good place to start was (because the con was very overstimulating for me and i had gotten lost) and he asked how old i was before recommending yotsuba and asking if i wanted any water or something to eat. its really simple but theres a lot of bad things that couldve happened or he could've been careless in his recommendation, but instead yotsuba has remained one of my favorite manga for years, and probably a large portion of why i continue to read manga as an adult... i think adults who try to involve kids in the world safely/kindly even in little ways make so much more of a difference than they ever really know.

[nicktoonsunite]

misc NU doodles part tres

last comic is based off off my nasb 2 clip

[arimiadev]

*non-vn gaming journalists constantly foaming at the mouth to assert how much they hate visual novels*

(this is for a review of tsukihime)

[trashmakerarticle]

Everyone thinks that dick was the golden child when in reality it was Jason.

Clark: Bruce who was your favourite robin?

Dick: obviously it’s me?

Tim: it’s dick

Damian: I am superior robin, it will be me.

Bruce: it’s Jason

Everyone: WHAT?!?!???

Bruce: why are you so surprised? He didn’t jump on too my chandeliers which I had to replace each week

*everyone looks at dick*

Bruce: he didn’t drop out of school

*everyone looks at tim*

Bruce: I didn’t have to stop him from killing everyone who annoyed him

*everyone looks at Damian*

Bruce: in fact, he enjoyed school and handed all his homework in on time, we would spend hours in the library reading his favourite classics. He even helped Alfred with most of the cooking, He was my little boy

Jason: stop spreading lies, I hate you go away

Bruce: my precious little boy

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[thepictoblr]

Woke up last night, barely remember writing this, went straight back to sleep

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[reimenaashelyee]

The Creator's Guide to Comics Devices is OPEN!!! comicsdevices.com

An online library of visual-narrative devices that are used in the medium of comics and other sequential art.

Happy Halloween! I'm really excited to be finally launching* what is maybe one of my most ambitious, largest work yet. This online library is the next phase of a research project that began in May 2020, when I first mused on how comics as a field doesn't have a resource that catalogues devices used in the medium. Like, theatre has devices, so does literature, and film! So why shouldn't comics? I always had an interest in comics studies and analysis. I love reading, making and thinking comics. However most of my knowledge was intuitive - I learned comics from osmosis and experience. This is true for many of my peers. Speaking about comics as a creator is hard, because we don't have a robust system of language. When we had to speak, many of us tend to reach for the language developed for film by film practitioners. If there is language specific to comics, it's either scattered in multiple blogs or hidden away in academic journals. The Comics Devices library is meant to aggregate everything and everybody into a single hub! After exploring some multiple resources, alongside some original, independent research, here is the first edition! * The Comics Devices project is still a work-in-progress! It's not final, nor will it ever be. This is why I am seeking contributors to help build this library. Translations, comics examples, etc. There is a lot of work to do! If you are interested, reply to this post or submit an expression of interest on this page.  Have fun everyone!! (Now time for me to melt x_x)

[originalartblog]

the glamorous life of a mafia executive

(based on an idea from Remi!)

[stuckinapril]

One thing I’ve noticed about people in or entering their 30s is they don’t make as many compromises anymore. If someone doesn’t meet them halfway, is not up to standard, is just not where they’re needed to be, they’re just like “ok cool” and they move on from the person. Which is not to say they’re less empathetic or understanding, but more that they have learned that time is their most prized possession and they’re not willing to make massive compromises on it. They are not obsessed w the idea of fixing someone (bc the concept of fixing a person doesn’t really exist). They simply move on to someone who is up to par. I want that. I want to always move w the awareness that time is my most priceless belonging and I can never buy it back. Ever. So I have to use it wisely

[kazz-brekker]

i do have to respect that everyone was like "bridgerton is the most cheerfully historically inaccurate horny on main period drama romance show with a very anachronistic soundtrack to be released in 2024" and my lady jane was evidently like "bet"