#friends don't kiss

[spacedace]

Thinking about the untapped comedic potential of the Batfam explaining to new hero in Gotham & literal ghost Phantom that they don't kill people.

And Danny, professional menace, responding with "What? You guys have a problem with dead people or something?" In the most serious, insulted voice he can manage just to watch them squirm.

(Jason is having a great time)

[inkskinned]

you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.

you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.

he says i don't like small talk. and then he smiles again, watching you.

a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.

he doesn't like small talk, figure out something to say.

you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.

people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.

wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.

also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.

he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."

you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.

"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."

he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.

you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.

is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?

you look down to your hand, clutching the knife.

[hairmetal666]

Never in a million years did Steve Harrington think he'd be standing in the drama club room in front of Eddie the Freak--who's sitting on a goddamn throne with his full lips pulled into a smug grin--asking to be taught how to play Dorks and Goblins. Yet, here he is, face a burning shade of crimson, as he explains for the sixth time what, exactly, he needs.

"Munson, it's not that hard. Henderson wants me to play in the--the game thingy they're doing when Will is home for a visit."

"Yeah, Harrington, and I stop listening every time you call it a game thingy. You obviously don't care about this at all, so why should I waste my time helping you?"

Steve rolls his eyes. "What if I pay you?"

Munson's face goes through a complicated series of changes before falling into a neutral mask, no smirk or teasing smile to be found. "You'll pay me to teach you dnd? Are you fucking kidding?"

"No?' Steve draws a hand through his hair, watches as Munson's dark eyes track the movement. "I thought you might help me out cause those kids never shut-up about you, but I'm willing to put money on it."

"Huh," Eddie says. He steeples his fingers under his chin. "Maybe I misjudged you, Harrington."

Steve lets himself smile at this. "I don't think you did. I don't give a shit about this game."

"Didn't take you for one to have a bunch of nerdy child friends."

"I'm their babysitter," he says, realizes immediately it was a mistake.

Eddie cackles until it turns into a full-bodied laugh, tears leaking from the corners of his eyes. "You are something else, Harrington," he manages.

For his part, Steve hopes Munson hasn't noticed how bright red his face is. "Does that mean you'll help me?"

"I guess," he rolls his eyes. "But if you're just screwing around, I'm out."

"No, yeah, totally," Steve nods too hard, sends his hair cascading into his face. "Sounds good. How much?"

"Huh?" Eddie tilts his face up, giving Steve a perfect view of the smattering of faint freckles across the bridge of his nose.

"I said I'd pay you. What's the going rate for dnd lessons?"

"Oh, nah, free of charge, Harrington. Henderson would eat me alive if he knew I made you pay."

The smile they share is soft, tentative, and Steve doesn't notice the swathes of pink decorating Eddie's pale cheekbones.

---

They meet up in the drama room after the last bell. Eddie is waiting on the throne with his feet propped on the table, sipping a Mt. Dew. His eyes widen when Steve walks into the room.

"You're on time," he says.

Steve scoffs. "Why wouldn't I be?"

Eddie shrugs, sets his feet on the floor. "Just wasn't aware that the King put a lot of stock in punctuality."

"C'mon, man, I'm trying not to be that guy, and I'm definitely not king of anything. Unless maybe it's Family Video, but even then, that's Robin."

"You're kind of weird, Harrington, you know that?" Eddie's dimples bracket his smile. The sight does weird things in Steve's chest.

"I've been told, yeah." Steve smiles back. "Where do we start?"

They start with dice, with a character sheet.

"Chaotic-good human Paladin?" Eddie asks.

He shrugs. "That's what Dustin keeps screaming at me. I got no idea what any of it means."

"That's not entirely true," Eddie says. "You've kept up with me so far."

"Yeah, that's you. Dustin rambles and then accuses me of not listening when it's over my head. When he goes on long enough, I start to get a headache right here," Steve rubs the spot between his eyes.

"That kid," Eddie says with the right combination of affection and frustration. "I don't know, you seem to have picked up on some of the stuff he said. You have a solid idea on gameplay, at least. I'd say you're doing pretty good."

"Thanks," Steve laughs. "No migraine yet, so that's a point in your favor."

"Migraines?"

"Head trauma."

"Byers?"

"And Hargrove."

"That was Hargrove?" Eddie asks.

"Hit me in the head with a plate."

"What the fuck."

"He was pissed that Max was friends with Lucas. He came after them. I couldn't just let him--I think he would've killed Lucas."

Eddie nods, hands fiddling with a die. "No wonder those kids love you," he says.

"We've been through some shit together."

"Guess it makes more sense why you wanted to learn dnd."

"As much as it pains me to admit," Steve rolls his eyes. "I love to make those little shitheads happy."

"Well, based on the way they talk about you, you succeed."

"You too, you know?" Steve offers. "All I've heard about the last three months is 'Eddie's so cool,' 'Hellfire's so fun.'"

"Jealous?" Eddie laughs.

"Completely," Steve admits.

"Don't worry, Harrington, I'll make a nerd out of you yet."

---

They meetup after school every day they can over the next two weeks. At first, Steve is surprised that he doesn't really mind spending so much time with Munson, that he actually, kind of, has fun. And the more time they spend together, the more Eddie infiltrates his space. Leans into Steve's side as they sit next to each other, brushes their hands together, hovers over his shoulder, faces nearly touching, as he checks stuff on Steve's character sheet.

It makes Steve feel--well, it makes him think of what it would be like to run his fingers through the soft gloss of Eddie's curls; wonders what that plump mouth would be like pressed against his own; can't stop thinking about if Eddie is as vocal in bed as he is everywhere else. He knows he also likes guys, has for a while, but he's never in his life wanted someone this viscerally; so much he can feel the ache of it in his teeth.

It's the last day before the campaign for Will, and Steve is fucking sad. He thinks maybe Eddie is too. He's at least quieter than normal, explanations not at their usual fever pitch. An hour before they usually call it quits, he claps his hands together (too gently, too unlike himself), says, "That's it, Harrington. You're not going to be more ready than this."

"Right," Steve says. Can't help his eyes from darting over Eddie's face, aching to know what he's thinking. "You'll be there tomorrow?"

Eddie bends his head over his notebooks. "Nah, I don't need to intrude."

"But--"

"It's okay, Stevie. I get that it's family only." He looks like he really means it, but his eyes are sad, don't shine like they should.

Steve doesn't know what to say to that, just nods, and then there's nothing else. They stare at each other for a few very long, quiet seconds, before Eddie says, "I'll see you around, Harrington."

"Right, yeah. You too." And he walks out of the drama room with the heaviest heart he thinks he's ever had.

---

Steve thinks he won't miss Eddie. That if he doesn't dwell on those hours spent with Eddie, learning dnd, that the missing will go away.

It doesn't.

Which is how he finds himself back at the high school on Wednesday, standing in front of the drama room door, willing himself to go inside. Eddie's on the throne, the typical notebooks and binders and Mt. Dew cans clustered around him, but he's not engrossed in imagining up a new campaign for Hellfire. No, his head is in his hands, knees drawn up to his chest.

"Eddie?" Steve asks.

His head pops up, and even in the low light, Steve notices the silvery tracks of tears down his cheeks.

"Steve! What are you--" he hastily wipes at his face with his shirt sleeve. "What are you doing here?"

Steve's acting only on instinct, crossing the room and dropping to his knees, taking Eddie's jaw between his palms, thumbing away the wetness on his cheeks.

"Did someone hurt you?" he asks.

Eddie's laugh is wet. "Nah, Harrington. I only have myself to blame for this one."

"Can I do anything?"

"Are you trying to kill me?"

"Sorry?"

"You, Steve Harrington, kind and compassionate? Learn dnd to make your little nerd friends happy? Who are you?"

"I'm just me, man," Steve blushes. "But, uh, I came to thank you." He's still holding Eddie's face in his hands, can't help but notice the way he flushes, how his dark eyes dart away from Steve's.

"I really liked hanging out with you," Steve says. This close to Eddie, his mind doesn't quite feel like his own. All he can think of is big eyes, soft curls, full lips.

"Yo--you did?"

"So much," Steve whispers. He doesn't quite remember moving, but now their foreheads are pressed together, warm breath mingling, lips almost, almost touching.

"I liked it too," Eddie breathes. After a few seconds, he laughs. "Knew I'd make a nerd out of you, Harrington."

"Shut-up," Steve laughs.

"Make me," Eddie says, and it's just that easy. Steve crosses the space still separating them, presses his mouth against Eddie's.

The kiss is slow, exploratory, the gentle discovery of how they fit together, the promise of all the things they can do in the future, all the pleasure they can bring.

"I'm not a nerd," Steve says when they part.

"No, you're right. You're like a nerd by marriage. Nerd-in-law," Eddie giggles. His eyes are bright, face pink, the most beautiful thing Steve has ever seen.

"Shut-up," Steve giggles right back.

Eddie raises an eyebrow, the dare obvious, and Steve doesn't hesitate to kiss him again.

"You wanna get out of here?" Steve asks when they part, significantly more breathless, jeans significantly tighter, than when he arrived.

"You're gonna have to role persuasion for that, Stevie," Eddie smirks.

[cassiopeiasdaughter]

📝- "Is that my shirt?" For Theo Nott

"that's when I love you, that's when"

warnings: alcohol consumption and implications of smut

It was a mistake; you both agreed. Well, you hadn’t actually talked about it, but you knew it was a mistake and were sure Theo would also agree. 

You blamed Gryffindors and their parties and most importantly, the right amount of Firewiskey in your system convincing you that dancing and being close to Theo was a good idea. 

You went from dancing, to your hands running up and down his chest and his tugging possessively at your hips; you were lucky everyone around you was also drunk and wouldn’t remember the way you two acted. 

So, dancing escalated to a heavy make out session by the stairs, which led you right to his bed. Every time you remember that night you feel your whole body heat up, come alive and almost beg for more. But you won’t give in to these thoughts, mainly because you value your friendship way too much.

That is what you say to yourself at least, because you don't want to admit the truth.

What is left of that friendship, anyway? You avoid him almost everyday now, can’t stand to be near him without touching him. His stare sends shivers down your body and you blush like a second year.

You want to grab him by his tie, and smash your lips on his. Actually, you want him to grab you and kiss you without ever intending to stop. But you know him way too well, to know that he would never do that, he is way too subtle and cautious with his feelings and who he lets in.

That morning, the one after the party and after everything that followed it, you ran before he woke. You grabbed whatever clothes you could find and sprinted to your dorm, carefully so no one would notice you. As you laid down in your bed, you felt an ache inside your chest, an emptiness that could only be filled by him. Too bad that could never happen, a voice inside you muttered.

It’s been almost one month after that night, one month since you and Theo have had a proper conversation. You desperately want to know how he is doing, how that essay he was telling you about went, what his last letter from his father said, and most importantly; how he feels after everything that happened.

Did he like it as much as you? Does he remember every detail as clearly as you? Did your touch leave behind an itch- a burn, like the one his hands left on you? And most importantly does he miss you like you miss him?

You put on his shirt, the one you wore that morning, and get ready for bed. You want to sleep everything off. Every emotion and thought tied to him, it feels unbearable when you realize that you will never get to live what you crave most.

It is merely a fantasy inside your head and nothing more. For all you know, he regrets everything or doesn’t remember much. It might be nothing to him, but it is everything to you and that tears through your chest, rips you open, leaving you exposed and hurt.

As you move in your room, trying to find your notebook or a book; anything to distract you, you hear a knock on the door. It is a Saturday night and your roommates are having fun somewhere, but they must have forgotten something. 

“Come in.” , you shout absentmindedly 

And when you don’t hear your friends voice but instead a nervous cough you turn your body quickly in his direction. In front of you stands Theo, after what feels like forever, looking at you with sad-disappointed eyes, as if wanting to beg for something but unable to find the words. 

You stare at him also, it is the first time you are alone with him again and you want to cherish every second. Because you know soon, all that will be gone.

He is the one to speak first, and break the awkward silence 

“I...is that my shirt?”, he says making your face turn red from the embarrassment.

“Yes, uh- I took it, I meant to give it back, but I…didn’t. Sorry.” (Sorry for leaving like that, sorry for avoiding you, sorry for being too big of a coward to tell you how I feel)

“It’s alright, I’ve just been looking for it and couldn’t find it, now I know why.” ,he says calmly willing himself to give you a reassuring smile while his hand scratches the back of his head.

“Give me a minute, I’ll go change and hand it to you.”, you quickly say, using the shirt as an excuse to avoid him once more

You walk past him, without caring to hear what he says, but he stops you.

He grabs your wrist, gently, and looks at you with eyes that beg; beg you not to leave him, and fix what’s “broken”.

“Stop running away”, he says annoyed , “Please.” , his voice filled with complaint and disappointment, his hand wrapped around your arm now, sending jolts down your body

“Alright.”, you sigh “Say whatever it is you want to say, and get this over with.”

“Is it that terrible for you, to be in the same room as me?”

“No, no it isn’t.” 

“Then why do you keep avoiding me? Why are you running away?”, he says loudly, closing his eyes while his fingers pinch the bridge of his nose.

“Because…because you know why”

“Why did you leave that morning?”, he finally says

“I-“ you let out a tired laugh “I was scared of what you would do when you woke up and saw me, I was scared of the ending.”

“So you decided to end it yourself." he shakes his head annoyed and looks up before continuing "Don’t I get a say in this? Shouldn’t you have given me a choice first? Before blowing it all up?"

"Oh come on, what would have been different if I’d stayed? Would you have kissed me good morning and played with my hair? It would be awkward, more awkward than it is now.", you say, anger and poison coating your tongue

"You don’t know that. You don’t even know what I want, and you don’t care to know. You have made up this version of things in your head and are following it blindly. Without looking at what's infront of you!", he exclaims raising his hands in a defeated manner.

"What is there to see Theo? It’s ruined now, we can’t be friends, not like we were. And, frankly I don’t want to be your friend, I don’t want to be just your friend. So really what am I missing?”

He doesn’t give you time to process what he is about to do next. And he doesn’t give time to himself to kiss you properly. Your kiss is messy and it tells you everything he can’t put into words. His lips are angry and his mouth forces your lips to part, beautifully for him. His hands tug at your hips, marking you as his, possessively and longingly. And your hands land on his hair, tugging at the roots as he bites your lower lip. 

“You are stubborn and an idiot.”, he says breathless

“I-“ you try to say but a kiss on your neck, that then turns into a soft kiss on your lips, interrupts you.

“Don’t ever run away like that, you can’t do that. You talk to me, or scream, but you don’t leave. Not like that.” he says looking in your eyes, his gaze more powerful than the Imperius Curse.

“Yes.”, you whisper and let him kiss you again.

“So what does this mean?”, you break the kiss to ask

“That I am inlove with you and I don’t want to just be your friend either.”, he says smirking

“Good.”, you grin and spread kisses along his jaw and neck

“Keep the shirt by the way, I like it on you.” he says sighing as you pull at his hair, to expose his neck.

And the next time you wake up, he is in your bed and you are in his arms, without the intention of ever running away.

fin ❤️‍🩹

Theodore Nott masterlist & celebrate my academic hardships

reminder: I will answer everything, until my inbox is empty, but while taking my time <33

thank you for reading and sending in messages and asks, and excuse the mistakes, I suck at proofreading :)))

[poorly-drawn-mdzs]

Wardrobe Woes

[First] Prev <–-> Next

[zillychu]

woke up from a dead sleep last night realizing I could make soroku flavored pitch pearl and no one could stop me

edit: you know what? I'm feral and I won't apologize. more under the cut bc this is my house

I slammed this out all at once so I apologize for the quality but I'm having EMOTIONS

so imagine. bc of the way Danny was quickly resuscitated, his ghost only barely started forming. With the excess blast of ectoplasm from the portal being created, that little whisp was given form even after Danny's soul returned to his body.

except this ghost (Phantom) slowly comes into consciousness while trapped in Danny's body. they're separate entities sharing one body, but Phantom doesn't really have a sense of self right away. he pieces together vague fragments of Danny's memory to get a basic understanding of the world, and is mostly just observing like a backseat passenger.

Phantom starts reflexively protecting Danny, his powers and instincts bleeding through when his emotions are high. Danny doesn't really transform, and his personality doesn't totally shift that much at first because Phantom’s mind isn't complex yet. but as time goes on, and Danny has tense conversations with ghosts, Phantom realizes that's what he is. he's a ghost, somehow trapped in his old body. and even now, this early on, he already feels separate. he doesn't have all the memories Danny has.

this slowly turns into horror. into rage. sorrow, mourning a life he never got and will never get to have. forever trapped behind the eyes of someone else, never able to interact with the world. Phantom's rage eventually boils over until it allows him short bursts of taking over Danny's body. it starts out small–a stray hand moving without his consent, knees locking up, ghost abilities going awry. Danny can start feeling emotions that don't belong to him. get vague impressions, almost hears a voice inside him.

and eventually, Phantom is able to fully take over. this is when Danny “transforms". at first, Danny blacks out because his consciousness isn't used to being shoved into the back seat. but eventually, he's awake for these “episodes", trapped in the back of his mind while Phantom controls his body. this only happens when ghost stuff is happening, when Phantom feels threatened enough. he's not protecting Danny, he's protecting himself. Phantom knows instinctively that if Danny dies, he dies too. he's not a normal ghost, he wouldn't be freed. he'd simply disappear.

at one point after a fight, Phantom can feel Danny struggling to take back control. and he talks to Danny for the first time, acknowledges he's there. asks how it's fair that Danny is the one that gets to exist. but Phantom is tired and weak, he slips back into the passenger seat.

over the next few days, he's able to start talking to Danny even while he's not driving. though he's not chatty, it's only when necessary. and Danny knows, can feel it across the link between them–Phantom hates him. the ghost he created is desperate to find a way to take over completely. and as time goes on, Danny realizes with horror that it might actually be possible for Phantom to do that. he grows stronger every day, can stay transformed longer, controls Danny's body with much more ease.

it's only through a chance meeting with Frostbite that Danny and Phantom fully learn what happened to them. Danny feels sympathetic towards Phantom now. this isn't a malevolent ghost, it's a person who was never given the chance to live. who's trapped. who has to watch someone else live a life they're just as deserving of.

and Phantom feels that emotion from Danny. is so shocked by it, he doesn't know how to handle it at first. it takes him a while to contemplate, to talk to other ghosts like Frostbite. until one day, Phantom realizes… he feels sympathy for Danny, too.

neither of them asked for this. both of them deserve to live. Danny didn't do anything wrong. they're both villains to each other's story. and if anything… doesn't Phantom owe his life to Danny in the first place?

Phantom takes over less often. Danny doesn't feel hatred from him anymore. anger, yes–but not aimed at him. in fact, Phantom starts controlling their body in little ways in order to protect Danny from things that aren't even dangerous. just to avoid pain that would only affect the human tethered to him.

it isn't long before they're separated, either thanks to another ghost or Danny's parents. they're thrown apart in the middle of a horrific fight, and when Danny sees Phantom's equally shocked expression, he's terrified.

this ghost that hated him for so long–at best, Phantom would leave him defenseless. at worst, surely some part of Phantom still wants to kill him for stealing away his chance for autonomy.

and yet, when fire rains down on them, Phantom risks it all to grab Danny and get them both to safety. they're still both shaken and stunned this is even happening, but Phantom is able to nervously be like shit shit shit okay stay here don't go anywhere or I can't protect you, okay?

after the fight is over and dust settles, Phantom offers Danny his hand. they stare at each other and god if this isn't the weirdest thing. like, uh, okay, what now? they decide to go see Frostbite, who confirms that they're fully separate now. they ask if there's any chance of merging again and Frostbite assures it's impossible.

Phantom asks, even if I overshadowed Danny? or stay real close? yes, it's nothing to worry about. they leave, and back in the quiet of Danny's room, they talk. Phantom isn't sure what to do. now that opportunity is in front of him, he feels paralyzed. Danny does his best to let Phantom know that… they might be separate now, but if he ever wants help or even just a friendly ear, he's here for him.

Phantom is quiet for a while. then says maybe he just needs to rest first. he'll think about it tomorrow. they're both exhausted and injured. Phantom asks quietly… if he could rest in Danny for the night.

Danny's shocked, and–really confused. Phantom blushes and is like I don't know what my haunt is yet, I don't know where to go, but I know… you're kind of my home. now that I know I can leave whenever I want, it's not something bad anymore. I miss feeling your heart next to my core, just a little bit.

and Danny is just as surprised when Phantom overshadows him, then quietly nestles into the passenger seat again. he didn't realize how he got used to feeling Phantom with him. it's a feedback loop of contentedness, and Danny sleeps easily. (they also find out while sharing a body, Danny gets to reap the benefits of Phantom's supernatural healing)

anyway that's all I got for now thank u for coming to my ted talk

[viyojo]

Warm up doodles of @munchboxart 's OCs, Yue and Ro

[starryluminary]

You Matter To Me

Sara Bareilles (ft. Jason Mraz)

╾━━━━━━━━━━━━━━━━━╼

◃◃ II ▹▹

Noah and Cody have a quick chat.

Cody really didn't expect to like Noah as much as he does. He also didn't expect Noah to make him this happy. That's why it hurts when he realizes Noah's better off without him. Without his baggage, without his adversity, without his mess. Man what a mess it is. He wouldn't blame Noah in the least if he thought it was too much to handle and left without looking back.

Fortunately, Cody matters too much to Noah to let him go so easily. Cody couldn't be more grateful. Maybe one day he'll learn to tell him.

[iwasbored777]

Love learning new things just like the other day someone said that, apparently, in order to lean on Miles' shoulder Gwen had to use extra strength and concentration cuz it's already hard to sit upside down and she made it even more difficult by balancing her weight enough to lean her upper body towards another person and it made me think of how she didn't hold hands with him which was way easier to do in that position but she felt so bad that she rejected him that she said "fuck gravity he needs to know that I care. I already fell for him I might as well fall down too"

[canisalbus]

thinking about the time I showed my friend your blog but they were flash banged with gay dogs kissing and I had to explain that it was only gay dogs, but not too much gay dogs kissing 😔

.

[mamawasatesttube]

timcassie is so compelling to me. they were not into each other even a little bit. it was such a messy coping mechanism fuelled entirely by grief. they were making out with each other because they were both substituting each other for kon. cassie was far more aware she was doing this than tim was. unironically, dating a girl here is one of the gayest things tim has done

[blackhholes]

Teen Wolf as Arthurian Characters

Isaac Lahey as Lancelot du Lac

[inkskinned]

hey it's nanowrimo. i have tips bc i've done it about 34 times.

Don't edit. Ever. Stop it. If you just decide to start a new project half thru this one with all new characters, no problem. pick up and keep writing as if you'd already written the first half of that.

"but i spelled it wrong" whatever. "but the grammar" whatever. make it exist first. no time for sense. think like you're working on a typewriter. no backspace. only forward go.

Don't re-read further than a paragraph or two backwards. "did i mention the gun before?" listen - it doesn't matter. if you need there to be a gun there, the gun is there. put it back in once you finish the book.

"i forgot the specifics of X thing i already wrote" whatever. change it, make a note/comment to figure it out later, and just write what makes sense for the moment. "no raquel it's legit the characters name and origin" idc that character is now reborn as Claudius from Elsewhere. it's fine.

only you see your mistakes. nobody else knows. one of the ways writing and dance overlap - only you know the choreography. nobody else will know if you miss a step, so just keep dancing and pretend you meant to do it like that.

it's an illusion that you need to write linearly - from point A to point B to point C. Nah; that's just timeline propaganda. I've written a LOT of books out of order and just reordered them once i've finished. if you have a scene you'd LOVE to write but can't get there yet because of plot, just fuckin write the scene. I've always found its easier to establish "point F" "point J" and "Point A" and then wiggle my way between those scenes.

write what you WANT to write. 230 pages of smut? of well-researched discussion on bread? whatever. the point is to strengthen muscles however you can.

if you miss a day, a week, whatever. not the end of the world. we all have dry days. also time is a myth so u can do this challenge whenever u want.

as soon as you try to write for a specific audience, you kill your voice. you are writing for yourself. stop thinking about how people will take ur book. it don't matter. what matter is u, enjoying writing. i luv u.

play to your strengths. i have characters talk so much because i don't know how to write a plot if it kills me but i'm really good at dialogue so.

i love a flight of fancy. write a poem in there. shift tactics and write in code. keep it fun for yourself.

see what happens if you shift something major about ur main characters - gender, wealth, superpowers. or if you change point-of-view. or if you kill everyone in a big explosion. do NOT edit anything before this or after it. often these little weird one-off exercises teach me what interests me about what i'm working on. it is never what i thought. plus it is a fun way to add like 1k words.

stretch.

it's for fun and for practice. stop doing that project if it's giving you anxiety. once my nano was literally 50k words of half-started stories. just things i tried and tried and tried and wasn't able to flesh out. oops. but i am now 50k words of a better writer.

add dragons?

read books/listen to books on tape/etc. people often make the mistake of "buckling down" to just write. you need inspiration. you need to like. fill up on words. you need to remember how it feels to lose yourself in a story.

i don't have the time or space to really talk about this in this post but a lot of creative people turn to drugs/alcohol because it can help you be more creative. this is harmful, and walking a blade that only cuts deep. if you notice you and your loved ones are turning more to substances, please know i love you and i hope you are able to get help soon. i feel like this almost never gets mentioned because it's kind of a hazy underbelly to art. you are always more important than the work.

on that note. drink your fukin. water.

don't talk about a story until you've finished it. once you tell the story, it exists already, and isn't about discovery. i usually have a very canned "haha we'll see" response.

grapes :) tasty snack.

i love you be free.

[hairmetal666]

Steve and Eddie don't like each other at first. Or, no, that's not quite right. They're still bonded from everything. They're friends, sort of, but they don't spend time together outside the group, have trouble talking one-on-one.

Steve doesn't think about it much. So, he and Eddie won't ever be real friends, okay. He's a little disappointed, but mostly he doesn't understand how he feels about the other guy. He's always anxious when Eddie's around, clumsy and stuttering, infected with Robin's tendency to nervous chatter. It doesn't make sense. It's just Eddie. But that's the thing. It's Eddie and Steve doesn't know how to act around him.

And Eddie? Well, he spends a lot of time avoiding Steve because the fucking cascade of butterflies he gets every time Harrington is around. He knows what it means, knows even he isn't immune to the Harrington charm, but he needs to be. He needs to keep his heart safe. So, he keeps his distance because Steve Harrington is not for him and never will be.

It changes during movie nights. First it's teasing Dustin and Mike, mocking whatever horrible movie the kids put on, and then it's inside jokes, and playful bickering, and evenings with just the two of them drinking beer and sharing joints.

Then it's August. It's too hot everywhere and Steve's parents are home, so they're in Steve's car, driving with no destination, a couple joints in Eddie's jacket pocket and a six-pack in the trunk. They're listening to a mixtape Eddie made Steve, a bunch of metal. Steve still doesn't get it but there are a couple of songs he enjoys. Rainbow in the Dark starts--this is one Steve likes, reminds him of Eddie and not just because it's Dio. Sun filters through foliage and into the car windows, backlighting Eddie's curls like he's some kind of deity, beautiful and ethereal, not part of this world.

Steve starts singing along to the music, can't help himself. His friend throws him a beaming smile, big enough that Steve thinks his heart stops. He smiles back. He and Eddie sing the rest of the song together, and Steve is...he's content. He's happy. He hasn't felt this way since--well fuck--since 1983. Their eyes meet again, gazes linger, warmth pools in Steve's chest and low in his stomach.

Oh. He thinks. That's what this is. It settles something inside him, the knowing.

Time passes, they get closer, share a bed most nights. Doesn't matter where as long as they're together. Sleep better this way, both of them.

They're at the trailer when it happens, sharing a joint, loosely tucked against each other in bed.

"I've never had a friend like you," Eddie says. His eyes stay fixed on the smoke he exhaled. "I know you and Robin are--like, I get it. But you're--for me--"

"Yeah," Steve agrees. He flushes from his chest to forehead. "For me too."

It's enough, they both think. They're standing on the edge of more have been for months, but this? This is good. There's no need to push, to force. They're hurt, Steve thinks. They're healing. And they have time.

Corroded Coffin plays their first show back at the Hideout in December. Steve's never seen Eddie like this, performing. His shirt is cropped and artfully torn, his jeans more rip than pants. He's wearing eyeliner and his hair is wild. And the way he moves, sinuous and sleek, hips thrusting in a tantalizing rhythm as he shreds on the guitar. Steve wants so badly he feels it in his teeth.

He finds Eddie smoking behind the Hideout after the set. His eye are too bright, his smile manic, the adrenaline keying him up to the highest setting of Eddie. Steve knows he matches the energy, can't help it.

Eddie throws himself into Steve's arms, wrapping around him tight enough that no space lingers. The musician presses his face into Steve's neck, nuzzling, lips pressing against his pulse point. They touch always, share a bed and cuddle, but never like this; nothing like this. Steve pulls Eddie closer, and groans at the mutual swivel of their hips.

Eddie's breath comes in panting bursts, and Steve thinks, "here it is, finally, finally," but the door next to them bangs open and they jump apart at the noise.

Their friends and the rest of the Corroded Coffin guys come out, frolicking and shouting, complimenting Eddie on the show. If anyone noticed them embracing, notices the way they both adjust their clothing to hide their matching arousal, they don't say anything.

Steve wakes early the next morning, early enough that Eddie doesn't even stir beside him, hair wild and eyeliner smeared.

He gets out of bed, starts breakfast, chocolate chip pancakes and bacon, Eddie's favorite. He's so intent on cooking that he doesn't hear the other man come up behind him, doesn't realize he's even awake until a warm body presses to his back, long-fingered hands slipping under his t-shirt, tracing the scars on his stomach. He leans into it without a thought. They touch all the time, but they don't touch like this.

"Watcha making, sweetheart?" Eddie whispers.

"Your favorite," Steve answers.

Eddie makes a little sound, almost a whimper, and presses his face to Steve's neck. Steve lifts his chin, leaning into Eddie and offering more. Warm lips press against his jaw, down to the moles on his throat. A moan slips from his lips as he grinds his ass into Eddie's hardness. The other man groans, grabbing at Steve's hips.

Somewhere in the press of their bodies, Steve has the presence of mind to turn. He lifts his hands, cups Eddie's jaw, thumbs caressing the stubbled, scarred skin of his cheeks. "Okay?" He asks. His voice shakes.

Eddie's eyes are wide, shining, and he swallows hard. Steve knows he's overwhelmed, knows that the words won't come. Instead, Eddie nods, and finally finally they kiss.

Steve is flying. His blood soars in his veins, his heart lifts off. It was always supposed to be this. Always supposed to be them.

It was slow. It was easy. It was small jokes, and long looks, and little touches, and singing in cars and best friends and sharing beds.

His heart belonged to Eddie Munson for months. It will belong to him forever.

[immortaltale]

[s-aint-elmo]

no thoughts head empty the oppressive stagnancy of legacy in ever after high dragging me round the block yet again

it's such a shame that we get so little explanation about the actual mechanics of destiny, which is the entire premise of the show, bc it's so juicy. like what power does destiny hold when you rip away milton's lies and centuries of assumptions and traditions. esp bc despite raven signing herself as the evil queen in the real storybook of legends, when the snow white fairytale actually happens in dragon games she's playing one of the seven dwarves and her mother has reprised her role. like how much of that was because of the characters' actions and how much was destiny pulling on old, familiar threads. keeps me up at night.

a lot of this is probably just like, plot holes and writer hot potato but i like making it that deep, that's half of the fun. my personal interpretation is that fate is a wild thing that desires repetition and they developed the system of fairytale legacy bloodlines to keep those repetitions predictable and contained, instead of wreaking havoc whenever and wherever they please. 

which lends itself to some really juicy exploration of how legacy is a duty as much as it is a privilege, and how to be a princess or a witch or a hero or a dragon is to be the same thing in the end: the lamb destiny slaughters on the altar to sate the ever-ravenous narrative. to keep the flock safe. keep the unknown that prowls beyond the beaten path at bay. because if a there is always a mother who will be cruel, or a maiden who will fall into a sleep like death, or a child who will become a bird, isn’t it better to know who, and how, and when? isn’t better if it’s you, who has known your whole life that you must be eaten, be poisoned, be stripped of your humanity, rather than anybody else, who wasn’t raised to see it as an honour instead of a great and terrible injustice?