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#frodo and sam are parodied as well
goldenpinof · 2 years
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watching lotr series is like watching a parody of Jackson's trilogy. 1B dollars weren't enough to find screenwriters? stop stealing screens and dialogues from the movies, i'm begging you. it doesn't look like a cute nostalgia. it's done so poorly, it is parody. please, i don't want to associate the trilogy with this amazon bullshit and vice versa. you're ruining years of experience.
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starfish-spencer · 2 months
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Hiii I’m here to ask about one, five, and twenty three of the psych ask game also I <3 psych and ur blog :)
Yay! Thank you so much for the ask, I love your blog, too! 💖🍍
What is your favorite Gus nickname?
How could I ever pick one? Gus T.T. Showbiz! The extra "T" is for extra talent! Honorable mentions go to "Nick Nack," "Mission Figs," and "Button."
5. Was Pierre Despereaux really an INTERPOL agent or was it all a con?
I love how the show never confirmed anything and left the viewers to decide for themselves! I like to think that Despereaux truly is one of the greatest criminals of all time, and that he conned INTERPOL for years into letting him steal more art. He probably wanted a challenge. I think his name really is Royston, though, because that's funny.
23. What other fictional universe would you like to see Psych crossover with?
I'm a huge Tolkien fan, and I'm honestly a little disappointed that Psych never did a Lord of the Rings parody episode or crossover, cause it would work so well! Shawn and Gus really do have that Sam and Frodo queerplatonic relationship tbh. Gus could be the Tolkien nerd I know he is, Lassie could be the horse girl he was always meant to be, and they would all look SO GOOD with cute pointy ears. And the guest stars? Infinite options. Viggo Mortensen, Sean Astin, Andy Serkis, Elijah Wood, Billy Boyd, IAN MCKELLEN!! And THE OUTFITS!! The fantasy weapons!! JULES WITH A SWORD!!! I need this more than I need air
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spinnenpfote6 · 2 months
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I have no idea why no one seems to have made a pitch yet for a LOTR Big Brother parody where the characters are crammed into an artificial house together and forced to play stupid games all while being watched by Sauron through his eye/big monitors who comments their everyday life as the titular host.
BEHOLD!
Constant drama and fights! NO privacy whatsoever! Even the bathrooms have video surveillance!
Obscenely graphic 24/7 filming of Frodo constantly getting sick or injured to ensure maximum viewership. (Half of them love him, half of them hate him, all tune in to watch him suffer).
Gandalf loves winning the games, even if it makes him progressively more cruel and a bully, the fans love it as well.
Legolas and Gimli stir up controversy with critics by being openly xenophobic and racist towards each other.
Sam wants to be useful and prepare all the food but Sauron makes Eowyn do it because her horrible cooking skills are a great running gag.
Aragorn only wants to get it over with to get the money they desperately need, he's actually not playing along, just slowly losing his mind.
Constant scripted rage-bait for Boromir and a sibling rivalry sideplot with Faramir and guest star Denethor as sad pity porn.
Merry and Pippin livin' their best lives by finally being allowed (and actively encouraged) to pull pranks on everyone. Audience and critics have decided they're cute and funny.
Grima Wormtongue is introduced as a new room mate halfway through, he has no idea what's going on other than that he keeps getting beat up by Eomer who randomly shows up as another guest star.
Arwen desperately trying to remain the only sane person, Elrond is 100x more disappointed in her doing trashy reality TV than her refusing to leave Middle Earth.
Gollum is treated as the crew's creepy pet, Sam keeps trying to poison him (the showrunners wonder where he got the poison but they let him).
Saruman managed to become the game telephone joker along with Galadriel because he's disappointed that Sauron wouldn't let him have his own monitor.
Bilbo dropping the necessary occasional F-bomb, swears and insults but is also slightly senile without the ring and therefore finds following the whole show hilarious.
Last season ends with Sauron doing a fake poll to make the viewers decide which hobbit should be "killed off" to shock the characters and generate clickbait online articles. Final game's price is of course the One Ring.
I just feel like this would be a flawless concept!
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ao3feed-tolkien · 1 year
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My Precious
read it on the AO3 at https://ift.tt/2VKsQrf
by calcifurby
One day, Smeagol "Gollum" Smith locked eyes with the most magnificent creature he'd ever seen-- Miss Marigold Ring, the new student at the high school Isengard Academy. It was on that day that this magnanimous romantic, dreamy saga began. A refreshing blend of Lord of the Rings parody and satire on fanfiction itself in this idiots to lovers tale, come join this ride, critically-acclaimed by the well-renowned critic Buddy Nobody.
Words: 3636, Chapters: 1/?, Language: English
Fandoms: The Lord of the Rings - All Media Types
Rating: General Audiences
Warnings: No Archive Warnings Apply
Categories: F/M
Characters: Frodo Baggins, Sam Gamgee, Pippin Took, Original Female Character(s), Merry Brandybuck, The Lord of the Rings Ensemble, Legolas Greenleaf, Gimli (Son of Glóin), Gandalf | Mithrandir, Gollum | Sméagol, Déagol (Tolkien), The One Ring, Balrog(s), Original Orc Character(s), Original Hobbit Character(s), Original Male Character(s), Original Elf Character(s), Morgoth Bauglir | Melkor, Boromir (Son of Denethor II), Faramir (Son of Denethor II), Théoden Ednew, Galadriel | Artanis, Sauron | Mairon, Saruman | Curunír, Éowyn (Tolkien)
Relationships: Gollum | Sméagol/The One Ring, Frodo Baggins/Original Female Character(s)
Additional Tags: Love Triangles, Implied/Referenced Drug Use, Implied/Referenced Alcohol Abuse/Alcoholism, Arson, Fluff and Crack, Crack, Crack Relationships, Satire, Parody, Emo, Manga & Anime, Alternate Universe - High School, POV Multiple, POV First Person
read it on the AO3 at https://ift.tt/2VKsQrf
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frodo-with-glasses · 3 years
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More Reading Thoughts: The Taming of Smeagol
"Well, master, we're in a fix and no mistake." Strong start! Hello, Sam! I missed your face! 8-D
One thing that was lost on me as a kid was just how difficult it would be for Frodo and Sam to navigate this rough terrain when they're so small and not terribly athletically inclined. I have now scrambled around on rocks at the rim of the Grand Canyon, and lemme tell you, just because you can see it doesn't mean you can get down there without breaking your legs.
"Yes, I can smell it." Elijah Wood's delivery of this line will never not make me giggle. That and "I think I've found the bottom." Am I twelve years old at heart? Why yes. Yes I am.
"Only those, what d'you call 'em, lembas, Mr. Frodo." I would just like to stop and express my appreciation that Tolkien so deliberately added these little verbal idiosyncrasies to convey Sam's accent to the reader. This is not me parodying the story. This is a direct quote. Did I expect to see the word "d'you" in this epic high fantasy story? No I didn't. Is it the best thing I've seen all day? Heck yes.
(Makes me wonder how Sam's accent is handled in translations of this story apart from English. Tolkien very deliberately put it in to mimic a very particular British dialect, that much is clear, so how do other translations adapt that to lower-class dialects in their own languages?)
"'There's nothing for it but to scramble down this gully, Sam. Let's see what it leads to!' 'A nasty drop, I'll bet.'" Always the voice of optimism, Sam.
"It is doubtful if he ever did anything braver in cold blood, or more unwise." Tolkien really said, "Sam slid himself right over the edge of that cliff and that was the single bravest and stupidest thing he ever did."
Ooh, Frodo went all blind all of the sudden! :-O I wonder if that's his shoulder wound acting up again....like that "wraith sight" is coming back in response to the Nazgul's screech. Either that or he's just got low blood pressure and the sudden shock of falling down made him grey out a little LOL
"'Stop chattering!' cried Frodo, now recovered enough to feel both amused and annoyed. 'Never mind your Gaffer!'" This hollered up the cliff-face after a near scrape with death. I love this book.
One of the great under-appreciated aspects of Frodo and Sam’s dynamic is the times when it becomes VERY CLEAR just how much older Frodo is. He’s dealing with Sam like an exasperated parent wrangling a hyperactive two-year-old and that’s just very funny to me. X-D
This entire conversation is just Frodo and Sam going back and forth like "I want to go down" "well I don't" "well I do, and I have seniority here" "good point"
"Ninny-hammers! Noodles! My beautiful rope!" I need to know more hobbit swears because these are GREAT
(This and Sam's accent are even funnier when you consider Tolkien's "meta explanation" for LotR. "Ah yes I translated this from the Red Book of Westmarch and turned these hobbit names into ones based off of Anglo-Saxon root words and blah blah blah" okay but WHAT WAS SAM ACTUALLY SAYING IN THE HOBBIT LANGUAGE THEN, TOLKIEN?? Where's your appendix on THAT?? Do hobbits actually use the name of a starchy food as a euphemism? Is the word for "noodles" phonetically similar to a swear word in Hobbit Language, like the Russian "blin" and "blyat"?? WHAT DO HOBBITS SAY WHEN THEY BANG THEIR THUMB WITH A HAMMER??? I DON'T NEED SLEEP, TOLKIEN, I NEED A N S W E R S)
Movie!Frodo: "Real elvish rope :-]" Book!Frodo: "LOL you almost killed us" Sam: "No I didn't TT-TT"
(Honestly I prefer the movie version. I know Frodo is just trying to find a sensible explanation for why the rope came down, but it does come across like he's blaming Sam for something that isn't his fault. Much prefer that little look of "huh...well then" that they give each other in the movie. That's just *chef's kiss*)
Frodo: *grabs Sam's arm* Me, being predictable: 8-D
Obviously much of the way these characters speak had to be adapted to fit the big screen. Gollum, though? He's just. Like that. He talks exactly the same. Like they didn't change anything at all. It's almost jarring.
Tolkien compares Gollum to an insect, a spider, a frog, a dog, and wet string. I have no comment on this, I just think it's brilliantly evocative and very funny.
Frodo responding out loud to the memory of his conversation with Gandalf in Moria is much more poignant when you realize that at this point, Frodo still thinks Gandalf is dead :-(
"Sam...seemed to sense that there was something odd about his master's mood and that the matter was beyond argument. All the same he was amazed at Frodo's reply." This just in: Main Character suddenly gets agency in the story after being tossed around like little more than baggage with feet for several chapters, Sidekick left stunned
"Frodo looked across at Sam. Their eyes met and they understood." Me, being PredictableTM: "hhhhrmnnnnggpppfffffttthhhnn"
Yes I am that basic girl whose favorite thing is when characters know each other so well they can communicate without talking to each other, shut up
"Frodo drew himself up, and again Sam was startled by his words and his stern voice." *Doofenschmirtz voice* If I had a nickel for every time I was caught off-guard by Frodo going all aggro on Gollum, I'd have two nickels. Which isn't a lot, but it's weird that it happened twice—
"'Down! down!' said Frodo." Bro he literally is even using dog commands on Gollum. Bruhhhh.
Sam, internally: "boi this smeagol be actin' SUS—" *is slapped*
I guess this chapter is called “The Taming of Smeagol” because “Frodo and Sam Repeatedly Try and Fail to Get Down a Cliff” just doesn’t have the same ring to it.
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I know I have talked about this before, in a lateral way, but what makes The Two Towers (the movie) the most meh is how it insists in pushing Rohan and its people to the background. In the books, we have heard mentions of Rohan before in FotR, and then we follow the grey company *into* Rohan and *discover* it with them and it is the focus of our attention and what makes it work. There is a clear sense that the grey company knows they are foreigners in another kingdom, there just to help.
The movie decided that it was necessary for the sake of continuity to make Aragorn the main character of the non-Frodo-and-Sam plot... but it was NOT necessary. The focus pulling at every single scene from the Rohirrim to Aragorn is ultimately as irritating (subconsciously) as watching a movie where at least a third of the frame is occupied by the back of the head of an extra. Eomer and Theoden lose definition and if Eowyn is not as blurry it is very likely to be residual from the early script that consolidated Arwen and Eowyn into the same character (and that she has a very directly tied to Aragorn plot).
I have mentioned before how in any less skilled production in terms of photography, costumes, acting and editing, it would look almost parody-like. Grima betrayed Theoden? Look at how Aragorn stops the king from murder! The Rohirrim are fleeing Edoras? Look how Aragorn bonds with Brego! The Rohirrim are attacked by orcs in their way to Helm's Deep? Look how Aragorn falls off a cliff and is rescued by Brego. The Rohirrim are afraid and preparing for battle? Look how his friends grieve for Aragorn! Look at his grand entrance! Look how sad he is at their sacrifice! Look how he'd die with them! The battle is about to start? Look, the elf friends of Aragorn arrived! The Rohirrim are dying? Look at Haldir, Aragorn's friend dying! Is it the last heroic hour, where Theoden shows his quality? Let's better have him lose all hope and get Aragorn to rouse him into a battling spirit!
But the most egregious bit of it is when the movie contradicts *war strategy 101* and have Gandalf and Aragorn say that a battle in open field would be easier to win than one where you are in a fortified, higher position... only so that it would connect with Aragorn asking Theoden to ride out with him... which they invented for the sake of focusing that scene on Aragorn as well!!!!
Ultimately a huge part of the magic of The Two Towers is Rohan and its people. It's getting to know a whole different culture and another set of characters different but complementary to the ones we saw before. And that is the mark that the movie missed.
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hillnerd · 5 years
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What do you think about Ron in the Starkid's Very Potter Musical series? I know it's a parody but I feel the character is closer to the book Ron than the movie version.
I agree, for the most part. They a litle bit overemphasized the food thing, and he is a bit too harsh with Hermione- but they NAIL his friendship with Harry SO HARD. Like, their relationship is just so tight-nit and beautiful and Starkid really understood how important it was to both characters and did it proud, imo.
They get his affable nature and humor well too. Like, he’s such a fun bro who is THERE for Harry, and his main and biggest emotional support. They captured it. 
I mean the first SONG gets their dynamic perfectly. And it’s so key to understanding Ron. He’s not just a dumbass comic support character- He’s a funny BEST FRIEND type- that’s his whole purpose in the series. Ron’s the Sam to Harry’s Frodo. 
So yeah- I love it.
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badwasabi · 8 years
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Writing Advice: Shut out shout-outs
Due to the subject matter, I included a larger-than-usual number of references in this one, just for fun. You probably won't find all eight, unless you happen to watch a certain podcast about a certain red-masked superhero and his nubile ginger sidekick partner.
Okay, so you're watching the latest Game of Thrones episode. There's tension, there's shouting, it's very dramatic, you're on the edge of your seat. What next? you think, shoveling popcorn into your mouth.
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And suddenly the characters start acting out the "What?" scene from Pulp Fiction.
Your hand stops. Your brow furrows. You mouth hangs open.
This doesn't make sense. The writers just...gave up. They made no real effort to integrate the reference into Westeros. Where'd that paper bag come from? Why is the Mother of Dragons is pulling a Big Belly Burger out of it? What is this? 
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I'll tell you what this is. Your hypothetical self has just encountered a bad Shout Out. 
Fanfics, especially by newbie writers, often have this classic blunder. You like Thing, you like Other Thing, you want to put them together like it's peanut butter/jelly time. Let me ask you a question; you might like a nice warm fire. You might like libraries. Would you start a nice, warm fire in the middle of a library? If I needed the insurance money. A public library. Oh. Then no. So you've added the gratuitous reference, you post the chapter, and go on your merry way. Some time later, your reader encounters the reference, and it stops them cold, completely breaking immersion. You were so worried about whether you could that you didn't ask yourself whether you should. One Mass Effect fanfic I read had the bad guys capture Garrus, hang him from a hook, and torture him. Normal enough, right? Well, it was a direct ripoff of the torture scenes from Firefly. Y'know, that "War Stories" episode. Was someone wearing Jayne's hat? Someone was, in fact, wearing Jayne's hat. In a certain Halo fanfic, one of the characters make a crack about how they hadn't seen incompetence like that since the Bush Administration of 21st century Earth. For those of you not familar with the setting, that's be like a  2016 character making a joke about some politican from 1466. Seriously, name someone from the 15th century. Christopher Columbus? Anyone else? Besides Queen Isabella? ...No. You see my point. I bought a cheap watch a year ago. Before the ants ate it*, it looked like a G-Shock. Except that it didn't have the logo, the backlight was more of a frontlight - a bad one - and none of the buttons did what the labels said they were supposed to. Shoehorning in a reference can be like that. It looks good, but the charade falls apart the second you take a closer look. A lot of shoehorned references come without the context that would make them "work" properly. It's not a big problem with individual lines, but when you have to bend the story's universe into a pretzel just to make the reference "fit", you should probably reconsider. And even individual lines can get tiresome if they're intrusive enough. Remember that ME fic I mentioned? The characters often reference popular Firefly lines. It wasn't just the one scene. Which brings me to my next point. References are a crutch, if you rely on them. And in case you're wondering, there's a difference between a pastiche or parody or satire...and an outright ripoff. Also, some works are light-hearted enough to have shedloads of references. Take Deadpool (any medium), Friendship is Magic, or Discworld. And they usually cut back on it when things get heavy, doc. Except Discord, of course, by definition. 
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So how do I know when to use shout outs? The same way you get to Carnegie Hall; practice. Get constructive criticism from somewhere. Let readers tell you what works and what doesn't. Read it out loud. Ask yourself if the scene works for readers who don't get the reference. How would you fix the torture scene? Oh, that's easy. Dolores Umbridge. From Harry Potter? Yep. Wouldn't that just make the problem worse? Allow me to explain. Torture scenes are a dime a dozen. Torture scenes where the torturer has some sort of crazy philosophy are a dime a dozen. Religious conviction, punishment, intelligence gathering, Mengele knockoff, dime a dozen. You know what we don't see very often? What? Passive-aggressiveness. Think about it. Umbridge's core personality traits are cloying, syrupy sweetness over an absolute conviction that she's doing The Right Thing. This is a woman who created a brand-new way to torture people - her special quill - and used it on a child. The book said she looked like a toad, but in the films, Imelda Staunton's completely normal appearance is arguably worse. She looks like someone's mum or grandmum. And she's evil. Remember in the forest? The part where she may have been trying to kill Harry and Hermione, and she's still rationalizing? Imagine that with a torturer. She's levering your fingernails off with a scalpel, and still saying that it would really be so much easier if you would just cooperate. Do you think she enjoys hurting you? Why don't you just tell her what she needs to know? Brrr. But enough about my mother. So, in this case, remixing two references is better than using either of them alone. This has to be done well; if you had a generic torturer, but he's actually a woman wearing pink, that's not going to make much of a difference. In fact, it would be jarring for your readers, unless you're in a light-hearted work, or pink is an important color in your story. Maybe it's about "The Flamingo Killer", who always leaves their victims with a pink rose, or pink fibers have been found on the bodies, or something. Which brings me to the last piece of advice; good artists copy, great artists steal. Pretty sure I've heard that before. But what it doesn't say is that mediocre and bad artists also copy. So what's the difference between copying and stealing? Glad you asked, Timmy! Copying is imitating. Stealing is understanding, making it your own. It's the difference between tracing a piece of art and drawing it freehand. Wait. Isn't tracing really useful for learning how to draw? Yes, it is. To a certain point. Then it's better to strike out on your own. If you don't understand why something works, you can't really integrate it into your work. You won't be able to take the parts of it that work and leave the rest, you'll probably just keep ripping it off wholesale. If I may humblebrag; in my fic Ferris, the XCOM team decides that they're going to have to do something really dark. There's a regular soldier nearby, and he's horrified. He says he could never do that type of stuff. The XCOM trooper he's responding to says "That's the idea. We do it, so you don't have to." ...Is that...? Yep. The Nostalgia Critic's catchphrase. Altered and integrated. Now, if I had written "I fight aliens, so you don't have to," that would've been a lot more blatant. Did anyone notice? No one said anything, so...not as far as I know. Then what's the point? To increase the emotional impact of the scene. Instead of forcing a reference to a popular review show that would ruin the emotional impact of the scene. Executive summary: References and shout-outs can be fine, if used sparingly, or in a work where they fit the tone. If not, they'll cut the legs out from any drama you're trying to build. Try and understand why something you're trying to reference works, so you can alter it to fit the new context, instead of plopping it in your story like a scoop of chocolate ice cream on a cheesecake. What type of cheesecake? Boysenberry. Oooh! I love boysenberry pie! Good hunting, Jon PS: Let's talk about obtrusive fandom jokes. For example, take all the RWBY fics that substitute "Monty" for "God". If you don't know who Monty Oum was (creator of the series), it's just a weird joke or some kind of reference you don't get. If you do, then it's a fandom joke with worrying theological implications, since Ren was voiced by Monty. Does that make him Remnant's Jesus, or some kind of avatar of their Creator? Either road, it completely destroys the seriousness of a scene. Imagine if Frodo and Sam swore "by Tolkien", or Captain Picard by "Roddenberry", or Marvel characters by "Stan".
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Actually, let's dig deep. You know all those Stan Lee cameos in the MCU? They all fit in even if you don't know who Lee is. You could replace Lee with a bunch of random actors, and with maybe one exception (Avengers), they all make sense. They're funny by necessity, because you can't do something like that without tongue in cheek. I can only remember one dramatic cameo, and that was in Incredible Hulk. The "Monty" joke doesn't have any of that. It can't be justified in the context of the series, unlike a bunch of random old guys throughout the universe who happen to look like Stan Lee. TL DR: If your fandom references don't fit unless your reader knows the context, change them or get rid of them. If you're trying to use an injoke in a serious scene, change it or get rid of it. * More precisely, the watchband. They'll eat anything rubber. 
[ My writing advice posts | Chronological order ]
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celtfather · 5 years
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What Are You Doing While Listening to Celtic Music #432
I want your feedback. What are you doing while listening to the Irish & Celtic Music Podcast? This week, I'm gonna share a bunch of feedback from the past couple o'years.
Poisoned Dwarf, Seldom Sober, Songs For Ceilidh, Mitchell & Vincent, Ciunas, Kennedy's Kitchen, Alasdair Fraser & Tony McManus, Kellswater Bridge, Captain John Stout, The Jig Is Up! from First Steps, Brobdingnagian Bards, Dylan Walshe, Sylvia Woods, The Jackdaws, Claire Roche, Black Market Haggis, Crepuscule, The Round Table, Tartanic, The Celtic Kitchen Party, Moch Pryderi, Teton Skye, Alexander James Adams, Molly's Revenge, Celtic Woman, O'hanleigh, Ciana, Vintage Wildflower, Katherine Nagy, Bellow Bridge, Jil Chambless
I hope you enjoyed this week's show. If you did, please share the show with ONE friend.
The Irish & Celtic Music Podcast is dedicated to growing our community and helping the incredible artists who so generously share their music. If you find music you love, buy their albums, shirts, and songbooks, follow them on Spotify, see their shows, and drop them an email to let them know you heard them on the Irish and Celtic Music Podcast.
Remember also to Subscribe to the Celtic Music Magazine. Every week, I'll send you a few cool bits of Celtic music news. It's a quick and easy way to plug yourself into more great Celtic culture. Plus, you'll get 34 Celtic MP3s for Free, just for signing up today. Thank you again for being a Celt of Kindness.
THIS WEEK IN CELTIC MUSIC
0:05 - "Bolt The Door" by Poisoned Dwarf from Bolt The Door
5:58 - WELCOME
7:25 - "The Ferryman / Mason's Apron" by Seldom Sober from Six Months of Confession
11:24 - "Rothsea-0" by Songs For Ceilidh from Falling Forward
14:36 - Alexis Fickes emailed: "Hey Marc, I am Alexis and I just wanted to tell you that I love the podcast, especially #426. I listen to the podcast on the bus and while I paint. Absolutely amazing. I love that there’s someone who appreciates the artists and music like this. Keep doing you!!"
Simon Dillon emailed a photo: "Hello Marc. Although over month ago, this photo shows me driving back from Canberra to my home town Bendigo (700km) while listening to your podcast.   Myself and my friend, and fellow musician, Keven McCarthy had just spent the Easter long weekend at the Australian National Folk Festival presenting “Songs From The Australian Tradition” session on each day of the festival.  Australia has many traditional songs. Many of these songs use traditional Irish melodies or are even parodies of traditional Irish songs.
The Nation Folk Festival was one of 3 festivals the Kevin and I attended in South Eastern Australia over 17 days around Easter.  We started at the Lake Cullulleraine Music Festival, then the National Folk Festival and ended up at the Koroit Irish Festival. By the time I arrived back home, we had covered 2800 km and listened to many Irish and Celtic Music Podcasts, the quintessential road trip podcast. Keep up the great work.
16:13 - "Seven Stars, The Sloe" by Mitchell & Vincent from The Preservation of Fire
19:18 - "Celtic Tiger" by Ciunas from High Time
22:59 - Ruben Lopez emailed a photo: "I heard the podcast #393, and was drawing. Here's the drawing. Have a good one."
Alexander Randall 5th emailed a photo: "Hey Marc: I put your sticker on my car... I should put one on the boat, but only fish and mermaids would see it..."
Conor Coll emailed: "Hey Marc, Just replying to let you know I received the music you sent and I am currently listening to them, still trying to decide between my favourite!
As an Irish man I have been hearing Celtic music all my life and it takes me back to a lovely atmosphere when I listen to these tracks. Recently, I have been following a band which I had done a little camera work with in the past, The Ronan Gallagher Band. They are very talented and are from the region I come from, so I am a big fan of their music. They are what inspired me to look for more traditional music which lead me to this newsletter."
Submit music to the podcast at 4celts.com.
25:00 - "Eoin O'neill Has Gone To Clare" by Kennedy's Kitchen from The Whiskey of Truth
30:25 - "Lady Louisa Gordon's Strathspey / The Highlands of Banffshire / The Merrymaking" by Alasdair Fraser & Tony McManus from Return to Kintail
34:50 - Marshall Blosser emailed: "Greetings Celtfather, I've been listening to your podcast for well over a decade.  We've circled around nearby cities, but never met. You moved to New Orleans just as I moved from there to the Mississippi gulf coast. And now you are in my old stomping grounds of Atlanta.
My family is moving from the Mississippi gulf coast to the eastern most  city in North America (St John's NL) so my wife can get her PhD in analytical chemistry. (I know you understand about moving to support your wife)
We will be driving there mid December (all 54 hours of it).  Apart from episode 421 the long drive - that's an understatement - we would like to have a few  CDs to pass the time on the road. I know there is a large Celtic music scene up there. Do you know of any St John's or Newfoundland Celtic artists that we could buy to support and listen to on the way there?
Thanks muchly,
P.S. I am an aspiring writer and your podcasts have inspired several stories (now if I could just get published) Txs again. Keep the Celtic light burning, in all its colors"
Marshall Blosser emailed: "Marc, I have enjoyed your podcast for over 12 years. The variety of music you bring to this show never fails to inspire and amaze me. The fact that you follow the roots of the music and the tendrils of its influence show just how connected the world is and how music is one of those things that can unite everyone. You understand and respect that musically there is no one Celtic musical voice. But rather that it is a rich and varied chorus of voices that make up that sound. I applaud the fact that you are seeking musicians and tunes for a Celtic LGBTQIA+ Pride special next year. The fact that you stand for the diversity that makes this music so touching and valuable is wonderful and so needed everywhere. Peace and may you never lose your laughter, your joy or your autoharp Marshall Blosser"
38:08 - "Keys to the Castle" by Kellswater Bridge from The Proof Is in the Pudding
42:32 - "Hail to the Autumn" by Captain John Stout from Love Abides
46:35 - James Cope emailed: "Hi Marc,Your ebook is a wonderful gift, thank you. I see the changes in the music business, some beneficial, some not so much. Your ideas and knowledge help me as a long time, and older generation musician “unpaid Professional” (mostly) to find where I can land and have the best impact on the art form.
Being upbeat in these changing times is a choice and you are an inspiration. As a friend of mine once said, “Damn! Jim you have made something from nothing!” So…. Damn Marc!! you have made something from nothing. Thanks again."
Melinda emailed: "Marc, I have subscribed to the Irish & Celtic Music Podcast - I am still listening to shows from years ago, which was where you played the Joss song, and the "Don't Drink with Hobbits" song, which I LOVE!  Shared it with my son who just cracked up with me.
We are in El Paso - as far West as you can get!  Have not been to any of the festivals in Texas, but go to Phoenix each year to enjoy the Ren Fest there.  Have been to the Ren Fest in Bonner Springs, KS, in MD (think they shut that one down, but it was huge and wonderful!), and AZ.  Actually, I am still listening to your podcasts when you still lived in Austin, so didn't know that's not where you lived now :) Would love to see you live.  Will have to make sure to listen to the more up to date podcasts to get your latest events - or check your website. Keep up the great work! Slan Agat!
49:33 - "There's Worse Then That Around - Polka Niall - John Walsh" by The Jig Is Up! from First Steps
55:33 - "The Prettiest Hobbit" by Brobdingnagian Bards from I Will Not Sing Along
55:54 - Todd Thorne emailed photos: "Hello Mark, From the attached few pictures, I’ll bet you can instantly figure out where I took the Irish and Celtic Music Podcast this past month. For ages my wife and I aspired to visit Australia and New Zealand. Being two unabashed geeks, we could not make a trip Down Under without dropping in for a tour of Hobbiton. What an amazing day it was conjuring up the feeling that, at any moment, Sam, Frodo or Bilbo might emerge to challenge all of us interlopers in The Shire. While that particular encounter didn’t happen, I did get to talk up the podcast to fellow tourists plus our guide in response to their questions regarding my catchy and quite fetching t-shirt. Hopefully, you’ll pick up a few new worldly fans as a result.
I’ve been a devoted listener to the podcast for many years and credit multiple episodes for enriching and expanding my collection of Celtic music. At last count, some 15 artists have joined my growing mix, which all came about only because you featured them in an episode after they submitted their hopes, ambitions and livelihood for consideration. Thanks to you and all the incredible indie Celtic artists for providing us a way to connect and support what we love.
In closing, here’s an idea to ponder. What about a future Celtic Invasion Vacation to New Zealand? After all, Dunedin in the South Island has a mighty strong Scottish heritage and the Celtic spirit is alive and well I hear. Not to mention Hobbiton beckoning away on the North Island. A bit ambitious perhaps but it would be up there in the Trip of a Lifetime category, which I can definitely vouch for.
My best to you, your family and all the fans in the 2019 new year. Sláinte!
More about A Long Expected Party, next one is in 2020
58:38 - "Cut It Down" by Dylan Walshe from All Manner of Ways
1:02:56 - "Metamorphosis" by Sylvia Woods from The Harp of Brandiswhiere
1:05:37 - Margaret Zavala emailed: "Mark I just want to say thank you for the podcast that you put on. When I travel the world I can still listen to my celtic music. A few shows back, you featured Bangers and mash. well they’re playing near my hometown. in fact playing for two weeks just a five minute drive from my house. thank you for keeping me a contact such wonderful bands"
Rachel Bryant emailed: "Marc, Just dropping you a line to say how much I'm enjoying all your podcasts!! This time of year, I especially appreciate holiday music that is different (and better) than what I'm forced to hear in public.
Today, I am cleaning the house ahead of company, and enjoying the music and a very thematic beer, pic attached. I wish I could mail you some... maybe it's available in your area? I highly recommend this beer.
I try to wear my podcast shirt so I can spread the word! I made a new group of friends that way just a week ago, and we swapped stories of our favorite music venues and Irish/Celtic festivals.
Happy Holidays to you and your family!"
Subscribe to Celtic Christmas Podcast. It starts back up in November!
1:07:14 - "Erin's Revenge" by The Jackdaws from Colors
1:10:59 - "My Mother" by Claire Roche from From Then Until the Here and Now
1:14:58 - Darius emailed photos: "Hello Marc, I came across your wonderful podcast recently & subscribed!
Regarding voting, although all your featured musicians are wonderful, when asked to vote for a specific episode's featured musician, perhaps asking to vote for that particular/featured song would be more appropriate? By that I mean, I have gone back & searched the bands featured but found 2 or 3 songs as my personal favourites. Absolutely no offence to the great bands but I wouldn't go as far as voting them as my favourite bands, rather songs :)
Also, what do you think about either as the final episode of the year or the first episode of the year, featuring the top rated songs of the year, voted by the listeners?
Anyway thank you again and I promise to become a paid subscriber once I have some income.
Currently in the process of starting a sustainable, holistic, self sufficient & off-grid Ecovillage in Canada. More on that if you are interested. Namaste"
Vote in the Celtic Top 20.
Begum Unveroglu emailed a photo: "Hello there! I am listening to Scarborough fair episode on a train trip from Ankara to Istanbul. I am loving your show! By chance, I had opportunity to hear my favorite American Irish Music group the Gothard Sisters!!! Much love"
1:17:26 - "4 Concertina Reel Set" by Black Market Haggis from Better Than It Sounds
1:20:14 - "Rob Roy MacGregor" by Crepuscule from Hap and Rowe
1:23:15 - Dan Kulhanek emailed: "Marc,I was able to receive the downloads. Thank you so much!  I use them on my running playlist. I have your podcast to thank for where I am today.
My wife’s family is Scottish and Irish. I am of German heritage. After attending several St. Patrick’s Day celebrations with them, I really started to listen to the music. I stumbled upon your podcast shortly thereafter.
I was a casual listener for a number of years. After the economic collapse of 2008, I found myself without a job. I went back to school to become a nurse and found that I needed to learn how to speed read in order to keep up with the assignments. I used the jigs and reels in your podcast to help keep me on tempo and keep my speed up.
Fast forward several years later....
My daughter wanted to take dance lessons. My mother in law told her that if we enrolled her in Irish or Highland Dance she would pay for lessons. My daughter settled on Highland Dance and we found a group that offered lessons. It was a pipe and drum band with a dance troop. They also offered bagpipe lessons for free. After listening to your podcast for several years, my love for the music had grown so much that I jumped on the opportunity to learn the bagpipes.
I now have become an active member of the band, performing for gigs and the competition team, but I also have branched out on my own as a solo piper.
I look forward to your podcast every week. Please keep up the great work and we’ll keep listening!”
1:25:14 - "Love Is Ever the Strongest Spell" by The Round Table from Tales from the Turning Leaf
1:29:44 - "Jiggy Biddy's Slur Horn" by Tartanic from Uncharted
1:32:46 - Gerry Corr emailed a video: "Marc, Had a great evening listening to your Podcasts…….sitting on the deck on a cool, late summer evening enjoying sweet Uisce Beatha"
GERRY CORR VIDEO
Mike Coombs emailed a photo: "Dear Marc, I really love your podcasts! Thank you so much for introducing me to loads of superb bands and singers that otherwise I wouldn’t have heard. I listen mostly in my car. I’m a peripatetic guitar/bass/banjo teacher in the UK. I also play in a barn dance band and compose mostly acoustic guitar based instrumental music.
I hope to be recording my first solo album with a couple of Celtic style tracks in the next few months."
1:34:05 - "Pride of Newfoundland" by The Celtic Kitchen Party from Sociable
1:37:42 - "Welsh Medley" by Moch Pryderi from Jig Moch
1:41:39 - André Paz emailed: "Hey Marc Gunn! I'm a brasilian biologist, musician and flute player. I love your Podcasts, and I always listen to you, mainly while working/studying.
I've started with the Celtic music because of a brasilian band called Tuatha de Danann. I'd like to indicate them for you. I just listened to the "Summer Road Trip #361", and I heard a Brasilian band, Braia! They have almost the same musicians of the band I mentioned. Here follows some other names I remembered, mainly with flute or Whistles on their songs:
Kernunna (BR),
Tuatha de Danann (BR) ,
Braia (BR) ,
Flook,
Luar na Lubre,
MuteFish,
Thanks for your very nice mood, always, and for  your inspiration! Enjoy the summer there! Hugs from Brasil"
1:43:04 - "I'll Neither Spin Nor Weave" by Teton Skye from Teton Skye
1:45:55 - "Harvest Season - Second Cutting" by Alexander James Adams from Harvest Season - Second Cutting
1:48:47 - Erika Burkhardt tweeted: "Thanks for episode #371 of the Irish & Celtic Music Podcast. Putting it to good use this morning planning lessons at the park."
Sasha, the Travelin' Quaker emailed a photo: "Hi Marc, I saved up several episodes of the show for us to listen to as we hiked part of the Barrow Way on our trip to Ireland (we are still here). It has been great catching live music and recognizing many of the songs I have heard on the show. Thanks again for an amazing show!"
1:49:30 - "Emmet's Hedgehog" by Molly's Revenge With Moira Smiley from The Western Shore
1:54:10 - "Ae Fond Kiss" by Celtic Woman from Ancient Land Deluxe
1:58:03 - Bonfilio Acencio emailed: "Hi Marc. I have been loving the podcast for like 3 years. I work outside landscaping so the music fits the surroundings, although Tennessee hills are not as great as Ireland it will do. But right now I have the great luck to go back and pick some of my favorite episodes, my girlfriend and I are going to the beach and I get to DJ the road trip (well really you do) Give my love to the family and ill let you know how the trip go's. Keep up the amazing work."
Annie Moisan emailed: "Allo Marc, I am from Québec, Canada. I am french so sorry for my english!!! Just for tell you that I love your podcast. I listen it during I'm working (I'm a IT programmer at home). We love Irish music. My husband and I have a duo and we play Irish music not professionnaly but we did a "home CD" two years ago and went to Ireland 4 times now. We like to sing Irish songs in French, English and Irish. We do little show with the projection of our photos of Ireland during we are playing for transmit our love of this country. I specially like harmony voices like The Selkie Girls, Lumiere, Sora, High Kings, Vicki Swan and Jonny Dyer. But also Muireann Nic Amhlaoibh, Caladh Nua, Barrule. Thanks a lot to promote Irish music. We discovered on your podcast many signers and groups that we love. Still continue! With great regards! Annie"
2:00:10 - "Town of Strabane" by O'hanleigh from Of Irish Crossings Told
2:04:19 - "Tom McElvogue's / The Monaghan Twig / Woman of the House" by Ciana from Loneliest Road
2:07:40 - Daniel L emailed photos: "Hey mark! I love the podcast, thanks for being such a dedicated collector and distributer of Celtic music. I listen through Mixcloud, and love to dig into old episodes daily.
My father was a piper and flute player. your podcast is a great way to keep the traditional music I was raised on, in my life.
Here's a pic of me at work (I'm on the left side of the left rig) we rig suspended scaffolding and then paint beautiful signs and advertisements. This one is for Gucci in downtown manhattan. If you zoom I've got my headphones in, listening to your podcast of course!
An (almost) finished picture. And one more of our truck once we packed it all up. Keep doing your thing! Much love from nyc"
2:08:37 - "Sweet Bride" by Vintage Wildflowers from Lovely Madness
2:12:27 - "Gypsy Lady" by Katherine Nagy from Single
2:15:35 - "An Buachillin Ban" by Bellow Bridge from Cautionary Tales
2:19:28 - Jay Martin emailed from San Francisco: "Marc, All right, I Spotified. The first song I heard was "Last Gift" by Marys Lane. That song answers a question from Michael Truman Kavanaugh in show 376. How did that happen? Thanks for the music."
Listen to the Irish & Celtic Music Playlist on Spotify
2:21:46 - "When First I Came to Caledonia" by Jil Chambless from The Ladies Go Dancing
The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather. To subscribe, go to Apple Podcasts or to our website where you can become a Patron of the Podcast for as little as $1 per episode. Promote Celtic culture through music at http://celticmusicpodcast.com/.
  CELTIC PODCAST NEWS
* Helping you celebrate Celtic culture through music. My name is Marc Gunn. I am a Celtic musician and podcaster. This show is dedicated to the indie Celtic musicians. I want to ask you to support these artists. Share the show with your friends. And find more episodes at celticmusicpodcast.com. You can also support this podcast on Patreon.
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TRAVEL WITH CELTIC INVASION VACATIONS Every year, I take a small group of Celtic music fans on the relaxing adventure of a lifetime. We don't see everything. Instead, we stay in one area. We get to know the region through it's culture, history, and legends. You can join us with an auditory and visual adventure through podcasts and videos. Join the invasion at http://celticinvasion.com!
VOTE IN THE CELTIC TOP 20 With the new year comes a new votes in the Celtic Top 20. This is our way of finding the best songs and artists each year. Just list the show number, and the name of as many bands in the episode as you like. Your vote helps me create next year's Best Celtic music of 2019 episode.  Vote Now!
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scamprart · 6 years
Text
I’m sorting out my old memory stick to use for my portfolio and found several pieces of homework from when I was younger. One of them was an English assignment from when I was 12 to write a short, comedic parody version of a movie, tv show, book, etc.
I hereby give you, Lord of the Chicken Wings, which is just LOTR but everything is culinary themed.
  Lord of the Chicken Wings – The Fellowship of the Wing
 Gandalf walks towards Frodo and pulls out a box with steam rising from it
 Gandalf: This used to belong to your uncle Bilbo, but now evil beings desire it. You must take it.
Frodo: But what is it? Could it be the legendary chicken wing that my uncle spoke tales of?
Gandalf: Yes my dear Frodo, it is. Keep it secret, and keep it safe; and whatever you do, don’t nibble any of it. Not a bite.
Frodo: Of course wise wizard, I definitely won’t end up going on an adventure across the world to destroy it because of the evil it can hold in the wrong hands. Why on Middle-earth would that happen?
Gandalf: Err, well yes. Ha! Yes that definitely would happen.
Frodo: Oh no!
Gandalf: Wait, did I say it would happen? No, no. I just made a mistake (cough) not (cough).
Frodo: Ok then. (Waving) See you later Gandalf!
 There are four hobbits on top of Burgertop Mountain, and Wing Wraiths are running toward it to murder them
 Sam: That Gandalf is a right pain Frodo! We’re going to die because of that crazy old man that calls himself a wizard. Why the hell did he get us into this, and all just for a measly chicken wing!
Pippin: Guys, I think were going to end up like a chicken wing in a minute. We’ll be fried!
Ranger: Never fear, Aragorn is here!
 The ranger jumps down and goes into battle with the Wing Wraiths whilst the hobbits cower behind him.
 Ranger: Yargh! Take that demon!
Merry: Argh! Frodo’s been stabbed by a barbecue skewer! Not that I care, but still, I thought I’d mention it.
Ranger: Oh no! This is a cursed weapon. Why must get him to Rivendeli.
 Ranger drops his flame thrower and they all run down the mountain. They jump onto a large hot dog with legs and ride off.
Sam: Can I just ask why we’re on a massive hot dog?
Ranger: He’s my horse, the most trustworthy steed a fry cook ranger could need.
 A few days later Frodo is healed and everyone is sat in chairs surrounding a throne.
 Elrond: We must discuss an important matter, which is the legendary chicken wing. This wing has unspea….
 Borimir runs in and sits on the empty chair.
 Borimir: Sorry I’m late; I just went to grab some fries.
Elrond: As I was saying, the….
Gandalf: Before you go any further into some boring yet elaborate 10 hour speech, I’d just like to point out that you would’ve just said:
Bla bla bla, yada yada yada, you need to destroy the wing. Who wants to?
 Elrond: This is disgraceful behaviour Gandalf, and a mockery of my authority. While you may be wise, this is quite….
Gimli: Whatever Mr Pointy-ears, just shut up. Also, in regards of the team, you have my deep fat fryer!
 Ranger & Borimir: And our fish slices!
Legolas: And my electric whisk!
Gandalf: And my staff that is handy as a rolling pin and being a portable microwave!
Hobbits: And our… um… err… our…
Pippin: Hairy feet!
Hobbits: Yes, that!
     All stand up and arrange into a group, and then Elrond rises.
 Elrond: With your strange cooking utensils that are clearly, “EXTREMELY POWERFUL”, you are now; the Fellowship of the Wing.
 The fellowship take five steps out of the town in the snow then stop.
 Gandalf: The snow is too unbearable to go on, let’s just take the incredibly dark and dangerous mine instead.
Merry: Aww! Why do we have to go through the Mines of McDonaldsia?
Sam: Wait! Where’s Frodo!
Frodo: Sorry, I was a bit peckish. I only had a teeny bite, but of course it turns you invisible.
 The fellowship is inside the mines stood by a tomb.
 Gimli: No! My uncle Balin was the best dwarf at making fried chicken. Why must he be dead!
Legolas: Well it’s not like he died of no vitamin D being down in this extremely dark mine that has no sunlight in it. Or him dying of old age, with it clearly stated on the grave being 198 which as you know is around the average at death for your kind.
Stupid Dwarf…
 Pippin runs away towards a derelict food stand.
 Pippin: Yes! They still have some tacos left!
Gandalf: NO!  Not too loud or they’ll….
Orcs: Screech!
Gandalf: Hear you… oh no!
 Hundreds of Orcs burst through followed by a Cave Troll. The fellowship ready their weapons then charge into battle.
 Gimli:  Argh!!! Die foul creatures!
Legolas: Eat my whisks! Literally!
Ranger: It looks like you need a slice!
Gandalf: Avada…. no, wait, it’s um…..expec….no… abracad…oh just do the shooty spell you stupid staff!
 Orcs fall to the ground everywhere, then Borimir slips on a chip cup, Legolas shoots tomato ketchup which explodes on him. The Cave Troll stamps forward.
 Cave Troll: Give us the Big Whoppers!
Gandalf: Pippin, the Whopper next to you!
 Pippin throws the burger to Gandalf who then passes it onto the Troll.
 Cave Troll: Thanks! Sorry about the whole fight and all the mess...
Ranger: Well that was a right “whopper” of a fight!
 Gandalf: Come on, we are not at Mount Kentucky yet…
 They all journey through the rest of the mines where they are chased by a massive fire demon (the Balrog) until Gandalf stops to face it.
 Gandalf: You shall not pass!!! Seriously, this bridge was originally a queue to the food stand there, so by law you can not pass. Anyway, let me set this spell on you.
Balrog: What? Wait, no… aaaaargggghhh!
 The Balrog falls and the bridge collapses, but he grabs Gandalf who clings onto the ledge.
      Gandalf: Fry, you fools! Get it? I said fry instead of fly because we’re doing this journey due to a piece of fried chicken wi- aaaaargggghhh!
 Gandalf falls down into the depths along with the demon.
 Frodo: Oh well, we won’t miss him. Come on everyone, let’s go…
 They travel though the forest where they are ambushed by Orcs and Uruk-Fries.
 Borimir: Run Frodo, take the wing; I’ll be fi…. arrghh!! On second thoughts, maybe not.
 Borimir is shot twice with a crossbow that fires chips, but continues on fighting as Frodo runs away.
 Borimir: Is that all you’ve got Sauron you chicken brain!!
 He is shot once again, then falls to his knees and death.
 Borimir: These are some crispy fries if they’ve managed to penetrate my heart…
 The Ranger comes along then stops by his body
 Ranger: Oh! He’s dead…YES! Now I have more chance of becoming king of Gondor.
 Frodo and Sam are down by the beach after running away, and then come across a boat.
 Sam: Mr Frodo, we can use this conveniently placed takeaway box as a boat!
 Frodo: And continue our painful journey to Mount Kentucky in order to destroy a very powerful…and tasty…chicken wing…
 To be continued….
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