#fronting problems

[firelight-system]

So um. Jack's disappeared for some time and we don't know where to or why and they won't talk to Malcolm either so that's great /s

I've kinda been "in charge" of front since he disappeared

Jack. Come back. I don't like being in front so much.

[luckylsoer]

“Much more efficient than dragging my eyes down there” — Senna

Also, Happy New Year y’all :D

[vash-o-vision]

try this at home!!!

[foxflowershrine]

hey, small psa:

fictives are just people. you wouldn't walk up to a person you saw on the news once while they're having dinner and say "holy shit guys it's Jimothy Cumwomble, great job on stopping that armed robbery, sorry your brother died in the process". that would be completely socially unacceptable - you'd be butting in on their life, overstepping not just their boundaries but basic social decency, and bringing up potentially traumatic life events. it's rude, infantilizing, and potentially directly harmful. so why would you do the same to a fictive just because you know, or think you know, their source?

and that's not to say "never bring up a fictive's source to them", plenty of fictives enjoy talking about their sources! but there's a little thing called tact. you can ask whether they're okay with talking about it, or join in on a conversation where they already are, even just a "hey if you don't mind could we chat about your source" would go a long way. but suddenly changing the topic to their source not just without warning but by singling them out as "weird" or "interesting" and saying things about their source that would never be appropriate to say to a singlet about their past is not cool.

TLDR, a fictive existing in a public space is not an excuse to single them out, put a spotlight on them, and bring up potentially traumatic parts of their history just because you think their source is neat. have a little common sense about timing and approach, or just let them exist in peace.

[incomingalbatross]

So much of the angst over Traumatized Child Protagonists centers around responsibility, I think.

There's this idea that it's Unfair and Unjust for the protagonists to have had to suffer, fight evil, etc., in a particular way because they're children. Because of this, the narrative or the authority figures or, heck, the entire genre is treated as corrupt, and as having betrayed and victimized the children.

And sometimes that's fair and true! Sometimes it's actually part of the text. Sometimes it wasn't intended as part of the text but it probably should have been. But these criticisms of child-hero stories end up dismissing a few very important facts:

It is in fact universally the case that, for good to prevail, suffering has to be endured and evil has to be fought by people who had nothing to do with the problems, no culpability in them, and no responsibility other than Being In The Right Place At The Right Time. That's a responsibility that has to be accepted regardless. That's what heroism is.

This is unfair no matter who the hero is, but accepting an unfair burden is different than having it thrust upon you. (See: Frodo Ring-Bearer.)

Children and teenagers ARE, in fact, in possession of enough agency to take on such responsibilities of their own free will. They can also be the only people in The Right Place to accomplish a particular good -- just like adults -- without this meaning they're forced into it.

Children have a DESIRE FOR and a RIGHT TO stories where people of their own age and state of life are heroic!

TL;DR, choosing to do the job that's in front of you even when you could walk away -- to accept responsibilities you wouldn't have to shoulder in a just world -- is heroism, not victimization, and children are and want to be capable of that choice, just as adults are. Flattening all Child Heroes into victims takes that capacity away from them.

[i-ate-the-rats]

just think about it.

[thecosmoswhispers]

"sometimes, i thought my father was a God. i loved him that much."

— Leila Chattis, "Muslim Girlhood"

ocean vuong, "someday i'll love" / sam fender, "seventeen going under" / the front bottoms, "father" / satanay, tumblr / clementine von radics / agustín gómez-arcos, "the carnivorous lamb" / ?

[knightmareaceblue]

Confession: When I first saw that there would be an episode entitled 'The Chef', I was convinced it would be about the CG running a restaurant. Obviously that is NOT what ended up happening, but the idea was amusing, so I got a few scenes out of my system. Enjoy!

[chronicowboy]

actually more on my buck loves gushing with ravi rather than just to ravi agenda. he's like so relieved not only to have someone who understands but someone who won't accuse him of being in love with eddie if he speaks about him a little too long. ravi never even accused him of that in the first place before he got the whole eddie thing which means it's so totally normal to be so !!!! about eddie and that was never a question to ravi so buck is just enjoying his carefree isn't eddie great time. meanwhile ravi is like i'm not in love with eddie but i'm not not in love with him and the only reason probably is that i don't have a chance when buck's here. and he thinks buck is just really enjoying having someone to vent to about being in love with eddie which is so completely the opposite of what buck thinks is going on. and one day ravi is like desperate for a new story he hasn't heard about eddie before and it doesn't even have to be heroic it could be like that he went out to get orange juice for breakfast because buck really wanted it so he goes buck hey buck when did you realise you were in love with eddie like is there a story behind it. and he's soooo excited to share this with buck who is like actually a really good friend now he thinks and oh. buck just threw up everywhere. huh. weird.

[astral-herald]

Viktor's (subverted) Aristotelian Tragedy

A common sentiment I’m seeing throughout post-finale Viktor discourse is an understandable concern or distaste for the element of choice lost throughout his story. I know a lot of us – myself included – expected more time spent on his transformation, along with emphasis on the anger/rage/betrayal fueling it. But seeing him allow Singed to “begin the process” in episode 8 reminded me of Arcane’s origins – tragedy. Bear with me for another long analysis :)

Aristotle wrote the following on the tragedy: “A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself…with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions.” He also emphasized that the true tragic hero couldn’t be perfect, and his downfall into such catharsis-inducing circumstances was reliant on a fatal flaw, oftentimes pride.

Viktor fits this mold, as do many Arcane characters, and it stands to reason that this was intentional since the writing team has reiterated that the show is a tragedy, at its core.

Regarding Viktor’s fatal flaw, I’d argue it’s pride, but it manifests very uniquely. He never makes any grand declarations about his success and doesn’t draw attention to himself in any clear way throughout season one (“Progress Day” comes to mind). Instead, his pride manifests as staunch independence and self-reliance that lead to his downfall; his unwillingness to break his stoic mold arguably led to his use of the Hexcore…so it goes.

Fascinating caveat: Viktor’s pride is a defense mechanism, a necessary tool he built in order to survive and succeed in a hostile environment to people of his station. His self-reliance is increasingly desperate as his illness worsens. He’s cornered by fate but banks on the sanctity of choice at every turn – in season one, Viktor is bound by the conviction that we all have a choice. It’s why he’s so distressed when Jayce makes the wrong one regarding weaponizing Hextech.

“There is always a choice.”

Viktor’s choice to fuse with the Hexcore is the classic Aristotelian fatal flaw moment, the singular incident that opens the flood gates for eventual catharsis. We watch Viktor make an irreparable choice, one that we know to be bad, and endure the repercussions. He then makes the choice to abandon the Hexcore, and end his life, but audiences can’t shake the feeling that those consequences aren’t leaving anytime soon.

So why is Viktor so anti-choice in his final season 2, act 3 form?

Choice is Viktor’s weapon. Pride is what leads him to abusing it. Despite how uncomfortable and depressing it is to watch, Viktor’s slow descent into the Herald is a perfect twist of fate. The Arcane is even so insidious that it meshes with his original intent, to help those suffering in the undercity, while convincing him that their subservience is healing. He becomes responsible for their choices. He knows what’s best because he’s relieving the Gloriously Evolved of their suffering, right? The utopia is for the greater good, yes?

Admittedly, it was really hard watching act 3 Viktor descend fully into his choiceless ethos. But we can still relate it to his tragic flaw – his pride has mushroomed into coldhearted omniscience; not only does he know what’s best for everyone, evolution, but he also has the sense to make the choice for them to supersede their “baser instincts.” The grief we feel upon seeing this perverted, violent version of himself, as far removed from Viktor as possible, is the culmination of Aristotle’s treatise on tragedy. The catharsis is the rock-bottom Machine Herald.

"Choice is false."

But then Arcane decided to basically make Jayvik canon (get out of here, Christian Linke) and destroyed the early drafts of this post. I’m going to rapid-fire this next bit:

Jayce forces Viktor back to life. Viktor has no agency in his season 2 inciting incident. Again, it’s distressing when we mourn his agency, but it remains in accordance with Aristotelian tragedy.

Viktor clings to humanity as long as he possibly can. When Jayce calls out Viktor’s trajectory, alleging that his old partner had died in the Council chamber, whatever is left of Viktor gives way to the Arcane because his last tether has been snapped.

Jayce knows the game – Old Man Jenkins Mage Viktor told him so. Jayce becomes the linchpin in subverting Viktor’s tragedy. He knows what must happen. He understands now.

Machine Herald Viktor is given the chance to undo his fatal flaw, to reverse the catharsis, when he sees Old Man Jenkins Mage Viktor. With Jayce’s help, he takes it.

Given that it’s a version of Viktor who ultimately frees him from himself by empowering Jayce, we can gather that Viktor has liberated himself from his tragedy.

Aristotle’s catharsis is rapidly transformed from something based in release to something healing – Viktor’s tether to humanity returns. He grasps it. The walls of his pride and self-reliance collapse. He accepts Jayce’s help, finally being seen as the full individual he is. Catharsis ensues, for sure, but I don’t think it’s based in the typical tragedy genre.

All this to say, I think Viktor’s arc was, in fact, carefully constructed. He represents the Aristotelian descent into a fatal flaw and that’s very distressing to see unfold, especially since he embodied the tragic hero archetype so well from day one. However, Jayce undoes this narrative and we’re given an incredibly subversive ending that I, personally, never saw coming.

I’m sure that Mage Viktor has a much larger bearing on this analysis than I’m accounting for. But for now, suffice to say that he is Viktor’s way out of the tragedy. TALK ABOUT CHOICE!

This doesn’t erase anyone’s discomfort for Viktor having less and less agency, but I’d like to emphasize the logic and literary precedent behind the story decisions.

PS: here's a quick source I looked at about Aristotelian tragedies. I hope to re-up on Greek tragedies so I can get more specific about the parallels Arcane draws from them.

[bomedew]

sam back render practice + a little doodle

[noughticalcrossings]

Hunt

A white hart galloped into the hall, pursued by a white brachet and thirty pairs of black hounds

A scene from Le Mort d’Arthur for @mortiscausa ‘s palette challenge

[aureoboros]

you say you’re too busy saving everybody else to save yourself

[pumpkinboyyy]

[blue-mood-blue]

Of all the missed opportunities with Gongyi Xiao (of which there are many, why would you do that to my boy), I think the one I pine over most is that open and available invitation to Qing Jing Peak.

Because, if timed right, the possibilities are fucking hilarious.

You’re Gongyi Xiao. Your pride has taken a little bit of a hit after the Immortal Alliance Conference both because everyone expected you to place first (and you didn’t) and your teacher got so distracted by the one who did place first that you’ve felt a little… neglected. But you’re a nice person, and the conference ended with the deaths of so many of your shidi and shimei that you let the petty concerns roll off your back.

Except then the guy who pulled the upset at the conference shows up at your sect and pulls an upset on every other aspect of your life. The girl you like and who you thought liked you has heart eyes for him only, your teacher is definitely putting you on the backburner to the point of handing this guy most of your responsibilities (and he’s killing it, he’s doing amazing, it’s the conference all over again), and everyone else in the sect seems to prefer him to you. No one’s cruel about it, and they’re still listening to you - mostly. Most of the time. But you have the sinking suspicion that if it came to an actual disagreement between the two of you, you know who’d end up on top. Plus he looks just like you, except hotter. Maybe that’s not the kind of thing a guy like Gongyi Xiao outright perceives but there’s a vibe. The vibe of inadequacy.

(And because you’re Gongyi Xiao and a good person, you don’t have the kind of suspicion in your heart to start looking for ulterior motives or conniving plots - but even if you did, what would you find? The guy who is looking more and more like your replacement came to the sect injured. He looks sadly and deeply into the distance every time his original sect or shizun are mentioned. He’s polite. He’s talented. What are you supposed to say, that he survived unexpected disaster at the conference only to hatch some sort of hostile takeover plot in the meantime? Who would believe that.)

So, maybe it’s time to step back. Clear your head. Shake off the ridiculous and unfair jealousy, and give both yourself and Luo Binghe some space. What better time to take Shen Qingqiu up on his offer to visit Qing Jing? You can’t stop what’s happening regardless, so maybe it would be better not to be there while someone else swoops in and steals your whole life. (And maybe, tucked away deep in a not-so-good-of-a-person-after-all corner of your heart, there’s the possibility of slipping a few hints to Shen Qingqiu that his disciple is alive and well at another sect. Purely because Shen Qingqiu deserves not to mourn for someone still alive, and not at all for the sliver of hope that he’ll take the disciple he misses so much back so you can go back to the way things used to be.)

Meanwhile, unbeknownst to anyone else and especially not Gongyi Xiao, Luo Binghe is losing his mind. He had a plan. He was establishing himself. He was moving slowly and carefully so as not to startle Shizun, and this guy gets an invitation? Just, welcomed right in, specially, by Luo Binghe’s teacher? What did he do to deserve that? Is Shen Qingqiu going to poach Gongyi Xiao? As his replacement? So he can have a squeaky clean, good, human disciple like he wanted? Luo Binghe is better than him. He proved it at the conference. He proved it before the conference. He’ll prove it again if he has to. (He’s more attractive than Gongyi Xiao, too, and Shizun can hardly fail to notice if they’re side by side in front of him, so there.)

The Old Palace Master is using every trick in his arsenal to keep Luo Binghe from following right behind Gongyi Xiao while cursing Shen Qingqiu under his breath and frantically moving plans around to push up the date for the peak lord’s fall from grace, Luo Binghe is packing his bags furiously and tearing his own plans to shreds in the wake of his determination to prove himself absolutely irreplaceable, and Gongyi Xiao is enjoying a nice cup of tea and personal tutoring from Shen Qingqiu while making increasingly pointed comments about how sometimes missing-and-presumed-dead disciples just… pop up somewhere, at random, a few years after the fact.

Shen Qingqiu is blissfully (miserably) unaware of the chaos about to descend upon his peak.

[pretzelgotze]

Monaco GP 2024 - Max and Charles Edition