#future analysis

[littlehaize]

i really need to write that post on why connor was actually the only one able to help hank on getting on the way to be better

[falling-in-u]

Henri: Future Analysis (1/4)

This seems to match with June's A Digital Artist Who Has Overcome a Terminal Illness.

[with-u-0209]

June: Future Analysis (1/4)

This seems to match with Henri's Heart Healing Therapist for the City.

[teamfreewill58]

Future Analysis to look forward to

I'm having extreme Atem brain rot and literally binged the whole OG Yu-gi-oh in like 3 weeks so here are some of the things I'm gonna be analyzing from Yu-gi-oh

-A simple way the Dark Side of Dimensions could have been made better. If they had taken out the side plot and focused on the emotional conflicts they already had and let Kaiba make bad decisions to try to get Atem back instead of shoe-horning the dimension kids in.

-The whole “Yugi taught Atem compassion” is actually untrue, Atem was always compassionate and kind Yugi just helped him rediscover that about himself by his example

-The fact that Atem should and could have stayed in modern times with Yugi would have been more satisfying than the “he has to go to afterlife or be trapped for eternity” because the reasonings for that BS was technically already resolved so he and Yugi could have just stayed together and he just returned to the afterlife whenever Yugi dies in 50 years anyway

-The fact that Yugi is so willing to let Atem be out and stay out for the majority of the series is interesting, like yes Yugioh is in fact Atem’s story and Yugi is shy and all that but Yugi genuinely seems fine with Atem being the main face and that’s interesting/curious

-Atem being in the millennium puzzle and with Yugi and co. was the closest he ever got to being a teenager due to him being a very young pharaoh

-Weevil should have got murdered

-Fandoms and “perfection” is the character actually perfect or are you just not paying attention. Is this character actually perfect or do you just not like them? Atem gets called perfect a lot and he very much is not

[icanlife]

The tight writing in Gravity Falls just gets crazier and crazier because Alex Hirsch in the director’s commentary of Dipper & Mabel vs. the Future (11:25) says:

“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, is arrogance. Is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”

I CAN’T BE THE ONLY ONE WHO’S SEEING THE BILL -> FORD -> DIPPER PIPELINE HERE. YOU CAN JUST REPLACE THE NAMES IN THE ABOVE QUOTE. I’M GOING INSANE.

Gravity Falls and the cycle of “Hey, person who feels outcast from your society like me, you’re special, fuck human connection, join me and be something great!”

[harshitasoni]

Forecast for the US Sensors and Actuators Market up to 2028

[nabexis]

So like. Did anyone else notice that Jayce doesn't immediately shoot Viktor? He only powers his hammer on AFTER Viktor has opened his eyes. Below is Jayce's reaction to seeing Viktor (his Viktor, from his universe, not the future version of him) for the first time after walking into the dome. For the first time in months. That's like. A look of wonder. Almost reverence.

Assuming the Jinx/Rictus/Vander fight is cut to real-time after Jayce has gone into the dome, he's staring at Viktor for like. 5 minutes.

My interpretation here, of Jayce's expression just before Viktor finally opens his eyes to see Jayce in the room with him, he's committing Viktor to memory, before he has to kill him.

Edit: I almost missed it but like. HE IS SMILING For like 2 frames it's an outright smile. He leans in towards him, too. I cannot handle this.

[risestarkiss]

✨The Fashionista✨

Rise Ramblings #234

While watching “The Clothes Don’t Make The Turtle,” I noticed something.

I found it interesting that Raph, Mikey, and Leo were content with Raph’s outfit choice until Donnie stated that he wasn’t “in love with it, ya’ know.”

Suddenly, Raph declares “I’m a disaster!” Albeit ridiculously endearing, it was a little strange to see his sudden shift from moderately content to absolute dissatisfaction. Huh…

Then, the disaster twins decide to help him out.

Take a note of their outfit choices.

Raph tries on all of these fits and more.

Donnie’s first choice is a mild “no.” Leo’s choice is a hard “NO.” (Not surprising, lol.) But then, the overwhelming consensus lands on Raph’s fourth outfit, which ended up being Donatello’s other pick for his brother.

So, in summary, Raph tried on his personal choice for an outfit, of which they rejected. Then, ultimately, Donatello picked out an outfit for his brother, and that pick ended up being perfect. Hmm…

Then I noticed something else. In this episode, we never get a Donnie “curtain reveal” moment, to our disdain. I mean, Raph, Leo, and Mikey got to try on several different outfits in order to get their brothers' opinions before landing on that “perfect outfit, you know the one.” All of his brothers got to shine. Why not DonTron?

Then it hit me.

The try-ons were to get their brothers' opinions and approval. And, for his brothers' choices, he was a major contributor in assisting them in pulling their looks together.

What if, bear with me, Donnie didn’t need the "curtain scene" because he was so confident in his fashion sense that he didn’t need to ask his brothers for help to pick out a great look.

…or they figured out how to break Hypno’s spell before he could get a “curtain reveal.” BUT STILL-

Look at his outfit choices in this episode. Some of his wardrobe changes were off-screen, but all of them were fire.

(I added the baseball cap pic because it makes me happy. I wish we'd seen more of that fit.)

To me, he makes some really smart choices for himself, pushing the envelope of what is expected and taking chances: an open collar with no tie for a “black tie” event, a beanie and spiked wristbands for their “gansta look,” no socks with loafers (a viral fashion trend that actually began in Africa) with old man slacks in his reclined pose. *muah* Chef’s kiss!

But Don’s fashion sense doesn’t just shine in this episode.

In “Reparin’ the Baron” the boys go to Draxum’s apartment. Leo and Donnie show up in some extra nice “Sunday Dinner” twin drip.

The gold is in the details. Everything Leo is wearing, Donnie rocks its compliment: for Leo’s round collar, Donnie’s is angled, for Leo’s blue shirt, Donnie’s is white, For Leo’s light slacks, Donnie’s are dark. Blah blah blah. It’s so good!

Look at the winter fit in Snow Day.

Again, Donnie is Leo’s perfect compliment. As a pair? Fire.

Donnie has “the eye.” I can go on and on with examples, but I’ve said all of that to say this…

In the future, we see that Donatello’s technology had major pull in the resistance. He had drone ships patrolling the skies. He built and designed Leo’s arm, Casey’s chainsaw-hockey stick, and Casey's mask. The list goes on…

But, when Donatello from the past see’s Casey’s clothing from the future, he says this:

We know about the “Genius Built” brand. We’ve seen that logo on all of his tech up to this point. But, here he didn’t just say “Genius Built.” He said, “Genius Built Apparel.”

“Apparel” is not a tech brand. “Apparel” is a fashion brand. Of course, tech is incorporated into the clothing, but still.

This means that past Donatello secured this trademark with plans of creating a fashion brand, comparable to the likes of Gucci, Ralph Lauren, or any other modern clothing brand, as a subsidiary of “Genius Built,” the tech company.

And why not? The evidence has been in front of us this entire time. He has a sharp eye for style, fashion, and trends. It is easily canon that he can sew. Splinter sewed their ninja garbs in “Insane in the Mama Train,” and there is a sewing machine in the house.

They already learned Ninjutsu through basically osmosis, so learning to sew is not too far-fetched.

And here it is, right in front of us, Casey’s entire ensemble, from mask, to weapons, to clothing, was made by Donatello in the middle of the apocalypse under the brand name “Genius Built Apparel.”

And that was just in the bad future. Resources were limited, they didn’t have access to much of anything in that broken world as they were survivors of a devastating Krang invasion. Yet, he created all of this.

However, now that they’ve changed the future, his future as a fashion designer is limitless. Think of what Donatello could produce with unlimited resources, unlimited technology, and unlimited creative freedom.

Tech genius. Clothing designer. Fashionista. Future Genius Built Apparel Owner and CEO. I’m sorry, but I have to call it...

Donatello Hamato of the present, of the bad future, and of the good future is a fashion icon, the likes of which the world has never seen. ○○○○

Update: I've decided to make this concept into a mini-comic series!

2025 Update:

I've also made this post into a YOUTUBE VIDEO!

Video Preview:

You can check that out →→→ HERE ←←←

○○○○

🎞 YOUTUBE 🎞 | 💚 SEND A SLICE 🍕 | 🎵 BANDCAMP 🎵

[mellosdrawings]

The Princes

Ten years later. When marrying a Prince turns a Queen and a Servant into actual Royalties.

Because Vil deserves a real crown and Jamil deserves to be treated better.

NOW I'M GONNA RANT ABOUT MY CHARA DESIGNS CHOICES AND ALL THE DISCOVERIES I MADE WHILE LOOKING FOR REFS! If you only care about art and funny doodles, you can scroll down for a handful of slices of life.

(Don't worry if you can't read my notes, I'm repeating myself better right under this)

Leona

-Lion: As you may know, one of my grievances with Leona is how his hair doesn't look like an actual mane despite being a lion. While I don't want to stray too far from the canon design with the usual drawings, that's the occasion for me to have some fun with a future version. Give that lion a beard and voluminous hair!

-Hair: First, get those bangs out of his face. Despite Leona being very confident, he still has bangs covering his scarred eye. I wanted him to finally own the aspects of him that may be scary to others (his UM, his scar, etc). I actually went with bangs framing his face similar to the ones he had during his Overblot. I wasn't sure whether to give him dreadlocks or curly hair, but I ended up choosing the free curls decorated with some atebas and braids so that Vil could have more fun styling them.

-Eye: Thanks @aria-faye for the idea, I decided to have his eye gradually lose its capacities with time. From a headcanon that, while the eye wasn't directly touched by whatever attack scarred him, the process of healing still had an impact on it and he gradually lost sight in his left eye years after years.

-Body: Not giving him a dad bod (yet, maybe in another ten years), but definitely giving him more voluminous yet casual muscles. Practical muscles with a healthy dose of fat and tissues. Also giving him two full sleeves of tattoos because I decided he should have much more than just his lion tattoo.

-Clothes: Went full Maasai dressing and Kenyan fabrics and beadworks. If you're not familiar with it, please go check it out, it's GORGEOUS!! Crown is beadwork too. He also has one Arabic styled foot jewellery.

Jamil

-Hair: My first order was to remove his double-faced hairstyle and also remove his bangs from his eye. Make him confident enough to show his whole face. Unlike Leona and Vil, he doesn't really want a crown though (he still feels weird about becoming royalty) so instead he uses a braid as crown. Also gave him a little goatee because I like facial hair and Jafar has a beard too.

-Body: He grew up! While he didn't quite catch up with Leona and Vil, he is now closer to their sizes than before, sitting at around 180cm. He kept his breakdancer/martial artist lean muscles but developed a bit of shoulders.

-Clothes: Went full Arabic dressing and fabrics (once more, go check the fabrics, they are pieces of arts). I gave him floral motifs instead of his usual fire/snake motifs (though he does have a snake earring and a fangs necklace) to symbolise his rebirth/blooming. Like Leona, he has one piece of jewellery that is beadwork.

Vil

-Hair: Here it was a bit tricky. Considering Vil's work, he likely changes hairstyles a lot, going from long to short for his roles instead of his wants. So I leaned into the little things he could add to his hair despite their constant changes, mostly jewelleries, beadworks and wool decorations he stole from his husbands. He also cares a bit less about them looking perfect and is allowing himself to be more natural. He doesn't have any facial hair (yet), keeping a youthful appearance for as long as he can. In another ten years though, he might start looking more and more like his father, beard included.

-Clothes: For Leona and Jamil's mental states, the three of them most likely started living in Sunset Savanna so they wouldn't freeze to death. Vil is well traveled so he can handle most temperatures without trouble, and he is used to dressing up in the local get ups. Here I decided to give him both African dress and Arabic fabric, and likewise both beadwork and golden jewellery. I gave him crown and heart motifs so he can keep being himself despite borrowing a lot from his husbands.

There, I'm done rambling. Here's some doodles, followed by some random headcanons.

-Vil does his husbands hair every morning and keeps giving them more and more intricate hairstyles. He developed a whole haircare and beard-care products set for them.

-When Vil is away for a movie, Jamil keeps his hair mostly down save for a few accessories.

-Jamil and Falena get along surprisingly well (to Leona's despair). Vil gets along very well with Falena's wife.

-Jamil acts as a Scalding Sands ambassador and still is the one to care for Kalim when he comes to visit, though this time he's doing it because he wants to and not because he has to.

-Vil got used to his new title immediately but Jamil struggles with it a lot. He still has a hard time wrapping his head around the fact that he is no longer a servant.

-The servants at the palace love Jamil because he always makes their job easier.

-Leona finally decided to put his wits to good use and became Falena's advisor. He still fights a lot with Kifaji about the direction to take with the country, but he managed to make some of his ideas heard to help with the staggering inequalities in the country.

That's all for now!

[dukeofthomas]

I find the fact that the confrontation at the end of UTRH is often summarized as Jason asking Bruce to kill the Joker for him fascinating.

Because that's not what happened.

Jason holds a gun up to Joker's head, gives Bruce another, and tells him that if Bruce doesn't do something (shoot Jason), he will kill Joker.

Jason doesn't give the gun to Bruce so that he would shoot Joker. He isn't expecting Bruce to pull the trigger on the clown. He's asking Bruce to do nothing. To be inactive. Because that will still be a choice, and despite having done nothing, everybody clearly agrees that Bruce would still, at least in part, be responsible for Joker's death.

...And to me, this moment is a kind of- microcosm, of the rest of Jason's point. Because after being captured and carted off to Arkham, the villain will escape again, and will kill more people. The only way to truly prevent that from happening would be to kill them; Bruce refuses to do so, and I respect his right to choose such a thing for himself, but it is still a choice, and if we agree that Bruce's inaction during the confrontation would leave him at least partly responsible for the Joker's death, then we must also agree that his inaction in permanently preventing the Rogues from killing more people means he is also, partly, responsible for all of those deaths.

[twilightofthesandwiches]

So one of the cool and interesting ways ‘Steven Universe’ used to try and balance being both a series of 11-minutes episodes that each have their own satisfying emotional resolution and being an overarching story with complicated character arcs that take multiple seasons to resolve is the… I’m going to call it the ‘Not Quite Right Lesson’ episodes. Episodes where a character kinda learns a Very Important Lesson… but a more careful and retrospective look at the situation shows that what they learned is not Quite the Right Thing for them. They internalized something in that adventure which just ended up causing more Emotional Troubles for themselves farther down the line.

‘The Test’ is the most classic example. 

As a standalone thing, it’s just a sweet episode about Steven learning to accept that his caretakers are also flawed and confused and figuring this shit up as they’re going along just like he is, and then doing a nice thing for their sake.

But looking back at this episode, it is quite obviously the nadir of Steven appointing himself as the Family Therapist and repressing all of his problems so he could better help the Gems’ with theirs. Like, there have been some early warning signs for this Complex, but this episode is the one that really cemented that idea in his mind and probably the reason it took him like the Entire Rest of the Show Including a Post-Finale Season to really untangle it.

But… also, I’ve been thinking a lot about the episode right after that, ‘Future Vision’. I think it’s also a very important ‘Not Quite Right Lesson Episode’ for the character of Garnet, and to some extent, the Crystal Gems as a whole. In many ways, it is to the CGs' character arcs' what 'the Test' is to Steven's.

So in this episode, Garnet reveals to Steven the fact that she has Future Vision. She hoped that telling Steven a little bit more about herself and being honest with him will lead to a greater understanding and a greater bond between them… but it backfired. It just led Steven to become a total paranoid, terrified wreck stuck in a total existential crisis.

And it seems like the lesson Garnet learned is that… she should’ve never taken that risk at all. That it would’ve been better for everyone if she just kept Steven ignorant of the truth forever.

Extremely reinforced with the ending of the episode, where Garnet chooses to once again hide an uncomfortable truth (that he just came very close to dying again) from Steven, for the sake of his own ‘peace of mind’.

So, like, the Gems were already hiding uncomfortable truths from Steven since day one. “If you could only know what we really are” and all of that. But I think… With the actual truth of Homeworld encroaching on them more and more at this point of the story arc, this would’ve been a great time for the Gems to reconsider their attitude and actually Explain to Steven What the Hell is Going On. 

But instead, I think Garnet saw the events of ‘Future Vision’ as a reinforcement of the idea that there’s just some things Steven is Better Off Not Knowing. Actually being frank with him about Homeworld and the Diamonds and the War right there and then, that would have just overwhelmed Steven with fears and worries and would’ve ended up doing nothing but hurting him. And Garnet can’t accept that possibility, not again.

And so, Garnet, alongside Amethyst and Pearl, keep all these truths from Steven as long as possible. Only revealing bits of information when they have to. For Amethyst it’s about her emotionally-evasive attitude (also, she legit doesn’t know all of that stuff herself). For Pearl it’s about how she learned to romanticize Rose’s own fucked-up obsession with secrets. For Garnet, with her usually very direct attitude and preference for the most straightforward solutions, I think it’s very much the events of ‘Future Vision’ that were still playing in her head every time she had the choice to actually Explain something to Steven and decided not to. 

But that, indeed, was Not Quite the Right Lesson. While being bluntly and directly told by Garnet all about the Many Ways He Could Die caused Steven to go into an anxiety spiral and an existential crisis for an episode - the way the Gems have been consistently secretive and evasive with Steven ended up causing him so much more emotional grief to him in the long run. As all of these secrets ended up revealed to him in the most surprising, dramatic and traumatizing way possible.

And the secretive attitudes ended up driving a wedge between Steven and the Gems. 

Even after they promised to be more honest with him. Because the sight of Steven crying on the roof that day is one that Garnet can easily move away from. Because Garnet’s Not Quite Right Lesson was almost as difficult for her to unlearn as Steven’s own. 

But after the big confrontation at the start of the Zoo Arc, Garnet ended up being the most upfront about the Crystal Gems’ history. Almost overeager to share what she knows about the past.

I mean also, again, Amethyst just has less to tell and Pearl is hiding secrets for reasons beyond her control - but I think it’s also important to consider from the perspective of Garnet’s arc.

Because the fallout of the Pink Diamond Reveal is very much centered around Garnet (or, well, Ruby and Sapphire). That was the Truth that was hidden from her 'for her own good'. And at the end of the day, despite all the grief that unveiling that truth has caused

It has also brought them, all of them, a lot closer.

There's a reason why 'the Truth' is Garnet's Final Missing Piece in the movie. It is as central to her character arc in the series as Lesbian AngstTM grief over lost love is to Pearl.

And still, some remnants of the Trauma of 'Future Vision' remained...

After all, even the very last episode of 'Future' was centered around the Gems once again trying to hide things from Steven (at that case, their turmoil about him leaving) for his own sake

Even though it once again just caused Steven a whole lot of grief.

It's maybe notable that at the end of this episode, Garnet, once again, tells Steven what's waiting for him in his Future...

[falling-in-u]

Henri's Future Analysis CGs

Heart Healing Therapist for the City

Shadow of a Dream

Love Triangle

[with-u-0209]

June's Future Analysis CGs

A Digital Artist Who Has Overcome a Terminal Illness

Sensational Formal Painting Debut

Love Coach

[lilislegacy]

i think that when annabeth and percy move to california for college, they start having dinner with annabeth’s family once every 1-2 weeks. it’s probably a little tense at first, and annabeth is likely anxious about it. percy could either be pissed off and angry with them about how they treated her, or he could be really nice and trying to diffuse the tension to make things easier for annabeth.

but either way, i think one thing would be abundantly clear: percy is her family. not them. at least, not in the ways that matter.

mr. and mrs. chase have probably only ever seen annabeth with her walls up. never letting her guard down. she’s always tough around them, and never lets herself become trusting of them. because she has to protect herself from letting them hurt her again. as a young child, she felt unloved and resented by them enough that she preferred the cold dangerous streets to being with them. so even if their relationship begins to grow better - and i really do think it gets good eventually - she’s careful around them. she protects herself, and therefore isn’t super warm and fuzzy around them. since she’s grown up, there’s a good chance they’ve never seen her show true emotion. they’ve probably never seen a true smile from her. they’ve probably never seen her lean on someone.

but then she brings percy. they would see that the 14 year old little boy who they once met grew up into a tall, striking, intimidating young man. he has the same look in his unique sea green eyes that makes you know he’s been through horrible trauma. he’s carried the weight of the world on his shoulders. (literally). the rest of him may appear 18, but his eyes look 100 years old. he’s the first person they’ve really known who is like annabeth in that way.

and here’s the thing: percy and annabeth are a team. there’s an unbreakable bond between them. they move and fight as one. they are best friends in the whole world, and it’s clear to anyone who sees them. but they are also hopelessly in love, and that’s also clear to anyone who sees them. so imagine annabeth’s family, who’ve only ever known her to be distinctly independent and closed off, seeing her and percy holding hands. seeing them sit so close together that they’re nearly on top of each other. seeing her put her hand on his arm and kiss his cheek, or seeing him wrap his arms around her and gently kiss her forehead. and nevermind the touches, imagine them seeing her just look at him. a look full of vulnerability and adoration and complete trust. full of love and warmth and emotion. because that’s who annabeth really is. she’s emotional and sensitive and warm. but she’s always had to be someone else around her family, because in her mind, the true her wasn’t good enough for them.

but now they see her, all grown up, and with this young man by her side who is clearly her everything. and i think it would be a punch to the gut seeing them together. because it would be the first time they realize that she doesn’t think of them as her family. percy is her family, and percy alone. annabeth does not regard them - her own dad and step-mom and brothers - as her real family. percy fills that role all by himself. and it’s entirely their own fault.

[rivereverie]

I’ve just been thinking about how important Astarion’s hands are to his identity. I feel like the brainrot is taking over that I’m trying to analyze this, but hear me out. It's more my rambling thoughts than analysis.

All of Astarion’s practical skills are intimately tied to his hands. Finesse. Dexterity. He tosses daggers, picks pockets, picks locks, disarms traps. Even when it comes to his hobby of sewing and embroidery, that’s all about hands and fingers too. He rolls coins along his knuckles to show off. Astarion takes pride in what his hands are capable of.

His hands are also used against others. A way to hold someone back. Hold someone down. To have them in his hands. Touch is a power of his, practiced for decades, to pleasure and manipulate others. Wrapping them around his finger. In the palm of his hand. Hands are what we use to push someone back. To grab the collar of a shirt. To hold a dagger. They are tools of control. 

We get two lines about him being loath to “break a nail”, and as I once spoke about in an analysis post on Astarion’s expression of vanity, this is clearly an example of his mask, distracting from vulnerability. It’s not a stretch to read into these lines about his nails as alluding to his time in the crypt. Clawing in desperation at a coffin lid for the better part of a year would do much more than break nails. That year wore away so much of his identity, as it did his hands. It was loss and helplessness.

Hands can also be a symbol of violation. A hand being forced. Grabbing. Prodding. Taking. Hurting. Claws scraping. Curled fists. A bruising grip. The stuff of his worst memories and nightmares. Even gentle, loving touch does not feel safe or enjoyable to Astarion for a long time. He's used to hands only ever taking. His own included.

Hands are so often used as imagery for autonomy, responsibility, and guilt. Blood is on our hands specifically because they are considered instruments of will. It's interesting that Astarion’s story is all about these themes, too. In the end, the hands that were forced to drag so many souls into Cazador's grasp were the same ones that drove a dagger through the vampire's heart.

Hands are also meant to reach out. To hold on. To carry a torch to light the way. To caress. To link fingers with the hand of another. To create and build. To express and feel. Hands (both his and those of others) have the same capacity for gentleness, giving, and connection as they do cruelty, and that's something Astarion finally believes, by the end.

And his hands will never be forced again.

- (The dialogue screenshot above is from 'A Dream Of Silence' by abigailmoment. I'm just using it illustratively)

[astrolook]

Hey! I do not want to seem shallow or materialistic but what are some indicators of a handsome/beautiful spouse in both western and sidereal astrology? I'm really, really, curious whether I have some of the placements LMAOOOO 😁

C'mon! It's not shallow to know whether your spouse would be beautiful or handsome or be wealthy.

First off, the perception of attractiveness can be different for each person. Beauty is in the eye of the beholder.

Western (Placidus) chart:

For a wife,

Venus in 1st/5th/7th/10th- Center of attention and many suitors.

Venus in 2nd/8th - Conventionally pretty/handsome. Can look wealthy or well-fed.

Venus in 3rd/6th - More attractive than their peers.

Venus in 4th - Modestly attractive and a homely vibe to them. Looks nourished and can have silky skin.

Venus in 9th - Can look like a runway model or wild.

Venus in 11th - Not your type but still attracted to them. Pretty but something is off about their appearance, like one eye can be slightly smaller than the other or the upper lip is thinner than the lower lip, etc.

Venus in 12th - Secret beauty/handsome. Hides their face or dresses down for reasons. Hoodies/glasses to hide a part of their face.

Venus in some signs I could think of at the moment:

Capricorn: If the word "refined" were a person. Ages like fine wine.

Pisces: Photogenic and cute.

Cancer: "mother of my children" and wide hips. Looks well-nourished and can have smooth, silky hair and skin.

Virgo: Baby-faced or looks younger than their actual age. Might wear glasses.

For a husband,

Mars in 1st/5th/7th/10th / Libra / Aries - Attractive like a GQ model. Fit.

Mars in 2nd/8th - Looks expensive and smells like old money. Can be a bit of a show-off.

Mars in 3rd/6th - Wild and untamed. Can have a lean physique and look young for their age. Androgynous appearance.

Mars in 4th / Capricorn - sugar daddy vibes or looks a bit chubby.

Mars in 9th/Sagittarius - Can be chad-looking. Wild and untamed energy.

Mars in 11th / Aquarius- Someone you won't expect to be attracted to. A geek or a nerd.

Mars in 12th/Scorpio - If the word "unknown" were a person. Would find them attractive the more you get to know them.

Some combos and aspects with the 7th lord:

If the 7th lord is Venus or Moon. Venus/Moon is placed anywhere except the 6th/11th.

7th lord in 1st house /1st lord in 7th house /7th lord in 7th house - your ideal type.

7th lord in 5th house / 5th lord in 7th house - mother/father of my children.

7th lord in 8th - Stunning and well-off.

7th lord in 9th/12th - Exotic and alluring. Can be a foreigner.

7th lord in conjunction with Venus/Moon.

7th lord trines Venus/Mars.

Sun in the 7th - Intimidating and high maintenance. Smells expensive.

Moon/Mercury in the 7th - next door girl/boy. Childlike and looks young for their age.

Venus in the 7th - Pretty privilege and has queenly/kingly energy.

7th lord in the 10th - Attractive enough to be crushed on by the people around them. Sexy AF.

I've already made posts on spouse appearance in the Vedic chart. Check it out.

Appearance and Traits of Future Spouse (Vedic Astrology)

#2 Appearance and Traits of Future Spouse (Vedic Astrology)