#future nana

[eddbone3ater]

girls, roommates even

mystreet redesigns this time because i think they deserve it

[baravaggio]

Nana x "Where is My Place in the World? Early Shōjo Manga Portrayals of Lesbianism" by Fujimoto Yukari (tr. Lucy Fraser)

[mishy-mashy]

Theory: some High-Ends use the corpses of past OFA users

There aren't tons of High-Ends. They can't be mass-produced so easily, and there's only one that's blatantly female, literally named Woman and with a tall, defined figure

Maybe Woman's original identity is already confirmed, but... she's similar to Nana in build, isn't she?

It's hinted that All For One actually kept Nana's corpse. How, 20+ years later, could he give Tenko his grandmother's pristine hand? Is he just keeping their hands? Or their actual corpses?

Also, when looking at corpses to give multiple Quirks to, One For All users are the best for this. Having inherited One For All, their bodies had maintained multiple Quirks when they were alive, even if they couldn't use more than their natural Quirk and One For All's physical ability. And to their bodies, One For All doesn't count as just one Quirk; the natural one, and Yoichi, are already too much for a human. But Shinomori shows that it counts each previous user's Quirk, on top of Yoichi's and one's own natural one.

Their bodies adjusted to holding multiple Quirks, and when they were alive, they didn't become deformed or lose brain function. They were perfectly fine, and only had shortened lives—but that doesn't matter as corpses.

Nomus go brain dead when they have multiple Quirks. But the past users didn't, being completely fine, making them perfect for Nomu development.

High-Ends can think. They're all physically powerful, and One For All users make the best basis, even from leftover embers and physique. So why not use that great base to make the best outcome Nomus (High-Ends)?

[tears-of-xion]

Have a Zane~chan for Valentine's!!

Been a while since I've drawn the two of them. I kinda missed it.

-

Please do not use or re-post my artwork without my permission. Thank you!   (reblogs, however, are welcome and appreciated)

I do not own Mystreet, nor it’s characters. All rights to their owners.

[rooigseix]

I can never find myself see the same perspective with the khr fandom of how the girls' role in the future arc is supposed to be misogynist.

Like, what's wrong with doing chores? What wrong with providing basic necessities like food and clean clothes? What's wrong with "We do our part so you boys can go fight in the battlefield"? What's wrong BEING THE SUPPORT IN THE REAR? Asking any generals from any countries out there, how important the rear detachment of supplying contribute to the overall win. Actually no, just reread the arc again and see how a mess it is after the girl boycotts.

And Kyoko and Haru are civilians. They don't go through Kokuyo arc. They don't go through the Ring Battle. They have zero battle experience. They are not reduced to the "housework", that implies they can do something else other than the housework. No, the housework is the ONLY thing they can do. Can they fight like Tsuna? No. (And remember at the strength level of Tsuna he still has fucking hell time with this battle) Can they activate their flame? No. Can they maintain or fix the weapon? No. What they can do is providing everyone with food so they have energy to be stronger to fight in this battle. If they are pushed to the fight with Millifiore their fate would be an absolute death. So really, forcing Kyoko and Haru to fight and it would result in: 1) their death or 2) the boys defending them which would lead to more burden onto the boys. (Bonus to this, stop dreaming of the girls being badass kicking ass. Natural born hitman like Yamamoto and monster like Hibari still have to train like hell to fight with the Millifiore. How many years would it take for Kyoko and Haru to reach 1/10 of their power? There is absolutely no way for them to be like hella fucking strong fighters in mere few days so they can stand side by side with Tsuna's gang on this)

Tl;dr:

1) Asking the girl to fight in the future arc is a hella impossible task.

2) They are doing what they can do. Underestimating their supporting role is an insult to every rear detachment workers in general and provisions department people in specific.

3) Underestimating their roles in the future arc because they do chores, the only thing they can do, and telling they have to fight in the front line aka something they can't do, is actually a mysogynist mindset itself. Also sum up as "if a female character can't fight and they can only support then they are fucking useless."

And finally: let supporter be supporter people. If you write an alternative universe when Kyoko and Haru being absolute monster from the very beginning, sure, do whatever you want with their role in the future arc. But let them be supporters in canon. There is nothing wrong with them being supporter, they are doing their best.

[dxzziie]

ughhh i was in a babytwo mood >:(

his name is limón

yes i know he was supposed to be an unripe banana, but i thought he would be cuter as a lime xD

they’re both still fruit

tiny

tiny bb

[jinkiesmariz]

!!! I made a Rough Nicole design last Night for her s1 look and I like to think her hair is like fucked up when Katelyn arrives as well (they’re sparing and Katelyn nearing fucking murks her and she has like three stripes on the side of her head later on and rocks it

!! And she deserves scars and stuff too :3

Anywyas i really wanted to doodle her and Kc together, from first meeting to a couple years after the Dmitri reveal

Awkward as shit between them

Versus old women yaoi!!! After years of meeting up and like handing over the kids they got close and probably ended up like kissing and !!! The rest is history

[nana2009]

so, you made that art abt yandere Dave (the latest one) what’s the backstory behind it???

you sea, sweetie, when daddy loves mommy very much but they arent together, drastic measurements have to be taken......fortunately, dave has been trained his whole life, and knos exactly what to do! :D

[arabella-strange]

if we go to the feywild tonight and anything comes out in the open about Orym's pact and Dorian overhears and confronts him about it --

[anawkwardlady]

I think one of the most subtle yet obvious hint at Rosa's suicidality is how she talks about her debts and money as something vague and Maria’s father coming back as something tangible. Like the deadline doesn't really matter itself but what it represents emotionally does. sure the debts are important and a great source of stress but theres something so weird about the "If I pay it all, will he come back" "If I pay it all I would have closure" narrative because its supposed to be the other way around. The loan is urgent because theres actual real world consequences to not paying it, yet it doesn't seem important, almost like she could escape or accepted it already anyway. It always gives me a feeling of weirdness anytime that subject was mentioned. "What if he comes/never comes back".... What will happen after the deadline when you do not pay? Why is that question never brought up? Why is the future never in your thoughts? What is the deadline actually for?

[77ngiez-archive]

21 / 15

closeups under cut

some closeups

[vocalsynthbdays]

happy birthday haruka nana(utau) and megurine luka(vocaloid 2) !!!!! [jan 30]

(nana 2009)

(luka v2)

Haruka Nana is a japanese synth released in 2009, voiced by Nanahira and illustrated by nagimiso. nana received a voicevox bank on 30 mar 2023. she is 10yo, and 137cm tall including her ahoge according to her voicevox character profile. previously her height was just "short". she is described as "a silly little girl"

luka is a japanese synth developed by crypton future media, and released in 2009. she is voiced by Yū Asakawa. lukas v2 is illustrated by KEI, and her v4 by iXima. luka is the latest cryptonloid (apart from the secret 7th one), and the latest character in cfms character vocal series. she is the first ever bilingual vocaloid. she received a v4 update on 19 mar 2015, and has been since moved to cfms own engine, piapro studio.

nana voicevox

luka v4

[lonelyvampx]

If Hangman and Swerve become a team, I can imagine Hangman ignoring the opponent and hitting Swerve instead, Nana running towards them and separating them.

[snekverse]

MCD time!! Starting w the main cast, got 3 more full lineups to do 😎

[tamaotomoe]

observations on yuyuko tanaka and her penchant for playing dudes who die or are on the cusp of death constantly, whether by her own hand or just some silly little fate, and also how it's contrast to rui almost always being blessed with life (that's also given to her by yuyuko's hand or some silly little fate).

or: yuyuko "doomed by the narrative (that she wrote herself)" tanaka + rui "blessed by the narrative (that yuyuko writes for her)" akikaze.

so as said, a while back i noticed that yuyuko's roles are almost all like. guys who brush with death/just outright die die. i went down the roles she has in just her cards and listed them all down on my priv twitter and it looked like:

so a good like. 2/10 roles that don't end badly.

i ended up rereading like. basically almost every rmk story out there, from the earliest ones available and uhm. so.

(purple clouds of the afterworld chapter 5)

(tales of onikurenai chapter 2)

(shibahama final chapter)

all of these are from events pre-downfall (not sure about shibahama but i def know the other ones are). yuyuko's always been fond of tragedies.

obviously this manifests in a lot of her scripts (ghost patrol story rerun, shinsengumi rinpuden, her influence on arcana arcadia's script, and most importantly, rinmeiki), but what i think is interesting is that she saves a lot of the worst fates for herself.

in ghost patrol, whilst fumi and ichie's characters have some tragic interpersonal drama/trauma, it sorts itself out by the end. but yuyuko's character's entire existence attracts danger, death at every turn.

shinsengumi rinpuden has her portray okita soji. fumi describes the story to yuyuko as such:

(okita soji yuyuko bond story 1)

the romanticization of destruction. that feeling of knowing that you died a glorious and honourable death. and what role does yuyuko give herself? what does she do with herself?

die in the antithesis of it. if read as fumi described, the most pathetic death she could have.

i'd go into rinmeiki but that's a beast all on its own, and is mostly rooted in the characters themselves, and not character exploration through them acting as something else. there isnt even much of a script of it ingame, in the sense of the rest of the other examples, so i'll move onto arcana arcadia.

whether a quirk of the fact she was picked as the magician and it was planned from the beginning, or the fact that she is part of the scriptwriting team and therefore has some measure of control on her character, the magician has one of the worst fates in aa, quite literally selling her soul to the devil and damning herself to hell forever, all done by her own hand. she willingly damned herself.

interestingly in these same stories, the things she gives to rui's roles, is life.

kiichi miroku in ghost patrol is still quite equal to abe no suiren, but it's not her that's constantly attracting ghosts.

hajime saito was one of the two survivors of shinsengumi rinpuden. while he didn't have a role to play alive unlike fumi's nagakura shinpachi, hajime saito was still left alive, and given to rui.

now, the hanged man. which at this fucking point is hilariously on the nose, as the magician damns herself to ensure that the hanged man lives and changes the world, a human saving humans and not humans relying on god to save them. she gives up her hopes, her life AND her afterlife for him. the caveat being, if he decides to accept her offer of "becoming the main character". which he does. and while the path he chose by taking up the magician's offer still leads him to hell, he still leaves with his life and a goal to chase, a world to change. it is the magician that pushes the hanged man forward into making something of himself, of the world he lives in, and she herself is only one little spark to light the fire.

indeed, yuyuko is constantly reliving the transience of the stage that she is so fond of. but she does not extend this transience to rui. yuyuko is happy to die over and over again, but rui. rui must live. well, of course she must, yuyuko loves her.

like the hanged man and the magician, yuyuko would give up her life for someone so dear to her.

...

...

so anyways remember when ichie said this in arcana arcadia?

there's a difference in the cyclical deaths that yuyuko and fumi are portraying though, in that fumi dies over and over again to try and regain the past, whilst yuyuko plants her feet firmly in the present and dies over and over again for someone else's future.

she moves forward only when rui does, and in magician stories she does even tell nana that she'll decide to be rui's producer so she can make her into the best stage girl that akikaze rui can be. but what about her? she seems to understand that stage girls must keep moving on, keep moving forward towards the future with unparalleled hunger, but as of right now it appears that she has put herself in an odd stasis. she moves when rui does, she dies when rui does. it's an existence as a stage girl that cannot entirely continue.

this dependence can keep one going for a while, but it cannot last forever. could yuyuko move forward without rui walking the path beside her? could rui move forward without yuyuko's silent support? if the ties between them are severed, would they bleed out and die?

well, only time will tell. i patiently await what story is to be told in their futures.

though i will say, to be separated like this isn't entirely a tragedy. what they've gained from each other will follow them for the rest of their lives. even apart, everyone is still together.

tl:dr: hey little dude. why do you keep dooming yourself in narratives that you have control over. and why do you keep giving the big guy you love narratives that favor his life.

[dxzziie]

Nana: Mewtwo. Can u give my baby back?

Mewtwo: No. I want to hold Limón a bit more.

Nana: But i want to-...Limón?

Mewtwo: How about that? Two can play this game.