#general writing tips

[oflights]

helpful sites for writers

i have a little collection of websites i tend to use for coming up with ideas, naming people or places, keeping clear visuals or logistics, writing basics about places i've never been to, and so on. i tend to do a lot of research, but sometimes you just need quick references, right? so i thought i'd share some of them!

Behind the Name; good for name meanings but also just random name ideas, regardless of meanings.

Fantasy Name Generator; this link goes to the town name generator, which i use most, but there are lots of silly/fun/good inspo generators on there!

Age Calculator; for remembering how old characters are in Y month in Z year. i use this constantly.

Height Comparison; i love this for the height visuals; does character A come up to character B's shoulder? are they a head taller? what does that look like, height-wise? the chart feature is great!

Child Development Guide; what can a (neurotypical, average) 5-year-old do at that age? this is a super handy quickguide for that, with the obviously huge caveat that children develop at different paces and this is not comprehensive or accurate for every child ever. i like it as a starting point, though!

Weather Spark; good for average temperatures and weather checking!

Green's Dictionary of Slang; good for looking up "would x say this?" or "what does this phrase mean in this context?" i love the timeline because it shows when the phrase was historically in use. this is english only, though; i dig a little harder for resources like this in other languages.

[writingwithfolklore]

15 Ways to Spark a New Idea

Revisit an old project

Take inspiration from classic stories/folk tales

Follow your interests

Start with genre (or a unique combination)

Start with a character

Start with setting

Combine or reinvent some classic tropes

Ask someone to share a story they don’t usually tell (be curious about the people around you)

Use something from your past

Focus on a hard to define feeling

Experience something new

Brainstorm with a writing friend

Read outside of your comfort zone

Talk to a stranger about their life

Twist the normal, normalize the magical

[em-dash-press]

Everything Creative Writers Should Know About Symbolism

Literary devices make stories more enjoyable. They take a simple concept and make it compelling. Symbolism is one of those devices, but sometimes new writers don’t know how to use it purposefully. It’s easy to take credit when readers assume something had more meaning when we didn’t really write it that way for any specific reason.

This is everything you should know about symbolism so you can plan your literary devices with confidence.

What Is Symbolism?

Symbolism is the act of using one thing to represent another thing. It often sets or reaffirms the tone of a scene. Symbols can also act as foreshadowing.

Most often, writers use symbolism to thread their theme through a plot. It makes it easier to tell how a theme is influencing or being shown in a scene.

Types of Symbolism

Colors

Writers use colors to apply meaning to scenes or characters because they’re easy to associate with emotions. It’s also a historical real-world use of symbolism. If you see a white flag, that symbolizes surrender. A movie featuring a woman in a red dress often symbolizes her sexuality.

Examples: yellow means caution, brown means grounded earthiness, and black means mourning.

Objects

Sometimes object symbolism is blunt or obvious. Other times, it’s subtle because the writer reveals the meaning of it later in the story.

In the Divergent series, Tris can’t look in a mirror because it’s of cultural significance in her faction. As a storytelling tool, it symbolizes her inability to recognize her own identity because she hasn’t had her coming-of-age experiences yet.

Examples: water means rebirth or creating life, an apple represents sin or someone up to no good, and a clock can mean change is coming (which is also foreshadowing).

Tips for Writing Symbolism 

1. Understand Your Plot

You need to know where your story is going and what theme you’re writing about to effectively create symbols. If your protagonist sees a dove in the first chapter, it’s just a bird unless obtaining peace is a key component of your protagonist’s character arc later on.

2. Pick One Symbol

Stories filled with symbolism can come across as pretentious or too dense. It’s better to start with one symbol that connects at least two parts of your story or relates to your theme. Readers will get that intriguing chill down their spine if they recognize a hidden symbol rather than get reminded about it over and over again.

3. Remember to Use Foreshadowing

Symbols often foreshadow future plot events. These are also called omens. Your protagonist might break a mirror in the first chapter, which people often relate to the start of bad luck. Maybe a crow sits by them on a park bench because you want to symbolize a future death in your plot.

Foreshadowing can give your symbols meaning if you’re unsure how to connect them with your theme. It’s an easy way to practice creating symbols so you’re more comfortable with them in long-form stories and other uses.

-----

You don’t need some mystical storytelling skill to effectively write symbolism. Practice these tips and you’ll layer just enough symbolism into your stories to impress your readers.

[blumineck]

"Go for the eyes," they said.

"It'll be fun," they said.

[the-modern-typewriter]

do you have any advice on writing beginnings? i never know where to start so that the exposition and action are balanced enough to make the opening interesting. i can do middles and ends easily enough if the beginning is well-set up, but i’ve always struggled. any tips?

I'm going to focus on balancing exposition and action in this answer, as it seems to be the key area you are struggling with, rather than openings more generally.

Okay. Let's go!

1 - Need to know

The first question to ask yourself is what does the reader actually need to know to follow and understand the story?

Openings can vary by genre and the age group they are written for, but beneath all of the variations and methods, is the need to know. So long as you have that covered, the rest honestly just comes down to reader and author preference.

What a reader needs to know will depend on your story and your plot. E.g. if it is a portal fantasy, then we typically just need to know what the protagonist is missing/yearning for/struggling with in their everyday life in order for us to see how this is changed through their adventure in a new world. We will learn about the new world as the protagonist does so there will be a natural exposition point as they explore (exploring = action, we learn as they learn).

If, on the other hand, the whole story is set in a magical fantasy land that the protagonist has always known, then you're going to have to do more exposition in order for your reader to understand the key rules of the world and what things mean.

2 - Start at the interesting bit/provide your protag a goal or the reader with a question they want answered

We don't typically start on an ordinary day where nothing happens, even if it shows us what the protagonist's normal life is like. We start on the day that they have a job interview they desperately want to ace, or the day a body is found in the river, or a day where something unusual happens or two characters meet for the first time.

This raises external, concrete plot questions.

Because we have started at an interesting point in the story where something is actually happening, it makes it easier to interweave action with exposition.

To go hand in hand with this, give your character a goal/something they want. This doesn't have to be a big or seemingly important thing, although it can be. The recent film Everything Everywhere All At Once did a wonderful example of this in that the main character just wanted to do her taxes. Other examples might be that a character just wants to get home after a bad day, or to pick a cake for an event. Whatever.

This can have a number of different purposes depending on the story. For example, it provides tension and conflict because there is an obstacle in the way of what they want (to get home), or it provides an opportunity to showcase character or relationship (e.g. the cake).

3 - Options for exposition

There are different options for doing exposition.

A narrator or first person POV can tell the reader about the world even through direct narration or their internal thoughts. This works especially well if you have a strong sense of character. It is useful for conveying key information quickly, but you will likely want to break it up with other forms of exposition to avoid an info dump.

A flashback. Flashbacks are a great tool! I don't recommend starting a story with a flashback. They are much better for providing important information a little later after you have hooked your reader with the more immediate plot.

Dialogue. Dialogue is a natural and excellent way for us to learn about characters and the world that is also action. The danger being that your dialogue still has to sound natural. If the characters wouldn't be standing around actually talking like that in that setting at that time, sorry mate. Do a different exposition technique.

Exploration/setting. Characters can learn about a place/world as they explore it, which means the reader can learn with them as they experience the world.

One way to balance your exposition with action is to vary how you do your exposition. If your reader is having fun reading the story, they won't care that it's exposition/set up. All stories start with exposition. Look at your favourites and break down what they are actually doing, shamelessly steal the framework, and adapt as relevant for your work.

4 - Remember that you don't have to start by writing the opening

Openings are easier when you know what your story is about. This is because openings often showcase something that is going to be relevant throughout the story. This could be a specific image, a nod to theme, or some character trait that will be important.

If you don't know what your story is about yet because you are still writing it (totally valid!), feel free to come back to the opening later, in the same way that you might write the body of an essay and then do the introduction/conclusion last once you have figured out what you want to say.

You're allowed to work backwards. You're allowed to work in any jigsaw way that works for you. You don't have to write the first line first.

When you know your story, it's also a lot easier to figure out what your reader will need to know.

[13eyond13]

love how every major character tends to instantly humiliate Light whenever they're first introduced. Ryuk makes him scream and land on his ass and then scoffs at him for thinking he's the chosen one, L puts him on blast on live TV in front of millions of viewers for thinking he's divine, and soon enough Misa will be nearly doxing him on TV in front of everybody and then stalking him home... if you want to make Light take you seriously then you have got to humble and maybe also publicly humiliate his arrogant ass, for real

[coralie-adams]

AI-Generated Unique Character Flaws

Here are Twenty AI-generated unique Character Flaws that can be used to create well-rounded, relatable characters with room for growth and development throughout your story. These flaws can add depth and realism to any fictional character.

Chronic Overthinker: Constantly second-guessing themselves and unable to make decisions without extensive analysis, leading to missed opportunities and frustration.

Pathological Altruism: So eager to help others that they neglect their own needs, often making situations worse because they can't say no.

Memory Obsession: Fixated on a past event, they often bring it up in unrelated contexts, making it difficult for them to move on or form new relationships.

Superstitious Behavior: Their reliance on superstitions dictates their actions, causing them to make irrational decisions that can lead to conflict or failure.

Emotional Mask: Always puts on a happy face regardless of their true feelings, leading to bottled-up emotions and eventual breakdowns or misunderstandings.

Compulsive Truth-Teller: Unable to tell white lies, they often hurt others' feelings or create awkward situations by always telling the unvarnished truth.

Phobia-Induced Limitation: A severe, irrational fear (e.g., of water, heights, or open spaces) that restricts their activities and interactions, creating obstacles in their personal and professional life.

Indecisive Perfectionist: Obsessed with making everything perfect, they struggle to complete tasks or make choices, often leading to missed deadlines and opportunities.

Self-Sabotaging: Subconsciously undermines their own efforts due to a deep-seated belief that they don't deserve success or happiness.

Attention-Seeker: Desperate for validation and attention, they often engage in risky or inappropriate behaviors to be noticed, leading to strained relationships and trouble.

Unyielding Stubbornness: Refuses to adapt or consider other viewpoints, leading to conflicts and missed opportunities for growth or collaboration.

Social Chameleon: Changes their personality to fit in with different groups, leading to an identity crisis and shallow relationships because they are never truly themselves.

Eternal Optimist: So optimistic that they fail to see or prepare for potential problems, leading to repeated failures and disappointments.

Compulsive Hoarder: Unable to let go of possessions, their living space becomes cluttered and unmanageable, affecting their quality of life and relationships.

Hyper-Critical: Overly critical of themselves and others, leading to strained relationships and a constant feeling of dissatisfaction.

Isolationist: Prefers solitude to the extent that they avoid meaningful relationships and miss out on social opportunities, leading to loneliness and social awkwardness.

Impulsive Generosity: Gives away money or possessions recklessly, often leaving themselves in financial difficulty and unable to sustain their own needs.

Nostalgia Dependent: Lives in the past, constantly reminiscing and comparing current situations unfavorably to their memories, hindering their ability to enjoy the present.

Reluctant Leader: Possesses leadership qualities but is afraid of taking charge, leading to frustration from peers who see their potential but also their refusal to step up.

Conflict Avoider: Goes to great lengths to avoid conflict, often at their own expense, leading to unresolved issues and a lack of assertiveness.

[lyralit]

for all my fellow writers out there:

go find a random word generator and write a short story / poem using it. the only rule? you have to write something. if you can write more, write more, if you can't? stop after at least some conclusion of some sort, reroll the word.

it can be as wacky as you want, but just write.

you can use this one <3

[uncanny-tranny]

I love giving advice, apparently, so if you are a newly pierced person or are planning on being pierced, here are some of the things I found helpful, as somebody who isn't a professional piercer but has had six plus piercings on my face and body, and multiple ear piercings (which I don't count, since I DIY'd them):

Normal bath towels are your enemy, proceed with caution after bathing. NEVER wipe moisture away from a fresh piercing, always pat it dry

You will hit a new piercing and it will hurt. This is inevitable, just know that you likely haven't destroyed it. Feel free to cry, though, it hurts like hell.

If your piercer gives you instructions, heed them. If you're on restrictions, please take it as seriously as possible

When you're going in for a piercing, please eat or drink something - at least what constitutes as a snack for your body. It really helps

If you're getting an oral piercing, make sure you size down after the healing period - I hadn't sized down for my last oral piercing when I first had the chance, and it was... so annoying to have too-large of jewelry

Not all jewelry is made equally. Do your research on materials, threading, and sizing. I've found that titanium jewelry is really nice for me, and I like it, but that isn't the only option. Make sure you think about your body and its needs and preferences

Close your eyes while being pierced (I found this really helps me)

Don't over-clean a new piercing, twice per day is usually a good place to start

The completed healing period is a very average suggestion - you may heal slower or faster. Try to adhere to that suggestion, though, especially if you do not feel you're healed enough

Personally, I have found that I am completely healed when my piercing feels like just another part of my body, even when it is touched. When my piercings start to feel as though they are foreign when they never do before, I know I likely need to clean them

While I have DIY'd piercings, I personally do not recommend it, especially if you are either not using sterilized equipment, or are piercing a very dangerous place (like the tongue). If you are absolutely positive about committing to the DIY mindset, please try to do due diligence in research at least

Tip your piercer. Body mods are a luxury service, and it takes years to even become a piercer, much less to be proficient at it. Tip your piercer, ESPECIALLY if their prices feel too good to be true - they likely are. Unless you are directed otherwise by your piercer, just assume that you will be tipping them for their services and budget accordingly

Make sure you understand how your piercer wants you to take care of your piercing, and ask questions. There is no question too "dumb"

If you are getting a body part pierced you are insecure about, realize your piercer has most likely seen HUNDREDS of different body parts of various sizes, shapes, and oddities. Your body is not uniquely bad, nor would a good piercer make you feel unwelcome or uncomfortable with your body. If they do, however, DO NOT go through with the piercing. You should feel safe being pierced by somebody, and, indeed, that is the bare minimum.

If you use saline wash to clean piercings, you can DIY it. You will go through NeilMed like no other, and with it being $5USD a bottle, that price can rack up quickly. Make sure you use distilled water and non-iodized salt, though

If your piercing is infected, please don't be too ashamed to seek help. It's in your best interest to make sure you don't get ill or your site gets nasty ("nasty" as in painful)

These are just some of the things I've learned being a pierced person! My piercings are something I absolutely needed, and I do not for a minute regret having them. I want that same happiness to befall you, and that happens when you are able to understand a bit more what goes into piercings. You are, essentially, getting a new body part installed by a pro, and so I don't want you to not be ready for that.

Again, I am not a professional piercer, but am rather a body piercing enthusiast with many different types of piercings. I don't have every piercing, though, so please look at this critically for the piercing(s) that you want or have. At least, treat this like a soft suggestion or ways to help you brainstorm what you will find helpful.

More tips are obviously welcomed, especially if you yourself have more insight or expertise. Good luck to every pierced person or future pierced person reading this💛

[dracocheesecake]

Have this:

Kai steps before a counter at a sandwich place. The cashier stares up at the bull that's looming over them nervously.

"Can...Can I help you, sir?"

Kai doesn't say anything. Then he slowly lifts up his hands, revealing he's holding the Chameleon. She steps out of his hands and onto the counter, and then points at the cashier. "He said he wanted no pickles on his sandwich!"

Then she steals some money out of the tip jar. Kai picks her back up with one hand, then takes the new sandwich and the tip jar itself before walking off.

[tojiscrack]

is it weird that i wish y/n existed in the actual jjk verse. like her personality fits so well with almost every single character, and the chemistry between megumi and y/n is THE BEST ⸜(｡˃ ᵕ ˂ )⸝♡

her personality is so real and unlike any other reader i’ve come across in other reader x [insert character] fics. the chemistry between her and other characters doesn’t feel forced, if you understand what i mean? i thoroughly enjoy reading EVERY scene because of that! (˶ᵔ ᵕ ᵔ˶)

you said to look out for foreshadowing which is what i have been trying to do but perhaps i’m being a little silly looking way too early, considering other chapters have not been released yet. but one thing i have noticed is that megumi only really has shown CLEAR signs of liking her more than just a friend when he is about to leave her (not the scene where he’s silently fighting over sitting next to her at yuji’s place because that could arguably be seen as platonic too despite me seeing it as him liking her) - for example; when he’s going on vacation without her. now i understand that this is only one example but i have a feeling that this may become a reoccurring theme - what was it, absence makes the heart grow fonder? i have a feeling he’ll only ever understand his feelings for her when he is away from her. and given the angst hashtag, it wouldn’t exactly be surprising if for any reason they moved away from each other, whether figuratively or physically.

i could be completely wrong though and if that’s the case, then this is embarrassing ( ᵒ̴̶̷᷄◡̶͂ᵒ̴̶̷᷅ )و

but regardless, i’m so happy i stumbled across this fic. seriously, the way u write is awesome and i can only wish to be as good as you when it comes to writing! the dialogue, the chemistry between the characters is so cute and feels like a coming of age sitcom. i love it i love it i love it and i love you!! (๑˃́ꇴ˂̀๑)

please keep up the good work, soldier. i salut you for your hard work keeping us all sane after gege shattered our souls (stay alive, don’t let him find you) ദ്ദി(˵ •̀ ᴗ - ˵ ) ✧

liar, liar masterlist here

oh. my. GOSH. a long message? AJSJWKSJWJSJ STOPPP I’M SO EXCITED TO ANSWER THIS

it is not weird at ALL. i created this y/n with the sole thought that there should be a character as wild as her (i love goofy characters sm you have no idea). like my fav character from aot? connie. fav from jjk? gojo. fav from haikyuu? tanaka and hinata. fav from death note? L (don’t lie, that man was funny af).

read that entire sentence about her chemistry with megumi and the relationship she has with the other characters not being forced with a FAT smile on my face 🙂‍↕️ an author knows they’ve won once someone points this out using their own free will. thank you for that 😭💞

the second i saw the word ‘foreshadowing’ in ur message, JAISJWISJWJSJ. YES, YOU HAVE A PREDICTION? TELL ME MORE (i feel like a mastermind rn muahahahaha) 😋 you are nawt silly for looking for it earlier. i’ve dropped so many hints and no one’s picked it apart yet (surprisingly). some are more obvious than others, but let me tell you now, once you’ve noticed it, you’re gonna smack ur forehead and think ‘why didn’t i see this before?’.

i LOVE how you’re playing devil’s advocate for yourself (you’re so smart omg). like you’ve mentioned how the only in-your-face type of thing we’ve seen so far is the airport scene (i mean, if gojo pointing it out wasn’t so obvious, dk what is, really, lolol). and i also like how you’ve made it so that the arguing in yuji’s room can be easily seen as platonic despite what you might think (we need smart people like you so pls don’t die tyvm).

and OOH, IDK WHAT TO TELL YOU WITHOUT SPOILING IT. distance makes the heart grow fonder… yeah, can’t reveal whether this trope is for them or not. i can, however, confuse you a little and say that you’re half right. maybe, like, forty five percent right if i have to slap a number on it. yeah. but there is something that occurs later on (you guessed it, with the angst hashtag) that makes me want to say that you’re actually fifty five percent right. idk, you’ll see what i mean once the main story’s out 😭

this would NOT be embarrassing for you if you’re wrong, let me tell you that much. this fic’s been out since the end of december (beginning of january?) and no one’s come to a prediction as well thought out as yours. for that, i will NOT forget you when i write out the half-correct prediction of yours in the coming chapters.

i’m so happy you stumbled across my fic too! 😭 i’m having sm fun writing this out and laughing to myself (not at you babe, just as the evil mastermind that i am). i’ll be responsible for your complaints once the angst chapters get out (plural because there’s a LOT of them planned). tysm for ur kind message, i’m so flattered my writing pleases you 😭 dialogue is hard to write, trying to match it with the characters ofc, so i appreciate your support on that 💘

girl, gege will never find me. after what he did to my satoru, i will find him. don’t get it twisted.

on the contrary, i’m so upset you wrote all of this anonymously but i respect it, there might be a gazillion reasons why you’d like to remain anonymous. so if you ever send a message again, just lmk it’s you. call yourself the ‘big brain anon’ (😤) because you’re so smart and ily and don’t be humble about it, you are SO smart <3

[zxal]

there's a lot I like about this little interaction. Declan casually dropping that he knew dennis was a spy the whole time, and even though Dennis is apologizing For Being A Spy, he still gets sort of rankled about it - because it's declan, so of course declan comes off as cold and vaguely threatening - but he doesn't mean anything by it at all. In fact this is basically Declan's way of saying "nah man it's cool". He's always been a straightforward (and trusting) guy.

"You said you've apologized, so why should I be wary?"

[yellowocaballero]

obito fic 👀?

HELL YEAH BABY. HELL YEAH. I HAVE JUST POSTED THE 70K OBITO FIC GO READ IT.

Naruto. Man. Very treasured aspect of my childhood. I've written a few fics now that are about an influential childhood media or character, and they always have such a unique quality about them. But I love my BAMF!Sakura fics so much. You Call This A Utopia is for her.

I talk a little bit about the specialness of that useless little girl in the author's note, but #justiceforSakura has always compelled me - on one level, just such wasted potential as a character, but on another level, it was one of my very early frustrations with sexism in writing. I wanted to live vicariously through her, to use her as a self-insert power fantasy like all the boys got to do with all the male Naruto characters, but even if she's a chakra master (!) and genius doctor (!!) who can wreck mountains with her fists (!!!) she was never quite able to make the tween girl readers feel special, because she was never valued. BAMF!Sakura fics were how I was able to have my little kid power fantasies in my favorite good-bad shonen. Today, if I'm reading BAMF!Sakura fic I am spiritually watching Saturday morning cartoons and eating sugar cereal and crying.

I didn't have very strong feelings Obito until I read butter_peanut and realized that one could hypothetically make him the most fascinating fucking character. Naruto fic writers are so creative and magnificent and better than Naruto. I do vaguely remember Tobi being my favorite Akatsuki character, because he had so much personality and was a lot of fun after Naruto got kinda serious. butter_peanut having Tobi say the word "bestie" truly inspired me. After writing him I now understand them completely, because I have happened to discover that he is the funnest fucking character.

I feel insane. Like a precious few people know and understand that Obito is so much fun to write. I love writing insane people and we know this but Obito is truly on another level (he is a villain in Naruto and you cannot match that level in any other fucking series). He is genuinely so unhinged and he genuinely believes that he is a normal person. He is so fundamentally broken and it is so funny.

What caught me about Naruto villains - because this is Naruto, it is interesting in theory and so stupid in practice - is that they are almost all, fundamentally, good people. The goal of most Naruto villains is "create a better world with no war and only love and peace". Which means that you have to be a special kind of nuts to be a Naruto villain, because you are a good person who got so incredibly fucked up and twisted by your incredibly violent life that you are now an evil schemer who is trying to blow up half the continent. The evil in Naruto is on a systemic level, not a person one. You Call This A Utopia?! is fundamentally about this. Except stupid.

Tobi is also one of the most challenging but rewarding characters I've written. FUN FUN FUN. Lots more to say about literally all of this. For now I'll just say that I'm an adult, so these days I gravitate to adult POVs. Obito is the adult's window into a kid's world. But Obito is honestly an overgrown kid himself. Let's see how that all plays out.

[icewindandboringhorror]

sometimes looking at like Self Help Strategies lists for the symptoms I'm having is always just like:

thing that I already do

thing I have tried 10 times

thing I already do

thing that I don't have the money to do

thing I already do

thing I've been doing since I was 10yrs old to no avail

thing that is impossible given my situation

thing that doesn't apply to me

thing that I already do

thing I have already tried

hrmm, oh wait, maybe finally- OH, yeah.. okay. thing that I already do but it was just phrased slightly differently

thing I have already done

[rjalker]

"I'm autistic and I feel isolated, almost like I'm a different species, so I'm going to write a story about someone who literally is a different species and that's why they don't fit in!!!"

Okay, cool, sounds fun. But are you prepared to deal with the resulting statement you're making that different people shouldn't live together?

Are you going to provide specific problems that arise from this scenario that make cohabitating an actual problem, (temperature incompatability, dietary requirements that can't be met, overstimulation from having different levels of hearing or vision) or is it just going to be that the problem is they're different kinds of people, and that means they shouldn't live together?

If you want to write being a completely different species as a metaphor for being autistic, you need to make sure you're not accidentally arguing that segregation is a good thing.

Because you can very easily slide from point A (being autistic is socially isolating because you're different from everyone else) to point E (different people shouldn't live together at all because there's no way to be happy unless you're around people who are exactly like you)

How to avoid this with your "different species as a metaphor for autism" stories?

Assuming your setting has many sentient species, have very specific problems that prevent specific different species from living together.

Do not make it a general problem of "no species can live together"

Show us different species living together, even when there's no "real" advantage to doing so (like living in a port city with lots of trade passing through). Make cohabitation a casual thing that lots of people from lots of different species do.

Show us accommodations that species make for eachother when living together. Species X has incredibly sensitive hearing that can cause them pain? Species Y adapts their local dialect to soften what would normally be loud pronunciations to convey specific meanings. Species A has strict mating seasons where they lose control of themselves and start attacking anyone they view as a rival? Species B, and anyone else who doesn't want to participate in the fighting, moves to another site for the season and gets to come back in a few weeks to everything being nice and tidy.

Make it so there are specific problems that specific individuals have with certain situations, not the entire species at large. Even with your metaphor being about being autistic, you should still have some characters, of every species, who are literally autistic. And include other neurodiversities too, like mental illnesses.

And while we're at it, give people physical disabilities too, and not just as a result of cohabitation with the "Well species J are mermaids and Species K are land-mammals, so if you think about it, Species K are disabled in the water" thing. Have characters who are amputees from birth and injuries. Have people with allergies. Have people with migraines. People who are deaf and blind and hard of hearing and struggle to see and any other physical disability you can think of. Your species shouldn't be monoliths, not mentally, physically, or culturally.

???? IDK

Just try not to let your "being autistic is like being a different species! I must find my people!!!" thing turn into "segregation is good and are we even really sure those other species are even people"? thing.

because it's a lot shorter of a slide than you think it is.

And again. cannot stress this enough. You also have to show literal autistic characters existing in your setting in these various cultures. Even if it's a fantasy setting so you make up another word to use instead of "autistic".

Otherwise your story might accidentally have the moral of "autistic people are literally not human and there's something Wrong With Them™ that we need to try and fix or else we have to cast them out of society altogether".

Don't let biological essentialism ruin your fun autistic story.

[inkwell-chronicles]

Balancing Innovation and Integrity: Using AI to Enhance Your Writing

With advancements in AI and writing tools, it can be helpful for writers to use technology to improve their craft. Even though many use AI to write for them and often plagiarize it, it can be beneficial in other ways. From AI-driven grammar checkers and style enhancers to writing software that helps with plotting and character development, these tools can streamline the writing process and help you focus on creativity.

Additionally, writing software such as Scrivener and Plottr can assist with organizing your thoughts, plotting intricate storylines, and developing well-rounded characters. These tools can allow you to streamline the writing process while reducing the time spent on administrative tasks. It frees up more time for creative exploration and the ability to dig deeper into the plot.

However, it's important to use these tools ethically. While AI can assist with various aspects of writing, relying on it to create work entirely on your behalf undermines the authenticity and personal touch that define great writing. Misusing AI to generate content without your input can lead to work lacking originality and depth and may raise questions about authorship and integrity. Many use AI to cheat, plagiarize, and overall abuse the technology, undermining the authenticity and originality that define true creative work.

Incorporating technology into your writing practice should enhance your creative input, not replace it. These tools are valuable allies that can help you craft compelling narratives and engaging content, but the heart of your writing should always come from you. Use AI to augment your skills, not as a substitute for your creativity and effort.

By balancing the benefits of AI with responsible usage, you can leverage technology to become a more effective and inspired writer, while maintaining the authenticity and integrity of your work.