#going to make these pics my entire personality

[chriskotiesen]

How do you think of your wonderful beasts?

Usually I start with really vague ideas for shapes or colour schemes and just make the creatures up as I go along. Most of the time I'm aiming to make something that has personality but isn't too easy to compare to any existing animal. If it's too boring then I'll weird it up a bit by rearranging parts or throwing on extra shapes. If it's too abstract then I'll swap in some more realistic animal features.

I saved some in-progress pics of yesterday's creature to step through the process:

I started by giving myself the very open-ended task of drawing a creature with a mouth in an unusual place. When sketching digitally I often like to forgo lineart and just play with blocks of colour.

Why is it crescent shaped? Why is it orange? I dunno. But I think that I can turn this into a body with the mouth at the centre of the mass. There are certainly weirder and more interesting places to put a mouth then in the belly, but I don't really know how this sketch is going to go from here. Maybe I'll put more mouths on the feet or something. Finding out is part of the fun.

Let's start simple. I figure that it should have arms to pick up food, as well as eyes and a nose to clearly define a 'head' somewhere away from the mouth. Okay now it looks like a creature, but not one that I particularly like. Also there's nothing between the nose and the mouth so it looks less like it has a mouth in its stomach and more like it just has a really big, weirdly-shaped head. I can fix that if I move the arms above the mouth. And I'll give it a tail and another bend in the torso to balance it out and make it less front-heavy.

Now we're getting somewhere. I'm starting to like this for reasons entirely unrelated to the mouth, so I'll just remove it completely. It's getting in the way of the rest of the anatomy. There's no client or art director dictating what I need to make here. The initial premise is just a jumping-off point and I can ditch it entirely if the design works better without it. I like this bug-eyed, cobra-hooded aardvark-centaur-dragon-thing. That seems like enough of a creature without throwing on extra features.

I try to keep my palette organized and only add more colours when they feel necessary. The countershading here helps to define the creature's shape a bit better and break up all of that orange, as well as just making it a little more realistic. I made the tail bigger just because I like what that does for the 2d composition of the picture.

Cleaning up the shadows also helps to make the volume read a bit better. The stripes help too, but I mostly added them to break up the orange some more and make the creature more interesting. I also started laying in some blobs of colour for a background. Now that all of the basics are in place it's just a matter of adjusting colours and polishing out details until I'm either happy with it or just sick of looking at it!

Done!

[wonk1s]

!?@#;!;~`[273#;?*

[yangjeongin]

HYUNJIN x DISPATCH

[easyaesthetics]

Imitates human behaviors to an uncanny degree, Akira remembers from the lab notes. Mimic skill on par with any natural predator that imitates another animal to lure in prey.

Scene from the amazing mermaid fic, I like to think I’m a good person by @relationshipcrimes (READ THE TAGS BEFORE BEGINNING)

[breezypunk]

.

[imjustavenuxwithaboomerang]

hsmtmts + texts posts (pt 4)

[mattodore]

vanishing without explanation for six days

[ialwaysknewyouwerepunk]

.

[monstertsunami]

gonna work on reformatting my pafl webshrine when i get homeee

[heavenknowsffs]

hope this isn't a weird question, but would you have any advice for people going to Portugal? things to watch out for, places to go (or not go), things tourists often don't know but should? muito obrigada :)

Not at all! It does depend on where you're thinking of going/staying and what your personal tastes are (i.e. if you prefer nature or cities and those things)

The only thing i'd really say is Lisbon (and Porto) are beautiful, yes, worth visiting ofc but they're too crowded with tourism and I'd highly advise you to go other places for longer stays that are even more beautiful and actually would benefit a lot from having tourists there (on contrary of the big cities where locals are being thrown out to build more hotels and airbnbs :( i think that's what i'd like most for tourists to know tbh)

But if you'd like i'll make you an entire list of things to see and places to visit catered to your preferences because i love to do that 💖

[songtwo]

this has been a really good year like despite my insanity its just been incredible and amazing and im literally so lucky<3

[unproduciblesmackdown]

i went through this account’s handful of videos from this show, and i’m pretty confident that’s will roland, next to harrison chad as quince, despite the view being mostly obstructed from the angle this whole time. he’s Most Visible for a moment at the very end lol. since the costuming is just a buttonup and tie w/no especial “it’s This character, or Any character” cues, i’ll guess he’s “will roland” at this point, though that doesn’t mean he wasn’t appearing in some other capacity earlier. every pre-2018 xmas wrole cited in that tweet has been accounted for, but that doesn’t mean he hasn’t been some of those characters more than once, as is definitely true for uncle peenie appearances

[misterradio]

i like them ::-)

[n6ptunova]

camera roll with bf!matt

backstory of each pic at the end <3

backstory of each pic:

༻ʚ 1. “i loveee this outfit on you, you look so cute,” you smirked knowing your boyfriend doesn’t take compliments well.

“this outfit? you have weird taste.” he rolled his eyes but you can see the corner of his lips fighting back a smile.

you ignore his comment and move away from him as he gives you a questioning look. his confusion is gone when you pull out your film camera from your drawer. “is this really worth film?”

“yes, the fit, your hair, and mr wrinkleton- this is important!! smile please.” he then finally posed, barely smiling but that’s as much as you’re gonna get out of him.

༻ʚ 2. “matt, stop!” you giggle running away from matt who had started a pillow fight earlier. you walked into his room wearing his pj bottoms (from pic 1) and told him they’re yours now. he claimed it’s his favorite but it was yours too :( you unintentionally declared a war when you said if he wants them back he’ll have to take it himself.

that’s when he stood up and started chasing you and it turned into a pillow fight. see, he doesn’t actually care about the pants- you can have his entire closet if you asked. but he loved teasing you just as much as you loved annoying him.

you run into nick’s room yelling, “ nick, help! your brother is trying to kill me!”

“she stole my pants, i want them back!” he laughed, out of breath.

“aren’t boyfriends supposed to like giving their clothes to their girlfriends? stop being a loser matt.” nick said, pulling out his phone to record this. “EXACTLY, tell him nick!!”

matt finally got a hold of you as he tackled you into nick’s bed, both of you giggling and play flighting while nick eventually gets tired and kicks you both out.

༻ʚ 3. you and matt agreed to keep your relationship offline for at least a year. well it was finally your one year anniversary and matt surprised you with a trip just the two of you.

you woke up cuddled in matt’s arms, he gave you a soft kiss as he struggled to fully wake up. you’re more of a morning person than he is so you sat up taking in the view from the hotel and that paired with how fine your boyfriend is you decided to take a “soft launch” picture asking matt if you can post it to which he nods. the pic became a fan favorite amongst his fans for obvious reasons :)

༻ʚ 4. before this picture was taken, you and matt were in his room…making out…a lot. it was getting intense with his grip on your waist guiding your hips back and forth on his lap while your hands pull and tug on his hair and his tongue down your throat.

before this went any further you hear a loud yell from chris saying ‘food’s here.’ groaning you get up off him admiring how fucked he looks. “wait a few minutes, i can’t go out with a hard on.” you laughed and said you’ll meet him outside.

when he comes out of his room his hair is still a mess and he looked as fine as ever. you told him and nick to pose for a friday dump but really, you just wanted to this look on your boyfriend. you’ll definitely pick up where you left off tonight.

༻ʚ 5. beach date with matt <3

༻ʚ 6. matt was playing with your puppy and you left them to go make some food, when you came back you found them napping together on the ground making your heart melt. you love them both so much.

tag list🤍 ~ @mattscoquette @et6rnalsun @norr1ssturni0lo @sturnsxplr-25

if you wanna be added please lmkk <3

[vinceaddams]

Any tips on learning to make buttonholes? I've been putting it off for.... *checks notes* like three years.... but better late than never and all that. I don't have any fancy machines so I gotta do it by hand but that seems right up your alley.

Thanks!

It IS up my alley, yes, I do most of my buttonholes by hand!

I'm actually part way through filming an 18th century buttonhole tutorial, but I expect it'll be a few more weeks before I finish that and put it on the youtubes, so in the meantime here's the very very short version. (The long version is looking like it'll probably be about 40 minutes maybe, judging by how much script I've written compared to my last video?)

Mark your line, a bit longer than your button is wide. I usually use a graphite mechanical pencil on light fabrics, and a light coloured pencil crayon on dark ones. (I have fabric pencils too, but they're much softer and leave a thicker line.) You may want to baste the layers together around all the marked buttonholes if you're working on something big and the layers are shifty and slippery. I'm not basting here because this is just a pants placket.

Do a little running stitch (or perhaps a running backstitch) in fine thread around the line at the width you want the finished buttonhole to be. This holds the layers of fabric together and acts as a nice little guide for when you do the buttonhole stitches.

Cut along the marked line using a buttonhole cutter, or a woodworking chisel. Glossy magazines are the best surface to put underneath your work as you push down, and you can give it a little tap with a rubber mallet if it's not going through all the way.

I'm aware that there are some people who cut their buttonholes open using seam rippers, and if any of them are reading this please know that that is abhorrent behaviour and I need you to stop it immediately. Stop it.

Go get a buttonhole cutter for 10 bucks and your life will be better for it. Or go to the nearest hardware store and get a little woodworking chisel. This includes machine buttonholes, use the buttonhole cutter on them too. If you continue to cut open buttonholes with a seam ripper after reading this you are personally responsible for at least 3 of the grey hairs on my head.

Do a whipstitch around the cut edges, to help prevent fraying while you work and to keep all those threads out of the way. (For my everyday shirts I usually do a machine buttonhole instead of this step, and then just hand stitch over it, because it's a bit faster and a lot sturdier on the thin fabrics.)

I like to mark out my button locations at this point, because I can mark them through the holes without the buttonhole stitches getting in the way.

For the actual buttonhole stitches it's really nice if you have silk buttonhole twist, but I usually use those little balls of DMC cotton pearl/perle because it's cheap and a good weight. NOT stranded embroidery floss, no separate strands! It's got to be one smooth twisted thing!

Here's a comparison pic between silk buttonhole twist (left) and cotton pearl (right). Both can make nice looking buttonholes, but the silk is a bit nicer to work with and the knots line up more smoothly.

I've actually only used the silk for one garment ever, but am going to try to do it more often on my nicer things. I find the cotton holds up well enough to daily wear though, despite being not ideal. The buttonholes are never the first part of my garments to wear out.

I cut a piece of about one arm's length more or less, depending on the size of buttonhole. For any hole longer than about 4cm I use 2 threads, one to do each side, because the end gets very frayed and scruffy by the time you've put it through the fabric that many times.

I wax about 2cm of the tip (Not the entire thread. I wax the outlining/overcasting thread but not the buttonhole thread itself.) to make it stick in the fabric better when I start off the thread. I don't tend to tie it, I just do a couple of stabstitches or backstitches and it holds well. (I'm generally very thorough with tying off my threads when it comes to hand sewing, but a buttonhole is basically a long row of knots, so it's pretty sturdy.)

Put the needle through underneath, with the tip coming up right along that little outline you sewed earlier. And I personally like to take the ends that are already in my hand and wrap them around the tip of the needle like so, but a lot of people loop the other end up around the other way, so here's a link to a buttonhole video with that method. Try both and see which one you prefer, the resulting knot is the same either way.

Sometimes I can pull the thread from the end near the needle and have the stitch look nice, but often I grab it closer to the base and give it a little wiggle to nestle it into place. This is more necessary with the cotton than it is with the silk.

The knot should be on top of the cut edge of the fabric, not in front of it.

You can put your stitches further apart than I do if you want, they'll still work if they've got little gaps in between them.

Keep going up that edge and when you get to the end you can either flip immediately to the other side and start back down again, or you can do a bar tack. (You can also fan out the stitches around the end if you want, but I don't like to anymore because I think the rectangular ends look nicer.)

Here's a bar tack vs. no bar tack sample. They just make it look more sharp, and they reinforce the ends.

For a bar tack do a few long stitches across the entire end.

And then do buttonhole stitches on top of those long stitches. I also like to snag a tiny bit of the fabric underneath.

Then stick the needle down into the fabric right where you ended that last stitch on the corner of the bar tack, so you don't pull that corner out of shape, and then just go back to making buttonhole stitches down the other side.

Then do the second bar tack once you get back to the end.

To finish off my thread I make it sticky with a bit more beeswax, waxing it as close to the fabric as I can get, and then bring it through to the back and pull it underneath the stitches down one side and trim it off.

In my experience it stays put perfectly well this way without tying it off.

Voila! An beautiful buttonholes!

If you want keyhole ones you can clip or punch a little rounded bit at one end of the cut and fan your stitches out around that and only do the bar tack at one end, like I did on my 1830's dressing gown.

(I won't do that style in my video though, because they're not 18th century.)

Do samples before doing them on a garment! Do as many practice ones as you need to, it takes a while for them to get good! Mine did not look this nice 10 years ago.

Your first one will probably look pretty bad, but your hundredth will be much better!

Edit: Video finished!

And here's the blog post, which is mostly a slightly longer version of this post.

[colognedecigarette]

so i opened twitter again after so long today. aaand the last time i logged in was 24 dec but even before then, i rarely spend more than 2 minutes on the platform.

i think what's really interesting was just how quick a sense of doom settled in me, and my feed wasn't even particularly negative. it's heavily, strictly curated to only show people i personally know or in a community with, but either way the only people i kept following from both of those groups are not the kind of people that consistently bring ~drama~ and controversial tweets to my feed. and yet.

even before i finished catching up to all the tweets i missed (which wasn't a lot -- i followed like 50 people? and half of those are barely active like me) i started getting ... tired. but it's in the middle of the night and i can't sleep and i haven't been on the bird app for a while, so what the hell let's just keep going. then the tiredness slowly got worse even though by this point, the closest thing to a "negative" bullshit i saw on my feed was just a friend of mine clowning on an andrew tate tweet that wasn't even all that bad. (tate was quoting al-baqarah, lol.)

ok, ok, so maybe it's the timeline, the homepage. it's the stuff from other people that, while am almost certain they won't bring too much negativity to my eyes, i still can't be 100 per cent sure. maybe that uncertainty made me feel kinda uneasy. so i switched to my own profile, completely filled with stuff i retweeted because they brought me joy, but still, i started feeling something close to a fatigue. then pretty quick i seriously started thinking, "holy shit i want to die."

which is fucking wild, by the way. i haven't had anything close to suicidal thoughts in probably months -- not unironic like this, anyway. and it's all just because i was scrolling through twitter. but it was pretty fucking addictive, not gonna lie. if i hadn't thought about killing myself or whatever, i might've continued scrolling until who knows when and what state of mind i'll arrive in.

i genuinely don't know what it is about twitter. i always thought the whole thing about twitter and other similar social media apps weighing people down and affecting their mental state negatively was just about the stuff that actually appears on their feed but as i said: almost the entirety of my feed was fine. there was nothing really outrageous or maddening or frustrating like it was fine. but still within seconds i started doom scrolling and the only reason i snapped out of it was because i caught sight of a super massive red flag.

i don't know if it was because the app UX specifically overwhelmed me, or i simply already had too much negative experiences on twitter that that affected the way i saw and interacted with the app, or if it was something else entirely. i just know that the fucking bird app is pure evil. it made me want to kill myself simply by being in it and -- no fucking thanks.