#i think i’m going to throw up

[wonk1s]

!?@#;!;~`[273#;?*

[wistfulwillows]

I just binged the entire season 2 of the summer I turned pretty with my friend and I feel ill

[jjkyaoi]

the way people are reacting to chappell roan simply saying she does not want to be harassed in public is weird as fuck. “i don’t think she’s cut out for same if this is how she acts” WHAT???? HUH?????? SHES NOT CUT OUT FOR FAME BECAUSE SHE DOESNT WANT TO BE SHOUTED AT IN THE STREET AND CONSTANTLY BE FOLLOWED BY PEOPLE ???? the entitlement you freaks are starting to have is insane, w the mindset of “we gave them their career so they should let us do whatever want to them” 😭

[creative-robot]

I know The Founders Cut, generally, is the edited scrubbed over version of genloss from Showfall in-universe (as well as a not-8-hour-long-three-stream-binge-night whenever we want to watch it again) but something that struck me as odd and I haven’t seen anyone mention yet, is this warning

It shows up right at the junction where the third act starts, where it appears the Hero is breaking free of Showfall thanks to Hetch. But here’s the thing, while a LOT less than the previous acts the audience still played a significant role in this act, even when really only given two audience interaction choices. Which makes me wonder, how real is this warning, and who is it for? Obviously the audience involved knows what happens past this point, but the audience is also implied to be an integral part of the Social Experiments, which is part of why things start to tweak out when the Founder removes them in the Founder Cut as the Generation Loss generation loses.

My first thought, was that obviously this is another bait and switch, a way to draw the audiences attention, seeing something that’s secret, something that’s not “meant for them”, which is a tactic I could see Showfall using in universe to keep people’s attention and add an air of mystery to their shows.

But

Showfall is doing all their experiments and these shows with a LOT of help from their censors to show it off, displaying a fun silly show that is definitely not uber fucked up and that is 100% just slime don’t worry about it, it’s kid friendly if it’s green! And I don’t think they’d want to bet all their cards on this one experiment doing well enough to their audience to not question the sudden shift in tone that follows this warning. Which makes me wonder.

They did their test, they did their experiment, and the evidence of this last act? I think it was a one time run, they don’t want anyone seeing this, it isn’t for the audience. Act three is specifically to both test and play with their Hero, Hetch’s new lines add a level to this, never once does he call the Hero by their name, just refers to Ranboo as their Role, and he’s not exactly. Nice? About literally any of Ranboos concerns, which wouldn’t really seem conductive to making an audience trust him, especially with his monologue at the end. Ranboo has escaped before, possibly right before act 1 started, they tightened the security on his mask to be unremovably part of them, Hetch doesn’t like the Hero but they’re a fan favorite so he can’t just get rid of them.

Act three is the cumulation of Ranboo being punished for things they don’t remember, for daring to break free from Showfalls control, this is Hetch taking the Hero and essentially majorly fucking and manipulating them to take his frustration out on a fan favorite they can’t otherwise get rid of or give a smaller role like Slimecicle. which is exemplified by the fact that we now know Charlie most likely was never able to actually able to fully snap out of the control, that even in act three in panic and confusion there was at least still a part of him being influenced by Showfall.

So the first two acts are the usual show, they have their posters, they have Squiggles to introduce them, they have goofs and silliness and only a couple slip ups that’re quickly dealt with, the usual rose tinted curtains. Act three?

Do not watch the following material

[marragurl]

Saxaphone player Gallagher has not left my mind since the jazz night art dropped AND THEN Robin saying Halovian’s innately have good voices and Sunday used to hum lullabies to her as kids happened in the 2.2 special program, and I’m sure you guys can see where my unfortunate Galladay heart is going with this.

Whoever decided to make this art, I love you. I hope your pillow is cool every night, you’re never stuck in traffic, and your water is refreshing with every sip.

Also the art of Sunday with the White Gentlemen drink in the S.P.A.R.K.L.E jazz night event has also spiraled into me delusionally thinking that’s his go to drink. Which is hilarious since Robin has hinted before that he seems to have a massive sweet tooth in her letters.

(Sunday how do you even make holding a drink menacing, Sunday please get some therapy-)

So imagine this:

Pre 2.0 Galladay, where they’re both wary and suspicious of each other but didn’t do anything outright. Sunday slowly began to visit Gallagher’s bar whenever he had time to observe the Hound, initially on the down low just to get a sense of what he was working with and what to keep an eye on. He always gravitated to that one corner booth that every bar had with the most privacy, and just stalked there for a few hours before leaving. (Smol menacing birb in a tree vibes)

Gallagher obviously knew that Sunday was doing this (even though everyone else seemed to somehow completely miss him, Gallagher wouldn’t be surprised if Sunday was doing some weird Harmony mind tricks), and after the first few “stakeouts,” he bit the bullet and actually approached the table to engage with Sunday, on the off chance this was some weird “test of loyalty” by the Halovian to see if the Hound would swallow his pride to serve his so-called masters.

Nothing terrible happened, but he remained passive-aggressively polite when serving him, and Sunday remained passive-aggressively cool-headed in response. There was some snark of what dear “sweet-toothed” Sunday would want at a bar, and an icy reply of “aren’t you the master drink smith? Why don’t you show me those skills you boasted about?” which led to Gallagher being petty and giving Sunday the White Gentlemen drink, both for the story behind it being such a metaphor for Sunday, and because it was on the more bitter side of alcoholic drinks.

Sunday wasn’t too against the drink; it wasn’t something he would have ordered if it had been his choice, but it wasn’t a bad drink by any means. He couldn’t help but continue to drink it even after Gallagher left his little hidey booth to go back to the main bar, but he’d never stoop so low as to complement the Hound. Of course, he never ordered anything else from then on, only White Gentleman. In fact, over time it seemed to slowly get better, the flavors grew on him, and he couldn't help but look forward to it during difficult nights in the Dreamscape.

If Gallagher tried to needle him into a different drink, Sunday just bit back a “oh? Admitting defeat? I thought this was your best drink for me?” with a little smirk while Gallagher had to use every bit of self-control to not punch him in the face.

As time went on, the bar slowly became a place Sunday frequented to not quite relax, but to get away from the hustle and bustle of Penacony and his duties as one of its main faces. The stresses slowly started piling up, especially with the Charmony fast approaching in a few months and all that came with it.

Gallagher didn’t seem to loosen up regarding his attitude with Sunday, but he did get better at shoving down the visceral hatred he had for everything to do with The Family and Sunday as time went on. He didn’t get soft with Sunday per se, but he definitely kept an eye out for him, and definitely knew when to cut off his drinks on days where it seemed that Sunday wasn’t all that there for their usual veiled comments towards one another when he went to serve him his drink.

It started small, with Sunday staying later and later until sometimes he was the last one to leave the bar to return to reality. Gallagher wasn’t quite sure what to make of it, still wasn’t quite sure this wasn’t some weird long-term test Sunday was devising, especially since he still seemed to be the same ruthless Family member, the same Head of the Oak Family, when Gallagher was working as a Bloodhound outside the bar. For some reason though, within the enclosed space of this strange sanctuary, it was almost peaceful between the two.

One night, there was something wrong when Sunday entered the bar during Gallagher’s shift. He saw a bit of a crowd near the small stage that was within eyesight of his little hidey booth, it seemed some of the musicians of the live band were arguing? He watched as Gallagher came over, seemed to try to speak with the group before honing in on one of the musicians who had been making the most noise and seemed to be about to get physical with the rest. Sunday watched as Gallagher picked up the musician by the scruff of their suit with one hand and carried them towards the doors and lightly tossed them out.

(It was the first time Sunday had actually seen Gallagher perform anything resembling the actual duty of a Bloodhound. It only hit him that he’d only ever seen the other when giving reports, orders, or at the bar. Why was this so shocking to him, he’d seen the man’s arms before, hard not to with his slovenly dress and messy clothing style, as if he couldn’t bother to hide away his imperfections from the world, not like Sunday who refused to be seen by the world, to dare to show one thing off about himself despite his countless failings- he’s getting far too distracted by one meager showing of strength, focus Sunday)

There had always been a live music segment. Sunday was curious to see what would happen with the band missing a member, but was distracted by Gallagher placing his usual White Gentlemen in front of him before heading back to the musicians without a single word to him. Gallagher took a moment to speak with the rest of the band, who seemed to be coming out of their shock and took on worried looks. Sunday could only watch in muted shock as Gallagher went behind the bar and came back with a case, opening it to reveal a saxophone. He then went on stage with the rest of the group, positioned himself further to the side and in the back amongst the shadows within Sunday’s line of sight, and played with the band for the rest of the night.

Sunday couldn’t look away.

He was frozen as he watched Gallagher seamlessly transition from song to song, taking only small breaks to continue serving the other patrons before heading back in. Sunday only remembered about his own drink when his gloves began to get wet from the ice melting into condensation on his glass.

Something felt off within Sunday, and for the first time since Robin’s debut, he couldn't help humming to the music of the band, music that wasn’t of his own sister’s making. He couldn’t help but remember those little concerts the two would have, taking care of his little sister, his only world. He would do anything to keep the Harmony, to keep their family going. When was the last time they truly spent time together? Before he became the Head of the Oak Family? Before he couldn't recognize his own smile?

He was so lost in his thoughts, in memories he thought he buried, that he didn’t realize that it was once again closing time, and he was once again the last one left. He only snapped out of it when Gallagher came by to grab his empty glass, only quirking a questioning brow at him before heading back to the bar.

Gallagher had been keeping a quiet eye on the Halovian that night from the back of the band, in the shadows he felt the most comfort in when in the Dreamscape of Penacony. He had watched Sunday’s eyes glaze over, and the only reason he hadn’t felt offended by the seeming disinterest was the look in the other man’s eyes reminding him of his own when he looked in the mirror. The same look of shame, regret, loss, longing, of the wishes to regain everything he had lost. The same look he strove to hide under every bit of the facade he had crafted of this new self, but came back all too often with every reference of the Family found within his prison in the Dreamscape.

Maybe it was the shared nostalgia within his own heart, that little bit of his true self that he thought died when the Family tore out everything that made him who he was, that made him return behind the bar and begin making Sunday another White Gentlemen, giving Sunday a small nod to beckon him over. He wasn’t expecting anything from it, and he masked his own surprise when Sunday actually left his little shelter to come and take a seat in front of him at the bar. Even while out of it, Gallagher made note of the quiet confidence the other still carried himself. Nothing seemed wrong to anyone else looking at him, only for the lost look in his eyes.

The first time in the many months that they’ve been skirting around each other, and finally they seemed to be face to face.

It was quiet as Gallagher made Sunday his usual drink, a drink he had been slowly changing over the months to be sweeter and sweeter that Sunday never quite seemed to notice, or if he did, he never said anything, only seeming to savor it more each subsequent night. Maybe not even Gallagher noticed his own changes to the drink, subtle as they were.

It was quiet as Sunday took the finished drink, and it was quiet as his eyes slid over the bartop to see the saxophone case laying open with the instrument inside. It was quiet as Gallagher followed his eyes, as he came out from behind the bartop to take the saxophone out and take a seat in a chair only one seat down from Sunday’s. It was quiet as Gallagher began to play to his audience of one.

It was quiet as Sunday quietly hummed along.

It was quiet as they both knew that it would not last.

OK yea so this was all because I heard ‘La vie en rose’ at the end of the Jazz night event and went “Damn I wish that’s Gallagher playing on his Sax” and then we spiraled.

Uh. Idk what it is with me having a small ship moment which then spirals into a full blown writing session. My mind blanked out and as I came to I find out that I made a whole ass little one shot over here then completely forgot about it WHOOPS

So yea, hope my fellow Galladay enjoyers… enjoyed! I think I’ve slowly begun to crave… not domestic or fluff per se from these two, but after every AO3 fic being super dark between them (which I get! They are the toxic yaoi kings of Penacony as of writing this, no one is denying that!) I think I want to see them be explored in a more melancholic sense. Not quite the “forbidden” love angle, but in the “damn we kinda have some parallels, and maybe in another life we could have gotten along but there’s too much baggage and anger, both historically and currently to really even try anything”

I have this feeling this may not be the last time I write about these two… is Galladay going to be the ship that gets me to actually use my AO3 account?

[milflewis]

it’s about being soft and the world eating you up if you don’t harden and the mind numbing monotony of everyday bitterness and no money and petty violence and what happens if your one person decides they don’t want to be your person anymore and who cares about being remembered if you aren’t nice vs who cares about being nice if you aren’t remembered and how terrible small scale tragedies can be even going up against giant horrors like a civil war and what do you do if you hate your home and everyone in it and how do you cope when someone you love uses your love for them to keep you away

[syrupfog]

AU where Sanji never actually left Germa, and Judge made him a test subject early on, successfully getting rid of his empathy after years of torture.

But like, he has those years of bullying from his brothers first, and his empathy’s gone but his anger’s still there. Also with no Zeff, he fights with his fists and doesn’t treat women Like That. Because Zeff’s the one who instilled in him to never hit a woman (and made it weird but that’s not the point).

He’s out on some mission in the Grand Line when he runs into the Straw Hats and he sees Zoro’s green hair and associates it with Yonji and he just haaaates him on sight.

The fight is super evenly matched and Zoro manages to knock him out eventually but he’s like what’s the guy’s DEAL. Wtf is his problem.

Maybe Law’s with them when it goes down and he recognizes that costume and fanboys…

Oh actually yeah— Law’s with them! And after Zoro knocks him out, Law goes into Creepy Surgeon Mode and is like for the love of god please let me get my fingers in that chest cavity

And everyone else (bar Robin ofc) is like Σ（ﾟдﾟlll）

But Law gets a room going and finds all sort of odd Germa technology literally implanted in him and starts pulling it out and messing with it and suddenly Sanji wakes UP and he’s— he’s scared. And overwhelmed. He’s in real time having to reckon with years of torturing people.

And Law’s like oh the emotional part of this is not in my pay grade this is not my job anymore and dips.

So Sanji’s there in the Sunny’s infirmary like “I’m a monster I need to be put down oh my god” and Luffy shows up like HEY you’re cool as hell join my crew.

Zoro is not a fan of this option and also it turns out neither is Sanji BUT sanji has nowhere to go so he makes a deal to sail with them until the next habitable island. So Zoro watches him like a hawk bc he’s like “you’re definitely faking this and are gonna turn evil and try to kill people again right”

But instead he just keeps finding Sanji being really pathetic and sad and looking longingly at the kitchen (Robin doubles as the cook and her food is damn near inedible but that’s just the life of a pirate innit)

Late one night Zoro comes off watch and he sees Sanji sneaking into the kitchen and he thinks OH he’s going to try to POISON US so he sneaks in after him and confronts him, swords and all. And Sanji, who knows what an awful person he’s been and knows he deserves death, just starts crying and is like “yeah you can kill me just let me cook one thing once I just want to remember what it feels like”

So Zoro lets him cook, and is like yeah I’m killing you after this, and Sanji spends a long time sniffling as he re-familiarizes himself with pots and pans and spices and knives and ends up making something garlic-y and delicious that smells strong enough to wake up the crew, and everyone traipses in enraptured by the smell. So Sanji serves them and Zoro tries it first because if it’s poisoned he’s not letting EVERYONE go down. But it’s not poisoned and it’s really good, and anyway Zoro can’t kill him now in front of everyone.

But three nights later the same thing happens— he sees Sanji sneaking into the kitchen and follows him and Sanji says “I know you should’ve killed me last time but you couldn’t, I get that, but I’m dangerous. So let me cook just one more time and then you can kill me.”

And it doesn’t happen of course. Everyone comes in and everyone eats and Zoro watches Sanji recover a little of himself.

And so it goes. At first every few nights and then every other night, and then every single night.

And whenever Zoro comes in, Sanji says, I know I deserve to die but let me cook just one more thing.

And at some point Zoro stops thinking about killing Sanji. He’s a part of the crew now. He’s proving himself, and anyway Zoro can beat him and hold him down and Law can reverse whatever it is again if needs be.

So it’s just a thing they do. Zoro lightly threatens him and Sanji begs for his life and they move on. It’s routine but it doesn’t actually MEAN anything anymore.

That is, until one really bad night where Sanji doesn’t show up in the kitchen like he always does, and Zoro goes looking and finally finds him deep in the steerage, and Sanji says, “I can’t keep living like this, please just kill me. I can’t keep living knowing I’m going to die the next day.”

And Zoro’s like ???? You’re not gonna die the next day wtf

And Sanji says, please, just get it over with.

Zoro realizes that Sanji has continued all this time assuming Zoro really is coming to kill him every night

But it’s been MONTHS at this point. Surely he wouldn’t still think—

But Sanji’s wracked with more than a decade’s worth of guilt, is so sure he deserves the worst the world possibly has to offer.

Too bad Zoro’s a little in love with him at this point. And says anyone who wants to kill Sanji will have to go through Zoro first.

Which Sanji DOESNT UNDERSTAND and he doesn’t understand the kiss Zoro follows it up with, but he returns it. Greedily.

Because as much as he knows he deserves death, he also relishes every moment of life, every chance to feel the emotions he wasn’t allowed. And Zoro goes from jailer to protector in his mind. Slowly. Hesitantly.

He spends years working through the trauma, decades really, but the simplicity with which Zoro sees the world helps. Zoro doesn’t blame him. Zoro loves him. Sanji doesn’t know much but he knows he’ll defend this ship that saved him with his life.

And he knows Zoro wouldn’t let Sanji defend HIM with his life, because Zoro views his life as precious and important.

Which is something Sanji is still learning.

He’ll get there.

[blitheringmcgonagall]

Canon James Potter on hearing his name is linked to two ships in ao3’s top 20 ships for 2023 (no 8 and no 18):

Canon James Potter on hearing the most popular of the two is him & Sirius’ Deater baby brother Reggie:

[alohaasaloevera]

STUPID STUPID STUPID STUPID THEY’RE IDIOTS AUGHHHHH I’M WRITHING ON THE FLOOR BECAUSE OF HOW BRUTALLY PATHETIC THEY ARE!1!1!1!1!1!1!1

[sanshinexx]

Fun times at the family game night 🥰

[More incorrect quotes with the gang here, now as a masterlist i just made because why not]

[hawkeyeslaughter]

blacked out and when i came to and there were tears on my face and this was on my screen

i’m SORRY if you’ve sent me a request they’re either in progress or on my to do list i’m just insanely unwell over them <3

[stepbackattack]

Fun Fact! House is frequently referenced to enjoy many forms of physical activity and sports, as far as being a lacrosse player in high school and a cheerleader in college. Which means he was very mobile and physically fit pre-infarction. This also means his most healthy ways to air out his frustrations mentally and emotionally were basically ripped out of his hands forever!!!

[mitskiluvr]

that body never belonged to you in the first place

[httpiastri]

this is one of the best things i’ve seen all year 😭

[bookshopbentley]

oh my god . guys . azirpahale’s whole thing is that he’s SAFE . he doesn’t go fast . he tends to hold onto things of comfort . he lives a relatively quiet life in a bookshop . i think we all know that him saying “ nothing lasts forever “ was his “ i love you “ because he’s willing to give his bookshop up . but it’s so much MORE than that . it’s him giving up that safety , that certainty . it’s him saying “ i don’t need to be safe and steady anymore because i’ll have you with me and you matter more . i WANT to give that up because you’ll be with me . “

[anime-moreanime-animeagain]

I haven’t even read the epilogue yet, but apparently the last few chapters of Ascendance of a Bookworm Part 4 Volume 3 was written solely to make me ugly cry for an hour. (Spoilers ahead)

That goodbye was brutal. I cannot. I am so upset about this. I was upset waaaay back in the beginning for being denied my rightful Gunther and Myne father and daughter ADORABLENESS! When she unthinkingly reached out to him after the Hasse execution and he gave her his coat? I was a puddle of tears y’all 😭 😭

And now? This last tie being severed and those two years being lost is just too cruel. I’m sure later I’ll squeal over how cute it was for Ferdinand to praise her like that (b/c omg it was SO cute!), but right now all I can think about is how tragic and sad it must have been for him. How unexpectedly happy he must have been to receive such praise, that would only come once a year. How utterly alone he must have felt sometimes…

Right so I’m back to crying. This book is more than kicking me in the feelings. I got hit with a 20 hit combo and am down for the count.