#have a farm

[amerasdreams]

Jason bond with a horse which helps him with PTSD

[sunbentshadows]

Hey all, you know how internet searches suck now? When the results are awful, full-of-AI, death-of-the-internet levels of bad?

Start appending date constraints to your searches - "before:2023".

My results have gone from 90% AI bullshit to ~60% usable - which frankly at this point is a huge improvement.

[autisticbabayaga]

My most referenced meme is actually this sign from a furniture store's going out of business sale in my hometown.

[butteriish]

hats on cats!!!

[mapletine]

stardew valley thistle ☆

his junimos are unionizing

[ministarfruit]

stardew valley marriage candidates

[the-commonplace-book]

been a while since the genshin fandom's collectively gone this apeshit over a character

[hedgehog-moss]

Look, friends.

Do you think this is a post about my adorable baby succulents? No. Look harder.

It's about the GIANT HOLE IN MY FENCE that I had to patch up with cardboard.

I can't blame Pampérigouste for this one; the brutish nature of the damage is not consistent with her usual modus operandi. Pampe outsmarts locks like Arsène Lupin; she doesn't charge at fences like a bull who saw a red cloth. This is Pampe Pondering A Fence Problem:

No, the damage to my fence looked a lot more mindless this time. Boorish. Boar-ish. I'm blaming a boar. A deer would have destroyed the whole thing rather than just the lower half. Note that there is not a single tuft of llama wool on the damaged wire mesh.

(Note no.2: the boar's smile was originally meant to be a tusk but it really just looks like a sardonic smile)

I brought some chicken wire to patch up the hole—but there wasn't enough of it. Then it started raining and I felt persecuted and decided to just cover the hole with cardboard and go have my morning coffee and get back to this later.

This is not an Innocent Pampe post; there is no such thing. My temporary cardboard solution lasted 8 to 10 minutes. I'm not sure exactly when she got out, but by the time I went back outside to repair the fence there was a Pampe-shaped hole in the cardboard.

(Not really; she just kind of lifted or ate a corner then wormed her way through the very small opening. I think.) (See, this is how you recognise a Pampe escape: you're not entirely clear on what went down, you just know there was a llama inside and now there is a llama outside.)

It was still raining and I didn't feel like going after her, plus it felt pointless to bring her back in her pasture before the fence was repaired, so I went in the barn to look for my tools and rummage through leftover pieces of previously-destroyed fences, hoping to find something the right size.

Then I heard Pampelune's hyena shriek, aka the llama alarm call. It was followed by:

horrified chicken screams and frantic feather noises; the soundtrack of a violent fox attack

infuriated barking from Pandolf

very loud panicked braying from Pirlouit

basically, chaos.

I ran outside just in time to see Pampe emerging from the woods at a full gallop, pursued by a bear. I didn't immediately identify the animal that was chasing her as the giant dog that he was, because he was running with a weird gait, with his legs going everywhere like he was frolicking at top speed (I now know that this dog is a puppy that has learnt to run just a few months ago, but that didn't occur to me at the time because this puppy is the size of a calf.)

Pampe was running towards the cardboard through which she had escaped and she managed to squeeze through her small corner hole again (I assume—there were trees blocking my line of sight and I only saw her again once she was in the pasture, running for her life along with the other 2 llamas + donkey.) Meanwhile, the dog didn't see the corner hole and tried to power through the cardboard much like a boar, or was carried away by his momentum and didn't brake in time; I don't know. In any case, when I reached him, he was stuck.

My large piece of cardboard was tied to the fence posts and still holding strong, but the middle was a bit soggy with rain and not too solid, so the dog's head went right through it. The rest of his body didn't.

He could have probably finished breaking the cardboard quite easily, but for some reason he instantly gave up. On life. By the time I got there the dog was half-in and half-out of the pasture and he looked defeated. Which made my piece of cardboard look like a mediaeval beheading apparatus with just a hole for the head.

I went to lock an angry Pandolf in the barn and checked on the chickens along the way (ruffled & offended but fine); I was hoping the dog would figure out how to extricate his head from the cardboard in the meantime. He did not. I tried to call him in a friendly tone (from behind) to encourage him to free his head by stepping back, but the concept of taking a couple of steps backwards in order to extract his head from the hole might as well have been advanced engineering. He clearly had no idea where his head was, where his body was, how to make the two a coherent whole again, and he started whining pitifully.

I untied the rope I had used to attach the cardboard to the fence posts, then wriggled the piece of cardboard a bit to try and free the dog's head. The dog was alarmed by the wriggling and took several steps back—but I didn't manage to hold on to the cardboard so it just moved with the dog. He clumsily ran away, taking the cardboard with him, wearing it around his neck like the world's largest cone of shame.

He immediately got stuck between two trees.

I was starting to find the situation hilarious, but the poor dog did not—he lay down and started making sad broken noises like a malfunctioning dog-robot. He didn't look very threatening but he was still a very big (and stressed) dog so I felt a bit wary of touching his head to help him, and decided to run home to get a box cutter. I figured I could easily rid him of most of the cardboard and leave him with just a soggy cardboard collar that would soon fall apart. I heard my landline phone ringing from afar and ran faster, and it was one of my nearest neighbours, the retired lady who lives on the plateau.

"I've been trying to reach you!! I saw your llama in my garden earlier, I was going to give her a little treat—" (she loves Pampe, for some reason) "—but then my dog saw her too."

I know this woman's dog—he's a tiny thing with fragile nerves who thinks the whole world is out to get him, so I asked anxiously, "Did Pampe scare your dog?" and she said "Oh no! Domino is here with me; but I have a new dog. His name is Texas."

I thought of the gigantic puppy currently sobbing in my woods, held prisoner by two trees, a self-inflicted cone of shame and his total lack of reasoning skills.

"Yes", I said. "I've met Texas."

The old lady asked worriedly if he'd scared Pampe ("Il est un peu zinzin" she said—he's a bit crazy. "I wanted to call him Rex, but then I met him and thought—Texas!!") I told her I was pleased with her dog for scaring Pampe, because she needs to learn that her pasture is her only hope for safety in this cold uncaring world and as soon as she steps out of it she returns to her lowly status as a prey animal. Then I ended the phone call because I was worried both about Texas and about the large hole in my fence. Thankfully all my animals were still terrified and hiding far, far away from Texas.

Texas actually managed to free himself before I attempted to cut the cardboard, but he still thought of me as his saviour and was very happy to follow me through the woods back to his owner's place. Before we left I propped up the cardboard against the damaged fence, and despite the hole in the middle no llamas escaped in my absence; I think the whole area still smelled like Texas and fear.

I'll admit I was initially tempted to leave Texas with his head stuck in the cardboard in a more permanent capacity in order to patch the hole in my fence with this amazing anti-Pampe Cerberus. Like this

(I know this artistic rendering makes my llamas look like frightened carrots and my donkey like a bunny but I will not be taking constructive criticism at this time)

[fairyrona]

i am not in the least sorry <3!!

[kagoutiss]

pelican town, ‘72

[gummybearstastelikesadness]

When Danny enters the Fenton portal for the very first time, he still trips and shocks himself but at the same time damages the inside of the portal enough that it can’t sustain itself past the point of changing Danny’s molecules.

The electricity and damage done to both Danny and the portal isn’t something Danny, Sam, and Tucker can cover up and his parents find out immediately. They’re more concerned about their son then the portal (they have the blueprints for the portal and can rebuild it later but can’t replace their son if something happened to him) and go through a lot of things emotions regarding the existence of ghost human hybrids.

Danny’s new biology could easily be passed as meta human traits. Unfortunately President Lex Luther had just recently passed laws against meta humans. Meaning they can’t risk people find out about Danny’s new powers, at all. The Fentons decide that Danny should live with one of Maddie or Jacks relatives off grid until he can control his new abilities better.

luckily Jacks sister, Martha, and her husband have experience with a super powered child and after their son moved to the city could probably use a hand on their farm. All Jack needed to do was call.

[tanglepelt]

Dc x dp idea 118

Danny, Sam, and Tucker all share one braincell. One that just went on vacation.

A Giw patrol was hunting the trio down.

What else were they meant to do. Not jump in the random natural portal? No they all just convince each others it’s the best option.

Danny can make portals now. Hell maybe wulf was nearby. They were in the woods. He’d left portals open before.

It was probably safe! Better then a continued chase.

Well.

They were somehow seperated. Somehow not in the ghost zone. And was this even there dimension???

Sam was at a lost. Suddenly landing in an alley. In a grim alleyway. She could dig the dark atmosphere. Someplace called Gotham she’s assuming based on the newspaper the Gotham gazette.

Well. If she could handle that ghost prince kidnapping fiasco she could handle this place. Time to cause some trouble.

Tucker wasn’t that concerned about the separation. For now he’d hack into local sites gain some insight. There was no listing of amity anywhere. No doubt Danny would make the news soon enough. He could chill in jump city for now.

Danny. Well Danny was just vibing. He crashed landed on some farm. The two who came up to him were so nice! They gave him pie!! It didn’t even fight him.

He had no idea where they ended up. The vibe was similar to home. He could still make portals easy enough. But he had no idea where to start looking for sam and tucker.

But!! Jon and Martha promised him their son would be able to help! He had connections… apparently. He couldn’t risk the cops. Plus they let him help with the animals!!!!

He is sure that sam and tucker could take care of themselves for a few days. He was apparently out of town.

Jazz for her part. Had been on her way to pick up the three idiots. Only to see them in the distance jump through a portal. Well. She might as well give the Fenton speedster a test drive.

[inkskinned]

no, but really, we need to talk about the casual objectification that has become the fallback discourse of the internet: if you're pretty and dressed nicely, you're a slut. and if you're even vaguely outside of their body standard, you're fucking disgusting.

too-frequently, people position sex workers as being "the problem". they sneer you're addicted to pornography, you don't know what a real woman looks like. but real women are in pornography. the real bodies on display are not the issue here: the issue is that other people feel extremely confident when commenting on someone's physique.

2000's super-thin is slowly worming its way back into the public ideal. recently i saw someone get told to "go for a run", despite the fact she was on the thinner side of average. not that it would ever be appropriate to say that: but it's kind of like sticker shock when you see it. people think that is fat? holy shit. do they just have no idea about things?

but what are you going to do about it? that's the problem, right. because chances are - you're a normal person. we can say normalize carrying fat on your body, but we are not the billion-dollar diet industry. we are not the billion-dollar fashion industry. we are just, like. people. who are trying to make content on the internet, without being treated shittily.

as someone who has been on both sides of things: you are treated better when you are thin and pretty. this is statistically correct. i am not saying that you cannot be bullied for being thin; i'm saying there are objective institutional biases against certain bodytypes. there are videos of men and women who lost weight all saying: i now know for a fact exactly how much worse you're treated. in the comments, some asshole inevitably says something akin to you deserved to be dehumanized when you were fat.

which means that ... the easiest thing to do is be pretty and thin. it is the path of least resistance, because of course it is, because any time you post a picture of yourself without a thigh gap, someone immediately comments something like you need to try a diet.

the other half is also dehumanizing though, huh, just in a different way. when i put on makeup and nice clothes, i am told i slept my way to the top as a professional. do you know how many women in STEM have told me they purposefully dress to "unimpress" because they already struggle to be taken seriously and if they're ever considered pretty - it for some reason takes away from their authority.

so they make it seem like it's your fault. you, existing in a body - it's your fault! if you didn't want shitty comments, don't have a body. they position us against each other like chess pieces; vying for male attention we don't even need.

and i can be an authority on this unless you think i'm fat and unattractive. when i am pretty and thin, i'm an activist. when i am just a normal person who makes a good point: i am immediately dismissed. nobody fucking believes you if you're not seen as attractive. you literally lose value. you cease to exist.

but the whole time, it feels like - is anyone actually grounded the fuck in reality? the line of "pretty and thin" keeps shifting. nobody seems to understand what "a normal weight" even looks like, because it's not something that exists - you cannot tell a person's health by looking at their body. even if you think you could tell that, even if you're sure a person is dangerously overweight - people are not your dolls. they do not need to be dressed up or displayed properly to soothe your aesthetics. you aren't concerned for them, you're stealing their agency. you don't get to say if they're "allowed" to take pictures and post them on the internet - you don't get to tell them how to exist.

people hide behind "the obesity epidemic" without any actual qualifications. they crow things about "normalizing unhealthiness".

but it's bullshit. i have visible abs. there is a pair of parallel lines on my body, even when i'm relaxed; where my obliques meet my abdominal wall. i am proud of this because it means i'm strong, because i overcame an eating disorder only to be ripped as fuck. it is genetic and physical luck that i even get any definition, i'm pleased as punch.

but it does mean that my abdominal wall sticks out a little bit. the other day i posted a video of myself dancing, and, for a moment, my shirt slipped. you could see a little bit of my stomach. i was cartwheeling to the floor. moments before this, i'd had my foot over my head.

a guy slid into my DMs. a row of vomiting emojis prefaced: you should really lose some weight before you think about dancing.

i stared at it for a long time. there was a time when i would have been triggered by this, where it would have encouraged me to starve myself. i would have ignored the fact i'm flexible, agile, good at jumping: i would have lost the weight for a stranger's passing comment. i would have found myself and my body fucking disgusting.

and for what? to please what? because why? so that he can exist in this world without an unchallenged eyeball? what would my self-hatred even accomplish? usually i write paragraphs. obviously. on this particular occasion, in this body i've been at war with for ages: i just felt exhausted.

it shouldn't be even worth saying. it shouldn't be hard to explain. all of this emotional turmoil when he cannot even comprehend the most basic truth: i am not an object on display for him.

[sirmanmister]

MacCready not beating the generational trauma allegations 😔😔😔

[theramblingvoid]

Low level/continuous pain tips for writing

Want to avoid the action movie effect and make your character's injuries have realistic lasting impacts? Have a sick character you're using as hurt/comfort fodder? Everyone has tips for how to write Dramatic Intense Agony, but the smaller human details of lasting or low-level discomfort are rarely written in. Here are a few pain mannerisms I like to use as reference:

General

Continuously gritted teeth (may cause headaches or additional jaw pain over time)

Irritability, increased sensitivity to lights, sounds, etc

Repetitive movements (fidgeting, unable to sit still, slight rocking or other habitual movement to self-soothe)

Soft groaning or whimpering, when pain increases or when others aren't around

Heavier breathing, panting, may be deeper or shallower than normal

Moving less quickly, resistant to unnecessary movement

Itching in the case of healing wounds

Subconsciously hunching around the pain (eg. slumped shoulders or bad posture for gut pain)

Using a hand to steady themself when walking past walls, counters, etc (also applies to illness)

Narration-wise: may not notice the pain was there until it's gone because they got so used to it, or may not realize how bad it was until it gets better

May stop mentioning it outright to other people unless they specifically ask or the pain increases

Limb pain

Subtly leaning on surfaces whenever possible to take weight off foot/leg pain

Rubbing sore spots while thinking or resting

Wincing and switching to using other limb frequently (new/forgettable pain) or developed habit of using non dominant limb for tasks (constant/long term pain)

Propping leg up when sitting to reduce inflammation

Holding arm closer to body/moving it less

Moving differently to avoid bending joints (eg. bending at the waist instead of the knees to pick something up)

Nausea/fever/non-pain discomfort

Many of the same things as above (groaning, leaning, differences in movement)

May avoid sudden movements or turning head for nausea

Urge to press up against cold surfaces for fever

Glazed eyes, fixed stare, may take longer to process words or get their attention

Shivering, shaking, loss of fine motor control

If you have any more details that you personally use to bring characters to life in these situations, I'd love to hear them! I'm always looking for ways to make my guys suffer more write people with more realism :)

[dragonpropaganda]

The Architecture of Rain World: Layers of History

A major theme in Rain World's world design that often goes overlooked is the theme of, as James Primate, the level designer, composer and writer calls it, "Layers of History." This is about how the places in the game feel lived-in, and as though they have been built over each other. Here's what he said on the matter as far back as 2014!

The best example of this is Subterranean, the final area of the base game and a climax of the theme. Subterranean is pretty cleanly slpit vertically, there's the modern subway built over the ancient ruins, which are themselves built over the primordial ruins of the depths. Piercing through these layers is Filtration System, a high tech intrusion that cuts through the ground and visibly drills through the ceiling of the depths.

Two Sprouts, Twelve Brackets, the friendly local ghost, tells the player of the "bones of forgotten civilisations, heaped like so many sticks," highlighting this theme of layering as one of the first impressions the player gets of Subterranean. Barely minutes later, the player enters the room SB_H02, where the modern train lines crumble away into a cavern filled with older ruins, which themselves are invaded by the head machines seen prior in outskirts and farm arrays, some of which appear to have been installed destructively into the ruins, some breaking through floors.

These layers flow into each other, highlighting each other's decrepit state.

The filtration system, most likely the latest "layer," is always set apart from the spaces around it. At its top, the train tunnels give way to a vast chasm, where filtration system stands as a tower over the trains, while at the bottom in depths, it penetrates the ceiling of the temple, a destructive presence. (it's also a parallel to the way the leg does something similar in memory crypts, subterranean is full of callbacks like that!)

Filtration system is an interesting kind of transition, in that it is much later and more advanced than both of the areas it cuts between. This is a really interesting choice from James! It would be more "natural" to transition smoothly from the caves of upper subterranean to the depths, but by putting filtration system in between, the two are clearly demarcated as separate. The difference in era becomes palpable, the player has truly found something different and strange.

Depths itself is, obviously, the oldest layer not only of subterranean but of the game itself. The architecture of Depths has little to do with the rest of the game around it, it's a clear sign of the forgotten civilisations that our friend Two Sprouts, Twelve Brackets showed us, there's not actually that much to say about it itself, it's mostly about how it interacts with the other layers of subterranean.

That said, Subterranean is far from the only case of the theme of layers of history. It's present as soon as the player starts the game!

The very first room of the game, SU_C04, is seemingly a cave. It is below the surface, the shapes of it are distinctly amorphous rather than geometric. (well. kind of, it doesn't do a very good job of hiding the tile grid with its 45 degree angles.)

But let's take a closer look, shall we?

See that ground? it's made of bricks. The entire cave area of outskirts is characterised by this, the "chaotic stone" masonry asset is mixed with brickwork, unlike the surface ruins which are mostly stone. This, seemingly, is an inversion of common sense! The caves are bricks and the buildings are stone. This is not, however, a strange and unique aspect but a recurring motif.

This occurs enough in the game for it to be clearly intentional, but why would materials such as bricks be used in otherwise natural looking terrain?

The answer lies in the "Layers of History" theme. This is in fact, something that happens in real life, and it's called a tell

To be specific, a tell is a kind of mound formed by settlements building over the ruins of previous iterations of themselves. Centuries of rubble and detritus form until a hill grows from the city. Cities such as Troy and Jericho are famous examples. The connections to the layers of history theme are pretty clear here, I think. Cities growing, then dying, then becoming the bedrock of the next city. The ground, then, is made of bricks, because the ground is the rubble of past buildings. The bones of forgotten civilisations, heaped like so many sticks!