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#having very normal feelings about a cartoon show
zombieella · 2 years
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bibiana112 · 8 months
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Question inspired by today's nyancave p3p stream, do you actually need a license to voice act in Brazil? Thought you might know because you live there
Well, not really a specific license for voice acting, you just need to be a registered actor the same way people need to be to perform in theater, television, movies and stuff
What you do absolutely need is a ton of nepotism though
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arttheclown · 1 year
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also while i’m on the topic of catscratch. i know only like. a very small handful of friends will know what i’m rambling about but i rewatched the katilda eps and oh my god i didn’t realize it as a kid but she and blik had like. negative chemistry 💀 their personalities just do Not mesh at all and as sad as i am that the show was cancelled so early im kinda glad we never saw that relationship come into fruition LOL
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Lesson 1: "White Man Painted Black"?
Okay, I recognize that this is a strong foot to step off on! But! If you learn nothing else from this series, if you decide for whatever reason to forsake me: this is the ONE perspective I'd like you to take away!
You may have heard this quote before, when Black fans deride a character design as 'a white man with the brown bucket tool'. On its face, it means exactly what was said. But specifically, what it means is that we recognize that whomever designed the character drew the way they normally draw for a 'default' character in their mind- default usually meaning White/Eurocentric features- and they added a shade of brown within the line art to make that character now 'Black'.
Now if you're feeling defensive, wait just a moment! This discomfort is not inherently a bad thing!
I'm going to use both a 'real world' example first, to show you what your Black fans and peers are seeing, and perhaps you will also understand our discomfort!
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(if anyone was curious, my folder for this lesson is titled 'brad' lmao and you'll see why)
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(I'll have y'all know that I actually worked very hard to make Blackface Brad look mildly presentable lmao I'm sorry, I'm wheezing, I can hardly breathe looking at him 🤣)
You see how, despite knowing where this was going, and using one of the darkest shades of brown in my Skin Tones arsenal, you still know that that's Brad Pitt? That nothing about his hair texture, his lips, his nose, or really anything other than the palette change... changed? And you can still see that?
It's incredibly hurtful to be told that that's supposed to be you. You know it's not, you know why it's not, but rather than hearing how it makes you feel unseen and what they could do to be better (since they wanted to draw a Black character!), the artist lashes out at you.
And as an artist, you might have worked VERY HARD to do this! That might be a real handsome guy you drew!! But... is he really Black? Did you walk into it with the intention, that you were drawing a Black Character, or did you draw a character that just happened to be Black? It seems like a silly thing, but it matters!
Okay. I just finished laughing over Brad. Now let's get into some more perspective changes:
Now, imagine you drew a character. You want to make her Black, so you change the hair and skin colors. All right! You have your Black character... right?
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Changed ONE feature about her? (You should obviously change more than one feature, but let's just go with the simplified example.)
What if, instead of just changing her palette, we changed her:
Hair?
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There isn't nearly enough time in the world, let alone in this little scribble and blurb, for me to describe the IMPORTANCE of Black hair in Black character design. There are so many ways to do curls, afros, braids, twists, locs, SO MANY HAIRSTYLES!! Get used to searching in the 3C-4C hair textures!!!! I plan on doing an entire lesson or two on hair alone, but suffice it to say, Hair Texture is thee BIGGEST giveaway that you 'painted a white person Black'- from cartoon styles to realistic! It reveals itself in your writing as well- just based on how your character takes care of their hair, how your describe the texture, how other people might perceive it... it lets me know just how much research was done. Because we can have straight hair! But again, that's a conversation for a whole 'nother lesson so- come back later 👀?
Lips?
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I love our lips, I really do. There's a long history of shaming Black women in particular for the way our lips look. So when I see them done in all their glory, it makes me very happy. Two-toned lips vary in shade and intensity, so make sure you're using references if you want to be 'realistic', but it doesn't have to be that hard. Even a little subtle shift like this in the design/story description lets me know that a creator was thinking about me.
Nose?
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One thing I've noticed ever since I starting drawing is that... people in a lot of mangas/manhwas barely have noses! I admit, out of all the features on the face, the nose isn't the most important. I think they should be, especially when you want to emphasize that your characters look different! People have different types of noses! I especially want to gear this towards those with a goal of drawing realistic portraits and the like- there, the nose is ANOTHER dead giveaway. There are Black people with aquiline and straight noses- we aren't a monolith- but is that why you drew it? Consider why you went for that nose specifically. That's part of the intent, in all this!
Now, you might be looking at me and going "Ice... this is just character design". To which my answer is: Yes! It is! It feels so basic, and yet if you ask your Black friends/peers how often they've come across this feeling of not being properly drawn/written, from fanart to professionally produced works, it's unfortunately common despite how simple of a concept it is.
I hope that you can walk away from my first lil lesson with new eyes. Remember, it's the thought that counts, but the action that delivers!
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i-cant-sing · 8 months
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Okay okay, I have another idea-
Yandere dad Nanami x Nanami reader
I've made yall see the menace Fushiguro reader who we all love and adore, but let's talk about Nanami's daughter who is an absolute angel and polar opposite to Fushiguro reader.
Child reader is just the most well behaved kid, listens to her father always, and since Nanami is raising her, she's also going to be very good in her studies because papa Nanami is a very good teacher. I mean, reader is definitely on top of her class and has a whole wall dedicated to her awards and medals. She just has to show off her math skills when she plays cafe (because obv she's gonna be a baker who bakes fresh bread daily for Nanami to buy and make sandwiches) and uses Monopoly money.
And when I say reader is polite, that is the understatement of the history. She just cannot bear to offend anyone! She has to put "-san" with everyone's name and has to address them correctly. "Yuji-san! Megumi-San!" And "pervert-San!" Which is Gojo, because of course Nanami has told her to beware of him and only address him as "pervert-san".
"But my name's Gojo!" He tells you, but you're so distressed because dad told you to call the white haired man wearing a blindfold/glasses "pervert-san" and it'd be rude to address him as anything else!
And Nanami adores his kid so much. She's such a perfect child, never breaks rules (don't talk to strangers or Pervert san.) and is such a goody-goody. He is a present father, he makes time for you. The Jujutsu sorcerers can wait, the world can be saved by someone else, but he needs to attend your school play at all costs. And even when hes not around for the day, he has raised you to be a very responsible child- like you even go get the groceries on your own when dad is late! (Like that Japanese show in which they send kids to shop on their own)
But of course, there are times when he needs to be away for longer periods, so he needs to hire a babysitter. His top choices: Shoko(although hes a little hesitant since you have a morbid curiosity learning and Shoko would happily let you accompany her to the morgue), Yuta, Maki, Megumi + Yuji + Nobara.
Who is NEVER allowed to babysit you? Gojo.
Gojo babysits anyway. (He fr steals you from Megumi trio)
And Nanami just comes home to Gojo and reader eating takeout and he's just like "Y/n, how could you let Pervert san in your home and eat with him?" And reader's just on the brink of tears and is trying to defend herself "b-but you said to be polite to guests! And Pervert-san bought food for me. Wouldn't it be rude to not share it with him?" *reader's teary eyes* and then Gojo is like "you'd rather let your child starve? Can't you see how tiny she already is?!" *Gojo's teary eyes* and Nanami pops a vein "it's not cute when you do it!"And then kicks Gojo out of the house.
Even though reader can dress herself up appropriately, she still has to have her hair done by Nanami, no matter what age. At some point, reader probably realises that it's something Nanami needs more than she does. It's a tradition, you think, but it's actually a coping mechanism for Nanami to deal with the fact that you're "growing up" and don't ask him to watch cartoons with you or read you bedtime stories anymore🥺
And Sukuna??? He takes one look at you and he's already decided he's gonna be mean to you, but then the more time you spend with him and Yuji, the more he realises.... its just not worth being mean to the only person who is so sweet to him and actually greets and talks to him like he's an individual person and not just a parasite inside Yuji's skin. Like reader just goes "Sukuna-san! I'm painting Yuji-san's nails but he can't pick a color. Will you help?" And he's like "Alright, fuck it I'm taking this brat with me when I comit mass murder. She's safe."
I feel like Nanami will allow reader to have a fairly normal childhood, so he keeps his yandere tendencies at a bay. It's when you start growing up and as he says "the others try to taint you with momentary pleasures" that his yandereness begins to show. Honestly, it's just more of his protective tendencies coming to light than anything else. He thinks people don't have your best interests in and sometimes he's right, but how else will you learn if you don't experience it?
Also, if you do end up having cursed energy and the ability to see curses, I think that's when Nanami starts spiralling down. He does not want you to become a Jujutsu sorcerer, he wants you far far away from the Jujutsu world completely. He can't- he can't allow what happened to Haibrara happen to you. He can't allow your innocence and naivety to be tainted by the horrendous world of curses. He'd rather risk you hating him forever as he locks you away than allow you to put your life at risk for others.
You are his priority. Your safety is his priority. You'll understand in due time why he did what he did, so while his heart does break hearing you cry and beg to be let out of your room, he doesn't regret putting you in there one bit.
Nanami sighs as he continues prepping your dinner. Guess he'll have to add some crushed sleeping pills so that you don't get sick from crying your bodyweight out (or more like he can't bear to see you in such a pitiful state.)
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God save the poor souls who do end up kidnapping you.
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inbarfink · 5 months
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After all these years, ‘I Remember You’ is still one of the great highlights of Adventure Time Storytelling. And not just in the basic ‘what???? Silly children’s cartoon does something SAD??? HOLY SHIT MIND BLOWN’ way. But with the execution of that Something Sad. How it manages to pack so many Complex Emotions into just 11-minutes of television. And especially the way it utilizes the basic Adventure Time format for that purpose.
So Adventure Time is a Board-based show. Each episode has an outline pitched and written down by the writer’s room, and then this outline goes to a team of (usually) two Storyboard Artists who develop that simple outline into a full story. And with the show’s art-style deliberately eschewing staying perfectly ‘on-model’ in favor of having the animators take direct reference from how the different storyboarders draw the characters
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And the show being generally extremely versatile in terms of themes and tone - AT has allowed a lot of their Storyboarders to really express themselves and their unique artistic vision as part of the Big Collaborative Narrative that is Adventure Time. 
Now, the Boarders who worked on ‘I Remember You’ are Cole Sanchez and Rebecca Sugar. These two were a Storyboarding Duo from the start of S4 and until Sugar left the AT Crew during S5, and they always struck me as a curious combination. I think really from all of the individual boarders working on AT during that time, these two really are the closest to having like… Totally Opposite Artistic Sensibilities as boarders. 
With Sugar favoring a style that is very loose and sketchy and also very rounded. Focusing on expressions and subtle body language and lighting. And being famous for going deep in depth into Big Moments of Emotional Catharsis
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And Sanchez having a very clear art style that emphasizes strong silhouettes and clear lines that suggest flatness. Focusing more on major poses and the character’s positions in the space. And having just a really great eye for AT’s brand of silly humor.
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Like, I almost kinda suspect these two were paired together so they can each cover for the other’s “weakspots” in writing ‘Adventure Time’. 
And there were a few episodes that did some really interesting stuff with this very contrasting pair - ‘Jake the Dog’ is another example. Giving most of the Farmworld scenes to Sugar and most of the Time Room scenes to Sanchez both plays to their personal strengths as storyboarders and helps to emphasize the strong emotional contrast between these two scenarios. 
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And ‘I Remember You’ is actually kinda unique among Adventure Time episodes cause… Most episodes will have the two boarders alternate between working on the episode throughout it. Like you’d have Boarder A draw a bit and then Boarder B and then Boarder A again… But “I Remember You” is divided between Sanchez and Sugar… basically perfectly in the middle.
So the entirety of the first half of the episode was boarded by Sanchez
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Until Ice King pushes Marceline and then leaves the room in shame.
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And then, Sugar takes over.
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And, like, even if you don’t know anything about the Behind the Scenes of Adventure Time or who Cole Sanchez and Rebecca Sugar even are - the Shift is noticeable. The shift in tone, in narrative focus, in the subtleties in which the characters are drawn. 
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The entire first half of the episode has this thin veneer of just being a Silly Goofy Ice King Episode. Sanchez’s talent for Adventure Time’s brand of comedy is on full display… but there is also this underlying feeling that Something is Happening just under the surface. And these hints of the Big Emotions of ‘IRY’ expressed via Sanchez’s kinda goofy style really create this balance between putting the audience into a false sense of security that this is just a Very Normal Episode about two characters hanging out and the Tension constantly brewing in the subtext. 
And then it all comes to a blow.
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And then the Shift happens. And now we are in Sugar’s court.
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And this subtle shift in the artstyle and storytelling also coincide with Marceline finally openly expressing her feelings and the Reveal of Simon and Marcy's shared past. The episode changes focus from Ice King's silly antics to Marceline's feelings. Everything changes, everything in the first part of the episode gets recontextualized and... even on the most basic level, the episode is now Noticeably Different.
I would almost say that Sanchez’s half of the episode has Ice King define the tone, while Sugar’s half of the episode has Marceline define the tone. But more than anything it’s the catharsis. The reveal and release of those emotions that were building up so expertly through the Sanchez half of the episode. All of the Sugar-boarded scenes in this episode are really heartbreaking on their own, just through the tragedy of the story and Sugar’s expert knowledge of howto convey emotion in the visual medium - but it’s so enchanted by what came before it.
“I Remember You” is truly a great testament to how ‘Adventure Time’ could use every aspect of its medium to tell a great story in such a short time.
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yanderes-galore · 4 months
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... I caved, okay? It's just... I'm a sucker for cute animals and horror... I had to write for the hound whom I pity so much. Obviously this is an AU. I mention the normal monster form but I also mention the cartoon form... yet I made an AU where Smiling Critters can swap between a smaller plush/cartoon form to their Bigger Bodies Initiative form. Why? Why not.
Maybe I'll do Catnap, I haven't decided, been a bit since I've done a fic that's not a request. This is pure brainrot and written at 1-2 AM. Expect mistakes. I just had to get the idea down.
Keep in mind as I write this I realized that you might as well just make this a separate AU from canon. These are still experiments but CatNap is probably not... Theo. Idk, letting 2 AM creativity flow created an AU for the cute stuffed animals so... enjoy?
☀️Yandere DogDay Concept☀️
🐶(My Version)🐶
Pairing: Platonic
Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Overprotective behavior, Fear of abandonment, CatNap has hurt DogDay in the past, Gore implied, Manipulation, Clingy behavior, Blood mention, Forced companionship.
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Ah yes, DogDay, the leader of the Smiling Critters.
How I plan to write the Smiling Critters is this...
Each critter has a plush/cartoon form they can wander in.
They are small, maybe going up to about the waist of an adult.
But all critters also have a Bigger Bodies form/monster form.
Which is the form we can see DogDay and CatNap take in chases within Poppy Playtime.
(For those who know my blog you'll notice similarities to my FNAF Fluffy/Stuffy AU and my BATIM Bendy fics)
There's many ways you could meet the orange dog.
But for now... I just want to discuss how I'd write DogDay to get the ideas down.
In his smaller cartoon form he is like a living plushy to you.
He fits snuggly in your arms, a bright smile on his face with a sun collar dangling from his neck.
When you hug him you smell the calming scent of vanilla... a scent that seems to calm your worries with ease.
DogDay would act like a best friend to you.
The dog plush would follow you around, acting like a way to ease your anxiety.
If you were ever anxious or scared... DogDay crawls in your lap with a wagging tail.
His smell and soft fur puts you at ease....
In fact, describing him like this makes him seem like some sort of "service dog" (service plush?).
DogDay is technically still a living being in this form.
He still has blood despite being a living toy.
Which makes him warm to the touch when you hold him.
The smaller form of DogDay is obviously a loyal companion, very similar to a real dog.
Then there's his bigger version... he takes on a more monstrous form but even then still seems to be friendly.
He has a deeper voice and often calls you his "Angel" or "Best Friend".
In this form he still is very attentive to the needs of his new friend.
Especially if he's been left alone for way too long.
Even more so if CatNap decided to torment him like in canon.
In his bigger form he is more capable of scooping you up.
I imagine he still retains his vanilla scent?
In his monster form he probably still has it... but it's mixed with a musky scent.
Imagine if DogDay was left all alone in Playcare like in canon.
All of his friends are gone... CatNap has gone insane... in fact he may even have injuries by CatNap.
But then you show up and pick up the wounded plush.
You hold him close... he feels your warmth...
He gets attached...
Now you have a clingy dog plush following you everywhere.
DogDay is not the violent type.
However, he would do anything to protect you.
He's overprotective, especially if he has been abandoned.
He fears the idea of losing you which leads to him clinging to you.
You may be scared... you may not even like his monster form... but he's still your best friend, Angel!
You may try to run from him once you see his "true" form.
Yet he prevents it... grabbing you tightly and pressing you into his chest.
No matter his form... he still has that vanilla scent.
A scent that makes you relax... one that makes you go limp...
DogDay means no harm.
After all, CatNap could just gas you and force the affection out of you.
DogDay, even if he is in poor condition due to CatNap (legs or not), wants to be your guide.
He often swaps to plush form and monster form.
If he notices you're anxious he does whatever he can to prevent it.
DogDay would always be by your side.
He doesn't care if CatNap tears off his legs... or if blood and dirt stains his orange fur...
He wants to make you smile.
The monster form is most certainly used to either protect you or keep you beside DogDay.
For the most part he prefers to be in plush form with you.
He hates scaring you.
He definitely is receptive to pets like a dog... his tail wagging wildly when you stroke his fur.
DogDay is overly clingy and easily excited.
I wouldn't doubt it if you tossed something and said Fetch, he'd give chase.
He isn't too bad of a yandere.
He's clingy due to a fear of abandonment and overprotective... but surely that's understandable, right?
He just fears the idea of you seeing him feast on other toys...
He feels a hunger deep inside him but doesn't give in.
But if anyone attacked you... he may be unable to help himself.
If DogDay ever accidentally scared you he is quick to apologize and tries to appeal to you.
Blood? Around his mouth and on his paws? No... no things are okay!
See? See? He's just a cute plush dog!
Don't leave him.
PLEASE DON'T LEAVE HIM...!
If you ever tried to abandon the living toy, he won't allow it.
He'll swap to monster form and scoop you into his furry body.
Your nose is assaulted by the smell of musk... dirt... blood...
Vanilla.
It's always that dreaded smell that haunts you... a smell that should be so calming...
Vanilla.
DogDay would hold you close to him... even if you think of him as a monster.
You should see him as a friend... he'd never hurt you!
He'd desperately try to calm you down with his scent and furry hold.
He's covered in blood... but he isn't heartless, is he!?
He's protecting you...
He's helping you...
He's caring for you...
He's yours... and you're his!
You can't abandon him, Angel...
In his eyes, you're his best friend!
Even as you struggle against him he pulls you tighter against him....
It's his job to soothe your anxiety... just breathe in his vanilla scent and relax into his fur...
He can't bear to let go of his new Best Friend...
He can't bear to see his Angel go....
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bogleech · 5 months
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Mortasheen: The Tabletop RPG slowly releasing as of right now
If you backed the Mortasheen kickstarter 3 years ago, check your emails, because I just put up version 0.1 of the first initial digital-only edition; it contains the entire gameplay system by Morgan Mullins, pages and pages of monster abilities, dozens of setting locations including NPC characters and even some non-monster (but still not normal) wildlife, plus over 100 monsters with playable stats. If you aren't a kickstarter backer you'll have to wait until later this year for the general public release. First there will be a free update of this digital version adding several more monsters, one additional chapter of various other tweaks, then work can begin on the final public version for both digital and physical.
I spent about 15 years of my life waiting to be able to put this out. It outlasted my 20's and now outlasted my 30's. For 99% of that development I was left out of the loop on what was even happening with it while I hoped it would come out any year now to maybe possibly make me a little bit of money while being poor the entire time. I almost feel like it kind of took half my life away?
In the time this RPG has been in development, the entire "Adventure Time" franchise debuted as a Nickelodeon short, got picked up as a Cartoon Network series, redefined the animation industry, revealed several plot points coincidentally almost identical to many major reveals of the Mortasheen setting, ended, and has now returned as a spinoff.
I can't wait til I can show it to everybody else but for now it's for all those backers who waited two years longer than the time frame I expected. Here's some of my more recent artwork for it without any context:
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I wish I was making this post on some kind of actually special day or something and not just a random friday in january but I basically uploaded a passable book the very moment I had a passable book.
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laroserie · 1 month
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— Various x-men characters dating a non-mutant!reader
— characters ; Scott Summers, Peter Maximoff, Kurt Wagner, Hank McCoy
— version with others characters ; not out yet
— warning ; no particular tw. talk about self estimee and doubt. (as always author has not started reading the comics and their knowledge come from the different xmen cartoon and my hazy memories of the film <3) ( also no cartoon gif for peter because i couldn't find any ... is he even in any of the xmen cartoons ), author decided that Peter has self-confidence issues, also Peter part kinda slide tracked and has more about Peter and his struggle than him dating reader whose a human ... sorry! (his part is also a bit short ...)
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— Scott Summers
Scott has no particular qualm around you being a regular human, he loves you just as you are, and nothing can change that. That said, Scott cannot help himself but be, patronising at time. In his mind, you being a human just make you be at risks, you can't defend yourself if you get attacked, by others humans or mutants. He doesn't view you as weak, but, he know how fleeting life is. He isn't the greatest at expressing his feelings, and notably his worry for you.
He will also be more protective than if he was with a mutant. And it show in him being at first very against you befriending any others x-men, he very much care for most of them and he loves you very much, but he doesn't want to have those two part of his life mix up. He doesn't want you to get in dangers because of his job, but he also doesn't want you to possibly endanger one of his mission, he wasn't capable of choosing between you and one of his mission. Not to say, you are as or more important than his mission, but he was responsibilities as a X-Men and he cannot forget about them. But that said, with enough asking and pleading, making him crack and let you meet his friends and fellow X-Men.
Talking about you interacting with mutants, Scott will not let any remarks about you - well not being one - slide. He knows and understand why his friends may feel wary of humans, he get it, but you are different. You are quite literally dating him - a mutant, it couldn't make any sense for you to be against them. Scott may let it slide the first time actually, but anymore than that, and he's making them do extra session in danger room - or they aren't allowed in it, depending on who.
In general, there isn't that much of a different between how he treat his mutant or non-mutant partner, he just will be more protective and worried for them. He doesn't feel particularly insecure in your relationship - because of his mutation or your lack of mutation.
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Again, he doesn't have any problems with you not being a mutant - he more so has problem being a mutant, not in general of course, but in your relationship yes. Peter can't really give an answer as to why, but if he had to guess it was probably due to this father, and the fact that he didn't want to do anything like his father did, to you. The worst is, he know damn well he isn't anything like him but he can't help but think that way.
He feels like he's going to mess your relationship up, because of what he is. He try to play it off as if it was nothing, but it's a feeling that lingers in the back of his mind often. He never truly wished to be a regular human before, and he still doesn't, but he just want your relationship to be more normal. Which isn't really possible. Peter knows that, he also knows that you don't care, about that kind of thing.
He can mask his doubts and awful self-confidence with his quirky attitude, he can fool most people pretty easily - expect you. At some point, it get to point, where you have to sit down with Peter and try to have a conversation about it, at first he will just act dumb and pretend he doesn't get what you are talking about, but his facade cracks relatively fast.
You listen, his fears and doubts. You comfort him, and assure him, that everything is fine, you reassure him that weither your relationship is 'normal' or not it's the last of your problem. You love him, he loves you and that all that matter in your eyes.
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Now, Kurt could be the one that has the most difficulty dating someone that is not a mutant. He could be scared to hurt you more than anything. He's stressing out about doing or saying the worst thing, that will just break everything. One of the reason why he is friend, with his friends is because they share at least one thing - they can all relate on one crucial part of their identity - them being mutant, it's one thing that link them all together and make it at least a little bit easier to connect. You lacking that, make it hard for him. He still loves you all the same of course, but he feels like not being able to share something so crucial is sad.
So he desperately try to make it up in some way, he looks everything he can about your interests to be able to share that with you, everytime you share something about your interests Kurt will make mental note of it. And he will share a lot about what interest him in return. If you speak an another language that he doesn't know, he'll try to learn it, after all what is better than learning the language of your lover! Kurt can even teach you some german if you want to!
He wants something to link the two of you together even more. It's something he heavily crave. To be linked to you, by more than just, your love for each others.
Kurt may feel insecure at time, that you may leave him for well, a regular human, that isn't blue, has five fingers on each hands - he will try to keep it to himself, but he isn't really good at that. His insecurity just overflow and he end up offhandedly asking you while you are hanging out, if you could prefer to be dating a human rather than him. Obviously, you tell him that you don't, and ask where did this idea came from. He feels reluctant to admit as to why he asked. He feels, ashamed ? After seeing your reaction, he feels a bit silly, and even more when you comfort him and tell him that you very much prefer and could always choose to date him more than anyone else just because they are human.
On a more happy note Kurt loves seeing how amazed you are by his mutation, you never really were around mutants before - there isn't actually a ton of opportunity to meet mutants and to know that they are mutants, even if antis mutant politicians like to make people believe the contrary - most humans he met, weren't exactly thrilled by his, but you are the exactly opposite. Even after being together for a while and getting used to his mutation, there is still this curiosity and shine in your eyes when he teleport for example.
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He is by far, the most chill about your relationship and you not being a mutant while he is. Well, that is if we are talking about Hank, after he accepted his entire mutation and all, which we are, Hank pre-self acceptance is different deal.
But once, Hank is settled as a scientific and has member of the X-Men, and has fully accepted his mutation, he doesn't personally really care. But sadly, a lot of people seemingly do and that's one thing that annoy him. The worst is it come from both fellow mutants, even his friends and colleagues sometime! And from regular humans. He doesn't really get why people care about him dating a non-mutant or you dating him - a mutant.
He personally try to not let it get to him, and if it does he will do everything but make you suffer because of it. It most often will result in him shutting himself in his lab for a bit of time, to calm down.
And like others, he feels like he needs to protect you because, you are so ... weak in his eyes, not in a bad way of course ! But in comparison to him you are so small and fragile. This cause Hank to usually like putting his arms around you, around you waist or on your back, to show you that he is there, and to show people around that you are his, and that they shouldn't try to hurt you in anyway.
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mr-spotatohead · 1 year
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-Inseparable.-
Welcome Home & Child!Reader Platonic.
Words: 3,470.
|Contains: Swearing. Slight Horror.|
Synopsis: You draw a lot, and you want attention from your mother, but she doesn't give you the attention you need. Until she puts on a show for you that caught your eye. And the main character gives you the attention you deserve.
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You ran your hand across the white paper containing a green crayon. Your small, untrained hands made you pick up the crayon with your closed fist, scribbling on the paper with your grass-colored crayon. You were on your knees on the floor, with your toys and painting materials scattered around. You had your tongue out, concentrating hard on the work of art you were going to make.
"Uhum, yes, yes, I've checked that before." Your mother said in the background, her footsteps rushing, the sound of her shoes with a heel clicked against the floor. You continued drawing content to show the end result to your extremely busy mother. The cheap TV played in the background, it was something that didn't catch your attention.
You finished the drawing and got up awkwardly, happy to find your mother in the house, which was easy since she was right behind the couch. She was on the phone, her purse already in her arms, you approached her talking to her but she didn't hear you because she was already talking to someone else. She walked straight past you and made her way to the kitchen table, grabbing her car keys. You puffed out your cheeks. After being ignored, again. You walked back to the floor in front of the television. Your mother soon came close to you and bent down, placing a kiss on your head. "Sorry honey, mommy has to go out now. How about a cartoon for you to watch?" Your mother suggested already changing the channel, just watching the first thing that looked childish was enough. It was a cartoon. That was enough. You didn't even have time to show her your drawing because your mother already closed and locked the door. And left you alone again. Not that you cared, you're old enough to take care of yourself, and you are proud of it. But still, it was very disappointing not to have your mother's attention, all your drawings, all your work, your mother didn't have time, at least not anymore. You sulked now, you looked at your toys on the floor, you didn't feel like playing. Until an animated song started playing on the TV. Making you look at the screen. Your curious eyes observed how bad the quality of the show on your TV was. But that didn't matter to you. What caught your attention was the funny colors of the show. You watched the animation of the show go on like a normal day, showing a few houses in a colorful neighborhood, the camera moving closer to a greener place, focusing on a character. A man with blue hair. You kept looking at the screen, seeing that the character was concentrating on painting a picture, and when he finished, the character noticed the presence of the audience and commented. "Oh, hello, neighbor! You've finally arrived." The character smiled at the audience and that caught your attention. He moved to the side and put his equipment aside. Focusing on the audience. "It's a beautiful day, isn't it? How are you?" The character asked turning his head to the side. You, not taking your eyes off the screen, decided to sit on the floor. Curiosity on your face.
There was a silence after the question, and you wondered if the television had frozen as it sometimes does. But you could hear music in the background, so you decided to answer happily. "I'm fine! I just drew a picture, so I'm happy." "Oh, that's wonderful. When you're happy, I'm happy." The character smiled closing his eyes, with his hands together. You crossed your legs and let your hands rest in the space between them. A silly smile rose to your face. You genuinely liked that the character was paying attention to you. You, being a child with a creative mind, genuinely thought that the character was talking to you. Not noticing the generic lines that he responded to after you spoke. This character, that you just met, you don't know his name so far, but he asks you questions! He asks things of you. And that was exactly the kind of attention you wanted. And you were loving it!
"How many apples are in that tree?" "Four!" "Perfect! Four apples, one for Julie, one for Barnaby, one for me, and one for you, neighbor!" Wally was smiling and looking at you with such enthusiasm, you were jumping in place, even though you knew there was no way you could eat the apple. "Woah, time passes when you're having fun, doesn't it?" Wally said after the episode was coming to an end, at least you learned this character's name. "Well, we better get some rest, see you tomorrow, neighbor!" Wally said with a smile on his face, a little wave of the hand and then the credits rolled, you, still not satisfied, wanted more of that show. You just loved everything and everyone! Luckily, you saw the intro and the same song start playing again. You smiled contentedly, expecting more from the program. . . . This is the second day you've been watching Welcome Home, all afternoon you've been marathon watching the show, learning more about the characters, 'talking' to Wally and watching the comedy episodes. Today you were already in the living room waiting for the program to start, excited to watch them all again. Your mother noticed that you were absent in running around the house, she walked around the house, not being late this time. She noticed you in the living room, sitting on the floor watching TV. Your mother came over and when she went to ask you something, the show music started up and you excitedly hummed along. Seeing Wally already leaving his house, you smiled contently and spoke his name aloud. "Wally! Hi!!!" The puppet started with the identical opening line, which you didn't even realize was all from the show's script. But you were still happy to see the puppet answer you with the same "Oh, hello, neighbor! You've finally arrived."
You answered each question happily. Your mother looked at you with soft eyes. She saw how innocent you were to answer the TV. It was something simple and cute, that made you excited, so your mother let this channel play more often. . . .
This was the third day you were in the living room, waiting to watch your new favorite show. Your face was freshly wet, because what had happened earlier had made you very anxious. Your mother argued loudly on the phone, swearing, she even locked herself in another room so you couldn't hear, but it was difficult. So you tried to overcome this on your own, so you were lying on the floor drawing Wally, being soothed by drawing him. Your mother had to leave early today, but she would be back early too. So you were alone, waiting for the program to start. And when the music started, you excitedly sniffed and looked at the TV with sparkling eyes. Waiting for entertainment after waking up in an unpleasant way. Wally then appeared again, you were on the floor and quickly got up and sat down, grabbed your blankets and wrapped yourself up, since it was cold. Your favorite character came out of his house and started with his same normal question. "Oh, hello, neighbor! You've finally arrive-"
Suddenly, he stopped, in the middle of the sentence. You notice that the eyes of the puppet on the screen widened a little, as he noticed... something? Maybe. You curiously frowned slightly, wondering what had gotten into Wally? This is different. The pause that was taken left you confused, and then he continued, but his posture was different. "Uh- It's a beautiful day and…"
"How, uh. How are you?…" You watched the puppet in front of you with a more droopy posture, it didn't look like he was confident like all the other times. You shook your head, not thinking much. "I'm fine, how are you?" You asked just to ask, because you knew Wally would answer that anyway. But what you didn't expect was that the silence returned. The figure of Wally standing there, looking at you. Then you heard a low: "Are you sure?..."
You raised your eyebrows. Oh, he really answered you this time. You ran your hands over your face, feeling your hands get a little wet after wiping some of the liquid off your face. You looked down at your drawing and then looked into the puppet's eyes. "Hhm, I'm fine, Wally." You hummed affirming what you said earlier. But that didn't seem to have much effect, as the puppet in front of you stared at you with a silence in the background that seemed like forever before something happened.
And it wasn't what you expected. Because the image of Wally looking at you was soon replaced by the continuation of the episode. The view was of a clearing and a butterfly fluttered across the screen. You were surprised by Wally's strange behavior, but you ignored it.
The episode continued as usual, although Wally didn't appear for a few minutes. The characters are in a situation and need help, it was in this part that Wally would ask for your help in this situation. But he wasn't there. You questioned for a few seconds until the screen started to crash, the voices of some characters in the background still talking, but the screen was a mess, there were two scenes trying to appear on the screen, the colors were all mixed up and this made even the voices of the characters stop. Sitting in the dark with the screen all glitched made you a little worried, you remember that the last time the television was like this was on a rainy day. But it wasn't raining now. It made you get out of your blankets and look at the TV still frozen, occasionally making sounds. Suddenly an idea popped into your head. Your mother once hit the TV hard because she said it would fix it, you saw her do it, and it worked, maybe you could try it. Getting close to the TV you raised your small hand and slapped it lightly. Looking at the TV, it didn't work. Maybe you need more strength? You made your hand into a fist and when you went to lift it you were startled by the screen behaving more aggressively with colors and a loud, not pleasant, sound was made. "DO NOT" It was written illegibly on the screen, but you were able to read it despite the mess of glitches. "FIX IT." It appeared at the bottom of the screen, along with the other words. You stopped moving your hand and observed what was happening on the screen. Suddenly. Statics. The television became pure static, no music, no show, nothing. And then only two words appeared. The font was better, despite the random color streaks being made on the screen. "Let me." After a few seconds. The TV went black and a song started. You realized it was the intro of the show, without much doubt, the show started again, the animation of the houses in the neighborhood, the title 'Welcome Home', everything was normal again. You sighed, glad that it was working again, and then you saw him. Wally had his back to you, with a white canvas in front of him, he wasn't painting anything. And then he noticed you. He turned and smiled looking at you. "Oh, hello again neighbor." Wally said putting his brush aside. "Sorry about that, something happened. An... inconvenience." The man in blue said with a smile and his eyes closed, looking even a little forced. "But now! No interruptions. Let's talk, shall we?" Wally put his hands together and smiled broadly, looking at you again. You looked surprised at the screen. Talk? About what? You frowned and turned your head away. "Aren't we going to help your friends? Earlier they seemed to need help with who took their-"
Suddenly the screen changed and some characters from before appeared with a big smile on their faces. "Wowie! Thanks for finding my stuffed animal Wally and neighbor!" Sally said hugging the little toy. Julie nodded in agreement happy that they had found what was missing. And then the screen crashed and went back to the same greenish corner with Wally standing there smiling.
"See, they already found it, everyone is happy." Wally explained trying to convince you that there was no need to 'end the episode'. You frowned slightly, clearly not convinced. Wally quickly began.
"Although…" In a slightly lower voice, you looked at the screen curious by your favorite character's change of mood. "I'm out of ideas of what to paint." Wally let you look at the blank canvas with nothing on it. You happily jumped in place, taking interest. "Oh! I can help you!" You said enthusiastically, the puppet looked at you and a smile formed on his face, he put his hands on his own face, with the same kind of enthusiasm. "Perfect!"
Time passed and you two talked for hours. While Wally was painting what you suggested, you yourself decided to draw another picture, the atmosphere was fun and comfortable. You were loving this session of talking and painting.
"So, (Name)." Wally started, you hummed paying attention, not taking your eyes off your drawing. It was nice to hear Wally say your name instead of just neighbor, you told him at the beginning of your long conversation. "Why were you crying before? If it's okay to ask." Wally asked a bit monotonously, you scrabbled a bit at the colors abstractly and hummend thoughtfully. "Hmm, well…"
Wally is your friend, right? It's okay to tell him about you, he also tells you all about himself, so fair enough. "My mommy is very busy. She ignores all my drawings!" You said with your cheeks puffy. "Ah, but that's just not very nice of her, hm?" Wally commented, and you aggressively nodded several times. "But that has nothing to do with your crying, does it?"
You stopped swinging your legs and looked at the TV screen and just watched the back of Wally, who continued to paint the picture. You sighed and continued. "Yeah… Today my mom had an argument on the phone…. And she's very short-tempered, you know? She'll blow up at anything. She gets aggressive."
Your last line was probably what made Wally stop moving the brush across the canvas, as you were looking at the canvas, you saw Wally glance at you, his eyes were a tad sinister.
"With you?…"
You looked at Wally a little innocently and shook your head, "No, not with me, she locks herself in her room and breaks things right there. And I don't like it when she gets like that. That's why I was sad." As if your words were air, the puppet on the TV sighed, and turned his back again and continued painting.
"I'm done!" You smiled excitedly, the puppet looked back and watched you. "Already? That was quite fast." You laughed at Wally's comment and then got down on your knees, bringing your drawing to the screen, trying to show your drawing to the screen. "Look, look, what do you think?!" You smiled and looked at your drawing, expecting some kind of comment from Wally, but it was so quiet that you had to put your drawing down and look at him.
Wally was staring at you the whole time you got close to the screen, and the puppet raised one hand and coughed falsely. "I'm sorry, it's just that I can't see the drawing if you don't look into my eyes." Wally explained this and you were confused, the puppet explained to you how he can't see anything if someone doesn't look into his eyes. You thought that was strange but you held up the drawing while looking at Wally. And then he finally reacted, taking his eyes off you and looked at the drawing in your hands. He smiled big when he saw your little work of art, complimenting you in every way, watching your smile grow wider and wider with his company. You spent the whole afternoon talking and having fun, your mother came home a little exhausted. She greeted you from afar and went to make herself a cup of coffee. You didn't, however, do the usual thing of running after her after she arrived. You kept your conversation with Wally happy and content. Your mother noticed the change in your behavior. Like every day, you stopped interacting so much with her and started to stay more in front of the TV. Maybe this was a consequence of her actions in leaving you alone so much that now you didn't worry about bothering her. But one night. That's what changed things. You were so annoyed by your mother's neglect that you decided to turn on the TV on your own at night and talk to the only friend who made you feel good.
After the intro passed, you couldn't even keep your crying face long, after you knew that you would be happy with your friend's presence. You didn't even wait for Wally to arrive right on the scene and you quickly began to talk and talk, making the puppet in front of you look surprised by your state. You tried to wipe your full tears on your sleeves, along with your snot. "Shh, shh…" Wally tried to calm you down, you were so close to the screen, it was a bad feeling to see you in that state. The puppet managed to cheer you back up with sweet comments. Your face was red with a huge smile now. Although you started to cry in your room when you realized that your mother was ignoring you while she fiddled with her laptop, you ran into the living room in a loud, clearly sad voice. Your mother noticed her actions at that moment. And she tried to tidy things up a bit. She went into the living room, where she heard where you were talking.
What was strange, were you watching that program again? It looked like you were complaining about her to the TV. She walked silently into the living room and saw you standing near the TV, talking to it.
"Wally, can you be my best friend?" You asked, a few tears escaping and you wiped them away with your sleeves again. Your mother frowned at seeing you in this state, and just as she was about to step in to comfort you she noticed something that was probably not normal. "Of course, (Name). Best friends forever?" Wally asked smiling with half open eyes, he put his hand on the TV screen and you nodded aggressively with approval. "Forever!" Placing your hand on the TV screen where his was. Wally smiled contentedly, and since you were looking at him, he could see everything. He even managed to notice your mother in the back of the room, watching the interaction. The puppet's eyes widened a bit and he looked at you a little worried. Your mother then arrived frightened. And clearly with her heart in her hand. "(Name)." Your mother said firmly. You looked back and saw your mother's hand outstretched. "Come here." She said breathlessly. Staring at the puppet on the screen in fear. You denied it, however, and frowned. "No. I'm having fun with Wally." The nominee softened his gaze at looking at you, but soon intensified at looking at your mother. She approached you and pulled you up, quickly moving away from the TV. "(Name). Go to your room, it's not safe here." Suddenly the TV made a loud bang on the screen, two hands were there now, Wally's eyes fixed strongly on your mother, clearly not liking that you were being forced to leave him. "Stay the FUCK AWAY from them!" Your mother shouted at the TV, clearly frightened. You began to tear up again. Your mother was arguing with your best friend, that wasn't fair! "N-No, don't fight please…" You looked at Wally and he was looking at you, there was no emotion on his face except for that stare. But you still saw him as your friend. Your best friend! "Wally!" You held out your hand as if it would help you, and the TV once again made a loud bang. Your mother in panic quickly ran to her room and left you there, you still crying tried to open the door, but it was too late after you saw, your mother had unplugged the TV.
She still looked panicked and started to drag the TV away to throw it away. That night was the last time you saw your best friend.
. . . Was it?
-OO I was holding myself to not make a long one shot, I kinda see this as a rushed thing, but hey ho, I still liked writing this one :D-
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kingdomoftyto · 11 months
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I'm crying laughing, the DVDs are even worse than I remember... Season 1's menus are silent with a single static jpg of the same key character art they use for everything else, and the episodes on the Season 2 discs don't even match what's listed on the box! Absolutely stunning lack of shits given. Truly unparalleled. But I really shouldn't be surprised given... well... everything about how this series has been treated since the very beginning.
Time for a quick ~✨PHANDOM HISTORY LESSON✨~ to give newer/less hyperfixated folks more context for why the graphic novel being as great as it is is such a HUGE deal:
Danny Phantom was one of Nickelodeon's MAIN cartoons, in its time. It was a central pillar. One of the top three or four of their lineup, which is saying something when the competition includes the cultural juggernaut that is Spongebob.
Despite this, and despite its superhero theming making it perfectly marketable, it got basically ZERO official merch.
What little we did get was often ugly and very, very cheap. The dedication at the start of the graphic novel that jokes about collecting the Burger King toys? That's because it was some of the most notable merch the franchise EVER had. (I sadly do not have any of it. There was no BK in my hometown. Here's a pic from the internet, though, to give you an idea.)
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If you think I'm exaggerating about that being the most significant physical merch to come out of the series, consider that the first video game had an entire menu option specifically for the Burger King promotional tie-in:
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That video game, by the way, was one of only two ever based on the show. The first was an adaptation of "The Ultimate Enemy" in the style of a short sidescrolling beat-em-up, and the second was themed around "Urban Jungle" and (as far as I can tell--I've only played the first couple levels) was an arcade-style scrolling shooter. Both were for the Gameboy Advance, and both are...... fine, as far as cash-grabby video game tie-ins to kids' shows go. This was pretty normal for the time, so I suppose we did okay in that department, actually. They're not GOOD, but they're playable and have at least a bit of effort put into them.
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But besides those two video games (plus a handful of simple, long-defunct Flash games on nick.com)? In the decade and a half since the show ended?
Nothing.
No books, no games, no comics, no web shorts--unless you count mega-crossovers with every other Nicktoon (a la Nicktoons Unite), or soulless promotional material like "Fairly Odd Phantom" (which, trust me, despite being the first new DP animation in over 10 years was not even worth the effort of watching).
...I think there was a limited edition FunkoPop once?
So yeah.
A Glitch in Time is not just the first cool, well-made thing we've seen from the franchise in a while. It's the first THING we've seen since the show. PERIOD. And arguably the first worthwhile supplementary material to EVER come out of the show, depending on how you feel about those GBA games and the Nicktoons crossovers.
This franchise is widely beloved even now, almost 20 years after it first aired, and it feels like that fact is now, finally, FINALLY getting some official recognition.
PLEASE read A Glitch in Time. Tell other people about it. The series--no, the fans--deserve this (and more of this, if the folks in charge see enough of a response and decide to grace us with any followup). It's LONG overdue, but better late than never.
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addisonnie · 1 year
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hinge and uhaul
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summary: college!au. when all else fails…one must look for love on hinge!
an: hi! back from hiatus and of course it would be for a clump of pixels because i am down astronomically bad! this is the first part of a possible series! so let me know if a part 2 is warranted.
warnings: cursing, reader has 0 rizz shes literally a mess, reader also rambles and lots of this is just her inner dialogue because why not. also not very edited and possible tense shifts because im the worst!
part 2 ———————————
Tinder is a soul-sucking vortex. 
A nightmarish flurry of shirtless mirror selfies, conservatives, and men that look like they’d hit on your mom after walking you to the door. Switching your profile settings from ‘men’ to ‘everyone’ seemed like the best option; It wasn’t. The best option would’ve been to delete your account and light your phone on fire after receiving the fourth “you send?” message in a row.
Hinge is a smaller soul-sucking vortex. At least you can deny their comments before you embarrass yourself by matching with a douche like that. Your account is set to ‘show me everyone’ and you can only hope that ‘everyone’ includes at least some good ones. Swiping and clicking on dating apps seems to be more of a game than it is actual match-making, a time-passer of sorts. 
Your roommate, Dina, huffs loudly from her lofted bed across the room, “would you get your sorry ass off of that app? It’s sad listening to you moan and groan about all the losers!”
You roll your eyes, “my soulmate could be the next person!”
No. No. No, again. Oooh…yes? 
You swipe through the girl’s page before deciding not to match with her, because who’s Hinge bio states that they’re still in love with their ex? Dina cheers while you huff and slam your phone onto your desk, spinning idly in your chair. The television on top of Dina’s purple mini fridge is playing a random episode of Bob’s Burgers and, for a moment, you forget about your ever-growing dating app addiction.
It’s not that you’re addicted per say. You just spend most of your downtime sitting in your bed and judging people’s profiles, when yours surely isn’t up to par either. Hey, at least you don’t have a picture of you holding a fish.
The rhythmic buzz of your phone quickly draws your eyes away from the cartoon on screen, your hand dramatically reaching for your phone.
Hinge: Ellie liked you! Tap to see the comment she left.
Ellie. That’s a cute name…fairly normal too! Surely she didn’t leave some weirdo comment about how your hair looks like it smells good. Your fingers fumble to tap on the notification and you feel a blush rising to your cheeks as you click on Ellie’s like.
She left her comment under a picture of you taken at a local museum. A big cheesy grin is painted across your face and there’s skeletal remains of some random dinosaur behind you, Dina is crouched under the jaw of the creature pretending to scream while she gets eaten. Hopefully this isn’t one of those situations where Ellie asks ‘if your friend is single.’
Nope. She left a simple comment. I love dinosaurs!!!
You smile as you quickly click on Ellie’s profile to see her. There are a couple pictures of her, and good god is she hot. Flushed, you quickly match with her.
But what do you say? This is life or death. You need this woman. 
Hey!
You’re hot
Do you want to have vicious lesbian sex with me?
Okay. Jesus, you are not good at this. While you mull over the keyboard attempting to decide what to say to the ever-attractive Ellie, another message comes in.
Hey, pretty girl!
Shit. Shit. Shit. Shit. Shit. Shit. Your fingers are fumbling over the keyboard, your heart is beating, you’re planning you and Ellie’s wedding. You wonder if she likes lace or prefers the classic look?
Hey! What’s up?
Nothing really. Just playing some guitar!
Guitar? She just gets hotter. Did she also save puppies from a burning building? You wonder if she would want roses at the wedding. Hopefully not, too basic.
Ooooh guitar you say? Whatcha playing?
It’s a few moments before she responds and you’re biting the nail on your thumb awaiting her reply.
Whatever your favorite song is.
A heavy sigh escapes your lips as you smile and rest your head in your hand. 
Why don’t I tell you that over dinner?
It takes Ellie a few minutes to respond this time and you’re sure you’ve managed to scare her off at the mention of an actual date. Her reply comes just as you go to turn your phone off,
How about you give me your number and we can talk more about this date?
————
Giving your number to Ellie was perhaps the best decision made in your life thus far. She constantly sends text messages of whatever she’s doing, wearing, eating, or strumming on her guitar. It’s been about a week since you first exchanged information and you’re slightly worried that Ellie no longer wishes to go out on a date. You’ve tried to ‘accidentally’ bump into her on campus multiple times, but she manages to just barely slip away each time. 
You’re sitting at your desk attempting to finish an essay when your phone rings in your lap. Ellie’s contact appears lit up on the screen and you just about scream when you grasp the phone between your fingers.
“Hello?” You’re already blushing.
“Hey, you! What’re you up to?” Ellie’s voice is loud into the microphone and you can make out multiple different voices on her end of the line.
“Nothing important,” you close your computer quickly, “why, what’s up?”
She takes a moment to answer as you hear her yell something to whoever else is in the room with her, “me and some friends are at a bar…will you come? Live music and stuff. Plus, I still haven’t taken you on that date!”
“Yes!” Okay, you probably should’ve tried to sound less excited. “Ehem…yes. Text me the address?”
You hear Ellie laugh before she happily responds, “will do! Text me when you get here and I’ll come out front to meet you.”
—————
Dina and her friends surely shop at Hookers R Us because where else would anybody find a skirt so goddamn short. 
“D. Dina. My cheeks are hanging out the bottom.” Dina rolls her eyes and tugs on the hem of the mini denim skirt.
“Well if you wore it down here,” she tugs the denim again, “instead of up to your tits like a grandma would…maybe it would be longer.”
Several shirts are thrown toward your perch on Dina’s desk chair, “what’s wrong with the shirt I have on?”
Dina’s boyfriend. Jesse, interjects, “because I don’t like it.”
“Okay, fashion police. How about this one?” You hold up a form fitting black top and Dina nods vigorously, “yes. But no bra. Show off them ladies!”
————
The Uber barely comes to a full stop as you clamber out of the backseat. Grasping for your phone, you text Ellie.
Here! :)
Was the smiley face overkill? Too much?
Cominh!!!!!
*Coming. Not drunk, I swear.
You think you’re the one doing the coming as you watch Ellie stroll towards you in the parking lot. If she was hot on Hinge, she’s ten-thousand times hotter in the dingy lighting that casts a magical glow upon her. She’s wearing a pair of baggy jeans and a white wife-beater, an old worn out flannel is unbuttoned over the top and rolled up just above her elbows. Her raggedy jeans are cuffed to the top of her converse and— wow is she a walking wet dream.
“Hey! I’m glad you came.” She doesn’t wait for an answer as she pulls you straight in for a hug, her calloused hands resting on your hips. You feel her finger tips touching the uncovered skin below your top, the contact makes you shiver.
Ellie squeezes you a little tighter before pulling away, leaving her arm draped over your shoulder, “c’mon, warmer inside.”
You let her lead you into the bar and through the slight crowd congregated near the entrance. A small group of people stand huddled next to the bar and Ellie leads you straight to them as she leans down to speak in your ear, “those are my friends.”
You nod and shamelessly nudge your body to be tucked further into her side, blushing profusely when you feel her arm tighten around your shoulders.
“Guys, this is the girl I was telling you about! And these are my friends I mentioned on the phone.” Ellie smiles while she introduces you to everyone and as much as you enjoy the domesticity of hanging out with her friends, you much prefer the nook you’ve found nestled under Ellie’s toned arm.
———
Her face leans down by your ear again, “wanna drink? I’ll get you one.”
You smile up at her, “would you shoot me if I said I want an espresso martini instead of the beer you’ve been nursing all night?”
She giggles into your ear and her breath fans across your face, “one espresso martini, coming up!” 
She pulls away and salutes you before turning around and marching to the other end of the bar, waving her arm to grab the bartender’s attention.
“So you’re the lucky lady? I’m Abby, Ellie’s friend.” Damn, she is buff as hell. Her toned arm stretches across a barstool to shake your hand.
You stare at her open palm, “I’m sorry, I don’t know why I did that. Who still shakes hands? I’m done drinking for the night.”
She cracks a smile when you laugh and shake her hand anyways, “nothing wrong with a good ol’ handshake.”
You speak with Abby while you wait for Ellie to return with your martini. She’s leaning up against the wood and speaking to the bartender as he pours the concoction into a glass. How she manages to look so appealing at all times is an enigma. Her short hair is pulled half-up into a bun while the rest barely skims the top of her shoulders, the botanical tattoo on her forearm sticks out from under her rolled-up sleeve and—fuck. You’re drooling.
Double-fuck. She caught you staring.
You blush when she throws a wink your way, turning back toward the bar to grab your drink. 
And then she’s in front of you once more, “malady.”
She slides in between your legs while you sit atop the cushioned barstool (which you’re pretty sure makes a fart noise any time you move) and rests both of her hands on your hips.
Lifting the drink to your mouth, you hum happily when the flavor covers your tongue, “good?”
“Really good. Superb.” Ellie chuckles and leans in toward you, placing a kiss in the hollow of your collarbone, “c’mon, there’s some more people I want you to meet.”
————
You’re not exactly sure how you ended up in this position but good god do you wish you could die right here and right now. Ellie is leaning up against the poster-covered wall of the bar with you pulled tightly to her chest. Your back is pressed against her front and one of her arms is wrapped around you, long fingers splayed across your lower stomach. She’s talking animatedly to the guy standing in front of you two and in all honestly you can’t focus on what they’re talking about while you feel the tips of Ellie’s fingers rest upon the skin under your skirt. 
It’s innocent. She doesn’t realize her fingers have traveled just south of the top of your skirt, but you’d be lying if you said the feeling of her calloused fingertips below the belt didn’t make you squirm. Her auburn hair tickles the side of your face as your head rests back in the crook between her neck and shoulder. And even better—her cheek presses to the top of your head when there’s a lull in her current conversation.
Hearing the man she was speaking to bid his goodbyes, you turn in her arms. The one that was previously grasping a beer bottle quickly swaps to rest in the back pocket of your skirt instead, her other hand squeezes your hip.
“Hi.” She smiles at you.
“Hi.” You press a kiss to her cheek.
The feeling leaves Ellie warm and she squeezes you a few times before ultimately deciding to cut to the chase and lean in. It’s a sweet peck, a little tipsy kiss that leaves you buzzing and floating outside of your body. The bright, crooked smile she gives you after pulling away punches the air from your lungs and Jesus Christ— now you understand the U-Haul lesbians because in this moment you are well and truly fucked. If this woman, this stranger, asked you to pack your shit and move in, you would.
And the look she gives you as she brushes a stray piece of hair behind your ear tells you she might just feel the same.
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absolutebl · 1 month
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This Week in BL - Thailand surprised me
Organized, in each category, with ones I'm enjoying most at the top.
May 2024 Wk 1
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Ongoing Series - Thai
My Stand-In (Thai Fri iQIYI) ep 2 of 12 eps - I love love love Sol! Pink-haired baby idol blast from the past nursing a crush = absolute catnip for me. This is def my favorite Thai BL currently airing. And it’s probably because it has a sort of odd queer authenticity to both its gayness and its rep of the film industry. I mean, of course it’s sanitized into BL fantasy-landia, but there’s an underpinning of something real, for lack of a better word. Normally I prefer the fantasy of my dumb BL worldview, but in this one I’m kind of liking a little chew and grit.
All of which is to say: this is very fucked up messy gay, which normally I’m not wild about, but for some reason I’m really enjoying this version.
On the other side of the BL coin we have:
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Wandee Godday (Sat YT) ep 1 of 12 - And I like it a lot. It’s fun and I’m enjoying it (possibly more than it deserves). I like how it’s a little absurdist. I like that it starts with a one night stand. I like all of the side characters. I love the asexual representation. Bonus LUBE! It’s a fun show. More FUN that GMMTV usually goes for.  
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Two Worlds (Thurs iQIYI) ep 8 of 10 - The sketching in the cave scene was v sexy. And I’m enjoying this BL, but not for any other reason than MaxNat being MaxNatty all over my screen. 
1000 Years Old (Thurs iQIYI) ep 12fin - I don’t know what I feel about this one. Mostly just indifferent. It was meant to be the paranormal Thai BL pulp about vampires that we were all waiting for, and it ended up just being boring. Frankly, I'd rather be pissed off than bored. 6/10
Only Boo! (Sun YouTube) ep 4 of 12 - I truly love the naked lust on our side couple's pining friend's face. Usually only Japan get this thirsty.
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Book is perfectly cast as Moo's older bro. They even look a bit alike but it might have been a mistake, because he’s so damn charismatic. Stole all the breath from the show for a bit. 
We Are (Weds iQIYI) ep 5 of 16 - No report until next week. 
Ongoing Series - Not Thai
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Unknown (Taiwan Tues YouTube & Viki) ep 11 of 12 - What a fantastic ep. This show really is killing it. I’m so happy with Taiwan right now. 
Carry on.
Blue Boys (Korea YouTube) 3 of ? - It remains lovely and I remain enjoying it immensely. It’s very Strongberry feeling. That's always a welcome sensation.
Living With Him AKA Kare no Iru Seikatsu (Japan Thurs Gaga) ep 4 of 10 - They are so cute and pretty much just boyfriends already regardless of what they each think. I'm scared that next week is the final episode, it doesn’t feel like it’s gone very far.
At 25:00 in Akasaka AKA 25 Ji Akasaka de (Japan Thurs Gaga) ep 3 of 10 - I liked it a little better this week. I guess I’m warming up to this one?
Boys Be Brave AKA Roommates (Korea Thurs Viki) ep 3-4 of 8 - Ah poor lonely neglected child. They are all such weirdos. I don’t understand any of these characters or their motivations except they are strange kind of cartoons of... something.
Love is like a Cat (Korea Mon Viki) eps 9-10 of 12 - The guy who plays the vet should be playing a vampire. That's it. That's all I have to say. 
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It's airing but...
Lady Boy Friends (Thai WeTV grey) 16 eps - reminds me a bit too much of Diary of Tootsies only high school. Not my thing. DNF unless it turns a corner and is truly amazing.
Memory in the Letter (Thai WeTV) - 6 eps, when it's done, tell me if I should bother?
You Made My Day (Thai YT) ep 1 of 5 - supposed to have started on Friday but I couldn't find it, I also didn't try very hard.
In case you missed it
GMMTV announced the second half of their 2024 line up. I got excited and picked my favorites, details + trailers here.
Next Week Looks Like This:
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Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.
May Releases
5/10 A Balloon's Landing (Taiwan movie) trailer - A frustrated Hong Kong writer, Tian Yu, meets a Taipei street gangster, Xiang (Fandy Fan from HIStory2: Crossing the Line), and the two of them embark on a journey to find the Bay of Vanishing Whales. Along the way, they discover unexpected twists and turns and close bonds, which brings out the message that "there is always someone like you in this world who is waiting for you.
5/16 Blossom Campus (Korea Thurs Gaga & iQIYI) ep 1 of 6 - Strongberry doing classic BL! Weeee!
5/19 OMG Vampire (Thai Sun ????) ep 1 of 10 - LeeFrank are back - not unlike the undead (as it were). But how do we feel about it? Unsure given their track record.
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5/25 The Time of Fever AKA Unintentional Love Story 2 (Korea movie) trailer - HoTae & DongHee are back but unfortunately not in a cinema near me. Side couple from Unintentional Love Story, same actors, same character names. I love them. I NEED TO SEE THIS.
5/28 My Biker 2 (Thai movie YT?) - trailer
5/31 The Time of Huannan (Taiwan movie) - May not be BL
THIS WEEK’S BEST MOMENTS
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I love a shrimp peeling moment in my Thai BL. (Only Boo)
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Unquestionably the best moment in BL this year. FIGHT ME. (Unknown)
(Last week)
Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.
The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire
If ya wanna be tagged each week leave a comment and I will add you to the template. Easy peesy.
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superstarz9 · 1 month
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So y’all fw Mr. Puzzles hcs?
Cause I got some :]
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So canonically, based off the emerging movements he makes going from tv mode to ‘normal’ mode and the appearance of his arms/legs, there isn’t much of Puzzles that’s human anymore. The closest things he may have left is his heart and lungs (since he smokes, but that’s also a stretch).
While I prefer the idea thar he smokes, I like to think that he only holds the cigarette and pretends to smoke with a small smoke machine in the back, since the cig isn’t actually lit in the scene (not on purpose, of course).
As a kid, he was inspired to smoke from the old cigarette ads in cartoons (like the Flintstones Winston commercial).
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He loves cooking shows and remaking the recipes, but he can’t eat. For a relationship hc (platonic or romantic), he’d probably love making food for you and get feedback on his cooking (eg, more spices, cook more/less, different recommendations). And compliments, of course. Always gotta compliment the chef, after all.
Body-wise (and this one might be kinda gross cause of minor body horror so skip if not comfortable), since we’ve established that there isn’t anything organic anymore about his body, he probably looks like a wire version of muscle anatomy. He’s very self-conscious about this, and tries to hide it the best of his abilities (long clothes, wrapping his arms to keep his shirt in place, the gloves). To add, his brain is probably a unique motherboard with wires surrounding it like a brain.
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He sees and hears through the antennas, and makes sure to keep then aligned as much as possible. If one of them is slightly bent out of their usual shape, things look and sound very broken, like your vision going in and out. To add, the top dial changes the channel from his expressions to a specific show, and the lower dial adjusts his volume.
Technically canon but he has heterochromia! His right eye is dark brownish and his left is light blue. (He has homophobia in his eyes 😔 /j /ref)
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We already know he stims lets bffr.
My friend’s hc: His angry/scary/humanoid face is parts of his original face, as well as the face that glitches during the movie’s end (I stg I know where that face is from. I wanna say Jack Stauber but I know it’s some kind of claymation. Speaking of Jack Stauber, Mr. Puzzles kinda gives Mirror Man vibes, y’know?).
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Since he’s not as human anymore, he doesn’t get sick normally. However, he can get versions of illnesses through similar methods. He can overheat and power off on hot days, and he’s probably not great in rain. His signal also jams when it rains, so he’d constantly be bumping into stuff and wouldn’t be able to control the channels properly (I say control the channels cause idk what else to call it but that thing he does in the movie where he runs all the channels in his head and stuff. His head’s still a fully functional tv after all). If he’s shocked with lighting or smth, he’ll lose his signal, which is his equivalent of going into a coma.
Speaking of rain, he’ll try his best to be on top of the weather and carry an umbrella. However, if he doesn’t have actors for the weather channel and is preoccupied with other projects, he’ll be stuck at the studio waiting out the storm. Relationship hcs for this can be rlly funny. You’d catch him all bitter about the sudden rain as he stands by the door waiting for a cab or smth. If you pull out an umbrella, he’s turn into an absolute drama queen. “Oh, it’s such a TRAVESTY! This HORRIBLE rain just WON’T lighten up! Oh, if only there was someone so kind and caring who’d share their umbrella with me!” You could a) not share the umbrella and receive an even more bitter Puzzles, b) insist on holding the umbrella and have him walk with you awkwardly, or c) give him the umbrella but he holds it so high that you still get wet.
Despite his hatred for the rain, it’s one of the few things he can still enjoy about his humanity. Being a bunch of wires and other tech, he can’t feel anything, just being numb, minus a light electrical pulse, similar to a heart beat. He can’t feel specific textures but can grab and roughly identify objects. However, he can feel the rain and how different it is from other things, and it reconnects him with the real world. For any Steven Universe fans, it’s like Peridot stepping out into the rain for the first time, but more somber.
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If he’s out in the rain one day, he’s sick the next. When he sneezes, his screen goes static-y for the moment.
When he sleeps, he has a black screen with the small “sleep mode” pop-up in the corner. He’s also a very light sleeper.
When he zones out, it’s the Puzzlevision logo bouncing across the screen as a screen-saver.
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Aight that’s all I got right now. If this does well I’ll post some more!
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bluespiritshonour · 6 months
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Oh my God!
I just caught up with World's Finest: Teen Titans and I absolutely have to write this out:
First of all, I love this cover:
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The thing that caught my eye: “you're grounded.”
Not the dramatic “you're fired” as if the motherfucker didn't raise that damn kid in his own damn house for YEARS.
(I know. I know. Bar on the ground, but what would you?)
Also, the anger palpable on Bruce's face and Dick's absolute disregard for it. I'm laughing here y'all. This is what teenagers act like. This is what fights between parents and children look like.
Also. Dick Grayson, I've been missing. You're back from war!
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I love how curt he is. The “Get lost” hits in all the right places. We love a strongly-principled character that stands for what he believes in. With all the lukewarm Dick Grayson writing floating around I felt like walking into a coffee shop while it's snowing outside.
More of this writing, please.
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I'd been waiting for this moment all through this series.
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This conversation.
I compare things all the time. It might not be the right thing in every field but I think it serves well when it comes to comic books. We all have personal “canon criteria”—for example, mine are “Darwyn Cooke wrote this Bruce so I'm taking it as valid characterisation ” or “Every version of Bruce played by Kevin Conroy is valid”. (Minus Bruce Timm bullshit!)
Which was what cinched my hatred for Bruce after reading a Robin short story that Cooke wrote and alluded to Robin: Year One in it. I mean, I might not fuck with Dixon, but am I going to call even Cooke's Bruce OOC? No. It means Bruce is a jerk. Full stop.
Waid is one of the writers I respect (excluding Kingdom Come. I hate it and I can't put my finger on the why. But I just do: I hate it. I hate it for Clark. I hate it for Diana. And I'm a professional Bruce-hater so let's not even go there. I hate it for Dick too.)
And Dick and Bruce's relationship has a lot of baggage from the fact that a) Bruce is himself traumatised and fails to meet Dick's emotional needs b) he wasn't ready to be a father when he adopted Dick c) Dick simply suffers from being the eldest—the test child.
And very rarely have I seen writers manage to walk on the thin line of complicated-but-dedicated-and-strong.
Young Justice cartoon did it. Dick and Bruce's relationship is going strong. But they fight and have different values. And Dick can see all that is wrong with Bruce's approach to vigilantism in particular and life in general.
Grimm (Legends of the Dark Knight #149-154) did it right. Where Bruce hurt Dick deeply and made him feel unwanted all the while overthinking about Dick's well-being. Way to go, buddy! You can see the repercussions it has for Dick while simultaneously stare at this man who's tying himself into knots trying to think how best to parent.
I think that's what most Bruce and Dick comics miss: the excessive worrying. They don't show the worry, make them fight for drama, never address it apart from throwing out a “it's because Bruce's worried” (bitch, where?) and have Dick running back to Gotham at the first chance. It sounds an awful lot like “your parents hurt you 'cause they love you” bullshit.
I think World's Finest manages it well because foremost, Bruce says, in words, that he's worried about Dick's well-being. He's taciturn, he's putting constant pressure on Dick all in the hopes of making him quit Titans. All this makes him a jerk. But I don't hate him for it.
It's between Dick's “you don't trust me” and Bruce's “no, I don't trust them.”
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Most teenagers clash with their parents. It's normal. That's what Waid has shown here and I love it. It feels very—normal?
Especially when the Bats aren't normal! Bruce sure as fuck ain't a normal parent. But there was something very bitter-sweet coming-of-age in this conversation.
Bruce does all those things that are bad for Dick and his growing independence. You're not supposed to handle teenagers like that.
He's worried and taking desperate measures. “If I punish him, then maybe he'll obey me and quit Titans and then he'll he safe”—lots of parents who don't know how to deal with teenagers do it.
But the sequence of it: Bruce is worried → Bruce wants Dick to quit Titans → for Dick it means proving himself to be better, to not get hurt (as if he can control that beyond a certain point) → Bruce being alarmed at Dick's insistence to stay with the Titans and taking desperate measures like benching him.
At least it makes sense.
Compare it to Dixon's Nightwing origin story, which honestly, personally I think was lazy writing. Drama for drama's sake. “You’re fired because you're spending too much time with the Titans.” The same writer also had Bruce say that he did it because he wanted Dick to strike out on his own. Blah, blah, blah.
And no matter whatever happens he'd never ever say it to Dick's face that he's worried about him because—well, reasons.
Robin: Year One logic:
I'm worried about Dick's health so I fire him. He runs off and can get hurt? He joins a school for assasins? None of my business. He can get hurt on his own, I don't care as long as it is not on my conscience. Peace.
—Bruce “professional narcissist” Wayne.
So, yes. When faced with this book(WF: TT), I'd call Dixon's writing lazy.
I'm also comparing this to several other instances when Bruce verbally says (never to Dick, mind you) that he loves that Dick's a better person and better vigilante than him. But in the same book he'd yell at Dick for exactly the same thing. (I consider that lazy writing, since BTAS made sure to show a shot of Bruce smiling whenever Dick was happy/not like him).
I like this thing here where he says it to Dick's face. He's still grounding him for “discipline's sake” or whatever—very, very IC for Bruce.
But he also lets Dick know that he appreciates his values, that are different—better—than Bruce's own.
I can stomach that.
Honestly Bruce's writing in this book felt like BtAS writing (pre-Bruce Timm fuckery). That's a compliment.
P.S. Waid's a good story-teller overall. His Superman: Birthright was one of the first Superman comics I read and I fell in love with Clark right away.
Peace ✌️😂
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storm-driver · 1 month
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hi, i have feelings about cartoon nostalgia and the audience perception of them 20 years on
this is gonna read hyper-specific, but bear with me
i refuse to credit butch hartman for the way danny phantom came out during it's first two seasons, at least outside of the initial pitch and the idea of the protagonist having white hair. i know the majority of enthusiasts for this show are more than aware of hartman's antics at this point. these anctics, i won't get into. other people are far more suited to explain that stuff vs me, a random guy on the internet. but there's very specific topics that i don't often see get brought up in detail, like the production and staff behind this show.
i'll get into it below the cut so as not to clutter your dashboard. but if you're not familiar with the actual production history of danny phantom, this might be interesting to read.
it's common knowledge these days that stephen silver is the one who developed the design for danny based on hartman's original rough sketches. the similarity between each drawing is apparent, but you can see clear as day which design was gonna be more apt for animation and overall audience allure back in 2003.
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he also did character designs for hartman's other poster child, Fairly Oddparents. the trend is similar, though far from a huge concern. character design overhauls happen all the time in media production. designs might be too complicated for animation, so they get stripped down. or maybe things aren't complex enough and more nuance needs to be added. that's normal stuff, and i am not dunking on hartman for not nailing danny's design right out the gate. i'm pointing this out in case you've ever looked at butch hartman's recent work and wondered "how are these done by the same artist?"
the answer is they weren't. hartman had to adapt to stephen silver's conceptual designs in order to work on the storyboards. take from that what you will.
onto the actual writing.
butch barely wrote a single episode for this show's first two seasons.
steve marmel helped write at least 28 episodes of the original two seasons, with writers like sib ventress and marty isenberg bringing a good amount of episodes to the table, as well.
butch hartman is credited primarily for directing and storyboarding this show. the episode pitch and writing was by other people almost entirely. the ONLY episodes in the first two seasons that hartman is credited with having written are mystery meat, one of a kind and splitting images. and he's credited with co-writing these episodes alongside steve marmel and mark banker. ie, he did not write these episodes on his own. and allegedly, butch hartman had a tendency to be credited as a writer for an episode, even if he only wrote a few lines of dialogue. again, take from that what you will.
past that in season 3, he wrote infinite realms, torrent of terror, forever phantom, urban jungle, and ofc, phantom planet. which a lot of people know, these episodes in particular weren't the most enjoyable, nor was the overall direction of them very good.
a director's job is to make sure that the overall tone, feel, and message of the show is being kept consistent with intent. that means meeting with producers, who are the ones managing the, y'know, producing part of the whole project. it may sound like the director is the one heading the project if it's their job to keep things in check. which, i will not deny, hartman must've put in a good deal of work to make the show come out as well as it did.
but pile that with some of the off things per episode. the mean-spirited way that characters tend to be taught lessons, the voice direction getting a drastic change in season 3 (you can hear it explicitly with david kaufman suddenly going for higher pitches instead of the usual one he's done so far). there's really only one consistent motif in the entire show's OST. which isn't a bash against the music producer. it's a concern that the director of the show never asked him to change things up, and ONLY stuck to this one motif.
to briefly touch on the mean-spirited thing. there's multiple instances in the show where danny or someone else is seen fighting back against whatever has given them trouble, or they're taking matters into their own hands to ensure they won't be hurt ahead of time. and repeatedly, the show likes to kick these characters back down for trying to stand up. it's a trend in all of butch hartman's shows, and it's treated more like comedy than anything else. it's up to audience perception on how to view it. but for me personally, it starts to feel like an overused gag and turns into something more malevolent after seeing it overused almost every single episode.
okay besides that, i actually wanna look at specific examples of episodes that steve marmel wrote for. again, this is the guy who's more or less responsible for the show's serialization.
the complete list of episodes is as follows:
Mystery Meat, Parental Bonding, One of a Kind, Attack of the Killer Garage Sale, Splitting Images, What You Want, Bitter Reunions, Prisoners of Love, My Brother's Keeper, Shades of Gray, Fanning the Flames, Teacher of the Year, Fright Night, 13(Thirteen), Public Enemies, Memory Blank, Reign Storm, The Ultimate Enemy, The Fright Before Christmas, Secret Weapons, Flirting with Disaster, Micro Management , Kindred Spirits, and Reality Trip.
multiple episodes listed here are from the first season, which a lot of people consider the show's best. and of the handful listed for season 2, he wrote all of the hour-long specials.
i would be here for hours talking about how steve marmel tackles all of these characters and concepts significantly better than hartman does in season 3. but that's a topic best praised elsewhere. point is, if you watched any of these episodes and thought to yourself "wow, that was actually kinda clever," steve marmel is more or less the guy responsible.
butch hartman was in charge of direction, but that does not give him exclusive credit for every single line of dialogue or plot beat. there could be a LOT we just don't know because people on production staff don't want to comment. but the writing consistency taking a dive off the board by season 3, which is the same season that steve marmel departed from the project due to conflicting direction in the story? you might deduce that butch hartman was not the prized writer and artist behind this otherwise beloved cartoon.
to dredge up an easier-to-tackle target, season 3.
my criticisms are 18-year old echoes at this point, you've heard them all. from otherwise pointless episodes that don't develop the characters or world, to completely out-of-touch writing (looking at you, phantom planet) that juxtaposes the characters with everything we've been told about them so far. it became a slog of a season that didn't have any build-up to it's finale. the occasional gem of an episode like frightmare helped in some aspects. or the promise for something later with d-stabilized. but it all gets swept under the rug thanks to a rushed finale with poor build-up, bad writing direction for the characters, and most importantly, an unlasting effect on the viewer. (or a negative lasting effect, which is arguably worse)
for a season that knew it was on its last leg before inevitably needing to give up, there's seldom few episodes dedicated to advancing an overall narrative, and thus give a slimmer of hope for a satisfying conclusion. instead, the show goes all in with villain-of-the-week stories, and even the returning villains are hardly taken seriously or given more to do besides just being there.
of course, we know the reason steve marmel had left the project was because hartman wanted the show not to taken a more story-focused drive. it almost starts to feel like spite that kept the show so horribly grounded, letting it become stagnant before eventually being forgettable.
all this is in service of letting people know, it really wasn't butch hartman that made the show, not alone. death of the author and all that nonsense aside, he pitched the concept. and it takes a lot of love and dedication to make a concept something you can physically see and adore. don't let him swath in all the credit. recognize the others who made the work you can still enjoy.
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