#he deserves to be free so he can do it again

[spiderbeam]

Here's a concept: I've been stuck on the idea of a dork reader who develops a small crush on Franco and works on her Spanish to impress talk to him but her pronunciation makes what she says borderline offensive/obscene and she knows it as she says it and starts apologizing and it's super awkward and embarrassing for her but I see Franco as being charmed that she put in the effort?

ohh i actually had to think about this one (and it got a little away from me) but. i can see this as either an mechanic!reader or engineer!reader from williams.

you’ve recently befriended franco. and in your opinion, he makes it too easy. i mean—it’s not many drivers that go out of their way to greet everyone in the team every weekend without fail once they arrive on the paddock. but franco does. and he’s been doing so well, and you can’t help the fondness you’re starting to harbor for him. it’s his smile—you’re sure of it. but it’s also his determination to make the best of the few races he has, it’s how utterly drained he looks after every race but smiles and jokes anyway—how hard he is on himself when he doesn’t perform as he wishes. and you’re always having to remind him that he’s been doing this for three races. you find it you enjoy his company a lot more than you should.

you’ve been working on a little side-project during your free time.

now, you know you’re not gonna be able to learn an entire language in the span of eight races. and spanish is hard. but you’re determined to try your best to learn a few phrases.

buena suerte. good luck. lo haras increíble. you’ll do great. vas con todo. give it your all. but even then, they feel impersonal. so, you move away from standard phrases and try to learn one for him.

you find your moment after free practice, sitting inside franco’s driver room as you sit besides him. he’s tired, but with an excited energy he can’t seem to shed. your thigh is nudging against his, his hand inching closer to yours, and you decide to do it now before you chicken out.

you meet his gaze with an encouraging smile on your lips. “estoy muy orgullosa de como cogiste el auto.”

and franco is drinking from his water bottle as he faces you, and you can see the moment he stops, and coughs—and continues coughing. you stare at him in bewilderment.

his voice is scratchy and hoarse when he says, “¿cómo? yo no—what?” he coughs again, and there’s a red blush on his cheeks that wasn’t there before.

“what?” you blink, embarrassment lodging itself inside your throat. “i just, i’m proud of you—of how quickly you got the hang of the car.” you can feel heat spreading across your cheeks as you start rambling. “i know it’s been a really tough transition, and you’ve been doing so well and—” you swallow sharply, clamping down your jaw to prevent yourself from digging yourself an even deeper hole.

franco blinks at you. “oh.” a laugh escapes him, a smile pulling at his lips as humiliation blooms in your chest. “oh, corazona,” franco coos, tilting his head with a look that makes your heart skip a beat. there’s a glint in his eyes you can’t seem to place. “since when have you been learning spanish?”

“not that long…” you look away from him, fidgeting with your fingers. “i just wanted to, y’know, congratulate you like you deserve.”

franco clicks his tongue, resting his forehead against your shoulder. “that’s really sweet,” he says softly, “and it means a lot. but i think you’ve been learning spain spanish.”

you blink, turning your head slightly. he rests his chin on your shoulder to meet your gaze. “um… i think so? i didn’t think it would make much of a difference.”

“it does.” franco chuckles again. “cause in spain, coger means to grab, but in argentina…” his tongue swipes along his canines, lips twitching upward into an amused smirk. “…coger means to fuck. and i think i’d remember if i’d had sex with a car.”

“oh my god.” mortification must be too evident in your face, because this time, franco laughs louder than before. it’s a laugh that rattles his chest, that makes his body vibrate against yours.

“don’t worry,” he says after a beat. he leans closer to you, his lips brushing against your ear. “it’s cute.”

a/n: ohhhh this one definitely got away from me. idk if i should even count this as a ramble cause it could be a drabble 😭 franco is my achilles heel i’m sorry

send me concepts ✉️

[lustlovehart]

Hard Stoned Gallery Dance

A/n: This was made like monthhsss ago, so I’m posting it as forgiveness for the lack of work i’ve been doing.

Pairing: [ Monster!Twst ] Malleus Draconia x Reader

Summary: Dancing is a beautiful past time, yet such a pretty act is ruined, when Malleus decides to let his affections for you run rampant. (Wc: 1.9k)

Warnings: Kissing & Licking, Murder/Death of Minor Characters (Not explicit), Possessive traits, Clinginess bordering obsession, a little blood, Biting/Marking

Your head leans itself on the rough surface of the stone wall. You’ve finished your objective for the day, so giving yourself this break is well deserved, ten minutes free of Crowley’s nagging is still freedom despite how it sounds. Your eyes can’t help but look up at the pretty blue sky, it stings to look at but you don’t mind the pain, seeing something so clear is worth it.

That cloud looks like a cat.

…

The taste of indulgence is quickly stripped out your grasp when the familiar sound of dragging stone resonates through the air, grating to your ears.

“Child of hunters, what may you be doing here?” His rock-hard face interrupts your view of the sky, green solid eyes look down on you as he casts a shadow on your visage.

Despite his body being made of pure stone, his eyes give a faint green glow, as if a bioluminescent moss grew there. His hair, his wings, and even his tail freely flowed as if he were just a regular Dragon hybrid. But alas, he is some sort of statue— Oh no not a statue, in his words a gargoyle.

You forgot about the difference one time and in turn, he gave you a 3-hour lecture on the difference between a grotesque and other gargoyles. Never again…

“I’m trying to hide from my boss.”

“Shall I be rid of him for you?” His mouth forms a little o as a small puff of a green flame releases from him.

“That would be a bad idea, I’d lose my source of income.” He quirks an eyebrow up at this., to be fair, you don’t think he has any clue what a “payday” is.

Despite his confusion, he lifts from his bowing form, a hand reaching out towards you in all its mossy glory. You’ve known him long enough to know what he wants.

A dance.

You don’t try to hide your exasperation as you take his invitation, albeit a bit slow. His stone body quickly pulls you up and into him. With how much tamer his form is compared to other beasts you know, it’s hard to remember that he’s part dragon, and even worse is part of the only few monsters who know magic.

So as of right now, this marks your third time dancing with one of the worst monstrosities currently on the bounty list. No maybe not one of the worst… From what you remember from Crowley’s ramblings (which isn’t much since you tune him out when possible) he’s probably the most dangerous.

You get the basic idea, but you’ve never truly seen for yourself why he’s considered so terrible. Is he not just a glorified water spout? Compared to a Kraken and an Incubus, surely his damage isn’t so grand to be warranted as the biggest beast to hunt.

“You’ll always be welcomed in my castle, you would not be short of accommodations either.” his hand rests upon your waist, pulling you closer than need be. His invasion of personal space is akin to a parasite leeching off its host, but you let him feed of you. Whether it’s from fear or a bond, you’re not decided.

Your movements are sluggish at best, but you can still remember the basic steps in the dance, your foot sloppily setting itself down where it should be, the occasional step on stone happening once or twice though.

“Considering the current state it’s in… is that even safe for me to walk in…? It looks like one good shout and the bricks holding the place together will crumble apart…”

“That is just the disguise we give it, as to not alert others of our presence. For you though, I’m willing to make it stand out if it makes you happy.” The hand lying on your waist retracts itself as he takes his other clawed limb and twirls you around, falling back into position when the spin is done.

“… I’ll think about it.”

“I’ll wait as long as it takes.” You know he’s not lying about that. You can distantly recall when a certain mystery monster had told you the tale of a longing dragon who perched himself at the opening of his window to wait for a certain hunter's return.

“Yes, he was so determined to be the first one to greet you, why he even stayed sat at the window for 5 months. It was quite endearing hehe.”

“Doesn’t it take hundreds of years for you to erode? Maybe it’ll take me 50 years to decide, by then I’ll be old and grey and you’ll be perfectly fine.” You take a step forward before the gargoyle's grip on your body tightens significantly, shrieking when he suddenly dips you down unprepared.

His freed hand takes your other arm and lifts it up to rest on his shoulder. Green sparkles are faintly flying around his lips as he slowly leans into the soft skin on your arm. His face leans in and presses chaste kisses on your limb, the gentle texture of his mouth catching you off guard as it tickles your body. Now you get it, he must’ve cast a spell to temporarily soften his lips.

He had attempted to kiss you once without taking this precaution, in turn, you gave him a face filled with discomfort at the stone texture that kept peppering you.

You can still remember the hurt face he had on when he saw your dislike towards his affections.

On his ninth kiss, his forked tongue peeks out from his mouth, licking a stripe up your skin. He finally lifts you up after the assault on your arm, his face only a few inches away from your own. It would’ve been quite the romantic atmosphere, had your nose not catch a sharp smell, and a horrible wretched one at that.

“You could be on your last breath and I’d still wait for an answer. But I hope that won’t happen.”

“Who knows, I work a dangerous job.” what is it?

The both of you twirl in unison despite the lack of music, your bodies in tandem as they move to just the sound of your surroundings. Though, your body is a little more sluggish than his own.

That stench… Is too familiar.

Eventually, your last steps fade out as you stop in your tracks.

“Is something wrong dear hunter?” Your grip on his shoulder fastens, if he was human you’re sure you would’ve broken his shoulder.

“What did you do?”

A smile is lit on his lips, his head tilting to the side, giving you such an innocent look, like he did nothing wrong.

“Whatever are you talking about?”

“The smell… Iron… This whole time I thought it was just the smell of the forest. But…” You swiftly pull a dagger out from your side, throwing it past his shoulder, the tip of the steel piercing into what sounded like wood.

He doesn’t turn back, only continuing to smile at you, as if you’re the only existing thing here, or more accurately, the only thing he cares about.

The bark of the trunk splits in half, falling to the ground, revealing the source of the stench. The top of the tree isn’t green, it’s red and brown.

4 pairs of hands stick from the leaves.

“You… What did you do Malleus–?!“ he’s quick to twirl you again, his grip on you tighter than it’s ever been. Despite your protests, he continues dancing as if you hadn’t seen anything.

You’re suddenly stricken with the memory of your first meeting with the beast, blood coating his mouth when he looked at you, pure admiration when he had finally met the muse everyone spoke so dearly of.

“Malleus, you—!“

“Tell me, dear human, was it not you who spared me?” He dips you down. “Was it not you who saw a beaten beast and allowed him to live?” He lifts you up. “Even as you walked away with a piece of stone you let go of one who’s rendered thousands over the years,” he pulls you in. “Dead” every action with your body is harsh, but not enough to hurt you, never enough to hurt you.

Because why would he ever wish to harm you?

He’d much rather smother you in affection, even when you’re exerting all your energy to kill him as he hugs you.

“It’s because you…”

“Looked so human?” He continues to keep you close, impossibly so, your skin melting into his, not from fawness, but fear.

“How did you know-“

“You’ve spared so many of us because we made you feel something in the moment,” he must be referring to everyone else… The look you gave him is dazed, caught up in the thought of every other monster you let get away. His fingers cage your chin in between them. “But don’t forget what we are.” Sparkles fly, temporarily blinding you.

When you open your vision, you’re greeted by the sight of Malleus, with the appearance of what he looked like if he was human, or at least similar to a human.

His skin isn’t rough and solid, his breaths are warm, and his hair is soft and pretty rather than a soft moss.

His eyes are a nice green, a pretty green. A color you would’ve enjoyed more had he been a human. Such a lively color shouldn’t be backdropped by crimson, yet, it is.

Behind him, several other trees collapse on themself, revealing the other tops, the same as the tree you had just seen. Views of stray limbs and vaguely familiar faces of hunters invade your mind, panic setting as you finally realize a question you should’ve asked long ago…

Why was Malleus so far from his castle?

Before you can react, your ears hear a faint whisper, eyes going heavy as little pings of thorns claw at your shoes. The last thing you see and feel, is his face leaning towards you, his finger loosening itself from your chin.

In a blink of an eye, he’s no longer the human you spared, but the monster you let escape back into the wild.

The fiendish of smiles is graced on his lips. Not because of evil, but because his smile, is so love stricken.

All because of you.

“Seems the little birdy fled the nest without permission.” Your eyes slowly flutter open, the familiar figure of a man bowing on top of you. “Now, I’ll forgive you as we weren’t expecting such a beast to appear-“

He’s immediately cut off in his sentence when a searing pain cuts through his chin.

“Augh—! How could you kick me after I spent precious time searching for you!“

“You’re the reason I’m here in the first place…!“

“I didn’t do anything!“ Despite your annoyance towards Crowley and all he stands for in your life, you can’t deny if someone had seen this scene play out in front of them, they would assume you two to be a father and his bickering child.

You attempt to stand to your full height, faltering at the pings of pain in your ankle. You suck in a breath, looking down as you nurse hurt skin.

There are briar thorns wrapped around your leg, a single rose adorning the stems, and a gentle green hue that contrasts the pure black of the floral life.

“Oh my, what were you doing last night?”

“… Night?”

“You’ve been gone for 36 hours my birdie.”

You don’t feel any different… Save for the prickle of thorns and fresh bite on your arm.

… Fresh bite?

Despite the indent, it doesn’t hurt, it’s like, he left it there as a reminder of your failures, at least to you. It could very well be his way of staking his claim on your heart.

“It’s a shame you didn’t get him when you could’ve, with your connections, you could’ve spared us a huge loss today…” you’re cruelly reminded of the people that lay to waste hidden in the trees. “We should let today serve as a reminder of what you must do.”

Crowley doesn’t look happy at the sight of so many employees who failed their jobs, yet he doesn’t look grieved either.

You… Truly, you wish you weren’t so softhearted during your missions. Maybe then, this could’ve all been avoided.

A/n: Like I said, this piece was from so long a goo, so i’m so sorry if the plot isn’t to anyone liking, but if it is, i’m happy you enjoyed it!!

[raven-at-the-writing-desk]

I remember you wrote a thing where Crowley interviews Fellow for a teaching job, can we get a continuation of that? idk where Gidel would fit so yeah sorry

[Referencing this interaction!]

So tell me, do you wanna go?

Every morning was a new opportunity presenting itself in a gift-wrapped box. This morning was, perhaps, the grandest opportunity, the greatest gift, of them all.

From the moment Fellow had woken up, he had been a flurry of movement, almost as fast as the words he often spewed. Buttering toast for two (a luxury for them), packing a small bag of pencils (each of varying length), untangling the knots in Gidel's hair, tying the boy's shoelaces for him. He had also been up late redoing the stitching on his suit, ironing the wrinkles out, and searching for a matching pair of socks for Gidel. The first rule of making a good impression: dress to impress.

Even when they were out the door and rushing to the main school building, Fellow fretted. He smoothed out his shirt, redid his cravat over and over, wiped his glasses more times than he could count. (In fairness, that number still wasn't very high, but it was the sentiment that mattered.)

The imminent shadow of Night Raven College loomed, making him feel small and powerless. Here, dreams were made—and crushed.

Like his had been, once upon a time.

His mind blanked. It had run off and hid, shivering in a dark recess somewhere, wedged between doubt and despair.

He was brought back to earth by a warmth and pressure at his arm. Fellow glance down to find Gidel grasping him and offering an encouraging grin. His jacket and vest were oversized, and his tie sloppy, but he glowed with excitement.

“… You’re right, Giddie. What am I mopin’ around for? It’ll do me no good.” Fellow sighed, banishing his bad thoughts in that breath. “We should be celebrating! Today’s a big day for us. Our new beginning.”

Together, they took the brave first step into the foyer. Down the hallway and to the right, their first stop.

Again, his heart raced. Anxiety and fear surging, despite his efforts to keep them at bay.

Smile at the face of danger. Get tough when the going gets rough. It’s nothing you haven’t done before, he coaxed himself. You can do this. Show those snooty little rich kids what you’re capable of!

“Let’s go…!” Fellow bellowed, seizing Gidel by the shoulders. It’s SHOWTIME!”

They barged in, the door opening with such force that it slammed against the wall. Students startled in their seats.

“M-Myah?!” Grim snapped awake from his nap. “What’s happenin’, am I still asleep or what?!”

Beside him, the Ramshackle Prefect perked up. They waved at Fellow and Gidel, as if they had been expecting them all along, Of course—they had been the one to pass along a strong recommendation to the headmaster.

“Mornin’, teach! Mornin’, new classmate!” they chirped.

Ace groaned, rubbing a hand on the back of his neck. "Oh, you have got to be kidding me. This is the guy they hired for the new Life Skills course?”

"H-Hey, don't be rude to the new professor!" Deuce hissed at his dorm mate. “Show some respect!”

Show some respect.

Respect! That’s right, he deserved it. He was among them now—amid the elites, instructing them.

Fellow straightened, marching right up to the podium at the front of the classroom. (Gidel followed him, only to be shooed off and whispered a reminder that he belonged in a desk. He scurried to a free spot in the corner, planting his supplies down.)

“Students!” Fellow announced, rapping his fox-tipped cane on the podium. His voice, loud and proud. “Your attention please!

“Welcome to Life Skills. As the name suggests, this class will focus on practical skills that’ll serve you well in life. I’ll be your instructor. The name’s Fellow, Fellow Honest—but please, please, call me by my first name!”

Deuce’s hand instantly shot up. “S-Sir, isn’t that kind of familiarity improper?!”

“In my classroom, everyone’s an equal. Myself included,” Fellow laughed, tipping his top hat at his bewildered audience. “Let’s have fun together, shall we?”

“Wow,” Deuce murmured raptly, seriously impressed. “The new professor’s so chill.”

Gidel and Yuu clapped excitedly for him. Ace rolled his eyes.

“This is gonna be a long semester.”

[menagerofmischief]

Dia's Diner

Welcome to Dia's Diner, here you'll be able to order your meal (fic) with as many specifications and dishes as you want. We hope you leave satisfied ;)

first step is choosing who you want your fic to be about, so pick a server (you can even pick two)

SERVERS:

Max Verstappen

Charles Leclerc

Carlos Sainz Jr.

Lewis Hamilton 

George Russel

Lando Norris

Oscar Piastri

Daniel Riccardo

Alex Albon

Fernando Alonso

Franco Collapinto 

Pierre Gasly

Esteban Ocon

Ollie Bearman

Kimi Antonelli (?)

Sebastian Vettel

Mark Webber

Jenson Button

Toto Wolff

every good meal starts with an appetizer, by choosing your appetizer you're setting the main trope of the fic

STARTERS:

charcuterie board (dating)

artichoke dip (brother’s friend)

olives and cheese (friends to lovers)

stuffed cherry tomatoes (sugar daddy)

hummus nachos (teammates)

shrimp cocktail (rivals to lovers)

and how you want it served

HOT OR COLD: 

hot appetizer (sweet sex) 

cold appetizer (rought sex) 

now it's time to order the main dish, feel free to choose as many as you want

MAINS:

lobster (“I love watching my cum leak out from your pussy”)

caviar and oysters (“Gonna look so good full of my babies”)

fish and chips (“Where are your manners?”)

steak (“Made just for me. My pretty little cocksleeve”)

burger and fries (“Hurts? That’s too bad baby, should have thought about it before being such a slut”)

buffalo wings (“Count them for me”)

ramen (“What would your brother think if he saw us?”)

gyros (“Gonna fill you up”)

full english (“My pretty little slut”)

pizza (“My good girl”)

pesto pasta (“Slow down, you just told me to speed up. What’s it gonna be silly girl?”)

carbonara (“Look so good on my cock”)

sausage rolls (“I’ll make it fit”)

sushi (“Better quiet down, you don’t want them to hear us.)

tacos (“I’m gonna give you an attitude check”)

chicken quesadilla (“So pretty with my cock down your throat”)

crab cakes (“Yeah, gonna swallow like a good girl?”)

chicken nuggets (“Couldn’t help being a brat, could you?”)

kimchi (“Be a good girl and take it”)

tomato soup (“Running away from my dick? I don’t think so.”)

cheese fries (“I love making you squirt”)

stuffed potato (“Just where you belong … on your knees for me”)

sarma (“Gonna put a baby in you”)

moussaka (“You look your best covered in my cum”)

caesar salad (“Lie to me again and you’re not gonna like what happens next”)

chicken skewer (“Be a good girl and cum for me”)

mac and cheese (“Only good girls get to cum”)

mango sticky rice (“Next time you try that shit I’ll make him watch while I fuck you”)

chicken fingers (“Yeah, you like being filled in both ends like a slut”)

butter chicken rice (“If you want it then you better beg for it”)

eggs and bacon ("Are you gonna stop moving or am I gonna hold you down?")

spring rolls ("All you do is complain, perhaps I should shut you up")

sloppy joe ("You have the prettiest mouth. Why don't you put it to good use?")

kebab ("Look at that my cock is splitting you in half")

grilled cheese ("I buy you nice things and then I get to fuck you in them. Sounds fair to me")

pot roast ("You going to let me take my anger out on you, sweetheart?")

chili ("Look at you humping my thigh like a bitch in heat")

california rolls ("Scream my name - I want everyone to know who's making you feel this good)

PB&J ("Look at him while I make you cum")

dumplings ("Ride this cock - it's your cock")

black pudding ("There we good, you're such a good girl, taking you punishment so well")

smoked salmon ("My good girl deserves a reward")

fish tacos ("Just lie back and let me take care of you")

seafood boil ("Maybe I'll make a mix tape of your moans to listen to while I drive")

spaghetti with meatballs ("Why don't you put on that pretty little set I bought for you?")

veggie burger ("Feel how hard you make me")

hot dog ("Thought about you while touching myself. The real things is much better")

ratatouille ("I'll mark you up so much no man will dare talk to you again")

having a drink with your dish really elevates the experience, drinks represent different kinks

DRINKS:

ice tea (oral giving/receiving)

sweet tea (morning sex)

mint tea (body worship giving/receiving)

redbull (filming sex)

vodka redbull (squirting)

white wine (sir kink)

red wine (daddy kink)

rose (spanking)

champagne (threesome)

old fashioned (drunk sex)

whiskey (double penetration)

mai thai (mirror sex)

beer (bondage)

root beer (blindfold)

apple cider (spitting)

apple juice (edging)

orange juice (overstimulation)

boba (anal)

smoothie (hickeys)

matcha (toys)

vanilla milkshake (nipple play)

hot chocolate (dry humping)

espresso (dom/sub)

black coffee (chocking)

mocha coffee (degradation)

pumpkin spice latte (losing virginity)

fanta (size kink)

coca-cola (somnophillia)

coke zero (free use)

pepsi (car sex)

lemonade (public sex)

strawberry lemonade (breeding)

coconut water (jealous sex)

iced water (dirty talk)

to end the night you might consider getting a dessert, in this case dessert is aftercare

DESSERT: 

yes (aftercare included) 

no (aftercare not included)

special instructions: tell me your favorite track/race at the end of your request and I'll throw you in a freebie on the house that goes best with your order

Thank you for visiting! Here at Dia's Diner your pleasure is our priority, so be on the look out for new additions to our menu.

[newbiespud]

I'm sure it's been said before but I'll say it myself because why not

The game In Stars and Time makes for a revealing contrast to the movie Groundhog Day in how they treat their final time loop and how that reflects on the main character. (Even though, if I remember right, the dev largely wasn't aware of Groundhog Day when they came up with ISAT.)

Spoilers for both after the break, I guess.

In Groundhog Day, Phil starts out narcissistic and self-centered, has the realization that he can live life without consequences, gets depressed after having tried and done everything that he's got everyone and everything memorized so that nothing can delight and surprise him anymore, and finally escapes when he performs a loop that proves that a better, happier world is within his grasp to make, not something owed to him, and that he is happy with the life he has today, not always pining for his ambitions for the future.

In... In Stars and Time, Siffrin starts out deflecting and aloof, has the realization that they can do this perfectly - 'this' being not only the impossible challenge of defeating the King but navigating their relationships with their party - gets depressed after hitting wall after wall and repeatedly fumbling into faux pas after faux pas with their party, and finally escapes when they perform a loop where their true feelings come out, no matter how ugly, and they're honest about their own desires and wishes rather than trying to keep up an ideal façade.

Plenty of people have pointed out that In Stars and Time subverts the 'escaping on the perfect loop' time-loop trope that Groundhog Day largely codifies. Not only does the 'perfect' loop completely fail, Siffrin escapes on arguably the 'worst' loop, the one where they rightfully worry that they've hurt and alienated their loves ones forever and cannot escape those consequences anymore.

But I don't think this contrast is as direct as it seems, even though one could say that Phil got away scot-free compared to Siffrin and that In Stars and Time is the superior story for portraying a harsher outcome. (I do think that exploration and advancement of tropes is just inevitable and even healthy over time, and Groundhog Day came out in 1993 so of course it and the tropes it spawned deserve modern critique, but I digress.) I actually think that it reflects how both stories and the mechanics of their time loops are built around their main characters. (There's also something to be said about how genre shapes narrative since GD is an existential comedy and ISAT is an action-adventure focusing on interpersonal drama, but that's another digression.)

ISAT makes an impact on the whole time loop genre with its clever subversion, but like all the best subversive stories, it's couched in strong characters that embody its themes.

And to take a broader perspective, the best time loop stories are allegories for the real-life situation of making the same mistakes over and over again caused by your own deep-seated personality flaws, and being forced to finally confront your inner demons and overcome them and become a better, healthier person. (Relatable, much?)

Phil is a man who's never happy with his lot in life, so he needs to learn to find the eternal richness and beauty of what he has within his grasp, and that a better, happier life is something he can make for himself. Thus, he escapes on the 'best' loop.

Siffrin is a person who refuses to share their true feelings and problems with others to the point of self-destruction (and complete reinvention in one aspect), so they need to learn that no matter how ugly and twisted they think they are, being open and honest doesn't mean their loved ones will care about them any less, even when Siffrin is seen at their lowest point possible. Thus, they escape on the 'worst' loop.

It's not just clever subversion, it's holistic circular story structure!

...Though maybe I'm just drawn to these stories because I, too, would like some extra time to Figure Some Shit Out and have that time come with some superpowers along the way, even if it nearly destroys me in the process.

[raayllum]

Callum is so right about Rayla never doing anything for herself. You could say freeing Runaan was for herself but she also treats it as her "sacred promise" and chose him for Ethari too (shows how great her heart is). You think sparing Callum will finally count as her doing something for herself? Choosing her future and her love for him over the "greater good". She couldn't get her og parents back‚ this girl keeps losing and suffering she seriously deserves more wins

God, I could write an entire meta about that line - maybe one day when I'm feeling self indulgent. In regards to your actual prompt, re: saving Callum will count as something for herself -- a big yes, absolutely, I think! Though I think freeing her parents is something she deeply wanted for herself, too ("I miss you so much" / "so I wanted to do something for yourself for you") even if it was something she was continually putting off till the Aaravos situation, as far as she knew, was resolved

Prior to S6 I went back and forth on whether the show would frame Rayla's end of the possession plot line / trying to get Callum back as either "It doesn't matter what happens to me (again) I just want to save him" (which is what leaving in TTM and other moments was about) OR whether it'd be framed as "I refuse to sacrifice him / something I want (again)" and therefore be character development. I leaned towards the latter for reasons outlined here since the two have the chance to be even more thematically codependent than they already are in terms of their senses of identity:

As long as Callum is Callum (not possessed, or she has reason to believe he’s still in there), Rayla likely won’t be able to bring herself to kill him. This is from an emotional / characterization standpoint, of course, but from a thematic standpoint, we can see where it stems from Callum and Rayla continually being each other’s main connection to their sense of identity. As long as Callum is Callum (“you’re the destiny is a book you write yourself guy”), he’s worth saving. As long as Callum is Callum, she can be Rayla (“Rayla’s brave. She saves people” / “Rayla. My name is Rayla, and I’m going home”). As long as she’s Rayla, he can be Callum. Because if Callum isn’t Callum, then he’s dead, and if he’s dead, she can kill him. And if Rayla kills him, if Callum is dead, then she won’t be Rayla anymore. Because to literally kill Callum would be to simultaneously symbolically/emotionally kill herself.

This goes both ways of course - Callum can't/won't sacrifice Rayla because to do so would be to sacrifice a fundamental part of himself (namely his deep and Pure devotion to others which means he'll never go entirely down the negative side of Viren's path, and keep to the positive - leaving Aaravos, breaking free, etc). This was subtext prior to S6, but now it's actual text (she's his light/truth/hope of salvation, etc) so it goes double going forward. This is true for Rayla too — Callum is her guiding light and her star, he's one of the people who's taught her the most about how to love and the person she wants to be.

With all that in mind, yeah, I do think that Rayla will choose to not sacrifice Callum for the right reasons. Part of this is scaffolded under witnessing Callum not sacrificing her No Matter What prior to her won choice, and realizing "what [she] most deeply desires" isn't just Callum's survival even, but specifically the life they can have together, which she needs to stick around for and thereby not sacrifice herself. Runaan is also explicitly remorseful over the actions he took towards her where he choose duty over love, so Rayla realizing she should choose love over duty ties into them growing together as well in a positive way. We also see her realize some of this I think in choosing to let Lain and Tiadrin stay together rather than separate them specifically because of the Moonphoenix bracelet Callum gave her as well.

"I risked losing the best thing I ever had" because of her own duty turned revenge vs "I refuse to lose either of us like this" and finally fully accepting an assassin was never who she was and never who she Should be, in sacrificing others' lives or her own included. Them both Choosing each other above everything else was exactly what I was hoping for as soon as the "I need you to kill me" plot line started / wrote in my first CHET fic pre-S4 years ago:

She has two options as she pulls away. She can make a grab for her swords and go out, swords blazing. Kill Viren or Aaravos if she can as the sky splits open, purple and thrumming with magic; die with a sword in her hand in all likelihood. The release spell has already started. Or she can help Callum up, and they can live to fight another day—together. Rayla grips the back of his jacket. Presses her forehead to his neck for a second, tears building her eyes. “I’m sorry,” she says. His arm tightens around her, like he’s braced for her to go. “Rayla—” “I’m so sorry,” she repeats, sobbing. This is all her fault, but she can’t do that to him. “We have to get out of here.” [...]

Callum is staring at her when she pulls back and she swallows hard. She doesn’t know what to say. It’s both a blessing and a curse when he speaks first. “You chose me,” he says, not quite softly; she can tell there’s a lump in his throat. An edge of anger that not doing so was even an option. “Yeah, well. It was about time,” she says quietly. “I—”

So uh, here's hoping!

[sitp-recs]

Between the Power Lines by @tackytigerfic (M, 3k)

For Harry Potter, all roads eventually lead to Draco Malfoy. Or: this is not an AU! It's just Harry and Draco meeting by chance in an imported food shop in Connecticut and going on a road trip together. Featuring motels, cacti, Americana, and a hefty dose of pining.

In New Orleans, they got drunk on Bourbon Street, and Malfoy danced on his own (arms bare, laughing; Harry could have watched him all night) and later on, so late it was almost morning, they let themselves into the St Louis Cemetery—Malfoy unpicking the lock so sweetly—and walked around until the sky was pink-edged with the promise of another day’s heat. Then they sat on the steps of a crypt, watched over by sightless eyes of the statue of an angel. She looked exhausted rather than sad, Harry thought, and that made a lot of sense when he thought about his own longstanding, dull-edged grief.

It’s been ages (or 2 years) since I last wrote a rec for Tacky (I usually write for other readers, except when I’m reccing friends - then I write for them) and their birthday was the perfect excuse to put my reccing muscles back to work. I almost bailed out because I know this is one of T’s own faves and “what if I don’t do it justice?” but that tired angel banner has been sitting in my drafts for 3 long years and it deserves a proper rec!

Where to even begin? Anyone who knows Tacky is aware of their superb prose - rich and nuanced, compassionate, effortlessly funny, with a strong sense of place and a soft spot for suds scenes and filthy m-rated sex I mean devastating romance. Their writing breathes heart and personality, very much like Tacky themself. So knowing that this fic came out exactly as they intended it to should be enough to make you go read this right now, but in case you need further incentive, see below all the reasons why this oneshot is so special to me:

1. The *vibes*: if you thought that 3k is nowhere near enough to build the sexiest, most intriguing Americana atmosphere you’ve seen, think again. The aesthetics are impeccable here, decorating the beautiful and strange landscape - cacti and cheap motels included - into something peaceful and desolate, an overarching melancholy making it even more compelling. The dialogue is brilliant but the silences are just as loud and meaningful, with a quiet intimacy and a dreamlike quality that make you feel as if you're intruding a memory.

2. The romance: at this point everyone and their dog know that pining!Harry is Tacky's jam - they luxuriate in making us all suffer with him until the realization that Draco has been loving him back all along slaps us in the face. Harry is so stupid and desperate and wanton, I love it. And the way Tacky reinvents this delicious trope to make it work in new angsty ways blows my mind. Imo the slow burn is particularly effective here, a feat in any 3k story, because the narrative gives us so much character insight. We learn all the little things that make these two lonely boys tick as we watch their ever-changing perception of each other evolve from a tentative truce to reluctant confidants to a comfortable, easy love that comes naturally and earned. We often get those bits of information from imagery and emotions alone, no dialogue needed, and a road trip is the best way to explore those dynamics in a smooth, unhurried pace.

3. The journey: this is truly an immersive journey, not only physical as we keep jumping from one destination to the next, but also emotional, as we learn more about their vulnerabilities and desires the more they gravitate towards each other. This story shows that being far away from home can be both freeing and grounding, when you’re stuck with your hot enemy someone who knows about your darkest hour. It gives you the chance to heal and visualize a different future without forgetting your past or letting go of that which has shaped who you are. I love their chance encounter and how this poignant 30k love story is told in such impressive economy of words.

TL;DR: if you’re a short form fan and prone to melancholy like me believe me when I say it doesn’t get any better than this. The whole road trip shebang mixing grief, romance and nostalgia wrapped in Tacky’s lush writing is a gift to any reader and an elegant work of art. Enjoy!!!

[ghostorbz]

Let's talk about the flipside

Something I actually,,, really don't wanna do!! But I will anyway. This game turned out so fucking bad its actually ridiculous. First off,, what went wrong?

For me, it was:

-The stories

-The endings

-The characterizations

-All the feet?????

Spoilers for basically the whole game, by the way. Not that you should subject yourself to this. Trigger warning for like,, everything???

Let's start off with the stories and endings

OD ending:

Jecka has a major panic attack because of her,,, "job" and Nicole and ends up over dosing. Voluntarily.

Human trafficking ending

Jecka gets put into human trafficking by the police when all she wanted was her paycheck, her manager and somewhat friend Kelly dies.

Jeffery murder ending

Nicole murders Jeffery and she forces Jecka to not call the police by threatening her.

Ari dies ending

While drunk driving Jecka crashes into Ari while she's delivering food and she dies. Ari does, not Jecka.

Nicole's suicide ending

A tie in with the first game. Nicole gets stuck in hostage friendships while Jecka is forced to date her teacher for a good grade. She goes to in school therapy for it. Her heavily abusive dad finds out and Jecka runs to Nicole's house to find her dead.

First off, what does EVERY ending have? Jecka suffering. Suffering horribly. Rather from someone/herself dying, being abused, or just straight up depression.

Let's compare these endings with some of Nicole's endings

Nicole dies, Nicole sabotages a relationship, Nicole gets people to die, Nicole causes a girl's house to get burnt down, Nicole wins a court case, Nicole gets her house back, Nicole gets valedictorian. Of course this is only a small portion out of the two games. But notice how good things happen to Nicole in some endings? In some cases the bad endings feel justified because of how Nicole treats people, but not all of them are bad. Sure, some of them aren't deserved. My point is Nicole has good things happen to her along with the bad things.

Flipside has none of that. Jecka suffers nonstop despite doing nothing in every single ending. She isn't happy in any ending. Nothing turns out for her!!! We see time and time again how Nicole gets things to work for her whether she manipulates it or not. Nicole can have happiness. But Jecka can only suffer. A teenage punching bag. This girl has done nothing wrong to deserve anything she gets put through.

Why is this??? Literally, what was the reason for this

All of the endings fucking suck. I hate all of them. But enough about that, let's move on to the characters

Characterization

Jeckas dad

On the surface he's a kind guy who donates to charity. But he consistently verbally (possibly physically?) abuses Jecka for no reason. Literally nothing can set him off. A flip of the switch type of abuser. We haven't seen Jeckas dad prior to this game, but it's evident he sucks. I'd say he's way worse than Nicole's mom, at least she is sometimes nice and tries to help out. Jeckas dad blows all his money on Emily (a teenager who went to Jeckas school), forces Jecka to get a job and verbally belittles her if she ever says anything to him. Everytime he speaks to Jecka her first response is "don't hit me." Is this supposed to be fnnuy? We see Jecka have full blown sob sessions and panic attacks because of him. If it is supposed to be fnnuy it isn't. It's just sad and scary. There is nothing comedic about the abuse Jecka goes though in these scenes.

Nicole

They did Nicole's character horribly in this. We see Nicole share compassion for Jecka, she doesn't have that at all in this. Her betrayal was the worst for me. It just,,, seemed so out of character for her to do something like that. Nicole literally sacrificed her free school hours by getting in trouble with the predatory school councilor just for Jecka to be able to smoke in peace again. Nicole cares for her, calls her cool and pretty multiple times. She spends all her time with her, and even when she dies in the first game she says "I didn't know Jecka that well, but tell her she's cool for me." The betrayal ruined her character, hell it isn't even her character!! I don't like how she threatened Jecka when Nicole was the one who killed Jeffery. Speaking of, the way she acted with him seemed weird to. She can barely stand sitting near him in the first two games, and she did,, all,,,, THAT with him??? Bullshit. I see so many people say "but Nicole is a sociopath, she doesn't care about Jecka!" Um,,, yes she does? I mean it's pretty clear she does. Jecka is the only person Nicole really cares about. They wouldn't meet in every single route if Jecka wasn't important to Nicole in some way.

Jeffery

Jeffery is weirdly obsessed with Jecka in this game. Yes, we've seen him like and do weird things but not to this extent. He has never acted like this before?? Its like they reduced his good qualities and doubled up his weird ones. Which isn't a bad problem, but it makes his behavior visibly different in flipside.

Mr. Katz

Introduced in the Re up, this game turns him into the worse person ever. Last time all he did was drugs, now he's sexually harassing Jecka and verbally abusing her if she doesn't comply. Then threatening her with her grades. Since he was a minor character at best this could just be a different side of him we haven't seen but knowing how many pedos there already are in this game I don't get why they wouldn't introduce this or foreshadow it in the first two games.

Everyone else,,,

Everyone else seems to be fine, Emily, Ari, Kelly, Kylar, and Crispin to name a few. Thing is these are all side characters, sure they can be important in a few endings but for the most part they don't play a massive role in here besides Kelly and Emily.

This game was advertised as "same comedy, different girl." But there's no comedy in this game, only torture. Maybe Nicole was right when she said life was a sick hopeless game.

Okay, lets talk about the feet.

So,,, what the fuck? What was all that about? This literally took up half of the game, not a fucking exaggeration. Was it really necessary? The devs couldn't think of anything else? They were all really dragged out, it felt like it would never end no matter how badly I wanted them to. I guess you could say this line in the first game was some sort of foreshadowing

This feels like a very poorly disguised fetish. Like blanket ghost costume type poorly disguised. In fact, all of the endings feel unnecessary. Most of these have even more twisted endings than the first two games. What's up with that? It feels like they're trying to filter their audience to people who would actually enjoy doing that type of shit to people.

No, fuck I don't wanna talk about feet.

Here's some random things I want to critic but couldn't fit anywhere.

-The jeckari scene felt weirdly out of place. I could've been cut out and nothing would've changed. It wasn't necessary. Sorry jeckari fans

-What was up with the councilor? I don't mean his voice acting (it was definitely different though, right?) But he was kind of out of character. Like, he had a whole "I'm so important and mysterious (but not actually)" vibe going on. The fuck was up with the riddle? And having a whole fucking warehouse of illegal videos? Yes he's a predatory creep but I don't think he would go that far. Also pulling out a gun and shooting Kelly and almost Jecka felt so,,, what??? He wouldn't

I swear fandoms understand characters more than the creators

-Jeffery is just randomly rich? Out of nowhere? Okay. Whatevers convenient for the plot, I get it

-Why is EVERY single man attracted to kids in this game, it's overkill. Sure people like that exist but they aren't every single person you meet

-Super short, only 3 hours of gameplay. Not worth the $15. The first two games are way better, just get those. Not like this game is worth anyones time. The first game is only $10 for an hour or 2 of gameplay. The re up is $15 for 4 hours

-Nothing felt quotable. Maybe I just haven't seen it enough to memorize half the script but there weren't any lines where I was like "oh haha that's silly to say as a reference." The first two games were filled with quotable lines. Most of flipside is either something about feet or Jecka being abused

-The "thank you" note at the end of the game was kind of immature, I don't really want a thank you for this? Ummmm,, okaaayyyyy??

-You barely even get to play, it's mainly you just watching. The first two games have you actively choosing what to do. Flipside only makes you choose maybe twice

-The whole "They're 18 now!! Look at all the fucked up things we can do to them now!!" is really showing. Stop it. It's still weird

-This game is supposed to be post-graduation, but we still see Nicole and Jecka at school, multiple times. Jecka even says they aren't even in school anymore and yet you can still go back to high school? Yea, who gives a fuck about a timeline anyway,,,

Okay, but was there anything good?

Ehh,, I don't really know. I only laughed at one scene and that's saying a whole fucking lot for a comedy game. The first two games had me dying from laughter, but every single scene in the flipside just felt upsetting. Nothing was fnnuy.

I did enjoy very few things.

-The art has heavily improved. The visuals were nice when they weren't about feet or Jecka being abused

-The hatman scene was the only thing I laughed at, I liked it

-I got pretty excited when I saw that Jecka had an MSI poster in her room. I like MSI so it was a nice little surprise to see

-I liked the tie in with the first game ending. I wish we got to see more of Jeckas reaction after Nicoles death though

-I thought the whole "if god isn't watching, who is?" thing was kinda interesting. But having me listen to a whole monologue kinda killed it for me

-Class of 09 always had super good voice acting, and this doesn't change. All of Jeckas panic attacks sound super real

Overall, would I recommend this game? Absolutely not. I wouldn't even recommend this to an already fan of the series, much less tell someone to start out with flipside. Flipside isn't worth your time or money, it isn't even worth this whole post! That's why it's over

[wyvernity]

sss day my favorite national holiday WOOOOHHHH

bonus

[teakoodrawz]

" I'm a Psycho, loving it~ "

[xenon-demon]

I... have no idea what this is. No that's a lie I know exactly what this is, it's 2.6k of a Frozen AU with Steve as Elsa and Robin as Anna that I wrote in a fugue state after seeing a friend's production of Frozen: The Musical tonight. I have several WIPs I'm supposed to be working on and this is exactly none of them. Bone apple teeth. (Also I'm genuinely unsure if my usual crew of beloved enablers would even WANT to be tagged in this so... for now I'm not doing a taglist, and if I write any more of this AU I'll do one next time 😂)

“Steve!”

At the sound of his name, the Prince — now King, and boy is Robin going to take a while to get used to that — turns his head towards her. Seeing it's Robin, Steve gives his apologies to whatever noble he was talking to and steps away from their conversation. He makes his way over to Robin in just a few short strides, but his eyes flick back and forth between Robin and her new... well. She doesn't really want to think about what Eddie now is to her. In any case, she can already see a questioning frown start to brew on Steve's face, meaning this will be a much harder sell than she expected.

“Robin!” Steve exclaims, his gaze almost immediately sliding over to Eddie and giving him a once-over. He sounds markedly more subdued when he continues, “I see you've... made a friend.”

“Well, I wouldn't say a friend exactly!” Robin laughs, shrill and stilted, and gives Eddie's arm a pointed squeeze when he doesn't immediately join in. Getting the hint, Eddie finally starts laughing along. Hopefully Steve didn't notice her hinting, since she's had her arm wrapped around Eddie's since before she even called him over.

Steve raises an eyebrow at her, and shit does she need to keep this moving.

“This,” Robin announces, using the hand that's not around Eddie's arm to do a quick flourish in the direction of his face, “is Prince Edward of the Kingdom of Forest-Upon-Hills. We met at the ball tonight.”

“It's an absolute pleasure to meet you, Your Majesty,” says Eddie, trying his best to show the proper respect and bow as he does so. Robin's death grip on his arm prevents him from getting very far.

“Likewise,” Steve replies, sounding incredibly skeptical of this whole conversation. He then shoots Robin a look, which, rude, but also entirely warranted given what she's about to ask him.

Steeling herself, Robin begins to say, “Prince Edward and I-”

“Just Eddie is fine,” Eddie interrupts her, leaning in a little bit closer to her as he whispers. He's got terrible volume control, however, so she wouldn't know it was meant to be a whisper if she hadn't spent the past two hours talking to him.

“Not one for formalities, Prince Eddie?” Steve asks, the weight of his gaze finally leaving Robin's shoulders for a moment. God, she often wishes her brother was easier to read, but never as strongly as she does right now.

Eddie, meanwhile, straightens up so quickly it's like he's been electrocuted.

“Uh, not particularly, no. They grate on me,” Eddie says. He pauses for a moment, and Robin can see the deliberation on his face before he adds, “Your Majesty.”

“I'm not one for formalities either, Prince Eddie,” Steve says. His mouth twitches into a very small smile. “I prefer Steve.”

There's a pause, then, where Steve and Eddie are locked into some strange stare-down, while Robin looks on in vague exasperation. She's pretty sure she could strip naked and swing from the chandelier in the center of the ballroom and neither of them would take any notice of her. She's about to intervene, actually, because they really do not have time for whatever this is, when Eddie miraculously breaks the spell himself. He blinks a bit, looking away from Steve and back to Robin, face significantly more flushed than it was a minute ago.

“I believe you were saying something to K- to Steve, Princess?” Eddie asks, just about tripping over Steve's new title on instinct before catching himself.

Robin just barely restrains herself from rolling her eyes. She really is the bravest, most long-suffering warrior in all of Hawkins.

Putting her brave face back on, Robin turns to her brother and says, “Yes I was, thank you Eddie, I was saying that Prince Eddie and I-” and here she falters, because Steve looks back at her and meets her gaze. She swallows, trying to be subtle, and looks very pointedly at Steve's forehead instead of his eyes. She can't do this if she's looking him in the eye.

She takes another half second to compose herself, then rips the band-aid off.

“Prince Eddie and I seek your blessing for our marriage.”

“Excuse me?” Steve says, more like demands, almost choking on nothing. Robin's never seen her brother this off-kilter in her life. He doesn't even try to compose himself at  all before he says, “Robin, can I speak to you for a moment? Alone?”

Robin swallows guiltily, knowing he'll see straight through her if she agrees.

“No. Anything you want to say to me, you can say to both of us,” Robin says, and how her voice stays steady, she doesn't even know. It probably helps that she's still not looking Steve in the eye.

“Robin- I don't-” Steve interrupts himself to run his gloved hands down his face. He pauses for a moment, face completely covered by his hands, and takes a deep sigh. When he removes his hands and starts speaking again, his voice is measured. Calm. Deadly.

“Rob, you can't marry a man you just met,” Steve states. The word man falls heavy off his tongue, and Robin knew she would regret coming out as a lesbian, she just didn't think it would be like this. Squaring herself up for the best performance of her life, Robin begins her improvised speech full of bullshit to convince her brother to let her do this.

Before she can, however, Eddie chimes in with, "You can if it's true love." Steve doesn't even spare Eddie a glance, but his frown does deepen significantly. Shit.

“Steve,” Robin begins, trying very hard to stay calm, “Eddie and I have a connection unlike any I've ever felt before. I lo-love him”—shit, she could feel the bile rising in the back of her throat saying that, and judging by the almost-imperceptible twitch in Steve's eye, he knows too—“and I think it's time I start giving back to the Kingdom of Hawkins.”

“Giving back?” Steve asks, and fuck he's folding his arms across his chest now. “How exactly is this giving back to the kingdom? What you're doing is running headfirst into the first bad decision you can find.”

”I'm a bad decision?” Eddie asks. Both Robin and Steve ignore him.

“No, Steve, I'm giving back by giving the kingdom a new celebration to look forward to after your coronation,” Robin hisses. “A royal wedding is another opportunity to open the castle gates and bring the kingdom together-”

“Absolutely not,” Steve snaps, interrupting her. “We are not opening up the castle gates again for a long time.”

“Why not, Steve?” Robin snaps back. “Tonight's been great for the kingdom's morale, it's been great for you to see people and actually socialize-”

“You have no idea what's good for me, Robin,” Steve says, making her stop dead. It hurts, hearing Steve say that like it's obvious and she's stupid for not knowing it already. What hurts more is that it’s true.

Once it's clear Robin won't keep talking, Steve continues, “You asked for my blessing, and I do not give it. I don't approve of this, and if you're doing this in some misguided attempt to make me happy- quite frankly you've gone insane if you think this would make me happy.”

With that, he turns to walk away.

Okay, sure, she has no idea what Steve's whole deal is or why he's always shutting her out, but Robin is sure she knows what will help.

Sure, part of this crazy scheme is the vague idea that if Robin has a picture-perfect capable-of-bearing-children partnership, then Steve will be under less pressure himself to marry someone who can produce an heir. Maybe, with less scrutiny on his personal choices, he'll learn to relax and open up more over time. That idea falls apart pretty quickly, however, as the thought of producing an heir with a man - even one as fun to talk to as Eddie - makes her want to gouge her own eyes out. No, the real reasoning behind Robin's (admittedly insane) plan to marry someone she met two hours ago at her brother's coronation is so she has an ironclad reason for Steve to open the gates again. Sure, ideally it would've been a woman who caught her eye tonight, but she can't be picky. Robin doesn't meet anyone, especially with the castle locked up like it always is, and she has yet to think of something other than a wedding that would convince Steve to open the gates. Then Eddie came along, laughing and flirting (she thinks, at least; Robin's tried to black that part out) and professing his undying true love to her, and this was the best opportunity she was ever going to get.

And she has to convince her brother to open the gates again. Steve's been thriving tonight. He clearly loves the thrum of people, all of them dancing and laughing and enjoying themselves, and he's slowly coming out of his shell with every conversation he has with their subjects. Robin's spent more time talking to her brother tonight than she has in a long, long time. Too long for her to try to quantify it without crying.

Watching her brother turn away from her, the promise of a relationship with him going forward about to slip through her fingers, she knows she has to do something.

“Steve, wait-” Robin says, reaching out for Steve. She grabs him by the hand, feeling the soft cotton of the white gloves he always, always wears.

“Enough, Robin,” Steve says, not even looking back as he yanks his hand out of her grip. She's trying to hold on, though, so she's left holding his glove as Steve pulls his now-bare hand away from her. God, how upsetting is it that it's been years since she saw the back of her own brother's hands?

Steve swears, then, under his breath. Robin almost doesn't hear it; almost.

“Robin, give me my glove.” Steve's not asking; he's demanding. Robin can work with this.

“Not unless you talk to me about why you won't open the gates. Look at how tonight went, it's been so good for you-”

“This isn't up for debate, Robin, give me my glove,” and Steve reaches for it then, but Robin quickly holds the glove up high above her head before he can grab it.

“Why isn't it up for debate? Why do you isolate yourself all the time?” Robin's almost dancing now, twisting and turning as she tries to keep the glove away from Steve's grabbing hands. It doesn't help that he's taller than her, but she's more agile than people think, especially since Steve's in full coronation regalia right now. The material's stiff as a board at the best of times.

“You wouldn't understand, just give me the- ugh!” Steve's stopped trying to grab the glove, instead trying to restrain her and make it easier to grab.

“Maybe I would understand if you'd talk to me instead of shutting me out all the time-” Steve's almost got her in a headlock, but Robin ducks out from underneath it and quickly steps away and out of Steve's reach.

“Robin, that's enough!” Steve shouts, and then several things happen consecutively.

Steve reaches out towards Robin with his right hand, the one missing the glove.

Robin thinks she's going crazy, but- what look like snowflakes shoot out from Steve's hand where he's reached for her.

The crowd, most of whom had turned to look at Steve's shout, gasp, almost in unison.

“I- Steve-” Robin says, not quite sure where to start with the -- actually quite sizable -- pile of snow now on the ballroom floor.

“No,” Steve gasps, and Robin's never heard her brother so distraught. It makes something keen inside her, the sheer anguish in his voice. “No, no no no, this can't be happening, this can't-” Steve reaches up to pull at this hair, but more snow and ice shoots out from his hand as soon as it's pointing towards the ceiling. He flinches away from his own hand, sheer terror on his face, but with every movement Steve makes more and more snow and ice surrounds him. Within a few seconds, there's a wind picking up as well, and it's like a snowstorm is starting to form right there in the castle dining room.

The crowd, originally shocked into silence, starts to move again. Robin hears screaming, people running, shouting from the guards about an evacuation plan, but it's all faint and distorted like she's underwater. All she can focus on right now is Steve, the way his terror is only worsening by the moment.

“Steve, let me help you,” Robin calls over the roar of the crowd and the storm, taking a few steps towards him. She needs to get his attention before getting closer, the last thing she wants to do right now is startle him.

“Stay away from me!” Steve yells, holding up his hands in an instinctive 'stay back' gesture. Yet more ice shoots out towards Robin as he does so. “I’m not safe!”

“I don't care! You're my brother!” Robin shouts back, but Steve doesn't seem to hear her. He's looking down at his hands in horror, then at the waist-high line of ice between the two of them.

Robin somehow knows what he's going to do the moment before he does it.

“Steve!” Robin screams, breaking into a run. Steve's faster than her, always has been, so he makes it to the doors of the ballroom well before she can catch him. It also helps that people, even the guards posted at the doors, part to make room for him whenever he draws near. Seeing Steve push open the ballroom doors just enough to slip through them, Robin yells again, “Steve! Stop!”

“Princess Robin!” Someone crashes into Robin then, nearly sending the two of them flying. (Robin mentally thanks whatever God there may be that she wore pants and not a dress.) After regaining her footing, Robin looks at her assailant to find- oh, it's that guy. The Duke of one of their main trading partners, Tommy something. Haggard? Halfwit? Yeah, something like that.

“Princess Robin,” Tommy Hapless says, bending over with one hand on his knees and the other holding Robin's elbow as he catches his breath. God, Robin does not have time for this. “Princess, you can't- we need guidance. We need someone to... to lead us while the King is... indisposed.”

“I really don't have time for this,” Robin snaps, brushing his hand off her elbow. “Steve's my brother, I have to find him before he gets hurt!”

“I don't think... he's the one who'll be getting hurt,” Tommy Hanger-On says between gasps, quietly, but not so quiet Robin doesn't hear. She makes a point to stomp on his toes as she stalks off towards Eddie, who is doing his best to help people follow the evacuation advice. He looks faintly queasy, and very much like he would rather be literally anywhere else, but he's actually doing a pretty good job of guiding people where the guards want them.

Eddie doesn't notice her coming, so he jumps when Robin grabs him by the shoulder. She turns him around to face her, then grabs him by the other shoulder as well so she's looking him right in the eyes.

“I need to find Steve,” Robin says, not waiting for Eddie to finish whatever question he's opened his mouth to ask before continuing, “Can you take care of the kingdom until we get back?”

Eddie goes pale instantly. “What? I can't-”

“You're a prince, right? I know Forest-Upon-Hills is a pretty small kingdom, but how different can Hawkins really be?” Eddie doesn't look reassured, but Robin cares very little about that right now. She claps him on both shoulders in what she hopes is an encouraging gesture.

She grabs Eddie's hand and thrusts it up into the air, shouting, “Prince Eddie is in charge until I return!”

She then drops his hand before turning and running out into the night, ignoring the chaos behind her and the faint sounds of Eddie's confused protests.

Nothing matters to her now except for finding Steve.

[crazyw3irdo]

do y’all ever think about how yancy knows how to break out of prison and actively chooses not to. do you ever think about how when he breaks us out he knows the way so easily as if he’s been there a million times before. do you ever wonder if at some point he considered breaking himself out and just couldn’t go through with it.

[olymphianblood]

ok guys its not funny anymore when is d&p hard lauching im starting to getting anxious /hj

[skrunksthatwunk]

found out that rascal's owner took him again while i was out, and he's probably not gonna be back since the semester's almost over. i don't even know if his owner's coming back next semester, if i'll ever see him again. if he'll ever see me again. why do they wait until im not around to do this? why do they never let me say goodbye to him?

[jungleboy-cruise]

Bad news lads.... i didn't like the Barbie movie.

I'm gonna rant about my take in the tags please don't send me messages for why I'm wrong this was my personal take away if you don't like it and it makes you mad please just block me.

[kurthorton-moving]

I dont think i have ever mentioned nick on this blog bc hes an oc that has. Nothing to do with kurt or in common w him but looking at him next to kurt actually is so interesting to me because they're both around the same age coming from abusive homes and trying to just do what they have to to survive and theres so many interesting parallels between them