(For anyone wondering why reblogs are suddenly off, theres a few posts of mine- like this one- that have gotten so many notes it’s genuinely starting to annoy me, so I’m trying to minimize. Sorry!!)
[ID Two drawing collage pages of Vash and Wolfwood from Trigun Maximum. In the first collage, top corner, Wolfwood looks upwards disgruntled with a flushed expression, lying against a pillow, as his hair is being pet by Vash's hand. Next shows Vash and Wolfwood from behind, Wolfwood with his top bare and hickies covers around his nape area. Vash lifts hair away from his nape and asks, "More?" Wolfwood nervously says, "No." Next is a side profile of Vash, his arms around Wolfwood from behind while Wolfwood rests his hands against Vash's arms. Next to this are two smaller drawings; Vash turns to Wolfwood and says repetitively, "Wolfwood, Wolfwood..." Wolfwood, not looking at him, says "What?" He finally turns his head and looks shocked as he exclaims, "So close!" Vash says plainly, "You just noticed?" Below these is a drawing of Vash and Wolfwood sitting together as Vash kisses and hugs him from behind with his right arm around Wolfwood's neck and his left hand around his side. He also has his right leg propped against Wolfwood's knee. Bottom of the page has a comic. Wolfwood looks annoyed, speaking to himself, "Where is that idiot?! Need to get out of town before--" A chat bubble exclaims, "Wolfwood!" The next panel shows Vash running from the townspeople, small text saying "Get him! Vash the stampede!". Wolfwood, mad and about to pull the Punisher off his shoulder, says, "Argh, you fucking dumbass!" Vash exclaims, "Ah, don't!" before pulling Wolfwood into a quick kiss. He then tugs on Wolfwood's collar and says, "There's no need to shoot, just run!" Wolfwood stammers, "R-right..." with a flushed, dumbstruck expression.
Second collage; Top left, Wolfwood spoons Vash in bed, his arms around his chest and the other beneath Vash's head. Vash has his hand on top of Wolfwood's as he sleeps while Wolfwood lies awake. Behind this drawing is faint sketches of Vash's face. In a small panel, Wolfwood hides in Vash's neck as he mumbles to himself "Stop. Stop thinking embarrassing things, Wolfwood..." Beneath this drawing is another of them in bed, Vash now turned to Wolfwood and a hand on his cheek as he kisses him good morning. In a simpler style, Vash wraps an arm tightly around wolfwood with the text "snork mimimi" next to him while Wolfwood says, "We need to get up. Spikey! HEY!" In this corner, there are faint sketches of Vash and Wolfwood; one of them looking at each other; Vash kissing Wolfwood's forehead; Wolfwood saying, "Hand" with an outstretch hand and Vash says "ok" behind a drawing of them holding hands, both turned away from each other shyly. Next is a 4 panel comic. First shows Wolfwood's face getting squished by Vash's hands with the text "squish" around his face. Next, his cheeks are stretched with the text "Chee--" Wolfwood then hits Vash's face with his palm, exclaimining "That hurts!" The last shows Vash on Wolfwood's lap, smiling to himself as he continues to have Wolfwood's face in his hands. Next to this is another comic; A close up of their hands, Vash holding Wolfwood's with both of his. He then kisses the palm of Wolfwood's palm and says, "They're soft!" Wolfwood looks at him with flushed cheeks, "There's no way that's true..." END ID]
The thing is, Steve has learned, that becoming untouchable isn't all he wants it to be.
People were too quick to try and reach out for him, ask for more than he was willing to give. He hadn't wanted to give up his first kiss to some random girl at some random boy's twelfth birthday party because of spin the bottle. He hadn't wanted to play Seven Minutes in Heaven with Jenny Jackson or Linda Simons at Tommy's birthday party the following year. He did want to take Mary Linscott to Snow Ball, but she just wanted to make out behind the bleachers instead of dance with him. He didn't want to do that but then Brian called him stupid for not wanting to, and asked if he was queer. So, Steve had turned right back around and dragged Mary back under the bleachers, kissing her until it was time to go to prove Brian wrong.
(Even though Steve knows Brian isn't wrong. That Steve had wanted to ask Brian to the dance as much as he'd wanted to ask Mary but knew better than to do that. He saw how they treated Eddie Munson last year for the suspicion of liking other boys and Steve wasn't going to let that happen to himself.)
Brian had congratulated him after and asked what base he got to. Steve didn't want to get to any bases, but he couldn't say that, so he just punched Brian in the arm and said 'more bases than you' which was true because Brian's date didn't kiss him even once.
Then Carol Perkins approached him at lunch, shortly after Snow Ball, and asked if Steve would be her first kiss. Not because she wanted to kiss Steve, but because she wanted to kiss Tommy H, but didn't want to be bad at kissing. Steve agreed because he liked Carol. Not in the way she liked Tommy, but mostly because she'd asked.
No one had done that yet.
She came over to his house on a Saturday because she didn't want Tommy to catch them and think she didn't like him. They made out in his room because, despite his parents being home, they didn't really care who was in his room with him or if the door was open or shut. Probably didn't even notice he had someone over. She leaves an hour later.
By Tuesday Tommy and Carol are an item and by Friday they were Steve's best friends.
However, for reasons Steve doesn't understand, more girls keep asking him to be their first kiss. And maybe it's because he's already got a reputation, or maybe Carol let slip he'd said yes when she asked, but Steve finds himself kissing a lot of girls he doesn't want to. He doesn't know how to say no. Can't find a reason too. Brian's words play in the back of his mind every time he thinks about saying no.
(Are you stupid? Are you queer? He doesn't want to be either of those things, and given his grade in biology and pre-algebra, he's really only got a hope of avoiding the queer label. His father would tolerate a stupid son. He doesn't think he'd survive if his father had a queer one.)
There are a few girls he's been crushing on that ask him and that was nice. One, Alice Baker, even becomes his girlfriend for a month. His first relationship.
Soon eighth grade gives way to being a freshman and Steve, who has always been handsome and cute, catches the eye of upperclassmen now.
And Steve's not sure how it happens, but he ends up moving past first base with another girl whose name he can't remember, or possibly never knew. He doesn't remember asking her for hers when she led him into one of the bedrooms at the house this party was at while he was way too tipsy.
And then it just grows. The reputation and what people expect from him, and he doesn't want it, but he's never said no before so can he start now? Doesn't he need a reason to say no? If he doesn't have a reason, does that make him queer? He should be wanting this. What boy doesn't want this?
And maybe he does want it. But not like this.
He doesn't want to be slightly drunk at yet another party, following the first girl that grabs his wrist and pulls him after her into whatever secluded area they can find. He doesn't want to keep saying yes when he wants to say no.
The summer between freshman and sophomore year he confides in Carol. It's a risk. Carol can be cruel, quick with her words to tear you down, to spread the rumor that will ruin your life. But she's also fiercely loyal.
He tells her he's tired of kissing people he doesn't want to.
Carol is quiet for a long time, and Steve almost thinks he's made a mistake. But then she speaks.
"Okay. Let's make a plan."
And they do. Then suddenly Steve is untouchable. Carol teaches him how to see the weakness in people and call it out. How to wield his facial expressions as a weapon and a shield. How to put on the air of being the most important person everywhere you go so well that everyone else begins to believe it. How to fall back on the fact his parents are rich, gone often, and, almost most importantly, well known in the community. It gives Steve's name a weight to throw around.
More importantly, all of that culminates in people no longer asking things of him. Instead, they look to him to take the lead, they wait to be asked. It makes Steve feel in charge of his life for once.
But now.
Now, years later, having survived a spring break from Hell and averted the apocalypse, Steve watches Eddie hang off Argyle with ease, fling an arm over Jonathan's shoulder while laughing at a joke, easily pull Dustin into a headlock or wrestling match.
Easy touches that Steve should be able to do, too. A jealousy wells inside him almost as much as the unease he feels in his stomach at the mere thought of letting them know they're allowed to reach out and touch him, too. That Eddie's allowed to reach out and touch.
But then he remembers what happened when he let people have that power over him and he can't bring himself to do it.
It settles in Steve, then, the realization. When you become untouchable, you're unable to touch.
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@nburkhardt @i-less-than-three-you adding my own lil bit of angst into the mix now (:
Pac: I said, "Hey, let's do something fun, you know? Let's kidnap the [Federation] baker!" And we are kind of like, locked up, and [Richarlyson's] even sadder now, right?
Phil: I can put my hand through the bars.
Pac: [Laughs] Can I ho– Please save us!
Phil: Do you miss human touch, Pac?
Pac: Yeah, I miss human touch.
Phil: I'm here for you. [...] We can smuggle things into jail. [To Richarlyson] It's okay, mate.
Pac: Can you smuggle me a cellphone?* I know information is power here.
Phil visits Pac and Richarlyson in jail.
* Pac's quote here is a direct reference to Fuga Impossivel, where Cell (Cellbit) had a cellphone he used to threaten people with his "contacts from the outside." (In reality, the phone had no signal, but that's how he earned his name "Cell")
[Full Transcript ↓ ]
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Pac: Richarlyson feeling a little bit sad 'because 'cus he's locked up, you know? That's why he's using a different kind of hat.
Phil: Oh, Jesus Christ. Wait– why's Richarlyson's [happiness] bar gone down?
Pac:Yeah, 'because 'cus he's unhappy, 'cus, well, we kind of like, got locked up, and it's his birthday today, and he's feeling a little bit sad about like, growing up, you know?
Phil: Is that why he's got a different cow head on?
Pac: Yeah, yeah, and to try to help him, I said, "Hey, let's do something fun, you know? Let's kidnap the baker!" And we are kind of like, locked up, and he's even sadder now, right? [Richarlyson shakes his head] Yeah, but look – jail is fun!
Phil: I can put my hand through the bars.
Pac: [Laughs] Can I ho– Please save us!
Phil: Do you miss human touch, Pac?
Pac: Yeah, I miss human touch.
Phil: I'm here for you. [Cracks up]
Pac: I miss human touch. Oh my god, a hand! Richas, you want to touch a hand? Touch uncle Phil hand. [Laughs]
Phil: Yeah, right here.
Pac: Touch it, Richas! Connect with every–
Phil: I can get you out, I can get you out, I don't know if I'll get punished though, but we'll see. [Laughs]
Pac: I don't think you're going to get punished. [He looks at Richarlyson] Right? [Richarlyson shakes his head, holding a camera] There's nothing wrong about setting two persons out of the jail.
Phil: Yeah, I feel like you've learned your lesson, right?
Pac: Yeah, I won't try to kidnap the baker.
Phil: Oh, Richarlyson wants you to take a photo of, like, hands touching, I think.
Pac: Oh. Ok, let me...
[They stand there, holding hands in silence until Richarlyson takes a photo, then they burst into laughter.]
Pac: Well, Richas, you wanna do the same? I can take a picture of you! I just need a paper. [Pac checks his inventory] ...I don't have any papers, if you have one?
Phil: [Still cracking up as he holds hands with Richarlyson]
Pac: I need the paper, Richarlyson!
Phil: I have paper, there you go.
Pac: Oh, thank you.
Phil: We can smuggle things into jail. [To Richarlyson] It's okay, mate.
Pac: Look! [Laughs and throws Phil the photo] Can you smuggle me a cellphone?* I know information is power here.
Phil: I can – hold on, let me see, let me see...
Pac: Maybe like a cellphone? Or maybe a gaming setup so me and Richarlyson could put some gaming in here, you know, so we can play games?
Phil: I can – I could just break you out. [Laughs] But it's up to you – do you want to be out?
Pac: Yeah, if – Richas, you want to get out of this prison? I know it's bigger and better than our house. Look at the size of this, Phil! You wanna, like–
[Richarlyson breaks the jail bars and lets himself out, then replaces the bars to keep Pac inside]
Phil: [Dying]
Pac: ALL ALONG? Wait – we have been in here for the past 15 minutes, Richas! Oh my god. Ok, ok, I'm done, I'm done. I'm just gonna stay here. I'm just gonna stay here. [Pac walks to a corner of the cell and sits down facing the wall]
Phil: [Still wheeze-laughing] Dude...
Pac: I'm just gonna stay here.
Phil: I can't– [wheezes] I can't break these blocks, he's locked us in!
@hereticcryptid i'm late responding to this prompt, but have a continuation on baxia and hensheng wanting more cuddles than one would normally expect from a spiritual sword!
no but actually how do u fumble SO HARD that you live the same moment for CENTURIES where the love of your life grabs your lapels to pull you close and you just?? don't kiss him?? like?? this fumble will go down in history im sure of it
[ID: Two panels from Dungeon Meshi. The first scows Senshi clutching his face as tears start to spill out of his eyes, saying, "I've always... always wanted to have this soup one more time." He's not wearing his helmet in this panel, so his face is unusually visible, detailed and vulnerable. The second panel shows himself as a youngster, surrounded by his old mining team, all smiling at each other, one of them rubbing Senshi's head. Modern-day Senshi continues, "Thank you. All of you. Thank you." End ID.]
Holy shit. I anticipated some tragic backstory from the "I must feed the young ones" panels, but what I'd guessed was that Senshi might have become so devoted to cooking and eating literally whatever because he'd previously survived a famine and had seen children starve to death. I did not expect him to have been the child who was the sole survivor of a doomed travel party, one of whom was determined to feed Senshi first because he was the youngest, and that Senshi has lived with the fear of having inadvertently committed cannibalism by eating stew that he'd never quite known the contents of. I'm happy for him that Laios deduced and confirmed for him that it was griffin meat, that he was able to taste the meal that saved his life once more and remember the friends he lost. Seriously, I'm crying, and also earnestly relieved that while his backstory is pretty dark, it's not the type of fucked up I'd been preparing myself mentally for.
If Dipper's not ready to try something kinky in one life, do you think Bill will get him to try it in the next? I feel like Bill gets to try out a lot of different sex things with different reincarnations.
Absolutely! Different incarnations would come with different experiences; a scene that's meh for one might really get another's motor running. Side effects of living a partially different life and all.