#he’d want to do it all himself

[bubblybloob]

I can't help now but imagine that when Cold finally falls prey to the hibernation scheme (as they all will, eventually 👁👁) Hunted will take the opportunity to put him in the washing machine until the mange crust is all gone.

First of all, who’s to say they fall to the hibernation? 👁️👁️

Secondly, NO DON’T WASHING MACHINE MY BOY I’VE BEEN THERE IT IS HELL HE WON’T SURVIVE-

[turtleblogatlast]

[ cw: trauma / ptsd / violence / brainwashing / ]

I’m not done talking about Raph and Leo yet because you know what kills me? How the beginning of the movie with Raph very angry at Leo to the point of lashing out at him is paralleled with how the end of the movie has the Krang very, very angry at Leo and beating him horrifically.

Both Raph and the Krang are so much bigger than Leo, both have been very angry with him, and both deem him responsible for ruining their respective missions.

To make matters worse, Raph’s body was used to hurt Leo. So it’d make sense for Leo to just…flinch, sometimes. To have his body reflectively brace for a blow that will not come because Raph would see this and just be horrified. Their fights, their roughhousing, their existing together all have a newfound and unwanted extra layer to them.

And Raph? Raph is traumatized enough having been brainwashed the way he was, turned into a monster in a way he always dreads in general. To be made into the antithesis of a hero and instead be a villain’s pawn, made to hurt his own family…poor kid, to say the least.

Can’t imagine what it must feel like, the first time post invasion that Raph gets mad at Leo and they fall into their old dynamic only for Leo to see the Krang and for Raph to feel like he is the Krang.

[toddtakefive]

thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.

the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)

there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.

[edwinisms]

wait yeah hold on how the hell did edwin open a door from hell to earth? like if powerful beings like the night nurse or certain demonic entities are necessary to open and close doors to other planes (especially hell where souls being trapped there is kind of the point) then what the fuck did edwin manage to pull off? did he somehow trick a demon or whatever into opening one? was one opened for one reason or another– maybe upon a demon’s return from retrieving a soul– and he timed it, booked it, and jumped in? there certainly isn’t just some constantly open ever-accessible door at the top of The Endless Staircase considering that would make hell kind of pointless. did edwin payne manage, somehow, over the span of 70 years, to figure out how to open a door from limbo/the staircase to earth by himself? am i just missing something here?

[fantasticgothicpeachsludge]

Help! I’ve fallen for a rarepair from a show that ended 6 years 1 month and 7 days ago!

And by rarepair I mean there is one singular fic about them where they’re not a side ship or in a collection of smut drabbles

[polysyndetonaddictsupportgroup]

hii 📓

Okay so the thing is that I wanted a “the Zenin raised Megumi instead of Gojo” fic but the thing is that I’m absolutely convinced that if the Zenin were the ones that took Megumi they wouldn’t actually take tsumiki too. The fandom consensus I’ve personally seen has been that she would have been taken and mistreated by zenin for being a female non sorcerer but I personally think they would have just straight up left her behind.

They only bought Megumi. They keep non sorcerers and women as servants in their compound but all of them are Zenin themselves. Tsumiki isn’t related and I couldn’t really see any reason why they’d want her. Which turned this into a fic where Tsumiki loses her brother, but she’s trying to find him again, she swears. I think of it as my “siblings doomed by the narrative desperately try to write a new one where they can be together” fic.

The thing is that Tsumikis mom was one of those people who thought love and consumption were synonymous. She had a habit of getting caught up with assholes and just… having both of them chew on each other for a while until it turns into this horrible fucking bloodbath.

Tojis just another loser her mom got caught up in, but he’s Tsumiki’s favorite out of all the losers, because he gave her her brother. Her mom marries this random guy she barley knows and Tsumikis pretty sure she does it so they can both ditch their kids twice as much, secure in the knowledge that there’s supposedly another person checking in. It works out great for them, because they both stop coming entirely. It’s fine, because Tsumiki has Megumi and Megumi has Tsumiki and they don’t need anything else.

It’s one of those things where they were in really unhealthy circumstances and it made their relationship a little bit unhealthy but not necessarily bad. They both had to grow up way too fast and deal with way too much too soon and become codependent on each other because they are, in the most literal way possible, dependent on one another. Neither of them know how to love in a way that doesn’t involve sacrificing themselves for their sibling, mostly because they don’t have a way that doesn’t involve that.

They’re in a sinking ship and tsumiki knows it. Their parents aren’t coming back. The money is going to run out sooner or later. Their problems are stacking up.

Megumi has confessed to her that he sees things that no one else does. When she asks him how he knows no one else sees them, he explains that they’d say something if they did and won’t say anything else. And she doesn’t know what to believe but she refuses to call him crazy. He tells her that monsters cling to her back and he fights them off for her. She patches up his bruises and cuts and tells him he’s brave and tries to figure out if she’s just imagining that her back feels lighter after. He tells her that there are dogs that only he can see that have started following him around, and she tells him she believes him and can never remember, later, if she meant it or was just saying it.

The last time Toji came by, he left them more money than tsumikis ever seen in her life, took them to ice cream, told them that he was sorry he was so shit at this and that the money was Megumi’s share in a payment. It was for something he was going to help daddy with later. Tsumiki and him were to use it to take care of themselves and be healthy, because Megumi couldn’t help him later if he wasn’t. And tsumiki was always afraid of what he meant by that, but in the end, she let it slip her mind. After all, Toji hadn’t been by in ages. He probably wouldn’t come by at all.

And he didn’t. But others did. Two men she’s never met before are waiting outside their building one day, and when they see Megumi, they laugh. But the thing that Tsumiki can never get out of her mind later is that she swears they weren’t looking at Megumi directly. They were looking at his dogs.

Tsumiki basically tries to get Megumi and powerwalk past them, but they’re a lot bigger and a lot stronger and there’s nothing she can do, really. They have a brief conversation about whether they should take her too, before one decides that Toji only sold him his kid and to leave the other behind. This makes both of them try to run, but there’s nothing either of them can do to overpower the men, and the men say that “Naobito would go ballistic if they left the ten shadows behind” so they take Megumi and leave her.

They put Megumi in a car and shove Tsumiki to the curb outside of it, and she tried to hold onto his hand, she swears. She grabbed at the car door even when the car started moving, and she banged on the windows, and she watched as Megumi kicked and punched and screamed inside, until one of them hit him and he went still. She ends up falling and hitting her head when the car picks up speed, and when she wakes up again, the cars gone and she has no idea where it went.

And it becomes a foundational moment for who she is. I think she was just intensely lonely before Megumi and poured a lot of herself into this idea of a family together. Tsumikis never able to shake the moment of her being outside the car and Megumi being on the inside, and not being able to get into him. She can never again get what she felt in that moment out of her head.

She goes to the police and tells them that it’s her little brother, his dad sold him but she wants him back, and they’re like “…”. The issue is that apparently her mom can pick up the damn phone if the police call and she shows up, spins some lie about how her and the stepdad split up and he took the kid with him, they never adopted each others kids so it was within his rights, Tsumiki was taking the separation hard and acting out. She lies, basically, because toji hadn’t kept up his end of the deal and dropped in to check in (neither had she) and his kid wasn’t her responsibility, he could do what he wanted with him. She doesn’t want the police poking around the way she lives. Just let the kid go because he’s probably dead and not her real brother anyway.

Tsumiki refuses to give up on him. They were both kids who no one cared about but they cared about each other and that had to be enough. But she’s seven with no support and zero idea on how to find him. She starts skipping school to look for him in random streets, puts up flyers, can’t go outside without looking for him. She gets held back a year in school because of how much she skips and she can’t bring herself to care. She buys him gifts on every birthday and writes him letters she can’t post because she’s going to find her brother and she’s going to prove to him that she never once stopped looking for him. She just. She needs him to know that she never stopped looking for him. She needs to find him and be able to honestly tell him she never stopped trying.

One day her mom comes back in clothes she can’t afford and comes with movers they shouldn’t be able to afford and announces a move they definitely can’t afford. Tsumikis absolutely opposed to going because if her brother comes to look for her, she needs to be in their old apartment so he can find her. She doesn’t have much of a choice in the matter. They have mysterious new benefactors who are setting up a trust to take care of tsumiki with a very generous stipend for her mom but they have to move to Sendai as a stipulation of getting the money.

It’s not until the attorney who’s managing her trust hands her a set of glittery blue butterfly hairpins that tsumiki realizes her mom sold her brother a second time.

The thing is that tsumiki had this one cheap set of butterfly hairpins she’d always stopped to look at in the store when she took Megumi to go grocery shopping. Shed never buy them, because they couldn’t afford it, but it was the thing she wanted most openly in front of him. She was always secretly really insecure about her hair, because they were the kind of poor where bar soap was a luxury they could only sometimes afford and kids at school made fun of how her hair was dirty and frayed. Megumi was the only one who ever saw how badly she wanted those stupid hair clips. If they had to give her a set of butterfly hair clips, it’s because he demanded that they did.

It’s basically implied that the Zenin are the ones paying for her care and upkeep due to an unspecified deal they cut with Megumi, but when they approached her mom with it, they added the caveat that Tsumiki had to be moved to a new city entirely and there could be no forwarding address left anywhere.

The zenins stance on tsumiki is, effectively, that she’s a weakness Megumi needs to be weaned off of. They honestly assumed he’d just like, forget she ever existed and he. Did not do that. He actually pitched a total bitch fit. Tried to scale the compound walls. Bit multiple people including the clan leader. But he’s got the ten shadows, he’s heir to the clan, and he can’t be caught up on some random non sorcerer who isn’t even a Zenin. They end up agreeing to pay for her to live very comfortably if he starts cooperating more but they want to make sure that he can’t ever find her again if he does ever succeed in running away.

Tsumiki is at once full of hope and hopeless, because on one hand, the butterfly clips prove that Megumi still loves her and remembers her, at least in her mind. But at the same time, she’s being moved to Sendai and doesn’t know how they’ll ever find each other again. She doesn’t honestly know if they’d recognize each other if they saw each other again. She wears the butterfly clips every day, even when she gets too old for the style, because she’s more confident about her brother recognizing them than her.

The thing about tsumiki is that she doesn’t understand hate. She just doesn’t. Her mom and toji always got caught up in these perceived slights and revenge and never once let go of the past. They’d destroy themselves if it meant taking down the people they hated with them. She never wanted that. She wanted to live with the people she loved and she’d happily turn around and forget everything, all the pain, all the searching, if it just meant she could go back to being megumis sister.

This isn’t about hate. This is about that moment outside the car, where her brother was inside and she couldn’t get in to him. This is about how helpless and small she felt when they shoved her to the curb and ripped megumis hand out of hers. She needs to make sure that when she finds Megumi, she can take him home again. So she decides she needs to learn how to fight.

Itadori Yuuji has the constitution of an ox and the strength to match it, and he is known for getting in fights with bullies and trouncing them so thoroughly that it’s never a question of who wins when the fight starts. He’s insanely physically capable and can hold his own in a fight with ease. He’s also nice and kind and Tsumiki’s comfortable enough asking him to teach her how to throw a punch or two.

She is bad at it.

So fucking bad at it.

But she never gives up, and Itadori is nice enough to keep teaching her despite how embarrassingly horrible she is at it all. He always asks her why she wants to learn so bad, she doesn’t seem to like it all, and she never answers his question honestly.

In their last year of middle school, their class has a trip to Kyoto. She, Itadori, and the rest of their group walk into some random restaurant in the city and have barely sat down when someone comes inside, starts searching every booth in the restaurant while shouting Tsumikis name.

And oh. They could recognize each other after all.

She looked for Megumi in every crowd she was ever in, but she didn’t consider that he was doing the same. Or that he would see her first.

Her brother grew up without her seeing it. Hes older, dressed in strange, expensive clothes, has a slightly bruised up face and split lip, but his eyes are the same, and he looks like the brother she remembered.

But a lot more nervous than Megumi ever was. He was a tiny, stoic child who didn’t take any shit and never showed fear, even when there were monsters that only he could see. But he’s nervous when he tells her that she probably doesn’t recognize him or remember him, but when she was a lot younger, he—

Megumi. He’s her little brother. Of course she remembers him. She’s been looking for him everywhere.

Megumi didn’t smile much as a child, but he smiles at her then. He tells her he doesn’t have a lot of time and she tells him that they can leave out the back, and he never let her hold his hand as a child but he takes her hand so easily in that second. And just for a second, she’s his sister again, and it’s everything she wanted.

They never make it out the back.

Two men come in. Megumi calls one of them uncle, and he goes stiff and flat the second he sees him. His uncle apologizes for his nephew, tells everyone that he always makes scenes when they’re out in public, tells him to apologize to the nice people and leave. Megumi was mistaken.

Tsumiki tríes to keep ahold of his hand. Really, she does. She tries to tell people to call the police. But megumis “uncle” steps towards her and Megumi slams him into a table, and then suddenly Megumi’s the one insisting that they leave immediately. They can go. It’s fine. They’re leaving. She loses ahold of his hand.

She tries to follow, but the other man restrains her. She learns that she’s better at slamming plates into peoples heads than she is at punching, and at this point itadoris Friend In Danger Override has been triggered and he fucking tackles the dude, which gives tsumiki the clearing that she needs to chase outside after her brother. She gets out just in time to see him be pushed into a car, and she’s had years to think about the last time this happened and figure out what to do differently. She throws herself in front of the car and refuses to move.

See her entire stance is that she’ll sooner get run over and killed in the street than let them do this a second time, but she also can see Megumi trying to fucking punch the drivers head in from behind because he’s about to hit his sister. His uncles trying to restrain him, and just for a second, she sees his hands make the shape of the shadow puppets he used to show her as children. Something invisible slams her out of the way just as his uncle knocks him out.

She picks up a rock and tries to smash in the fucking window with it, and itadori has to pull her out of the way to keep her from getting her feet run over when the car finally tears out of the parking lot. She goes ballistic on him for stopping her because her brother was right there and she lost him again and she didn’t even get the license plate. He was right there.

The police basically do jack all again. There’s no license plate, no names they can follow up on, and they’re still half convinced this is a settled custody issue even though tsumiki insists her brother was sold by his dad and is very plainly getting hurt wherever he is. Itadori is now a devoted advocate of finding tsumikis brother and reuniting them, and both basically kind of end up becoming really close to the other? He’s taking care of himself and his grandpa alone, she’s alone while her moms awol again, and they both become the others support system.

At one point, there’s this random girl and boy who doesn’t speak who shows up to their school for indeterminate reasons. The girl is bored and twirling her glasses in one hand while the person in a suit that they’re with asks the principal questions, and when tsumikis eyes catch at the right angle, she sees an invisible monster clinging to a classmates back through them. She realizes it’s exactly what Megumi always talked about and still remembers that the people who took him could see his dogs. She corners the two others in a room and tries to demand information about the invisible monsters or see if they know her brother or the people who took him, and immediately gets blown off. The fight escalates until the girl tells him that actually, yeah. She knows tsumikis brother. He is a very special person to some very powerful people, and the only way she can ever help him is to tell him that she’s let go of him and that he needs to do the same to her. That’s the only message that the people who have him would ever let get through, and his life would get a lot better as soon as he got it.

The people who have him would give him anything in the world, except for her. He could be a lot happier and healthier than he is right now if he just agreed to stop trying to find tsumiki. If she really wants to help her brother, then she needs to let him go.

Tsumiki nails her in the back of the head with a milk carton when she tries to walk away. It sloshes out on her. Tsumiki did not intend this. She cannot admit that fact. There are some actions you just have to own when you do them. She tells the girl that he’s her brother and she’s never letting go of him. She’s going to find him. They can’t keep him from her forever. She doesn’t care how long it takes her.

For a second, tsumiki really thinks this girl is going to kick her ass, but she doesn’t. She wishes her luck and tells her she’ll need it, and it’s only later that tsumiki realizes she slipped the eyeglasses into her pocket.

And as it turns out, her brothers monsters were real all along.

There was a knife that toji left in the frame of his bed. Tsumiki confiscated it from Megumi as soon as he found it, and it was odd and strange and gave her bad feelings when she held it, and it can kill the things that gather on her back. When she follows Itadori to their local high school and joins the occult club in an attempt to find more people involved in this world of invisible monsters, she wears the eyeglasses and keeps the knife hidden in her bag.

It comes in handy when her senpais are trying to open this thing and suddenly there’s like a fucking portal opening and Actually Let’s Not Oh Too Late Let’s Run Let’s Fucking Run.

They run.

Meanwhile at the hospital Megumi found out in very quick succession that his sister has fucking sukunas finger and also that there’s a very over enthusiastic himbo who is the self appointed vice president of the Find Fushiguro Megumi And Bring Him Home Club who absolutely fucking refuses to leave his side. Sorry who are you. Why are you so enthusiastic about finding him. Megumi sort of was the one doing the finding there was a whole tracking situation and him waiting dramatically in the shadows like they just did it.

Anyway they run very very quickly to tsumikis school where she is dodging she is serpentining this is a fuckton of monsters oh holy fuck is that her brother?

The fight goes bad.

Tsumiki manages to follow itadori and her brother out at a much slower pace because she’s not a freak of nature like itadori and shows up just in time to see her brother shouting at itadori to not eat the fucking finger while itadori is absolutely trying to eat the fucking finger.

She chucks her shoe at him. The finger goes flying.

Then the monster eats it instead.

Tsumiki: :o

Yuuji: :o

Megumi: fuck

Now there’s a bigger monster and the fight goes even worse. There’s a lot of shouting. Itadori ends up with her knife. Then he ends up getting eaten and they’re down both a knife and itadori, who’s probably fucking dead. Then megumis insisting she run and she’s insisting he shut the fuck up because it’s sort of taken a decade to get this close to him again and she’s not fumbling the bag now because of a monster on the rampage. Have a sense of fucking priorities here.

Then itadori bursts out of the monsters stomach with the knife like the fucking Kool Aid Man and the fight is suddenly very over. Good job, team.

Gojo rolls up to his most stoic and eternally pissed off student having a dramatic and emotional reunion with his sister.

Yuuji, in a very bad whisper: no no so like she’s been looking for him for years but he saw her in the restaurant

Gojo: :o go on

Yuuji: and then he got caught by like, I don’t know, he said he was his uncle or something but the dude acted so weird and creepy and they put him in a car and Tsumiki tried to stop the car but they got away

Gojo: *gasp* what no

Yuuji: I know! Anyway then I start helping her look for him but we can’t find him anywhere until I’m at the hospital and he just walks up to me right?? And I’m like “dude I have been looking everywhere for you” and he’s like “I have no idea who you are, I’m here about that fucked up demon finger” and I’m like—

Megumi, really trying to have a moment here: we can both hear you

And megumis like “this is uh. My new teacher. I guess. I am his only student. And he is uh. Enthusiastic. Do not linger in conversation with him.”

Tsumiki is lingering. She needs fucking intel so he can’t disappear again. Where does he go to school and can she transfer there. It’s fucking wizard school? Will they take her even though she’s not a wizard? She cannot emphasize enough that she will study any fucking subject they want so that way she can be close with her brother again she does not care if it’s applicable to her education or life. She can throw things at people itadori tell the man tell him how enthusiastically she will throw things at monsters for their weird fucking wizard school.

Itadori: she hit me in the face with her shoe like five minutes ago

Tsumiki: see???

Megumi keeps trying to forbid her from wizard school but she’s technically the older sister so she has override rights. She will go to wizard school. How does she get wizard school to accept her.

And Gojos just really weird and off and keeps looking at Megumi and saying that he “didn’t know he had a sister.”

He really didn’t know that Megumi had a sister he wanted to stay with.

And then suddenly it’s like a switch is flipped and he’s back to his normal self telling them to leave everything to him, because he’ll make sure tsumiki can come back with them. And uh? Itadori? Weirdly physically capable kid who will apparently eat anything? Is he going to be good getting home after all this?

Itadori: actually if it’s not too much trouble can I go to wizard school too my grandpa sort of died half an hour ago and I don’t have plans for the rest of my life. Tsumikis kind of my best friend and I’d like to make sure she’s all good at wizard school. I’m a really good fighter and I stabbed the last monster so like can I come too because you know. Dead grandpa. No family or future to speak of. Haha.

Gojo:

Megumi:

Tsumiki, softly: dude

There’s more after they make it to jujutsu high but this is already really long so we leave it here

[quietwingsinthesky]

you think sam ever wonders if dean would have tricked him into saying yes to lucifer again if it meant saving his life.

[zeb-z]

At a surface level, Gillion always putting himself between danger and his friends just makes sense, because he’s noble like that, isn’t he? Gillion Tidestrider, Champion of the Undersea, Hero of the Deep, Riptide Pirate - he can tank a hit, or two, or three, and swing back just as hard. He’s protective, and he’s sturdy, and he’s stubborn. Then just a little deeper, Gillion would without question sacrifice himself for the greater good. For a friend in need, for a good hearted citizen, for the net positive - he’s noble, with a heart of gold, who’s courage knows no bounds, right? And then just a little deeper, Gillion would actively harm himself just to make someone feel better. Just to take the edge off of someone else’s misery. He’d take their own pain, or even unnecessary pain, so they might have some sort of relief. Even if it isn’t guaranteed, he’s so ready, so eager, to jump at the chance.

Gillion Tidestrider is someone born to meet impossible standards, constantly told he’s not good enough, taught that his suffering is necessary and through this his people will survive. He’s all these things, kind and courageous and chivalrous, with a heart that beats to help others in need - but he’s also self sacrificial. Dangerously so. He takes personal risks without second thought, he pushes his limits for even the little things, he helps to the point of his own detriment. He will bleed himself dry on the off chance it might help a good soul who needs it. He will do worse for his loved ones. And it isn’t just from the all encompassing need to help at any cost, but also this feeling deep down inside that he deserves it. It’s his destiny to save people, no matter the personal cost.

It’s pushed to the extreme with Felipe after the Feywilds. Gillion, still off center, freshly traumatized from his time in that god forsaken orb, still awaiting the verdict on if he’s guilty in the eyes of the council while fully convinced he is, finds out it’s technically his fault his new friend is filled with insatiable bloodlust and wants to stab him to death. Of course he encourages the stabbing. Of course he’ll mind control to keep the peace. And when all is said and done, and it hurts and it doesn’t help, he still wonders about pushing it further - fully behind this idea of him dying and being brought back, even if it’s not sure to work. Even if it’s not sure to bring him back.

And I just keep thinking, that for all the healing Gillion does - all those sick people from Joaldo, Chip and Jay countless times in their battles, members of the crew, various people hurting and in need of aid - he’s never once used lay on hands on himself. It’s a pattern, made noticeable in Edison Kingdom, where he heals Alphonse for half of a joke instead of his own 1 hp - which subsequently downs him on the way down - and it’s continues to the end of the Feywilds, where Jay and even Felipe heal the stab wounds he bleeds out from. He’s a healer with the power just at his fingertips, so easily within reach, and he doesn’t heal himself.

So it does beg the question - when will the line between ‘selfless’ and ‘self sacrificing’ be drawn?

[carnelianwings]

Something I find really funny is how for all the rumors that Seed’s staff/writers don’t like Cagalli, Orb under her leadership just keeps ending up in a better (political) position with each addition - Seed Destiny ends with Logos wiped out, Blue Cosmos severely hampered, and the entire Seiran family wiped out, including Yuna. This leaves Cagalli with almost no political opposition in Orb (since the second Battle of Orb would’ve flushed out a majority of the Blue Cosmos/Logos sympathizers within the government/military), along with giving her a boost in popular and military support thanks to her actions and field leadership during the battle.

(Cutting for me just rambling on a bit about the in-universe politics after Seed Freedom)

You can tell with how much she’s managed to get done in the years between Seed Destiny and Seed Freedom - in that short year and a half to two years, she was able to propose and found COMPASS, secret away and upgrade the Impulse, Destiny, Strike Freedom, and Infinite Justice, arrange for ties between Orb and Terminal to investigate/exchange intel (Athrun and Meyrin), and put into place all the evacuation/defensive protocols in case of another attack on Orb (as seen vs Foundation and Requiem, even if she needed Kira to pull an “I lived, bitch” to Aura 😅).

And it doesn’t end there - thanks to Foundation, Cagalli arguably has an easier time internationally now, because the Eurasian Federation leadership also got hit and the Eurasian Federation, while not necessarily Blue Cosmos sympathizers like the Atlantic Federation, was very staunchly anti-PLANT, which I think would’ve caused some problems for Cagalli, especially post Seed Destiny with Lacus joining her for that broadcast.

I actually think Orb probably has fairly decent diplomatic relations with PLANT (I think Chairman Lament mostly cut off that call after everything went south in Eldore because of the whole nuke situation), especially since Lacus is COMPASS’s inaugural president, plus the time both Dearka and Waltfeld (I’m not sure if he’s in Orb or PLANT as of Seed Freedom since his silent cameo has him helping to stop the coup in PLANT in Seed Freedom) spent there. And we have a very prominent all-Coordinator team with the Yamato Team - truth be told I actually wonder how much the Earth Alliance invested into COMPASS because everything we see on screen is either contributed by Orb (Archangel, Murrue and crew, Kira, Mu, and the Murasame Kais), PLANT/ZAFT (Millenium, Konoe and crew, Heinlein, Shinn, Lunamaria, Agnes, Gelgoog, and Gyan), or arguably both (namely, Rising Freedom and Immortal Justice). Unless I missed a minor crew member along the way. Which is possible.

Also pure speculation on my part on this - but the fact Seed Freedom has Athrun going into intelligence with Terminal (which we first see as having a presence in the PLANTS) from the Orb side and Yzak and Dearka going into intelligence from the PLANT side can’t be a coincidence. I want to think the three of them decided on it together because being in intelligence/covert ops gives them the chance to work together without having to force anyone to change their current loyalties - I don’t think Athrun can be truly loyal to anyone except Cagalli after Seed Destiny, and Yzak was always loyal to PLANT, and if Dearka hadn’t been captured and made to realize how extreme PLANT had become under Patrick Zala he wouldn’t have switched sides to Orb/Three Ships Alliance during Seed either. Which also indirectly feeds into Orb and PLANT having better political relations than Orb and Earth Alliance.

Which brings me to my final point - I would be very surprised if Orb isn’t the primary target for the antagonists in a Seed Freedom sequel. At this point Orb’s capable of doing too much with the limited resources it has as a small nation with too much military strength at its command. And there is room for a sequel (setting-wise) because while Earth Alliance took another major hit with during the Foundation Conflict, the ideologies that led to the First and Second Earth Alliance-PLANT wars still exist - even if Blue Cosmos lost another leader, even if the believers of Coordinator Supremacy lost another leader (in Jagannath) those ideologies still fundamentally exist. All the Foundation Conflict did was serve to take down the military leadership of those ideologies - even if the public on both sides see those views negatively it doesn’t make them go away.

[vaugarde]

not to brother post but my brother will say the most vile and degrading shit to our mom and then wonder why he hasnt gotten a gf, let alone have a family by now

[tennessoui]

Anakin’s really out there trying to make a poly triangle work (the sort where he's the one in the middle and the other two are Not Together) while having zero clue that he's trying for a poly thing at all... and neither of the two people he's in a poly thing with realize that's what's happening..........

I feel like couples counseling au anakin would very much not enjoy a poly triangle thing if it were to happen because the way I’m writing him and his relationship with obi-wan, Anakin would be very dissatisfied during any romantic time he isn’t spending with Obi-Wan.

The moments he’s spent with Padmé in the fic so far, at least half if not 75% of his attention is focused on his master even when the guy isn’t even there. It’s only gonna get worse from there—I think in his head if he thought about it briefly, he would like to be in a relationship with both Padmé and Obi-Wan.

But the fic progression and conclusion does hinge on anakin realizing that he actually does not want to be in a relationship with the both of them. He wants to just be with one of them and that person is his master.

[lazer-screwdriver]

Nine who’s being alive is a punishment and Liz gorging herself on every moment. Dies.

[zefforuins]

God I wish we knew more about what specifically was going thru Jason’s head after his fight with Bruce, because essentially his entire worldview has been collapsed. He’s spent the past however many years believing that Bruce is ultimately responsible for the pain that he feels, that the entire Batman thing does nothing but harm others, and that the only way he will “get better” is by killing Bruce.

Finding out that he was apart of Jokers plan all along, and that no, Bruce actually DOES care about him and regret what happened, and actively WANTS to make it right by working together with him has to be insanely difficult for him. By the time he shows back up in game to paint the red hood symbols and get ready to save Bruce, he’s figured out that Scarecrow is going to finish the plan and kill Bruce and that he actually…doesn’t want that. And from there on now Jason has to spend time trying to figure out who he is again.

Not only did Joker put ideas in Jason’s head, but Jason also has spend the past few years with one goal in mind, kill Bruce. As far as I know he hasn’t spent any extra time on a side gig or playing some video game that he likes lol. So he needs to find himself again and figure out how to trust his thoughts and ideas and try to free himself from the joker.

[starlightandmagic]

Listen, LISTEN, what makes Kanej such a compelling and unique ship is that they IN FACT don’t need skin on skin contact to love each other. They don’t need what other couples have to feel how they feel or to show their affection for each other. They have so much trauma and issues they have to deal with but that does not stop them from being willing to try to be together despite their struggles. They can barely hold hands but that does not erase the yearning and the love and devotion they so clearly feel for the other.

Kaz is willing to try to put himself together for her. He shows he cares by giving her everything she ever wanted: her freedom and her parents and a ship to hunt slavers.

And Inej canonically states she doesn’t think she could ever have a normal relationship with anybody else, she doesn’t want that, she’s not made for that life. What she wants is Kaz being willing to try to open up for her. The “I will have you without armor” is not about her wanting him to remove his gloves for her and give her physical affection. SHE DOESN’T EVEN KNOW IF SHE COULD EVEN HANDLE THAT.

What she wants is Kaz being willing to try for her. If she was going to make herself vulnerable and open her heart to a relationship with him she needs him to meet her in the middle. She knows what she deserves and she was not going to try if Kaz was going to give her nothing but his usual emotionally repressed self.

That’s it. It’s not about skin on skin contact, it’s not about Inej needing a man without trauma to fulfill physical needs she cannot even handle just yet because she was the victim of human trafficking and repeated SA in the Menagerie. And I DESPISE the writers for completely erasing that aspect and daring to imply something between Inej and Tolya. Tolya who canonically states he has no interest in romance, who literally says his books and his poetry are more than enough! That one writer with their stupid IG post, I swear they don’t have even the most basic understanding of these characters and what make them so unique and special. LITERALLY NO ONE ASKED FOR A LOVE TRIANGLE WHERE ITS NOT NEEDED STOP THAT SHIT RIGHT THIS INSTANT!

[twentyfivemiceinatrenchcoat]

alexis said morally gray yan!gojo and now my brain is . Poisoned