when i say percy is one of the only people in the world who will stand up to annabeth or call her wrong, i do NOT mean she’s a horrible person and he calls her out for being one. allow me to write a long incorrect quote scene to show you what i actually mean:
*in some battle, post-heroes of olympus*
annabeth, fiercely in control and leaning over a large map: okay, here’s what’s gonna happen, everyone. we are going to evenly distribute our forces and deploy them in successive waves. we must avoid further division to ensure that each wave remains strong and concentrated on the central target. we are going to systematically weaken their core. once their primary fleet becomes depleted, we will expand our focus to engage secondary targets. we will defeat brute force by gradually eroding their strength over the course of several hours. anyone got a problem with that plan?
everyone in the strategy tent, including the smartest children of mars and athena:
annabeth: that’s what i thought. okay so-
percy: actually, i do
*everyone’s eyes widen in surprise*
annabeth, raising her eyebrows: what do you mean?
everyone: *backing away slowly in fear of her wrath*
percy: i get what you’re saying, and usually you’d be exactly right. but i know these guys better than you do, wise girl. i’ve actually been here and fought a couple of them before. yes, they are insanely physically strong creatures, but you’re overestimating their intelligence and positioning. if we do what you’re saying, they’ll just pick us off little by little. we need to be quick and dirty. force their hand
annabeth, pinching the bridge of her nose: percy, you’re talking about a full frontal assault on their strongest point. that’s reckless. we’ll be outnumbered and overwhelmed.
percy, stepping closer to the map and pointing to the terrain: not if we use their terrain, which i personally know. if we concentrate our forces here and here, we can create the illusion of a weaker center. they’re crazy strong, but much more arrogant than you’re assuming. so knowing them, they’ll all focus on our main assault, assume they have us outnumbered, and put all their energy into trying to punch through. but if we’ve got our best fighters hidden in the valleys, instead of holding back, we can hit them from both sides once they commit
annabeth, her brow furrowing as she considers percy’s plan: we’d be baiting them into a trap. they’d think they’re winning, but the second they overextend, we surround them. they won’t see it coming because of the way their ranks are arranged.
percy: exactly
annabeth: it’s based off the assumption of their own tactical shortcomings, but… it’s brilliant. come here and show me all the pathways, and i’ll plan for the side attacks. do you have any advice there?
percy: nope, i need you for that part
*them working seamlessly together as everyone else stands around in shock*
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There's this weird take I've seen floating around on TikTok that Bill doesn't actually care about his family/dimension or Stanford at all; that we're supposed to take everything in TBOB as non-canon basically because he's lying to garner sympathy from reader to make a deal with them. I'm all for having your own interpretations of media, but I just don't think this idea that Bill is a completely heartless unfeeling creature is supported by canon at all. In fact, it kind of feels like the opposite of the point of the book.
Like, yeah, most things Bill says should be taken with a grain of salt because he lies a lot, but he's not actually a very good liar? It's usually pretty easy to clock when he's full of it. But okay, even if we assume every word Bill says while trying to recruit the reader is a lie, there are three major things that this doesn't account for.
Bill is not the only source in the book. The lost Journal 3 pages were written by Stanford, we only know about the interdimensional Taco Bell incident because of an included police transcript, etc.
Even once he's lost any chance of making a deal with the reader to escape, Bill is having a complete breakdown and mentions all the people he so totally doesn't miss for real you guys. Why bother with reverse psychology double-lying for sympathy once his shot at getting the reader on his side is already gone?
Trying to garner the reader's sympathy makes sense to a certain extent, but why go out of his way to make himself look pathetic? Does revealing that he got drunk and cried over his ex in a fast-food drive-through really help his cause if that cause is to convince the reader he's still a powerful being capable of starting the apocalypse again so they can rule with him?
And that's all without even mentioning that, as previously stated, I think the entire point of the book is missed if we're interpreting Bill as having no genuine feelings or attachments. The book ends with Stanford healing from his past by being open about what he went through with his family and accepting their help, while Bill insists he doesn't need anyone and refuses to heal, actively making himself worse in the process. The clear theme imo is that accepting your past and accepting help from people who love you is essential to healing, while denying those things just makes everything worse. If Bill doesn't actually care about his family, his dimension, Stanford, or anything/anyone else, he has no trauma to heal from or regrets to learn from that he's refusing to accept and deal with, and the entire meaning of the book is made moot.
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Charles whose dad smashed his cassette tape with a hammer learns to navigate the backpack cause, like, he needs to be useful, yeah?
and this way Charles has everything Edwin needs, and if Edwin gets sick of him he’ll just.. he doesn’t know what he’ll do.
but then Edwin gets the record player.
he suggests, tentatively, that Charles might play some of his “queen” if he liked. after all, if they are to haunt potential realtors away from their new office, they may as well entertain themselves.
so they take turns, switching out; edwin likes opera. he shows Charles how to waltz, chiding Charles to stop looking at his feet til they’re gliding, whirling around like they’re in the movies. Edwin’s smile is small and pleased and lovely. (Charles attempt to get Edwin to headbang along to queen results in a sort of awkward rhythmic nodding. Charles loves him so much he could die again.)
And, like. Edwin doesn’t like clutter. he doesn’t bother with the random tidbits ghosts give them for solving cases.
until now, apparently.
now he comes back from trading at the goblin market with little useless things—a cursed rubix cube, records from bands Charles mentioned years ago.
Charles is so busy trying to subtly read his book on Edwardian courting rituals (disguised by Nikos discreet manga covers) that he doesn’t realize what Edwin’s set down in front of him. he stares at Edwin’s spiky handwriting, the tidy numbered list.
“I thought, perhaps, that we might—start a new tradition.”
Charles blinks, eyes stinging. “Mate, did you.. make me a mixtape?”
“Crystal assisted me, and while she was absolutely insuffer—“ Edwin staggers, catching him with a surprised little noise.
“I love you so much,” Charles says, muffled into his throat. “You’re my favorite person. I love you so much it hurts, sometimes.”
“Yes,” Edwin says softly, hands curling around his waist. He takes Charles weight like it’s nothing. “I believe I know the feeling.”
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